- 1 day ago
A young woman hides within the mafia world to escape her past — but ends up falling for the most dangerous man alive. Watch the full drama in English subtitles.
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Short filmTranscript
00:00:00Hey, what are you doing with my stuff? How'd you get in here?
00:00:11I gave him the keys.
00:00:12Carl? Honey, what are you doing here so late? And what's that guy doing with my stuff?
00:00:17Tasha, Tasha, Tasha. You're always asking the wrong questions.
00:00:24What the hell is going on?
00:00:26Do you really think you're death thick, Tasha?
00:00:29Your husband and I decided that you're no longer needed here anymore.
00:00:33Reyna's gonna take over your role at the company.
00:00:35She's already proven she can do everything you can, but better.
00:00:39I'll have a letter of termination and divorce papers sent over to your new address,
00:00:43wherever that ends up being.
00:00:45What should I do with this, boss?
00:00:47Give me that new plea, but I know exactly what to do with it.
00:00:53Is that clear enough for you, Tasha?
00:00:55Tasha, your company and your husband both belong to me now.
00:00:59No, you can't just fire me. I'm a shareholder at this company.
00:01:07Are you still a shareholder at this company? Are you?
00:01:10You know, actually, your debt is mortgaged with your shares, so you actually owe this company about 200 million.
00:01:16I never took out any loans that large.
00:01:19Oh, Tasha, you were always so gallible.
00:01:22A word of advice for the future?
00:01:24Don't give the keys to the kingdom to your assistant, no matter how trustworthy your feeble brain thinks they might be.
00:01:32Security! Security! We have a vagrant in the lobby, and she might become hostile.
00:01:38Stop acting. I'll just leave on my own.
00:01:47Look, there's no glamour. There's no glory. It's just blood, guts, fear, and misery.
00:01:54Come on, man. You think I'm some kind of moron that doesn't know anything?
00:01:58I know that the type of money you make in just a few days, I can't make that in 10 years working as a stick.
00:02:04But at least you're guaranteed to be alive in 10 years. In my world, you're not guaranteed to be alive in 10 days, let alone 10 minutes sometimes.
00:02:11Yo, yo, man. Stop lecturing me. Are you gonna give me the gun or not?
00:02:18I'm sorry, but no. I'm not gonna let you get killed.
00:02:22Man, what the fuck you got me here for then? Shit.
00:02:26Shit!
00:02:41Oh, I guess you didn't hear. The repo guy, he came and towed your car away.
00:02:49Said it was, like, collateral for a loan.
00:02:52Of course, I made the call and arranged everything. My pleasure.
00:02:59You despicable trash.
00:03:01You know, I was gonna give you a ride, you know, seeming that we were married for so long.
00:03:07But walking the streets at night kinda suits you. So, enjoy.
00:03:13Go to hell.
00:03:22Miss?
00:03:23Just go away, alright? I don't need your cheap sympathy right now.
00:03:27Miss, your friend's gone. I just want to offer my cab services.
00:03:33Yeah, I'm sorry. A cab is gone. I just want to offer my cab services.
00:03:40Yeah, I'm sorry. A cab is just what I need right now.
00:03:43Alright, great. Come on board.
00:03:44Alright, great. Come on board.
00:03:45I'm sorry. I'm sorry. A cab is just what I need right now.
00:03:48Alright, great. Come on board.
00:03:49You stay there.
00:03:50What is wrong, please?
00:03:51I think he'll bail you up, it's the Germans, but...
00:03:52Honestly, theleton do have to mail me down.
00:03:53See my friends go down.
00:03:54tiene red light is moровent, and I think it's the other down.
00:03:56Oh wait alright, I don't need your least gear.
00:03:57I got more carried away, alright? I don't need your cheap sympathy right now.
00:04:02Miss, your friend's gone.
00:04:03I just want to offer my cab services.
00:04:06Sorry, I don't have any cash right now.
00:04:31Give me a minute.
00:04:32I'll go grab some from inside.
00:04:34Here.
00:04:35Just proof I'm not trying to skip out on the fair.
00:04:48You have some nerve coming back here.
00:04:50I never wanted my son to marry you in the first place.
00:04:53And now that he's finally come to his senses and kicked you to the curb,
00:04:57you think that you can just waltz right back into his house?
00:05:01His house?
00:05:02My father left me this house.
00:05:06And I know you're senile, but I'm sure you remember when you practically begged me to let you and Carl live here.
00:05:14I always knew you were a nasty little hussy.
00:05:17Who the hell are you?
00:05:24This is a personal matter, so you should really mind your own business and stay outside.
00:05:28Actually, this is my boyfriend.
00:05:33So if it's a personal matter for me, it's a personal matter for him.
00:05:37Okay.
00:05:37What?
00:05:39You think your son's the only one capable of having secrets?
00:05:42Hey, thanks again for today.
00:05:58I know that's a weird position to put you in.
00:06:03It's all right.
00:06:05It is really nice to know that there is still good people out there that would help a total stranger.
00:06:13Have a good night.
00:06:14All right.
00:06:14You too.
00:06:14All right.
00:06:44Where's my necklace?
00:06:59Here.
00:07:01Just proof I'm not trying to skip out on the fair.
00:07:14There's a fancy broad like you find yourself in a place like this.
00:07:34Who the hell are you?
00:07:36Get out now!
00:07:36All I'm trying to do is introduce myself and you're treating me like some dog shit you found stuck to your shoes.
00:07:44I'm calling the police!
00:07:49How about I give you a better idea?
00:07:59You and I are going to have some good old-fashioned fun tonight.
00:08:11If I ever see you around here again, you're dead!
00:08:14Get out of here!
00:08:14Hey.
00:08:17Hey.
00:08:19Oh, I'm so glad you're here.
00:08:25Where did you get this necklace?
00:08:28My father gave that to me.
00:08:34You better not be lying to me.
00:08:36I'm not lying.
00:08:37I mean, he made that with his own hands.
00:08:41It has my name on the back.
00:08:46It's really you?
00:08:47Hey.
00:08:48How are you feeling?
00:09:05How did...
00:09:06How did you...
00:09:07You left your bag in my car.
00:09:08how did you know where to find me i have my ways
00:09:15hey listen i know it's none of my business but it's not safe for you here
00:09:22with everything that's happened in the last 24 hours this is all i can afford
00:09:27listen i have an extra room at my place maybe you can just come stay with me
00:09:38welcome home
00:09:55i really feel like my luck's starting to change i mean you've literally rescued me over and
00:10:07over today i know what it's like i've been rescued before um i'm sorry i i don't think
00:10:15i can make rent right away but um you can sell this ring and then it should cover me for a
00:10:22few months at least until i'm back on my feet i thought he was a really rich guy why did
00:10:28why did he get you such a small diamond it's not a very good cut either okay never mind i
00:10:37can just no it's fine i'm just saying you deserve a better reign than this
00:10:49no babe stop it's late okay you're still thinking about her who tasha are you kidding
00:11:07me then why are you wearing the wedding ring did you forget what she and her father did
00:11:23to you i will never forget what she and her father did to me but that has nothing to do
00:11:28with you so why don't you stop mouthing off about shit that you know nothing about and
00:11:33let me handle my own affairs
00:11:35um
00:11:51hot
00:11:56hot
00:12:00hot
00:12:02Mary?
00:12:12What?
00:12:16Hey, what's going on?
00:12:18My daughter's missing.
00:12:20What?
00:12:32Tasha, you shouldn't have barged in like this.
00:12:35If Carl finds out...
00:12:36No, I don't care about Carl right now, okay?
00:12:39Where's my daughter?
00:12:40Where's Anna?
00:12:41I sent her away.
00:12:44No.
00:12:46You have no right.
00:12:48Actually, as Carl's new wife and Anna's legal guardian,
00:12:52I have all the rights to do whatever I want with my stepdaughter.
00:12:58What?
00:12:59We never settled custody,
00:13:03so just skip the theatrics and tell me where my daughter is.
00:13:07You think you're getting custody?
00:13:10Stai sognando.
00:13:12On one hand, we have a mother drowning in debts with no place to live.
00:13:19On the other hand, we have a wealthy and well-respected father
00:13:24who happens to be the CEO of the world-renowned pro group.
