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Shelter In The Mafia (2025) - FULL [Eng Sub]
Transcript
00:00:00Hey, what are you doing with my stuff? How'd you get in here?
00:00:11I gave him the keys.
00:00:12Carl? Honey, what are you doing here so late? And what's that guy doing with my stuff?
00:00:17Tasha, Tasha, Tasha. You're always asking the wrong questions.
00:00:24What the hell is going on?
00:00:26Do you really think you're death thick, Tasha?
00:00:29Your husband and I decided that you're no longer needed here anymore.
00:00:33Reyna's gonna take over your role at the company.
00:00:35She's already proven she can do everything you can, but better.
00:00:39I'll have a letter of termination and divorce papers sent over to your new address,
00:00:43wherever that ends up being.
00:00:45What should I do with this, boss?
00:00:47Give me that new plea, but I know exactly what to do with it.
00:00:53Is that clear enough for you, Tasha?
00:00:55Tasha, your company and your husband both belong to me now.
00:00:59No, you can't just fire me. I'm a shareholder at this company.
00:01:07Are you still a shareholder at this company? Are you?
00:01:10You know, actually, your debt is mortgaged with your shares, so you actually owe this company about 200 million.
00:01:16I never took out any loans that large.
00:01:19Oh, Tasha, you were always so gallible.
00:01:22A word of advice for the future?
00:01:24Don't give the keys to the kingdom to your assistant, no matter how trustworthy your feeble brain thinks they might be.
00:01:32Security! Security! We have a vagrant in the lobby, and she might become hostile.
00:01:38Stop acting. I'll just leave on my own.
00:01:47Look, there's no glamour. There's no glory. It's just blood, guts, fear, and misery.
00:01:54Come on, man. You think I'm some kind of moron that doesn't know anything?
00:01:58I know that the type of money you make in just a few days, I can't make that in 10 years working as a stick.
00:02:04But at least you're guaranteed to be alive in 10 years. In my world, you're not guaranteed to be alive in 10 days, let alone 10 minutes sometimes.
00:02:11Yo, yo, man. Stop lecturing me. Are you gonna give me the gun or not?
00:02:18I'm sorry, but no. I'm not gonna let you get killed.
00:02:22Man, what the fuck you got me here for then? Shit.
00:02:26Shit!
00:02:41Oh, I guess you didn't hear. The repo guy, he came and towed your car away.
00:02:49Said it was, like, collateral for a loan.
00:02:52Of course, I made the call and arranged everything. My pleasure.
00:02:59You despicable trash.
00:03:01You know, I was gonna give you a ride, you know, seeming that we were married for so long.
00:03:07But walking the streets at night kinda suits you. So, enjoy.
00:03:13Go to hell.
00:03:22Miss?
00:03:23Just go away, alright? I don't need your cheap sympathy right now.
00:03:27Miss, your friend's gone. I just want to offer my cab services.
00:03:33Yeah, I'm- I'm sorry. I've- a cab incident. I'm so sorry. I- a cab incident and I'm so sorry for my friends.
00:03:40hair- I found a woman in my head, I'm so sorry for you.
00:03:42I know what I'm so sorry for the suggestions.
00:03:43I'm sorry for the sake of the police. I didn't know what I'm so sorry for you.
00:03:45Have you ever seen this for you?
00:03:46I thought you were too late? I try to make the gladness.
00:03:47Oh- Yeah, I'm sorry for you. I'm so sorry for you. I don't need your cheap sympathy right now.
00:03:50Miss, your friend's gone. I just want to offer my cab services.
00:03:56Yeah, I'm sorry, a cab is just what I need right now.
00:04:04All right, great, come on board.
00:04:26Sorry, I don't have any cash right now.
00:04:31Give me a minute, I'll go grab some from inside.
00:04:34Here.
00:04:35Just proof I'm not trying to skip out on the fair.
00:04:48You have some nerve coming back here.
00:04:50I never wanted my son to marry you in the first place.
00:04:53And now that he's finally come to his senses and kicked you to the curb,
00:04:57you think that you can just waltz right back into his house?
00:05:01His house?
00:05:03My father left me this house.
00:05:06And I know you're senile, but I'm sure you remember when you practically begged me to let you and Carl live here.
00:05:14I always knew you were a nasty little hussy.
00:05:18Who the hell are you?
00:05:23This is a personal matter, so you should really mind your own business and stay outside.
00:05:28Actually, this is my boyfriend.
00:05:32So if it's a personal matter for me, it's a personal matter for him.
00:05:36Okay.
00:05:37Okay.
00:05:38What?
00:05:39You think your son's the only one capable of having secrets?
00:05:42Hey, thanks again for today.
00:05:59I know that's a weird position to put you in.
00:06:02It's all right.
00:06:03It is really nice to know that there is still good people out there that would help a total stranger.
00:06:10Have a good night.
00:06:11All right.
00:06:12You too.
00:06:13Good night.
00:06:14All right.
00:06:15You too.
00:06:43It's you too.
00:06:44Where's my necklace?
00:06:58Here.
00:07:00Just proof I'm not trying to skin out on the fair.
00:07:04There's a fancy broad like you find yourself in a place like this.
00:07:33Who the hell are you? Get out now!
00:07:36All I'm trying to do is introduce myself and you're treating me like some dog shit you found stuck to your shoes.
00:07:45I'm calling the police!
00:07:48How about I give you a better idea?
00:07:58You and I are gonna have some good old-fashioned fun tonight.
00:08:03If I ever see you around here again, you're dead! Get out of here!
00:08:14Hey.
00:08:16Oh, I'm so glad you're here.
00:08:21Where did you get this necklace?
00:08:25My father gave that to me.
00:08:32You better not be lying to me.
00:08:34I'm not lying.
00:08:36He made that with his own hands. It has my name on the back.
00:08:46It's really you?
00:08:47Hey.
00:08:57How you feeling?
00:09:00How did... how did you...
00:09:02You left your bag in my car.
00:09:04How did you know where to find me?
00:09:08How did you know where to find me?
00:09:13I have my ways.
00:09:17Hey, listen.
00:09:18I know it's none of my business.
00:09:19But it's not safe for you here.
00:09:21With everything that's happened in the last 24 hours, this is...
00:09:26All I can afford.
00:09:27Listen, I have an extra room at my place.
00:09:31Maybe you can just come stay with me.
00:09:54Welcome home.
00:09:57I really feel like my luck's starting to change.
00:10:03I mean, you've literally rescued me over and over today.
00:10:08I know what it's like.
00:10:10I've been rescued before.
00:10:12Um, I'm sorry.
00:10:13I...
00:10:14I don't think I can make rent right away.
00:10:16But, um...
00:10:18You could sell this ring and then...
00:10:21You should cover me for a few months.
00:10:22At least until I'm back on my feet.
00:10:25I thought he was a really rich guy.
00:10:28Why did he get you such a small diamond?
00:10:31It's not a very good cut either.
00:10:34Okay.
00:10:35Never mind.
00:10:36I...
00:10:37Can just...
00:10:38No, it's fine.
00:10:39I'm just saying.
00:10:41I mean, you deserve a better reign than this.
00:10:43No, babe.
00:10:44Stop.
00:10:45It's late.
00:10:46Okay?
00:10:47No, babe.
00:10:48Stop.
00:10:49It's late.
00:10:50Okay?
00:10:51You're still thinking about her.
00:10:52Who?
00:10:53Tasha?
00:10:54Are you kidding me?
