- 5 hours ago
Category
✨
PeopleTranscript
00:00:00Hey, what are you doing with my stuff? How'd you get in here?
00:00:11I gave him the keys.
00:00:12Carl? I mean, what are you doing here so late? And what's that guy doing with my stuff?
00:00:17Tasha, Tasha, Tasha. You're always asking the wrong questions.
00:00:23What the hell is going on?
00:00:26Do you really think you're that thick, Tasha?
00:00:29Your husband and I decided that you're no longer needed here anymore.
00:00:33Reyna's gonna take over your role at the company.
00:00:35She's already proven she can do everything you can, but better.
00:00:39I'll have a letter of termination and divorce paper sent over to your new address,
00:00:43wherever that ends up being.
00:00:45What should I do with this, boss?
00:00:47Give me that, you plebe. I know exactly what to do with it.
00:00:53Is that clear enough for you, Tasha?
00:00:55Tasha, your company and your husband both belong to me now.
00:00:59No, you can't just fire me. I'm a shareholder at this company.
00:01:07Are you still a shareholder at this company, are you?
00:01:11You know, actually, your debt is mortgaged with your shares, so you actually owe this company about 200 million.
00:01:17I never took out any loans that large.
00:01:19Oh, Tasha, you were always so gallible.
00:01:23A word of advice for the future?
00:01:25Don't give the keys to the kingdom to your assistant, no matter how trustworthy your feeble brain thinks they might be.
00:01:33Security! Security! We have a vagrant in the lobby and she might become hostile.
00:01:38Stop acting. I'll just leave on my own.
00:01:47Look, there's no glamour. There's no glory. It's just blood, guts, fear and misery.
00:01:55Come on, man. You think I'm some kind of moron that doesn't know anything?
00:01:59I know that the type of money you make in just a few days, I can't make that in 10 years working as a stick.
00:02:05But at least you're guaranteed to be alive in 10 years.
00:02:07In my world, you're not guaranteed to be alive in 10 days, let alone 10 minutes sometimes.
00:02:12Yo, yo, man. Stop lecturing me. Are you gonna give me the gun or not?
00:02:18I'm sorry, but no. I'm not gonna let you get killed.
00:02:22Man, what the fuck you got me here for then? Shit.
00:02:41Oh, I guess you didn't hear. The repo guy, he came and towed your car away.
00:02:48Ugh. Said it was, like, collateral for a loan.
00:02:53Of course, I made the call and arranged everything.
00:02:57My pleasure.
00:02:59You despicable trash.
00:03:02You know, I was gonna give you a ride, you know, seeming that we were married for so long.
00:03:07But walking the streets at night kinda suits you.
00:03:11So, enjoy.
00:03:14Go to hell.
00:03:18Go to hell.
00:03:20I don't know.
00:03:21I don't know.
00:03:22I don't know.
00:03:27I don't know.
00:03:44Miss?
00:03:47Miss just go away. All right, I don't need your cheap sympathy right now miss your friends gone. I
00:03:54Just want to offer my cab services
00:03:59Yeah, I'm I'm sorry I have a cab is just what I need right now all right great come on board
00:04:17I
00:04:28Sorry, I I don't have any cash right now. Um, give me a minute. I'll go grab some from inside here
00:04:36Just proof. I'm not trying to skip out on the fair
00:04:47You
00:04:49Have some nerve coming back here
00:04:51I never wanted my son to marry you in the first place and now that he's finally come to his senses and kicked you to the curb
00:04:58You think that you can just waltz right back into his house?
00:05:02his house
00:05:04My father left me this house
00:05:07And I know you're senile, but I'm sure you
00:05:11Remember when you practically begged me to let you and Carl live here. I
00:05:14I always knew you were a nasty little hussy
00:05:23Who the hell are you?
00:05:25This is a personal matter, so you should really mind your own business and stay outside. Actually
00:05:31This is my boyfriend
00:05:33So if it's a personal matter for me, it's a personal matter for him
00:05:39What you think your son's the only one capable of having secrets
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00:08:30I'm so glad you're here.
00:08:32Where did you get this necklace?
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00:08:36You better not be lying to me.
00:08:38I'm not lying.
00:08:40He made that with his own hands.
00:08:42It has my name on the back.
00:08:48It's really you?
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00:25:16Okay, well, if you don't love to paint anymore, then why bring an easel with you?
00:25:26I haven't painted in years.
00:25:29I'm sure it'll be just like riding a bike.
00:25:31Once you start, it'll all come back to you.
00:25:38That's my account.
00:25:40Why are they assigning it to someone else?
00:25:42Fine, fine.
00:25:43Just get me some damn answers and give me a call back soon, okay?
00:25:46Carl, this took me three months.
00:25:52I'm sorry, I just got some bad news at work.
00:25:55It's ruined now.
00:25:57Fine.
00:25:58Start over.
00:26:00You know, it kills me to see you squander your intelligence and talent on these useless paintings.
00:26:08You're a remarkable woman, Tasha.
00:26:10Okay, and if the charlatan snobs in the art world can't see that, then screw them, okay?
00:26:16If you put your focus elsewhere, we could be rich enough to buy ten art galleries.
00:26:22And then you could put whatever paintings you want in them, right?
00:26:26Painting's my passion.
00:26:27What if we put painting on the side, just for a little while, and you could come join me at the company?
00:26:37Because together, we'd be unstoppable.
00:26:42And right now, I am drowning.
00:26:45Your dad and his partners have no faith in these.
00:26:48I need you.
00:26:52Look.
00:26:56You love me, don't you?
00:27:01Of course I do.
00:27:02Okay, then just...
00:27:03Do this one thing for me.
00:27:06This one little thing.
00:27:08Please.
00:27:09Please.
00:27:39that is amazing
00:27:45thank you, I honestly never thought I'd paint again
00:27:50well that would have been a shame
00:27:51you're easily one of the most talented artists I've ever met
00:28:09we're honored that you chose our gallery to showcase your work
00:28:15I am curious about one thing
00:28:17if you don't mind me asking
00:28:18the subject in your paintings
00:28:21your muse
00:28:22is he your lover
00:28:23oh
00:28:24no
00:28:26he's just a friend of mine
00:28:30but his gaze
00:28:32the way he looks out to you in these paintings
00:28:35there's so much tenderness and affection in his eyes
00:28:39is Ken really in love with me?
00:28:46he's so young though
00:28:47at his age he probably doesn't even know what love is
00:28:50oh, sorry, you're in the way
00:28:54actually, you're in my way
00:28:57actually, you're in my way
00:29:01I'm trying to get into my home
00:29:03is this your new girlfriend?
