DO ME, MY SEXY MALE STRIPPER  A Hidden Identity, A Lifelong Gratitude #hiddenlove #moboreels - video Dailymotion

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Transcript

00:00:00Hey baby, tell me, who do you love more?

00:00:24Me or Vanessa?

00:00:26I'll hear more.

00:00:28Vanessa is.

00:00:30Here she is.

00:00:32Ever since she got her those horrible scars, I'm just...

00:00:36Are you only with that?

00:00:40Please don't stop on my account.

00:00:42I've never filmed a porno.

00:00:44Especially not one starring my own boyfriend and sister.

00:01:04All right, give me the camera.

00:01:06Come on now, delete that shit.

00:01:08Why?

00:01:10You always said you wanted fame.

00:01:12This will make you go super viral.

00:01:14Vanessa, Bane's the company's top model.

00:01:16If this gets out, we're all finished.

00:01:18Dad's never gonna forgive you.

00:01:20Now give me that damn camera.

00:01:22Fine.

00:01:24Wise.

00:01:25Wise.

00:01:26Wise.

00:01:27Because you know what?

00:01:28Shooting sexually explicit content of your boyfriend and your sister,

00:01:32that's probably gonna damage your career a lot more than it will.

00:01:36Ass.

00:01:38Vanessa!

00:01:39No!

00:01:40I'm never gonna forgive you.

00:01:41I'm never gonna forgive you.

00:01:42Now give me that damn camera!

00:01:44Fine.

00:01:45Wise.

00:01:46Wise.

00:01:47Because you know what?

00:01:48Shooting sexually explicit content of your boyfriend and your sister,

00:01:51that's probably gonna damage your career a lot more than it will.

00:01:54Ass.

00:01:55Oh!

00:01:56You messed her!

00:01:57More!

00:01:58Ah!

00:01:59Oh my face!

00:02:00Well, Blaine, you got what you wanted.

00:02:01It's over!

00:02:02Look out, you were the one who turned Blaine from nothing to a top model.

00:02:05And now he's messing about with Abby?

00:02:06I don't get how he's going to do it.

00:02:07It doesn't matter, we've already separated.

00:02:08It's because you've not been with enough guys.

00:02:23I've got the perfect stripper lined up for you.

00:02:25We can do that to you.

00:02:26Doesn't matter.

00:02:27We've already separated.

00:02:30It's because you've not been with enough guys.

00:02:34I've got the perfect stripper lined up for you.

00:02:38He's a real wizard in the bedroom.

00:02:48This.

00:02:50Adam.

00:02:51Just hang tight.

00:02:52He'll be your sort.

00:02:55Speaking of,

00:02:57Adam looks like the guy I've booked.

00:02:59So just wait for Adam.

00:03:01He'll be wearing a suit and tie.

00:03:04He's gonna blow your mind.

00:03:07Cassidy, I work with the most beautiful people in the world.

00:03:11It takes a true stunner to impress me.

00:03:13You can keep him.

00:03:25Mr. Thompson.

00:03:26Still no updates on the woman with the scar on her arm.

00:03:27You're running out of police.

00:03:28Look, expand the search radius.

00:03:29Okay, I need to find her.

00:03:30Now.

00:03:31You're late.

00:03:32That's not very professional.

00:03:33Yeah, excuse me.

00:03:34I'm in a rush.

00:03:35You shouldn't be so rude to your customers.

00:03:36Look, I'm losing my patience.

00:03:39It's, it's, it's you.

00:03:40Yes.

00:03:41It's me.

00:03:42So, are we fucking here?

00:03:43Or do you want to go to the hotel?

00:03:44Finally, I found you.

00:04:14Or do you want to go to the hotel?

00:04:15I'm in a rush.

00:04:16I have a chance to go to the hotel.

00:04:17I have a chance to go to the hotel.

00:04:18I know you're in a rush.

00:04:19I don't for anyone.

00:04:20Which city can stay there.

00:04:21Hi, my name is on a hotel.

00:04:22The hotel is at home.

00:04:24And after they're invited, I'm in a rush.

00:04:28What's your name?

00:04:29Does it matter?

00:04:30Is it matter?

00:04:31Fine.

00:04:32I'm in a position.

00:04:33And you're talking.

00:04:34If you're talking about you,

00:04:35I'm in a position.

00:04:36I'm in a position.

00:04:38I'm in a position.

00:04:39I love you.

00:04:40Nothing.

00:04:41And you're talking.

00:04:42What's your name?

00:04:43Oh, my God.

00:05:13Oh, my God.

00:05:31Are you okay?

00:05:34Can you get up?

00:05:35Come on, stay with me.

00:05:43Okay, come on, stay with me.

00:05:47Come on.

00:05:51I'll get you out of here.

00:05:55From now on,

00:05:57I'll look out for you.

00:06:04Morning.

00:06:06Morning.

00:06:11Does it bother you?

00:06:13No, not at all.

00:06:16It's a symbol of your bravery.

00:06:18Well, you certainly know how to charm a woman.

00:06:21And please her.

00:06:22Last night was, um,

00:06:33it was really good.

00:06:37Here's a little something

00:06:38for you.

00:06:42I don't want your money.

00:06:44Why?

00:06:44No.

00:06:45Keep it.

00:06:46You earned it.

00:06:46Wait a minute.

00:06:53You don't remember me?

00:06:57You don't remember me?

00:07:00I'm the one...

00:07:01Sorry.

00:07:03One second.

00:07:06Yeah?

00:07:06What's up?

00:07:07Vanessa, bad news.

00:07:08Blaine's throwing a tantrum about the shoot.

00:07:11What should I do?

00:07:12Um,

00:07:13okay,

00:07:14calm down.

00:07:15I'm on my way.

00:07:17Shit.

00:07:18This is for the Todd group shoot.

00:07:19If this goes sideways,

00:07:21that nightmare Mr. Todd

00:07:22is going to be on my case again.

00:07:24Me?

00:07:25A nightmare?

00:07:26Right, um,

00:07:28thank you for last night.

00:07:30I will see you, I guess.

00:07:32Nanny, yeah.

00:07:46All right.

00:07:47Find out which studio Vanessa's at,

00:07:49okay?

00:07:58Vanessa!

00:08:00Thank goodness,

00:08:01Blaine is flipping out.

00:08:02He's saying his arm is broken.

00:08:04I'm sure you know how to handle that spoiled brat.

00:08:07Yeah, I handle that.

00:08:09Blaine,

00:08:10are you seriously going to throw away this deal?

00:08:13It's not like I want to.

00:08:15You broke my arm.

00:08:17And you tell me how I'm meant to shoot

00:08:20if I can't even strike the pose.

00:08:23If you said I broke your brain,

00:08:26I'd believe you.

00:08:27What's that got to do with your arm, though?

00:08:29Give it a rest, will you, love?

00:08:30How's this?

00:08:32If you publicly apologize to me?

00:08:36Not happening.

00:08:40It's on you, remember?

00:08:41Today's the last day for shooting.

00:08:43If you can't pull this off,

00:08:44can you really deal with the top group's wrath?

00:08:49Today's the last day for shooting.

00:08:50If you can't pull this off,

00:08:51can you really deal with the top group's wrath?

00:08:54Vanessa,

00:08:54if we lose the top group as a client,

00:08:56I can't believe you're in serious trouble.

00:08:58There must be some other models available.

00:09:01I reached out.

00:09:02All the top models are booked today.

00:09:05Christ, fine.

00:09:06I'll apologize.

00:09:08Blaine, I'm so sorry.

00:09:09Can you come back for the shoot?

00:09:11Oh, you know,

00:09:12I would really like to,

00:09:13but there is one little stipulation.

00:09:16Abby here has got to be behind the camera.

00:09:20Abby is an amateur photographer.

00:09:23She's not ready for the top group.

00:09:25Blaine and I went over all the details last night.

00:09:28The top group are going to love it.

00:09:32So you two are just here to cause trouble?

00:09:35As if you haven't messed me about enough already?

00:09:37Since this shoot is a bust,

00:09:49I might as well take the heat.

00:09:51So your arm's broken?

00:09:53Yeah.

00:09:53You can't move it?

00:09:54No.

00:09:56Oh,

00:09:56looks like it's working perfectly fine.

00:10:06It's you.

00:10:07You know what?

00:10:11I'm not doing the shoot period.

00:10:13You know why?

00:10:15Because I want to see

00:10:16how you clean up this little mess.

00:10:22If you won't shoot, Blaine,

00:10:24I'll find someone who will.

00:10:28If you won't shoot, Blaine,

00:10:31I'll find someone who will.

00:10:34Or are you going to find a new model

00:10:36in, like, two seconds?

00:10:45Guess what?

00:10:46Here's my new model.

00:10:49Wait, what, me?

00:10:50I'll pay double the standard rate.

00:10:55Just help me out.

00:10:56I'm desperate.

00:10:59Yeah, okay.

00:11:00All right.

00:11:01Awesome.

00:11:02You're going to be great.

00:11:03You two can scram now.

00:11:05You really think you can just

00:11:06snatch someone off the street

00:11:07to replace Blaine?

00:11:08Modeling isn't just about looking pretty.

