- 1 day ago
[EngSub] Shelter In The Mafia full
Category
🎥
Short filmTranscript
00:00:00Hey, what are you doing with my stuff? How'd you get in here?
00:00:11I gave him the keys.
00:00:12Carl? Honey, what are you doing here so late? And what's that guy doing with my stuff?
00:00:17Tasha, Tasha, Tasha. You're always asking the wrong questions.
00:00:24What the hell is going on?
00:00:26Do you really think you're death thick, Tasha?
00:00:29Your husband and I decided that you're no longer needed here anymore.
00:00:33Reyna's gonna take over your role at the company.
00:00:35She's already proven she can do everything you can, but better.
00:00:39I'll have a letter of termination and divorce papers sent over to your new address,
00:00:43wherever that ends up being.
00:00:45What should I do with this, boss?
00:00:47Give me that new plea, but I know exactly what to do with it.
00:00:53Is that clear enough for you, Tasha?
00:00:55Tasha, your company and your husband both belong to me now.
00:00:59No, you can't just fire me. I'm a shareholder at this company.
00:01:07Are you still a shareholder at this company? Are you?
00:01:10You know, actually, your debt is mortgaged with your shares, so you actually owe this company about 200 million.
00:01:16I never took out any loans that large.
00:01:19Oh, Tasha, you were always so gallible.
00:01:22A word of advice for the future?
00:01:24Don't give the keys to the kingdom to your assistant, no matter how trustworthy your feeble brain thinks they might be.
00:01:32Security! Security! We have a vagrant in the lobby, and she might become hostile.
00:01:38Stop acting. I'll just leave on my own.
00:01:47Look, there's no glamour. There's no glory. It's just blood, guts, fear, and misery.
00:01:54Come on, man. You think I'm some kind of moron that doesn't know anything?
00:01:58I know that the type of money you make in just a few days, I can't make that in 10 years working as a stick.
00:02:04But at least you're guaranteed to be alive in 10 years. In my world, you're not guaranteed to be alive in 10 days, let alone 10 minutes sometimes.
00:02:11Yo, yo, man. Stop lecturing me. Are you gonna give me the gun or not?
00:02:18I'm sorry, but no. I'm not gonna let you get killed.
00:02:22Man, what the fuck you got me here for then? Shit.
00:02:26Shit!
00:02:41Oh, I guess you didn't hear. The repo guy, he came and towed your car away.
00:02:49Said it was, like, collateral for a loan.
00:02:52Of course, I made the call and arranged everything. My pleasure.
00:02:59You despicable trash.
00:03:01You know, I was gonna give you a ride, you know, seeming that we were married for so long.
00:03:07But walking the streets at night kinda suits you. So, enjoy.
00:03:13Go to hell.
00:03:22Miss?
00:03:23Just go away, alright? I don't need your cheap sympathy right now.
00:03:27Miss, your friend's gone. I just want to offer my cab services.
00:03:33Yeah, I'm sorry. A cab is gone. I just want to offer my cab services.
00:03:40Yeah, I'm sorry. A cab is just what I need right now.
00:03:43Alright, great. Come on board.
00:03:44Alright, great. Come on board.
00:03:45I'm sorry. I'm sorry. A cab is just what I need right now.
00:03:48Alright, great. Come on board.
00:03:49Have a cup.
00:03:50I've done that in my car.
00:03:51I've done that in my car, I've done that in my car.
00:03:52I'm sorry. It's the next walk.
00:03:53Then I'm sorry. A capital-car.
00:03:54I'm sorry. A cab is just what I need right now.
00:03:55Oh, no.
00:03:56Hey, I've done that in my car.
00:03:57You know, I've done that in my car.
00:03:58Hey, you know, I've done that in my car.
00:03:59I don't want to.
00:04:00I want to go away, okay?
00:04:01Now, I'm scared.
00:04:02I'm sorry.
00:04:03I don't need your cheap sympathy right now.
00:04:04Miss, your friend's gone.
00:04:06I just wanted to offer my cab services.
00:04:08Yeah, I'm sorry.
00:04:09A cab is just what I need right now.
00:04:13Alright, great. Come on board.
00:04:14Sorry, I don't have any cash right now.
00:04:31Give me a minute.
00:04:32I'll go grab some from inside.
00:04:34Here.
00:04:35Just proof I'm not trying to skip out on the fair.
00:04:44You have some nerve coming back here.
00:04:50I never wanted my son to marry you in the first place.
00:04:53And now that he's finally come to his senses and kicked you to the curb,
00:04:57you think that you can just waltz right back into his house?
00:05:01His house?
00:05:03My father left me this house.
00:05:06And I know you're senile, but I'm sure you remember when you practically begged me to let you and Carl live here.
00:05:14I always knew you were a nasty little hussy.
00:05:22Who the hell are you?
00:05:24This is a personal matter, so you should really mind your own business and stay outside.
00:05:28Actually, this is my boyfriend.
00:05:33So if it's a personal matter for me, it's a personal matter for him.
00:05:37Okay.
00:05:38What?
00:05:39You think your son's the only one capable of having secrets?
00:05:44Hey, thanks again for today.
00:05:59I know that's a weird position to put you in.
00:06:03It's all right.
00:06:03It is really nice to know that there are still good people out there that would help a total stranger.
00:06:13Have a good night.
00:06:14All right.
00:06:14You too.
00:06:14All right.
00:06:38All right.
00:06:38Where's my necklace?
00:06:59Here.
00:07:01Just proof I'm not trying to skip out on the fair.
00:07:08There's a fancy broad like you find yourself in a place like this.
00:07:34Who the hell are you?
00:07:36Get out now!
00:07:36All I'm trying to do is introduce myself and you're treating me like some dog shit you found stuck to your shoes.
00:07:45I'm calling the police!
00:07:49How about I give you a better idea?
00:07:51You and I are going to have some good old-fashioned fun tonight.
00:08:02If I ever see you around here again, you're dead!
00:08:14Get out of here!
00:08:17Hey.
00:08:17I'm so glad you're here.
00:08:22Where did you get this necklace?
00:08:26My father gave that to me.
00:08:29You better not be lying to me.
00:08:31I'm not lying.
00:08:33He made that with his own hands.
00:08:35It has my name on the back.
00:08:37It's really you?
00:08:41It's really you.
00:08:47Hey.
00:08:48How you feeling?
00:08:49How did, how did you lift your bag in my car?
00:09:04How did you know where to find me?
00:09:10How did you know where to find me?
00:09:12I have my ways.
00:09:14I have my ways.
00:09:16Hey listen.
00:09:17I know it's none of my business.
00:09:19But it's not safe for you here.
00:09:21With everything that's happened in the last 24 hours, this is all I can afford.
00:09:27Listen, I have an extra room at my place.
00:09:31Maybe you can just come stay with me.
00:09:33You can just come stay with me.
00:09:54Welcome home.
00:10:00I really feel like my luck is starting to change.
00:10:04I mean you've literally rescued me over and over today.
00:10:08I know what it's like.
00:10:10I've been rescued before.
00:10:12I'm sorry, I don't think I can make rent right away.
00:10:17But you could sell this ring and then you should cover me for a few months.
00:10:23At least until I'm back on my feet.
00:10:25I thought he was a really rich guy.
00:10:27Why did he get you such a small diamond?
00:10:31It's not a very good cut either.
00:10:34Okay.
00:10:35Never mind.
00:10:36I can just...
00:10:38No, it's fine.
00:10:39I'm just saying.
00:10:41You deserve a better reign than this.
