- 8 minutes ago
Category
🎥
Short filmTranscript
00:00:00Hey, what are you doing with my stuff? How'd you get in here?
00:00:06I gave him the keys.
00:00:07Carl? I mean, what are you doing here so late? And what's that guy doing with my stuff?
00:00:12Tasha, Tasha, Tasha. You're always asking the wrong questions.
00:00:19What the hell is going on?
00:00:21Do you really think you're death thick, Tasha?
00:00:24Your husband and I decided that you're no longer needed here anymore.
00:00:28Reyna's gonna take over your role at the company.
00:00:30She's already proven she can do everything you can, but better.
00:00:34I'll have a letter of termination and divorce paper sent over to your new address,
00:00:38wherever that ends up being.
00:00:40What should I do with this, boss?
00:00:42Give me that, you plebe. I know exactly what to do with it.
00:00:48Is that clear enough for you, Tasha?
00:00:50Your company and your husband both belong to me now.
00:00:58No, you can't just fire me. I'm a shareholder at this company.
00:01:02Are you still a shareholder at this company, are you?
00:01:06You know, actually, your debt is mortgaged with your shares, so you actually owe this company about 200 million.
00:01:12I never took out any loans that large.
00:01:14Oh, Tasha, you were always so gallible.
00:01:18A word of advice for the future?
00:01:20Don't give the keys to the kingdom to your assistant, no matter how trustworthy your feeble brain think they might be.
00:01:28Security! Security! We have a vagrant in the lobby and she might become hostile.
00:01:34Stop acting. I'll just leave on my own.
00:01:42Look, there's no glamour. There's no glory. It's just blood, guts, fear, and misery.
00:01:50Come on, man. You think I'm some kind of moron that doesn't know anything?
00:01:54I know that the type of money you make in just a few days, I can't make that in 10 years working as a stick.
00:02:00But at least you're guaranteed to be alive in 10 years.
00:02:02In my world, you're not guaranteed to be alive in 10 days, let alone 10 minutes sometimes.
00:02:07Yo, yo, man. Stop lecturing me. Are you gonna give me the gun or not?
00:02:13I'm sorry, but no. I'm not gonna let you get killed.
00:02:17Man, what the fuck you got me here for then? Shit.
00:02:36Oh, I guess you didn't hear. The repo guy, he came and towed your car away.
00:02:43Ugh. Said it was, like, collateral for a loan.
00:02:48Of course, I made the call and arranged everything.
00:02:52My pleasure.
00:02:54You despicable trash.
00:02:57You know, I was gonna give you a ride, you know?
00:03:00Seeming that we were married for so long.
00:03:02But walking the streets at night kinda suits you.
00:03:06So, enjoy.
00:03:09Go to hell.
00:03:13Miss?
00:03:15Why?
00:03:17Why?
00:03:19Why?
00:03:21Why?
00:03:23Why?
00:03:29Why?
00:03:31miss just go away all right i don't need your cheap sympathy right now
00:03:47miss your friend's gone i just want to offer my cab services
00:03:51yeah i'm i'm sorry a a cab is just what i need right now
00:04:00all right great come on board
00:04:01sorry i i don't have any cash right now um give me a minute i'll go grab some from inside
00:04:29here just proof i'm not trying to skip out on the fair
00:04:34you have some nerve coming back here i never wanted my son to marry you in the first place
00:04:49and now that he's finally come to his senses and kicked you to the curb you think that you
00:04:54can just waltz right back into his house his house my father left me this house and i know
00:05:03you're senile but i'm sure you remember when you practically begged me to let you and carl
00:05:09live here i always knew you were a nasty little hussy
00:05:12who the hell are you this is a personal matter so you should really mind your own business and
00:05:23stay outside actually this is my boyfriend so if it's a personal matter for me it's a personal
00:05:31matter for him okay what you think your son's the only one capable of having secrets
00:05:38hey thanks again for today i know that's a weird position to put you in
00:05:58it's all right it is really nice to know that there is still good people out there that would
00:06:05help a total stranger have a good night all right you too
00:06:10have a good night all right
00:06:20you
00:06:22have a good night all right
00:06:26where's my necklace
00:06:54here just proof i'm not trying to skip out on the fair
00:07:00here's a fancy broad like you find yourself in a place like this
00:07:30who the hell are you get out now all i'm trying to do is introduce myself and you'll treat me like
00:07:36some dog shit you found stuck to your shoes
00:07:41oh i'm calling the police
00:07:45how about i give you a better idea
00:07:47you and i are gonna have some good old-fashioned fun tonight
00:08:00if i ever see you around here again you're dead get out of here
00:08:14hey
00:08:14oh i'm so glad you're here
00:08:19where did you get this necklace my father gave that to me
00:08:31better not be lying to me i'm not lying
00:08:34i know
00:08:35i made that with his own hands
00:08:38i have my name on the back
00:08:40it's really you
00:08:52how did you lift your bag in my car
00:09:05how did you know where to find me
00:09:11i have my ways
00:09:14hey listen
00:09:16i know it's none of my business
00:09:17but it's not safe for you here
00:09:19with everything that's happened in the last 24 hours this is all i can afford
00:09:27listen i have an extra room in my place maybe you can just come stay with me
00:09:41welcome home
00:09:59i really feel like my luck's starting to change
00:10:02i mean you've literally rescued me over and over today
00:10:06i know what it's like
00:10:08i've been rescued before
00:10:09um i'm sorry i i don't think i can make rent right away but um
00:10:16you could sell this ring and then
00:10:19should cover me for a few months at least until i'm back on my feet
00:10:23i thought he was a really rich guy
00:10:25why did he choose such a small diamond
00:10:29it's not a very good cut either
00:10:32okay never mind i can just
00:10:36no it's fine i'm just saying
00:10:39i mean you deserve a better ring than this
00:10:51no babe stop it's late okay
00:11:06you're still thinking about her who tasha are you kidding me
00:11:16then why are you wearing the wedding ring did you forget what she and her father did to you
00:11:21i will never forget what she and her father did to me
00:11:25but that has nothing to do with you so why don't you stop mouthing off about
00:11:29shit that you know nothing about and let me handle my own affairs
00:11:43mary
00:11:52a
00:12:06Mary?
00:12:09What?
00:12:14Hey, what's going on?
00:12:16My daughter's missing.
00:12:17What?
00:12:30Tasha, you shouldn't have barged in like this.
00:12:33If Carl finds out-
00:12:34No, I don't care about Carl right now, okay?
00:12:36Where's my daughter? Where's Anna?
00:12:38I sent her away.
00:12:43You have no right.
00:12:45Actually, as Carl's new wife and Anna's legal guardian,
00:12:49I have all the rights to do whatever I want with my stepdaughter.
00:12:55What?
00:12:57We never settled custody, so just skip the theatrics and tell me where my daughter is.
00:13:05You think you're getting custody?
00:13:08You're dreaming.
00:13:10On one hand, we have a mother drowning in death with no place to live.
00:13:17On the other hand, we have a wealthy and well-respected father,
00:13:22who happens to be the CEO of the world-renowned pro-group.
00:13:27Who do you think the court will side with?
00:13:37Oh, what's going on?
00:13:38Oh, Carl.
00:13:40Carl, it's okay.
00:13:41Tasha was understandably upset about the situation.
00:13:43You know, I don't blame her for what happened.
00:13:46You trespass on my property? Assault my wife in her own home?
00:13:50Tasha, I have put up with your outrageous behavior for years,
00:13:53but don't you dare subject Reina to that kind of abuse.
00:13:56You don't understand. Reina sent Anna away.