00:11:12He might freeze up

00:11:13and make a fool of himself

00:11:14in front of the camera.

00:11:15Vanessa, he might have the looks,

00:11:17but he's got no experience.

00:11:19This flops,

00:11:19we might lose the Todd group

00:11:20as a client.

00:11:21I wouldn't be where I am now

00:11:24if I didn't take a few risks.

00:11:33Let's start with this.

00:11:35Keep his makeup natural.

00:11:37Highlight his features

00:11:38and contours.

00:11:40Let's make him glow.

00:11:41Got it?

00:11:46He's taking forever.

00:11:48Why isn't he out yet?

00:11:49He's probably pissing his pants.

00:11:50He's not a star.

00:11:51Hmm.

00:11:52Unlike Blaine.

00:11:53Hmm.

00:11:54I'll show her hair and star

00:11:56and I'm very, very sexy.

00:11:59And I just don't believe

00:12:00that some random nobody

00:12:02off the street

00:12:03keep you close tonight.

00:12:05Okay?

00:12:06Yeah, of course.

00:12:36Damn.

00:12:42He's gorgeous.

00:12:43It's not just his face.

00:12:44His whole vibe screams

00:12:46of model.

00:12:47He could steal anyone's spotlight.

00:12:49Oh, for fuck's sake.

00:12:51Anyone can look good

00:12:52with a bit of makeup

00:12:53and a blazer

00:12:54with no shirt.

00:12:55Come on.

00:12:56I want to see.

00:12:57I want to see

00:12:58how he crashes and burns

00:13:00when the lights start flashing.

00:13:02That's what I want to see.

00:13:04better than I expected.

00:13:10It's okay to be a little nervous

00:13:12before your first shoot,

00:13:13but

00:13:14I'm here.

00:13:16Just trust me.

00:13:18You're going to be great.

00:13:19Okay, light.

00:13:22Let's shoot.

00:13:25Yeah.

00:13:28Okay.

00:13:29That's so good.

00:13:31Really.

00:13:32Open up your shirt a little bit.

00:13:37Yeah.

00:13:38Wow.

00:13:39Maybe pick up the magazine

00:13:40and we'll look through there.

00:13:42Yeah.

00:13:42You're a top model.

00:13:44You're so good.

00:13:46Okay.

00:13:47That's it.

00:13:48Joyce,

00:13:48let's get his next look ready.

00:13:58This is the L.A.

00:13:59premium brand shoot,

00:14:00Blaine.

00:14:01This would have taken you

00:14:02to the next level.

00:14:04It's too bad.

00:14:04You're such a whiny little bitch.

00:14:08You both messed up.

00:14:10Big time.

00:14:10I can't believe

00:14:31that this shoot

00:14:32has just landed

00:14:33on this random

00:14:33gobshide slap.

00:14:35Would you do something

00:14:37about it?

00:14:38Chill.

00:14:38I'm working on it.

00:14:39No way he's new.

00:14:41Look at him go.

00:14:43His outfit is practically perfect.

00:14:45It's like made for him.

00:14:46It's going to sell out

00:14:47in no time.

00:14:48I used to put Blaine

00:14:49on Pedal's store,

00:14:50but he's nowhere near it now.

00:14:51Exactly.

00:14:52He was the company's top guy,

00:14:53but now he's got out

00:14:54shown by a newbie.

00:14:56Wow, babe.

00:14:58You've crushed it.

00:15:00These shots are turning out

00:15:02better than anyone

00:15:02would have expected.

00:15:04Sure you're not thinking

00:15:05of ditching your job, Mom?

00:15:07Hey, look.

00:15:08I'm just glad I didn't

00:15:08screw it up.

00:15:10I was actually wondering,

00:15:12are you free tonight?

00:15:14I was thinking we could go

00:15:15on like an actual

00:15:15live date for...

00:15:16Ah, is this yours?

00:15:17Your phone's been going off.

00:15:19Oh, thanks.

00:15:27Six-pack strippers.

00:15:30Guess we know

00:15:31how he pays his bills.

00:15:33Dude's a stripper.

00:15:34A cheap one, too.

00:15:38A cheap one, too.

00:15:41He's got that serious look,

00:15:42but he's in that

00:15:43line of work.

00:15:45Unless it's pretty

00:15:46cozy with that male stripper,

00:15:48could she be...

00:15:49he's regular?

00:15:51Who knew she would

00:15:52be living that kind of life

00:15:53behind the scenes?

00:15:54You have no shame.

00:16:01And I thought you were

00:16:02a professional

00:16:03bringing a stripper to work.

00:16:07Nothing short of

00:16:09fucking embarrassing love.

00:16:12Don't.

00:16:13Show me about

00:16:13professionalism, Blaine.

00:16:15Oh, it concerns him now.

00:16:18When the talk group

00:16:19finds out you've used

00:16:20a stripper

00:16:20for their campaign,

00:16:22think they'll be cool

00:16:23with that?

00:16:25Is the chute still

00:16:26not wrapped?

00:16:28Why are you guys

00:16:28dragging your feet?

00:16:29Mr. Dale,

00:16:30the chute's done.

00:16:31The photographer

00:16:32insisted on using

00:16:33a stripper

00:16:33as their model.

00:16:36This could really

00:16:37hurt the talk group's

00:16:38image.

00:16:39What?

00:16:40A stripper?

00:16:43Who's the photographer?

00:16:46Where's this guy?

00:16:47Bring him here.

00:16:49That's them.

00:16:51Look, it has

00:16:52nothing to do with him.

00:16:53It's all on me.

00:16:56No one messes

00:16:57with the talk group

00:16:57and walks away with it.

00:16:59Let's see what

00:16:59the stripper thinks.

00:17:04Mr. Todd.

00:17:07Mr. Todd.

00:17:10You didn't tell me

00:17:11you were coming in tonight.

00:17:12The hell?

00:17:13Why did he just call you

00:17:14Mr. Todd?

00:17:16No, no, no.

00:17:17You've misheard him.

00:17:18She mentioned

00:17:19hating Mr. Todd

00:17:20before.

00:17:21If she figures out

00:17:21who I really am,

00:17:23she won't come near me

00:17:23at all.

00:17:24What he meant to say

00:17:25was Mr. Todd

00:17:27doesn't judge people

00:17:28on their occupations,

00:17:29right?

00:17:31Exactly.

00:17:31This guy's got it all.

00:17:37He perfectly embodies

00:17:38the brand's

00:17:39executive vibe.

00:17:42I'm sure Mr. Todd

00:17:44would be

00:17:44delighted

00:17:45with his work.

00:17:46Lawrence,

00:17:51you have an eye

00:17:52for talent.

00:17:53I'll show you

00:17:53the shots

00:17:54he absolutely nails

00:17:55his outfit.

00:17:56How could he not?

00:17:57The brand is perfectly

00:17:58made for the...

00:17:59Mr. Lawrence,

00:18:04by the way,

00:18:06I was the original model

00:18:07and if this shoot

00:18:08hadn't been done

00:18:09with me,

00:18:09if I was given a chance

00:18:10it would have been

00:18:11a lot fucking better.

00:18:15Exactly.

00:18:16Blaine's a pro.

00:18:17He's light years

00:18:18ahead of these amateurs.

00:18:20Aren't you the ones

00:18:21who turned it down?

00:18:23Let me at the backtrack now.

00:18:26But if you guys

00:18:27can't show some respect,

00:18:30what's the point

00:18:31being a pro?

00:18:33You're messing up

00:18:33the shoot.

00:18:34What?

00:18:35Both of you,

00:18:36get out.

00:18:37Lawrence,

00:18:38I'm Abby Clark.

00:18:39Get them out!

00:18:40Just listen!

00:18:42It reminds my stripper!

00:18:51Mr. Dale,

00:18:52you should take a look

00:18:53at these photos.

00:18:54No need.

00:18:55I was just stopping by

00:18:56to take a quick look.

00:18:57I'll let you get back to it.

00:19:01Why are the Todd group

00:19:03reps being so nice

00:19:04all of a sudden?

00:19:05Are they usually that bad?

00:19:08You have no idea

00:19:09how picky

00:19:10Mr. Todd is.

00:19:12He is a

00:19:13total perfectionist,

00:19:15moody,

00:19:15just asshole.

00:19:18Okay,

00:19:18there was one time

00:19:19everything was arranged

00:19:20on set,

00:19:21but he nitpicked

00:19:22every single

00:19:23tiny detail.

00:19:24He had me pulling

00:19:24all my loose.

00:19:25And one time,

00:19:26he fired someone.

00:19:28Just randomly,

00:19:29out of the blue

00:19:30because he was in a bad mood.

00:19:31So yeah,

00:19:32I don't like him

00:19:32at all.

00:19:33He's a jerk.

00:19:34I swear to God,

00:19:36if I ever meet him,

00:19:37I'm gonna give him

00:19:38a piece of my mind.

00:19:39Maybe it was a

00:19:40misunderstanding?

00:19:41You've never met this guy.

00:19:45And you're

00:19:45sanding these things?

00:19:47Yeah,

00:19:48don't bring him up again.

00:19:50She's got the wrong

00:19:51impression here.

00:19:51I need to fix this.

