Shelter in the Mafia #Dramabox

Reel Horizon

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Transcript

00:00:00Hey, what are you doing with my stuff? How'd you get in here?

00:00:11I gave him the keys.

00:00:12Carl?

00:00:13I mean, what are you doing here so late? And what's that guy doing with my stuff?

00:00:17Tasha, Tasha, Tasha. You're always asking the wrong question.

00:00:23What the hell is going on?

00:00:26Do you really think you're that sick, Tasha?

00:00:30Your husband and I decided that you're no longer needed here anymore.

00:00:33Reyna's going to take over your role at the company.

00:00:36She's already proven she can do everything you can, but better.

00:00:40I'll have a letter of termination and divorce paper sent over to your new address,

00:00:44wherever that ends up being.

00:00:45What should I do with this, boss?

00:00:47Give me that new plebe. I know exactly what to do with it.

00:00:54Is that clear enough for you, Tasha?

00:00:56Tasha, your company and your husband both belong to me now.

00:01:04No, you can't just fire me. I'm a shareholder at this company.

00:01:08Are you still a shareholder at this company? Are you?

00:01:11Actually, your debt is mortgaged with your shares, so you actually owe this company about $200 million.

00:01:17I never took out any loans that large.

00:01:20Oh, Tasha. You were always so gallible.

00:01:23A word of advice for the future?

00:01:25Don't give the keys to the kingdom to your assistance, no matter how trustworthy your feeble brain thinks they might be.

00:01:33Security! Security! We have a vagrant in the lobby and she might become hostile.

00:01:39Stop acting. I'll just leave on my own.

00:01:42Look, there's no glamour. There's no glory. It's just blood, guts, fear and misery.

00:01:55Come on, man. You think I'm some kind of moron that doesn't know anything?

00:02:00I know that the type of money you make in just a few days, I can't make that in ten years working as a stick.

00:02:06But at least you're guaranteed to be alive in ten years. In my world, you're not guaranteed to be alive in ten days, let alone ten minutes sometimes.

00:02:13Yo, yo, man. Stop lecturing me. Are you gonna give me the gun or not?

00:02:20I'm sorry, but no. I'm not gonna let you get killed.

00:02:24Man, what the fuck you got me here for then?

00:02:28Shit.

00:02:43Oh, I guess you didn't hear. The repo guy. He came and towed your car away. Oh, said it was, like, collateral for a loan.

00:02:54Of course, I made the call and arranged everything. My pleasure.

00:03:00You despicable trash.

00:03:04You know, I was gonna give you a ride, you know, seeming that we were married for so long.

00:03:09But walking the streets at night kind of suits you. So, enjoy.

00:03:16Go to hell.

00:03:34Miss?

00:03:50Just go away, alright? I don't need your cheap sympathy right now.

00:03:55Miss, your friend's gone. I just want to offer my cab services.

00:03:59Yeah, I'm sorry. I have a cab is just what I need right now.

00:04:07Alright, great. Come on board.

00:04:29Sorry, I... I don't have any cash right now. Um...

00:04:35Give me a minute. I'll go grab some from inside.

00:04:37Here.

00:04:39Just proof I'm not trying to skip out on the fare.

00:04:52You have some nerve coming back here.

00:04:54I never wanted my son to marry you in the first place.

00:04:57And now that he's finally come to his senses and kicked you to the curb,

00:05:01you think that you can just waltz right back into his house?

00:05:05His house?

00:05:07My father left me this house.

00:05:10And I know you're senile, but I'm sure you remember when you practically begged me to let you and Carl live here.

00:05:18I always knew you were a nasty little hussy.

00:05:27Who the hell are you?

00:05:28This is a personal matter, so you should really mind your own business and stay outside.

00:05:33Actually, this is my boyfriend.

00:05:37So, if it's a personal matter for me, it's a personal matter for him.

00:05:41Okay.

00:05:42What?

00:05:43You think your son's the only one capable of having secrets?

00:05:47Hey, thanks again for today.

00:06:04I know that's a weird position to put you in.

00:06:08It's alright.

00:06:10It is really nice to know that there are still good people up there that would help a total stranger.

00:06:18Have a good night.

00:06:19Alright, you too.

00:06:40Where's my necklace?

00:06:50Here.

00:06:51Just proof I'm not trying to keep out on the fare.

00:06:53Where's my necklace?

00:06:54Here.

00:06:55Just proof I'm not trying to keep out on the fare.

00:06:59Here.

00:07:00Just proof I'm not trying to keep out on the fare.

00:07:12I think thessäpi was a real light.

00:07:20That's a fancy broad like you found yourself in a place like this.

00:07:24Who the hell are you?

00:07:26In San Francisco, I violin mтесь on how I Rockered, Diozenёрse to say I'm not trying to.

00:07:31I'm Kenny.

00:07:32St and friends.

00:07:33Mostly iodized.

00:07:34Yesterday.

00:07:36I felt too broad like you find yourself in a place like this.

00:07:40Who the hell are you?

00:07:41Where the hell are you? Get out now!

00:07:43All I'm trying to do is introduce myself and you're treating me like some dog shit you found stuck to your shoes.

00:07:52I'm calling the police!

00:07:55How about I give you a better idea?

00:08:06You and I are going to have some good old fashioned fun tonight.

00:08:11If I ever see you around here again you're dead! Get out of here!

00:08:26I'm so glad you're here.

00:08:31Where did you get this necklace?

00:08:34My father gave that to me.

00:08:41You better not be lying to me.

00:08:44I'm not lying.

00:08:46He made that with his own hands.

00:08:48I have my name on the back.

00:08:53It's really you?

00:08:55Hey.

00:08:58How you feeling?

00:09:03How did...how did you...

00:09:04You lit your bag in my car.

00:09:06How did you know where to find me?

00:09:08How are you feeling?

00:09:12How did... how did you...

00:09:15You left your bag in my car.

00:09:17How did you know where to find me?

00:09:21I have my ways.

00:09:25Hey listen, I know it's none of my business, but it's not safe for you here.

00:09:30Everything that's happened in the last 24 hours, this is... all I can afford.

00:09:38Listen, I have an extra room at my place. Maybe you can just come stay with me.

00:10:02Welcome home.

00:10:08I really feel like my luck is starting to change.

00:10:13I mean you've literally rescued me over and over today.

00:10:17I know what it's like. I've been rescued before.

00:10:21I'm sorry, I don't think I can make rent right away, but you can sell this ring and then it should cover me for a few months.

00:10:31At least until I'm back on my feet.

00:10:34I thought he was a really rich guy.

00:10:37Why did you choose such a small diamond?

00:10:40It's not a very good cut either.

00:10:43Okay, never mind. I can just...

00:10:47No, it's fine. I'm just saying.

00:10:50You deserve a better ring than this.

00:10:52No, babe. Stop. It's late, okay?

00:10:53No, babe. Stop. It's late, okay?

00:10:55No, babe. Stop. It's late, okay?

00:10:57You're still thinking about her.

00:10:59Who? Tasha?

00:11:00No, babe. Stop. It's late, okay?

00:11:02You're still thinking about her.

00:11:03Who? Tasha?

00:11:04No, babe. Stop. It's late, okay?

00:11:06You're still thinking about her.

00:11:08Who? Tasha?

00:11:09Are you kidding me?

00:11:10Then why are you wearing the wedding ring? Did you forget what she and her father did to you?

00:11:19I will never forget what she and her father did to me.

00:11:22But that has nothing to do with you.

00:11:24thinking about her? Who, Tasha? Are you kidding me? Then why are you wearing the wedding ring?

00:11:31Did you forget what she and her father did to you? I will never forget what she and her father did to

00:11:36me. But that has nothing to do with you. So why don't you stop mouthing off about shit that you

00:11:41know nothing about and let me handle my own affairs.

00:11:54Mary? What?