00:10:55Then why are you wearing the wedding ring?
00:10:56Did you forget what she and her father did to you?
00:10:57I will never forget what she and her father did to me.
00:10:58I will never forget what she and her father did to me.
00:10:59But that has nothing to do with you.
00:11:00I will never forget what she and her father did to me.
00:11:01But that has nothing to do with you.
00:11:02So why don't you stop mouthing off about shit...
00:11:08Then you need a champagne, then she is about this girlfriend.
00:11:14See, she's about my romance situation.
00:11:19Oh.
00:11:20No, babe.
00:11:21Stop.
00:11:22It's late.
00:11:23Okay?
00:11:24Jurgy, Vorir told her thatpoints do something wrong...
00:11:25You know absolutely!
00:11:26I got something wrong.
00:11:27I got something wrong with your favorite girls.
00:11:30I'll probably go there with her.
00:11:31I'll see you next time forever.
00:11:32You still don't have to blame for her.
00:11:32know nothing about and let me handle my own affairs.
00:12:02Mary? What? Hey, what's going on? My daughter's missing. What?
00:12:32Natasha, you shouldn't have barged in like this. If Carl finds out-
00:12:36No, I don't care about Carl right now, okay? Where's my daughter? Where's Anna?
00:12:40I sent her away.
00:12:43No. You have no right.
00:12:46Actually, as Carl's new wife and Anna's legal guardian, I have all the rights to do whatever I want with my stepdaughter.
00:12:57What?
00:12:59We never settled custody, so just skip the theatrics and tell me where my daughter is.
00:13:06You think you're getting custody?
00:13:10Stai sognando.
00:13:12On one hand, we have a mother drowning in debts with no place to live.
00:13:18On the other hand, we have a wealthy and well-respected father who happens to be the CEO of the world-renowned pro group.
00:13:28Who do you think the court will side with?
00:13:38Oh! What's going on?
00:13:39Oh, Carl!
00:13:41Carl, it's okay.
00:13:42Tasha was understandably upset about the situation. You know, I don't blame her for getting up it.
00:13:47You trespass on my property? Assault my wife in her own home?
00:13:52Tasha, I have put up with your outrageous behavior for years, but don't you dare subject Reyna to that kind of abuse!
00:13:58You don't understand. Reyna sent Anna away!
00:14:01She did what any good mother would.
00:14:03I want to know where my daughter is right now!
00:14:06New Zealand.
00:14:08Getting medical care from one of the best cardiology departments in the world.
00:14:12And remind me, what have you done for your daughter lately?
00:14:15Hmm?
00:14:16Abandon her?
00:14:17To go shack up with some cab driver boyfriend?
00:14:20You idiot!
00:14:21I found those cardiologists in New Zealand.
00:14:24Scheduling those appointments was the last thing I had Reyna do when she was still my assistant!
00:14:28Tasha, Tasha, you disgust me.
00:14:30Trying to take credit for this wonderful woman's kind gesture to your own sick daughter.
00:14:35I'm gonna make sure Anna stays far, far away from you so there's no possibility of her ever becoming anything like you.
00:14:48You backstabbing, homewrecking bitch!
00:14:55I advise you stay far away from my daughter and I.
00:15:01Hey!
00:15:02By the way, the deeds still list me as the rightful owner to this house.
00:15:07So the two of you have no right to keep me from coming back here.
00:15:10Do you understand?
00:15:11Calm down.
00:15:13You can forge my signature.
00:15:14You can take my money.
00:15:15Take my house.
00:15:16But you will never have a shred of the intelligence that I have.
00:15:21Tasha, you have made your point.
00:15:22I think it'll be-
00:15:25You deserve that too!
00:15:26You should have told me about Anna a long time ago!
00:15:29Oh, don't stop at my account.
00:15:34Please.
00:15:36Continue.
00:15:37Miss Big Shot.
00:15:38Don't you forget that you still owe 200 million dollars.
00:15:42And 20 millions of that is owned to me, personally.
00:15:45In fact, I'm going to call my lawyer and see to it that if you don't pay right away, you're never going to see your daughter ever again.
00:15:53And you'll end up in doctor's prison.
00:15:56Ciao.
00:15:57Go ahead and check it out.
00:16:02But after your accountant, make sure this is all legit.
00:16:04I don't want you two jackasses counting my girl for money ever again.
00:16:07Got it?
00:16:13Oh!
00:16:14By the way, we're going to go ahead and take Anna in the future too.
00:16:18Don't worry, Carl.
00:16:19I'll be a better father to her than you ever can be.
00:16:22Tasha.
00:16:23You'll regret this.
00:16:29Thanks again for today.
00:16:33For pretending to be my boyfriend.
00:16:38Mhm.
00:16:41Was all that money real?
00:16:43As real as it comes.
00:16:45Where'd you get all that money?
00:16:47I robbed a couple of jewelry stores before I came to find you.
00:16:51Are you serious?
00:16:53No, I'm just joking.
00:16:55It was my dad's.
00:16:57Don't worry, it wasn't stolen or robbed or anything.
00:16:59But hey, listen.
00:17:01From now on, I want you to think of me as your creditor.
00:17:03Okay?
00:17:05I don't want you to worry about owing money to those scumbags.
00:17:07From now on, you'll just...
00:17:09owe money to me.
00:17:11As long as you're okay with that.
00:17:13I could be okay with it.
00:17:14As long as you can satisfy one small request.
00:17:19What kind of request?
00:17:28My only request...
00:17:30is that you just relax.
00:17:32Okay?
00:17:34Take a load off.
00:17:36Why don't you start by telling me a story, you know,
00:17:39about the last time it was when you were happy.
00:17:44You know, I just...
00:17:47I never in a million years...
00:17:49could imagine that Carl would betray me like this.
00:17:52I have nothing.
00:17:54Well...
00:17:56I mean...
00:17:58you always have me, and...
00:18:00you know, other things.
00:18:01and...
00:18:04I can't hear you. You're whispering.
00:18:05Well, I mean, you always have me, and, you know, other things, and...
00:18:16I can't hear you over here. You're whispering.
00:18:35Carl. You know, Tasha's probably screwing around with that new boyfriend of hers.
00:19:04That bitch.
00:19:06Honey, you know, you promised to put me in touch with the curator of the Fitz Gallery.
00:19:11I'm telling you, forget about the Fitz Gallery, okay? The people who are running it are crooks.
00:19:16But I want my paintings to be showcased in the most prestigious venue possible.
00:19:21I know, I know, and I said I would help you find other galleries, remember?
00:19:26Just stop nagging me about it, okay?
00:19:29Okay.
00:19:33You're a little angel.
00:19:35It's okay. Just sleep in.
00:19:41It's okay. Just sleep in.
00:19:45Well, this is certainly going to make things more complicated.
00:19:51So you want to pretend last night never happened?
00:19:53I thought we had a good thing going on between us.
00:19:57I mean, you've been going around the last couple of days telling everybody I was your boyfriend.
00:20:07Yeah, but...
00:20:08That was just something I said to make my husband jealous.
00:20:10You mean your ex-husband?
00:20:11Yeah.
00:20:12Ex.
00:20:13Yeah.
00:20:14Ex.
00:20:15Ex.
00:20:16Ex.
00:20:17I mean, you've been going around the last couple of days telling everybody I was your boyfriend.
00:20:22Yeah, but that was just something I said to make my husband jealous.
00:20:28You mean your ex-husband?