00:19:54These shots are amazing.

00:19:55Have you

00:19:56ever thought about

00:19:57ditching your job

00:19:58from modeling?

00:19:59Ditching my job?

00:20:00Well, yeah,

00:20:01you can't be a stripper

00:20:02forever, right?

00:20:03What?

00:20:04No, no,

00:20:05Vanessa,

00:20:05I am not a stripper.

00:20:07Look, come on.

00:20:08You've got the look,

00:20:09you've got the charm,

00:20:10you kill it in front

00:20:11of a camera.

00:20:13I'll sign you up.

00:20:15Whatever deal you want.

00:20:16Really?

00:20:18Whatever deal I want.

00:20:28So,

00:20:29this is it.

00:20:31Are you sure

00:20:32you're cool with staying here?

00:20:34Um,

00:20:35yeah,

00:20:36not really feeling it.

00:20:37You got any other options?

00:20:39Nope.

00:20:41Master bedroom's

00:20:42off limits,

00:20:43obviously.

00:20:44This place isn't a mansion.

00:20:46I don't know why

00:20:47you insist on staying here.

00:20:49Well,

00:20:49I switched jobs for you.

00:20:50I don't have anywhere to go.

00:20:52Come on,

00:20:52have me back here.

00:20:56All right,

00:20:57look,

00:20:58if I'm being honest,

00:20:59I'd, uh,

00:21:01rather stay with you.

00:21:03Stop.

00:21:05I'm your boss now.

00:21:06You gave me a roof.

00:21:09All right,

00:21:09I'll pay it back.

00:21:11Yeah,

00:21:11well,

00:21:11you're not a stripper anymore.

00:21:13See,

00:21:13you can't stop it that way.

00:21:15All right.

00:21:17Just get some rest,

00:21:18okay?

00:21:18We have somewhere to be tomorrow.

00:21:20Where are we going?

00:21:22We'll find out

00:21:22when we get there.

00:21:23Mr. Todd,

00:21:33Ms. Clark sent over

00:21:34the LA's final promo shots.

00:21:36Want to take a look?

00:21:37I have to admit,

00:21:38you've got a knack

00:21:39for this modeling thing, sir.

00:21:41Photos turned out amazing.

00:21:43No, no, no,

00:21:43listen,

00:21:43just, just,

00:21:44just get someone else

00:21:45to redo the shoot,

00:21:45okay?

00:21:46What about Ms. Clark?

00:21:48I don't know.

00:21:48Tell her that the brand

00:21:49postponed the campaign

00:21:50or something,

00:21:51but look,

00:21:52these photos cannot leak,

00:21:53okay?

00:21:54If they do,

00:21:55people might figure out

00:21:56who I really am,

00:21:57right?

00:21:58Figure out what?

00:22:03Um,

00:22:04my,

00:22:05my secret side job,

00:22:06yeah.

00:22:06Um,

00:22:09I'm worried that

00:22:09it might cause you

00:22:10some problems.

00:22:13Why did you come back?

00:22:16Read your mind?

00:22:18Want to stay another night with me?

00:22:21Sweet dreams.

00:22:31All right,

00:22:32what's going on?

00:22:33Why are we here?

00:22:34Clothes.

00:22:35Duh.

00:22:35You're my new model.

00:22:37I need you to look sharp.

00:22:39Welcome.

00:22:40Hi.

00:22:41These two.

00:22:42Okay,

00:22:43we need these ASAP.

00:22:45Why can't they?

00:22:46Absolutely.

00:22:46Um,

00:22:47just a sec.

00:22:47wait,

00:22:48wait,

00:22:51wait,

00:22:51hold on.

00:22:54I want to buy those outfits.

00:22:56Mr. White,

00:22:57what brings you here?

00:22:59I'm afraid we'll have to prioritise Mr. White's order.

00:23:04Yours will have to wait.

00:23:06But we ordered first.

00:23:07first.

00:23:08Isn't it first come,

00:23:09first serve?

00:23:09In this world?

00:23:12Please.

00:23:13Planes at the top.

00:23:14So yeah,

00:23:17he comes first.

00:23:26So,

00:23:27you're waiting or not?

00:23:29Is this how you treat your customers?

00:23:31Yeah,

00:23:31I'd like to talk to your manager.

00:23:32Manager's tied up.

00:23:34If you insist on causing trouble,

00:23:36I'll have security to show you out.

00:23:37What seems to be the problem?

00:23:55It's them.

00:23:56They're trying to mess up Mr. White's order.

00:24:01Mr.

00:24:02Yeah,

00:24:02start talking now.

00:24:05Of course.

00:24:07You're done.

00:24:13Fired.

00:24:14Now get out.

00:24:21I am so sorry about all this.

00:24:24We'll get your order processed right away

00:24:26and throw in

00:24:27an 100% discount for your trouble.

00:24:30How does that sound?

00:24:37What a load of shit!

00:24:42That's mad!

00:24:43He's a no-name,

00:24:44no-fame

00:24:45and you're treating him like this!

00:24:46How we run this place

00:24:47is not your concern.

00:24:49From now on,

00:24:50the two of you

00:24:51are blacklisted.

00:24:55Don't expect any future collaborations

00:24:57with us.

00:25:02Bye!

00:25:03What a day, huh?

00:25:16Yeah.

00:25:17Abby and Blay were practically glowing with envy.

00:25:19I mean, you've got my back,

00:25:20but are you not worried

00:25:21about pissing off the brand?

00:25:23No.

00:25:24No?

00:25:24No, not at all.

00:25:25No, there's plenty of other luxury brands out there.

00:25:40What are you looking at?

00:25:42I'm just

00:25:42looking at you.

00:25:43I feel the weight behind my eyes

00:25:49Leamed towards the color that lies within

00:25:56I've been waiting

00:26:01I've been waiting

00:26:04It's late.

00:26:08We have work for now.

00:26:10We should get some rest.

00:26:13Good morning.

00:26:24Thought you might want to start your day right.

00:26:38Get a grip, Vanessa.

00:26:40He's your model now.

00:26:41Now it's some wild fling.

00:26:43So, you made all this?

00:26:52Thought you might be hungry.

00:26:55Try it.

00:26:55Yeah?

00:27:07Yeah, it's better than I expected.

00:27:11Wow, confident.

00:27:13Yeah, don't get used to it.

00:27:17Try it.

00:27:18Really?

00:27:23Is that what it's going to be like, having you in my house?

00:27:27Well, thank you.

00:27:36Morning, everyone.

00:27:37Morning, Vanessa.

00:27:38Wait a sec.

00:27:40Hasn't that the same guy you brought in a few days ago?

00:27:44Yeah.

00:27:44He's my new model.

00:27:45Hey, guys.

00:27:46I'm Jason.

00:27:47I look forward to working with you all.

00:27:48I thought you said your name was Carol.

00:27:54I said you.

00:27:55So, you two arrived together.

00:27:58What?

00:27:58Are you living together, man?

00:28:00Oh, Joyce, seriously.

00:28:01Let's just get this done.

00:28:03Okay, are the cameras ready?

00:28:05She really signed that cool boy into the company.

00:28:08Just wait.

00:28:09This is going to be fun to watch.

00:28:16Vanessa, over here, now.

00:28:20All right, everyone.

00:28:21Take five.

00:28:28It's one thing messing around in your personal life,

00:28:31but bringing a stripper into the company.

00:28:33You ready to deal with the fallout if this backfires?

00:28:39Dad, I didn't pull this out of thin air.

00:28:42Jason is talented.

00:28:43Talented.

00:28:45He's playing you with smooth talk.

00:28:49I've let you run things your way,

00:28:51but hiring him,

00:28:52that's where I draw the line.

00:28:55I need to fire him now.

00:28:57I'm not going to fire him.

00:28:58I promise he's really talented.

00:29:03Just look at him.

00:29:06You're really going to take sides against your father?

00:29:09Sis, Dad's only trying to protect the company's reputation.

00:29:12Just do what's right.

00:29:15And let him go.

00:29:17Abby, stay out of this.

00:29:18This is none of your business.

00:29:21Dad, can you please just trust me for once?

00:29:25I've been pulling in projects first for years.

00:29:27Dad, when another client, Vertex Group,

00:29:29finds out you've let her use a stripper for the shoot,

00:29:32they're going to flip.

00:29:33Abby's got a point.

00:29:35Either he goes,

00:29:37or Abby and Blaine take over.

00:29:39Your choice.

00:29:44Either he goes,

00:29:46or Abby and Blaine take over.

00:29:48Your choice.

00:29:48I appreciate it, Dad.

00:29:50I've always led the Vertex Group's shoots.

00:29:53And you're just going to let Abby take it just like that?

00:29:55You took it for granted, Vanessa.

00:29:59Don't blame Abby.

00:30:01Abby, if you think you can steal this shoot from me,

00:30:03you better know how to handle it.

00:30:07You know what, actually?

00:30:08Let's make this interesting.

00:30:11Let's split into teams.

00:30:13If the Vertex Manager choose the winner,

00:30:15and you want a competition,

00:30:16fine by me.

00:30:17Just don't cry if you lose.

00:30:19What would I be losing?

00:30:22Your model's an amateur.