00:13:29Who do you think the court will side with?
00:13:37Oh!
00:13:38Oh!
00:13:39What's going on?
00:13:40Oh, Carl!
00:13:42Carl, it's okay.
00:13:43Tasha was understandably upset about the situation.
00:13:46You know, I don't blame her for what happened.
00:13:48You trespass on my property, assault my wife in her own home?
00:13:53Tasha, I have put up with your outrageous behavior for years,
00:13:55but don't you dare subject Raina to that kind of abuse.
00:13:59You don't understand.
00:14:00Raina sent Anna away!
00:14:02She did what any good mother would.
00:14:04I want to know where my daughter is right now!
00:14:06New Zealand.
00:14:08Getting medical care from one of the best cardiology departments in the world.
00:14:13And remind me,
00:14:14what have you done for your daughter lately?
00:14:16Hmm?
00:14:17Abandon her?
00:14:18To go shack up with some cab driver boyfriend?
00:14:20You idiot!
00:14:21I found those cardiologists in New Zealand.
00:14:25Scheduling those appointments was the last thing I had Raina do when she was still my assistant!
00:14:29Tasha, Tasha, you disgust me.
00:14:31Trying to take credit for this wonderful woman's kind gesture to your own sick daughter.
00:14:37I'm going to make sure Anna Sey's far, far away from you,
00:14:39so there's no possibility of her ever becoming anything like you.
00:14:48You.
00:14:49Backstabbing.
00:14:52Homewrecking.
00:14:54Bitch.
00:14:55I advise you stay far away from my daughter and I.
00:15:01Hey!
00:15:03By the way,
00:15:04the deed still lists me as the rightful owner to this house,
00:15:07so the two of you have no right to keep me from coming back here.
00:15:11Do you understand?
00:15:12Calm down.
00:15:12You can forge my signature,
00:15:15you can take my money,
00:15:16take my house,
00:15:17but you will never have a shred of the intelligence that I have.
00:15:21Tasha, you have made your point.
00:15:23I think it'll be-
00:15:23You deserve that too!
00:15:27You should have told me about Anna a long time ago!
00:15:29Oh, don't stop at my account.
00:15:35Please, continue.
00:15:37Miss Big Shot,
00:15:39don't you forget that you still owe 200 million dollars.
00:15:43And 20 millions of that is owned to me, personally.
00:15:47In fact, I'm going to call my lawyer and see to it
00:15:49that if you don't pay right away,
00:15:51you're never going to see your daughter ever again
00:15:53and you'll end up in Dexter's prison.
00:15:57Ciao.
00:16:01Go ahead and check it out.
00:16:02But after your accountant,
00:16:03make sure this is all legit.
00:16:05I don't want you two jackasses
00:16:06counting my girl for money ever again.
00:16:08Got it?
00:16:08Oh, and by the way,
00:16:16we're going to go ahead and take Anna in the future too.
00:16:19Don't worry, Carl.
00:16:20I'll be a better father to her than you ever can be.
00:16:23Tasha,
00:16:24you'll regret this.
00:16:26Thanks again for today.
00:16:34For pretending to be my boyfriend.
00:16:39Mm-hmm.
00:16:41Was all that money real?
00:16:44As real as it comes.
00:16:45Where'd you get all that money?
00:16:48I robbed a couple of jewelry stores
00:16:49before I came to find you.
00:16:51Are you serious?
00:16:54No, I'm just joking.
00:16:55It was my dad's.
00:16:57Don't worry,
00:16:57it wasn't stolen or robbed or anything.
00:17:00But hey, listen.
00:17:01From now on,
00:17:02I want you to think of me as your creditor.
00:17:04Okay?
00:17:05I don't want you to worry about
00:17:06owing money to those scumbags.
00:17:08From now on,
00:17:08you'll just
00:17:08throw money to me.
00:17:11As long as you're okay with that?
00:17:13I could be okay with it.
00:17:15As long as you can satisfy
00:17:16one small request.
00:17:20What kind of request?
00:17:25My only request
00:17:30is that you just relax.
00:17:33Okay?
00:17:34I want you to take a load off.
00:17:37I want you to start by telling me a story,
00:17:39you know,
00:17:39about the last time it was
00:17:40when you were happy.
00:17:41You know,
00:17:55I just,
00:17:56I never in a million years
00:17:57could imagine that
00:17:59Carl would betray me like this.
00:18:03I have nothing.
00:18:04Well,
00:18:08I mean,
00:18:09you always have me
00:18:11and,
00:18:13you know,
00:18:14other things.
00:18:17I can't hear you.
00:18:18You're whispering.
00:18:19I can't hear you.
00:18:44Carl, you know, Tasha's probably screwing around with that new boyfriend of hers.
00:19:04That bitch.
00:19:07Honey, you know, you promised to put me in touch with the curator at the Fitzgallery.
00:19:11Oh, I'm telling you, forget about the Fitzgallery, okay?
00:19:14The people who are running it are crooks.
00:19:17But I want my paintings to be showcased in the most prestigious venue possible.
00:19:22I know, I know.
00:19:23And I said I would help you find other galleries, remember?
00:19:27Just stop nagging me about it, okay?
00:19:30Okay.
00:19:34You're a little angel.
00:19:41It's okay.
00:19:55Just sleep in.
00:20:02Well, it's certainly going to make things more complicated.
00:20:06So you want to pretend last night never happened?
00:20:14I thought we had a good thing going on between us.
00:20:18I mean, you've been going around the last couple of days telling everybody I was your boyfriend.
00:20:22Yeah, but that was just something I said to make my husband jealous.
00:20:28You mean your ex-husband?
00:20:30Yeah.
00:20:31Ex.
00:20:32Yeah.
00:20:35But I mean, you and I, you know I can't start a new relationship right now.
00:20:43So everything you said last night?
00:20:46We were just caught up in the heat of the moment.
00:20:50Heat of the moment.
00:20:51So it was all just bullshit?
00:20:54Why?
00:20:54To get me into bed with you?
00:20:56Just to have a one-night stand?
00:21:00Because you miss being with your damn husband?
00:21:16So everything you said last night?
00:21:21Get a hold of yourself.
00:21:22You just got divorced.
00:21:28You're not going to play mind games with men anymore.
00:21:31Hey.
00:21:35I wasn't sure what you liked, so...
00:21:37I just made a little bit of everything.
00:21:41You made all this?
00:21:42Yeah.
00:21:43So what do you think?
00:21:54It's delicious.
00:22:00I mean, you deserve to have some of your awesome breakfast, too.
00:22:04Hey.
00:22:06You're not going to maybe sit here and eat this alone, are you?
00:22:08All that for some sauce, huh?
00:22:23Are you kidding me?
00:22:30Hello?
00:22:31Mommy, I miss you so much.
00:22:34Anna?
00:22:35Mommy, I miss you so much.
00:22:36Anna, honey?
00:22:36What?
00:22:38What's going on?
00:22:38Anna?
00:22:42Okay.
00:22:43Both of your resumes look excellent.
00:22:46I have a question.
00:22:50If you spilled a glass of milk in the ocean,
00:22:52how would you get it back?
00:22:54What does that question have to do with our work?
00:22:57Well, uh, I suppose you could contain the section of the ocean with the spilled milk
00:23:05and then collect that sample, add a centrifugal force,
00:23:09and there's probably a good chance of separation.
00:23:14So at our company, we are always trying to make the impossible possible.
00:23:19And for that, we need people who can think on their feet.
00:23:21And derive solutions, no matter how outlandish the task at hand may seem.
00:23:33Hello?
00:23:39Uh-huh.
00:23:41Okay.
00:23:42Congratulations, Ms. Michaels.
00:23:51Welcome to the Eastwood Corporation.
00:24:04If you don't mind me asking,
00:24:06why didn't I get the job?
00:24:08Mrs. Roberts.
00:24:13Maybe you should focus on fixing your own family problems first
00:24:16before you start to look for work again.
00:24:21We don't want to make enemies with the Crow Group.
00:24:35So I guess you didn't get it?
00:24:36I just don't understand why Carl hates me so much.