00:12:24Hey, what's going on? My daughter's missing. What?

00:12:42Tasha, you shouldn't have barged in like this. If Carl finds out. No, I don't care about Carl right now, okay?

00:12:49Where's my daughter? Where's Anna? I sent her away.

00:12:52No. You have no right.

00:12:58Actually, as Carl's new wife and Anna's legal guardian, I have all the right to do whatever

00:13:04I want with my stepdaughter.

00:13:08What?

00:13:09We never settle custody, so just skip the theatrics and tell me where my daughter is.

00:13:17You think you're getting custody?

00:13:19Stai sognando.

00:13:22On one hand, we have a mother drowning with no place to live.

00:13:29On the other hand, we have a wealthy and well-respected father who happens to be the CEO of the world-renowned

00:13:38of the probe. What do you think the court looks like me?

00:13:50Oh, what's going on?

00:13:50Oh, Carl!

00:13:53Carl, it's okay.

00:13:54Tasha was understandably upset about the situation. You know, I don't blame her for what happened.

00:13:59You trespass on my property? Assault my wife in her own home?

00:14:04Tasha, I have put up with your outrageous behavior for years, but don't you dare subject

00:14:08Raina to that kind of abuse.

00:14:10You don't understand. Raina sent Anna away!

00:14:12She did what any good mother would.

00:14:15I want to know where my daughter is right now!

00:14:18New Zealand.

00:14:19Getting medical care from one of the best cardiology departments in the world.

00:14:23And remind me, what have you done for your daughter lately, hmm?

00:14:28Abandon her?

00:14:29To go shack up with some cab driver boyfriend?

00:14:31Oh, you idiot!

00:14:33I found this cardiologist in New Zealand.

00:14:36Scheduling this appointment was the last thing I had Raina do when she was still my assistant!

00:14:40Tasha, Tasha, you disgust me.

00:14:42Trying to take credit for this wonderful woman's kind gesture to your own sick daughter.

00:14:48I'm going to make sure Anna stays far, far away from me so there's no possibility of her ever becoming anything like you.

00:14:59You backstabbing, homewrecking bitch!

00:15:07I advise you stay far away from my daughter and I.

00:15:11By the way, the deed still lists me as a rightful owner to this house.

00:15:19So the two of you have no right to keep me from coming back here.

00:15:23Do you understand?

00:15:23Calm down.

00:15:24You can forge my signature, you can take my money, take my house.

00:15:29But you will never have a shred of the intelligence that I got.

00:15:33So you have made your point.

00:15:35I think it would be...

00:15:35You deserve that too!

00:15:39You should have told me about Anna a long time ago!

00:15:41Oh, don't stop at my account.

00:15:46Please, continue.

00:15:49Miss Big Shot, don't you forget that you still owe 200 million dollars.

00:15:55And 20 million dollars of that is owned to me, personally.

00:15:59In fact, I'm going to call my lawyer and see to it that if you don't pay right away,

00:16:02you're never going to see your daughter ever again and you'll end up in debtor's prison.

00:16:07Check it out.

00:16:13Go ahead and check it out.

00:16:14But after your accountant, make sure this is all legit.

00:16:16I don't want you two jackasses counting my girl for money ever again.

00:16:20Got it?

00:16:26Oh!

00:16:27And by the way, we're going to go ahead and take Anna in the future too.

00:16:31Don't worry Carl, I'll be a better father to her than you ever can be.

00:16:35Tasha, you'll regret this.

00:16:39Thanks again, Kerr, today.

00:16:45For pretending to be my boyfriend.

00:16:54Was all that money real?

00:16:56As real as it comes.

00:16:58Where'd you get all that money?

00:17:00I robbed a couple jewelry stores before I came to find you.

00:17:04Are you serious?

00:17:06No, I'm just joking.

00:17:08It was my dad.

00:17:09Don't worry, it wasn't stolen or robbed or anything.

00:17:12But hey, listen.

00:17:14From now on, I want you to think of me as your creditor.

00:17:17Okay?

00:17:18I don't want you to worry about owing money to those scumbags.

00:17:21From now on, you'll just owe money to me.

00:17:24As long as you're okay with that.

00:17:26I could be okay with it.

00:17:28As long as you can satisfy one small request.

00:17:31What kind of request?

00:17:41My only request is that you just relax.

00:17:46Okay?

00:17:47I want you to take a load off.

00:17:50I want you to start by telling me a story, you know, about the last time it was when you were happy.

00:17:54You know, I just, I never in a million years could imagine that Carl would betray me like this.

00:18:14I have nothing.

00:18:21Well, I mean, you always have me and, you know, other things.

00:18:31I can't hear you.

00:18:32I can't hear you.

00:18:33You're whispering.

00:18:34I have nothing.

00:18:53Carl, you know, Tasha's probably screwing around with that new boyfriend of hers.

00:19:19That bitch.

00:19:20Honey, you know, you promised to put me in touch with the curator at the Fitzgallery.

00:19:26I'm telling you, forget about the Fitzgallery, okay?

00:19:29The people who are running it are crooks.

00:19:31But I want my paintings to be showcased in the most prestigious venue possible.

00:19:36I know, I know, and I said I would help you find other galleries.

00:19:40Remember?

00:19:41Just stop nagging me about it, okay?

00:19:44Okay.

00:19:46You're a little angel.

00:19:49Are you okay?

00:19:55Are you sleeping?

00:19:59Well, it's certainly going to make things more complicated.

00:20:23So you want to pretend last night never happened?

00:20:29I thought we had a good thing going on between us.

00:20:33I mean, you've been going around the last couple of days telling everybody I was your boyfriend.

00:20:37Yeah, but that was just something I said to make my husband jealous.

00:20:43You mean your ex-husband?

00:20:45Yeah, ex.

00:20:48Yeah.

00:20:50But I mean, you and I, you know I can't start a new relationship right now.

00:20:56So, everything you said last night?

00:21:02We were just caught up in the heat of the moment.

00:21:05Heat of the moment.

00:21:07So it was all just bullshit?

00:21:09Why?

00:21:10To get me into bed with you?

00:21:12Just to have a one-night stand?

00:21:16Because you miss being with your damn husband?

00:21:18So, everything you said last night?

00:21:37Get older yourself.

00:21:41You just got divorced.

00:21:44You're not going to play mind games with men anymore.

00:21:46Hey.

00:21:51I wasn't sure what you like, so I just made a little bit of everything.

00:21:57You made all this?

00:21:59Yeah.

00:22:07What do you think?

00:22:10It's delicious.

00:22:11It's delicious.

00:22:16I mean, you deserve to have some of your awesome breakfast, too.

00:22:21But hey, you're not going to make me sit here and eat this alone, are you?

00:22:25All that for some sauce, huh?

00:22:40Are you kidding me?

00:22:41Emily?

00:22:42Oh, my God.

00:22:47Hello?

00:22:48Mommy, I miss you so much.

00:22:51Anna.

00:22:51Mommy, I miss you so much.

00:22:53Anna, honey, what?

00:22:54What's going on?

00:22:55Anna.

00:22:59Okay.

00:23:00Both of your resumes look excellent.

00:23:02I have a question. If you spilled a glass of milk in the ocean, how would you get it back?

00:23:11What does that question have to do with our work?

00:23:15Well, I suppose you could contain the section of the ocean with the spilled milk, and then

00:23:23collect that sample at a centrifugal force, and there's probably a good chance of separation.

00:23:29So, at our company, we are always trying to make the impossible possible, and for that

00:23:37we need people who can think on their feet, derive solutions, no matter how outlandish the

00:23:45task at hand they see.

00:23:51Hello?

00:23:56Uh-huh.

00:23:57Okay.

00:24:07Congratulations, Ms. Michaels. Welcome to the Eastwood Corporation.

00:24:10If you don't mind me asking, why didn't I get the job?