00:10:57No, babe, stop.
00:11:11It's late, okay?
00:11:13You're still thinking about her.
00:11:15Who, Tasha?
00:11:17Are you kidding me?
00:11:19Then why are you wearing the wedding ring?
00:11:21Did you forget what she and her father did to you?
00:11:23I will never forget what she and her father did to me.
00:11:27But that has nothing to do with you.
00:11:29So why don't you stop mouthing off about shit that you know nothing about
00:11:33and let me handle my own affairs.
00:11:53Mary?
00:12:07What?
00:12:08Hey, what's going on?
00:12:10My daughter's missing.
00:12:11What?
00:12:12Tasha, you shouldn't have barged in like this.
00:12:31If Carl finds out...
00:12:33No, I don't care about Carl right now, okay?
00:12:35Where's my daughter?
00:12:36Where's Anna?
00:12:37I sent her.
00:12:38I sent her.
00:12:39No.
00:12:40You have no right.
00:12:41Actually, as Carl's new wife and Anna's legal guardian, I have all the rights to do whatever
00:12:54I want with my stepdaughter.
00:12:57What?
00:12:59We never settled custody, so just skip the theatrics and tell me where my daughter is.
00:13:06You think you're getting custody?
00:13:09Stai sognando.
00:13:11On one hand, we have a mother drowning in debt with no place to live.
00:13:19On the other hand, we have a wealthy and well-respected father who happens to be the CEO of the world-renowned
00:13:27pro group.
00:13:28Who do you think the court will side with?
00:13:30Oh, what's going on?
00:13:31Oh, Carl.
00:13:32Carl, it's okay.
00:13:33Tasha was understandably upset about the situation.
00:13:34You know, I don't blame her for what happened.
00:13:36You trespass on my property, assault my wife in her own home?
00:13:40Tasha, I have put up with your outrageous behavior for years, but don't you dare subject Raina to that kind of abuse.
00:13:41You don't understand.
00:13:42Raina sent Anna away.
00:13:43She did what any good mother would.
00:13:44I want to know where my daughter is right now.
00:13:45New Zealand.
00:13:46Getting medical care from one of the best cardiology departments in the world.
00:13:47And remind me.
00:13:48What have you done for your daughter lately?
00:13:49Hmm?
00:13:50I don't blame her for what happened.
00:13:51I don't blame her for what happened.
00:13:52You trespass on my property, assault my wife in her own home?
00:13:53Tasha, I have put up with your outrageous behavior for years, but don't you dare subject Raina to that kind of abuse.
00:13:59You don't understand.
00:14:00Raina sent Anna away.
00:14:01She did what any good mother would.
00:14:04I want to know where my daughter is right now.
00:14:07New Zealand.
00:14:08Getting medical care from one of the best cardiology departments in the world.
00:14:12And remind me.
00:14:13What have you done for your daughter lately?
00:14:15Hmm?
00:14:16Abandon her?
00:14:17To go shack up with some cab driver boyfriend?
00:14:20You idiot!
00:14:21I found those cardiologists in New Zealand.
00:14:24Scheduling those appointments was the last thing I had Raina do when she was still my assistant!
00:14:29Tasha, Tasha.
00:14:30You disgust me.
00:14:31Trying to take credit for this wonderful woman's kind gesture to your own sick daughter.
00:14:36I'm going to make sure Anna says far, far away from you so there's no possibility of her ever becoming anything like you.
00:14:45You backstabbing.
00:14:46Homewrecking.
00:14:47Bitch!
00:14:48I advise you stay far away from my daughter and I.
00:15:00Hey!
00:15:01By the way!
00:15:02The deed still lists me as the rightful owner to this house.
00:15:07So the two of you have no right to keep me from coming back here.
00:15:11Do you understand?
00:15:12Calm down.
00:15:13You can forge my signature.
00:15:14You can take my money.
00:15:15Take my house.
00:15:16But you will never have a shred of the intelligence that I got.
00:15:21Tasha, you have made your point.
00:15:23I think it would be-
00:15:24You deserve that too!
00:15:26You should have told me about Anna a long time ago!
00:15:30Oh, don't stop at my account.
00:15:35Please.
00:15:36Continue.
00:15:37Miss Big Shot.
00:15:39Don't you forget that you still owe 200 million dollars.
00:15:43And 20 millions of that is owned to me personally.
00:15:46In fact, I'm going to call my lawyer and see to it that if you don't pay right away,
00:15:50you're never going to see your daughter ever again and you'll end up in debtor's prison.
00:15:55Ciao.
00:16:00Go ahead and check it out.
00:16:02But after your accountant, make sure it's all legit.
00:16:04I don't want you two jackasses counting my girl for money ever again.
00:16:07Got it?
00:16:13Oh!
00:16:14By the way, we're going to go ahead and take Anna in the future too.
00:16:18Don't worry, Carl.
00:16:19I'll be a better father to her than you ever can be.
00:16:22Tasha, you'll regret this.
00:16:30Thanks again for today.
00:16:34For pretending to be my boyfriend.
00:16:39Mm-hmm.
00:16:41Was all that money real?
00:16:43As real as it comes.
00:16:45Where'd you get all that money?
00:16:47I robbed a couple of jewelry stores before I came to find you.
00:16:51Are you serious?
00:16:53No, I'm just joking.
00:16:55It was my dad's.
00:16:56Don't worry, it wasn't stolen or robbed or anything.
00:16:59But hey, listen.
00:17:01From now on, I want you to think of me as your creditor.
00:17:03Okay?
00:17:04I don't want you to worry about owing money to those scumbags.
00:17:07From now on, you'll just owe money to me.
00:17:10As long as you're okay with that.
00:17:12I could be okay with it.
00:17:14As long as you can satisfy one small request.
00:17:17What kind of request?
00:17:20What kind of request?
00:17:28My only request is that you just relax.
00:17:33Okay?
00:17:34I want you to take a load off.
00:17:36I want you to start by telling me a story, you know,
00:17:39about the last time it was when you were happy.
00:17:47You know, I just...
00:17:54I never in a million years
00:17:57could imagine that Carl would betray me like this.
00:18:00I have nothing.
00:18:04Well...
00:18:07I mean...
00:18:09You always have me and...
00:18:12You know, other things.
00:18:14I can't hear you.
00:18:18You're whispering.
00:18:19Me.
00:18:22I quote you.
00:18:24I want you to listen to me.
00:18:28That's what I see.
00:18:29You...
00:18:30Must believe me.
00:18:32.
00:18:35Better to step away...
00:18:38I hope I never push away.
00:18:39Of course you can look good.
00:18:41I'll do a moment for you.
00:18:42Good job.
00:18:43I hope you isn't a guilt.
00:18:45I hope you can test my goal.
00:18:47Carl, you know, Tasha's probably screwing around with that new boyfriend of hers.
00:19:04That bitch.
00:19:07Honey, you know, you promised to put me in touch with the curator at the Fitz Gallery.
00:19:12I'm telling you, forget about the Fitz Gallery, okay?
00:19:14The people who are running it are crooks.
00:19:17But I want my paintings to be showcased in the most prestigious venue possible.
00:19:22I know, I know.
00:19:23And I said I would help you find other galleries, remember?
00:19:27Just stop nagging me about it, okay?
00:19:30Okay.
00:19:33You're a little angel.
00:19:47It's okay.
00:19:55Just sleep in.
00:20:02Well, it's certainly going to make things more complicated.
00:20:06So you want to pretend last night never happened?
00:20:14I thought we had a good thing going on between us.