00:24:43I mean, he doesn't want me to work for his company,
00:24:45but he doesn't want me to work for any other company either.
00:24:48Look, you don't need that corporate job anyways.
00:24:51Yeah?
00:24:52What else can I do?
00:24:55I mean, I thought you were an artist.
00:24:56You know, a painter.
00:24:58What did you know about that?
00:24:59You brought an easel.
00:25:00It's just a hobby.
00:25:07I gave it up.
00:25:09I don't paint anymore.
00:25:13Okay, well,
00:25:14if you don't love to paint anymore,
00:25:16then why bring an easel with you?
00:25:17I haven't painted in years.
00:25:24I'm sure it'll be just like riding a bike.
00:25:26Once you start,
00:25:27it'll all come back to you.
00:25:33That's my account.
00:25:35Why are they assigning it to someone else?
00:25:37Fine, fine.
00:25:38Just get me some damn answers
00:25:39and give me a call back soon, okay?
00:25:44Carl, this took me three months.
00:25:47I'm sorry.
00:25:48I just got some bad news at work.
00:25:50It's ruined now.
00:25:52Fine.
00:25:53Start over.
00:25:55You know,
00:25:55it kills me
00:25:56to see you squander your intelligence and talent
00:25:59on these useless paintings.
00:26:03You're a remarkable woman, Tasha.
00:26:05Okay?
00:26:06And if the charlatan snobs in the art world
00:26:08can't see that,
00:26:09then screw them, okay?
00:26:12If you put your focus elsewhere,
00:26:14we could be rich enough to buy ten art galleries.
00:26:17And then you could put
00:26:18whatever paintings you want in them, right?
00:26:21Painting's my passion.
00:26:24What if we put painting
00:26:25on the side
00:26:27just for a little while
00:26:29and you could come join me at the company?
00:26:32Just together, we...
00:26:34we'd be unstoppable.
00:26:37And right now,
00:26:38I am drowning.
00:26:40Your dad and his
00:26:41partners have no faith in these.
00:26:45I need you.
00:26:47Look.
00:26:51You love me.
00:26:52Don't you?
00:26:55Of course I do.
00:26:56Okay?
00:26:58Okay?
00:26:58Just...
00:26:58Do this one thing for me.
00:27:01This one little thing.
00:27:03Please.
00:27:12Fly away
00:27:14with me
00:27:16Take you high
00:27:18I'm sorry
00:27:20To smile
00:27:22It's my only dream
00:27:25Steering out into the sea
00:27:31Finished!
00:27:33Yep.
00:27:38That is amazing.
00:27:42I...
00:27:42I honestly never thought I'd paint again.
00:27:45Well, that would have been a shame.
00:27:46You're easily one of the most talented artists
00:27:48I've ever met.
00:27:48Waves come crashing
00:27:50I'm sorry
00:27:52I'm sorry
00:27:53I'm sorry
00:28:07We're honored that you chose our gallery to showcase your work.
00:28:10I am curious about one thing, if you don't mind me asking.
00:28:13The subject in your paintings, your muse, is he your lover?
00:28:18Oh, no. He's just a friend of mine.
00:28:25But his gaze, the way he looks out to you in these paintings, there's so much tenderness and affection in his eyes.
00:28:34Is Ken really in love with me? He's so young, though. At his age, he probably doesn't even know what love is.
00:28:46Oh, sorry, you're in the way.
00:28:50Actually, you're in my way.
00:28:54Actually, you're in my way. I'm trying to get into my home.
00:28:59Is this your new girlfriend? I've never seen you with anyone like this before.
00:29:05Ken's my roommate. Now, if you'll please step aside so I can get in.
00:29:13Call me again if you need anything, okay? Bye.
00:29:19Hey, what are you doing home so early? Are they gonna showcase your work?
00:29:23Sorry if I interrupted something, but as your roommate, I don't really think I need to tell you if I'm coming or going.
00:29:29So, if you have something private to do, just do it in your room.
00:29:31I never said you need to tell me when you're coming or going. I'm just saying.
00:29:34No, it's fine. You don't need to explain. Just... I just want to be alone.
00:29:43What?
00:29:48I'm so sorry, sir. She just barged in without permission.
00:29:51It's okay.
00:29:53Miss Roberts, please. Grab a seat.
00:29:55We signed a contract. Why can't you show my paintings now?
00:30:00I'm afraid I don't have the answers you're looking for.
00:30:02You want to know what happened? Ask Karl Krohm.
00:30:07I want my paintings back. Right now.
00:30:10Right now.
00:30:12Well, they're probably somewhere in the warehouse.
00:30:15They haven't been thrown away yet.
00:30:16You've already searched the entire warehouse ten times.
00:30:17If you haven't found what you're looking for, it's not here.
00:30:21You better hope I find what I'm looking for, or I'm going to make this entire gallery compensate me.
00:30:27And then I'm going to sue you, and you'll be the first to lose your job.
00:30:42You've already searched the entire warehouse ten times.
00:30:44If you haven't found what you're looking for, it's not here.
00:30:46You better hope I find what I'm looking for,
00:30:48or I'm going to make this entire gallery compensate me,
00:30:51and then I'm going to sue you, and you'll be the first to lose your job.
00:30:55Yeah, that's great, lady. Go ahead and sue.
00:30:57I'm sure things will go exactly the way you described it.
00:31:11I'm sure things will go exactly the way you described it.
00:31:41You really care about her.
00:31:49Shh, keep your voice down.
00:31:51She's had a long day.
00:31:52Also, you can't just come over here so casually in the future.
00:31:56Casually?
00:31:57Are you kicking me out?
00:31:59You didn't mind my coming over so casually
00:32:01when you had me digging through your body for bullets.
00:32:04You men are cold as hell.
00:32:06I think my lucky star is on the lesbian.
00:32:08Look, I just can't have her finding out about the work that we do, okay?
00:32:12Are you serious about her?
00:32:15Yeah.
00:32:16Have you thought about the consequences if your dad finds out?
00:32:21Look, no.
00:32:22You and I have been best friends for over 20 years, okay?
00:32:25And my dad has taught me everything that I know.
00:32:29I think maybe it's time I just figure things out on my own.
00:32:31And you know exactly what I went through last time.
00:32:36I'm not going to lose her again.
00:32:41Don't worry, Anna.
00:32:42Mommy's going to find a way to bring you home soon.
00:32:44All the evidence is here.
00:32:53It's exactly what you thought.
00:32:56Let me know if you want me to find out more.
00:32:58Carl, let's meet.
00:33:14Oh, wow.
00:33:24It's not every day a famous painter comes to visit.
00:33:29To what do I owe the pleasure?
00:33:30The company I supposedly borrowed money from.
00:33:36It's a shell company owned by you.
00:33:40So what?
00:33:42All our operations are legal.
00:33:44You signed the documents.
00:33:45You borrowed the money.
00:33:46All you can do now is pay it back.
00:33:52You know, I don't think you actually want me to pay back the loans.
00:33:59You were just looking for an excuse to have me back in your life.
00:34:04You're obsessed with me.
00:34:06This is just your sick way to dominate me and make me surrender to you.
00:34:10I'm just getting even.
00:34:13For the years I spent in your father's shadow.
00:34:15The years of belittlement and him treating me like a clown.
00:34:20My father hired you when no one else would.
00:34:25Not my fault that your insecure petty took his support as belittling.
00:34:33I wouldn't upset me if I were you.
00:34:36Remember, I'm your creditor now.
00:34:39Two months.
00:34:41That's all I can give you to pay me back the remainder.
00:34:43$180 million.
00:34:45What are you doing here?
00:34:56I was just in the neighborhood.
00:34:58Thought I'd give you a ride home.
00:34:59This is Ken's roommate.
00:35:11We're going to be dropping them off before we head home.
00:35:14Yeah, hey listen, I didn't introduce you last time, but this is my best friend Nell and
00:35:19her girlfriend Maria.
00:35:21Nell and I have been nothing more than friends since we were kids.
00:35:28She's not into men, and she never has been, and her and I are nothing more than just platonic
00:35:34friends.
00:35:35Alright?
00:35:36I'm sorry, I jumped to conclusions the other day.