00:13:59She did what any good mother would.
00:14:01I want to know where my daughter is right now.
00:14:04New Zealand.
00:14:06Getting medical care from one of the best cardiology departments in the world.
00:14:10the world and remind me.
00:14:12What have you done for your daughter lately, hmm?
00:14:15Abandon her?
00:14:16To go shack up with some cab driver boyfriend?
00:14:18You idiot!
00:14:20I found those cardiologists in New Zealand.
00:14:23Scheduling those appointments was the last thing I had Reina do when she was still my assistant!
00:14:27Tasha, Tasha, you disgust me.
00:14:29Trying to take credit for this wonderful woman's kind gesture to your own sick daughter.
00:14:35I'm going to make sure Anna stays far, far away from you
00:14:37so there's no possibility of her ever becoming anything like you.
00:14:46You backstabbing, homewrecking bitch!
00:14:53I advise you stay far away from my daughter and I.
00:15:00Hey!
00:15:01By the way, the deed still lists me as the rightful owner to this house.
00:15:05So the two of you have no right to keep me from coming back here.
00:15:09Do you understand?
00:15:10Calm down.
00:15:11You can forge my signature.
00:15:13You can take my money.
00:15:14Take my house.
00:15:15But you will never have a shred of the intelligence that I got.
00:15:19Tasha, you have made your point.
00:15:21I think it would be-
00:15:23You deserve that too!
00:15:25You should have told me about Anna a long time ago!
00:15:27Oh, don't stop at my account.
00:15:33Please, continue.
00:15:35Miss Big Shot, don't you forget that you still owe 200 million dollars.
00:15:41And 20 millions of that is owned to me personally.
00:15:45In fact, I'm going to call my lawyer and see to it that if you don't pay right away,
00:15:49you're never going to see your daughter ever again and you'll end up in doctor's prison.
00:15:55Ciao.
00:16:00Go ahead and check it out.
00:16:01But after your accountant, make sure this is all legit.
00:16:03I don't want you two jackasses counting my girlfriend money ever again.
00:16:06Got it?
00:16:12Oh!
00:16:13By the way, we're going to go ahead and take Anna in the future too.
00:16:17Don't worry, Carl. I'll be a better father to her than you ever can be.
00:16:21Tasha, you'll regret this.
00:16:29Thanks again, Kerr. Today.
00:16:32For pretending to be my boyfriend.
00:16:37Mm-hmm.
00:16:40Was all that money real?
00:16:42As real as it comes.
00:16:44Where'd you get all that money?
00:16:46I robbed a couple jewelry stores for him to find you.
00:16:49Are you serious?
00:16:51No, I'm just joking.
00:16:53It was my dad's.
00:16:55Don't worry, it wasn't stolen or robbed or anything.
00:16:57But hey, listen.
00:16:59From now on, I want you to think of me as your creditor.
00:17:01Okay?
00:17:02I don't want you to worry about owing money to those scumbags.
00:17:05From now on, you'll just throw money to me.
00:17:08As long as you're okay with that.
00:17:11I could be okay with it.
00:17:12As long as you can satisfy one small request.
00:17:15What kind of request?
00:17:19My only request is that you just relax.
00:17:31Okay?
00:17:32I want you to take a load off.
00:17:34I want you to start by telling me a story, you know, about the last time it was when you were happy.
00:17:40You know, I just, I never in a million years could imagine that Carl would betray me like this.
00:17:59Now I have nothing.
00:18:05Well, I mean, you always have me and, you know, other things.
00:18:14I can't hear you.
00:18:17You're whispering.
00:18:19I'm going to raise a little bundle.
00:18:31Thank you so much.
00:18:40Thank you so much.
00:18:49Carl, you know, Tasha's probably screwing around with that new boyfriend of hers.
00:19:03That bitch.
00:19:06Honey, you know, you promised to put me in touch with the curator at the Fitz Gallery.
00:19:10I'm telling you, forget about the Fitz Gallery, okay?
00:19:13The people who are running it are crooks.
00:19:14But I want my paintings to be showcased in the most prestigious venue possible.
00:19:20I know, I know.
00:19:22And I said I would help you find other galleries, remember?
00:19:26Just stop nagging me about it, okay?
00:19:29Okay.
00:19:32You're a little angel.
00:19:44It's okay.
00:19:54Just sleep in.
00:20:01Well, it's certainly going to make things more complicated.
00:20:07So you want to pretend last night never happened?
00:20:09I thought we had a good thing going on between us.
00:20:17I mean, you've been going around the last couple of days telling everybody I was your boyfriend.
00:20:21Yeah, but that was just something I said to make my husband jealous.
00:20:27You mean your ex-husband?
00:20:29Yeah.
00:20:30Ex.
00:20:31Yeah.
00:20:32But I mean, you and I, I, you know I can't start a new relationship right now.
00:20:42So everything you said last night?
00:20:45We were just caught up in the heat of the moment.
00:20:49Heat of the moment.
00:20:50So it was all just bullshit?
00:20:53Why?
00:20:53To get me into bed with you?
00:20:56Just to have a one-night stand?
00:20:57Because you miss being with your damn husband?
00:21:15So everything you said last night?
00:21:20Get a hold of yourself.
00:21:24You just got divorced.
00:21:27You're not going to play mind games with men anymore.
00:21:31Hey.
00:21:34I wasn't sure what you like, so I just made a little bit of everything.
00:21:40You made all this?
00:21:42Yeah.
00:21:49So what do you think?
00:21:53It's delicious.
00:21:57I mean, you deserve to have some of your awesome breakfast, too.
00:22:04Hey.
00:22:05You're not going to make me sit here and eat this alone, are you?
00:22:12You've got some sauce right here.
00:22:14All that for some sauce, huh?
00:22:23Are you kidding me?
00:22:30Hello?
00:22:31Mommy, I miss you so much.
00:22:33Anna.
00:22:34Mommy, I miss you so much.
00:22:35Anna, honey?
00:22:36What?
00:22:37What's going on?
00:22:38Anna?
00:22:38Okay.
00:22:38Okay.
00:22:42Well, both of your resumes look excellent.
00:22:46I have a question.
00:22:49If you spilled a glass of milk in the ocean, how would you get it back?
00:22:53What does that question have to do with our work?
00:22:57Well, I suppose you could contain the section of the ocean with the spilled milk and then
00:23:05collect that sample, add a centrifugal force, and there's probably a good chance of separation.
00:23:12So at our company, we are always trying to make the impossible possible, and for that we need
00:23:19people who can think on their feet, derive solutions, no matter how outlandish the task
00:23:27at hand may seem.
00:23:33Hello?
00:23:33Uh-huh.
00:23:41Okay.
00:23:49Congratulations, Ms. Michaels.
00:23:51Welcome to the Eastwood Corporation.
00:24:03If you don't mind me asking, why didn't I get the job?
00:24:10Mrs. Roberts, maybe you should focus on fixing your own family problems first, before you
00:24:17start to look for work again.
00:24:21We don't want to make enemies with the Crow Group.
00:24:33So I guess you didn't get it.
00:24:39I just don't understand why Carl hates me so much.
00:24:42I mean, he doesn't want me to work for his company, but he doesn't want me to work for
00:24:46any other company either.
00:24:48Look, you don't need that corporate job anyways.
00:24:51Yeah?
00:24:52What else can I do?
00:24:54I mean, I thought you were an artist, now a painter.
00:24:57What did you know about that?
00:24:59You brought an easel.
00:25:03It's just a hobby.
00:25:07I gave it up.
00:25:08I don't paint anymore.