00:29:06I've never seen you with anyone like this before
00:29:10Ken's my roommate
00:29:11now, if you'll please step aside so I can get in
00:29:14call me again if you need anything
00:29:20okay?
00:29:21bye!
00:29:22hey, what are you doing home so early?
00:29:27are they gonna showcase your work?
00:29:29sorry if I interrupted something
00:29:31but as your roommate
00:29:32I don't really think I need to tell you
00:29:34if I'm coming or going
00:29:35so if you have something private to do
00:29:36just do it in your room
00:29:37I never said you need to tell me
00:29:39when you're coming or going
00:29:40I'm just saying
00:29:40fine, you don't need to explain
00:29:42just
00:29:42I just want to be alone
00:29:44I'm so sorry, sir
00:29:56she just barged in without permission
00:29:57it's okay
00:29:58Ms. Roberts, please
00:30:01grab a seat
00:30:02we signed a contract
00:30:04why can't you show my paintings now?
00:30:07I'm afraid I don't have the answers
00:30:08you're looking for
00:30:09you want to know what happened?
00:30:10ask Karl Kroh
00:30:11I want my paintings back
00:30:16right now
00:30:17well
00:30:19they're probably somewhere in the warehouse
00:30:22if they haven't been thrown away yet
00:30:41you've already searched the entire warehouse ten times
00:30:50if you haven't found what you're looking for
00:30:52it's not here
00:30:52you better hope I find what I'm looking for
00:30:54or I'm going to make this entire gallery
00:30:56compensate me
00:30:57and then I'm going to sue you
00:30:59and you'll be the first to lose your job
00:31:01yeah, that's great lady
00:31:03go ahead and sue
00:31:03I'm sure things will go exactly the way you described it
00:31:06so
00:31:49You really care about her.
00:31:55Shh, keep your voice down.
00:31:57She's had a long day.
00:31:59Also, you can't just come over here so casually in the future.
00:32:02Casually?
00:32:04Are you kicking me out?
00:32:06You didn't mind my coming over so casually when you had me digging through your body for bullets.
00:32:11You men are cold as hell.
00:32:13I think my lucky star is on the lesbian.
00:32:15Look, I just can't have her finding out about the work that we do, okay?
00:32:17Are you serious about her?
00:32:21Yeah.
00:32:22Have you thought about the consequences if your dad finds out?
00:32:27Look, no.
00:32:28You and I have been best friends for over 20 years, okay?
00:32:32And my dad has taught me everything that I know.
00:32:35I think maybe it's time I just figure things out on my own.
00:32:38And you know exactly what I went through last time.
00:32:41I'm not going to lose her again.
00:32:48Don't worry, Anna.
00:32:49Mommy's going to find a way to bring you home soon.
00:32:59All the evidence is here.
00:33:00It's exactly what you thought.
00:33:01Let me know if you want me to find out more.
00:33:19Carl.
00:33:19Let's meet.
00:33:21Oh, wow.
00:33:31It's not every day a famous painter comes to visit.
00:33:36To what do I owe the pleasure?
00:33:38The company I supposedly borrowed money from.
00:33:43It's a shell company owned by you.
00:33:46So what?
00:33:49All our operations are legal.
00:33:50You signed the documents.
00:33:52You borrowed the money.
00:33:54All you can do now
00:33:55is pay it back.
00:33:59You know,
00:34:00I don't think you actually want me to pay back the loans.
00:34:05You were just
00:34:06looking for an excuse
00:34:08to have me back in your life.
00:34:11You're obsessed with me.
00:34:12This is just your sick way
00:34:15to dominate me
00:34:16and make me surrender to you.
00:34:17I'm just getting even.
00:34:19For the years I spent
00:34:21in your father's shadow.
00:34:23The years of belittlement
00:34:24and him treating me like a clown.
00:34:26My father hired you
00:34:28when no one else would.
00:34:32Not my fault
00:34:33that your insecure, petty
00:34:35took his support as belittling.
00:34:38I wouldn't upset me
00:34:41if I were you.
00:34:43Remember, I'm your creditor now.
00:34:46Two months.
00:34:48That's all I can give you
00:34:49to pay me back the remainder.
00:34:50A hundred and eighty million.
00:35:01What are you doing here?
00:35:03I was just in the neighborhood.
00:35:05Thought I'd give you a ride home.
00:35:06Hey, who is this?
00:35:17This is Ken's roommate.
00:35:19We're going to be
00:35:20dropping them off
00:35:20before we head home.
00:35:23Yeah, hey, listen.
00:35:24I didn't introduce you last time,
00:35:25but this is my best friend,
00:35:26Nell and her girlfriend, Maria.
00:35:32Nell and I have been
00:35:33nothing more than friends
00:35:34since we were kids.
00:35:36She's not into men,
00:35:37and she never has been,
00:35:39and her and I are nothing more
00:35:40than just platonic friends.
00:35:42All right?
00:35:44I'm sorry.
00:35:45I jumped to conclusions
00:35:46the other day.
00:35:47It's okay.
00:35:49I just didn't want you
00:35:49to get the wrong idea.
00:35:54Look, I...
00:35:55I appreciate it.
00:35:57I really do.
00:35:58I just...
00:35:59I still think you and I
00:36:01are better off
00:36:03just as friends.
00:36:05Just...
00:36:06Why?
00:36:12Why?
00:36:15Maybe because I'm
00:36:17just getting over
00:36:18a failed marriage?
00:36:19because I owe
00:36:22an unthinkable amount
00:36:23of money
00:36:23and I have no idea
00:36:25how I'm going to pay it back.
00:36:27I also have no idea
00:36:29how I'm going to get
00:36:29my daughter back.
00:36:32And getting into
00:36:34a relationship with you,
00:36:35that's just something
00:36:35I can't do right now.
00:36:38Love has brought me
00:36:39nothing but pain, okay?
00:36:40So just, please,
00:36:41just leave it.
00:36:42Do you have any
00:37:05other paintings?
00:37:12Yeah, I have several.
00:37:15What are you looking for?
00:37:18I would like to buy
00:37:19them all.
00:37:20I love your painting
00:37:21style.
00:37:22It is so unique.
00:37:23I own a large gallery
00:37:24and I would like to
00:37:25establish a long-term
00:37:26collaboration with you.
00:37:29Thank you for your
00:37:30kind words about my
00:37:31paintings, but...
00:37:33I've been in some
00:37:34trouble lately and it's
00:37:35probably best if I don't
00:37:37involve your gallery.
00:37:38None of this matters to me.
00:37:44If someone wishes to
00:37:45cause me trouble, well,
00:37:47just let me try.
00:37:54I mean, it has to be a
00:37:57mistake.
00:37:59Or a prank, or a cruel
00:38:02practical joke.