00:30:24I think he's going to run circles around him.

00:30:26We'll see.

00:30:28Hey.

00:30:30You good?

00:30:31Yeah, I'm fine.

00:30:33All right, listen.

00:30:34The Vertex shoots in three days.

00:30:37You got a plan yet?

00:30:38No, not yet.

00:30:41All right, well,

00:30:43Vertex is all about the bold jewelry design, right?

00:30:47So,

00:30:47why don't we work with that?

00:30:50Like this.

00:30:51Oh, yeah, that's it.

00:30:57Base the idea around the Eternal Night Rose.

00:31:00You know,

00:31:00dark,

00:31:01edgy.

00:31:03Allison can pull off some really killer outfits.

00:31:05Eternal Night Rose?

00:31:09It sounds cool,

00:31:10but will I look right in that?

00:31:12Are you kidding?

00:31:13Black is your vibe.

00:31:16Look,

00:31:16this is going to be great.

00:31:17Can you just please trust me?

00:31:21Dark theme, huh?

00:31:22Nice move, Vanessa.

00:31:24But I'm still going to outshine you.

00:31:35Still forcing that stripper to be a model, huh?

00:31:39Is this getting embarrassing?

00:31:41Maybe you don't worry about yourself

00:31:43for months.

00:31:45I can't wait to see you crash and burn today.

00:31:51Hi,

00:31:57I'm Abby Clark,

00:31:59the lead photographer for this project.

00:32:01Vanessa Clark.

00:32:03Good to see everyone.

00:32:04At Vertex,

00:32:05we only care about results.

00:32:09And trust both of you will deliver.

00:32:11My shoot is inspired by Vertex's latest feature, Eternal Night of Rose, centred around the

00:32:26themes of darkness on the duality of man.

00:32:35This works for me.

00:32:36Definitely fits the brand.

00:33:06Well, what do you know?

00:33:13We both also went for the Eternal Night of Rose theme.

00:33:17No, are you serious?

00:33:19You copied me!

00:33:21But I decided to take it a step further.

00:33:24I've gone for a more gothic theme, creating a real sensual beauty.

00:33:28Darker, more sensual.

00:33:32I know our customers are going to want this.

00:33:39These are absolutely incredible.

00:33:46The detail, the mood, it's all perfect.

00:33:50The model nails it.

00:33:51It brings the right kind of balance, the right energy.

00:33:57With him, you can actually see the jewelry, not just the model.

00:34:01This set fits our brand to a tee.

00:34:04It's both.

00:34:06The other, previous one, just doesn't have the same impact.

00:34:12I just called me out of here.

00:34:15Looks like you might have to know your kid at six.

00:34:19All right.

00:34:20Well, after our discussion, we're all in agreement.

00:34:24We'll go with the second set.

00:34:29Miss Vanessa Clark, looking forward to collaborating with you.

00:34:34Amazing.

00:34:35Thank you so much.

00:34:36Love you.

00:34:37Love you.

00:34:38Love you.

00:34:44God.

00:34:45You know, you really can't steal what someone just has, naturally.

00:34:53True creativity comes from within, sis.

00:34:57Better luck with someone.

00:35:01Right.

00:35:02I'm off.

00:35:04To celebrate.

00:35:06Have a good day.

00:35:13Look at you.

00:35:14Come on.

00:35:15I knew you had it.

00:35:17You're my lucky charm.

00:35:19So, what are we, uh, celebrating?

00:35:21I was thinking I'd take you out.

00:35:23I know the best sushi restaurant.

00:35:25What, just sushi?

00:35:26What else were you expecting?

00:35:28I don't know.

00:35:29Something a little more, uh, exciting.

00:35:33Take it early then.

00:35:34All right, fine.

00:35:35Take it early then.

00:35:36All right, fine.

00:35:37Take it early.

00:35:38All right, fine.

00:35:39I'm sorry.

00:35:40I'm sorry.

00:35:41I'm sorry.

00:35:42I'm sorry.

00:35:43I'm sorry.

00:35:44I'm sorry.

00:35:45I'm sorry.

00:35:46I'm sorry.

00:35:47Cassie!

00:35:48Oh my gosh!

00:35:49I missed you so much!

00:35:51Oh, this is Cassie, my bestie.

00:35:52Nice to meet you.

00:35:53Hi, nice to meet you too.

00:35:54Nice to meet you too.

00:35:55It's so nice.

00:35:57I thought you were so mysterious about that stripper.

00:36:00I got you.

00:36:01Looks like you've upgraded.

00:36:02So, come on, Spill.

00:36:04How did you two meet?

00:36:05How long has this been going on?

00:36:09That stripper the other night, that, that wasn't him.

00:36:19That stripper the other night, that, that wasn't him.

00:36:23No way.

00:36:24The guy that I hired just called me and said he couldn't find you.

00:36:27I assumed you'd bailed or something.

00:36:31Look, to be fair, you were the one, you know, coming on to me that night, but...

00:36:37Yeah, you mixed me up with someone else.

00:36:41But you were the one who was asking me to do the whole thing.

00:36:45That's enough.

00:36:46That's enough of that.

00:36:48Um, maybe it's a sign, Vanessa.

00:36:52I mean, it's not bad.

00:36:54Why don't you give him a shot?

00:36:55Yeah, it's...

00:36:58It's not like that.

00:37:00He's just my model.

00:37:08Oh, looks like everyone's gone to lunch, so we can just go.

00:37:11Hey.

00:37:12Jason, what are you both doing?

00:37:15Vanessa, what are we?

00:37:18Like...

00:37:20Are you seriously telling me there's nothing between us?

00:37:23What are you talking about?

00:37:24You know exactly what I'm talking about.

00:37:25Vanessa, we've got a problem.

00:37:26The Vertex Group announced their collaboration with the Clark Group.

00:37:27Yeah, I know.

00:37:28They picked my pitch earlier.

00:37:29I didn't think they'd move this fast though.

00:37:30They did use your photos.

00:37:31But Abby's the official photographer.

00:37:32What?

00:37:33Hey!

00:37:34Hey!

00:37:36You better knock this Vertex deal out of the park.

00:37:38Don't let your old man down.

00:37:39You better knock this Vertex deal out of the park.

00:37:41Don't let your old man down.

00:37:42I won't, Dad.

00:37:43I've got this.

00:37:44I've got this.

00:37:45I've got this.

00:37:46Ever thought of knocking, Vanessa?

00:37:47What's this, hon?

00:37:48Couldn't come up with me?

00:37:49I couldn't come up with you.

00:37:50I've got this.

00:37:51I've got this.

00:37:52I've got this.

00:37:53What?

00:37:54You better knock this Vertex deal out of the park.

00:38:00Don't let your old man down.

00:38:01I won't, Dad.

00:38:02I've got this.

00:38:03Ever thought of knocking, Vanessa?

00:38:04What's this, hon?

00:38:05You couldn't come up with your own ideas.

00:38:06It's hard to steal mine.

00:38:07Is that what we're doing now, Abby?

00:38:08What?

00:38:09That's enough.

00:38:10I've got this.

00:38:11I've got this.

00:38:12I've got this.

00:38:13I've got this.

00:38:14I've got this.

00:38:15I've got this.

00:38:16I've got this.

00:38:17I've got this.

00:38:18I've got this.

00:38:19I've got this.

00:38:20I've got this.

00:38:21What are you doing now, Abby?

00:38:22What?

00:38:23That's enough.

00:38:24I don't know what you're talking about.

00:38:26This wasn't her doing.

00:38:28It was mine.

00:38:29What are you saying?

00:38:31Abby's fresh.

00:38:32She needs this high profile project to boost her career.

00:38:36I made the call, and she's getting it.

00:38:39Are you serious?

00:38:41That was my idea.

00:38:42Why should she take all the credit?

00:38:44It's all staying in the family, Vanessa.

00:38:47Whether it's Abby or you, the company benefits.

00:38:50We're family.

00:38:51Don't be so selfish.

00:38:53Selfish?

00:38:54Do you know how many hours my team spent working on this project?

00:38:58As chairman of this company, my word is final.

00:39:02If you have a problem with that, we'll have to leave.

00:39:07Fine.

00:39:08I don't want to work here anymore anyway.

00:39:14Fine.

00:39:15I don't want to work here anymore anyway.

00:39:17I don't want to work here anymore anyway.

00:39:21Thank you very much.

00:39:23Thanks.

00:39:24Yes.

00:39:26Gudestra, are you really leaving?

00:39:28It's your company!

00:39:29Yeah, but...

00:39:31There's more out there for me.

00:39:32Don't worry, it won't affect you guys.

00:39:34Oh, I'm coming with you.

00:39:36I've literally had it with this place.

00:39:39Way too much drama.

00:39:42Count me in.

00:39:43I only sign up because of you, Vanessa.

00:39:44I'm not staying here without you.

00:39:45I've been itching to start out on my own. Let's start a studio.

00:39:49We're with you, Vanessa.

00:39:51I'm with you as well.

00:39:52Yeah.

00:39:53Are you guys?

00:39:54Hey, what about me?

00:39:56I switched jobs for you, remember? You owe me one.

00:40:00Alright.