00:20:18I mean, you've been going around the last couple of days telling everybody I was your boyfriend.
00:20:21Yeah, but that was just something I said to make my husband jealous.
00:20:28You mean your ex-husband?
00:20:30Yeah.
00:20:31Ex.
00:20:32Yeah.
00:20:35But I mean, you and I, you know I can't start a new relationship right now.
00:20:41So everything you said last night?
00:20:46We were just caught up in the heat of the moment.
00:20:50Heat of the moment.
00:20:51So it was all just bullshit.
00:20:54Why?
00:20:54To get me into bed with you?
00:20:57Just to have a one night stand?
00:21:00Because you miss being with your damn husband?
00:21:02So everything you said last night?
00:21:21Get older yourself.
00:21:25You just got divorced.
00:21:28You're not going to play mind games with men anymore.
00:21:30I wasn't sure what you like, so I just made a little bit of everything.
00:21:41You made all this?
00:21:42Yeah.
00:21:50So what do you think?
00:21:54It's delicious.
00:22:00I mean, you deserve to have some of your awesome breakfast, too.
00:22:04Hey, you're not going to maybe sit here and eat this alone, are you?
00:22:13You've got some sauce right here.
00:22:14All that for some sauce, huh?
00:22:23Are you kidding me?
00:22:30Hello?
00:22:31Mommy, I miss you so much.
00:22:34Anna.
00:22:35Mommy, I miss you so much.
00:22:36Anna, honey?
00:22:37What?
00:22:38What's going on?
00:22:38Anna?
00:22:39I miss you.
00:22:42Okay.
00:22:43Both of your resumes look excellent.
00:22:46I have a question.
00:22:50If you spilled a glass of milk in the ocean, how would you get it back?
00:22:54What does that question have to do with our work?
00:22:57Well, I suppose you could contain the section of the ocean with the spilled milk and then
00:23:06collect that sample, add a centrifugal force, and there's probably a good chance of separation.
00:23:12So, at our company, we are always trying to make the impossible possible, and for that, we need people who can think on their feet, derive solutions, no matter how outlandish the task at hand may seem.
00:23:33Hello?
00:23:34Uh-huh.
00:23:41Okay.
00:23:50Congratulations, Ms. Michaels.
00:23:51Welcome to the Eastwood Corporation.
00:23:52If you don't mind me asking, why didn't I get the job?
00:24:10Mrs. Roberts, maybe you should focus on fixing your own family problems first, before you start to look for work again.
00:24:18We don't want to make enemies with the Crow Group.
00:24:35So, I guess you didn't get it?
00:24:39I just don't understand why Carl hates me so much.
00:24:43I mean, he doesn't want me to work for his company, but he doesn't want me to work for any other company either.
00:24:48Look, you don't need that corporate job anyways.
00:24:51Yeah?
00:24:52What else can I do?
00:24:55I mean, I thought you were an artist, now a painter.
00:24:58What did you know about that?
00:24:59You brought an easel.
00:25:05It's just a hobby.
00:25:07I gave it up.
00:25:08I don't paint anymore.
00:25:10Okay, well, if you don't love to paint anymore, then why bring an easel with you?
00:25:21I haven't painted in years.
00:25:24I'm sure it'll be just like riding a bike.
00:25:26Once you start, it'll all come back to you.
00:25:28That's my account.
00:25:35Why are they assigning it to someone else?
00:25:37Fine, fine.
00:25:38Just get me some damn answers and give me a call back soon, okay?
00:25:44Carl, this took me three months.
00:25:47I'm sorry.
00:25:48I just got some bad news at work.
00:25:50It's ruined now.
00:25:52Fine.
00:25:53Start over.
00:25:55You know, it kills me to see you squander your intelligence and talent on these useless paintings.
00:26:03You're a remarkable woman, Tasha.
00:26:06Okay?
00:26:06And if the charlatan snobs in the art world can't see that, then screw them, okay?
00:26:12If you put your focus elsewhere, we could be rich enough to buy ten art galleries.
00:26:17And then you could put whatever paintings you want in them, right?
00:26:20Painting's my passion.
00:26:24What if we put painting on the side, just for a little while, and you could come join me at the company?
00:26:32If it was together, we'd be unstoppable.
00:26:37And right now, I am drowning.
00:26:40Your dad and his partners have no faith in me.
00:26:45I need you.
00:26:46Look.
00:26:51You love me.
00:26:52Don't you?
00:26:56Of course I do.
00:26:57Okay, just do this one thing for me.
00:27:01This one little thing.
00:27:03Please.
00:27:04You're finished.
00:27:17I'm sorry.
00:27:20To smile.
00:27:22It's my only dream.
00:27:28Steering out into the sea.
00:27:31Finished?
00:27:32Yep.
00:27:38That is amazing.
00:27:42I honestly never thought I'd paint again.
00:27:45Well, that would have been a shame.
00:27:46You're easily one of the most talented artists I've ever met.
00:27:48Waves come crashing onto me.
00:27:52I'm sorry.
00:27:53No.
00:27:53I'm sorry.
00:27:55Nope.
00:28:07What honor that you chose our gallery to showcase your work.
00:28:10I am curious about one thing, if you don't mind me asking.
00:28:13The subject in your paintings, your muse, is he your lover?
00:28:18Oh, no. He's just a friend of mine.
00:28:25But his gaze, the way he looks out to you in these paintings, there's so much tenderness and affection in his eyes.
00:28:34Is Ken really in love with me? He's so young, though. At his age, he probably doesn't even know what love is.
00:28:46Oh, sorry, you're in the way.
00:28:50Actually, you're in my way.
00:28:54Actually, you're in my way. I'm trying to get into my home.
00:28:59Is this your new girlfriend? I've never seen you with anyone like this before.
00:29:05Ken's my roommate. Now, if you'll please step aside so I can get in.
00:29:13Call me again if you need anything, okay? Bye.
00:29:19Hey, what are you doing home so early? Are they gonna showcase your work?
00:29:23Sorry if I interrupted something, but as your roommate, I don't really think I need to tell you if I'm coming or going.
00:29:29So, if you have something private to do, just do it in your room.
00:29:31I never said you need to tell me when you're coming or going. I'm just saying.
00:29:34No, it's fine. You don't need to explain. Just... I just want to be alone.
00:29:43What?
00:29:48I'm so sorry, sir. She just barged in without permission.
00:29:51It's okay.
00:29:53Miss Roberts, please. Grab a seat.
00:29:55We signed a contract. Why can't you show my paintings now?
00:30:00I'm afraid I don't have the answers you're looking for.
00:30:02If you want to know what happened, ask Karl Kroh.
00:30:07I want my paintings back. Right now.
00:30:10Right now.
00:30:12Well, they're probably somewhere in the warehouse.
00:30:15They haven't been thrown away yet.
00:30:16You've already searched the entire warehouse ten times.
00:30:17If you haven't found what you're looking for, it's not here.
00:30:18You better hope I find what I'm looking for.
00:30:19It's not here.
00:30:20You better hope I find what I'm looking for.
00:30:21It's not here.
00:30:22Or I'm going to make this entire gallery compensate me.
00:30:23And then I'm going to see what I'm looking for.
00:30:24It's not here.
00:30:25You better hope I find what I'm looking for.
00:30:26Or I'm going to make this entire gallery compensate me.
00:30:27And then I'm going to sue you, and you'll be the first to lose your job.
00:30:46Yeah, that's great, lady.
00:30:47Go ahead and sue Mrs. Maia, say ailian.