00:38:04I mean, it seems pretty
00:38:05authentic to me.
00:38:06It has their seal and
00:38:07your name and address
00:38:09are, like, clearly
00:38:10written on it, so...
00:38:13It looks authentic.
00:38:17But how would they
00:38:18have seen my paintings?
00:38:21I don't know, maybe
00:38:21one of those auction
00:38:22sites that you've been
00:38:23posting your work on?
00:38:24I mean, you're
00:38:25incredibly talented, so
00:38:26anybody who's seen
00:38:27your work would
00:38:28automatically recognize
00:38:29it.
00:38:35I own a large
00:38:36gallery and I would
00:38:37love to establish a
00:38:38long-term collaboration.
00:38:40It's him.
00:38:42It's him.
00:38:43The guy who's been
00:38:44on my paintings.
00:38:45He must be the owner
00:38:46of the Fitz Gallery.
00:38:47Well, in that case,
00:38:48we better get going.
00:38:49Where?
00:38:51I've got to go get you a
00:38:51dress.
00:38:53I can't have you showing
00:38:53up to the Fitz Gallery
00:38:54in rags.
00:38:54Babe, which one do you
00:39:01like more?
00:39:02This one or this one?
00:39:05I need to be the
00:39:06hottest girl at the
00:39:07Fitz Gala.
00:39:09Everything just looks so
00:39:12good on you, honey, so
00:39:13just pick whichever one
00:39:15you want.
00:39:16I've got to take a call,
00:39:17okay?
00:39:18Wrap this up, you twitch.
00:39:19I'll take them both.
00:39:28Wow.
00:39:29I used to buy dresses
00:39:30like this all the time
00:39:31without even thinking
00:39:32about the money, but
00:39:33I can't afford something
00:39:35like this now.
00:39:38You know what?
00:39:40Consider it a
00:39:40congratulatory gift for me.
00:39:42Alright?
00:39:43And when you make it big
00:39:44in the art world,
00:39:45you can just hand me back.
00:39:46Oh, hi.
00:39:49Excuse me.
00:39:50Yeah, my friend would
00:39:51like to try on this dress.
00:39:52Oh, your friend has
00:39:53amazing taste.
00:39:54This dress is actually a
00:39:55limited edition, each one
00:39:57handcrafted by hand and
00:39:58therefore entirely unique.
00:40:00Truly a work of art.
00:40:01Well, how fitting that's
00:40:02going to be worn by a very
00:40:03talented artist.
00:40:04I'll have someone on the
00:40:05team bring it out to you.
00:40:08Veronica, please bring
00:40:09the limited edition.
00:40:14What limited edition?
00:40:16Tasha?
00:40:18Do you really think
00:40:20you can afford
00:40:20this dress?
00:40:24You can afford
00:40:25this dress?
00:40:28Please.
00:40:30Reyna,
00:40:31I don't think you need
00:40:31to worry about
00:40:32Tasha's finances,
00:40:33okay?
00:40:34We established that
00:40:34last time.
00:40:37Hey, you.
00:40:38Get over here.
00:40:40I'm going to pay
00:40:41twice what it's worth,
00:40:42but I want this dress.
00:40:44Ma'am, this dress
00:40:44is $4,000.
00:40:45Did I ask you how much
00:40:46it cost, you
00:40:47pluritarian scum?
00:40:49Just shut your mouth
00:40:49and add it to my bill.
00:40:51She's willing to pay
00:40:52double.
00:40:53I'll double her offer
00:40:54and I'll pay $16,000.
00:40:56Okay, sir.
00:40:57Sold.
00:40:58$32,000.
00:40:58You know what?
00:41:02She wants to dress so bad,
00:41:03let her have it.
00:41:05You can put all the jewels
00:41:06you want on a pigeon,
00:41:07but it'll never be a peacock.
00:41:08I'll show you who's a pigeon,
00:41:10you little bitch.
00:41:11How dare you assault me?
00:41:13Tasha,
00:41:14are you okay?
00:41:15What is going on here?
00:41:19What's going on
00:41:19is that your crazy bitch
00:41:20wife pushed Tasha
00:41:21to the ground.
00:41:23I swear to God,
00:41:24they're all lying.
00:41:25I never touched her.
00:41:26I saw everything.
00:41:27This gentleman
00:41:28and his girlfriend
00:41:28were very nice
00:41:29and politely inquired
00:41:30about a dress
00:41:31and suddenly your wife
00:41:32appears and attacks her
00:41:33for no reason.
00:41:34Shut your mouth,
00:41:35you little lying asshole.
00:41:37You know what?
00:41:37Why don't you just call security
00:41:38before this crazy maniac
00:41:39hits somebody else?
00:41:40Wait a second right now.
00:41:41What actually happened here?
00:41:42What's going on?
00:41:43Why don't you believe me?
00:41:44Don't you?
00:41:46Do I just call 911?
00:41:48Are you blind?
00:41:49Oh, Tasha,
00:41:50can you stop this bullshit?
00:41:51You know what,
00:41:51Raina,
00:41:51can you just stay away?
00:41:53Can I get someone down here?
00:41:54Room A, 122?
00:41:55No, no,
00:41:56that's not necessary.
00:41:57We are leaving right now.
00:41:58Let's go.
00:41:59Bro, but...
00:41:59Okay,
00:42:00you've embarrassed us both
00:42:01enough for one day,
00:42:02okay?
00:42:03Let's go!
00:42:03Wherever Raina goes,
00:42:13trouble's sure to follow.
00:42:16It is nice to see
00:42:17a better taste
00:42:17of her own medicine, though.
00:42:19Yeah.
00:42:20It's a shame, though.
00:42:21You would have looked
00:42:21really great in that dress.
00:42:26Don't worry about that.
00:42:27I have a solution.
00:42:28I don't know.
00:42:28I don't know.
00:42:33What are you going to do
00:42:37with all this stuff?
00:42:39I'm going to design
00:42:40my own dress
00:42:40and wear it to the gala.
00:42:42Are you sure
00:42:42there's enough time?
00:42:43Have some faith in me.
00:42:45I graduated with honors
00:42:46in design and fine art.
00:42:49I got this.
00:42:51All right.
00:43:03How do I look?
00:43:14How do I look?
00:43:21What?
00:43:22Is...
00:43:22Is something wrong?
00:43:24Is it...
00:43:25Is it too much?
00:43:26Should I change something?
00:43:27No.
00:43:28No.
00:43:29You look...
00:43:31That dress, like...
00:43:33That is one of the most
00:43:35beautiful dresses
00:43:35I've ever seen.
00:43:39But there's something missing.
00:43:43Should I...
00:43:44Resill the beads?
00:43:46No.
00:43:48I have a gift for you.