00:40:02I will let you down. Let's start a studio together.

00:40:07Yay!

00:40:09Woo!

00:40:11Alright, let's get out of here.

00:40:14Dad, those people who are purits were really letting Vanessa take them?

00:40:29They're loyal to Vanessa.

00:40:32If they want to go, there's not much I can do to stop them.

00:40:36So she's just going to go off and compete against us now?

00:40:39Don't worry. I'll make sure people know.

00:40:42If they work with her, they're crossing us.

00:40:45She'll learn quickly. Without us, she won't get far.

00:40:56Since we've launched the Phoenix Studios, we haven't landed a single deal.

00:41:00Every brand we've reached out to either thinks we're amateurs or flat out ignores us.

00:41:06How do we fix this?

00:41:09Just trust me. I'll figure something out.

00:41:13That's it for today. Meeting dismissed.

00:41:15You alright?

00:41:25My father's told every big brand not to work for me.

00:41:30If we don't learn something soon, Phoenix will die before it's even taken off.

00:41:36Hey, come on. It's gonna get better. But it's late. You should go home and get some rest.

00:41:45No. No, I can't give up that easy. You go ahead though. I'll make some more calls.

00:41:55Yeah, alright.

00:42:13So, can I see Mr. Scott? No. Just five minutes of his time.

00:42:16He has already made it clear he's not interested in your studio. Please don't come back.

00:42:21Sis, without the family behind you, you've really hit rock bottom, huh?

00:42:25It's none of your business, Abby.

00:42:30Look at this. An invite to the Todd Group Banquet.

00:42:35They're announcing their collaboration with the Clark Group there.

00:42:39Too bad you're not invited.

00:42:42The Todd Group Banquet? Why didn't I think of that?

00:42:47Don't get too excited. The Todd Group is picky with their photographers.

00:42:51I'm not sure you're up to it.

00:43:03What's going on here?

00:43:05Oh, I'm... I'm making invites to the Todd Group Banquet.

00:43:10Well, pretty convincing, right?

00:43:12I'm just hoping they don't notice it's... fake.

00:43:16Wait, why?

00:43:19Why?

00:43:20Yeah, why?

00:43:21Because it's the Todd Group?

00:43:23There's gonna be major players from all over the place.

00:43:27I could land some killer collaborations from this.

00:43:30Yeah, but you know that's... that's risky, right?

00:43:33Yeah. Of course I know.

00:43:37But...

00:43:38I'm all out of options.

00:43:42It's this or nothing.

00:43:45So, are you coming with me?

00:43:48With me? To the Todd Group Banquet?

00:43:52Yeah?

00:43:53Uh...

00:43:54Yeah, I... I... I...

00:43:57No, I actually... I have something I need to... to handle that day.

00:44:01Um... but to... to answer your question, yeah, that... that does look... real.

00:44:07I'm just... I gotta... yeah.

00:44:19This is my shot.

00:44:21If this doesn't work, my studio is done.

00:44:24Invitation, please.

00:44:29Invitation, please.

00:44:34Invitation, please.

00:44:43Go ahead.

00:44:44Mr. Todd?

00:44:49She's going inside.

00:44:52That was... way too easy.

00:44:54Did I just pull this off?

00:44:56Guess the Todd Group's security isn't as tight as their reputation.

00:45:04Vanessa!

00:45:06Why the hell are you here?

00:45:08What, you get to Watson and I don't?

00:45:10How did she get an invite?

00:45:11You didn't... sneak in, did you?

00:45:15I'm too busy for this, Abby.

00:45:16Court right-handed, huh?

00:45:18You really think you can crash the Todd Group's banquet without an invitation?

00:45:30It's fake.

00:45:32Nice try, though.

00:45:37Vanessa!

00:45:38Did you really sneak in with a fake invite?

00:45:41A fake invite?

00:45:43She must really be desperate.

00:45:45Can you believe that?

00:45:47No one will want to work with her after this.

00:45:50What makes you so sure it's fake?

00:45:52Well, because they're real ones.

00:45:54They've got a code, right here in the corner.

00:45:58Yours?

00:46:00It's missing.

00:46:02Care to explain?

00:46:04Mr. Simpson!

00:46:06Just the man I need.

00:46:08How can I help?

00:46:10Someone crashed the party.

00:46:12Can you help her find the door?

00:46:14Let me see.

00:46:15I'm afraid if you don't have a legitimate invitation...

00:46:25You'll have to be.

00:46:26You'll have to be.

00:46:27You'll have to be.

00:46:32Ms. Clark!

00:46:34Just wait a second.

00:46:36I'm Danny Rogers.

00:46:38Mr. Todd's personal assistant.

00:46:42And sent here to collect you.

00:46:43Are you sure you didn't mix things up, Mr. Rogers?

00:46:47She wasn't invited.

00:46:49She snuck in with a fake invite.

00:46:52Look.

00:46:54There's no number.

00:46:56Ms. Clark here is one of Mr. Todd's honoured guests.

00:47:00The reason why it doesn't have a code on there is because I personally sent her the invitation.

00:47:06She's...

00:47:08Mr. Todd's honoured guest.

00:47:11How the heck is that even possible?

00:47:14Who is she?

00:47:16Why is she going to be one of Mr. Todd's VIPs?

00:47:19Even Mr. Rogers is giving her respect.

00:47:20That bitch always steals my spotlight.

00:47:45After careful consideration, we've chosen our partner for the upcoming season.

00:47:50Let's get to the moment we've all been waiting for.

00:47:55Mr. Simpson.

00:47:57There better not be any slip-ups.

00:47:59Remember our little deal?

00:48:01Chill out, Ms. Clark.

00:48:04Everything's locked in.

00:48:06I do the business deals around here.

00:48:09No one can change my mind.

00:48:11Unless it's Mr. Todd.

00:48:13And he doesn't usually get involved in this.

00:48:16Good to know.

00:48:17Vanessa, no matter how hard you crash this banquet, you'll always be in my shadow.

00:48:23Once I nail this partnership with the Todd Group, let's see how you deal with the fallout.

00:48:27The partner for the Todd Group is...

00:48:30Thank you, Todd Group, for selecting...

00:48:35Phoenix Studios.

00:48:39What?

00:48:41How is this happening?

00:48:42How is this happening?

00:48:45How is this happening?

00:48:49How is this happening?

00:48:53One makes her think she can be part of the Todd Group.

00:48:56The Todd Group is what?

00:48:57What?

00:48:58What?

00:48:59What?

00:49:00What?

00:49:02I've got a project that may catch your eye.

00:49:04Well, thank you.

00:49:07Didn't you say everything was set?

00:49:10Are you playing me?

00:49:12No!

00:49:14I think no one...

00:49:17Danny?

00:49:18What the hell happened?

00:49:20There's no mistake.

00:49:22The Todd Group chose Vanessa's studio to be our partner.

00:49:28You're corrupt, Colin.

00:49:30So you're out.

00:49:40Danny, come on.

00:49:42I messed up.

00:49:43But I'll do it again.

00:49:45After all I've done for you, can you not cut me some slack?

00:49:49Mr Todd is cutting you some slack by...

00:49:52not calling the police.

00:49:54So...

00:49:56Are you leaving on your own, or...

00:49:58do I need to call security?

00:50:04Miss Clark?

00:50:05Would you like to follow me?

00:50:06Our contracts are ready.

00:50:08Let's make this official!

00:50:11Miss Clark!

00:50:16There's the contract.

00:50:18Have a look through.

00:50:19If everything's in order, then feel free to sign.

00:50:23So, um...

00:50:24What made the Todd Group sign with the Phoenix Studios?

00:50:28Temple.

00:50:29It's your talent.

00:50:31It speaks for itself.

00:50:33Well, you won't be disappointed.

00:50:42Excuse me.

00:50:44May I ask who that is?

00:50:47Oh!

00:50:48That is, uh...

00:50:50Mrs Todd.

00:50:51Um...

00:50:52Mr Todd's mother.

00:50:53She's the chairwoman.

00:50:54After Mr Todd's father passed, she took over just to keep the business thriving.

00:51:00That's really impressive.

00:51:09How come he looks just like Jason?

00:51:11I don't know how you could throw away such a major deal.

00:51:12She's only after your money, and the job is a good thing.

00:51:13I don't know how you could throw away such a major deal.

00:51:14I don't know how you could throw away such a major deal.

00:51:16She's only after your money, and the Todd name...

00:51:19Jason...

00:51:20I don't know how you could throw away such a major deal.

00:51:29Care for one?

00:51:30She's only after your money, and the Todd name.

00:51:33Jason...

00:51:35She's only after her money, and the Levit.

00:51:38She's only after your money.

00:51:40She's only after your money, and the Todd name.

00:51:42He'll bet your name is...

00:51:44Jason, what's he doing here?

00:51:46And who's that woman?

00:51:47He doesn't even know who I really am.

00:51:51No way.

00:51:52Isn't that the chairwoman of the Todd Group?

00:51:57I can't believe you'd throw away such a major deal.

00:52:01All for some woman.

00:52:02She saved my life, Mom.

00:52:05She's not just some woman.

00:52:06Some woman?

00:52:08You could have just written her a check and called it a day.