00:35:40It's okay.
00:35:41I just didn't want you to get the wrong idea.
00:35:45Look, I appreciate it, I really do, I just, I still think you and I are better off just
00:35:56as friends.
00:35:58Just friends.
00:36:03Why?
00:36:07Maybe because I'm just getting over a failed marriage.
00:36:14Because I owe an unthinkable amount of money and I have no idea how I'm gonna pay it back.
00:36:19I also have no idea how I'm gonna get my daughter back.
00:36:25And getting into a relationship with you, that's just something I can't do right now.
00:36:31Love has brought me nothing but pain, okay?
00:36:33So just, please, just leave it.
00:36:37Do you have any other paintings?
00:36:58Yeah, I have several.
00:37:07What are you looking for?
00:37:11I would like to buy them all.
00:37:13I love your painting style.
00:37:14It is so unique.
00:37:15I own a large gallery and I would like to establish a long-term collaboration with you.
00:37:21Thank you for your kind words about my paintings, but I've been in some trouble lately and it's
00:37:28probably best if I don't involve your gallery.
00:37:35None of this matters to me.
00:37:36If someone wishes to cause me trouble, well, just let me try.
00:37:47I mean, it has to be a mistake.
00:37:52Or a prank or a cruel practical joke.
00:37:56I mean, it seems pretty authentic to me.
00:37:58It has their seal and your name and address are, like, clearly written on it, so...
00:38:07It looks authentic.
00:38:09But how would they have seen my paintings?
00:38:13I don't know, maybe one of those auction sites that you've been posting your work on?
00:38:16I mean, you're incredibly talented, so anybody who's seen your work would automatically recognize it.
00:38:26I own a large gallery and I would love to establish a long-term collaboration.
00:38:31It's him.
00:38:34It's him.
00:38:35The guy who'd been on my paintings.
00:38:37He must be the owner of the Fitz Gallery.
00:38:39Well, in that case, we better get going.
00:38:41Where?
00:38:42Gotta go get you a dress.
00:38:44We can't have you showing up to the Fitz Gallery in rags.
00:38:51Babe, which one do you like more?
00:38:54This one or this one?
00:38:57I need to be the hottest girl at the Fitz Gala.
00:39:01Everything just looks so good on you, honey.
00:39:04So, just pick whichever one you want.
00:39:07I gotta take a call, okay?
00:39:10Wrap this up, you twitch.
00:39:11I'll take them both.
00:39:12Wow.
00:39:13I used to buy dresses like this all the time without even thinking about the money, but...
00:39:26I can't afford something like this now.
00:39:29You know what?
00:39:31Consider it a congratulatory gift for me.
00:39:33Alright?
00:39:34And when you make it big in the art world, you can just hand me back.
00:39:40Oh, hi.
00:39:41Excuse me.
00:39:42Yeah, my friend would like to try on this dress.
00:39:44Oh, your friend has amazing tastes.
00:39:46This dress is actually a limited edition.
00:39:48Each one handcrafted by hand and therefore entirely unique.
00:39:51Truly a work of art.
00:39:53Well, how fitting that's gonna be worn by a very talented artist.
00:39:55I'll have someone on the team bring it out to you.
00:40:00Veronica, please bring the limited edition.
00:40:06Why limited edition?
00:40:09Tasha?
00:40:11Do you really think you can afford this dress?
00:40:16You can afford this dress?
00:40:20Please.
00:40:21Reyna.
00:40:22I don't think you need to worry about Tasha's finances, okay?
00:40:25We established that last time.
00:40:29Hey, you.
00:40:30Get over here.
00:40:32I'm gonna pay twice what it's worth.
00:40:34But I want this dress.
00:40:35Ma'am, this dress is $4,000.
00:40:37Did I ask you how much it cost, you pluritarian scum?
00:40:40Just shut your mouth and add it to my bill.
00:40:43She's willing to pay double.
00:40:45I'll double her offer and I'll pay $16,000.
00:40:48Okay, sir. Sold.
00:40:49$32,000.
00:40:50You know what?
00:40:53If she wants to dress so bad, let her have it.
00:40:56You can put all the jewels you want on a pigeon, but it'll never be a peacock.
00:41:00I'll show you who's a pigeon, you little bitch.
00:41:03How dare you assault me?
00:41:05Tasha, are you okay?
00:41:09What is going on here?
00:41:10What's going on is that your crazy bitch wife pushed Tasha to the ground.
00:41:14I swear to God, they're all lying. I never touched her.
00:41:17I saw everything.
00:41:18This gentleman and his girlfriend were very nice and politely inquired about a dress and suddenly your wife appears and attacks her for no reason.
00:41:25Shut your mouth, you little lying asshole.
00:41:27You know what?
00:41:28Why don't you just call security before this crazy maniac hits somebody else?
00:41:31Wait a second, Reyna.
00:41:32What actually happened here?
00:41:34What's going on?
00:41:35Why don't you believe me?
00:41:36I told you.
00:41:38Don't just call 911.
00:41:40Are you blind?
00:41:41Oh Tasha, can you stop this bullshit?
00:41:43You know what Reyna, can you just stay away?
00:41:45Can I get someone down here?
00:41:46Room A122?
00:41:47No, no, that's not necessary.
00:41:48We are leaving right now.
00:41:49Let's go.
00:41:50Room, but-
00:41:51Okay, you've embarrassed us both enough for one day, okay?
00:41:54Let's go!
00:42:03Wherever Reyna goes, trouble's sure to follow.
00:42:07It is nice to see her get a taste of her own medicine though.
00:42:10Yeah.
00:42:11It's a shame though, you would have looked really great on that dress.
00:42:17Don't worry about that.
00:42:18I have a solution.
00:42:28What are you going to do with all this stuff?
00:42:30I'm going to design my own dress and wear it to the gala.
00:42:33Are you sure there's enough time?
00:42:35Have some faith in me.
00:42:36I graduated with honors in design and fine art.
00:42:40I got this.
00:42:42Alright.
00:43:01How do I look?
00:43:05How do I look?
00:43:11What?
00:43:13Is-
00:43:14Is something wrong?
00:43:15Is it-
00:43:16Is it too much?
00:43:17Should I change something?
00:43:18No, no.
00:43:20You look-
00:43:22That dress, like-
00:43:24That is one of the most beautiful dresses I've ever seen.
00:43:30But there's something missing.
00:43:31Should I resell the beads?
00:43:32No.
00:43:33I have a gift for you.
00:43:34Something to complete the whole look.
00:43:39Just try harder, you idiot!
00:43:40Mrs. Crowe.
00:43:41I am doing everything I can.
00:43:42I-I-I don't know what more I can do.
00:43:44You're calling me fat?
00:43:45Of course not.
00:43:46You're not fat at all.
00:43:47It's the dress.
00:43:48It's not made for a woman's body.
00:43:49It's the dress.
00:43:50It's not made for a woman's body.
00:43:51Just shut up and do it!
00:43:53Babe.
00:43:54Just put on another dress.
00:43:55You're gonna be late.
00:43:57I spent so much money on this dress.
00:43:58I am wearing this dress.
00:44:00Ugh.
00:44:01I'm very sorry.
00:44:02I don't know what I'm doing.
00:44:03I don't know what I can do.
00:44:04You're calling me fat?
00:44:05Of course not.
00:44:07You're not fat at all.
00:44:08It's the dress.
00:44:09It's not made for a woman's body.
00:44:10Just shut up and do it!
00:44:12Babe.
00:44:13Just put on another dress.
00:44:14You're gonna be late.
00:44:15I spent so much money on this dress.
00:44:16I am wearing this dress!
00:44:17Ugh.
00:44:26I can't, it's, it's too much.
00:44:41No, it was made for you.
00:44:52I can't wait to see what you've brought to the auction.
00:44:54Can we have a little hint?
00:44:57Well, actually, I brought some of my very own paintings to auction tonight.
00:45:05What's wrong?
00:45:07Just Tasha Roberts, my husband's dreadful ex-wife.
00:45:13I'm tired of seeing her sorry face everywhere.
00:45:17You know, she's also a horrible person.
00:45:20If it isn't everyone's favorite wide-collar criminal turned homeless vagrant, Tasha Roberts.