00:43:50Something to...
00:43:51Complete the whole look.
00:43:58Just try harder, you idiot!
00:44:00Mrs. Crowe,
00:44:01I am doing everything I can.
00:44:03I...
00:44:04I...
00:44:04I don't know what more I can do.
00:44:06You're calling me fat?
00:44:07Of course not.
00:44:09You're not fat at all.
00:44:11It's the dress.
00:44:12It's not made for a woman's body.
00:44:15Just shut up and do it!
00:44:17Babe.
00:44:19Just put on another dress.
00:44:20You're going to be late.
00:44:22I spent so much money on this dress.
00:44:25I am wearing
00:44:26this dress!
00:44:45I can't.
00:44:46It's...
00:44:47It's too much.
00:44:49No.
00:44:51It was made for you.
00:44:52I can't wait to see what you've brought to the auction.
00:45:04Can we have a little hint?
00:45:05Well, actually, I brought some of my very own paintings to auction tonight.
00:45:14What's wrong?
00:45:16It's just Tasha Roberts, my husband's dreadful ex-wife.
00:45:22I'm tired of seeing her sorry face everywhere.
00:45:25You know, she's also a horrible person.
00:45:30If it isn't everyone's favorite white-collar criminal turned homeless vagrant, Tasha Roberts.
00:45:38So, the other day, when you were trying to buy this dress,
00:45:42with that, um, working-class thug boyfriend of yours,
00:45:45you were trying to come here?
00:45:47Are you sure you were even invited?
00:45:49I'm sorry, are you working with the security details?
00:45:56Do I need to show you my invitation?
00:45:58Honey, I'm just trying to look out for you, okay?
00:46:01I want to spare you the embarrassment of being kicked out
00:46:04when everybody finds out that you are not invited.
00:46:08You mean, like, how you were kicked out of the mall?
00:46:10I see.
00:46:11You still quite don't understand your place in the world.
00:46:14You think you're fucking Cinderella or something,
00:46:18and life is a fairy tale.
00:46:20But don't worry.
00:46:22I'll help you figure it all out.
00:46:26What's wrong with you?
00:46:27You can't just see people are walking through.
00:46:30Rina, this time you've gone too far!
00:46:32Stop shouting, you dreadful oaf.
00:46:34These were supposed to be auctioned tonight.
00:46:35Well, if it is of any consolation,
00:46:38I don't think the wine has reduced their value of very much at all.
00:46:42Now you can go and cry to your fairy gut mother.
00:46:46Oh, I think the auction's starting.
00:46:52Well, I'll see you there.
00:46:54Toodles!
00:46:54For our first auction item,
00:47:03I'd like to welcome Ms. Rina Crow to the stage
00:47:06with her collection of original paintings.
00:47:09As you can see, Ms. Rina Crow's style is very unconventional.
00:47:30Certainly these works defy easy categorization,
00:47:33and yet there are touches of whimsy
00:47:36and an almost playful quality about them,
00:47:39as depicted here through the bold use of a duck
00:47:42as a central figure.
00:47:43It's a dog.
00:47:45What?
00:47:46It's a dog, not a duck, you buffoon.
00:47:48Oh, yes, of course.
00:47:49It's a dog, seen through a very unique prism,
00:47:55portrayed as only an artist of Rina's caliber
00:47:58could possibly portray it.
00:48:00Now that we have familiarized ourselves
00:48:02with the art and the artist,
00:48:04let's start the bidding.
00:48:05The starting price will be $50,000.
00:48:08Do I hear $50,000?
00:48:10Anyone?
00:48:11$50,000 going once, $50,000 going twice.
00:48:24Sold!
00:48:25Sold for $50,000.
00:48:32And now we'll invite our second artist for the evening,
00:48:35Ms. Tasha Roberts,
00:48:36who will also be presenting a series of paintings.
00:48:41Ms. Tasha Roberts, where are your paintings?
00:48:50I don't have my paintings tonight,
00:48:53but I will be auctioning off this dress.
00:49:09Wow!
00:49:10It's beautiful!
00:49:14Stupendous!
00:49:14I've never seen a dress so beautiful!
00:49:20Oh, stupendous!
00:49:22I've never seen a dress so beautiful!
00:49:24A stunning work of art, indeed.
00:49:27There's no need for me to say another word
00:49:28about this masterpiece.
00:49:29Everyone in the audience can clearly see
00:49:31the extraordinary talent
00:49:33and extraordinary artistry.
00:49:35Let's start the bidding at $50,000.
00:49:37$55,000!
00:49:38$75,000!
00:49:40$90,000!
00:49:41$100,000!
00:49:42$150,000!
00:49:45$250,000!
00:49:47$250,000!
00:49:47$250,000 going once,
00:49:52$250,000 going twice!
00:49:54Is that the heart of sun necklace
00:50:07that sold for $200 million a few months ago
00:50:10in a big deal?
00:50:12Impossible.
00:50:13How can that lowly peasant possibly afford it?
00:50:16It must be a fake.
00:50:17Thank you so much for your bid, Ms. Winslow.
00:50:23I'm going to design a few custom pieces in your size
00:50:26and design them to your elegance and style.
00:50:29Have you ever considered creating your own clothing brand?
00:50:34Your creations are so extraordinary.
00:50:38You should really share your talent with the rest of the world.
00:50:42I never considered it, but I certainly will now.
00:50:46Hi.
00:50:47I'd be careful if I were you.
00:50:49I personally wouldn't put any faith into someone
00:50:51that wears cheap replicas of famous pieces of jewelry.
00:50:56What are you talking about right now?
00:50:58This woman is a phony and a con artist.
00:51:01For as long as I worked with her,
00:51:03she's done nothing but defraud and cheat
00:51:05the people she's done business with.
00:51:06And let me make it clear.
00:51:08For everybody that wants to do business with this woman,
00:51:12they won't be allowed to do business with the Crow Group.
00:51:16Is that so?
00:51:20Well, let it be known that if anybody refuses
00:51:22to work with Ms. Tasha Roberts
00:51:24because of the baseless rumors and lies
00:51:26being spread by Ms. Raina Crow,
00:51:28you will no longer be welcomed back to the Fitz Gallery.
00:51:32That's the curator of the Fitz Gallery.
00:51:33Not just the curator,
00:51:37he's also the director of the Fitz Foundation.
00:51:42The curator?
00:51:43Is he the man who bought my paintings?
00:51:46Why does he seem so familiar?
00:51:51Ms. Tasha Roberts is my guest of honor tonight.
00:51:53I invited her personally.
00:51:55So if anybody treats her with the slightest bit of disrespect,
00:51:59they'll be asked to leave
00:51:59and never again invite her back to the Fitz Gallery.