00:52:10Yeah, I have my reasons.

00:52:11So stay out of it.

00:52:14What's she done to make you so obsessed?

00:52:17She's only after your money and the Todd name.

00:52:20That's all it was. It'd be easier.

00:52:22What?

00:52:22Nothing, Mom. Look, just what you were afraid of won't happen.

00:52:27Okay, she doesn't even know who I really am.

00:52:29You say her, you see her.

00:52:32I won't say anything.

00:52:34Okay?

00:52:35Yeah?

00:52:36Only you could fool something this obvious.

00:52:42Yeah, all right. And don't you have a meeting?

00:52:43Come on, go, go, go.

00:52:44Oh, hey, are you, uh, are you done with work?

00:52:57The chairwoman of the Todd Group.

00:53:01How do you know her?

00:53:03Don't.

00:53:05You were laughing with her?

00:53:06What are you talking about? No, no.

00:53:14I, I just, I ran into her and I thought maybe I'd help you secure the Todd deal.

00:53:21Oh, I'm sorry. So I was with.

00:53:24Yeah.

00:53:24But, I have good news. I secured the Todd Group deal.

00:53:30No way, that's huge.

00:53:32I honestly didn't even think my studio would be in the running for it.

00:53:35Yeah, well, you deserve it. Come on.

00:53:39So, uh, where do you want to go? Studio?

00:53:42Yeah.

00:53:43Or do you want to go for some fee?

00:53:45To us and to our company for nailing that Todd Group collaboration.

00:53:56You know what? Cheers, everyone.

00:53:57Woo!

00:53:58Cheers!

00:53:59Vanessa, you're a genius.

00:54:02You really made it happen with the Todd Group.

00:54:04And that's not all.

00:54:06We had calls from big brands that want to work with us, too.

00:54:09Well, tomorrow's a big shoot, so let's crush it.

00:54:11More deals are just around the corner.

00:54:14Woo!

00:54:15Okay, drinking is fun and all, but let's switch it up.

00:54:19Truth or death?

00:54:27All right, truth.

00:54:31Do you have a girlfriend?

00:54:37Not yet.

00:54:39Ah, not yet. Does that mean there's one on the horizon?

00:54:43That's your next question.

00:54:44Looks like you're not off the hook.

00:54:52So, is there anyone who you have your eye on?

00:55:00Yeah.

00:55:01Yeah, I do.

00:55:02All right, all right. Quit tearing at me.

00:55:10Just please spin the bottle again.

00:55:17Oh, what? So, this is the master bedroom?

00:55:19Okay. All right.

00:55:21I thought this was off limits.

00:55:23Not anymore.

00:55:23No?

00:55:24No.

00:55:24Look at how I want to do it.

00:55:37No.

00:55:39Not anymore.

00:55:39I don't know.

00:55:40I don't know.

00:55:43But when you are going to work...

00:55:44I probably don't know what you want to do.

00:55:45Why don't you want to go away?

00:55:45I don't know what you want to do.

00:55:47Oh, that's okay.

00:55:47I don't know what you want to do.

00:55:48I just know what you want to do.

00:55:50I do not know what I want to do.

00:55:51He's passionate and he knows how to make a girl feel special.

00:56:16Why aren't we prepping yet? It's almost time to shoot.

00:56:20We've been waiting for over an hour. What's the hold up inside?

00:56:25Are you Vanessa?

00:56:27Yes, that's me. Hi, Mr. Bailey.

00:56:31Can we get started?

00:56:33Just keep waiting. Can you see? I'm not ready.

00:56:38But we said we'd start at 9 and it's past that, so what are we waiting for?

00:56:44If you can't be patient, you really think you're ready for a partnership with the Todd Group.

00:56:48I don't understand why Mr. Todd partners with all these small studios.

00:56:53I think these studios might be small, but we can handle ourselves against the big companies.

00:56:58You think you can compare with the big boys?

00:57:03What do you have? Pretty face?

00:57:07What did you...

00:57:09You slept your way into this job.

00:57:13Huh. Shocking.

00:57:19A big company like the Todd Group can't get timing right.

00:57:23Or show basic respect to its partners.

00:57:26If that's how it's gonna be, we're out.

00:57:28Oh, you're leaving so soon.

00:57:31I've hit the nail on the head and you're feeling guilty.

00:57:35See, you can't take the heat.

00:57:38If you want the chute to keep going, I suggest that you beg me for it and nicely...

00:57:43My mouth is fucking foul. Consider that free mouthwash. No need to thank you.

00:57:51You bitch! Just you wait, I'll...

00:57:53Yo, Mr. Todd, long time to see.

00:58:03Um, do you want to tour the studio?

00:58:06Where's everybody from Vanessa's studio?

00:58:08Wasn't they meant to shoot today?

00:58:10It was a total disaster.

00:58:12She had to wait a little bit longer and then she splashed water all the time left.

00:58:16What? You drove her away?

00:58:28This is truly outrageous.

00:58:29Is that next meeting Vanessa?

00:58:31Let's just head back for now.

00:58:36Miss Clark, I'm so sorry for the trouble.

00:58:39It's on us at the Todd Group for dropping the ball with our team.

00:58:42Edwin's been let go.

00:58:43We'd be so grateful if you'd reconsider and come back for the shoot.

00:58:55Great! Okay, thank you. You're all done.

00:58:59Well, I think we got it.

00:59:00Stunning.

00:59:01Amazing.

00:59:02We'll see you later.

00:59:03Bye, guys.

00:59:04Miss Clark!

00:59:06Hi.

00:59:07Um...

00:59:08I just wanted to come by personally and apologize for what happened earlier on.

00:59:13Um, I hope that doesn't change your view on the Todd Group.

00:59:16No way.

00:59:17I'm really appreciative to the Todd Group for this opportunity.

00:59:20Good.

00:59:21Good.

00:59:22And Mr. Todd is, uh, very impressed with your skills.

00:59:27You'd afford to see what you do next.

00:59:30I really appreciate your help today.

00:59:33The shoot turned out way better than I expected.

00:59:35Good.

00:59:36I'm glad.

00:59:37And, uh, if you need any help in the future, just let me know.

00:59:45Danny's been stepping up for me, helping out more than I expected.

00:59:49So, uh, how was today?

00:59:50Smooth sailing?

00:59:51Hey.

00:59:52Oh, I'm sorry.

00:59:53What did you say?

00:59:54I asked how today was.

00:59:55You seemed kinda...

00:59:56Out of it.

00:59:57It's nothing.

00:59:58I'm probably just overthinking, but, uh...

00:59:59I think Danny might have a crush on me.

01:00:00Wait, what?

01:00:01I think Danny might have a crush on you.

01:00:13Wait, what?

01:00:14I think Danny might have a crush on you.

01:00:16Wait, what?

01:00:17Wait, what?

01:00:18I think Danny might have a crush on you.

01:00:22Wait, what?

01:00:24Yeah, he's always coming in, like, last minute to save me.

01:00:27Last minute to save me. I mean, why else would he be so attentive?

01:00:32Look, I swear, if you start swooning over other guys, I'm going to turn green.

01:00:36Swooning?

01:00:37Yeah.

01:00:38I don't like Danny at all.

01:00:41Well, then who do you like?

01:00:45I like...

01:00:47You're trying to trap me into saying something.

01:00:51Well, yeah, I've been very obvious about how I feel about you, Vanessa.

01:00:54Like, I want to be with you. Like, forever.

01:01:01You not see that?

01:01:14But come on, I know you feel something for me, too.

01:01:22I guess.

01:01:24I am kind of empty.

01:01:26I want to take the longest trip with you.

01:01:33The one that starts right when we say I do.

01:01:40From Mary Hall's...

01:01:41Guess what?

01:01:47The Todd Group loved our promo shot.

01:01:53Our studio is making waves. We've got brands lining up to collaborate with us.

01:01:59You guys are killing it at the moment, so I say we head to the shooting gallery.

01:02:03You're the best.

01:02:05Woo!

01:02:10Oh, my God!

01:02:14The shooting stuff is way harder than it looks.

01:02:16If I'd have known, I would have chosen something less intense.

01:02:19Look who's trying to be a sharp shooter.

01:02:28Well, if you think you can do better, why don't you give it a shot?

01:02:32Seriously, you think you can stack up against Blaine?

01:02:35He's got the second best aim in the city, right after Mr. Todd.

01:02:39Mr. Todd?

01:02:40Yeah, this place is owned by Mr. Todd.

01:02:44He's got the top score, but watch out.

01:02:48Blaine's stunning for that record.

01:02:51You didn't know that, no, Vanessa?

01:02:53And what, you just thought you'd stroll in here and embarrass yourself?

01:02:59You think you can beat the record?

01:03:05Aye.

01:03:07You can't even beat me.

01:03:11Oh.

01:03:19Oh, very confident.

01:03:22All right, then.

01:03:23How's about we make ourselves a little deal?

01:03:25You lose, you run over your portion of the Todd Groove's partnership to me, eh?

01:03:32So, when you can't win Fernsquare, you resort to cheating.

01:03:36Classic Blaine.

01:03:39Come on, let's go.

01:03:40No, no, no, no, no.