00:30:48If anyone is difficult to do that to me.
00:30:49You better hope I find what I'm looking for.
00:30:50Or I'm going to make this entire gallery compensate for me.
00:30:52And then I'm going to sue you, and you'll be the first to lose your job.
00:30:55Yeah, that's great, lady.
00:30:56Alright lady, go ahead and sue. I'm sure things will go exactly the way you described it.
00:31:26You really care about her?
00:31:49Shh, keep your voice down. She's had a long day. Also you can't just come over here so casually in the future.
00:31:55Casually? Are you kicking me out? You didn't mind my coming over so casually when you had me digging through your body for bullets.
00:32:04You men are cold as hell. I think my lucky star is on the lesbian.
00:32:08Look, I just can't have her finding out about the work that we do, okay?
00:32:12Are you serious about her?
00:32:14Yeah.
00:32:16Have you thought about the consequences if your dad finds out?
00:32:20Look, now you and I have been best friends for over 20 years, okay?
00:32:25And my dad has taught me everything that I know.
00:32:28I think maybe it's time I just figure things out on my own.
00:32:31And you know exactly what I went through last time.
00:32:35I'm not gonna lose her again.
00:32:40Don't worry, Anna. Mommy's gonna find a way to bring you home soon.
00:32:44All the evidence is here. It's exactly what you thought. Let me know if you want me to find out more.
00:32:59Carl. Let's meet.
00:33:14Oh, wow. It's not every day a famous painter comes to visit. To what do I owe the pleasure?
00:33:31The company I supposedly borrowed money from. It's a shell company owned by you.
00:33:39So what? All our operations are legal. You signed the documents. You borrowed the money.
00:33:46All you can do now is pay it back.
00:33:51You know, I don't think you actually want me to pay back the loans.
00:33:58You were just looking for an excuse to have me back in your life.
00:34:03You're obsessed with me. This is just your sick way to dominate me and make me surrender to you.
00:34:10I'm just getting even. For the years I spent in your father's shadow.
00:34:15The years of belittlement and him treating me like a clown.
00:34:19My father hired you when no one else would.
00:34:23Not my fault that your insecure petty took his support as belittling.
00:34:33I wouldn't upset me if I were you. Remember, I'm your creditor now.
00:34:39Two months. That's all I can give you to pay me back the remainder.
00:34:43A hundred and eighty million.
00:34:54What are you doing here?
00:34:56I was just in the neighborhood. Thought I'd give you a ride home.
00:35:01Hi.
00:35:03Um, hey. Who is this?
00:35:06Uh, this is Ken's roommate. We're gonna be dropping them off before we head home.
00:35:15Yeah, hey listen. I didn't introduce you last time, but this is my best friend Nell and her girlfriend Maria.
00:35:25Nell and I have been nothing more than friends since we were kids.
00:35:28She's not into men. She never has been.
00:35:31And her and I are nothing more than just platonic friends.
00:35:34Alright?
00:35:37I'm sorry. I jumped to conclusions the other day.
00:35:40It's okay.
00:35:41I just didn't want you to get the wrong idea.
00:35:47Look, I...
00:35:49I appreciate it. I really do. I just...
00:35:53I still think you and I are better off just as friends.
00:35:58Just...
00:35:59Why?
00:36:06Why?
00:36:08Maybe because I'm just getting over a failed marriage.
00:36:13Because I owe an unthinkable amount of money and I have no idea how I'm gonna pay it back.
00:36:20I also have no idea how I'm gonna get my daughter back.
00:36:23And getting into a relationship with you, that's just something I can't do right now.
00:36:29Love has brought me nothing but pain, okay?
00:36:32So just...
00:36:33Please, just...
00:36:34Leave it.
00:36:35Leave it.
00:36:36Do you have any other paintings?
00:36:37Do you have any other paintings?
00:36:45Yeah.
00:36:46I have several.
00:36:47What are you looking for?
00:36:48I would like to buy them all.
00:36:49I love your painting style.
00:36:50It is so unique.
00:36:51I own a large gallery and I would like to establish a long-term collaboration.
00:36:55with you.
00:36:56Thank you for your kind words about my paintings, but...
00:36:57Thank you for your kind words about my paintings, but...
00:37:01I have been in some trouble lately, and it's probably best if I don't involve your gallery.
00:37:04I would like to establish a long-term collaboration with you.
00:37:06Thank you for your kind words about my paintings, but...
00:37:08I have been in some trouble lately, and it's probably best if I don't involve your gallery.
00:37:10None of this matters to me.
00:37:11If someone wishes to cause me trouble, well...
00:37:12I would like to buy them all.
00:37:13I would like to buy them all.
00:37:14I would like to buy them all.
00:37:15I would like to buy them all.
00:37:16I love your painting style.
00:37:17It is so unique.
00:37:18I own a large gallery and I would like to establish a long-term collaboration with you.
00:37:21Thank you for your kind words about my paintings, but...
00:37:24I have been in some trouble lately, and it's probably best if I don't involve your gallery.
00:37:34None of this matters to me.
00:37:37If someone wishes to cause me trouble, well, just let me try.
00:37:47I mean...
00:37:49It has to be a mistake.
00:37:52Or a prank.
00:37:53Or a cruel practical joke.
00:37:56I mean, it seems pretty authentic to me.
00:37:58It has their seal and your name and address are clearly written on it, so...
00:38:07It looks authentic.
00:38:08But how would they have seen my paintings?
00:38:12I don't know.
00:38:13Maybe one of those auction sites that you've been posting your work on?
00:38:16I mean, you're incredibly talented, so...
00:38:18Anybody who's seen your work would automatically recognize it.
00:38:22I own a large gallery and I would love to establish a long-term collaboration.
00:38:31It's him.
00:38:33It's him.
00:38:34The guy who's been on my paintings.
00:38:37He must be the owner of the Fitz Gallery.
00:38:39Well, in that case, we better get going.
00:38:41Where?
00:38:42Gotta go get you a dress.
00:38:44Can't have you showing up to the Fitz Gala in rags.
00:38:51Babe, which one do you like more?
00:38:54This one or this one?
00:38:56I need to be the hottest girl at the Fitz Gala.
00:39:01Everything just looks so good on you, honey.
00:39:04So, um, just pick whichever one you want.
00:39:07I gotta take a call, okay?
00:39:09Wrap this up, you twitch.
00:39:11I'll take them both.
00:39:19Wow.
00:39:20I used to buy dresses like this all the time without even thinking about the money, but...
00:39:24I can't afford something like this now.
00:39:27You know what?
00:39:28Consider it a congratulatory gift for me.
00:39:30Alright?
00:39:31And when you make it big in the art world, you can just pay me back.
00:39:36Oh, hi.
00:39:37Excuse me.
00:39:38Yeah, my, uh, friend would like to try on this dress.
00:39:40Oh, your friend has amazing tastes.
00:39:42This dress is actually a limited edition.
00:39:44Each one handcrafted by hand and therefore entirely unique.
00:39:47Truly a work of art.
00:39:48Well, how fitting that's going to be worn by a very talented artist.
00:39:51I'll have some fun.
00:39:53I'll have some fun.
00:39:54I'll have some fun.
00:39:55I'll have some fun on the team bring it out to you.
00:39:58Veronica, please bring the limited edition.
00:40:02What limited edition?
00:40:07Tasha, do you really think you can afford this dress?
00:40:13You can afford this dress?
00:40:18Please.
00:40:20Raina, I don't think you need to worry about Tasha's finances.
00:40:24Okay?