00:52:01As the director of this esteemed organization,
00:52:05am I interested to know that your guest of honor
00:52:08is wearing a cheap replica of a priceless work of art.
00:52:13She is not to be trusted.
00:52:16I'm assuming you mean her diamonds.
00:52:18What evidence do you have to prove that it's not real?
00:52:21Well, the real Heart of the Sun
00:52:23has the initials of the Craft Man
00:52:24engraved in the joint between the gemstone and the pendant.
00:52:28So Tasha, would you indulge us all
00:52:30and show us if what you're wearing is a genuine article
00:52:34or a cheap knockoff?
00:52:37This was just given to me by a friend.
00:52:40I never claimed it was the real Heart of the Sun.
00:52:43I don't want to embarrass him
00:52:45by having people pour over it for imperfections.
00:52:49So it's a forgery.
00:52:51You were so happy to have everyone believe
00:52:53it was the real thing until I challenged you
00:52:55and called your bluff.
00:52:58Ms. Roberts.
00:53:02You were so happy to have everyone believe
00:53:04it was the real thing until I challenged you
00:53:06and called your bluff.
00:53:08Ms. Roberts,
00:53:09you have nothing to fear from this woman.
00:53:11Just show her the necklace.
00:53:13And I'll personally see to it
00:53:14that there are no despairing comments
00:53:15about its craftsmanship or quality.
00:53:17And the question has to be asked
00:53:20whether it is the true Heart of the Sun.
00:53:29See, just like...
00:53:31What?
00:53:34How is this possible?
00:53:35I do say
00:53:40this engraving looks entirely authentic to me.
00:53:45This is indeed
00:53:46the one and only Heart of the Sun.
00:53:48Well, that settles it then.
00:53:49This necklace is authentic.
00:53:51From now on,
00:53:52no one will be permitted to question
00:53:54or harass my guest of honor.
00:53:56Now, if everyone is satisfied,
00:53:58can we please get back to tonight's festivities?
00:53:59Cheers.
00:54:05Ken, you have a lot of explaining to do.
00:54:14Okay, what's wrong?
00:54:16I can't accept this necklace.
00:54:18And I can't give you what you want.
00:54:21Do you even know what I want?
00:54:23I don't want to know.
00:54:26We can just be friends, nothing more.
00:54:29Tasha, you're just afraid.
00:54:31You're just afraid of going after
00:54:32what your heart truly desires.
00:54:33And I just think you're afraid
00:54:36of just being true to yourself.
00:54:39You're the last person
00:54:40that should be lecturing anybody on the truth.
00:54:44Who are you?
00:54:46What do you do?
00:54:47Is this even your house?
00:54:49I mean...
00:54:50How do you own a necklace
00:54:52that's 200 million dollars?
00:54:57I just...
00:54:57See, you...
00:54:59You don't even respect me enough
00:55:01to tell me the truth.
00:55:02You expect me to jump into a relationship with you?
00:55:08You could be a total stranger.
00:55:11I have no idea who you are.
00:55:14Tasha, I want to tell you.
00:55:15I do.
00:55:16But...
00:55:17I just can't right now.
00:55:20Alright?
00:55:20Like, maybe in the future
00:55:22when we can sit down and...
00:55:22No, Ken, there is no future for us.
00:55:25Not if you can't tell me one thing about yourself
00:55:28that isn't a lie.
00:55:30When you find someone
00:55:31that you really love and trust...
00:55:34You let them in.
00:55:41But that person won't be me.
00:55:43Are you okay?
00:56:02Director Fitz,
00:56:03I had a wonderful time at the gala.
00:56:06Thank you for supporting me
00:56:08and standing up for me.
00:56:09I wasn't bothered by the way
00:56:11the other guests treated me.
00:56:14I've endured far worse.
00:56:19Lovely.
00:56:20I'm glad to hear it.
00:56:22I would like to exclusively
00:56:23showcase your work
00:56:24at the Fitz Gallery
00:56:25for the foreseeable future.
00:56:27Think of it as a sort of artist residency.
00:56:30Would you be interested
00:56:31in such an opportunity?
00:56:32This dress is every bit
00:56:42as exquisite
00:56:43as I expected it to be.
00:56:45Thank you, my dear.
00:56:47You're very welcome.
00:56:48Have you given any more thought
00:56:50to my proposal?
00:56:52If you wish to start
00:56:53a clothing brand,
00:56:55I would be more than happy
00:56:56to invest
00:56:57whatever you require
00:56:59to get started.
00:57:00It's a very gracious offer,
00:57:01but I just,
00:57:03I have to ask.
00:57:04I mean,
00:57:04there are so many other
00:57:05talented designers.
00:57:07Why do you have such faith
00:57:08in my abilities?
00:57:09It's not just me,
00:57:10you know.
00:57:11The curator
00:57:12of the Fitz Gallery
00:57:14has never been seen
00:57:15in public
00:57:16before the gala last night.
00:57:18And everyone in attendance
00:57:20was certain
00:57:20that the only reason
00:57:22he chose to make an appearance
00:57:23was because of you,
00:57:25his guest of honor.
00:57:26That was his first appearance ever?
00:57:31Indeed.
00:57:32His very first
00:57:33and only time
00:57:34to appear in the flesh.
00:57:36Before this,
00:57:36he was a figure
00:57:37of myth
00:57:38and mystery.
00:57:40Many people doubted
00:57:41he existed at all.
00:57:43But all because of you,
00:57:45he chose to grace us
00:57:46with his presence
00:57:48last night.
00:57:49Seems like a marvelous
00:57:50young man,
00:57:51don't you think?
00:57:52He certainly had a charm
00:57:54about him.
00:57:55Oh, undoubtedly.
00:57:56You know,
00:57:57many people flock
00:57:58to the Fitz Gallery
00:57:59for more than just the art.
00:58:01They want to learn
00:58:02all about the
00:58:03enigmatic young curator.
00:58:06Really?
00:58:07I mean,
00:58:07what's so interesting
00:58:08about him?
00:58:10Have you ever wondered
00:58:11how the Fitz Gallery
00:58:13has managed
00:58:13to surpass
00:58:14all of the established
00:58:16art collections
00:58:17to become the top
00:58:18venue for fine art
00:58:20in just two years?
00:58:22I mean,
00:58:22I heard
00:58:24rumors.
00:58:24Something about
00:58:25foul play,
00:58:26but I always just assumed
00:58:28they were baseless.
00:58:29Those rumors
00:58:29have quite a bit
00:58:31of truth to them.
00:58:32Seems like the
00:58:33Miller crime family
00:58:35is actually behind
00:58:37the Fitz Foundation.