01:03:40I can take you on.

01:03:42But if you lose, what's your game plan?

01:03:46Lose.

01:03:47Lose me.

01:03:48You think you can just walk in here and break a record?

01:03:53Like it's a walk in the park?

01:03:56I'll see.

01:03:57Oh.

01:03:58All right.

01:03:59Very confident.

01:04:01My goodness, I have never seen somebody so eager to get embarrassed.

01:04:07You can't even swing that thing, man.

01:04:09I'm not buying either.

01:04:11But how about this?

01:04:12If you beat Blaine, Vanessa can take any project from me.

01:04:17I'm not only sure about this.

01:04:19You don't have to do it just to prove I beat me.

01:04:21Lose.

01:04:22Your boyfriend's got this.

01:04:26Ooh.

01:04:29Baby, you're on fire.

01:04:37Ah, yes.

01:04:38Even better than last time.

01:04:40Indeed.

01:04:41You know something?

01:04:42I think you should just throw in the towel to save yourself a bit of embarrassment.

01:04:46Not a chance.

01:04:49I believe in Jason.

01:04:50Not a chance.

01:04:51I believe in Jason.

01:04:55Did I just see that?

01:05:24Ten shots. Ten hits.

01:05:26You just broke the record.

01:05:28Someone just beat Mr. Todd's record.

01:05:31You beat Mr. Todd's record? How's that even possible?

01:05:34How's that possible? Who are you?

01:05:36Breaking Mr. Todd's record and sharing his last name?

01:05:40Could he be?

01:05:44How are you so good you just shattered Mr. Todd's record?

01:05:47It's nothing. I just picked it up in college.

01:05:51I was shooting champ every year.

01:05:54Okay, I'm definitely overthinking this.

01:05:57He's just a regular guy.

01:05:59There's no way he could be Mr. Todd.

01:06:01Remember, you owe us a project.

01:06:04Why should I?

01:06:05These projects I've lost in my box are secure.

01:06:08No way.

01:06:09You've obviously cheated, you've obviously done something for the gums or something like that.

01:06:14Not a chance I would lose.

01:06:16Why is it really that hard to just admit someone's better, Blaine?

01:06:21I'm gonna get you too.

01:06:22You're so good!

01:06:23I thought Blaine and Abby were gonna explode.

01:06:24Yeah, look, I'm done letting them push you around.

01:06:25Yeah, you're the best.

01:06:26You know, it takes me my lucky day.

01:06:27I learned how to shoot and secure projects for free.

01:06:28But what if Abby goes back on a deal?

01:06:29Then I'll snatch the projects from her.

01:06:30The line gets under my skin.

01:06:31What if you find out I've been hiding something?

01:06:32I dare you to try me.

01:06:33If Vanessa discovers I've been keeping my true identity a secret,

01:06:35then I'm gonna get you.

01:06:36You're the best.

01:06:37You know, it takes me my lucky day.

01:06:40I learned how to shoot and secure projects for free.

01:06:43But what if Abby goes back on a deal?

01:06:46Then I'll snatch the projects from her.

01:06:49The line gets under my skin.

01:06:51What if you find out I've been hiding something?

01:06:54I dare you to try me.

01:06:58If Vanessa discovers I've been keeping my true identity a secret,

01:07:01will she walk away?

01:07:04I need to tell her soon.

01:07:12Vanessa.

01:07:16What's going on?

01:07:17I'm here to apologize.

01:07:22Come back with me.

01:07:23I've saved a spot for you at the Clark Group.

01:07:26You kicked me out.

01:07:28Remember, Dad?

01:07:30I've been much happier since I left.

01:07:32So why would I come back?

01:07:34The Clark Group is struggling.

01:07:36We need your talent.

01:07:38Sounds like you can't handle it, Abby.

01:07:41If Dad's here begging for my help,

01:07:43things must be bad.

01:07:45You.

01:07:49Vanessa.

01:07:50What will it take to bring you back?

01:07:53I'll give you half the company's shares.

01:07:57How does that sound?

01:07:58Dad, are you serious?

01:07:59That's not fair.

01:08:05I'll think about it.

01:08:06Excellent.

01:08:08Give it some serious thought.

01:08:09I'll be waiting for you at the Clark Group.

01:08:11Get out of my fucking place.

01:08:15The shares are meant for me, Vanessa!

01:08:17Just wait.

01:08:18I'll make sure you never enjoy them.

01:08:20You know, I like your car.

01:08:30It's a smooth ride, like you.

01:08:36Stop it.

01:08:37Are you sure you can't come to dinner?

01:08:41No, look, I can't.

01:08:42I've got something to do tonight,

01:08:43but call me when you're done,

01:08:45and I'll pick you up.

01:08:47What could you possibly have to do at night?

01:08:49You better not have another client.

01:09:00I know where to have the energy.

01:09:01Good.

01:09:02You better keep it that way.

01:09:16Shoot.

01:09:17Let's go.

01:09:46This is Vanessa Clark. I'm calling about Jason. He's been in a car accident. You need to come to the hospital immediately.

01:10:07I'm here for Jason. He was in a car accident. Where is he?

01:10:13He's down in the hall to your left.

01:10:14Thanks.

01:10:19Jason, are you okay? Are you seriously hurt?

01:10:24No, I'm fine. Just a scratch. Nothing major.

01:10:30Thank God. You scared the life out of me. How did this happen?

01:10:35Someone cut the brakes, Vanessa. This was your car. They're aiming for you.

01:10:42It's Abby. It has to be. It's all about the sheriff. She's trying to take me out. I'm so sorry. It's all my fault you got her.

01:10:56I promise I'll get to the bottom of this.

01:10:59My God. Are you all right, dear? Are you all right, dear?

01:11:05Uh, Mrs. Todd, what are you, uh, doing here?

01:11:12Oh, you must be here to see Mr. Todd, right?

01:11:17The nurse just told me he's across the hall. Yeah, yeah, he's fine. Just a few scratches.

01:11:26Wait, Mr. Todd got in a car accident, too?

01:11:37Yeah, yeah, that's right.

01:11:39All right.

01:11:42So, so you and Mr. Todd in a car accident at the same time?

01:11:48Yeah. Crazy coincidence, huh?

01:11:52Should I go and see him? He's been so good to the studio.

01:11:54Ow!

01:11:56Are you okay? Where does it hurt? Should I call someone?

01:11:59No, no, I just, I need, I need you. You know, a spoonful of sugar and all.

01:12:05Even now you're talking nonsense.

01:12:08I'm glad you're safe.

01:12:10Okay, if this was you, I don't, I don't know what I'd do.

01:12:17You're so stupid.

01:12:20Look, it's late. I'll go get you some tea. Just rest, okay?

01:12:29I have a question.

01:12:44Okay.

01:12:46How would you feel if, like, someone close to you told you a lie?

01:12:54Depends on the lie.

01:12:56And if they had a good reason?

01:12:57Um, I mean, I'd, I'd still be upset. A lie's a lie.

01:13:03They just really have to make it up to me.

01:13:06Uh, why are you asking? Are you lying to me?

01:13:09No, no. I'm just, um, just wondering.

01:13:15Wondering if, if you want to go out sometime.

01:13:18I mean, we've not been on a real date since we got together.

01:13:21That's true.

01:13:23Okay, so, we'll go on one after you've been discharged.

01:13:25All right, deal.

01:13:27I'll, uh, make a plan.

01:13:29All right.

01:13:31Surprise me.

01:13:32Surprise you?

01:13:33Mm-hmm.

01:13:38You're so dumb.

01:13:40It's in your hair.

01:13:42Mm-hmm. Thank you.

01:13:43Deal.

01:13:44Where are we?

01:13:47Where are we?

01:13:49Jason, why all the suspense?

01:13:51Are you?

01:13:52Yeah.

01:14:01Oh, my God.

01:14:03He's in.

01:14:04You like him?

01:14:05Yeah.

01:14:14You really know how to treat a woman, don't you?

01:14:20Vanessa, I can't keep hiding this from you.

01:14:23Tonight, I'll tell you everything.

01:14:26And then, I'll propose.

01:14:28I'll propose.

01:14:32Vanessa.

01:14:36I love you.

01:14:39And I want to be with you forever.

01:14:46I love you, too.

01:14:47I love you, too.

01:14:52Actually, there's something that I've been, like, dying to tell you, and...

01:14:58Oh, my gosh! They're so pretty!

01:14:59You're so pretty!

01:15:13Vanessa!

01:15:14I've got a secret, okay?

01:15:16And...

01:15:18Okay!

01:15:19I hope that you won't be upset, but...

01:15:20You're really hiding something?

01:15:23Just say it, Ernie.

01:15:25Actually...

01:15:29I've been in love every day, till we're both on in grey.

01:15:32Yeah, it's you.

01:15:34I am...

01:15:36Oh, shit!

01:15:42Shit!

01:15:54Jason, Grandpa's very ill. You need to come home now.

01:15:59Um...

01:16:02I've got some, like, personal stuff that I have to handle. Can you head home?

01:16:06So you...

01:16:08You can't stay tonight?

01:16:10What's going on that's so urgent?

01:16:12It's really important, but I'll fill you in when I'm home.