00:24:28Mrs. Roberts, maybe you should focus on fixing your own family problems first, before you

00:24:35start to look for work again.

00:24:39We don't want to make enemies with the Crow Group.

00:24:53So, I guess you didn't get it.

00:24:57I just don't understand why Carl hates me so much.

00:25:00I mean, he doesn't want me to work for his company, but he doesn't want me to work for

00:25:04any other company either.

00:25:07Look, you don't need that corporate job anyways.

00:25:09Yeah?

00:25:10What else can I do?

00:25:13I mean, I thought you were an artist.

00:25:14Now a painter.

00:25:16How'd you know about that?

00:25:18You brought an easel.

00:25:19It's just a hobby.

00:25:20I gave it up.

00:25:21I don't paint anymore.

00:25:22Okay, well, if you don't love to paint anymore, then why bring an easel with you?

00:25:36I haven't painted in years.

00:25:39I'm sure it'll be just like riding a bike.

00:25:44Once you start, it'll all come back to you.

00:25:52That's my account!

00:25:53Why are they assigning it to someone else?

00:25:56Fine, fine.

00:25:57Just get me some damn answers and give me a call back soon, okay?

00:26:03Carl, this took me three months!

00:26:05I'm sorry, I just got some bad news at work.

00:26:10It's ruined now.

00:26:11Fine.

00:26:12Start over.

00:26:14You know, it kills me to see you squander your intelligence and talent on these useless paintings.

00:26:22You're a remarkable woman, Tasha.

00:26:25Okay, and if the charlatan snobs in the art world can't see that, then screw them, okay?

00:26:30If you put your focus elsewhere, we could be rich enough to buy ten art galleries.

00:26:36And then you could put whatever paintings you want in them, right?

00:26:40Painting's my passion.

00:26:43What if we put painting on the side, just for a little while, and you could come join me at the company?

00:26:50Just together, we'd be unstoppable.

00:26:56And right now, I am drowning.

00:27:00Your dad and his partners have no faith in me.

00:27:05I need you.

00:27:06I need you.

00:27:07Look.

00:27:11You love me.

00:27:12Don't you?

00:27:15Of course I do.

00:27:17Okay.

00:27:19Do this one thing for me.

00:27:21This one little thing.

00:27:23Please.

00:27:24About my house.

00:27:25I know.

00:27:26I'm not letting you stand.

00:27:27I know.

00:27:29No.

00:27:31I'm not going to say the sound.

00:27:33I know.

00:27:36You.

00:27:39You're all my bar.

00:27:40You're all my bar.

00:27:43You're all my bar.

00:27:44I'm not going to take it.

00:27:45I'm not going to start this.

00:27:47You're all my bar.

00:27:49You're all my bar.

00:27:51I'm not going to die.

00:27:52But our house is so good for everything.

00:27:53Yep.

00:27:59That is amazing.

00:28:01Thank you. I honestly never thought I'd paint again.

00:28:05Well, that would have been a shame. You're easily one of the most talented artists I've ever met.

00:28:23We're honored that you chose our gallery to showcase your work.

00:28:31I am curious about one thing, if you don't mind me asking.

00:28:35The subject in your paintings, your muse, is he your lover?

00:28:39Oh, no.

00:28:43He's just a friend of mine.

00:28:47But his gaze, the way he looks out to you in these paintings,

00:28:51there's so much tenderness and affection in his eyes.

00:28:59Is Ken really in love with me?

00:29:01He's so young, though.

00:29:03At his age, he probably doesn't even know what love is.

00:29:07Oh, uh, sorry, you're in the way.

00:29:11Actually, you're in my way.

00:29:15Actually, you're in my way.

00:29:17I'm trying to get into my home.

00:29:19Is this your new girlfriend?

00:29:21I've never seen you with anyone like this before.

00:29:25Ken's my roommate.

00:29:27Now, if you'll please step aside so I can get in.

00:29:31Call me again if you need anything, okay?

00:29:37Bye.

00:29:39Hey, what are you doing home so early?

00:29:41Are they gonna showcase your work?

00:29:43Sorry if I interrupted something, but as your roommate,

00:29:45I don't really think I need to tell you if I'm coming or going.

00:29:47So, if you have something private to do, just do it in your room.

00:29:49I never said you need to tell me when you're coming or going.

00:29:51I'm just saying.

00:29:53Fine, you don't need to explain.

00:29:55Just, I just want to be alone.

00:29:57What?

00:30:09I'm so sorry, sir.

00:30:11She just barged in without permission.

00:30:13Okay.

00:30:15Miss Roberts, please.

00:30:17Grab a seat.

00:30:18We signed a contract.

00:30:20Why can't you show my paintings now?

00:30:22I'm afraid I don't have the answers you're looking for.

00:30:25You want to know what happened?

00:30:26Ask Karl Crow.

00:30:30I want my paintings back.

00:30:32Right now.

00:30:34Well, they're probably somewhere in the warehouse.

00:30:38They haven't been thrown away yet.

00:31:04You've already searched the entire warehouse ten times.

00:31:07If you haven't found what you're looking for, it's not here.

00:31:09You better hope I find what I'm looking for,

00:31:11or I'm going to make this entire gallery compensate me,

00:31:14and then I'm going to sue you,

00:31:16and you'll be the first to lose your job.

00:31:18Yeah, that's great, lady.

00:31:19Go ahead and sue.

00:31:20I'm sure things will go exactly the way you described it.

00:31:34You can make it right there.

00:31:35I don't have to hard.

00:31:36I'll let you go.

00:31:37The Assistant for the

00:31:57you really care about her keep your voice down she's had a long day also you can't just come

00:32:17over here so casually in the future casually and kicking me out you didn't mind my coming

00:32:24over so casually when you had me digging through your body for bullets you men are cold as hell

00:32:29thank my lucky stars i'm a lesbian look i just can't have her finding out about the work that

00:32:34we do okay are you serious about her yeah have you thought about the consequences if your dad

00:32:42finds out look no you and i have been best friends for over 20 years okay and my dad has taught me

00:32:50everything that i know i think maybe it's time i just figure things out on my own and you know

00:32:56exactly what i went through last time i'm not gonna lose her again

00:33:01don't worry anna mommy's gonna find a way to bring you home soon

00:33:09all the evidence is here it's exactly what you thought let me know if you want me to find out

00:33:22carl let's meet

00:33:39oh wow it's not every day a famous painter comes to visit to what do i owe the pleasure

00:33:55the company i supposedly borrowed money from

00:33:59it's a shell company owned by you

00:34:04so what all our operations are legal you signed the documents you borrowed the money

00:34:11all you can do now is pay it back

00:34:16you know i don't think you actually want me to pay back the loans

00:34:23you were just looking for an excuse to have me back in your life

00:34:28you're obsessed with me this is just your sick way to dominate me and make me surrender to you

00:34:36i'm just getting even for the years i spent in your father's shadow

00:34:41the years of belittlement and him treating me like a clown

00:34:45my father hired you when no one else would

00:34:48not my fault that insecure petty took his support of belittling

00:34:56i wouldn't upset me if i were you remember i'm your creditor now

00:35:04two months that's all i can give you to pay me back the remainder 180 million

00:35:10what are you doing here

00:35:21i was just in the neighborhood thought i'd give you a ride home

00:35:25hi

00:35:28um hey

00:35:31who is this

00:35:32uh this is ken's roommate

00:35:37we're gonna be dropping them off before we head home

00:35:40yeah hey listen i didn't introduce you last time but this is my best friend nell and her girlfriend maria

00:35:47yeah

00:35:48nella and i have been nothing more than friends since we were kids

00:35:54she's not into men and she never has been

00:35:57and her and i are nothing more than just platonic friends

00:36:00all right

00:36:01i'm sorry i jumped to conclusions the other day

00:36:06it's okay

00:36:07i just didn't want you to get the wrong idea

00:36:14oh look i i appreciate it i really do i just i i still think you and i are better off just as friends