00:20:30Yeah, ex.
00:20:32Yeah.
00:20:35But, I mean, you and I, you know I can't start a new relationship right now.
00:20:43So, everything you said last night?
00:20:44We were just caught up in the heat of the moment.
00:20:50Heat of the moment.
00:20:51So, it was all just bullshit.
00:20:54Why? To get me into bed with you?
00:20:57Just to have a one-night stand?
00:21:00Because you miss being with your damn husband?
00:21:02So, everything you said last night?
00:21:21Get a hold of yourself.
00:21:22You just got divorced.
00:21:28You're not going to play mind games with men anymore.
00:21:31Hey.
00:21:35I wasn't sure what you liked, so...
00:21:37I just made a little bit of everything.
00:21:41You made all this?
00:21:42Yeah.
00:21:43Yeah.
00:21:43So, what do you think?
00:21:54It's delicious.
00:22:00I mean, you deserve to have some of your awesome breakfast, too.
00:22:04Hey.
00:22:06You're not going to maybe sit here and eat this alone, are you?
00:22:08All that for some sauce, huh?
00:22:23Are you kidding me?
00:22:30Hello?
00:22:31Mommy, I miss you so much.
00:22:34Anna.
00:22:34Mommy, I miss you so much.
00:22:36Honey, what's going on?
00:22:39Anna.
00:22:42Okay.
00:22:43Both of your resumes look excellent.
00:22:46I have a question.
00:22:50If you spilled a glass of milk in the ocean,
00:22:52how would you get it back?
00:22:54What does that question have to do with our work?
00:22:57Well, uh...
00:22:59I suppose you could contain, uh, the section of the ocean with the spilled milk,
00:23:05and then collect that sample,
00:23:08add a centrifugal force,
00:23:09and there's probably a good chance of separation.
00:23:12So, at our company, we are always trying to make the impossible possible.
00:23:19And for that, we need people who can think on their feet,
00:23:22derive solutions,
00:23:24no matter how...
00:23:27outlandish the task at hand may seem.
00:23:28Oh, I'm sorry.
00:23:29Oh, I'm sorry.
00:23:30Oh.
00:23:33Hello?
00:23:39Uh-huh.
00:23:41Okay.
00:23:50Congratulations, Ms. Michaels.
00:23:51Welcome to the Eastwood Corporation.
00:23:52If you don't mind me asking, why didn't I get the job?
00:24:11Mrs. Roberts, maybe you should focus on fixing your own family problems first, before you
00:24:17start to look for work again.
00:24:22We don't want to make enemies with the Crow Group.
00:24:32So I guess you didn't get it?
00:24:38I just don't understand why Carl hates me so much.
00:24:43I mean, he doesn't want me to work for his company, but he doesn't want me to work for
00:24:46any other company either.
00:24:48Look, you don't need that corporate job anyways.
00:24:51Yeah?
00:24:52What else can I do?
00:24:54I mean, I thought you were an artist, you know, a painter.
00:24:58How'd you know about that?
00:24:59You brought an easel.
00:25:01It's just a hobby.
00:25:06I gave it up.
00:25:09I don't paint anymore.
00:25:12Okay, well, if you don't love to paint anymore, then why bring an easel with you?
00:25:19I haven't painted in years.
00:25:22I'm sure it'll be just like riding a bike.
00:25:25Once you start, it'll all come back to you.
00:25:34That's my account.
00:25:35Why are they assigning it to someone else?
00:25:37Fine, fine.
00:25:38Just get me some damn answers and give me a call back soon, okay?
00:25:42Carl, this took me three months.
00:25:47I'm sorry.
00:25:48I just got some bad news at work.
00:25:50It's ruined now.
00:25:51Fine.
00:25:52Start over.
00:25:53You know, it kills me to see you squander your intelligence and talent on these useless paintings.
00:26:03You're a remarkable woman, Tasha.
00:26:06Okay?
00:26:07And if the charlatan snobs in the art world can't see that, then screw them, okay?
00:26:12If you put your focus elsewhere, we could be rich enough to buy ten art galleries.
00:26:17And then you could put whatever paintings you want in them, right?
00:26:21Painting's my passion.
00:26:24What if we put painting on the side, just for a little while, and you could come join me at the company?
00:26:32If it was together, we'd be unstoppable.
00:26:37And right now, I am drowning.
00:26:40Your dad and his partners have no faith in me.
00:26:44I need you.
00:26:47Look.
00:26:51You love me.
00:26:52Don't you?
00:26:56Of course I do.
00:26:57Okay, then just do this one thing for me.
00:27:01This one little thing.
00:27:03Please.
00:27:14I'll be with me.
00:27:15Take you high.
00:27:16I'm sorry.
00:27:17It's you.
00:27:18The smile is my only dream.
00:27:27Stepping out into the sea.
00:27:31Finished.
00:27:33Yep.
00:27:34that is amazing thank you I honestly never thought I'd paint again well that
00:27:45would have been a shame you're easily one of the most talented artists I've ever met
00:28:04well honor that you chose our gallery to showcase your work I am curious about one
00:28:11thing if you don't mind me asking the subject in your paintings you muse is he
00:28:18your lover oh no he's just a friend of mine but his gaze the way he looks out to
00:28:28you need these paintings there's so much tenderness and affection in his eyes
00:28:38if Ken really in love with me he's so young though at his age he probably
00:28:44doesn't even know what love is oh sorry you're in the way actually you're in my
00:28:52way actually you're in my way I'm trying to get
00:28:57into my home this is your new girlfriend I've never seen you with anyone like
00:29:04this before Ken's my roommate now if you'll please step aside so I can get in
00:29:12call me again if you need anything okay bye
00:29:19hey what are you doing home so early are they gonna showcase your work sorry if I
00:29:24I interrupted something but as your roommate I don't really think I need to
00:29:28tell you if I'm coming or going so if you have something private to do just do it in
00:29:31your room I never said you need to tell me when you're coming or going I'm just
00:29:34saying fine you don't need to explain just I just want to be alone
00:29:39I'm so sorry sir she just barged in without permission miss Roberts please grab a seat we signed a contract
00:29:57why can't you show my paintings now I'm afraid I don't have the answers you're looking for you
00:30:03want to know what happened ask Karl Kroh I want my paintings back right now well they're probably
00:30:14somewhere in the warehouse they haven't been thrown away yet
00:30:21you've already searched the entire warehouse ten times if you haven't found what you're looking
00:30:45for it's not here you better hope I find what I'm looking for or I'm gonna make this entire gallery
00:30:50compensate me and then I'm gonna sue you and you'll be the first to lose your job yeah that's
00:30:56great lady go ahead and sue I'm sure things will go exactly the way you described it
00:31:20great lady go ahead and sue me and you'll be the first to lose your job yeah that's what I'm gonna do
00:31:26you really care about her she should keep your voice down
00:31:27you really care about her she should keep your voice down
00:31:42she's had a long day also you can't just come over here so casually in the future casually are you
00:31:58kicking me out you didn't mind my coming over so casually when you had me digging through your body
00:32:02for bullets you men are cold as hell I think my lucky stars on the lesbian look I just can't have
00:32:09her finding out about the work that we do okay are you serious about her yeah have you thought about
00:32:17the consequences if your dad finds out look no you and I have been best friends for over 20 years okay
00:32:25and my dad has taught me everything that I know I think maybe it's time I just figure things out on my
00:32:30own and you know exactly what I went through last time I'm not gonna lose her again don't worry Anna
00:32:41mommy's gonna find a way to bring you home soon all the evidence is here it's exactly what you thought