01:16:15Alright? Here.

01:16:17Okay.

01:16:19I don't get it. What's the rush?

01:16:20So, this is your urgent matter? Comforting the other woman?

01:16:34What's really between you and Mrs. Todd?

01:16:37Why the closeness?

01:16:38What?

01:16:39Hey, Vanessa, are you in there?

01:16:40What?

01:16:41Hey, Vanessa, are you in there?

01:16:44Hey, Alison?

01:16:45Yeah.

01:16:46Hey, have you seen Vanessa? Is she at the office?

01:16:47She wanted me to tell you. You're fired.

01:16:48What?

01:16:49Seriously?

01:16:50Why?

01:16:51Yeah.

01:16:52She seemed really upset.

01:16:54Good luck. Okay?

01:17:09Upset?

01:17:12Hey, Alison, hey!

01:17:17really upset. Good luck, okay? Upset? Hey, Alison. Hey. Hey, Vanessa. Hey. Hey, what's going on? Hey,

01:17:35everything was fine yesterday. What happened? You're asking me? You were with some other woman,

01:17:41and you're asking me what's wrong? When was I ever... Mrs. Todd? No, I can explain that. I saw it with my own

01:17:52eyes. I don't need you to explain. Just let go. No, I'm not moving. Let go. Come on, Vanessa.

01:18:06Vanessa, don't start feeling sorry for a playboy. The Todd Group is hosting a photography

01:18:12competition next month. Where's we get a chance at a long-term strategic partnership? A long-term

01:18:19partnership? If I can nail this competition, my studio's future is set.

01:18:36Vanessa, what brings you to the national photo contest hosted by the Todd Group? Aren't

01:18:42you just a little ashamed to show your face here? Ashamed? Please. Speaking of shame, look

01:18:49in the mirror. This is a national contest, Abby, remember? Better not play any plagiarism stunts.

01:18:56You'll be blacklisted quicker than you can cry about it. You bitch. Go ahead. Say one word,

01:19:02I dare you. Welcome, ladies and gentlemen, for the annual photo contest for the Todd Group.

01:19:08Just wait. When the results are in, I'll make sure you're crushed beneath my feet. Oh, I'll be right

01:19:13here, eagerly waiting for the fallout. Let's kick things off by welcoming our first contestants.

01:19:25Hey, everyone. The photos I'm showing today are from my incredible travels.

01:19:32This shit is breathtaking. I give it 98 points out of 100. I'm in love with this. It's as far as

01:19:40truly a star on the rise. 99 points. Vanessa, get ready to be beneath my feet.

01:19:49I need to report this work. Vanessa, are you seriously doing this out of spite?

01:19:54This photo clearly shows signs of AI generation and stealing the work of the renowned photographer

01:19:59Feliciano Bo. You're lying. This is a setup.

01:20:07I have the original shot right here. What's your excuse now, Abby?

01:20:12Don't listen to her. She's just out to get me.

01:20:16Two photos don't prove anything.

01:20:19Yeah, I heard they're not exactly the best of buds and now this is ruining the competition.

01:20:24The judges have thoroughly vetted this work. Miss Vanessa Clark, please do not disrupt the competition.

01:20:31But this is clearly AI generated. I want a judge to review this.

01:20:35Come on, sis. Everyone knows that you're just jealous and trying to make me look bad.

01:20:40Give it a rest. Vanessa, please do not disrupt the competition.

01:20:45You see, I had the Todd Group's tech team run the numbers. Abby's work, total AI generation.

01:20:54Now that breaks the rules. So, I'm announcing Abby's disqualification and banning her from working

01:21:01with the Todd Group and any of their associates.

01:21:04Jason? What's he doing here?

01:21:07Who do you think you are? You can't just ban me. The Todd Group tech team isn't your personal squad.

01:21:14Get a load of this guy. Some stripper playing Mr. Todd. Imagine that.

01:21:24Get a load of this guy. Some stripper playing Mr. Todd. Imagine that.

01:21:29Mr. Rodgers, he's here to cause chaos. Get him out of here fast.

01:21:36Using AI to cheat, hmm? Seems like you're the real troublemaker, yeah?

01:21:40Shit. It looks like Jason's really got Mr. Todd backing him. Even Mr. Rodgers is in his corner.

01:21:47Mr. Rodgers, that man is a male stripper. What's all for for this? Shit.

01:21:53The judges here have been bribed by Abby. I mean, she's ruining the contest and the whole industry.

01:21:58The doctor is not going to touch this.

01:22:06I'm looking for Abby Clark. You're under arrest on the suspicion of attempted murder.

01:22:11Yeah. No, you've mistaken me for someone else.

01:22:13Easy. Let me go.

01:22:15I didn't kill anyone. I'm being framed. It's Vanessa. She's setting me up again.

01:22:20You mess in my car. You put lives at risk. Do I need to show everyone the proof, Abby?

01:22:25I can't believe she'd go this far against her own sister.

01:22:30Sister? They're half-sisters, remember?

01:22:33You're going to pay for this, you bitch!

01:22:46Lane, help me. Officer, I had nothing to do with this. It was all Abby.

01:22:50Lane! I'm a grateful jerk. I've done everything for you. How can you betray me like this?

01:22:56Are you okay? Did she hurt you?

01:23:02Don't touch me.

01:23:05Okay, look, Vanessa. There's something I need to say and it's not-

01:23:08No need for explanations. I already know what's going on.

01:23:12You're cozying up to Mrs. Todd, right? The tech team is all ears when you're around.

01:23:17No, no, no, Vanessa. You got this wrong. Mrs. Todd is my mom. Like my mom.

01:23:22What? So, so Jason Todd, the CEO of the Todd Group.

01:23:30Is it fun to play games with me, Jason? Watching me get played like some sort of idiot?

01:23:36Hey, hey, just listen!

01:23:38Mom, I don't need your explanation! Don't follow me!

01:23:50He knew I can't stand lies. Yet he strung me along like a puppet. I can't believe I fell for it.

01:24:01You think you can just walk away, don't you?

01:24:05It's a chance. Not a chance.

01:24:12Oh, Vanessa, my dear. You have fucked up my life.

01:24:18You have fucked up my life. And now, you, my darling, are only today.

01:24:24Hey!

01:24:45Come down.

01:24:46Listen!

01:24:47Listen!

01:24:48Ah! Who are you?

01:24:57What the hell?

01:25:05Is Blaine out of his mind? He can't seriously be trying to burn me alive!

01:25:09Help! Is anyone there? I'm trapped!

01:25:14Scared me this way.

01:25:16Hey, Nessa! Are you there?

01:25:18Jason! Jason, please come and help me! I'm trapped!

01:25:23I'm sorry it took you so long. Are you okay?

01:25:25I thought I lost you.

01:25:27Hey, hey, hey, hey! Hey! Bonds, get out of here!

01:25:30Hey, hey, you're awake, hey! Are you okay? Are you hurt?

01:25:47Yeah, I'm okay. But what were you thinking rushing into the fire like that?

01:25:54Look, if something happened to you, I would lose my mind.

01:25:58Don't think playing the hero makes me forget that you lied to me.

01:26:02Look, I messed up. I didn't know who I was. I know that.

01:26:08I'm sorry. Could you give us a moment?

01:26:12Yeah, of course.

01:26:13Thanks.

01:26:17Look, you can hate me if you want, but don't walk away from me.

01:26:21You had a million chances to tell me who you really were, but you kept me in the dark.

01:26:26You made me think that you and Mrs. Todd were together.

01:26:30The only person that I love is you.

01:26:33Then why are you hiding your identity? And then stick around?

01:26:37This wasn't just some love at first sight thing, was it?

01:26:47You still don't remember who I am, do you?

01:26:54You really don't remember who I am, do you?

01:26:56Oh my god. Are you okay?

01:27:08Can you get up?

01:27:10Come on, stay with me.

01:27:19It was you.

01:27:21You were the one I saved from the fire.

01:27:23I've been looking for you for years.

01:27:32There was so much smoke and fire that I didn't see anything except your arm.

01:27:41And when I met you at the club, I saw the scar on your arm.

01:27:48I knew it was you.

01:27:50Jason, you don't owe me anything.

01:27:53I'm not here because you saved me.

01:27:56I'm here because I love you.

01:27:58I'm here because I love you.

01:28:08Vanessa.

01:28:16Marry me.

01:28:21I'll marry you.

01:28:22I love you.

01:28:23I love you.

01:28:24I love you.

01:28:25I love you.

01:28:26I love you.

01:28:27I love you.

01:28:28I love you.

01:28:29I love you.

01:28:30I love you.

01:28:31I love you.

01:28:32I love you.

01:28:33I love you.

01:28:34I love you.

01:28:35I love you.

01:28:36I love you.

01:28:38I love you.

01:28:39I love you.

01:28:40I love you.

01:28:41I love you.

01:28:42I love you.

01:28:43I love you.

01:28:44I love you.

01:28:45I love you.

01:28:46I love you.

01:28:47I love you.

01:28:48I love you.

01:28:49I love you.

DO ME, MY SEXY MALE STRIPPER A Hidden Identity, A Lifelong Gratitude #hiddenlove #moboreels

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