00:45:29So, the other day, when you were trying to buy this dress with that, um, working-class thug boyfriend of yours,
00:45:36you were trying to come here?
00:45:38Are you sure you were even invited?
00:45:40I'm sorry, are you working with the security details?
00:45:46Do I need to show you my invitation?
00:45:49Honey, I'm just trying to look out for you, okay?
00:45:51I want to spare you the embarrassment of being kicked out when everybody finds out that you are not invited.
00:45:58You mean like how you were kicked out of the mall?
00:46:00I see. You still quite don't understand your place in the world.
00:46:05You think you're fucking Cinderella or something, and life is a fairy tale.
00:46:10But don't worry. I'll help you figure it all out.
00:46:16What's wrong with you?
00:46:18Can't you see? People are walking through.
00:46:20Rina, this time you've gone too far!
00:46:22Stop shouting, you dreadful oaf.
00:46:24These were supposed to be auctioned tonight!
00:46:26Well, if it is of any consolation, I don't think the wine has reduced their value of very much at all.
00:46:33Now you can go and cry to your fairy godmother.
00:46:38Loser.
00:46:39Oh, I think the auction's starting.
00:46:42Well, I'll see you there.
00:46:44Toodles!
00:46:44For our first auction item, I'd like to welcome Ms. Raina Crowe to the stage with her collection of original paintings.
00:46:59As you can see, Ms. Raina Crowe's style is very unconventional.
00:47:19Certainly, these works defy easy categorization, and yet there are touches of whimsy and an almost playful quality about them,
00:47:29as depicted here through the bold use of a duck as a central figure.
00:47:34It's a dog.
00:47:35What?
00:47:36It's a dog, not a duck, you buffoon!
00:47:38Oh, yes, of course, a dog, seen through a very unique prism, portrayed as only an artist of Raina's caliber could possibly portray it.
00:47:50Now that we have familiarized ourselves with the art and the artist, let's start the bidding.
00:47:56The starting price will be $50,000.
00:47:58Do I hear $50,000?
00:48:01Anyone?
00:48:03$50,000, do I hear $60,000?
00:48:06$50,000 going once, $50,000 going twice.
00:48:14Sold!
00:48:15Sold for $50,000.
00:48:22And now we'll invite our second artist for the evening, Ms. Tasha Roberts, who will also be presenting a series of paintings.
00:48:29Thank you, Ms. Tasha Roberts, where are your paintings?
00:48:41I don't have my paintings tonight, but I will be auctioning off this dress.
00:48:48I don't have my paintings tonight, but I will be auctioning off this dress.
00:49:00Oh, wow, it's beautiful.
00:49:04Stupendous.
00:49:04I've never seen a dress so beautiful.
00:49:06Oh, stupendous.
00:49:11I've never seen a dress so beautiful.
00:49:14A stunning work of art, indeed.
00:49:17There's no need for me to say another word about this masterpiece.
00:49:19Everyone in the audience can clearly see the extraordinary talent and extraordinary artistry.
00:49:24Let's start the bidding at $50,000.
00:49:27$55,000.
00:49:28$75,000.
00:49:30$90,000.
00:49:31$100,000.
00:49:33$150,000.
00:49:35$250,000.
00:49:39$250,000 going once, $250,000 going twice.
00:49:44Sold!
00:49:45This beautiful dress is sold for $250,000.
00:49:48Is that the heart of some necklace that sold for $200,000 a few months ago in a bid now?
00:50:01Impossible.
00:50:03How can that lowly peasant possibly afford it?
00:50:06It must be a fake.
00:50:10Thank you so much for your bid, Ms. Winslow.
00:50:13I'm going to design a few custom pieces in your size
00:50:16and design them to your elegance and style.
00:50:19Have you ever considered creating your own clothing brand?
00:50:24I mean, your creations are so extraordinary.
00:50:28You should really share your talent with the rest of the world.
00:50:31I never considered it, but I certainly will now.
00:50:35Hi.
00:50:37I'd be careful if I were you.
00:50:38I personally wouldn't put any faith into someone
00:50:41that wears cheap replicas of famous pieces of jewelry.
00:50:46What are you talking about right now?
00:50:48This woman is a phony and a con artist.
00:50:51For as long as I worked with her,
00:50:52she's done nothing but defraud and cheat the people she's done business with.
00:50:57And let me make it clear.
00:50:58For everybody that wants to do business with this woman,
00:51:02they won't be allowed to do business with the Crow Group.
00:51:05Is that so?
00:51:06Well, let it be known that if anybody refuses to work with Ms. Tasha Roberts
00:51:13because of the baseless rumors and lies being spread by Ms. Raina Crowe,
00:51:18you will no longer be welcomed back to the Fitz Gallery.
00:51:21That's the curator of the Fitz Gallery.
00:51:23Not just the curator.
00:51:27He's also the director of the Fitz Foundation.
00:51:31The curator?
00:51:33Is he the man who bought my paintings?
00:51:36Why does he seem so familiar?
00:51:40Ms. Tasha Roberts is my guest of honor tonight.
00:51:43I invited her personally.
00:51:45So if anybody treats her with the slightest bit of disrespect,
00:51:48they'll be asked to leave and never again invite her back to the Fitz Gallery.
00:51:51As the director of this esteemed organization,
00:51:55am I interested to know that your guest of honor
00:51:57is wearing a cheap replica of a priceless work of art.
00:52:02She is not to be trusted.
00:52:05I'm assuming you mean her diamonds.
00:52:07What evidence do you have to prove that it's not real?
00:52:10Well, the real Heart of the Sun has the initials of the Craft Man
00:52:14engraved in the joint between the gemstone and the pendant.
00:52:17So, Tasha, would you indulge us all
00:52:20and show us if what you're wearing is a genuine article
00:52:23or a cheap knockoff?
00:52:27This was just given to me by a friend.
00:52:29I never claimed it was the real Heart of the Sun.
00:52:32I don't want to embarrass him
00:52:34by having people pour over it for imperfections.
00:52:38So, it's a forgery.
00:52:40You were so happy to have everyone believe it was the real thing
00:52:43until I challenged you and called your bluff.
00:52:47Ms. Roberts.
00:52:50You were so happy to have everyone believe
00:52:53it was the real thing
00:52:54until I challenged you and called your bluff.
00:52:57Ms. Roberts,
00:52:58you have nothing to fear from this woman.
00:53:00Just show her the necklace.
00:53:02And I'll personally see to it
00:53:03that there are no despairing comments
00:53:05about its craftsmanship or quality.
00:53:07And the question has to be asked
00:53:09whether it is the true Heart of the Sun.
00:53:18See?
00:53:19Just like...
00:53:21What?
00:53:23How is this possible?
00:53:28I do say
00:53:29this engraving looks entirely authentic to me.
00:53:34This is indeed
00:53:35the one and only Heart of the Sun.
00:53:37Well, that settles it then.
00:53:39This necklace is authentic.
00:53:40From now on,
00:53:41no one will be permitted to question
00:53:43or harass my guest of honor.
00:53:45Now, if everyone is satisfied,
00:53:47can we please get back to tonight's festivities?
00:53:59Ken, you have a lot of explaining to do.
00:54:03Okay, what's wrong?
00:54:04I can't accept this necklace.
00:54:06And I can't give you what you want.
00:54:10Do you even know what I want?
00:54:12I don't want to know.
00:54:15We can just be friends, nothing more.
00:54:17Tasha, you're just afraid.
00:54:20You're just afraid of going after
00:54:21what your heart truly desires.
00:54:24And I just think you're afraid
00:54:25of just being true to yourself.
00:54:27You're the last person
00:54:29that should be lecturing anybody
00:54:30on the truth.
00:54:33Who are you?
00:54:35What do you do?
00:54:36Is this even your house?
00:54:38I mean,
00:54:39how do you own a necklace
00:54:41that's 200 million dollars?
00:54:43I just...
00:54:46See,
00:54:47you...
00:54:47You don't even respect me enough
00:54:49to tell me the truth.
00:54:52You...
00:54:52You expect me to jump
00:54:54into a relationship with you?
00:54:57You could be a total stranger.