00:36:24why

00:36:31why

00:36:35maybe because i'm just getting over a failed marriage

00:36:39because i owe an unthinkable amount of money and i have no idea how i'm gonna pay it back

00:36:45i also have no idea how i'm gonna get my daughter back

00:36:52and and getting into a relationship with you that's just something i can't do right now

00:36:56love has brought me nothing but pain okay so just please just leave it

00:37:03do you have any other paintings

00:37:10do you have any other paintings

00:37:14do you have any other paintings

00:37:21yeah i have several what are you looking for

00:37:29i would like to buy them all i love your painting style it is so unique i own a large gallery and i would like to establish a long-term collaboration with you

00:37:36thank you for your kind words about my paintings but i've been in some trouble lately and it's probably best if i don't involve your gallery

00:37:43none of this matters to me

00:38:02none of this matters to me

00:38:04if someone wishes to cause me trouble

00:38:06well

00:38:07just let me try

00:38:08i mean

00:38:17it has to be a mistake

00:38:20or a prank or

00:38:22a cruel practical joke

00:38:24i mean it seems pretty authentic to me

00:38:26it has their seal and

00:38:28your name and address are like clearly written on it so

00:38:31it looks authentic

00:38:36how would they have seen my paintings

00:38:39i don't know maybe one of those auction sites that you've been posting your work on

00:38:44i mean you're incredibly talented so

00:38:47anybody who's seen your work would automatically recognize it

00:38:56i own a large gallery and i would love to establish a long-term collaboration

00:38:59collaboration

00:39:00it's him

00:39:02it's him

00:39:03it's him

00:39:04the guy who's been on my paintings

00:39:05he must be the owner of the fifth gallery

00:39:07well in that case we better get going

00:39:09where

00:39:10i gotta go get you a dress

00:39:12i can't have you showing up for the fifth gallery and brag

00:39:16it's him

00:39:17it's him

00:39:18it's him

00:39:20babe

00:39:21which one do you like more

00:39:23this one

00:39:24or this one

00:39:25i need to be the hottest girl at the fifth gala

00:39:28everything just looks so good on you honey

00:39:33so just pick whichever one you want

00:39:36i gotta take a call okay

00:39:38wrap this up you twitch

00:39:40i'll take them both

00:39:41wow

00:39:49i used to buy dresses like this all the time without even thinking about the money but

00:39:55i can't afford something like this now

00:39:59you know what

00:40:01consider it a congratulatory gift for me

00:40:03alright

00:40:04and when you make it big in the art world you can just pay me back

00:40:09oh hi excuse me

00:40:11yeah my friend would like to try on this dress

00:40:13oh your friend has amazing taste

00:40:15this dress is actually a limited edition

00:40:17each one handcrafted by hand and therefore entirely unique

00:40:21truly a work of art

00:40:22well how fitting this is going to be worn by a very talented artist

00:40:25i'll have someone on the team bring it out to you

00:40:29veronica please bring the limited edition

00:40:31thank you

00:40:32what limited edition

00:40:37tasha

00:40:39do you really think you can afford this dress

00:40:45you can afford this dress

00:40:49please

00:40:51reina

00:40:52i don't think you need to worry about tasha's finances

00:40:54okay

00:40:55we established that last time

00:40:57hey you get over here

00:40:59i'm gonna pay twice what it's worth

00:41:01but i want this dress

00:41:03ma'am this dress is four thousand dollars

00:41:05did i ask you how much it costs?

00:41:07you politarian scum

00:41:09just shut your mouth and add it to my bill

00:41:11she's willing to pay double

00:41:13i'll double her offer and i'll pay

00:41:15i'll double her offer and i'll pay

00:41:17okay so

00:41:19both

00:41:21thirty two thousand

00:41:23you know what

00:41:25she wants to dress so bad let her have it

00:41:27you can put all the jewels you want on a pigeon

00:41:29but it'll never be a peacock

00:41:31who's a bitch

00:41:33how dare you assault me

00:41:35tasha are you okay?

00:41:39what is going on here?

00:41:41what's going on is that your crazy bitch wife pushed tasha to the ground

00:41:44i swear to god

00:41:46they're all lying

00:41:47i never touched her

00:41:48i saw everything

00:41:49this gentleman and his girlfriend were very nice

00:41:51and politely inquired about a dress

00:41:53and suddenly your wife appears and attacks her for no reason

00:41:56shut your mouth you little lying asshole

00:41:59you know what why don't you just call security before this crazy maniac hits somebody else

00:42:02wait a second reina

00:42:03what actually happened here?

00:42:04what's going on?

00:42:05why don't you believe me?

00:42:06don't you?

00:42:07don't you just call 911

00:42:09are you blind?

00:42:11oh tasha can you stop this bullshit?

00:42:13you know what reina can you just stay away?

00:42:15can i get someone down here?

00:42:17room A122?

00:42:18no no that's not necessary we are leaving right now let's go

00:42:21bro but

00:42:22okay you've embarrassed us both enough for one day okay let's go

00:42:29you

00:42:32wherever reina goes trouble sure to follow

00:42:36it is nice to see a good taste of her own medicine though

00:42:40yeah

00:42:41just saying though you would have looked really great on that dress

00:42:44don't worry about that

00:42:46have a solution

00:42:48Don't worry about that.

00:42:50I have a solution.

00:42:59What are you going to do with all this stuff?

00:43:01I'm going to design my own dress and wear it to the gala.

00:43:04Are you sure there's enough time?

00:43:06Have some faith in me.

00:43:08I graduated with honors in design and fine art.

00:43:11I got this.

00:43:13Alright.

00:43:18How do I look?

00:43:34How do I look?

00:43:37What? Is something wrong?

00:43:47Is it too much? Should I change something?

00:43:50No, no.

00:43:52You look...

00:43:54That dress, like...

00:43:56That is one of the most beautiful dresses I've ever seen.

00:44:02But there's something missing.

00:44:06Should I refill the beads?

00:44:09No.

00:44:10I have a gift for you.

00:44:12Something to...

00:44:14Complete the whole look.

00:44:22Destroy harder, you idiot!

00:44:23Mrs. Crowe.

00:44:24I am doing everything I can.

00:44:26And I don't know what more I can do.

00:44:28Mrs. Crowe.

00:44:29You're calling me fat?

00:44:30Of course not.

00:44:31Mrs. Crowe.

00:44:32You're not fat at all.

00:44:33Mrs. Crowe.

00:44:34It's the dress.

00:44:35It's not made for a woman's body.

00:44:37Mrs. Crowe.

00:44:38Just shut up and do it!

00:44:41Babe, just put on another dress.

00:44:43You're going to be late.

00:44:45Mrs. Crowe.

00:44:46I spent so much money on this dress.

00:44:48I am wearing this dress!

00:44:50Mrs. Crowe.

00:45:09I can't.

00:45:10It's...

00:45:11It's too much.

00:45:13Mrs. Crowe.

00:45:14No.

00:45:15It was made for you.

00:45:20Mrs. Crowe.

00:45:25I can't wait to see what you've brought to the auction.

00:45:28Can we have a little hint?

00:45:29Mrs. Crowe.

00:45:30Well, actually, I brought some of my very own paintings to auction tonight.

00:45:38Mrs. Crowe.

00:45:39What's wrong?

00:45:40Mrs. Crowe.

00:45:41Tasha Roberts.

00:45:42Mrs. Crowe.

00:45:43My husband's dreadful ex-wife.

00:45:45Mrs. Crowe.

00:45:46I'm tired of seeing her sorry face everywhere.

00:45:49Mrs. Crowe.

00:45:50You know, she's also a horrible person.

00:45:54Mrs. Crowe.