00:40:25We established that last time.
00:40:27Hey, you.
00:40:28Get over here.
00:40:30I'm gonna pay twice what it's worth.
00:40:33But I want this dress.
00:40:34Ma'am, this dress is $4,000.
00:40:36Did I ask you how much it cost, you pluritarian scum?
00:40:39Just shut your mouth and add it to my bill.
00:40:41She's willing to pay double.
00:40:43I'll double her offer and I'll pay $16,000.
00:40:47Okay, sir.
00:40:48Sold.
00:40:49$32,000.
00:40:50You know what?
00:40:52If she wants the dress so bad, let her have it.
00:40:56You can put all the jewels you want on a pigeon, but it'll never be a peacock.
00:41:00I'll show you who's a pigeon, you little bitch.
00:41:03How dare you assault me?
00:41:05Tasha, are you okay?
00:41:08What is going on here?
00:41:10What's going on is that your crazy bitch wife pushed Tasha to the ground.
00:41:13I swear to God, they're all lying.
00:41:16I never touched her.
00:41:17I saw everything.
00:41:18This gentleman and his girlfriend were very nice and politely inquired about a dress,
00:41:22and suddenly your wife appears and attacks her for no reason.
00:41:25Shut your mouth, you little lying asshole.
00:41:28You know what?
00:41:29Why don't you just call security before this crazy maniac hits somebody else?
00:41:31Wait a second, Reyna.
00:41:32What actually happened here?
00:41:34What's going on?
00:41:35Why don't you believe me?
00:41:36I told you.
00:41:37Don't just call 911.
00:41:39Are you blind?
00:41:40Oh Tasha, can you stop this bullshit?
00:41:42You know what Reyna, can you just stay away?
00:41:44Can I get someone down here?
00:41:46Room A122?
00:41:47No, no.
00:41:48That's not necessary.
00:41:49We are leaving right now.
00:41:50Let's go.
00:41:51Okay, you've embarrassed us both enough for one day, okay?
00:41:54Let's go!
00:42:03Wherever Reyna goes, trouble's sure to follow.
00:42:06It is nice to see her get a taste of her own medicine though.
00:42:10Yeah.
00:42:11It's a shame though.
00:42:12You would've looked really great on that dress.
00:42:14Don't worry about that.
00:42:18I have a solution.
00:42:20What are you going to do with all this stuff?
00:42:29I'm going to design my own dress and wear it to the gala.
00:42:33Are you sure there's enough time?
00:42:35Have some faith in me.
00:42:36I graduated with honors in design and fine art.
00:42:39I got this.
00:42:41Alright.
00:42:42How do I look?
00:42:43How do I look?
00:42:57How do I look?
00:42:58How do I look?
00:42:59How do I look?
00:43:00What?
00:43:01Is...
00:43:02Is something wrong?
00:43:03Is it too much?
00:43:04Should I change something?
00:43:05No.
00:43:06No.
00:43:07No.
00:43:08No.
00:43:09No.
00:43:10You look...
00:43:11That dress, like...
00:43:12That is one of the most beautiful dresses I've ever seen.
00:43:14But there's something missing.
00:43:15No.
00:43:16No.
00:43:17No.
00:43:18No.
00:43:19No.
00:43:20No.
00:43:21No.
00:43:22No.
00:43:23No.
00:43:24No.
00:43:25No.
00:43:26No.
00:43:27No.
00:43:28No.
00:43:29No.
00:43:30No.
00:43:31No.
00:43:32No.
00:43:33No.
00:43:34No.
00:43:35No.
00:43:36No.
00:43:37No.
00:43:38No.
00:43:39No.
00:43:40No.
00:43:41No.
00:43:42No.
00:43:43No.
00:43:44No.
00:43:45No.
00:43:46No.
00:43:47No.
00:43:48No.
00:43:49No.
00:43:50No.
00:43:51No.
00:43:52No.
00:43:53No.
00:43:54No.
00:43:55No.
00:43:56No.
00:43:57No.
00:43:58No.
00:43:59No.
00:44:00You're not fat at all. It's the dress. It's not made for a woman's body.
00:44:06Just shut up and do it!
00:44:08Babe, just put on another dress. You're gonna be late.
00:44:13I spent so much money on this dress. I am wearing this dress!
00:44:30I can't. It's... it's too much.
00:44:41No. It was made for you.
00:44:52I can't wait to see what you've brought to the auction. Can we have a little hint?
00:44:56Well, actually, I brought some of my very own paintings to auction tonight.
00:45:05What's wrong?
00:45:07Tasha Roberts, my husband's dreadful ex-wife.
00:45:13I'm tired of seeing her sorry face everywhere.
00:45:17You know, she's also a horrible person.
00:45:20If it isn't everyone's favorite white-collar criminal turned homeless vagrant, Tasha Roberts.
00:45:29So, the other day when you were trying to buy this dress with that, um, working-class thug boyfriend of yours,
00:45:36you were trying to come here?
00:45:38Are you sure you were even invited?
00:45:40I'm sorry, are you working the security details? Do I need to show you my invitation?
00:45:48Honey, I'm just trying to look out for you, okay?
00:45:51I want to spare you the embarrassment of being kicked out when everybody finds out that you are not invited.
00:45:58You mean like how you were kicked out of the mall?
00:46:00I see. You still quite don't understand your place in the world.
00:46:05You think you're fucking Cinderella or something, and life is a fairy tale.
00:46:10But don't worry, I'll help you figure it all out.
00:46:16What's wrong with you?
00:46:17You can't just see people are walking through.
00:46:19Oh, Reena, this time you've gone too far!
00:46:22Stop shouting, you dreadful o.
00:46:24These were supposed to be auctioned tonight.
00:46:26Well, if it is of any consolation, I don't think the wine has reduced their value of very much at all.
00:46:33Now you can go and cry to your fairy godmother, loser.
00:46:39Oh, I think the auction's starting.
00:46:42Well, I'll see you there.
00:46:44Toodles!
00:46:44For our first auction item, I'd like to welcome Ms. Reina Crow to the stage with her collection of original paintings.
00:46:59As you can see, Ms. Reina Crow's style is very unconventional.
00:47:20Certainly, these works defy easy categorization, and yet there are touches of whimsy and an almost
00:47:28playful quality about them, as depicted here through the bold use of a duck as a central figure.
00:47:34It's a dog.
00:47:35What?
00:47:36It's a dog, not a duck, you buffoon!
00:47:38Oh yes, of course, a dog, seen through a very unique prism, portrayed as only an artist of Reina's caliber could possibly portray it.
00:47:51Now that we have familiarized ourselves with the art and the artist, let's start the bidding.
00:47:55The starting price will be $50,000.
00:47:58Do I hear $50,000?
00:48:01Anyone?
00:48:04$50,000, do I hear $60,000?
00:48:08Anyone?
00:48:10$50,000 going once, $50,000 going twice.
00:48:14Sold!
00:48:15Sold for $50,000.
00:48:22And now we'll invite our second artist for the evening, Ms. Tasha Roberts,
00:48:27who will also be presenting a series of paintings.
00:48:38Ms. Tasha Roberts, where are your paintings?
00:48:41I don't have my paintings tonight, um, but I will be auctioning off this dress.
00:48:48Oh, wow, it's beautiful.
00:49:02It's so gorgeous.
00:49:02It's so gorgeous.
00:49:03Oh, stupendous.
00:49:04I've never seen a dress so beautiful.
00:49:06A stunning work of art indeed.
00:49:17There's no need for me to say another word about this masterpiece.