00:55:00I have no idea who you are.
00:55:03Tasha, I want to tell you.
00:55:04I do.
00:55:05But...
00:55:06I just can't right now.
00:55:09Alright?
00:55:09Like, maybe in the future
00:55:10when we can sit down and...
00:55:11No, Ken, there is no future for us.
00:55:14Not if you can't tell me
00:55:15one thing about yourself
00:55:16that isn't a lie.
00:55:19When you find someone
00:55:20that you really love and trust,
00:55:23you let them in.
00:55:30But that person won't be me.
00:55:35Are you okay?
00:55:50Director Fitz,
00:55:52I had a wonderful time
00:55:53at the gala.
00:55:54Thank you for supporting me
00:55:56and standing up for me.
00:55:59I wasn't bothered by the way
00:56:00the other guests treated me.
00:56:02I've endured far worse.
00:56:08Lovely.
00:56:09I'm glad to hear it.
00:56:10I would like to exclusively
00:56:11showcase your work
00:56:12at the Fitz Gallery
00:56:14for the foreseeable future.
00:56:16Think of it as a sort
00:56:17of artist's residency.
00:56:19Would you be interested
00:56:19in such an opportunity?
00:56:28This dress is every bit
00:56:31as exquisite
00:56:32as I expected it to be.
00:56:33Thank you, my dear.
00:56:35You're very welcome.
00:56:37Have you given any more thought
00:56:38to my proposal?
00:56:41If you wish to start
00:56:42a clothing brand,
00:56:43I would be more than happy
00:56:45to invest whatever you require
00:56:47to get started.
00:56:48It's a very gracious offer,
00:56:50but I just,
00:56:51I have to ask.
00:56:52I mean,
00:56:53there are so many other
00:56:53talented designers.
00:56:55Why do you have such faith
00:56:56in my abilities?
00:56:58It's not just me,
00:56:59you know.
00:57:00The curator
00:57:01of the Fitz Gallery
00:57:02has never been seen
00:57:04in public
00:57:04before the gala last night.
00:57:06And everyone in attendance
00:57:08was certain
00:57:09that the only reason
00:57:11he chose to make an appearance
00:57:12was because of you,
00:57:13his guest of honor.
00:57:15That was his first appearance ever?
00:57:19Indeed.
00:57:20His very first
00:57:21and only time
00:57:22to appear in the flesh.
00:57:24Before this,
00:57:25he was a figure
00:57:25of myth
00:57:26and mystery.
00:57:28Many people doubted
00:57:29he existed at all.
00:57:31But all because of you,
00:57:33he chose to grace us
00:57:35with his presence
00:57:36last night.
00:57:37Seems like a marvelous
00:57:38young man,
00:57:39don't you think?
00:57:41He certainly had a charm
00:57:42about him.
00:57:43Oh, undoubtedly.
00:57:44You know,
00:57:45many people flock
00:57:46to the Fitz Gallery
00:57:47for more than just the art.
00:57:50They want to learn
00:57:51all about the
00:57:52enigmatic young curator.
00:57:55Really?
00:57:55I mean,
00:57:56what's so interesting
00:57:57about him?
00:57:58Have you ever wondered
00:57:59how the Fitz Gallery
00:58:01has managed
00:58:02to surpass
00:58:03all of the established
00:58:05art collections
00:58:06to become the top
00:58:07venue for fine art
00:58:08in just two years?
00:58:10I mean,
00:58:11I heard
00:58:12rumors.
00:58:13Something about
00:58:13foul play,
00:58:14but I always just assumed
00:58:16they were baseless.
00:58:17Those rumors
00:58:18have quite a bit
00:58:19of truth to them.
00:58:21Seems like the
00:58:21Miller crime family
00:58:23is actually
00:58:24behind the
00:58:25Fitz Foundation.
00:58:27The one and the same
00:58:28Miller crime family
00:58:30that monopolizes
00:58:32all the underground
00:58:33trade in all
00:58:34of North America.
00:58:35He seems like
00:58:36such a gentleman.
00:58:37I just,
00:58:38I find it hard
00:58:39to believe that he
00:58:39ever was involved
00:58:40in something so sordid.
00:58:41You must never
00:58:43judge a Brooklyte's
00:58:44cover,
00:58:44my dear girl.
00:58:46Even people
00:58:47close to us
00:58:48may be harboring
00:58:48many secrets.
00:58:51We never really
00:58:51know what's going
00:58:52on inside.
00:58:54You got that right.
00:58:54I learned that lesson
00:58:56the hard way.
00:58:58Let me be frank.
00:58:59I have tremendous
00:59:01faith in you.
00:59:02Thank you,
00:59:03Mr. Winslow,
00:59:04but I think it's
00:59:05dear.
00:59:06All my friends
00:59:07call me Laura.
00:59:10This is a good shack.
00:59:12For five million dollars.
00:59:14She'd help you get
00:59:15your clothing brand
00:59:16started.
00:59:17Shall we become
00:59:20business partners
00:59:21in addition
00:59:21to being friends?
00:59:36Director Fitz,
00:59:37I'd like to work
00:59:38with you.
00:59:39It would be my
00:59:40honor,
00:59:41Miss Tasha Roberts.
00:59:42Fly away
00:59:46with me
00:59:48Take you high
00:59:50Soaring
00:59:52To your smile
00:59:54It's my only dream
00:59:57Staring out
01:00:01into the sea
01:00:03Waves come crashing
01:00:05up to me
01:00:07My toes slip
01:00:09into the sand
01:00:11Dream that I'm
01:00:14with you
01:00:16Staring out
01:00:18into the sea
01:00:19Waves come crashing
01:00:22up to me
01:00:24My toes slip
01:00:26into the sand
01:00:28Dream that I'm
01:00:31with you
01:00:32Congratulations Miss Roberts.
01:00:45We expect a huge success
01:00:46from your art exhibition.
01:00:50You're looking at her
01:01:04You're obsessed
01:01:06with her
01:01:06Didn't she humiliate me
01:01:08enough the other night
01:01:09at the gala
01:01:09Now I have to watch
01:01:12my husband
01:01:12stare at her picture
01:01:14Or maybe if you
01:01:16didn't give her
01:01:16the opportunity
01:01:17to humiliate you
01:01:18So it's my fault now?
01:01:20Oh wait
01:01:20let me guess
01:01:21Maybe it's my fault too
01:01:22when the two of you
01:01:22broke up
01:01:23Okay
01:01:24Raina
01:01:26I've been thinking
01:01:27I don't think
01:01:29this is working
01:01:29I want a divorce
01:01:32You used me
01:01:37to push Tash
01:01:38out of your company
01:01:39take her property
01:01:40and now
01:01:40you cast me aside
01:01:42like what
01:01:42a used piece of garbage?
01:01:44I won't allow this
01:01:46Mark my words
01:01:48Karl Crow
01:01:48You
01:01:49will regret this
01:02:02I'm spending too much
01:02:04time around Ken
01:02:05He's dominating
01:02:07all my thoughts
01:02:08I have to distance
01:02:09myself from him
01:02:10for my own sanity
01:02:12As if nothing
01:02:25I can do
01:02:25to get you to stay
01:02:26I'm sorry
01:02:30But no
01:02:33You and I
01:02:36our relationship
01:02:37will just
01:02:37keep going in circles
01:02:39But thank you
01:02:42for everything
01:02:44you've done for me
01:02:44I have a little bit
01:02:46of money now
01:02:47so
01:02:47you should be able
01:02:49to pay off your loan soon
01:02:50and long talks
01:02:55and awkward silence
01:02:57late nights
01:02:59walking through the garden
01:03:01running
01:03:02with your hand in mine
01:03:06This is what happens
01:03:23when you steal
01:03:23from the Millers
01:03:24Please
01:03:25let me go
01:03:26I promise you'll never see me again
01:03:31what you got here
01:03:38I'm ready to see where you are
01:03:40Boss
01:03:42I found this one
01:03:44peeking around the corner
01:03:45I'm not sure how long
01:03:46this little bitch
01:03:47has been watching
01:03:47but I'm pretty sure
01:03:48she tried to call the cops
01:03:49Don't worry boss
01:03:55I got a knife
01:03:55with her name on it
01:03:56We can dump her body
01:03:57with the other guy
01:03:58No
01:04:04let her go
01:04:04What?