00:45:55If it isn't everyone's favorite white-collar criminal turned homeless vagrant, Tasha Roberts.

00:46:02Mrs. Crowe.

00:46:03So, the other day, when you were trying to buy this dress with that, um, working class

00:46:08thug boyfriend of yours, you were trying to come here?

00:46:11Mrs. Crowe.

00:46:12Are you sure you were even invited?

00:46:14Mrs. Crowe.

00:46:15I'm sorry.

00:46:16Mrs. Crowe.

00:46:17Are you working the security details?

00:46:20Mrs. Crowe.

00:46:21Do I need to show you my invitation?

00:46:22Mrs. Crowe.

00:46:23Honey, I'm just trying to look out for you, okay?

00:46:25Mrs. Crowe.

00:46:26I want to spare you the embarrassment of being kicked out when everybody finds out that you

00:46:30are not invited.

00:46:31Mrs. Crowe.

00:46:32You mean like how you were kicked out of the mall?

00:46:34Mrs. Crowe.

00:46:35I see.

00:46:36You still quite don't understand your place in the world.

00:46:39Mrs. Crowe.

00:46:40You think you're fucking Cinderella or something, and life is a fairy tale.

00:46:44Mrs. Crowe.

00:46:45But don't worry.

00:46:46Mrs. Crowe.

00:46:47I'll help you figure it all out.

00:46:49Mrs. Crowe.

00:46:50What's wrong with you?

00:46:51Mrs. Crowe.

00:46:52You can't just eat pizza by walking through.

00:46:54Mrs. Crowe.

00:46:55Rhina, this time you've gone too far!

00:46:56Mrs. Crowe.

00:46:57Stop shouting, you dreadful o.

00:46:58Mrs. Crowe.

00:46:59These were supposed to be auctioned tonight.

00:47:00Mrs. Crowe.

00:47:01Well, if it is of any consolation, I don't think the wine has reduced their value of very much

00:47:06at all.

00:47:07Mrs. Crowe.

00:47:08Now you can go and cry to your fairy gut mother.

00:47:11Mrs. Crowe.

00:47:12Oh, I think the auction's starting.

00:47:15Mrs. Crowe.

00:47:16Well, I'll see you there.

00:47:17Toodles!

00:47:18Mrs. Crowe.

00:47:19For our first auction item, I'd like to welcome Ms. Rhina Crowe to the stage with her collection

00:47:32of original paintings.

00:47:37As you can see, Ms. Rhina Crowe's style is very unconventional.

00:47:55Certainly, these works defy easy categorization, and yet there are touches of whimsy and an

00:48:02almost playful quality about them, as depicted here through the bold use of a duck as a central

00:48:08figure.

00:48:09It's a dog.

00:48:10What?

00:48:11Mrs. Crowe.

00:48:12It's a dog, not a duck, you buffoon.

00:48:13Oh, yes!

00:48:14Of course!

00:48:15A dog!

00:48:16Seen through a very unique prism.

00:48:20Portrayed as only an artist of Rhina's caliber could possibly portray it.

00:48:26Now that we have familiarized ourselves with the art and the artist, let's start the bidding.

00:48:31The starting price will be $50,000.

00:48:33Do I hear $50,000?

00:48:34Anyone?

00:48:35$50,000.

00:48:36Do I hear $50,000?

00:48:37Anyone?

00:48:38$50,000.

00:48:39Do I hear $50,000?

00:48:42Anyone?

00:48:43$50,000 going once.

00:48:46$50,000 going twice.

00:48:49Sold!

00:48:50Sold for $50,000.

00:48:53And now we'll invite our second artist for the evening.

00:49:00Ms. Tasha Roberts, who will also be presenting a series of paintings.

00:49:13Ms. Tasha Roberts, where are your paintings?

00:49:16I don't have my paintings tonight, but I will be auctioning off this dress.

00:49:30The beautiful artist, look at that!

00:49:31It's beautiful!

00:49:32Oh, stupendous!

00:49:33I've never seen a dress so beautiful!

00:49:34Oh, stupendous!

00:49:35I've never seen a dress so beautiful!

00:49:36A stunning work of art indeed!

00:49:39There's no need for me to say another word about this masterpiece!

00:49:42Oh, stupendous! I've never seen a dress so beautiful.

00:49:50A stunning work of art indeed.

00:49:52There's no need for me to say another word about this masterpiece.

00:49:55Everyone in the audience can clearly see the extraordinary talent and extraordinary artistry.

00:50:00Let's start the bidding at $50,000.

00:50:03$55,000!

00:50:05$75,000!

00:50:06$90,000!

00:50:07$100,000!

00:50:09$150,000!

00:50:11$250,000!

00:50:12$250,000!

00:50:14$250,000 going once, $250,000 going twice!

00:50:20Sold!

00:50:21This beautiful dress was sold for $250,000!

00:50:24Is that the heart of Sun Memphis that sold for $200,000,000 a few months ago in a detail?

00:50:37Impossible.

00:50:38How can that lowly peasant possibly afford it?

00:50:42It must be a fake.

00:50:47Thank you so much for your bid, Miss Munslow.

00:50:50I'm going to design a few custom pieces in your size and design them to your elegance and style.

00:50:56Have you ever considered creating your own clothing brand?

00:51:01Your creations are so extraordinary.

00:51:05You should really share your talent with the rest of the world.

00:51:09I never considered it, but I certainly will now.

00:51:13Hi.

00:51:14I'd be careful if I were you.

00:51:16I personally wouldn't put any faith into someone that wears cheap replicas of famous pieces of jewelry.

00:51:23What are you talking about right now?

00:51:25This woman is a phony and a con artist.

00:51:28For as long as I worked with her, she's done nothing but defraud and cheat the people she's done business with.

00:51:34And let me make it clear.

00:51:35For everybody that wants to do business with this woman, they won't be allowed to do business with the Crow Group.

00:51:42Is that so?

00:51:47Well, let it be known that if anybody refuses to work with Miss Tasha Roberts because of the baseless rumors and lies being spread by Miss Raina Crow,

00:51:56you will no longer be welcomed back to the Fitz Gallery.

00:51:59That's the curator of the Fitz Gallery.

00:52:03Not just the curator, he's also the director of the Fitz Foundation.

00:52:09The curator?

00:52:10Is he the man who bought my paintings?

00:52:13Why does he seem so familiar?

00:52:18Miss Tasha Roberts is my guest of honor tonight.

00:52:21I invited her personally.

00:52:23So if anybody treats her with the slightest bit of disrespect,

00:52:26they'll be asked to leave and never again invite her back to the Fitz Gallery.

00:52:30As the director of this esteemed organization,

00:52:33am I interested to know that your guest of honor is wearing a cheap replica

00:52:37of a priceless work heart?

00:52:41She is not to be trusted.

00:52:43I'm assuming you mean her diamond.

00:52:45What evidence do you have to prove that it's not real?

00:52:48Well, the real Heart of the Sun has the initials of the Craft Man engraved in the joint between the gemstone and the pendant.

00:52:55So Tasha, would you indulge us all and show us if what you're wearing is a genuine article or a cheap knockoff?

00:53:05This was just given to me by a friend. I never claimed it was the real Heart of the Sun.

00:53:11I don't want to embarrass him by having people pour over it for an infection.

00:53:17So it's a forgery.

00:53:19You were so happy to have everyone believe it was the real thing until I challenged you and called your bluff.

00:53:26Miss Roberts.

00:53:30You were so happy to have everyone believe it was the real thing until I challenged you and call your bluff.

00:53:35Miss Roberts. You have nothing to fear from this woman. Just show her the necklace.

00:53:41And I'll personally see to it that there are no despairing comments about its craftsmanship or quality.

00:53:46And the question has to be asked whether it is the true Heart of the Sun.