00:25:13Okay, well, if you don't love to paint anymore, then why bring an easel with you?
00:25:21I haven't painted in years.
00:25:24I'm sure it'll be just like riding a bike.
00:25:26Once you start, it'll all come back to you.
00:25:33That's my account.
00:25:35Why are they assigning it to someone else?
00:25:37Fine, fine.
00:25:38Just get me some damn answers and give me a call back soon, okay?
00:25:44Carl, this took me three months.
00:25:47I'm sorry.
00:25:48I just got some bad news at work.
00:25:51It's ruined now.
00:25:52Fine.
00:25:53Start over.
00:25:53You know, it kills me to see you squander your intelligence and talent on these useless paintings.
00:26:03You're a remarkable woman, Tasha.
00:26:06Okay?
00:26:06And if the charlatan snobs in the art world can't see that, then screw them, okay?
00:26:12If you put your focus elsewhere, we could be rich enough to buy ten art galleries.
00:26:17And then you could put whatever paintings you want in them, right?
00:26:21Painting's my passion.
00:26:22What if we put painting on the side, just for a little while, and you could come join me at the company?
00:26:32Because together, we'd be unstoppable.
00:26:37And right now, I am drowning.
00:26:40Your dad and his partners have no faith in these.
00:26:45I need you.
00:26:47Look.
00:26:48You love me.
00:26:52Don't you?
00:26:56Of course I do.
00:26:57Okay, that doesn't matter.
00:26:59Do this one thing for me.
00:27:01This one little thing.
00:27:03Please.
00:27:04Please.
00:27:04You're finished.
00:27:18I'm sorry.
00:27:21To smile.
00:27:23It's my only dream.
00:27:25You're finished.
00:27:33Yep.
00:27:38That is amazing.
00:27:42I honestly never thought I'd paint again.
00:27:45Well, that would have been a shame.
00:27:46You're easily one of the most talented artists I've ever met.
00:27:49We're honored that you chose our gallery to showcase your work.
00:28:10I am curious about one thing, if you don't mind me asking.
00:28:14The subject in your paintings, your muse, is he your lover?
00:28:19Oh.
00:28:21No.
00:28:23He's just a friend of mine.
00:28:26But his gaze.
00:28:27The way he looks out to you in these paintings.
00:28:30There's so much tenderness and affection in his eyes.
00:28:34Is Ken really in love with me?
00:28:41He's so young, though.
00:28:43At his age, he probably doesn't even know what love is.
00:28:47Oh, uh, sorry.
00:28:48You're in the way.
00:28:51Actually, you're in my way.
00:28:55Actually, you're in my way.
00:28:57I'm trying to get into my home.
00:29:00Is this your new girlfriend?
00:29:01I've never seen you with anyone like this before.
00:29:06Ken's my roommate.
00:29:07Now, if you'll please step aside so I can get in.
00:29:14Call me again if you need anything, okay?
00:29:16Bye.
00:29:20Hey, what are you doing home so early?
00:29:22Are they going to showcase your work?
00:29:24Sorry if I interrupted something, but as your roommate,
00:29:27I don't really think I need to tell you if I'm coming or going.
00:29:30So, if you have something private to do, just do it in your room.
00:29:32I never said you need to tell me when you're coming or going.
00:29:35I'm just saying.
00:29:35Fine, you don't need to explain.
00:29:37Just, I just want to be alone.
00:29:44What?
00:29:45I'm so sorry, sir.
00:29:51She just barged in without permission.
00:29:53It's okay.
00:29:55Miss Roberts, please.
00:29:56Grab a seat.
00:29:58We signed a contract.
00:29:59Why can't you show my paintings now?
00:30:02I'm afraid I don't have the answers you're looking for.
00:30:04You want to know what happened?
00:30:05Ask Karl Crow.
00:30:06I want my paintings back, right now.
00:30:14Well, they're probably somewhere in the warehouse.
00:30:17They haven't been thrown away yet.
00:30:18You've already searched the entire warehouse ten times.
00:30:45If you haven't found what you're looking for, it's not here.
00:30:47You better hope I find what I'm looking for,
00:30:50or I'm going to make this entire gallery compensate me,
00:30:52and then I'm going to sue you,
00:30:54and you'll be the first to lose your job.
00:30:57Yeah, that's great, lady.
00:30:58Go ahead and sue.
00:30:59I'm sure things will go exactly the way you described it.
00:31:01What do you think?
00:31:45You really care about her.
00:31:50Shh, keep your voice down.
00:31:52She's had a long day.
00:31:54Also, you can't just come over here so casually in the future.
00:31:57Casually?
00:31:59Are you kicking me out?
00:32:01You didn't mind my coming over so casually
00:32:03when you had me digging through your body for bullets.
00:32:06You men are cold as hell.
00:32:08I think my lucky star is on the lesbian.
00:32:10Look, I just can't have her finding out
00:32:11about the work that we do, okay?
00:32:13Are you serious about her?
00:32:16Yeah.
00:32:17Have you thought about the consequences
00:32:19if your dad finds out?
00:32:22Look, no.
00:32:23You and I have been best friends for over 20 years, okay?
00:32:27And my dad has taught me everything that I know.
00:32:30I think maybe it's time I just figure things out on my own.
00:32:33And you know exactly
00:32:34what I went through last time.
00:32:36I'm not going to lose her again.
00:32:43Don't worry, Anna.
00:32:44Mommy's going to find a way to bring you home soon.
00:32:54All the evidence is here.
00:32:55It's exactly what you thought.
00:32:58Let me know if you want me to find out more.
00:33:00Carl, let's meet.
00:33:17Carl, let's meet.
00:33:18Oh, wow.
00:33:26It's not every day
00:33:28a famous painter comes to visit.
00:33:31To what do I owe the pleasure?
00:33:33The company
00:33:33I supposedly borrowed money from.
00:33:38It's a shell company
00:33:40owned by you.
00:33:42So what?
00:33:43All our operations are legal.
00:33:45You signed the documents.
00:33:47You borrowed the money.
00:33:49All you can do now
00:33:50is pay it back.
00:33:54You know,
00:33:55I don't think you actually want me
00:33:58to pay back the loans.
00:34:00You were just
00:34:01looking for an excuse
00:34:03to have me back in your life.
00:34:06You're obsessed with me.
00:34:08This is just your sick way
00:34:10to dominate me
00:34:11and make me surrender to you.
00:34:12I'm just getting even
00:34:13for the years I spent
00:34:16in your father's shadow.
00:34:18The years of belittlement
00:34:19and him treating me like a clown.
00:34:21My father hired you
00:34:23when no one else would.
00:34:27Not my fault
00:34:28that your insecure petty
00:34:30took his support as belittling.
00:34:35I wouldn't upset me
00:34:36if I were you.
00:34:38Remember, I'm your creditor now.
00:34:40Two months.
00:34:43That's all I can give you
00:34:44to pay me back
00:34:44the remainder of $180 million.
00:34:56What are you doing here?
00:34:58I was just in the neighborhood.
00:35:00Thought I'd give you a ride home.
00:35:01I'd give you a-
00:35:04Hi.
00:35:06Um, hey.
00:35:07Who is this?
00:35:10Um, this is Ken's roommate.
00:35:14We're gonna be driving them off
00:35:15before we head home.
00:35:16Yeah, hey, listen, I didn't introduce you last time, but this is my best friend Nell and her girlfriend Maria.
00:35:28Nell and I have been nothing more than friends since we were kids.
00:35:31She's not into men, and she never has been, and her and I are nothing more than just platonic friends.
00:35:37Alright?
00:35:39I'm sorry I jumped to conclusions the other day.