00:58:38The one and the same
00:58:40Miller crime family
00:58:42that monopolizes
00:58:43all the underground trade
00:58:45in all of North America.
00:58:47He seems like
00:58:48such a gentleman.
00:58:49I just,
00:58:49I find it hard
00:58:50to believe that he ever
00:58:51was involved
00:58:52in something so sordid.
00:58:53You must never judge
00:58:55a Brook White's cover,
00:58:56my dear girl.
00:58:58Even people close to us
00:58:59may be harboring
00:59:00many secrets.
00:59:02We never really know
00:59:03what's going on inside.
00:59:05You got that right.
00:59:06I learned that lesson
00:59:08the hard way.
00:59:09Let me be frank.
00:59:11I have tremendous
00:59:13faith in you.
00:59:14Thank you,
00:59:15Mr. Wendlow,
00:59:16but I think it's dear.
00:59:17All my friends
00:59:18call me Laura.
00:59:22This is a check
00:59:23for five million dollars.
00:59:26It should help you
00:59:27get your clothing
00:59:27brand started.
00:59:28shall we become
00:59:32business partners
00:59:32in addition
00:59:33to being friends?
00:59:48Director Fitz,
00:59:49I'd like to work
00:59:50with you.
00:59:51It would be my honor,
00:59:53Miss Tasha Roberts.
00:59:54Fly away
00:59:57with me
01:00:00Take you high
01:00:02I'm sorry
01:00:03See you smile
01:00:06It's my only dream
01:00:09Staring out
01:00:13into the sea
01:00:15Waves come crashing
01:00:17up to me
01:00:19My toes slip
01:00:21into the sand
01:00:23Dream that I'm
01:00:26with you
01:00:27Staring out
01:00:30into the sea
01:00:31Waves come crashing
01:00:34up to me
01:00:35My toes slip
01:00:38Deep into the sand
01:00:40Smile
01:00:41Dream that I'm
01:00:43with you
01:00:44Congratulations,
01:00:56Miss Roberts.
01:00:57We expect a huge
01:00:58success from your
01:00:59art exhibition.
01:01:08You're looking at her.
01:01:17You're obsessed
01:01:18with her.
01:01:19Didn't she humiliate
01:01:20me enough
01:01:20the other night
01:01:21at the gala?
01:01:22But now
01:01:23I have to watch
01:01:24my husband
01:01:24stare at her
01:01:25picture.
01:01:27Well maybe
01:01:27if you didn't
01:01:28give her the
01:01:28opportunity
01:01:29to humiliate you.
01:01:31So it's my fault
01:01:31now?
01:01:32Oh wait
01:01:32let me guess
01:01:33maybe it's my fault
01:01:34too
01:01:34when the two
01:01:34of you broke
01:01:35up
01:01:35Okay
01:01:36Raina
01:01:38I've been
01:01:39thinking
01:01:39I don't think
01:01:41this is working
01:01:41I want a divorce
01:01:44Brutto
01:01:46figlio
01:01:47di putana
01:01:48You used me
01:01:49to push Tash
01:01:50out of your
01:01:50company
01:01:51take her
01:01:51property
01:01:52and now
01:01:52you cast me
01:01:53aside like
01:01:54what a used
01:01:54piece of garbage
01:01:55I won't
01:01:57allow this
01:01:58Mark my words
01:02:00Karl Crow
01:02:00you
01:02:01will regret
01:02:02this
01:02:03I'm spending
01:02:16too much
01:02:16time around
01:02:17Ken
01:02:17he's dominating
01:02:19all my thoughts
01:02:20I have to
01:02:21distance myself
01:02:22from him
01:02:22for my own
01:02:23sanity
01:02:24As if nothing
01:02:37can do
01:02:37to get you
01:02:38to stay
01:02:38I'm sorry
01:02:43but no
01:02:45you and I
01:02:48our relationship
01:02:49will just
01:02:49keep going
01:02:51in circles
01:02:52but thank
01:02:54you
01:02:55for everything
01:02:56you've done
01:02:56for me
01:02:57I have a little
01:02:59bit of money
01:02:59now so
01:03:00you should be
01:03:01able to pay
01:03:01off your
01:03:01loan soon
01:03:02and long
01:03:06talks
01:03:07and awkward
01:03:08silence
01:03:09wait
01:03:10nights
01:03:11walking
01:03:11through the
01:03:12garden
01:03:13running
01:03:15with your
01:03:16hand
01:03:17in mine
01:03:18cause
01:03:22I
01:03:22I
01:03:23I
01:03:24I
01:03:25I
01:03:26I
01:03:27I
01:03:28I
01:03:29I
01:03:30I
01:03:31I
01:03:32I
01:03:35I
01:03:35this
01:03:35is what
01:03:35happens
01:03:35when you
01:03:35steal
01:03:36from the
01:03:36Millers
01:03:37please
01:03:37let me
01:03:38go
01:03:39I
01:03:42promise
01:03:42you'll never
01:03:43see me again
01:03:43here
01:03:48right
01:03:49boss
01:03:54I
01:03:56found
01:03:56this one
01:03:56peeking around
01:03:57the corner
01:03:57not sure
01:03:58how long
01:03:59this little
01:03:59bitch
01:03:59has been
01:04:00watching
01:04:00but I'm
01:04:00pretty sure
01:04:01she tried
01:04:01to call
01:04:01Don't worry boss. I got a knife with her name on it. We can dump her body with the other guy.
01:04:15No, let her go.
01:04:17What? Didn't you hear what I said? She's seen everything.
01:04:20Let her go before I rip off your fucking arms and throw them in the river.
01:04:31Walk away. This doesn't mean anything to you.
01:04:35Is this what you couldn't tell me about?
01:04:38Boss, you know this woman?
01:04:42You're gonna kill him.
01:04:44Call the police then. See if they can save his life.
01:04:46No! Don't call the police, you stupid bitch!
01:04:51My world is more cruel than you can possibly imagine.
01:04:54So since you didn't want to get involved, just walk away.
01:05:01Hey babe. What do you want for breakfast?
01:05:31My world is more cruel than you can possibly imagine.
01:05:47So since you didn't want to get involved, just walk away.
01:05:50I never imagined that Ken could be such a dangerous and violent man.
01:05:55There must be something or someone forcing him to do all of this.
01:06:01Even people close to us may be harboring many secrets.
01:06:05We never really know what's going on inside.
01:06:09Forget it. This has nothing to do with me.
01:06:11I decided to leave Ken, so I have to do my best not to look back.
01:06:25You're a pro-magnet boyfriend. Is he not joining us?
01:06:42It's all over. I'm not with him anymore.
01:06:45Where's Reyna?
01:06:47Reyna was a mistake. That's all over too.
01:06:52Tasha, I want you back.