00:53:49folly mo traversers who are not afraid of the Heart of the Sun.

00:53:59See, just like-

00:54:02How is this possible?

00:54:09I do say, this engraving looks entirely authentic to me.

00:54:12This is indeed the one and only heart of the sun!

00:54:17Well that settles us in. This necklace is authentic.

00:54:20From now on, no one will be permitted to question or harass my guest of honor.

00:54:25Now if everyone is satisfied, can we please get back to tonight's festivities?

00:54:39Ken, you have a lot of explaining to do.

00:54:42Okay, what's wrong?

00:54:44I can't accept this necklace. And I can't give you what you want.

00:54:50Do you even know what I want?

00:54:52I don't want to know. We can just be friends, nothing more.

00:54:57Tasha, you're just afraid. You're just afraid of going after what your heart truly desires.

00:55:03And I just think you're afraid of just being true to yourself.

00:55:08You're the last person that should be lecturing anybody on the truth.

00:55:14Who are you? What do you do? Is this even your house?

00:55:18I mean...

00:55:20How do you own a necklace that's 200 million dollars?

00:55:26I just...

00:55:27See, you...

00:55:28You don't even respect me enough to tell me the truth.

00:55:32What, you...

00:55:33You expect me to jump into a relationship with you?

00:55:37You could be a total stranger.

00:55:39I have no idea who you are.

00:55:43Tasha, I want to tell you. I do. But...

00:55:47I just can't right now.

00:55:49Alright?

00:55:50Like maybe in the future when we can...

00:55:51No, Ken, there is no future for us.

00:55:54Not if you can't tell me one thing about yourself that isn't a lie.

00:55:58When you find someone that you really love and trust, you let them in.

00:56:11But that person won't be me.

00:56:13Are you okay?

00:56:28Director Fitz, I had a wonderful time at the gala.

00:56:35Thank you for supporting me and standing up for me.

00:56:39I wasn't bothered by the way the other guests treated me.

00:56:44I've endured far worse.

00:56:49Lovely.

00:56:50I'm glad to hear it.

00:56:51I would like to exclusively showcase your work at the Fitz Gallery for the foreseeable future.

00:56:57Think of it as a sort of artist residency.

00:57:00Would you be interested in such an opportunity?

00:57:10This dress is every bit as exquisite as I expected it to be.

00:57:16Thank you, my dear.

00:57:17You're very welcome.

00:57:19Have you given any more thought to my proposal?

00:57:23If you wish to start a clothing brand, I would be more than happy to invest whatever you require to get started.

00:57:30It's a very gracious offer, but I just, I have to ask.

00:57:34I mean, there are so many other talented designers.

00:57:37Why do you have such faith in my ability?

00:57:40It's not just me, you know.

00:57:42The curator of the Fitz Gallery has never been seen in public before the gala last night.

00:57:48And everyone in attendance was certain that the only reason he chose to make an appearance was because of you.

00:57:56His guest of honor.

00:58:00That was his first appearance ever?

00:58:02Indeed.

00:58:03His very first and only time to appear in the flesh.

00:58:07Before this, he was a figure of myth and mystery.

00:58:11Many people doubted he existed at all.

00:58:13But all because of you.

00:58:16He chose to grace us with his presence last night.

00:58:20Seems like a marvelous young man, don't you think?

00:58:23He certainly had a charm about him.

00:58:26Oh, undoubtedly.

00:58:28You know, many people flock to the Fitz Gallery for more than just the art.

00:58:33They want to learn all about the enigmatic young curator.

00:58:38Really? I mean, what's so interesting about him?

00:58:40Have you ever wondered how the Fitz Gallery has managed to surpass all of the established art collections to become the top venue for fine art in just two years?

00:58:53I mean, I heard rumors. Something about foul play, but I always just assumed they were baseless.

00:58:59Those rumors have quite a bit of truth to them.

00:59:03Seems like the Miller crime family is actually behind the Fitz Foundation.

00:59:09The one and the same Miller crime family that monopolizes all the underground trade in all of North America.

00:59:18He seems like such a gentleman. I just, I find it hard to believe that he ever was involved in something so sordid.

00:59:24You must never judge a Brooklyn's cover, my dear girl.

00:59:29Even people close to us may be harboring many secrets.

00:59:34We never really know what's going on inside.

00:59:37You got that right. I learned that lesson the hard way.

00:59:41Let me be frank.

00:59:42I have tremendous faith in you.

00:59:47I know, but I need to see her.

00:59:50All my friends call me Laura.

00:59:54Let's go get a check.

00:59:56For five million dollars.

00:59:58She'd help you get your clothing brand started.

01:00:01Shall we become business partners in addition to being friends?

01:00:05Director Fitz, I'd like to work with you.

01:00:24It would be my honor, Miss Doctor Roberts.

01:00:26My mother.

01:00:29Fly away with me.

01:00:32Take you high.

01:00:35Soaring.

01:00:38Smile.

01:00:40My only dream.

01:00:44Steering out into the sea.

01:00:48Waves come crashing up to me.

01:00:51To me, my toes slip into the sand, dream that I'm with you. Staring out into the sea, waves come crashing up to me, my toes slip into the sand, dream that I'm with you.

01:01:21Congratulations, Miss Roberts. We expect a huge success from your art exhibition.

01:01:33Thank you. Thank you.

01:01:35You're looking at her. You're obsessed with her.

01:01:51Didn't she humiliate me enough the other night at the gala?

01:01:55Now I have to watch my husband stare at her picture.

01:01:59Well, maybe if you didn't give her the opportunity to humiliate you.

01:02:03So it's my fault now?

01:02:05Oh wait, let me guess. Maybe it's my fault too when the two of you broke up.

01:02:08Okay.

01:02:11Raina, I've been thinking. I don't think this is working. I want a divorce.

01:02:17You used me to push Tasha out of your company, take her property, and now you cast me aside like what, a huge piece of garbage?

01:02:29I won't allow this. Mark my words, Carl Crow. You will regret this.

01:02:37I'm spending too much time around Ken. He's dominating all my thoughts. I have to distance myself from him. For my own sanity.

01:02:59As if nothing can do to get you to stay.

01:03:13I'm sorry. But no.

01:03:19You and I, our relationship, we'll just keep going in circles.

01:03:27But thank you for everything you've done for me.

01:03:31I have a little bit of money now, so you should be able to pay off your loan soon.

01:03:37And mommy talks, an awkward silence waiting nights. Walking through the garden running with your hand in mine.

01:03:55And some...

01:04:03AHHHHHHHH!

01:04:09This is what happens when you steal from the millers!

01:04:11Please, let me go.

01:04:13I promise you'll never see me again.

01:04:24What do you got here?

01:04:28Boss!

01:04:30I found this one peeking around the corner.

01:04:32Not sure how long this little bitch has been watching,

01:04:34but I'm pretty sure she tried to call a cop.

01:04:36Don't worry boss, I got a knife with her name on it.

01:04:43We can dump her body with the other guys.

01:04:50No, let her go.

01:04:52What? Didn't you hear what I said? She's seen everything.

01:04:55Let her go before I rip off your fucking arms and throw them in the river.

01:05:06Walk away. This doesn't mean anything to you.

01:05:10Is this what you couldn't tell me about?

01:05:13Boss, you know this woman?

01:05:17They're gonna kill him.

01:05:19Call the police then. See if they can save his life.

01:05:21No! Don't call the police, you stupid bitch!

01:05:27My world is more cruel than you can possibly imagine.

01:05:30Since you didn't want to get involved, just walk away.

01:05:36Hey babe. What do you want for breakfast?

01:05:37What do you want for breakfast?

01:05:55Hey babe. What do you want for breakfast?

01:06:06My world is more cruel than you can possibly imagine.

01:06:23Since you didn't want to get involved, just walk away.

01:06:27I never imagined that Ken could be such a dangerous and violent man.