00:35:42It's okay.
00:35:44I just didn't want you to get the wrong idea.
00:35:46Oh, look, I appreciate it.
00:35:53I really do.
00:35:53I just, I still think you and I are better off just as friends.
00:36:00Just friends.
00:36:02Why?
00:36:08Why?
00:36:11Maybe because I'm just getting over a failed marriage.
00:36:14Because I owe an unthinkable amount of money and I have no idea how I'm going to pay it back.
00:36:22I also have no idea how I'm going to get my daughter back.
00:36:27And getting into a relationship with you, that's just something I can't do right now.
00:36:32Love has brought me nothing but pain, okay?
00:36:35So just, please, just leave it.
00:36:37Do you have any other paintings?
00:37:00Do you have any other paintings?
00:37:00Yeah, I have several.
00:37:09What are you looking for?
00:37:11I would like to buy them all.
00:37:14I love your painting style.
00:37:16It is so unique.
00:37:17I own a large gallery and I would like to establish a long-term collaboration with you.
00:37:24Thank you for your kind words about my paintings, but I've been in some trouble lately and it's
00:37:30probably best if I don't involve your gallery.
00:37:33None of this matters to me.
00:37:39If someone wishes to cause me trouble, well, just let me try.
00:37:49I mean, it has to be a mistake.
00:37:53Or a prank, or a cruel practical joke.
00:37:59I mean, it seems pretty authentic to me.
00:38:01It has their seal and your name and address are, like, clearly written on it, so.
00:38:09It looks authentic.
00:38:12But how would they have seen my paintings?
00:38:16I don't know, maybe one of those auction sites that you've been posting your work on?
00:38:19Well, I mean, you're incredibly talented, so anybody who's seen your work would automatically
00:38:24recognize it.
00:38:30I own a large gallery and I would love to establish a long-term collaboration.
00:38:35It's him.
00:38:37It's him.
00:38:38The guy who'd been on my paintings.
00:38:40He must be the owner of the Fitz Gallery.
00:38:42Well, in that case, we better get going.
00:38:44Where?
00:38:46Gotta go get you a dress.
00:38:47Can't have you showing up to the Fitz Gala in rags.
00:38:55Babe, which one do you like more?
00:38:57This one, or this one?
00:39:00I need to be the hottest girl at the Fitz Gala.
00:39:04Everything just, uh, looks so good on you, honey.
00:39:08So, um, just pick whichever one you want.
00:39:11I gotta take a call, okay?
00:39:13Wrap this up, you twitch.
00:39:15I'll take them both.
00:39:17Wow.
00:39:23Wow.
00:39:24I used to buy dresses like this all the time without even thinking about the money, but
00:39:28I can't afford something like this now.
00:39:33You know what?
00:39:35Consider it a congratulatory gift for me.
00:39:37Alright?
00:39:38And when you make it big in the art world, you can just pay me back.
00:39:43Oh, hi.
00:39:44Excuse me.
00:39:45Yeah, my, uh, friend would like to try on this dress.
00:39:47Oh, your friend has amazing tastes.
00:39:49This dress is actually a limited edition.
00:39:51Each one handcrafted by hand and therefore entirely unique.
00:39:55Truly a work of art.
00:39:56Well, how fitting that's going to be worn by a very talented artist.
00:39:59I'll have someone on the team bring it out to you.
00:40:03Veronica, please bring the limited edition.
00:40:09What limited edition?
00:40:10Tasha, do you really think you can afford this dress?
00:40:19You can afford this dress?
00:40:23Please.
00:40:25Raina, I don't think you need to worry about Tasha's finances, okay?
00:40:29We established that last time.
00:40:30Hey, you.
00:40:33Get over here.
00:40:35I'm going to pay twice what it's worth.
00:40:37But I want this dress.
00:40:39Ma'am, this dress is $4,000.
00:40:40Did I ask you how much it costs, you pluritarian scum?
00:40:44Just shut your mouth and add it to my bill.
00:40:46She's willing to pay double.
00:40:48I'll double her offer and I'll pay $16,000.
00:40:51Okay, sir.
00:40:52Sold.
00:40:53$32,000.
00:40:54You know what?
00:40:57She wants to dress so bad, let her have it.
00:41:00You can put all the jewels you want on a pigeon, but it'll never be a peacock.
00:41:03I'll show you who's a pigeon, you little bitch.
00:41:06How dare you assault me?
00:41:08Tasha, are you okay?
00:41:12What is going on here?
00:41:14What's going on is that your crazy bitch wife pushed Tasha to the ground.
00:41:17I swear to God, they're all lying.
00:41:20I never touched her.
00:41:21I saw everything.
00:41:22This gentleman and his girlfriend were very nice and politely inquired about a dress,
00:41:26and suddenly your wife appears and attacks her for no reason.
00:41:28Shut your mouth, you little lying asshole.
00:41:32You know what?
00:41:32Why don't you just call security before this crazy maniac hits somebody else?
00:41:35Wait a second, Reyna.
00:41:36What actually happened here?
00:41:37What's going on?
00:41:38Why don't you believe me?
00:41:39Don't you?
00:41:41Don't we just call 911?
00:41:42Oh, no.
00:41:43Are you blind?
00:41:44Oh, Tasha, can you stop this bullshit?
00:41:46You know what, Reyna?
00:41:46Can you just stay away?
00:41:48Can I get someone down here?
00:41:49Room A, 122?
00:41:50No, no.
00:41:51That's not necessary.
00:41:52We are leaving right now.
00:41:53Let's go.
00:41:54Oh, but...
00:41:54Okay, you've embarrassed us both enough for one day, okay?
00:41:58Let's go.
00:42:06Wherever Reyna goes, trouble's sure to follow.
00:42:11It is nice to see you get a taste of her own medicine, though.
00:42:14Yeah.
00:42:15It's a shame, though.
00:42:16You would have looked really great in that dress.
00:42:18Don't worry about that.
00:42:22I have a solution.
00:42:31What are you going to do with all this stuff?
00:42:34I'm going to design my own dress and wear it to the gala.
00:42:37Are you sure there's enough time?
00:42:38Have some faith in me.
00:42:40I graduated with honors in design and fine art.
00:42:44I got this.
00:42:46Alright.
00:42:48How do I look?
00:43:09How do I look?
00:43:10What?
00:43:17Is...
00:43:17Is something wrong?
00:43:19Is it...
00:43:20Is it too much?
00:43:21Should I change something?
00:43:22No.
00:43:23No.
00:43:24You look...
00:43:26That dress, like...
00:43:29That is one of the most beautiful dresses I've ever seen.
00:43:31But there's something missing.
00:43:38Should I resell the beads?
00:43:41No.
00:43:43I have a gift for you.
00:43:45Something to...
00:43:46Complete the whole look.
00:43:47Just try harder, you idiot.
00:43:55Mrs. Crowe, I am doing everything I can.
00:43:58I don't know what more I can do.
00:44:01You're calling me fat?
00:44:02Of course not.
00:44:04You're not fat at all.
00:44:06It's the dress.
00:44:07It's not made for a woman's body.
00:44:10Just shut up and do it!
00:44:12Babe.
00:44:14Just put on another dress.
00:44:15You're gonna be late.
00:44:17I spent so much money on this dress.
00:44:20I am wearing this dress!
00:44:22I can't.
00:44:41It's...
00:44:42It's too much.
00:44:45No.
00:44:46It was made for you.
00:44:52I can't wait to see what you've brought to the auction.
00:44:59Can we have a little hint?
00:45:01Well, actually, I brought some of my very own paintings to auction tonight.