00:49:19Everyone in the audience can clearly see the extraordinary talent and extraordinary artistry.
00:49:25Let's start the bidding at $50,000.
00:49:27$55,000, $75,000, $90,000, $100,000, $150,000, $250,000 going once, $250,000 going twice.
00:49:44Sold!
00:49:45This beautiful dress was sold for $250,000.
00:49:56Is that the heart of sun necklace that sold for $200 million a few months ago in a bid now?
00:50:01Impossible.
00:50:03How can that lowly peasant possibly afford it?
00:50:05It must be a fake.
00:50:10Thank you so much for your bid, Ms. Winslow.
00:50:13I'm going to design a few custom pieces in your size and design them to your elegance and style.
00:50:19Have you ever considered creating your own clothing brand?
00:50:24Your creations are so extraordinary.
00:50:28You should really share your talent with the rest of the world.
00:50:31I never considered it, but I certainly will now.
00:50:35Hi.
00:50:37I'd be careful if I were you.
00:50:38I personally wouldn't put any faith into someone that wears cheap replicas of famous pieces of jewelry.
00:50:46What are you talking about right now?
00:50:48This woman is a phony and a con artist.
00:50:50For as long as I worked with her, she's done nothing but defraud and cheat the people she's done business with.
00:50:57And let me make it clear.
00:50:58For everybody that wants to do business with this woman, they won't be allowed to do business with the Crow Group.
00:51:05Is that so?
00:51:06Well, let it be known that if anybody refuses to work with Ms. Tasha Roberts because of the baseless rumors and lies being spread by Ms. Raina Crow,
00:51:18you will no longer be welcomed back to the Fitz Gallery.
00:51:20That's the curator of the Fitz Gallery.
00:51:25Not just the curator, he's also the director of the Fitz Foundation.
00:51:31The curator?
00:51:33Is he the man who bought my paintings?
00:51:36Why does he seem so familiar?
00:51:40Ms. Tasha Roberts is my guest of honor tonight, all right?
00:51:43I invited her personally.
00:51:45So if anybody treats her with the slightest bit of disrespect, they'll be asked to leave and never again invited back to the Fitz Gallery.
00:51:51As the director of this esteemed organization, am I interested to know that your guest of honor is wearing a cheap replica of a priceless work of art.
00:52:02She is not to be trusted.
00:52:05I'm assuming you mean her diamonds.
00:52:07What evidence do you have to prove that it's not real?
00:52:09Well, the real heart of the sun has the initials of the craft man engraved in the joint between the gemstone and the pendant.
00:52:18So Tasha, would you indulge us all and show us if what you're wearing is a genuine article or a cheap knockoff?
00:52:27This was just given to me by a friend. I never claimed it was the real heart of the sun.
00:52:32I don't want to embarrass him by having people pour over it for imperfections.
00:52:38So it's a forgery. You were so happy to have everyone believe it was the real thing until I challenged you and called your bluff.
00:52:48Ms. Roberts.
00:52:48You have nothing to fear from this woman. Just show her the necklace.
00:53:02And I'll personally see to it that there are no despairing comments about its craftsmanship or quality.
00:53:07And the question has to be asked whether it is the true heart of the sun.
00:53:10What? How is this possible?
00:53:24I do say, this engraving looks entirely authentic to me.
00:53:32This is indeed the one and only heart of the sun.
00:53:36Well, that settles it then. This necklace is authentic. From now on, no one will be permitted to question or harass my guest of honor.
00:53:45Now, if everyone is satisfied, can we please get back to tonight's festivities?
00:53:49Thank you. Cheers.
00:53:59Ken, you have a lot of explaining to do.
00:54:03Okay, what's wrong?
00:54:04I can't accept this necklace. And I can't give you what you want.
00:54:09Do you even know what I want?
00:54:12I don't want to know. We can just be friends, nothing more.
00:54:17Tasha, you're just afraid. You're just afraid of going after what your heart truly desires.
00:54:22And I just think you're afraid of just being true to yourself.
00:54:27You're the last person that should be lecturing anybody on the truth.
00:54:33Who are you? What do you do? Is this even your house? I mean...
00:54:40How do you own a necklace that's 200 million dollars?
00:54:46I just...
00:54:46See, you don't even respect me enough to tell me the truth.
00:54:50What, you expect me to jump into a relationship with you?
00:54:57You could be a total stranger. I have no idea who you are.
00:55:03Tasha, I want to tell you. I do. But...
00:55:06I just can't right now.
00:55:09All right? Like, maybe in the future when we can sit down and...
00:55:11No, Ken, there is no future for us.
00:55:14Not if you can't tell me one thing about yourself that isn't a lie.
00:55:17Why? When you find someone that you really love and trust, you let them in.
00:55:30But that person won't be me.
00:55:36Are you okay?
00:55:50Director Fitz, I had a wonderful time at the gala.
00:55:55Thank you for supporting me and standing up for me.
00:55:59I wasn't bothered by the way the other guests treated me.
00:56:03I've endured far worse.
00:56:08Lovely. I'm glad to hear it.
00:56:10I would like to exclusively showcase your work at the Fitz Gallery for the foreseeable future.
00:56:16Think of it as a sort of artist residency.
00:56:19Would you be interested in such an opportunity?
00:56:20This dress is every bit as exquisite as I expected it to be.
00:56:34Thank you, my dear.
00:56:35You're very welcome.
00:56:37Have you given any more thought to my proposal?
00:56:41If you wish to start a clothing brand, I would be more than happy to invest
00:56:45whatever you require to get started.
00:56:48It's a very gracious offer, but I just, I have to ask.
00:56:52I mean, there are so many other talented designers.
00:56:55Why do you have such faith in my abilities?
00:56:58It's not just me, you know.
00:57:00The curator of the Fitz Gallery has never been seen in public before the gala last night.
00:57:07And everyone in attendance was certain that the only reason he chose to make an appearance
00:57:12was because of you, his guest of honor.
00:57:17That was his first appearance ever?
00:57:19Indeed.
00:57:20His very first and only time to appear in the flesh.
00:57:24Before this, he was a figure of myth and mystery.
00:57:28Many people doubted he existed at all.
00:57:31But all because of you, he chose to grace us with his presence last night.
00:57:37Seems like a marvelous young man, don't you think?
00:57:40He certainly had a charm about him.
00:57:42Oh, undoubtedly.
00:57:44You know, many people flock to the Fitz Gallery for more than just the art.
00:57:50They want to learn all about the enigmatic young curator.
00:57:55Really? I mean, what's so interesting about him?
00:57:58Have you ever wondered how the Fitz Gallery has managed to surpass
00:58:02all of the established art collections to become the top venue for fine art in just two years?
00:58:10I mean, I heard rumors, something about foul play, but I always just assumed they were baseless.
00:58:17Those rumors have quite a bit of truth to them.
00:58:20It seems like the Miller crime family is actually behind the Fitz Foundation.
00:58:26The one and the same Miller crime family that monopolizes all the underground trade in all of North America.
00:58:35He seems like such a gentleman.
00:58:37I just, I find it hard to believe that he ever was involved in something so sordid.
00:58:41You must never judge a Brooklyn's cover, my dear girl.
00:58:46Even people close to us may be harboring many secrets.
00:58:50We never really know what's going on inside.
00:58:53You got that right.
00:58:56I learned that lesson the hard way.
00:58:57Let me be frank.
00:58:59I have tremendous faith in you.
00:59:02Thank you, Mr. Winslow, but I think it's dear.
00:59:05All my friends call me Laura.