01:06:31There must be something or someone forcing him to do all of this.

01:06:37Even people close to us may be harboring many secrets.

01:06:41We never really know what's going on inside.

01:06:45Forget it. This has nothing to do with me.

01:06:48I decided to leave Ken, so I have to do my best not to look back.

01:06:51Tasha, let's talk.

01:06:54Tasha, let's talk.

01:06:58Your, uh, pro-magnon boyfriend.

01:07:01Is he not joining us?

01:07:03Tell of her.

01:07:04I'm not with him anymore.

01:07:05Where's Reyna?

01:07:06Where's Reyna?

01:07:08Reyna was a mistake.

01:07:10That's all over too.

01:07:12Tasha, um, I want you back.

01:07:15I want you back.

01:07:17Oh, man.

01:07:18You're right.

01:07:19Oh, dude.

01:07:20You're right.

01:07:22You're right.

01:07:24I'm not with you.

01:07:26You're right.

01:07:28I'm right.

01:07:30I'm right.

01:07:31You're right.

01:07:32I'm right.

01:07:33I want you back.

01:07:36I can't stop thinking about us.

01:07:39You were right.

01:07:40You belong in my life.

01:07:43So if you just sign those documents,

01:07:47then you can come back to me.

01:07:49Come back to the house.

01:07:51We can carry on like none of this ever happened.

01:07:54I can give you your old job back.

01:07:56That'll be fun, working together again.

01:07:58And then all that debt you owe me will be wiped clean.

01:08:01You, uh, need a pet.

01:08:03You think I'd get back with you

01:08:09after everything you put me through?

01:08:15Here is

01:08:16a hundred million dollars.

01:08:20I'll pay the rest on time

01:08:21and

01:08:22for your agreement

01:08:24take these documents

01:08:30and

01:08:31shoving right up your ass.

01:08:36You disgust me, Carl.

01:08:37You should think about Anna.

01:08:40Do you really want her growing up without a mother?

01:08:43With all her health problems,

01:08:44she could really use your support.

01:08:45Don't you dare talk about Anna.

01:08:48She'll be with me soon.

01:08:49Then I'll never let her out of my sight again.

01:08:52She needs her mother and her father.

01:08:53Not a father.

01:08:54Like you, she doesn't.

01:08:56She'd be better off with no father at all.

01:08:58I'm sorry, am I interrupting?

01:09:11Are you, are you texting a new boyfriend already?

01:09:14Can it wait?

01:09:16I'm not done talking here.

01:09:18Pathetic, Carl.

01:09:21Hey, Tasha.

01:09:22Ta-

01:09:23Tasha.

01:09:27Hey, Tasha.

01:09:29Tasha, come back.

01:09:31Where are you going?

01:09:32This place is disgusting.

01:09:34Come on, Tasha.

01:09:36Don't you remember the happy times?

01:09:37Come on, we can have that again.

01:09:39Think of Anna.

01:09:40Think of me, please.

01:09:41I love-

01:09:42Who?

01:09:43Who?

01:09:44Sorry, folks.

01:10:05The end of the line for you.

01:10:08No hard feeling.

01:10:09But, we gotta do what the people who pay us tell us to do.

01:10:15Who's paying you?

01:10:17I'll give you a hint.

01:10:19A very beautiful woman paid us a small fortune to make sure you two...

01:10:24To make sure you two don't make it.

01:10:28Raina.

01:10:28That fucking bitch.

01:10:30Do you know who I am?

01:10:33I'm Carl Crow.

01:10:34The CEO of the Crow Group.

01:10:37Whatever she's paying you, I'll pay double.

01:10:39Okay?

01:10:39Yeah, yeah.

01:10:40Yeah, give me double.

01:10:41I guess you haven't heard the news, buddy.

01:10:44See, I don't think you have the news to outbid your pretty little friend.

01:10:51Oh, backstabbing slut!

01:10:55Please, pick up the phone.

01:10:57You trying to phone a friend?

01:10:59That's a big no-no, sweetheart.

01:11:01That's breaking the rules.

01:11:05Sweetie.

01:11:06Don't waste a little time you have left trying to call for help.

01:11:11It won't do you any good.

01:11:13No one...

01:11:14They're gonna help you now.

01:11:17Three hours, where's Tasha?

01:11:24Hey, Nell.

01:11:25Hey, listen, I need you to do me a favor.

01:11:28Yeah, I need you to pull out the city surveillance system in the area

01:11:31and find all the footage.

01:11:34Yeah, no, something's wrong.

01:11:35What are you doing?

01:11:47We have to get out of here.

01:11:55Huh?

01:11:55I don't...

01:11:56You should just go.

01:12:03Save yourself.

01:12:04Leave me.

01:12:06It's what I deserve.

01:12:09I'm not gonna leave you.

01:12:12I'm not that type of person.

01:12:19Come on, let's go.

01:12:21Come down here.

01:12:24Wait until they come in.

01:12:31Hey, Tasha.

01:12:35I'm so sorry.

01:12:39Now's not the time for that.

01:12:40All in.

01:13:07Looks like we got ourselves a suicidal prick here, fellas.

01:13:11I can't think of any other reason why somebody would kick in a door

01:13:14that's got Vincent Santorelli on the other side of it.

01:13:19Oh, shit.

01:13:21Boss.

01:13:24I didn't realize it was you.

01:13:27These are guys?

01:13:30Where the fuck are they?

01:13:32You better find them.

01:13:33Quick!

01:13:40Now it's your turn.

01:13:50Oh my god!

01:14:08Oh my god!

01:14:10Now it's your turn.

01:14:12A pretty little thing like you, I was gonna make it painless.

01:14:14But I guess you didn't want that.

01:14:16All the same.

01:14:18Hey, who's this fucking monkey?

01:14:20Lower your fucking gun.

01:14:21Vinny, what the fuck is going on?

01:14:23You fucking down?

01:14:24Yo, lower your fucking gun!

01:14:26Are you...

01:14:28Are you Ken Miller?

01:14:30How can that be? What the fuck is going on?

01:14:32Ken Miller.

01:14:34The one and the same Miller crime family

01:14:38that monopolizes all the underground trade in all of North America.

01:14:45It's you.

01:14:48You know what you have to do.

01:14:53Boss.

01:14:54Please.

01:14:55He's my brother.

01:14:57Rules are rules.

01:15:01Rules are rules.

01:15:02I was pushing you away as can and growing closer to you as fits.

01:15:10I'm sorry Tasha, but there's just nothing I can do that will make you happy.

01:15:17And I just can't win over your heart.

01:15:19Is Ken Miller always this loving with the hostages he rescues?

01:15:20Or is it just special treatment reserved for his lovers?

01:15:22Is Ken Miller always this loving with the hostages he rescues?

01:15:24Or is it just special treatment reserved for his lovers?

01:15:25Tasha, I love you.

01:15:26My heart has belonged to you and only you.

01:15:27I love you.

01:15:28I love you.

01:15:29My heart has belonged to you and only you for the past 15 years.

01:15:30I love you.

01:15:31I love you.

01:15:32I love you.

01:15:33Fifteen years?

01:15:34You know what I didn't want to do.

01:15:35What I am, I love you.

01:15:36Right?

01:15:37I love you.

01:15:38Sorry.

01:15:39I just can't win over your heart.

01:15:40I love you.

01:15:41I love you.

01:15:42Can you?

01:15:43You can't win over your heart?

01:15:44I love you.

01:15:45I love you.

01:15:46I love you.

01:15:47You can't win over your heart.

01:15:48I love you.

01:15:49Tasha, I love you.

01:15:52My heart has belonged to you and only you for the past 15 years.

01:16:0115 years?

01:16:03No, we just met a few months ago.

01:16:07We met 15 years ago.

01:16:12You went to Marr Middle School.

01:16:15Yeah.