00:32:55let me know if you want me to find out more
00:33:10Carl let's meet
00:33:14oh wow it's not every day a famous painter comes to visit to what do I owe the pleasure the
00:33:31company I supposedly borrowed money from it's a shell company owned by you so what all our operations are
00:33:43legal you signed the documents you borrowed the money all you can do now is pay it back you know I
00:33:53don't think you actually want me to pay back the loans you were just looking for an excuse to have
00:34:02me back in your life you're obsessed with me this is just your sick way to dominate me and make me
00:34:09surrender to you I'm just getting even for the years I spent in your father's shadow the years
00:34:16of belittlement and him treating me like a clown my father hired you when no one else would not my fault
00:34:26that insecure petty took his support is belittling I wouldn't upset me if I were you remember I'm your
00:34:37creditor now two months that's all I can give you to pay me back the remainder what are you doing here I
00:34:55was just in the neighborhood thought I'd give you a ride home hi um hey this is Ken's roommate we're
00:35:12gonna be dropping them off before we head home yeah hey listen I didn't introduce you last time but
00:35:18this is my best friend Nell and her girlfriend Maria Nell and I have been nothing more than friends
00:35:27since we were kids she's not into men and she never has been and her and I are nothing more than just
00:35:33platonic friends all right I'm sorry I jumped to conclusions the other day it's okay I just didn't
00:35:42want you to get the wrong idea look I I appreciate it I really do I just I I still think you and I are
00:35:54better off just as friends just why
00:36:01maybe because I'm just getting over a failed marriage because I owe an unthinkable amount of
00:36:16money and I have no idea how I'm gonna pay it back I also have no idea how I'm gonna get my daughter
00:36:23back and and getting into a relationship with you that's just something I can't do right now
00:36:29do you have any other paintings
00:36:58yeah I have several what are you looking for
00:37:08I would like to buy them all I love your painting style it is so unique I own a large gallery and I
00:37:17would like to establish a long-term collaboration with you thank you for your kind words about my
00:37:23paintings but I've been in some trouble lately and it's probably best if I don't involve your gallery
00:37:30none of this matters to me someone wishes to cause me trouble well just let me try
00:37:41I mean it has to be a mistake or a prank or a cruel practical joke I mean it seems pretty authentic to me
00:37:58it has their seal and your name and I just heard like clearly written on it so
00:38:03it looks authentic
00:38:07but how would they have seen my paintings I don't know maybe one of those auction sites that you've
00:38:15been posting your work on I mean you're incredibly talented so anybody who's seen your work would
00:38:20automatically recognize it
00:38:27I own a large gallery and I would love to establish a long-term collaboration
00:38:32it's him
00:38:34it's him the guy who been on my paintings he must be the owner of the Fitz gallery
00:38:39well in that case we better get going
00:38:41where?
00:38:42gotta go get you a dress
00:38:44can't have you showing up to the Fitzgala in rags
00:38:51babe? which one do you like more? this one? or this one?
00:38:56I need to be the hottest girl at the Fitzgala
00:38:59everything just looks so good on you honey so just pick whichever one you want
00:39:07I gotta take a call okay?
00:39:09wrap this up you twitch I'll take them both
00:39:19wow
00:39:20I used to buy dresses like this all the time without even thinking about the money but
00:39:24I can't afford something like this now
00:39:29you know what? consider it a congratulatory gift for me
00:39:33alright? and when you make it big in the art world you can just pay me back
00:39:37oh hi excuse me
00:39:40yeah my friend would like to try on this dress
00:39:43oh your friend has amazing tastes
00:39:45this dress is actually a limited edition
00:39:47each one handcrafted by hand and therefore entirely unique
00:39:51truly a work of art
00:39:52well how fitting it's going to be worn by a very talented artist
00:39:55I'll have someone on the team bring it out to you
00:39:57Veronica? please bring the limited edition
00:40:01thank you
00:40:05what limited edition?
00:40:07Tasha? do you really think you can afford this dress?
00:40:14you can afford this dress?
00:40:18please
00:40:21Reyna
00:40:22I don't think you need to worry about Tasha's finances
00:40:24okay?
00:40:25we established that last time
00:40:28hey you
00:40:29get over here
00:40:31I'm gonna pay twice what it's worth
00:40:33but I want this dress
00:40:34ma'am this dress is four thousand dollars
00:40:36did I ask you how much it cost?
00:40:38you pluritarian scum
00:40:39just shut your mouth and add it to my bill
00:40:41she's willing to pay double
00:40:43I'll double her offer and I'll pay sixteen
00:40:46okay sir
00:40:48sold
00:40:49thirty two thousand
00:40:50you know what?
00:40:53if she wants to dress so bad let her have it
00:40:56you can put all the jewels you want on a pigeon
00:40:58but it'll never be a peacock
00:40:59I'll show you who's a pigeon you little bitch
00:41:02how dare you assault me?
00:41:04Tasha
00:41:05are you okay?
00:41:08what is going on here?
00:41:09what's going on here?
00:41:10what's going on is that your crazy bitch wife
00:41:11pushed Tasha to the ground
00:41:13I swear to god
00:41:14they're all lying
00:41:16I never touched her
00:41:17I saw everything
00:41:18this gentleman and his girlfriend were very nice
00:41:20and politely inquired about a dress
00:41:21and suddenly your wife appears and attacks her for no reason
00:41:25shut your mouth
00:41:26you little lying asshole
00:41:27you know what?
00:41:28why don't you just call security before this crazy maniac hits somebody else
00:41:30wait a second
00:41:31right now
00:41:32what actually happened here?
00:41:33what's going on?
00:41:34why don't you believe me?
00:41:35I told you
00:41:37don't just call 911
00:41:39are you blind?
00:41:40oh Tasha
00:41:41can you stop this bullshit?
00:41:42you know what Reina can you just stay away?
00:41:44can I get someone down here?
00:41:45room A122
00:41:46no no that's not necessary
00:41:47we are leaving right now
00:41:48let's go
00:41:49no but
00:41:50okay
00:41:51you've embarrassed us both enough for one day
00:41:53okay let's go
00:41:54let's go
00:42:02wherever Reina goes trouble's sure to follow
00:42:06it is nice to see a better taste of her own medicine though
00:42:09yeah
00:42:10it's a shame though
00:42:11you would have looked really great on that dress
00:42:13don't worry about that
00:42:17have a solution
00:42:19what are you going to do with all this stuff?
00:42:29I'm going to design my own dress and wear it to the gala
00:42:32are you sure there's enough time?
00:42:34have some faith in me
00:42:35I graduated with honors in design and fine art
00:42:39I got this
00:42:41alright
00:42:42how do I look?
00:43:01how do I look?
00:43:05how do I look?
00:43:12what is
00:43:13is something wrong?
00:43:14is it
00:43:15is it too much?
00:43:16should I change something?
00:43:17no
00:43:18no
00:43:20you look
00:43:22that dress
00:43:23like
00:43:24that is one of the most beautiful dresses I've ever seen
00:43:27but there's something missing
00:43:34should I resell the beads?
00:43:37no
00:43:38I have a gift for you
00:43:40something to
00:43:41complete the whole look
00:43:49just try harder you idiot
00:43:50Mrs. Crow
00:43:52I am doing everything I can
00:43:54I don't know what more I can do
00:43:56you're calling me fat?