00:45:09What's wrong?
00:45:11It's just Tasha Roberts.
00:45:13My husband's dreadful ex-wife.
00:45:17I'm tired of seeing her sorry face everywhere.
00:45:20You know, she's also a horrible person.
00:45:25If it isn't everyone's favorite white-collar criminal turned homeless vagrant, Tasha Roberts.
00:45:33So, the other day, when you were trying to buy this dress with that, um, working-class thug boyfriend of yours,
00:45:40you were trying to come here?
00:45:42Are you sure you were even invited?
00:45:44I'm sorry, are you working with the security details?
00:45:51Do I need to show you my invitation?
00:45:53Honey, I'm just trying to look out for you, okay?
00:45:56I want to spare you the embarrassment of being kicked out when everybody finds out that you are not invited.
00:46:02You mean, like, how you were kicked out of the mall?
00:46:05I see.
00:46:06You still quite don't understand your place in the world.
00:46:10You think you're fucking Cinderella or something, and life is a fairy tale.
00:46:15But don't worry.
00:46:16I'll help you figure it all out.
00:46:21What's wrong with you?
00:46:22You can't just see people are walking through.
00:46:25Rina, this time you've gone too far!
00:46:27Stop shouting, you dreadful oaf.
00:46:29These were supposed to be auctioned tonight!
00:46:30Well, if it is of any consolation, I don't think the wine has reduced their value of very much at all.
00:46:36Oh, now you can go and cry to your fairy gut mother.
00:46:42Loser.
00:46:44Oh, I think the auction's starting.
00:46:47Well, I'll see you there.
00:46:49Toodles!
00:46:57For our first auction item, I'd like to welcome Ms. Rina Crow to the stage with her collection of original paintings.
00:47:06As you can see, Ms. Rina Crow's style is very unconventional.
00:47:25Certainly, these works defy easy categorization, and yet there are touches of whimsy and an almost playful quality about them,
00:47:34as depicted here through the bold use of a duck as a central figure.
00:47:38It's a dog.
00:47:40What?
00:47:41It's a dog, not a duck, you buffoon!
00:47:43Oh, yes, of course!
00:47:45A dog!
00:47:47Seen through a very unique prism.
00:47:50Portrayed as only an artist of Rina's caliber could possibly portray it.
00:47:55Now that we have familiarized ourselves with the art and the artist, let's start the bidding.
00:48:00The starting price will be $50,000.
00:48:03Do I hear $50,000?
00:48:05Anyone?
00:48:08$50,000.
00:48:10Do I hear $60,000?
00:48:13Anyone?
00:48:14$50,000 going once, $50,000 going twice.
00:48:19Sold!
00:48:20Sold for $50,000.
00:48:21And now we'll invite our second artist for the evening, Ms. Tasha Roberts, who will also be presenting a series of paintings.
00:48:42Ms. Tasha Roberts, where are your paintings?
00:48:45I don't have my paintings tonight, um, but I will be auctioning off this dress.
00:49:04Wow, it's beautiful!
00:49:09Stupendous!
00:49:09I've never seen a dress so beautiful!
00:49:11Oh, stupendous!
00:49:17I've never seen a dress so beautiful!
00:49:19A stunning work of art, indeed!
00:49:22There's no need for me to say another word about this masterpiece.
00:49:24Everyone in the audience can clearly see the extraordinary talent and extraordinary artistry.
00:49:30Let's start the bidding at $50,000.
00:49:32$55,000!
00:49:33$75,000!
00:49:35$90,000!
00:49:36$100,000!
00:49:39$150,000!
00:49:40$250,000!
00:49:42$250,000 going once, $250,000 going twice.
00:49:49Gold!
00:49:50This beautiful dress is sold for $250,000!
00:50:01Is that the heart of sun necklace that sold for $200,000,000 a few months ago in a big deal?
00:50:06Impossible.
00:50:07How can that lowly peasant possibly afford it?
00:50:10It must be a fake.
00:50:12Thank you so much for your bid, Ms. Winslow.
00:50:18I'm going to design a few custom pieces in your size and design them to your elegance and style.
00:50:24Have you ever considered creating your own clothing brand?
00:50:29Your creations are so extraordinary.
00:50:33You should really share your talent with the rest of the world.
00:50:37I never considered it, but I certainly will now.
00:50:41Hi.
00:50:42I'd be careful if I were you.
00:50:44I personally wouldn't put any faith into someone that wears cheap replicas of famous pieces of jewelry.
00:50:49What are you talking about right now?
00:50:53This woman is a phony and a con artist.
00:50:56For as long as I worked with her, she's done nothing but defraud and cheat the people she's done business with.
00:51:02And let me make it clear.
00:51:03For everybody that wants to do business with this woman,
00:51:07they won't be allowed to do business with the Crow Group.
00:51:11Is that so?
00:51:11Well, let it be known that if anybody refuses to work with Ms. Tasha Roberts
00:51:19because of the baseless rumors and lies being spread by Ms. Raina Crow,
00:51:23you will no longer be welcomed back to the Fitz Gallery.
00:51:27That's the curator of the Fitz Gallery.
00:51:31Not just the curator, he's also the director of the Fitz Foundation.
00:51:37The curator?
00:51:38Is he the man who bought my paintings?
00:51:40Why does he seem so familiar?
00:51:46Ms. Tasha Roberts is my guest of honor tonight.
00:51:48I invited her personally.
00:51:50So if anybody treats her with the slightest bit of disrespect,
00:51:54they'll be asked to leave and never again invite her back to the Fitz Gallery.
00:51:57As the director of this esteemed organization,
00:52:00am I interested to know that your guest of honor is wearing a cheap replica
00:52:05of a priceless work of art.
00:52:08She is not to be trusted.
00:52:11I'm assuming you mean her diamonds.
00:52:13What evidence do you have to prove that it's not real?
00:52:16Well, the real heart of the sun has the initials of the craft man
00:52:19engraved in the joint between the gemstone and the pendant.
00:52:23So, Tasha, would you indulge us all and show us if what you're wearing is a genuine article
00:52:29or a cheap knockoff?
00:52:32This was just given to me by a friend.
00:52:35I never claimed it was the real heart of the sun.
00:52:38I don't want to embarrass him by having people pour over it for imperfections.
00:52:43So, it's a forgery.
00:52:45You were so happy to have everyone believe it was the real thing until I challenged you and called your bluff.
00:52:53Ms. Roberts.
00:52:54You were so happy to have everyone believe it was the real thing until I challenged you and called your bluff.
00:53:03Ms. Roberts.
00:53:04You have nothing to fear from this woman.
00:53:06Just show her the necklace.
00:53:07And I'll personally see to it that there are no despairing comments about its craftsmanship or quality.
00:53:13And the question has to be asked whether it is the true heart of the sun.
00:53:24See? Just like...
00:53:26What?
00:53:29How is this possible?
00:53:30I do say, this engraving looks entirely authentic to me.
00:53:40This is indeed the one and only heart of the sun.
00:53:43Well, that settles it then.
00:53:44This necklace is authentic.
00:53:46From now on, no one will be permitted to question or harass my guest of honor.
00:53:51Now, if everyone is satisfied, can we please get back to tonight's festivities?
00:53:56Cheers.
00:54:00Ken, you have a lot of explaining to do.
00:54:09Okay, what's wrong?
00:54:11I can't accept this necklace.
00:54:13And I can't give you what you want.
00:54:16Do you even know what I want?
00:54:18I don't want to know.
00:54:21We can just be friends, nothing more.
00:54:24Tasha, you're just afraid.