00:59:10This is a good shack.
00:59:12For five million dollars.
00:59:14She'd help you get your clothing brand started.
00:59:17She'd help you get your clothing brand started.
00:59:19Shall we become business partners in addition to being friends?
00:59:36Director Fitz, I'd like to work with you.
00:59:40It would be my honor, Miss Tasha Roberts.
00:59:47To be with me, take you high, soaring, see your smile, it's my only dream.
01:00:00Staring out into the sea, waves come crashing up to me.
01:00:08My toes slip into the sand, dream that I'm with you.
01:00:15Staring out into the sea, waves come crashing up to me, my toes slip into the sand, dream that I'm with you.
01:00:31Staring out into the sea, waves come crashing up to me, my toes slip into the sand, dream that I'm with you.
01:00:43Congratulations, Miss Roberts.
01:00:45We expect a huge success from your art exhibition.
01:01:01You're looking at her, you're obsessed with her.
01:01:07Didn't she humiliate me enough the other night at the gala?
01:01:10Oh no, now I have to watch my husband stare at her picture.
01:01:15Well maybe if you didn't give her the opportunity to humiliate you.
01:01:19So it's my fault now?
01:01:20Oh wait, let me guess.
01:01:21Maybe it's my fault too when the two of you broke up.
01:01:23Okay.
01:01:25Raina, I've been thinking.
01:01:28I don't think this is working.
01:01:31I want a divorce.
01:01:36You used me to push Tasha out of your company, take her property and now you cast me aside like what,
01:01:42a used piece of garbage?
01:01:44I won't allow this.
01:01:47Mark my words, Karl Kroh, you will regret this.
01:01:53I'm spending too much time around Ken.
01:02:06He's dominating all my thoughts.
01:02:08I have to distance myself from him for my own sanity.
01:02:23As if nothing I can do to get you to stay.
01:02:30I'm sorry, but no.
01:02:35You and I, our relationship will just keep going in circles.
01:02:42But thank you for everything you've done for me.
01:02:44I have a little bit of money now, so you should be able to pay off your loan soon.
01:02:50And long talks, an awkward silence, wait nights, walking through the garden, running with your hand in mine.
01:03:06This is what happens when you steal from the millers.
01:03:24Please, let me go.
01:03:26I promise you'll never see me again.
01:03:37What do you got here?
01:03:38I'm ready to see where you are.
01:03:40Boss, I found this one peeking around the corner.
01:03:45Not sure how long this little bitch has been watching, but I'm pretty sure she tried to call the cops.
01:03:54Don't worry boss, I got a knife with her name on it.
01:03:56We can dump her body with the other guy.
01:03:58No, let her go.
01:04:05What? Didn't you hear what I said? She's seen everything.
01:04:08Let her go before I rip off your fucking arms and throw them in the river.
01:04:20Walk away, this doesn't mean anything to you.
01:04:23Is this what you couldn't tell me about?
01:04:26Boss, you know this woman?
01:04:28You're gonna kill him.
01:04:32Call the police then, see if they can save his life.
01:04:34No, don't call the police, you stupid bitch.
01:04:39My world is more cruel than you can possibly imagine.
01:04:42Since you didn't want to get involved, just walk away.
01:04:58Hey babe, what do you want for breakfast?
01:05:09What do you want for breakfast?
01:05:13My world is more cruel than you can possibly imagine.
01:05:24Since you didn't want to get involved, just walk away.
01:05:27I never imagined that Ken could be such a dangerous and violent man.
01:05:42There must be something or someone forcing him to do all of this.
01:05:46Even people close to us may be harboring many secrets.
01:05:53We never really know what's going on inside.
01:05:57Forget it.
01:05:57This has nothing to do with me.
01:05:59I decided to leave Ken, so I have to do my best not to look back.
01:06:03You're a pro-magnet boyfriend, is he not joining us?
01:06:16It's all over. I'm not with him anymore. Where's Reyna?
01:06:34Reyna was a mistake. That's all over too.
01:06:39Tasha, I want you back. I can't stop thinking about us.
01:06:50You were right. You belong in my life.
01:06:53So, if you just sign those documents, then you can come back to me.
01:07:00Come back to the house. We can carry on like none of this ever happened.
01:07:04I can give you your old job back. That'll be fun, working together again.
01:07:08And then all that debt you owe me will be wiped clean.
01:07:11You, uh, need a pen?
01:07:18You think I'd get back with you after everything you put me through?
01:07:25Here is a hundred million dollars.
01:07:30I'll pay the rest on time and for your agreement.
01:07:38Take these documents and shove them right up your ass.
01:07:45You disgust me, Carl.
01:07:48You should think about Anna.
01:07:50Do you really want her growing up without a mother?
01:07:52With all her health problems, she could really use your support.
01:07:55Don't dare talk about Anna.
01:07:57She'll be with me soon. Then I'll never let her out of my sight again.
01:08:01She needs her mother and her father.
01:08:03Not a father like you, she doesn't. She'd be better off with no father at all.
01:08:07I'm sorry, am I interrupting?
01:08:20Are you texting a new boyfriend already?
01:08:22Can it wait? I'm not done talking here.
01:08:27You're pathetic, Carl.
01:08:30Okay, Tasha.
01:08:33Tasha.
01:08:34Hey, Tasha.
01:08:39Tasha, come back.
01:08:40Where are you going? This place is disgusting.
01:08:43Come on, Tasha.
01:08:45Don't you remember the happy times? Come on, we can have that again.
01:08:47Think of Anna. Think of me, please.
01:08:50I love...
01:09:04Sorry, folks.
01:09:13It's the end of the line for you.
01:09:17No hard feelings.
01:09:19But we gotta do what the people who pay us tell us to do.
01:09:23Who's paying you?
01:09:26I'll give you a hint.
01:09:28A very beautiful woman paid us a small fortune to make sure you two would
01:09:32make sure you two don't make it.
01:09:36Raina.
01:09:37That fucking bitch.
01:09:39Do you know who I am?
01:09:41I'm Carl Crow, the CEO of the Crow Group.
01:09:45What if she's paying you?
01:09:46I'll pay double, okay?
01:09:47Yeah, yeah, yeah.
01:09:48You pay me double.
01:09:49I guess you haven't heard the news, buddy.
01:09:53See, I don't think you have the means to outbid your pretty little friend.
01:09:59Oh, that back-standing slut!
01:10:03Please, pick up the phone.
01:10:05You trying to phone a friend?
01:10:07That's a big no-no, sweetheart.
01:10:09That's breaking the rules.
01:10:13Sweetie, don't waste the little time you have left trying to call for help.
01:10:18It won't do you any good.
01:10:21No one is going to help you now.
01:10:25Three hours, where is Tasha?
01:10:32Hey, Nell.
01:10:33Hey, listen, I need you to do me a favor.
01:10:36Yeah, I need you to pull out the city surveillance system in the area and find all the footage.
01:10:40Yeah, no, something's wrong.
01:10:42What are you doing?
01:10:53Well, you have to get out of here.
01:10:56You should just go, save yourself, leave me.
01:11:12It's what I deserve.
01:11:17I'm not going to leave you.
01:11:19I'm not that type of person.
01:11:20Come on, let's go.
01:11:30Come down here and wait until they come in.
01:11:32Hey, Tasha.
01:11:42I'm so sorry.
01:11:46Now's not the time for that.
01:12:02All in.
01:12:14Looks like we got ourselves a suicidal prick here, fellas.
01:12:17I can't think of any other reason why somebody would kick in a door that's got
01:12:20Vincent Santorelli on the other side of it.