00:43:58of course not
00:43:59you're not fat at all
00:44:01it's the dress
00:44:02it's not made for a woman's body
00:44:05just shut up and do it
00:44:08babe
00:44:09just put on another dress
00:44:11you're going to be late
00:44:12I spent so much money on this dress
00:44:15I am wearing this dress
00:44:17I can't it's
00:44:32it's too much
00:44:34no
00:44:36it was made for you
00:44:38it's too much
00:44:39no
00:44:40it was made for you
00:44:42I can't wait to see what you've brought to the auction
00:44:53can we have a little hint?
00:44:55well
00:44:56actually
00:44:57I brought some of my very own paintings to auction tonight
00:45:01what's wrong?
00:45:03just Tasha Roberts
00:45:04my husband's dreadful ex-wife
00:45:08I'm tired of seeing her sorry face everywhere
00:45:12you know she's also a horrible person
00:45:16if it isn't everyone's favorite white collar criminal turned homeless vagrant Tasha Roberts
00:45:18so the other day when you were trying to buy this dress with that working class thug boyfriend of yours
00:45:35you were trying to come here?
00:45:37are you sure you were even invited?
00:45:39I'm sorry are you working the security detail?
00:45:45do I need to show you my invitation?
00:45:48honey I'm just trying to look out for you
00:45:50okay
00:45:51I want to spare you the embarrassment of being kicked out when everybody finds out that you are not invited
00:45:57you mean like how you were kicked out of the mall?
00:46:00I see
00:46:01you still quite don't understand your place in the world
00:46:04you think you're fucking Cinderella or something and life is a fairy tale
00:46:10but don't worry
00:46:11I'll help you figure it all out
00:46:15what's wrong with you?
00:46:17you can't just see people are walking through
00:46:19Reena this time you've gone too far
00:46:21stop shouting you dreadful o
00:46:24these were supposed to be auctioned tonight
00:46:25well if it is of any consolation
00:46:27I don't think the wine has reduced their value of very much at all
00:46:32now you can go and cry to your fairy gut mother
00:46:36loser
00:46:38oh I think the auction is starting
00:46:41well I'll see you there
00:46:43toodles
00:46:44for our first auction item I'd like to welcome Ms. Reena Crowe to the stage with her collection of original paintings
00:46:58as you can see Ms. Reena Crowe's style is very unconventional
00:47:05certainly these works defy easy categorization and yet there are touches of whimsy and an almost playful
00:47:15quality about them as depicted here through the bold use of a duck as a central figure
00:47:33it's a dog
00:47:34what?
00:47:35it's a dog not a duck you buffoon
00:47:37oh yes of course
00:47:39a dog
00:47:40seen through a very unique prism
00:47:44portrayed as only an artist of Reena's caliber could possibly portray it
00:47:49now that we have familiarized ourselves with the art and the artist let's start the bidding
00:47:54the starting price will be $50,000
00:47:57do I hear $50,000?
00:48:00anyone?
00:48:01$50,000 do I hear $60,000?
00:48:07anyone?
00:48:09$50,000 going once
00:48:11$50,000 going twice
00:48:13sold
00:48:14sold
00:48:15sold for $50,000
00:48:22and now we'll invite our second artist for the evening Ms. Tasha Roberts
00:48:26who will also be presenting a series of paintings
00:48:38Ms. Tasha Roberts where are your paintings?
00:48:40I don't have my paintings tonight
00:48:43umm
00:48:44but
00:48:45I will be auctioning off this dress
00:48:59wow
00:49:00it's beautiful
00:49:03stupendous
00:49:04I've never seen a dress so beautiful
00:49:06a stunning work of art indeed
00:49:07there's no need for me to say another word about this masterpiece
00:49:08everyone in the audience can clearly see the extraordinary talent and extraordinary artistry
00:49:12let's start the bidding at $50,000
00:49:13$55,000
00:49:14$75,000
00:49:15$90,000
00:49:16$100,000
00:49:17$150,000
00:49:19$150,000
00:49:20$150,000
00:49:21$250,000 going once
00:49:22$250,000 going twice
00:49:26$250,000
00:49:27$250,000 going once
00:49:28$250,000 going twice
00:49:29$250,000 going twice
00:49:30gold
00:49:31this beautiful dress is sold for $250,000
00:49:33$250,000
00:49:34$250,000
00:49:35$250,000 going once
00:49:36$250,000 going twice
00:49:38$250,000 going once
00:49:40$250,000 going twice
00:49:41$250,000 going twice
00:49:42gold
00:49:43this beautiful dress is sold for $250,000
00:49:44$250,000
00:49:45$250,000
00:49:46is that the heart of sun necklace that sold for $200,000 a few months ago in a bid now?
00:50:01impossible
00:50:02how can that lowly peasant possibly afford it?
00:50:05it must be a fake
00:50:10thank you so much for your bid Miss Winslow
00:50:12I'm gonna design a few custom pieces in your size and design them to your elegance and style
00:50:18have you ever considered creating your own clothing brand?
00:50:23your creations are so extraordinary you should really share your talent with the rest of the world
00:50:30thank you I never considered it but I certainly will now
00:50:35hi
00:50:36I'd be careful if I were you
00:50:38I personally wouldn't put any faith into someone that wears cheap replicas
00:50:41cheap replicas of famous pieces of jewelry
00:50:45what are you talking about right now?
00:50:47this woman is a phony and a con artist
00:50:50for as long as I worked with her
00:50:52she's done nothing but defraud and cheat the people she's done business with
00:50:56and let me make it clear
00:50:58for everybody that wants to do business with this woman
00:51:01they won't be allowed to do business with the crow group
00:51:04is that so?
00:51:05well let it be known that if anybody refuses to work with Miss Tasha Roberts
00:51:13because of the baseless rumors and lies being spread by Miss Raina Crowe
00:51:17you will no longer be welcomed back to the Fitz Gallery
00:51:20that's the curator of the Fitz Gallery
00:51:23not just the curator, he's also the director of the Fitz Foundation
00:51:29the curator?
00:51:32is he the man who bought my paintings?
00:51:35why does he seem so familiar?
00:51:37Miss Tasha Roberts is my guest of honor tonight
00:51:42alright, I invited her personally
00:51:44so if anybody treats her with the slightest bit of disrespect
00:51:47they'll be asked to leave and never again invited back to the Fitz Gallery
00:51:50as the director of this esteemed organization
00:51:54am I interested to know that your guest of honor is wearing a cheap replica
00:51:59of a priceless work of art
00:52:01she is not to be trusted
00:52:04I'm assuming you mean her diamonds
00:52:06what evidence do you have to prove that it's not real?
00:52:09well, the real heart of the sun has the initials of the craft man
00:52:13engraved in the joint between the gemstone and the pendant
00:52:17so Tasha, would you indulge us all
00:52:19and show us if what you're wearing is a genuine article
00:52:22or a cheap knockoff
00:52:25this was just given to me by a friend
00:52:28I never claimed it was the real heart of the sun
00:52:31I don't want to embarrass him by having people pour over it for imperfections
00:52:37so it's a forgery
00:52:39you were so happy to have everyone believe it was the real thing
00:52:42until I challenged you and called your bluff
00:52:46Miss Roberts
00:52:48you were so happy to have everyone believe it was the real thing
00:52:53until I challenged you and call your bluff
00:52:56Miss Roberts, you have nothing to fear from this woman
00:52:59to show her the necklace
00:53:01and I'll personally see to it that there are no despairing comments
00:53:04about its craftsmanship or quality
00:53:06and the question has to be asked whether it is the true heart of the sun
00:53:18see, just like
00:53:20what?