01:04:06Didn't you hear what I said?
01:04:07She's seen everything
01:04:07Let her go
01:04:09before I rip off
01:04:10your fucking arms
01:04:10and throw them in the river
01:04:11Walk away
01:04:21This doesn't mean anything to you
01:04:22Is this what you
01:04:24couldn't tell me about?
01:04:26Boss
01:04:27You know this woman?
01:04:30You're gonna kill him
01:04:31Call the police then
01:04:33See if they can save his life
01:04:34No
01:04:34Don't call the police
01:04:36You stupid bitch
01:04:37My world is more cruel
01:04:40than you can possibly imagine
01:04:41Since you didn't want to get involved
01:04:43Just walk away
01:04:57Hey babe
01:05:07What do you want for breakfast?
01:05:09My world is more cruel
01:05:21than you can possibly imagine
01:05:22Since you didn't want to get involved
01:05:36Just walk away
01:05:38I never imagined that Ken
01:05:40could be such a dangerous
01:05:42and violent man
01:05:43There must be something
01:05:44or someone
01:05:45forcing him to do all of this
01:05:46Even people close to us
01:05:50may be harboring
01:05:51many secrets
01:05:52We never really know
01:05:54what's going on inside
01:05:55Forget it
01:05:57This has nothing to do with me
01:05:59I decided to leave Ken
01:06:00so I have to do my best
01:06:02not to look back
01:06:03Tasha, let's talk
01:06:19Your pro-magnet boyfriend
01:06:27Is he not joining us?
01:06:30It's all over
01:06:31I'm not with him anymore
01:06:32Where's Reyna?
01:06:35Reyna was a mistake
01:06:37That's all over too
01:06:39Tasha
01:06:41I want you back
01:06:45I can't stop thinking about us
01:06:49You were right
01:06:50You belong in my life
01:06:52So, if you just
01:06:55sign those documents
01:06:57then
01:06:57you can come back to me
01:06:59Come back to the house
01:07:01We can carry on
01:07:02like none of this ever happened
01:07:03I can give you
01:07:05your old job back
01:07:06That'll be fun
01:07:07Working together again
01:07:08And then all that debt
01:07:09you owe me
01:07:10will be wiped clean
01:07:10You, uh
01:07:12You have
01:07:13You think I'd get back with you
01:07:19after everything you put me through?
01:07:25Here is
01:07:26a hundred million dollars
01:07:29I'll pay the rest on time
01:07:31and
01:07:32for your agreement
01:07:34Take these documents
01:07:40and
01:07:41shove them right up your ass
01:07:44You disgust me, Carl
01:07:47You should think about Anna
01:07:49Do you really want her growing up
01:07:51without a mother?
01:07:53With all her health problems
01:07:54she could really use your support
01:07:55Don't dare talk about Anna
01:07:57She'll be with me soon
01:07:59Then I'll never let her out of my sight again
01:08:01She needs her mother
01:08:02and her father
01:08:03Not a father like you
01:08:04She doesn't
01:08:04She'd be better off
01:08:06with no father at all
01:08:07I'm sorry, am I interrupting?
01:08:20Are you texting a new boyfriend already?
01:08:23Can it wait?
01:08:25I'm not done talking here
01:08:27You're pathetic, Carl
01:08:29Hey, Tasha
01:08:31Tasha
01:08:32Tasha
01:08:34Hey, Tasha
01:08:37Tasha, come back
01:08:40Where are you going?
01:08:41This place is disgusting
01:08:42Come on, Tasha
01:08:44Don't you remember the happy times?
01:08:46Come on, we can have that again
01:08:48Think of Anna
01:08:49Think of me, please
01:08:50I love
01:08:51Hey, hey
01:08:51Hey
01:08:52Hey
01:08:53Hey
01:08:53Hey
01:08:53Hey
01:08:53Hey
01:08:53Hey
01:08:54Hey
01:08:55Hey
01:08:55Hey
01:08:56Hey
01:08:57Hey
01:08:58Hey
01:08:59Hey
01:09:00Hey
01:09:01Hey
01:09:02Hey
01:09:03Hey
01:09:04Hey
01:09:04Sorry, folks
01:09:11It's the end of the line for you
01:09:15No hard feelings
01:09:18But
01:09:20We gotta do what the people who pay us tell us to do
01:09:23Who's paying you?
01:09:26I'll give you a hint
01:09:27A very beautiful woman paid us a small fortune to make sure you do it
01:09:32Make sure you two don't make it
01:09:35Oh
01:09:35Raina
01:09:37That fucking bitch
01:09:38Do you know who I am?
01:09:41I'm Carl Crow
01:09:42The CEO of the CEO of the Crow Group
01:09:45What if she's paying you?
01:09:46I'll pay double, okay?
01:09:48Yeah, yeah
01:09:48I guess you haven't heard the news, buddy
01:09:51See, I don't think you have the means to outbid your pretty little friend
01:09:56Oh, fuck the next step
01:10:03Please pick up the phone
01:10:04You trying to phone a friend?
01:10:07That's a big no-no, sweetheart
01:10:08That's breaking the rules
01:10:10Sweetie
01:10:14Don't waste the little time you have left trying to call for help
01:10:18It won't do you any good
01:10:20No one
01:10:22They can help you now
01:10:25Three hours, where is Tasha?
01:10:32Hey, Nell
01:10:32Hey, listen, I need you to do me a favor
01:10:34Yeah, I need you to pull out the city surveillance system in the area
01:10:38And find all the footage
01:10:40Yeah, no, something's wrong
01:10:42What are you doing?
01:10:55We have to get out of here
01:10:57You should just go
01:11:09Save yourself, leave me
01:11:12It's what I deserve
01:11:14I'm not gonna leave you
01:11:18I'm not that type of person
01:11:21Come on, let's go
01:11:28Come down here
01:11:31Wait until they come in
01:11:33Hey, Tasha
01:11:39I'm so sorry
01:11:43Now's not the time for that
01:11:47All in
01:12:05Looks like we got ourselves a suicidal prick here, fellas
01:12:17I can't think of any other reason why somebody would kick in the door
01:12:20That's got Vincent Santorelli on the other side of it
01:12:23Oh shit
01:12:26Boss
01:12:28I didn't realize it was you
01:12:31These your guys?
01:12:34Where the fuck are they?
01:12:38You better find them
01:12:39Quick
01:12:40Now it's your turn
01:12:56Now it's your turn
01:13:16Pretty little thing like you
01:13:18I knew I was gonna make it painless
01:13:19But I guess you didn't want that
01:13:21All the same
01:13:22Hey, who's this fucking monkey?
01:13:26Lower your fucking gun
01:13:27Benny, what the fuck is going on?
01:13:29You fucking deaf?
01:13:30Lower your fucking gun
01:13:31Are you
01:13:32Are you Ken Miller?
01:13:35How can that be?
01:13:36What the fuck is going on?