01:16:16And you saved my life there.

01:16:19Stand up, chicken, and hit us back.

01:16:29Isn't that what your dad does for a living?

01:16:31Beat people up?

01:16:33I'm not my dad.

01:16:35You and your father are both scum.

01:16:37Let's teach this little and thug a lesson.

01:16:39You idiot.

01:16:41Get up and show us what you got.

01:16:44Hey.

01:16:46Hey.

01:16:47Hey.

01:16:47Hey, hey, hey, hey.

01:16:48Stop.

01:16:49That's enough.

01:16:50None of your business, Robert.

01:16:51Get out of here, Robert.

01:16:53Hey, stop.

01:16:54Go home.

01:16:54I'll call your parents.

01:16:55Go.

01:16:55Oh, crap.

01:16:55Crap.

01:16:56Crap.

01:16:56Ever since I saw you that night in the cab with that necklace on, I just, I knew I found you.

01:17:15Look, this isn't just some feeling for me, okay?

01:17:22This is everything to me.

01:17:23Like, you are everything to me.

01:17:26No matter what happens between us, I will always care about you.

01:17:30And maybe one day we can make it work in a different way.

01:17:38I can't find what we're both looking for.

01:17:42I just need some time to process this.

01:17:54I can't find what we're both looking for.

01:17:55I can't find what we're both looking for.

01:17:56I can't find what we're both looking for.

01:17:57Okay.

01:17:58And after that, maybe we can pick up where we left off that first night you spent here?

01:18:08I can play your cards, right?

01:18:13Does everything look good to you, Myron?

01:18:27Yeah.

01:18:29Thanks for everything.

01:18:33That doesn't sound very convincing.

01:18:34Is there anything you want to change?

01:18:36No.

01:18:37No. I just, I never got around to asking why you wanted to start an art gallery in the first place.

01:18:43Honestly? Just to get to you.

01:18:46See, I thought if I owned the world's greatest art museum that one day you might find your way in here,

01:18:51and I don't know, that I might find you.

01:19:07I want to see what kind of woman this is that has ensnared my son.

01:19:32I thought she's worthy of joining the Miller family.

01:19:37As you wish, sir. I will make the arrangement.

01:19:44Honestly? Just to get to you.

01:19:47See, I thought if I owned the world's greatest art museum that one day you might find your way in here,

01:19:52and I don't know, that I might find you.

01:19:55Okay, okay. Just concentrate on painting. Don't think about him.

01:20:02Who are you?

01:20:19Miss Tasha Roberts?

01:20:22Mortimer Miller would like to speak with you privately at his home.

01:20:26Come here. Take a look.

01:20:35She's an heiress to the largest chain of luxury hotels in the Western Hemisphere.

01:20:41She's young, beautiful, well-educated.

01:20:46I think she'll make a fine wife for my son, Ken.

01:20:50With all due respect, sir, I believe that it's up to Ken to decide who he wants to spend the rest of his life with.

01:20:59Well, choose you. Not a chance.

01:21:05You're no match for my son.

01:21:08You're no match for me.

01:21:09You're no match for me.

01:21:13Now, you owe money to the Crow Group.

01:21:19I'm going to pay your debt.

01:21:21And in return you will agree to never see my son again.

01:21:33It's our decision whether we want to be together or not.

01:21:36Your son and I love each other.

01:21:38There's nothing in this world that can keep us apart.

01:21:43Tasha, you want us to be together?

01:21:47It's impossible.

01:21:49Father.

01:21:50I forbid it.

01:21:51Father, this is the love of my life.

01:21:53I can't lose her again.

01:21:55I'd rather leave the family business.

01:21:58Then leave if you wish.

01:22:00But she will never have my approval, ever.

01:22:03And she'll never be a part of the Miller family as long as I live.

01:22:06But you'll come running back.

01:22:09Without the Miller family power.

01:22:12Money.

01:22:14You'll accomplish nothing.

01:22:17You're making a big mistake.

01:22:20Choosing this.

01:22:22Old hand.

01:22:25Instead of family.

01:22:26Ken, where are you?

01:22:36Why aren't you back yet?

01:22:41Oh, you're still awake?

01:22:42Still awake?

01:22:59Who did this to you?

01:23:01Don't worry about me. I'm fine.

01:23:04Nothing out of the ordinary.

01:23:12I'm fine.

01:23:14I'm fine.

01:23:18Hey, babe.

01:23:19Yeah, no, I'm just right outside.

01:23:24You son of a bitch.

01:23:26You're making me cut my own brother's hand.

01:23:29Now you think you can betray the Miller family?

01:23:32Walk away scot-free?

01:23:34Not a fucking chance.

01:23:36This guy means nothing to the Miller family now.

01:23:40He's worthless.

01:23:42Helpless.

01:23:44He's absolutely nothing now.

01:23:46Let's make him feel the pain.

01:23:48My brother felt.

01:23:50Come on, boy.

01:23:51Stop.

01:23:53Stop hitting him.

01:24:15Stupid bitch!

01:24:16You stupid bitch.

01:24:20Stop! Help!

01:24:24Stop at once, you insolent fools!

01:24:54Son, you know how hard it is for me to admit that I made a mistake?

01:25:05But today the two of you have proved me wrong beyond a shadow of a doubt.

01:25:11Tasha, you are the perfect woman for my son.

01:25:18Go. Be together.

01:25:24You approve? You have my blessing.

01:25:29From this day onward, you have nothing more to do with the legal activities of the family.

01:25:37But, you'll always be a Miller.

01:25:43There's no shame.

01:25:47Get off me!

01:25:57Stop!

01:25:58You useless, impotent man-child!

01:26:02The crime group is bankrupt!

01:26:04That hurt!

01:26:05Getting involved with you is the worst decision I could have made in my life!

01:26:09Get off!

01:26:10This is all your fault!

01:26:11You spent every single thing that we had!

01:26:13Now we have nothing left!

01:26:14No company, no house, no money, not even a dime!

01:26:18And it's all because of you, you greedy cow!

01:26:33Don't you-don't-

01:26:34Hey, hey, hey, hey!

01:26:39The late Mrs. Miller was a beautiful woman, sir.

01:26:44Yes.

01:26:52Back then, my wife protected me from every danger that befell our family.

01:26:59And today, my son found the perfect woman that doesn't do the same for him.

01:27:06He's a lucky man.

01:27:12Wow, you look so beautiful.

01:27:23No, you can't be here right now.

01:27:26Babe, I don't want to rush you, but everybody's waiting to see you.

01:27:29Ken, can you promise me one thing?

01:27:33I can promise you two if you like.

01:27:35I'm serious.

01:27:37I want you to walk away from the family business.

01:27:44There's a city called Ostia.

01:27:47It's on the southwest side of Rome by the ocean.

01:27:50What?

01:27:51You know what I found over there?

01:27:54I found you an art teaching job.

01:27:56I had a public school.

01:27:58I would do a ticket maybe in the morning.

01:28:01You're sending me away?

01:28:03No.

01:28:04I opened my own restaurant.

01:28:06It's just down the street.

01:28:08Oh, and one more thing.

01:28:11I enrolled Anna at the school they're going to be teaching at.

01:28:14I think she's going to really live it over there.

01:28:17So you really are walking away?

01:28:21We really are walking away.

01:28:22Yeah.

01:28:28We got some songs.

01:28:51But I'm sorry.

01:28:52You just need to try and fall off of me.

01:28:59And I'm sorry.

01:29:02We are walking away from here.

01:29:04Yeah.

01:29:05No.

01:29:06No.

01:29:07No.

01:29:08No.

01:29:09No.

01:29:10No.

01:29:11No.

01:29:12No.

01:29:13No.

01:29:14No.

01:29:15No.

01:29:16No.

01:29:17No.

01:29:18No.

01:29:19No.

01:29:20No.

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