01:06:59I can't stop thinking about us.
01:07:02You were right. You belong in my life.
01:07:05So if you just sign those documents, then you can come back to me.
01:07:12Come back to the house. We can carry on like none of this ever happened.
01:07:16I can give you your old job back. That'll be fun, working together again.
01:07:20And then all that debt you owe me will be wiped clean.
01:07:23You, uh, need a pet?
01:07:25You think I'd get back with you after everything you put me through?
01:07:38Here is a hundred million dollars. I'll pay the rest on time and, for your agreement, take these documents and shove them right up your ass.
01:07:58You disgust me, Carl.
01:08:00You should think about Anna. Do you really want her growing up without a mother?
01:08:05With all her health problems, she could really use your support.
01:08:08Don't dare talk about Anna. She'll be with me soon. Then I'll never let her out of my sight again.
01:08:14She needs her mother and her father.
01:08:16Not a father like you, she doesn't. She'd be better off with no father at all.
01:08:21I'm sorry, am I interrupting? Are you, are you texting a new boyfriend already?
01:08:36Can it wait? I'm not done talking here.
01:08:40You're pathetic, Carl.
01:08:42Hey, Tasha. T- Tasha.
01:08:47T- Hey, Tasha. Tasha, come back. Where are you going? This place is disgusting.
01:08:55T- Come on, Tasha. Don't you remember the happy times? Come on, we can have that again.
01:09:00Think of Anna. Think of me. Please. I l-
01:09:04T- Sorry, folks. It's the end of the line for you. No hard feelings. But...
01:09:33We gotta do what the people who pay us tell us to do.
01:09:36Who's paying you?
01:09:38Hm. I'll give you a hint. A very beautiful woman paid us a small fortune to make sure you two would...
01:09:46Make sure you two don't make it.
01:09:49Reina. That fucking bitch.
01:09:52Do you know who I am? I'm Carl Crow. The CEO of the Crow Group.
01:09:58What if she's paying you? I'll pay double, okay? Yeah, yeah.
01:10:01You pay me double. I guess you haven't heard the news, buddy.
01:10:05See, I don't think you have the means to outbid your pretty little friend.
01:10:11Oh, that back-stepping slut!
01:10:16Please, pack up the phone.
01:10:18You trying to phone a friend? That's a big no-no, sweetheart. That's breaking the rules.
01:10:26Sweetie. Don't waste the little time you have left trying to call for help. It won't do you any good. No one...
01:10:35They can help you now.
01:10:42Three hours? Where's Tasha?
01:10:45Hey, Nell. Hey, listen. I need you to do me a favor.
01:10:49Yeah, I need you to pull out the city surveillance system in the area and find all the footage.
01:10:55Yeah, no. Something's wrong.
01:10:56What are you doing?
01:11:09We have to get out of here.
01:11:16Huh?
01:11:17You should just... go.
01:11:24Save yourself. Leave me.
01:11:27It's what I deserve.
01:11:30I'm not gonna leave you.
01:11:33I'm not that type of person.
01:11:40Come on. Let's go.
01:11:44Come down here. Wait until they come in.
01:11:48Hey, Tasha.
01:11:56I'm so sorry.
01:11:59Now's not the time for that.
01:12:18All in.
01:12:28Looks like we got ourselves a suicidal prick here, fellas.
01:12:32I can't think of any other reason why somebody would kick in the door that's got Vincent Santorelli on the other side of it.
01:12:36Oh shit.
01:12:42Boss.
01:12:44I didn't realize it was you.
01:12:48These your guys?
01:12:50Where the fuck are they?
01:12:52You better find them.
01:12:53Quick!
01:12:54Oh my god. Oh my god. Oh my god.
01:13:10Now it's your turn.
01:13:11Pretty little thing like you, I was gonna make it painless.
01:13:12But I guess you didn't want that.
01:13:13All the same.
01:13:14Hey, who's this fucking monkey?
01:13:15Blow your fucking gun.
01:13:16Vinny, what the fuck is going on?
01:13:17You fucking idiot.
01:13:18I don't know.
01:13:19I don't know.
01:13:20I don't know.
01:13:21I don't know.
01:13:22I don't know.
01:13:23I don't know.
01:13:24I don't know.
01:13:25I don't know.
01:13:26I don't know.
01:13:27I don't know.
01:13:28I don't know.
01:13:29I don't know.
01:13:30Oh my god.
01:13:31Now it's your turn.
01:13:32Pretty little thing like you, I was gonna make it painless.
01:13:34But I guess you didn't want that.
01:13:36All the same.
01:13:39Hey, who's this fucking monkey?
01:13:40Blow your fucking gun.
01:13:41Vinny, what the fuck is going on?
01:13:43You fucking devil?
01:13:44Blow your fucking gun!
01:13:46Are you...
01:13:48Are you Ken Miller?
01:13:50How can that be?
01:13:51What the fuck is going on?
01:13:52Ken Miller.
01:13:54The one and the same Miller crime family that monopolizes all the underground trade in
01:14:01all of North America.
01:14:05It's you.
01:14:13You know what you have to do.
01:14:16Boss.
01:14:17Please.
01:14:20He's my brother.
01:14:21Please.
01:14:22Please.
01:14:23Please.
01:14:24I was pushing you away as Ken and growing closer to you as Fitz.
01:14:42I'm sorry, Tasha, but there's just nothing I can do that will make you happy.
01:14:52And I just...
01:14:53I just can't win over your heart.
01:15:00Is Ken Miller always this loving with the hostages he rescues?
01:15:04Or is...
01:15:05It's just special treatment reserved for his lovers?
01:15:10Tasha, I love you.
01:15:11My heart has belonged to you, and only you, for the past 15 years.
01:15:2015 years?
01:15:23No, we just met a few months ago.
01:15:26We met 15 years ago.
01:15:28You went to Marr Middle School?
01:15:29Yeah.
01:15:30And you saved my life there.
01:15:31Stand up, chicken, and hit us back!
01:15:33Isn't that what your dad does for a living?
01:15:34Beat people up?
01:15:36I'm not my dad!
01:15:38You and your father are both scum.
01:15:43Let's teach this little guy's thug a lesson.
01:15:46Yeah, idiot, get up and show us what you've got!
01:15:51Hey!
01:15:53You gang
01:15:55You gang
01:15:58You gang
01:16:00you gang
01:16:03Hey! Hey! Hey! Hey, hey, hey! Stop! That's enough! That's enough!
01:16:09It's none of your business, Robert! Get out of here, Robert!
01:16:12Hey! Stop! Go home! I'll call your parents! Go!
01:16:14Oh crap!
01:16:28Ever since I saw you that night in the cab with that necklace on,
01:16:32I just, I knew I found you.