00:54:26You're just afraid of going after what your heart truly desires.
00:54:28And I just think you're afraid of just being true to yourself.
00:54:34You're the last person that should be lecturing anybody on the truth.
00:54:39Who are you?
00:54:41What do you do?
00:54:42Is this even your house?
00:54:44I mean...
00:54:45How do you own a necklace that's 200 million dollars?
00:54:49See, you don't even respect me enough to tell me the truth.
00:54:58You expect me to jump into a relationship with you?
00:55:03You could be a total stranger.
00:55:06I have no idea who you are.
00:55:08Tasha, I want to tell you.
00:55:10I do.
00:55:11But...
00:55:11I just can't right now.
00:55:15Alright?
00:55:15Like, maybe in the future, when we can sit down and...
00:55:17No, Ken, there is no future for us.
00:55:20Not if you can't tell me one thing about yourself that isn't a lie.
00:55:23When you find someone that you really love and trust, you let them in.
00:55:36But that person won't be me.
00:55:38Are you okay?
00:55:57Director Fitz, I had a wonderful time at the gala.
00:56:01Thank you for supporting me and standing up for me.
00:56:05I wasn't bothered by the way the other guests treated me.
00:56:08I've endured far worse.
00:56:14Lovely.
00:56:15I'm glad to hear it.
00:56:17I would like to exclusively showcase your work at the Fitz Gallery for the foreseeable future.
00:56:22Think of it as a sort of artist's residency.
00:56:25Would you be interested in such an opportunity?
00:56:27This dress is every bit as exquisite as I expected it to be.
00:56:40Thank you, my dear.
00:56:42You're very welcome.
00:56:42Have you given any more thought to my proposal?
00:56:46If you wish to start a clothing brand, I would be more than happy to invest whatever you require to get started.
00:56:54It's a very gracious offer, but I just, I have to ask.
00:56:59I mean, there are so many other talented designers.
00:57:01Why do you have such faith in my abilities?
00:57:04It's not just me, you know.
00:57:06The curator of the Fitz Gallery has never been seen in public before the gala last night.
00:57:12That was his first appearance ever?
00:57:25Indeed.
00:57:27His very first and only time to appear in the flesh.
00:57:31Before this, he was a figure of myth and mystery.
00:57:35Many people doubted he existed at all.
00:57:38But all because of you, he chose to grace us with his presence last night.
00:57:44Seems like a marvelous young man, don't you think?
00:57:47He certainly had a charm about him.
00:57:50Oh, undoubtedly.
00:57:50You know, many people flock to the Fitz Gallery for more than just the art.
00:57:56They want to learn all about the enigmatic young curator.
00:58:01Really? I mean, what's so interesting about him?
00:58:05Have you ever wondered how the Fitz Gallery has managed to surpass all of the established art collections
00:58:12to become the top venue for fine art in just two years?
00:58:16I mean, I heard rumors, something about foul play, but I always just assumed they were baseless.
00:58:24Those rumors have quite a bit of truth to them.
00:58:27Seems like the Miller crime family is actually behind the Fitz Foundation.
00:58:33The one and the same Miller crime family that monopolizes all the underground trade in all of North America.
00:58:41Well, he seemed like such a gentleman.
00:58:44I just, I find it hard to believe that he ever was involved in something so sordid.
00:58:48You must never judge a Brooklyn's cover, my dear girl.
00:58:53Even people close to us may be harboring many secrets.
00:58:57We never really know what's going on inside.
00:59:00You got that right.
00:59:01I learned that lesson the hard way.
00:59:04Let me be frank.
00:59:06I have tremendous faith in you.
00:59:09Thank you, Mr. Wendlow, but I think it's too...
00:59:11Dear, all my friends call me Laura.
00:59:17This is a check.
00:59:19For five million dollars.
00:59:21It should help you get your clothing brand started.
00:59:26Shall we become business partners in addition to being friends?
00:59:29Director Fitz, I'd like to work with you.
00:59:46It would be my honor, Miss Tasha Roberts.
00:59:49Fly away with me, take you high, soaring, see you smile, it's my only dream.
01:00:06Steering out into the sea, waves come crashing up to me.
01:00:14My toes slip into the sand, dream that I'm with you.
01:00:23Staring out into the sea, waves come crashing up to me.
01:00:32My toes slip into the sand, dream that I'm with you.
01:00:39Congratulations, Miss Roberts.
01:00:52We expect a huge success from your art exhibition.
01:00:57You're looking at her.
01:01:12You're obsessed with her.
01:01:14Didn't she humiliate me enough the other night at the gala?
01:01:17But no, now I have to watch my husband stare at her picture.
01:01:21Well, maybe if you didn't give her the opportunity to humiliate you.
01:01:26So it's my fault now?
01:01:27Oh, wait, let me guess.
01:01:28Maybe it's my fault too when the two of you broke up.
01:01:30Okay.
01:01:32Raina, I've been thinking.
01:01:35I don't think this is working.
01:01:38I want a divorce.
01:01:41Brutal filla di putana.
01:01:43You used me to push Tush out of your company, take her property, and now you cast me aside like what?
01:01:49A used piece of garbage?
01:01:51I won't allow this.
01:01:54Mark my words, Karl Kroh.
01:01:56You will regret this.
01:01:58I'm spending too much time around Ken.
01:02:13He's dominating all my thoughts.
01:02:16I have to distance myself from him.
01:02:18For my own sanity.
01:02:19I'm spending too much time around Ken.
01:02:24Is there nothing I can do to get you to stay?
01:02:37I'm sorry.
01:02:39But no.
01:02:42You and I, our relationship, we'll just keep going in circles.
01:02:49But thank you for everything you've done for me.
01:02:52I have a little bit of money now, so you should be able to pay off your loan soon.
01:02:57And long talks, an awkward silence, wait nights, walking through the garden, running, with your hand in mine.
01:03:16And so...
01:03:17This is what happens when you steal from the Millers!
01:03:32Please, let me go.
01:03:36I promise you'll never see me again.
01:03:38What do you got here?
01:03:46Right this way.
01:03:49Boss!
01:03:50I found this one peeking around the corner.
01:03:53Not sure how long this little bitch has been watching, but I'm pretty sure she tried to call the cops.
01:04:01Don't worry, boss.
01:04:02I got a knife with her name on it.
01:04:04We can dump her body with the other guy.
01:04:06No, let her go.
01:04:13What?
01:04:13Didn't you hear what I said?
01:04:14She's seen everything.
01:04:16Let her go before I rip off your fucking arms and throw them in the river.
01:04:28Walk away.
01:04:29This doesn't mean anything to you.
01:04:31Is this what you couldn't tell me about?
01:04:32Boss, you know this woman?
01:04:38You're gonna kill him.
01:04:39Call the police then.
01:04:40See if they can save his life.
01:04:42No!
01:04:42Don't call the police, you stupid bitch!
01:04:47My world is more cruel than you can possibly imagine.
01:04:50So since you didn't want to get involved,
01:04:52just walk away.
01:04:53Okay.
01:04:53Hey, babe.
01:05:15What do you want for breakfast?
01:05:17My world is more cruel than you can possibly imagine.
01:05:42Since you didn't want to get involved,
01:05:45just walk away.
01:05:47I never imagined that Ken could be such a dangerous and violent man.
01:05:51There must be something or someone forcing him to do all of this.
01:05:56Even people close to us may be harboring many secrets.
01:06:01We never really know what's going on inside.
01:06:05Forget it.
01:06:06This has nothing to do with me.
01:06:07I decided to leave Ken,
01:06:09so I have to do my best not to look back.