00:53:22how is this possible?
00:53:28I do say
00:53:29this engraving looks entirely authentic to me
00:53:33this is indeed the one and only heart of the sun
00:53:36well that settles it then
00:53:38this necklace is authentic
00:53:40from now on
00:53:41no one will be permitted to question or harass my guest of honor
00:53:44now if everyone is satisfied
00:53:46can we please get back to tonight's festivities?
00:53:58Ken, you have a lot of explaining to do
00:54:02okay, what's wrong?
00:54:04I can't accept this necklace
00:54:07and I can't give you what you want
00:54:10do you even know what I want?
00:54:11I don't want to know
00:54:14we can just be friends, nothing more
00:54:17Tasha, you're just afraid
00:54:19you're just afraid of going after what your heart truly desires
00:54:23and I just think you're afraid of just being true to yourself
00:54:27you're the last person that should be lecturing anybody on the truth
00:54:32who are you?
00:54:34what do you do?
00:54:35is this even your house?
00:54:37I mean
00:54:39how do you own a necklace that's 200 million dollars?
00:54:45I just...
00:54:46see, you
00:54:48you don't even respect me enough to tell me the truth
00:54:51what, you
00:54:52you expect me to jump into a relationship with you?
00:54:56you could be a total stranger
00:54:59I have no idea who you are
00:55:02Tasha, I want to tell you
00:55:04I do, but
00:55:05I just can't right now
00:55:08alright?
00:55:09like, maybe in the future
00:55:10when we can sit down and-
00:55:11no, Ken, there is no future for us
00:55:14not if you can't tell me one thing about yourself that isn't a lie
00:55:18when you find someone that you really love and trust
00:55:22you let them in
00:55:30but that person won't be me
00:55:35are you okay?
00:55:49director Fitz, I had a wonderful time at the gala
00:55:54thank you for supporting me and standing up for me
00:55:58I wasn't bothered by the way the other guests treated me
00:56:00I've endured far worse
00:56:03lovely, I'm glad to hear it
00:56:06I would like to exclusively showcase your work at the Fitz gallery for the foreseeable future
00:56:11think of it as a sort of artist residency
00:56:14would you be interested in such an opportunity?
00:56:15this dress is every bit as exquisite as I expected it to be
00:56:33thank you my dear
00:56:35you're very welcome
00:56:36have you given any more thought to my proposal?
00:56:40if you wish to start a clothing brand
00:56:43I would be more than happy to invest whatever you require to get started
00:56:48it's a very gracious offer
00:56:50but I just, I have to ask
00:56:52I mean, there are so many other talented designers
00:56:55why do you have such faith in my abilities?
00:56:58it's not just me, you know
00:57:00the curator of the Fitz gallery
00:57:01the Fitz gallery
00:57:02has never been seen in public before the gala last night
00:57:06and everyone in attendance was certain
00:57:09that the only reason he chose to make an appearance was because of you
00:57:13his guest of honor
00:57:15that was his first appearance ever?
00:57:19indeed
00:57:21his very first and only time to appear in the flesh
00:57:23before this he was a figure of myth and mystery
00:57:27many people doubted he existed at all
00:57:31but all because of you
00:57:33he chose to grace us with his presence last night
00:57:37seems like a marvelous young man
00:57:39don't you think?
00:57:41he certainly had a charm about him
00:57:43undoubtedly
00:57:45you know, many people flock to the Fitz gallery
00:57:48for more than just the art
00:57:50they want to learn all about the enigmatic young curator
00:57:54really? I mean, what's so interesting about him?
00:57:57have you ever wondered
00:58:00how the Fitz gallery has managed to surpass
00:58:03all of the established art collections
00:58:06to become the top venue for fine art
00:58:08in just two years?
00:58:10I mean, I... I heard rumors
00:58:13something about foul play
00:58:15but I always just assumed they were baseless
00:58:17those rumors have quite a bit of truth to them
00:58:19seems like the Miller crime family
00:58:23is actually behind the Fitz foundation
00:58:26the one and the same Miller crime family
00:58:30that monopolizes all the underground trade
00:58:33in all of North America
00:58:35he seems like such a gentleman
00:58:37I just... I find it hard to believe
00:58:39that he ever was involved in something so sordid
00:58:41you must never judge a Brook White's cover, my dear girl
00:58:45even people close to us may be harboring
00:58:47many secrets
00:58:50we never really know what's going on inside
00:58:53you got that right
00:58:55I learned that lesson the hard way
00:58:57let me be frank
00:58:59I have tremendous faith in you
00:59:02thank you, Mr. Winslow, but I think it's dear
00:59:05all my friends call me Laura
00:59:10this is a good shack
00:59:12for five million dollars
00:59:13she'd help you get your clothing brand started
00:59:19shall we become business partners
00:59:21in addition to being friends?
00:59:36Director Fitz, I'd like to work with you
00:59:39it would be my honor, Miss Tasha Roberts
00:59:41fly away with me
00:59:44fly away with me
00:59:47take you high soaring
00:59:51see your smile
00:59:54it's my only dream
00:59:59staring out into the sea
01:00:02waves come crashing up to me
01:00:05my toes slip into the sand
01:00:07my toes slip into the sand
01:00:12dream that I'm with you
01:00:15staring out into the sea
01:00:18waves come crashing up to me
01:00:21take you high soaring
01:00:24my toes slip into the sand
01:00:27dream that I'm with you
01:00:29that I'm with you
01:00:43congratulations Miss Roberts
01:00:45we expect a huge success from your art exhibition
01:00:48thank you, thank you
01:00:49you're looking at her
01:01:04you're obsessed with her
01:01:06didn't she humiliated me enough the other night at the gala?
01:01:10now I have to watch my husband stare at her picture
01:01:13well maybe if you didn't give her the opportunity to humiliate you
01:01:18so it's my fault now?
01:01:19oh wait let me guess
01:01:20maybe it's my fault too
01:01:21why the two of you broke up
01:01:22okay
01:01:24Reina
01:01:26I've been thinking
01:01:28I don't think this is working
01:01:30I want a divorce
01:01:31you used me to push Tash out of your company
01:01:38take her property
01:01:39and now you cast me aside like what?
01:01:41a used piece of garbage?
01:01:43I won't allow this
01:01:46mark my words Karl Kroh
01:01:49you will regret this
01:01:50I'm spending too much time around Ken
01:02:05he's dominating all my thoughts
01:02:08I have to distance myself from him
01:02:11for my own sanity
01:02:12I know you're lonely
01:02:14but the song will have to tell
01:02:24as if nothing can do to get you to stay
01:02:26I'm sorry
01:02:30but no
01:02:32you and I, our relationship will just
01:02:37keep going in circles
01:02:39but thank you for everything you've done for me. I have a little bit of money now so
01:02:47you should be able to pay off your loan soon.
01:03:09This is what happens when you steal from the Millers!
01:03:24Please, let me go.
01:03:29I promise you'll never see me again.
01:03:31What do you got here? I've read this for you.
01:03:41Boss! I found this one peeking around the corner.
01:03:45I'm not sure how long this little bitch has been watching but I'm pretty sure she tried to call the cops.
01:03:54Don't worry boss, I got a knife with her name on it. We can dump her body with the other guy.