01:16:36Look, this isn't just some feeling for me, okay?
01:16:39This is, this is everything to me.
01:16:42Like, you are everything to me.
01:16:44No matter what happens between us, I will always care about you.
01:16:51And maybe one day we can make it work in a different way.
01:16:57Look here to find what we're both looking for.
01:17:01It's right.
01:17:07I just need some time to process this.
01:17:13Okay.
01:17:17And after that,
01:17:19maybe we can pick up where we left off that first night you spent here?
01:17:25Maybe.
01:17:28You play your cards, right?
01:17:29That's right.
01:17:44Does everything look good to you, my artist?
01:17:47Yeah.
01:17:49Thanks for everything.
01:17:50That doesn't sound very convincing.
01:17:52Is there anything you want to change?
01:17:54No.
01:17:56I just, I never got around to asking why you wanted to start an art gallery in the first place.
01:18:01Honestly, it's to get to you.
01:18:04See, I thought if I owned the world's greatest art museum that one day you might find your way in here,
01:18:08and, I don't know, that I might find you.
01:18:38I want to see what kind of woman this is that has ensnared my son.
01:18:52I doubt she's worthy of joining the Miller family.
01:18:55As you wish, sir.
01:18:57I will make the arrangements.
01:19:02Honestly, it's to get to you.
01:19:04See, I thought if I owned the world's greatest art museum that one day you might find your way in here,
01:19:10and, I don't know, that I might find you.
01:19:13Okay, okay.
01:19:15Just concentrate on painting.
01:19:17Don't think about him.
01:19:35Who are you?
01:19:38Miss Tasha Roberts?
01:19:40Mortimer Miller would like to speak with you privately at his home.
01:19:45Come here.
01:19:47Take a look.
01:19:52She's an heiress to the largest chain of luxury hotels in the Western Hemisphere.
01:19:58She's young, beautiful, well-educated.
01:20:02I think she'll make a fine wife for my son, Ken.
01:20:07With all due respect, sir.
01:20:11I believe that it's up to Ken to decide who he wants to spend the rest of his life with.
01:20:19Choose you?
01:20:21Not a chance.
01:20:22You're no match for my son.
01:20:30Now you owe money to the Crow Group.
01:20:36I'm going to pay your debt.
01:20:38And in return you will agree to never see my son again.
01:20:50It's our decision whether we want to be together or not.
01:20:53Your son and I love each other.
01:20:55There's nothing in this world that can keep us apart.
01:20:58Natasha, do you want us to be together?
01:21:04It's impossible.
01:21:06Father.
01:21:07I forbid it.
01:21:08Father, this is the love of my life.
01:21:10I can't lose her again.
01:21:12I'd rather leave the family business.
01:21:14Then leave if you wish.
01:21:16But she will never have my approval, ever.
01:21:18And she'll never be a part of the Miller family as long as I live.
01:21:23You'll come running back.
01:21:25Without the Miller family power.
01:21:28Money.
01:21:30You'll accomplish nothing.
01:21:33You're making a big mistake.
01:21:36Choosing this old hag.
01:21:40Instead of family.
01:21:49Ken, where are you?
01:21:52Why aren't you back yet?
01:21:58Oh, you're still awake?
01:22:15Who did this to you?
01:22:18Don't worry about me. I'm fine.
01:22:20There's nothing out of the ordinary.
01:22:34Hey, babe.
01:22:35Yeah, no, I'm just right outside.
01:22:40You son of a bitch.
01:22:42You're making me cut my own brother's hand.
01:22:44Now you think you can betray the Miller family?
01:22:48Walk away scoff-free?
01:22:50Not a fucking chance.
01:22:52This guy means nothing to the Miller family now.
01:22:55He's worthless.
01:22:57Helpless.
01:22:59You're absolutely nothing now.
01:23:01Let's make him feel the pain that my brother felt.
01:23:05Come on, boys.
01:23:06Come on, boys.
01:23:07We're doing anything we need to go.
01:23:09Let's go, boys.
01:23:15Come on, boys.
01:23:16Let's go, boys!
01:23:17Let's go, boys!
01:23:19Let's do it.
01:23:21Stop.
01:23:22Stop shooting him!
01:23:23Stop! Stop hurting him!
01:23:34Stupid bitch.
01:23:37Stop!
01:23:53Stop at once, you insolent fools!
01:24:11Son, you know how hard it is for me to admit that I made a mistake?
01:24:18But today, the two of you have proved me wrong beyond a shadow of a doubt.
01:24:27Tasha, you are the perfect woman for my son.
01:24:34Go.
01:24:36Be together.
01:24:39You approve?
01:24:41You have my blessing.
01:24:42From this day onward, you'll have nothing more to do with the legal activities of the family.
01:24:52But, you'll always be a miller.
01:24:58As will she.
01:24:59"'Thank you'n'n'n'n'n'n'n'hoor'
01:25:18Get off me!
01:25:26You useless, impotent man-child!
01:25:30The Krog Group is bankrupt!
01:25:32That hurt.
01:25:33Getting involved with you is the worst decision I could have made in my life!
01:25:36Get off! This is all your fault!
01:25:38You spent every single thing that we had.
01:25:41Now we have nothing left.
01:25:42No company, no house, no money, not even a dime.
01:25:46And it's all because of you, you greedy cow!
01:25:49Don't you? Don't!
01:25:50Hey, hey, hey!
01:25:57The late Mrs. Miller was a beautiful woman, sir.
01:26:02Yes.
01:26:06Back then, my wife protected me from every danger that befell our family.
01:26:11And today, my son found the perfect woman in us, and I did the same for him.
01:26:21He's a lucky man.
01:26:22Wow, you look so beautiful.
01:26:38No, you can't be here right now.
01:26:41Babe, I don't want to rush you, but everybody's waiting to see you.
01:26:46Ken, can you promise me one thing?
01:26:48I can promise you two if you like.
01:26:49I'm serious.
01:26:54I want you to walk away from the family business.
01:26:59There's a city called Ostia.
01:27:02It's on the southwest side of Rome by the ocean.
01:27:05What?
01:27:07You know what I found over there?
01:27:09I'm doing art teaching job at a public school.
01:27:13I already took tickets.
01:27:14I leave in the morning.
01:27:16You're sending me away?
01:27:17No.
01:27:19I opened my own restaurant.
01:27:21It's just down the street.
01:27:24Oh, one more thing.
01:27:27I enrolled Anna at the school they're going to be teaching at.
01:27:30I think she's going to really love it over there.
01:27:35So you really are walking away?
01:27:37Yeah.
01:27:37I got some sauce.
01:27:43What?
01:28:05I'm going to try.
01:28:05Transcription by CastingWords
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