01:06:25Tasha, let's talk.
01:06:27Your, uh, pro-magnet boyfriend.
01:06:37Is he not joining us?
01:06:38It's all over.
01:06:39I'm not with him anymore.
01:06:41Where's Reyna?
01:06:43Reyna was a mistake.
01:06:46That's all over, too.
01:06:48Tasha, um...
01:06:52I want you back.
01:06:53I can't stop thinking about us.
01:06:58You were right.
01:06:58You belong in my life.
01:07:01So, if you just...
01:07:04sign those documents,
01:07:05then you can come back to me.
01:07:08Come back to the house.
01:07:09We can carry on like none of this ever happened.
01:07:12I can give you your old job back.
01:07:14That'll be fun, working together again.
01:07:16And then all that debt you owe me will be wiped clean.
01:07:20You, uh, be a pet.
01:07:23You think I'd get back with you
01:07:28after everything you put me through?
01:07:34Here is...
01:07:35a hundred million dollars.
01:07:38I'll pay the rest on time,
01:07:40and...
01:07:41for your agreement...
01:07:43take these documents and...
01:07:49shove them right up your ass.
01:07:54You disgust me, Carl.
01:07:56You should think about Anna.
01:07:58Do you really want her growing up without a mother?
01:08:01With all her health problems,
01:08:02she could really use your support.
01:08:04Don't dare talk about Anna.
01:08:06She'll be with me soon.
01:08:07Then I'll never let her out of my sight again.
01:08:10She needs her mother and her father.
01:08:11Not a father like you, she doesn't.
01:08:14She'd be better off with no father at all.
01:08:16I'm sorry, am I interrupting?
01:08:29Are you texting a new boyfriend already?
01:08:32Can it wait?
01:08:34I'm not done talking here.
01:08:36You're pathetic, Carl.
01:08:37Hey, Tasha.
01:08:40Ta...
01:08:40Tasha.
01:08:45Hey, Tasha.
01:08:47Tasha, come back.
01:08:49Where are you going?
01:08:49This place is disgusting.
01:08:51Ta...
01:08:51Come on, Tasha.
01:08:53Don't you remember the happy times?
01:08:55Come on, we can have that again.
01:08:56Think of Anna.
01:08:57Think of me.
01:08:58Please.
01:08:59I love...
01:08:59Hey.
01:09:00Hey.
01:09:01Hey.
01:09:07Sorry, folks.
01:09:22It's the end of the line for you.
01:09:25No hard feelings.
01:09:28But, we gotta do what the people who pay us tell us to do.
01:09:32Who's paying you?
01:09:35I'll give you a hint.
01:09:36A very beautiful woman paid us a small fortune to make sure you two would...
01:09:42To make sure you two don't make it.
01:09:45Reina.
01:09:45That fucking bitch.
01:09:47Do you know who I am?
01:09:50I'm Carl Crow.
01:09:51The CEO of the Crow Group.
01:09:54What if she's paying you?
01:09:55I'll pay double, okay?
01:09:57Yeah, yeah.
01:09:57You're gonna pay me double.
01:09:58I guess you haven't heard the news, buddy.
01:10:01See, I don't think you have the means to outbid your pretty little friend.
01:10:06Oh, that back-stabbing slut!
01:10:12Please, pack up the phone.
01:10:14You trying to phone a friend?
01:10:16That's a big no-no, sweetheart.
01:10:18That's breaking the rules.
01:10:22Sweetie.
01:10:22Don't waste the little time you have left trying to call for help.
01:10:26It won't do you any good.
01:10:28No one.
01:10:32They can help you now.
01:10:33Three hours.
01:10:38Where is Tasha?
01:10:41Hey, Nell.
01:10:42Hey, listen.
01:10:43I need you to do me a favor.
01:10:45Yeah, I need you to pull out the city surveillance system in the area
01:10:47and find all the footage.
01:10:50Yeah, no.
01:10:51Something's wrong.
01:10:52What are you doing?
01:11:04We have to get out of here.
01:11:06You should just go.
01:11:20Save yourself.
01:11:21Leave me.
01:11:22It's what I deserve.
01:11:23I'm not going to leave you.
01:11:28I'm not that type of person.
01:11:36Come on.
01:11:36Let's go.
01:11:39Come down here.
01:11:40Wait until they come in.
01:11:47Hey, Tasha.
01:11:48I'm so sorry.
01:11:55Now's not the time for that.
01:12:14All in.
01:12:18Looks like we got ourselves a suicidal prick here, fellas.
01:12:27I can't think of any other reason why somebody would kick in a door
01:12:30that's got Vincent Santorelli on the other side of it.
01:12:35Oh, shit.
01:12:37Boss.
01:12:39I didn't realize it was you.
01:12:43These your guys?
01:12:46Where the fuck are they?
01:12:48You better find them.
01:12:49Quick.
01:13:05Now it's your turn.
01:13:06Pretty little thing like you, I was going to make it painless, but I guess you didn't want that.
01:13:31All the same.
01:13:35Hey, who's this fucking monkey?
01:13:36Lower your fucking gun.
01:13:37Vinny, what the fuck is going on?
01:13:39You fucking down?
01:13:40Yo, lower your fucking gun!
01:13:42Are you...
01:13:43Are you Ken Miller?
01:13:45How can that be?
01:13:46What the fuck is going on?
01:13:48Ken Miller.
01:13:49The one and the same Miller crime family that monopolizes all the underground trade in all
01:13:57of North America.
01:14:00It's you.
01:14:01You.
01:14:01You know what you have to do.
01:14:12Boss.
01:14:13Please.
01:14:15He's my brother.
01:14:17Rules are rules.
01:14:18I was pushing you away as Ken and growing closer to you as Fitz.
01:14:38I'm sorry, Tasha, but there's just nothing I can do that will make you happy.
01:14:47And I just can't win over your heart.
01:14:50Is Ken Miller always this loving with the hostages he rescues, or is it just special treatment
01:15:02reserved for his lovers?
01:15:05Tasha, I love you.
01:15:07My heart has belonged to you and only you for the past 15 years.
01:15:1615 years?
01:15:17No, we just met a few months ago.
01:15:21We met 15 years ago.
01:15:27You went to Marr Middle School.
01:15:30Yeah.
01:15:31And you saved my life there.
01:15:41Stand up, chicken, and hit us back!
01:15:43Isn't that what your dad does for a living?
01:15:45Beat people up?
01:15:47I'm not my dad.
01:15:50You and your father are both scoffed.
01:15:52Let's teach this little and thug a lesson.
01:15:54Yeah, idiot.
01:15:55Get up and show us what you've got!
01:15:59Hey!
01:16:01Hey!
01:16:01Hey!
01:16:02Hey!
01:16:02Hey, hey, hey, stop!
01:16:03That's enough!
01:16:04That's enough!
01:16:04It's none of your business, Robert!
01:16:06Get out of here, Robert!
01:16:07Hey!
01:16:08Stop!
01:16:08Go home!
01:16:08I'll call your parents!
01:16:09Go!
01:16:09Oh, crap!
01:16:10Crap!
01:16:10Crap!
01:16:10Crap!
01:16:15Ever since I saw you that night in the cab with that necklace on, I just, I knew I found
01:16:29you.
01:16:29Look, this isn't just some feeling for me, okay?
01:16:35This is, this is everything to me.
01:16:38Like, you are everything to me.
01:16:40No matter what happens between us, I will always care about you.
01:16:46And maybe one day we can make it work in a different way.
01:16:52I just need some time to process this.
01:17:11Okay.
01:17:13And after that, maybe we can pick up where we left off that first night you spent here?