01:04:01No, let her go.
01:04:05What? Didn't you hear what I said? She's seen everything.
01:04:08Let her go before I rip off your fucking arms and throw them in the river.
01:04:20Walk away. This doesn't mean anything to you.
01:04:23Is this what you couldn't tell me about?
01:04:26Boss, you know this woman?
01:04:27You're gonna kill him.
01:04:32Call the police then. See if they can save his life.
01:04:34No! Don't call the police, you stupid bitch!
01:04:39My world is more cruel than you can possibly imagine.
01:04:42Since you didn't want to get involved, just walk away.
01:04:53Hey, babe. What do you want for breakfast?
01:05:09What do you want for breakfast?
01:05:19My world is more cruel than you can possibly imagine.
01:05:35Since you didn't want to get involved, just walk away.
01:05:38I never imagined that Ken could be such a dangerous and violent man.
01:05:43There must be something or someone forcing him to do all of this.
01:05:48Even people close to us may be harboring many secrets.
01:05:53We never really know what's going on inside.
01:05:57Forget it. This has nothing to do with me.
01:05:59I decided to leave Ken, so I have to do my best not to look back.
01:06:17Tasha, let's talk.
01:06:18Your, uh, pro-magnet boyfriend. Is he not joining us?
01:06:29It's all over. I'm not with him anymore.
01:06:33Where's Reyna?
01:06:34Reyna was a mistake.
01:06:38That's all over, too.
01:06:40Tasha, um,
01:06:44I want you back.
01:06:45I can't stop thinking about us.
01:06:50You were right. You belong in my life.
01:06:53So if you just sign those documents, then you can come back to me.
01:07:00Come back to the house. We can carry on like none of this ever happened.
01:07:04I can give you your old job back. That'll be fun, working together again.
01:07:08And then all that debt you owe me will be wiped clean.
01:07:11You, uh, need a pen?
01:07:15You think I'd get back with you after everything you put me through?
01:07:25Here is a hundred million dollars.
01:07:30I'll pay the rest on time and,
01:07:33for your agreement,
01:07:34take these documents and shove them right up your ass.
01:07:44You disgust me, Carl.
01:07:47You should think about Anna.
01:07:50Do you really want her growing up without a mother?
01:07:52With all her health problems, she could really use your support.
01:07:55Don't even dare talk about Anna.
01:07:57She'll be with me soon.
01:07:59Then I'll never let her out of my sight again.
01:08:01She needs her mother and her father.
01:08:03Not a father like you, she doesn't.
01:08:05She'd be better off with no father at all.
01:08:15I'm sorry, am I interrupting?
01:08:20Are you texting a new boyfriend already?
01:08:24Can it wait?
01:08:24I'm not done talking here.
01:08:27You're pathetic, Carl.
01:08:30Okay, Tasha.
01:08:32Ta- Tasha.
01:08:36Hey, Tasha.
01:08:38Tasha, come back.
01:08:40Where are you going?
01:08:41This place is disgusting.
01:08:43Come on, Tasha.
01:08:45Don't you remember the happy times?
01:08:46Come on, we can have that again.
01:08:47Think of Anna.
01:08:49Think of me, please.
01:08:50I love you, Tasha.
01:09:10Sorry, folks.
01:09:13It's the end of the line for you.
01:09:15No hard feelings.
01:09:19But we gotta do what the people who pay us tell us to do.
01:09:23Who's paying you?
01:09:26I'll give you a hint.
01:09:28A very beautiful woman paid us a small fortune to make sure you two would make sure you two don't make it.
01:09:36Reina.
01:09:37That fucking bitch.
01:09:39Do you know who I am?
01:09:41I'm Carl Crow.
01:09:43The CEO of the Crow Group.
01:09:45What if she's paying you?
01:09:46I'll pay double, okay?
01:09:47Yeah, yeah.
01:09:48You pay me double.
01:09:49I guess you haven't heard the news, buddy.
01:09:53See, I don't think you have the means to outbid your pretty little friend.
01:09:59Oh, that back-standing slut!
01:10:03Please, pick up the phone.
01:10:05You trying to phone a friend?
01:10:07That's a big no-no, sweetheart.
01:10:09That's breaking the rules.
01:10:13Sweetie, don't waste the little time you have left trying to call for help.
01:10:18It won't do you any good.
01:10:21No one is gonna help you now.
01:10:28Three hours, where's Tasha?
01:10:30Hey, Nell.
01:10:33Hey, listen, I need you to do me a favor.
01:10:36Yeah, I need you to pull out the city surveillance system in the area and find all the footage.
01:10:41Yeah, no, something's wrong.
01:10:42What are you doing?
01:10:55Well, you have to get out of here.
01:10:56You should just go.
01:11:11Save yourself.
01:11:11Leave me.
01:11:13It's what I deserve.
01:11:14I'm not gonna leave you.
01:11:19I'm not that type of person.
01:11:27Come on, let's go.
01:11:30Come down here and wait until they come in.
01:11:32Hey, Tasha.
01:11:42I'm so sorry.
01:11:46Now's not the time for that.
01:11:59All in.
01:12:14Looks like we got ourselves a suicidal prick here, fellas.
01:12:17I can't think of any other reason why somebody would kick in the door that's got Vincent
01:12:21Santorelli on the other side of it.
01:12:26Oh, shit.
01:12:28Boss.
01:12:30I didn't realize it was you.
01:12:34These your guys?
01:12:36Where the fuck are they?
01:12:38You better find them.
01:12:39Quick.
01:12:39Now it's your turn.
01:12:56Now it's your turn.
01:13:06Pretty little thing like you.
01:13:18I was gonna make it painless.
01:13:20But I guess you didn't want that.
01:13:22All the same.
01:13:25Hey, who's this fucking monkey?
01:13:26Lower your fucking gun.
01:13:27Vinny, what the fuck is going on?
01:13:29You're fucking deaf.
01:13:30Yo, lower your fucking gun.
01:13:32Are you?
01:13:34Are you Ken Miller?
01:13:35Hey, how can that be?
01:13:36What the fuck is going on?
01:13:38Ken Miller.
01:13:40The one and the same Miller crime family that monopolizes all the underground trade in
01:13:47all of North America.
01:13:50It's you.
01:13:58You know what you have to do.
01:14:01Boss, please.
01:14:03He's my brother.
01:14:07Rules are rules.
01:14:21I was pushing you away as Ken and growing closer to you as Fitz.
01:14:27I'm sorry, Tasha, but there's just nothing I can do that will make you happy.
01:14:37And I just can't win over your heart.
01:14:39Is Ken Miller always this loving with the hostages he rescues?
01:14:49Or is it just special treatment reserved for his lovers?
01:14:52Tasha, I love you.
01:14:56I love you.
01:14:56My heart has belonged to you and only you for the past 15 years.
01:15:0515 years?
01:15:08No, we just met a few months ago.
01:15:11We met 15 years ago.
01:15:13You went to Marr Middle School?
01:15:19Yeah.
01:15:21And you saved my life there.
01:15:22Stand up, chicken, and hit us back.
01:15:33Isn't that what your dad does for a living?
01:15:35Beat people up?
01:15:37I'm not my dad.
01:15:38You and your father are both scum.
01:15:41Let's teach this little and thug a lesson.
01:15:43Yeah, idiot.
01:15:44Get up and show us what you've got.
01:15:48Hey.
01:15:50Hey, hey, hey, hey, hey, stop.