01:13:38Ken Miller
01:13:39The one and the same
01:13:42Miller crime family
01:13:44That monopolizes all the underground trade
01:13:46In all of North America
01:13:48It's you
01:13:51You know what you have to do
01:13:59Boss
01:14:02Please
01:14:03He's my brother
01:14:05Rules are rules
01:14:08I was
01:14:22Pushing you away as Ken
01:14:24And
01:14:24Growing closer to you as Fitz
01:14:27I'm sorry Tasha
01:14:31But
01:14:32There's just nothing I can do
01:14:34That will make you happy
01:14:36And I just
01:14:38I just
01:14:38I just can't win over your heart
01:14:39Is Ken Miller always this loving
01:14:47With
01:14:47The hostages he rescues
01:14:49Or is
01:14:50It's just special treatment
01:14:51Reserved for his lovers
01:14:52Tasha
01:14:55I love you
01:14:56My heart has belonged to you
01:14:58And only you
01:14:59For the past 15 years
01:15:0115 years
01:15:0515 years
01:15:06No we just met a few months ago
01:15:09We met 15 years ago
01:15:13You went to Marr Middle School
01:15:18Yeah
01:15:20And you saved my life
01:15:22Stand up chicken
01:15:31And hit us back
01:15:32Isn't that what your dad does for a living
01:15:35Beat people up
01:15:36I'm not my dad
01:15:38You and your father are both scum
01:15:41Let's teach this little and thug a lesson
01:15:43Yeah idiot
01:15:44Get up and show us what you got
01:15:46Hey
01:15:48Hey
01:15:51Hey
01:15:51Hey
01:15:51Stop
01:15:52That's enough
01:15:53That's enough
01:15:53It's none of your business Robert
01:15:55Get out of here Robert
01:15:56Hey
01:15:57Stop
01:15:57Go home
01:15:58I'll call your parents
01:15:58Go
01:15:58Oh crap
01:15:59Crap
01:16:00Ever since I saw you that night in the cab
01:16:14With that necklace on
01:16:15I just
01:16:18I knew I found you
01:16:18Look
01:16:21This isn't just some feeling
01:16:22For me
01:16:23Okay
01:16:24This is
01:16:25This is everything to me
01:16:26Like you
01:16:27Are everything to me
01:16:29No matter what happens between us
01:16:31I will always care about you
01:16:34And maybe
01:16:36One day we can
01:16:38Make it work in a different way
01:16:41I just
01:16:54Need some time to
01:16:56Process this
01:16:57Okay
01:17:00And after that
01:17:02Maybe we can pick up where we left off
01:17:06That first night you spent here
01:17:07Maybe
01:17:10You play your cards right
01:17:13Does everything look good to you my artist?
01:17:31Yeah
01:17:32Thanks for everything
01:17:34That doesn't sound very convincing
01:17:37Is there anything you want to change?
01:17:39No
01:17:39I just
01:17:41I never got around to asking
01:17:42Why you
01:17:42Wanted to start an art gallery
01:17:44In the first place
01:17:45Honestly
01:17:46Just to get to you
01:17:48See I thought if I own
01:17:50The world's greatest art museum
01:17:51That
01:17:51One day you might find your way in here
01:17:53And
01:17:53I don't know
01:17:55That I might find you
01:17:55I don't know
01:17:56I don't know
01:17:57I don't know
01:17:58I don't know
01:17:59I don't know
01:18:00I don't know
01:18:01I don't know
01:18:02I don't know
01:18:03I don't know
01:18:04I don't know
01:18:05I don't know
01:18:06I don't know
01:18:07I don't know
01:18:08I don't know
01:18:09I don't know
01:18:10I don't know
01:18:11I don't know
01:18:12I don't know
01:18:13I don't know
01:18:14I don't know
01:18:15I don't know
01:18:16I don't know
01:18:17I don't know
01:18:18I don't know
01:18:19I don't know
01:18:20I don't know
01:18:21I want to see what kind of woman this is that has ensnared my son.
01:18:36I doubt she's worthy of joining a Miller family.
01:18:40As you wish, sir, I will make the arrangements.
01:18:46Honestly, it's still good to you.
01:18:48See, I thought if I own the world's greatest art museum, that one day you might find your way in here, and I don't know, that I might find you.
01:18:57Okay, okay. Just concentrate on painting. Don't think about him.
01:19:18Who are you?
01:19:22Miss Tasha Roberts.
01:19:24Mortimer Miller would like to speak with you privately at his home.
01:19:29Come here.
01:19:31Take a look.
01:19:32She's an heiress to the largest chain of luxury hotels in the Western Hemisphere.
01:19:42She's young, beautiful, well-educated.
01:19:47I think she'll make a fine wife for my son, Ken.
01:19:50With all due respect, sir, I believe that it's up to Ken to decide who he wants to spend the rest of his life with.
01:20:03Choose you.
01:20:04Not a chance.
01:20:06You're no match for my son.
01:20:08Now, you owe money to the Crow Group.
01:20:19I'm going to pay your debt.
01:20:25And in return, you will agree to never see my son again.
01:20:31It's our decision whether we want to be together or not.
01:20:37Your son and I love each other.
01:20:39There's nothing in this world that can keep us apart.
01:20:43Tasha, do you want us to be together?
01:20:47It's impossible.
01:20:49Father.
01:20:49I forbid it.
01:20:51Father, this is the love of my life.
01:20:53I can't lose her again.
01:20:56I'd rather leave the family business.
01:20:58Then leave if you wish.
01:20:59But she will never have my approval, ever.
01:21:03And she'll never be a part of the Miller family as long as I live.
01:21:07You'll come running back.
01:21:09Without the Miller family power, money,
01:21:14you'll accomplish nothing.
01:21:17You're making a big mistake.
01:21:20Choosing this old hand instead of family.
01:21:29Ken, where are you?
01:21:36Why aren't you back yet?
01:21:41Oh, you're still awake?
01:21:42Who did this to you?
01:22:01Don't worry about me.
01:22:02I'm fine.
01:22:03There's nothing out of the ordinary.
01:22:04Hey, babe.
01:22:18Yeah, no, I'm just right outside.
01:22:19You son of a bitch.
01:22:25You're making me cut my own brother's hand.
01:22:28Now you think you can betray the Miller family?
01:22:31Walk away scot-free?
01:22:33Not a fucking chance.
01:22:36This guy means nothing to the Miller family now.
01:22:39He's worthless.
01:22:41Helpless.
01:22:42You're absolutely nothing now.
01:22:44Let's make him feel the pain that my brother felt.
01:22:49Come on, boys.
01:22:50Stop.
01:23:14Stop hurting him.
01:23:17Stupid bitch.
01:23:18Stop.
01:23:42Stop at once, you insolent fools.
01:23:45You insolent fools.
01:23:48Son, you know how hard it is for me to admit that I made a mistake?
01:24:03But today the two of you have proved me wrong beyond a shadow of a doubt.
01:24:09Tasha, you are the perfect woman for my son.
01:24:14Go.
01:24:15Go.
01:24:16Be together.
01:24:21You approve?
01:24:23You have my blessing.
01:24:27From this day onward,
01:24:30you'll have nothing more to do with the legal activities of the family.
01:24:33But you'll always be a Miller.
01:24:39You'll always be a Miller.
01:24:41As will she.
01:25:03Get off me.
01:25:10You useless, impotent man-child.
01:25:12The Krog Group is bankrupt.
01:25:14I'm hurt.
01:25:14Getting involved with you is the worst decision I could have made in my life.
01:25:18Get off.
01:25:19This is all your fault.
01:25:20You spent every single thing that we had.
01:25:23Now we have nothing left.
01:25:24No company, no house, no money, not even a dime.
01:25:28And it's all because of you, you greedy cow.
01:25:30Don't you?
01:25:31Don't.
01:25:32Hey, hey, hey, hey.
01:25:35The late Mrs. Miller was a beautiful woman, sir.
01:25:41Yes.
01:25:45Back then, my wife protected me from every danger that befell our family.
01:25:55And today, my son found the perfect woman that I said I'd do the same for him.
01:26:03He's a lucky man.
01:26:15Wow, you look so beautiful.
01:26:19No, you can't be here right now.
01:26:22Babe, I don't want to rush you, but everybody's waiting to see you.
01:26:26Ken, can you promise me one thing?
01:26:29I can promise you two if you'd like.
01:26:31I'm serious.
01:26:33I want you to walk away from the family business.
01:26:38There's a city called Ostia.
01:26:42It's on the southwest side of Rome by the ocean.
01:26:47What?
01:26:48You know what I found over there?
01:26:51I found you an art teaching job at a public school.
01:26:55I would do tickets, maybe even in the morning.
01:26:58You're sending me away?
01:26:59No.
01:27:00I opened my own restaurant.
01:27:02It's just down the street.
01:27:05I want one more thing.
01:27:08I enrolled Anna at the school they were going to be teaching at.
01:27:11I think she's getting really limited over there.
01:27:16So you really are walking away?
01:27:18Yeah.
01:27:19You got some sauce.
01:27:24You got some sauce.
01:27:25You got some sauce.
01:27:26No.
01:27:27Yeah.
01:27:29I do.
01:27:30I am a lot of right.
01:27:33That's what I did.
01:27:39I don't know.
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