01:17:19Maybe.
01:17:22Maybe.
01:17:23We play your cards, right?
01:17:39Does everything look good to you, my artist?
01:17:43Yeah.
01:17:44Thanks for everything.
01:17:47That doesn't sound very convincing.
01:17:48Is, is there anything you want to change?
01:17:50No.
01:17:52I just, I never got around to asking why you wanted to start an art gallery in the first
01:17:56place.
01:17:57Honestly, just to get to you.
01:18:00See, I thought if I own the world's greatest art museum that one day you might find your way
01:18:04in here and, I don't know, that I might find you.
01:18:07I don't know.
01:18:08I don't know.
01:18:09I don't know.
01:18:11I don't know.
01:18:11I don't know.
01:18:12I don't know.
01:18:16I don't know.
01:18:17There's anything you want to do now.
01:18:17It's okay.
01:18:18Yeah.
01:18:19I want to see what kind of woman this is that has ensnared my son.
01:18:45I doubt she's worthy of joining a Miller family.
01:18:51As you wish sir, I will make the arrangements.
01:18:58Honestly, just to get to you.
01:19:01See I thought if I owned the world's greatest art museum that one day you might find your
01:19:04way in here and I don't know that I might find you.
01:19:09Okay, okay.
01:19:11Just concentrate on painting.
01:19:13Don't think about him.
01:19:18Who are you?
01:19:34Miss Tasha Roberts?
01:19:36Mortimer Miller would like to speak with you privately at his home.
01:19:40Come here.
01:19:42Take a look.
01:19:47She's an heiress to the largest chain of luxury hotels in the western hemisphere.
01:19:53She's young, beautiful, well educated.
01:19:58I think she'll make a fine wife for my son Ken.
01:20:02With all due respect, sir, I believe that it's up to Ken to decide who he wants to spend
01:20:09the rest of his life with.
01:20:11Choose you.
01:20:15Not a chance.
01:20:17You're no match for my son.
01:20:21Now you owe money to the Crow Group.
01:20:32I'm going to pay your debt.
01:20:38And in return you will agree to never see my son again.
01:20:46It's our decision whether we want to be together or not.
01:20:49Your son and I love each other.
01:20:51There's nothing in this world that can keep us apart.
01:20:55Tasha, do you want us to be together?
01:20:59It's impossible.
01:21:01Father.
01:21:02I forbid it.
01:21:03Father, this is the love of my life.
01:21:05I can't lose her again.
01:21:07I'd rather leave the family business.
01:21:09Then leave if you wish.
01:21:11But she will never have my approval, ever.
01:21:14And she'll never be a part of the Miller family as long as I live.
01:21:18You'll come running back.
01:21:20Without the Miller family power and money, you'll accomplish nothing.
01:21:28You're making a big mistake.
01:21:32Choosing this old hag instead of family.
01:21:38Ken, where are you?
01:21:48Why aren't you back yet?
01:21:50Oh, you're still awake?
01:21:54Who did this to you?
01:22:12Don't worry about me, I'm fine.
01:22:14It's nothing out of the ordinary.
01:22:28Hey, babe.
01:22:29Yeah, no, I'm just right outside.
01:22:32You son of a bitch.
01:22:37You're making me cut my own brother's hand.
01:22:40Now you think you can betray the Miller family?
01:22:43Walk away scot-free?
01:22:45Not a fucking chance.
01:22:47This guy means nothing to the Miller family now.
01:22:50He's worthless.
01:22:52Helpless.
01:22:54He's absolutely nothing now.
01:22:56Let's make him feel the pain that my brother felt.
01:23:00Come on, boys.
01:23:25Stop!
01:23:26Stop hurting him!
01:23:28Stop at once, you insolent fools!
01:23:57You're like fools!
01:24:06Son...
01:24:10You know how hard it is for me to admit that I made a mistake?
01:24:16But today the two of you have proved me wrong beyond a shadow of a doubt.
01:24:22Tasha...
01:24:24You are the perfect woman for my son.
01:24:29Go.
01:24:32Be together.
01:24:34You approve?
01:24:36You have my blessing.
01:24:39From this day onward,
01:24:42you have nothing more to do with the legal activities of the family.
01:24:47But...
01:24:50You'll always be a miller.
01:24:53As will she.
01:24:54As will she.
01:24:55You're a miller.
01:24:57You are the miller.
01:24:59You are the miller.
01:25:01You're the miller.
01:25:02Get off me!
01:25:21Stop!
01:25:22Useless, impotent man-child!
01:25:25The crowd group is bankrupt!
01:25:27That hurt!
01:25:28Getting involved with you is the worst decision I could have made in my life!
01:25:31Get off!
01:25:32This is all your fault!
01:25:33You spent every single thing that we had!
01:25:35Now we have nothing left!
01:25:37No company, no house, no money, not even a dime!
01:25:41And it's all because of you, you greedy cow!
01:25:43Don't you?
01:25:44Don't!
01:25:52The late Mrs. Miller was a beautiful woman, sir.
01:25:57Yes.
01:26:01Back then, my wife protected me from every danger that befell our family.
01:26:08And today, my son found the perfect woman that I said I'd do the same for him.
01:26:13He's a lucky man.
01:26:16Wow.
01:26:17You look so beautiful.
01:26:18No, you can't be here right now.
01:26:19Babe, I don't want to rush you, but everybody's waiting to see you.
01:26:25Kim, can you promise me one thing?
01:26:26I can promise you two if you'd like.
01:26:27I'm serious.
01:26:28I want you to walk away from the family business.
01:26:32There's a city called Ostia.
01:26:33It's on the southwest side of Rome by the ocean.
01:26:34What?
01:26:35You know what I found over there?
01:26:36There's a city called Ostia.
01:26:37It's on the southwest side of Rome by the ocean.
01:26:38What?
01:26:40You know what I found over there?
01:26:41Found you an art teaching job at a public school.
01:26:43I would do it with tickets.
01:26:44You know what I found over there?
01:26:47I'm doing an art teaching job at a public school.
01:26:49I would do it with tickets.
01:26:50from the family business?
01:26:54There's a city called Ostia.
01:26:56It's on the southwest side of Rome by the ocean.
01:27:00What?
01:27:01You know what I found over there?
01:27:04I found you an art teaching job at a public school.
01:27:08I already took tickets.
01:27:09I leave in the morning.
01:27:11You're sending me away?
01:27:12No.
01:27:14I opened my own restaurant.
01:27:15It's just down the street.
01:27:18Oh, one more thing.
01:27:21I enrolled Anna at the school they're going to be teaching at.
01:27:24I think she's going to really live it over there.
01:27:29So you really are walking away?
01:27:31Yeah.
01:27:36You got some socks.
01:27:47I'm going to be walking away.
01:27:48I'm going to be walking away.
01:27:49I'm going to be walking away.
01:27:50I'm going to be walking away.
01:27:51I'm going to be walking away.
01:27:52I'm going to be walking away.
01:27:53I'm going to be walking away.
01:27:54I'm going to be walking away.
01:27:55I'm going to be walking away.
01:27:56I'm going to be walking away.
01:27:57I'm going to be walking away.
01:27:58I'm going to be walking away.
01:27:59I'm going to be walking away.
01:28:00I'm going to be walking away.
01:28:01I'm going to be walking away.
01:28:02I'm going to be walking away.
01:28:03I'm going to be walking away.
01:28:04I'm going to be walking away.
01:28:05I'm going to be walking away.
01:28:06I'm going to be walking away.
01:28:07I'm going to be walking away.
01:28:08I'm going to be walking away.
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