01:15:52That's enough.
01:15:53That's enough.
01:15:53It's none of your business, Robert.
01:15:55Get out of here, Robert.
01:15:56Hey, stop.
01:15:57Go home.
01:15:58I'll call your parents.
01:15:58Go.
01:15:58Oh, crap, crap.
01:16:12Ever since I saw you that night in the cab with that necklace on,
01:16:17I just, I knew I found you.
01:16:20Look, this isn't just some feeling for me, okay?
01:16:24This is, this is everything to me.
01:16:27Like, you are everything to me.
01:16:30No matter what happens between us, I will always care about you.
01:16:36And maybe one day we can make it work in a different way.
01:16:41I just need some time to process this.
01:17:00Okay.
01:17:01And after that,
01:17:04maybe we can pick up where we left off that first night you spent here?
01:17:07Maybe.
01:17:10Maybe.
01:17:12I play your cards, right?
01:17:28Does everything look good to you, my artist?
01:17:29Yeah.
01:17:33Thanks for everything.
01:17:35That doesn't sound very convincing.
01:17:37Is there anything you want to change?
01:17:39No.
01:17:40I just, I never got around to asking why you wanted to start an art gallery in the first place.
01:17:46Honestly, just to get to you.
01:17:49See, I thought if I owned the world's greatest art museum that
01:17:51one day you might find your way in here and
01:17:54I don't know that I might find you.
01:17:55Maybe.
01:18:00Yes.
01:18:05Yes.
01:18:05Yes.
01:18:07Yes.
01:18:07No.
01:18:07Yes.
01:18:08Yes.
01:18:09It is.
01:18:10The first time I saw you in verse 1.
01:18:12Yes, I thought I saw you in verse 1.
01:18:13I was just like, yes, I just thought I saw you in the second place.
01:18:17Yes.
01:18:17No.
01:18:17No.
01:18:18I was just going to get my way.
01:18:19Yes.
01:18:19No.
01:18:20No.
01:18:21No.
01:18:21Yes.
01:18:22No.
01:18:22It's true.
01:18:22No.
01:18:23No.
01:18:24No.
01:18:24No.
01:18:24No.
01:18:25I want to see what kind of woman this is that has ensnared my son.
01:18:36I thought she's worthy of joining a Miller family.
01:18:40As you wish, sir, I will make the arrangements.
01:18:46Honestly, it's to get to you.
01:18:49See, I thought if I owned the world's greatest art museum that one day you might find your way in here.
01:18:53And I don't know, that I might find you.
01:18:57Okay, okay.
01:18:59Just concentrate on painting.
01:19:01Don't think about him.
01:19:19Who are you?
01:19:22Miss Tasha Roberts.
01:19:24Mordover Miller would like to speak with you privately at his home.
01:19:29Come here.
01:19:31Take a look.
01:19:36She's an heiress to the largest chain of luxury hotels in the Western Hemisphere.
01:19:42She's young, beautiful, well-educated.
01:19:47I think she'll make a fine wife for my son, Ken.
01:19:51With all due respect, sir.
01:19:55I believe that it's up to Ken to decide who he wants to spend the rest of his life with.
01:19:59Choose you.
01:20:04Not a chance.
01:20:05You're no match for my son.
01:20:08Now, you owe money to the Crow Group.
01:20:17I'm going to pay your debt.
01:20:22And in return, you will agree to never see my son again.
01:20:31It's our decision whether we want to be together or not.
01:20:37Your son and I love each other.
01:20:38There's nothing in this world that can keep us apart.
01:20:43Tasha, do you want us to be together?
01:20:45It's impossible.
01:20:49Father.
01:20:49I forbid it.
01:20:51Father, this is the love of my life.
01:20:53I can't lose her again.
01:20:56I'd rather leave the family business.
01:20:58Then leave if you wish.
01:21:00But she will never have my approval, ever.
01:21:03And she'll never be a part of the Miller family as long as I live.
01:21:07You'll come running back.
01:21:08Without the Miller family power, money, you'll accomplish nothing.
01:21:17You're making a big mistake.
01:21:20Choosing this old hand instead of family.
01:21:34Ken, where are you?
01:21:36Why aren't you back yet?
01:21:38Oh, you're still awake?
01:21:58Who did this to you?
01:22:01Don't worry about me.
01:22:02I'm fine.
01:22:03There's nothing out of the ordinary.
01:22:08Hey, babe.
01:22:18Yeah, no, I'm just right outside.
01:22:23You son of a bitch.
01:22:25You're making me cut my own brother's hand.
01:22:27Now you think you can betray the Miller family?
01:22:31Walk away scoff-free?
01:22:33Not a fucking chance.
01:22:36This guy means nothing to the Miller family now.
01:22:39He's worthless.
01:22:41Helpless.
01:22:42You're absolutely nothing now.
01:22:45Let's make him feel the pain that my brother felt.
01:22:49Come on, boys.
01:22:50Stop.
01:23:14Stop hurting him.
01:23:17Stupid bitch.
01:23:18Stop.
01:23:20Stop.
01:23:42Stop at once, you insolent fools.
01:23:45Son, you know how hard it is for me to admit that I made a mistake?
01:24:03But today the two of you have proved me wrong beyond a shadow of a doubt.
01:24:07Tasha, you are the perfect woman for my son.
01:24:16Go.
01:24:19Be together.
01:24:21You approve?
01:24:23You have my blessing.
01:24:24From this day onward, you'll have nothing more to do with the legal activities of the family.
01:24:34But, you'll always be a Miller.
01:24:41As will she.
01:24:42Get off me.
01:25:08You useless, impotent, man-child.
01:25:12The crowd group is bankrupt.
01:25:14I've heard.
01:25:15Getting involved with you is the worst decision I could have made in my life.
01:25:18Get off.
01:25:19This is all your fault.
01:25:20You spent every single thing that we had.
01:25:23Now we have nothing left.
01:25:24No company.
01:25:25No house.
01:25:26No money.
01:25:27Not even a dime.
01:25:28And it's all because of you, you greedy cow.
01:25:30Don't you, don't.
01:25:32Hey, hey, hey.
01:25:39The late Mrs. Miller was a beautiful woman, sir.
01:25:45Yes.
01:25:48Back then, my wife protected me from every danger that befell our family.
01:25:53And today, my son found the perfect woman in us, and I did the same for him.
01:26:03He's a lucky man.
01:26:04Wow, you look so beautiful.
01:26:20No, you can't be here right now.
01:26:22Babe, I don't want to rush you, but everybody's waiting to see you.
01:26:27Ken, can you promise me one thing?
01:26:30I can promise you two if you like.
01:26:32I'm serious.
01:26:33I want you to walk away from the family business.
01:26:41There's a city called Ostia.
01:26:43It's on the southwest side of Rome by the ocean.
01:26:47What?
01:26:48You know what I found over there?
01:26:51I found you an art teaching job.
01:26:53I had a public school.
01:26:55I would do tickets.
01:26:56Maybe even in the morning.
01:26:58You're sending me away?
01:27:00No.
01:27:01I opened my own restaurant.
01:27:03It's just down the street.
01:27:06Oh, one more thing.
01:27:08I enrolled Anna at the school they're going to be teaching at.
01:27:12I think she's going to really live it over there.
01:27:16So you really are walking away?
01:27:19Yeah.
01:27:19We got some sauce.
01:27:24We got some sauce.
01:27:25I don't know.
01:27:55I don't know.
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