01:12:26Oh, shit.
01:12:28Boss.
01:12:30I didn't realize it was you.
01:12:32These your guys?
01:12:36Where the fuck are they?
01:12:38You better find them, quick.
01:12:55Now it's your turn.
01:13:02Pretty little thing like you, I was going to make it painless, but I guess you didn't want that.
01:13:22All the same.
01:13:25Hey, who's this fucking monkey?
01:13:26Lower your fucking gun.
01:13:27Vinny, what the fuck is going on?
01:13:29Vinny, what the fuck is going on?
01:13:29You're fucking deaf.
01:13:30Yo, lower your fucking gun.
01:13:32Are you...
01:13:34Are you Ken Miller?
01:13:35Vinny, how can that be?
01:13:36What the fuck is going on?
01:13:37Ken Miller.
01:13:40The one and the same Miller crime family that monopolizes all the underground trade in all of North America.
01:13:48What the fuck is going on?
01:13:50It's you.
01:13:58You know what you have to do.
01:14:01Boss, please.
01:14:04He's my brother.
01:14:05I was pushing you away as Ken and growing closer to you as Fitz.
01:14:27I'm sorry, Tasha, but there's just nothing I can do that will make you happy.
01:14:37And I just can't win over your heart.
01:14:39Is Ken Miller always this loving with the hostages he rescues?
01:14:49Or is this just special treatment reserved for his lovers?
01:14:55Tasha, I love you.
01:14:56My heart has belonged to you and only you for the past 15 years.
01:15:0515 years?
01:15:06No, we just met a few months ago.
01:15:11We met 15 years ago.
01:15:17You went to Marr Middle School?
01:15:19Yeah.
01:15:21And you saved my life there.
01:15:30Stand up, chicken, and hit us back!
01:15:33Isn't that what your dad does for a living?
01:15:35Beat people up?
01:15:37I'm not my dad!
01:15:39You and your father are both scum.
01:15:41Let's teach this little and thug a lesson!
01:15:43Yeah, idiot!
01:15:44Get up and show us what you've got!
01:15:48Hey!
01:15:50Hey, hey, hey, hey, hey, stop!
01:15:52That's enough, that's enough!
01:15:53It's none of your business, Robert!
01:15:55Get out of here, Robert!
01:15:56Hey, stop!
01:15:57Go home, I'll call your parents, go!
01:15:58Oh crap!
01:15:59Get out of here!
01:16:12Ever since I saw you that night in the cab with that necklace on,
01:16:15I just, I knew I found you.
01:16:21Look, this isn't just some feeling for me, okay?
01:16:24This is, this is everything to me.
01:16:27Like, you are everything to me.
01:16:29But no matter what happens between us,
01:16:31I will always care about you.
01:16:36And maybe one day we can...
01:16:40make it work in a different way, right?
01:16:53I just need some time to process this.
01:16:57Okay, and after that...
01:17:04Maybe we can pick up where we left off,
01:17:06that first night you spent here?
01:17:10Maybe.
01:17:12I play your cards, right?
01:17:28Does everything look good to you, my artist?
01:17:31Yeah.
01:17:33Thanks for everything.
01:17:35That doesn't sound very convincing.
01:17:37Is there anything you want to change?
01:17:39No.
01:17:40I just, I never got around to asking why you
01:17:43wanted to start an art gallery in the first place.
01:17:46Honestly, just to get to you.
01:17:49See, I thought if I owned the world's greatest art museum
01:17:51that one day you might find your way in here,
01:17:53and I don't know, that I might find you.
01:17:57But I got to go with them.
01:18:14FEMALE örn
01:18:16Hayat
01:18:17Hayat
01:18:18Hayat
01:18:19Hayat
01:18:21Hayat
01:18:21Hayat
01:18:23Hayat
01:18:23I want to see what kind of woman this is that has ensnared my son.
01:18:36I doubt she's worthy of joining a Miller family.
01:18:40As you wish, sir, I will make the arrangements.
01:18:46Honestly, it's to get to you.
01:18:49See, I thought if I owned the world's greatest art museum
01:18:51that one day you might find your way in here,
01:18:53and I don't know, that I might find you.
01:18:57Okay, okay.
01:18:59Just concentrate on painting.
01:19:01Don't think about him.
01:19:19Who are you?
01:19:21Miss Tasha Roberts,
01:19:24Mortimer Miller would like to speak with you privately at his home.
01:19:29Come here.
01:19:31Take a look.
01:19:36She's an heiress to the largest chain of luxury hotels in the Western Hemisphere.
01:19:42She's young, beautiful, well-educated.
01:19:47I think she'll make a fine wife for my son, Ken.
01:19:50With all due respect, sir.
01:19:55I believe that it's up to Ken to decide who he wants to spend the rest of his life with.
01:20:03Choose you.
01:20:04Not a chance.
01:20:05You're no match for my son.
01:20:13Now, you owe money to the Crow Group.
01:20:17I'm going to pay your debt.
01:20:25And in return, you will agree to never see my son again.
01:20:31It's our decision whether we want to be together or not.
01:20:37Your son and I love each other.
01:20:38There's nothing in this world that can keep us apart.
01:20:42Tasha, do you want us to be together?
01:20:45It's impossible.
01:20:48Father.
01:20:49I forbid it.
01:20:50Father, this is the love of my life.
01:20:52I can't lose her again.
01:20:54I'd rather leave the family business.
01:20:57Then leave if you wish.
01:21:00But she will never have my approval, ever.
01:21:03And she'll never be a part of the Miller family as long as I live.
01:21:07You'll come running back.
01:21:09Without the Miller family power, money,
01:21:12You'll accomplish nothing.
01:21:17You're making a big mistake.
01:21:20Choosing this old hand instead of family.
01:21:34Ken, where are you?
01:21:36Why aren't you back yet?
01:21:41Oh, you're still awake?
01:21:42Who did this to you?
01:22:01Don't worry about me.
01:22:02I'm fine.
01:22:03It's nothing out of the ordinary.
01:22:12Hey, babe.
01:22:18Yeah, no.
01:22:18I'm just right outside.
01:22:23You son of a bitch.
01:22:25You're making me cut my own brother's hand.
01:22:28Now you think you can betray the Miller family,
01:22:31walk away scot-free?
01:22:33Not a fucking chance.
01:22:36This guy means nothing to the Miller family now.
01:22:38He's worthless.
01:22:41Helpless.
01:22:42He'll be absolutely nothing now.
01:22:45Let's make him feel the pain
01:22:46that my brother felt.
01:22:49Come on, boys.
01:22:50Stop.
01:23:00Stop hurting him!
01:23:14You stupid bitch.
01:23:17Stop!
01:23:19Stop!
01:23:21Stop at once, you insolent fools!
01:23:51Son, you know how hard it is for me to admit that I made a mistake?
01:24:02But today the two of you have proved me wrong beyond a shadow of a doubt.
01:24:08Tasha, you are the perfect woman for my son.
01:24:15Go. Be together.
01:24:21You approve?
01:24:23You have my blessing.
01:24:26From this day onward, you'll have nothing more to do with the legal activities of the family.
01:24:34But, you'll always be a millionaire.
01:24:40As will she.
01:25:04Get off me!
01:25:07You useless, impotent man-child!
01:25:11The crowd group is bankrupt!
01:25:13Getting involved with you is the worst decision I could have made in my life!
01:25:17Get off!
01:25:18This is all your fault!
01:25:19You spent every single thing that we had!
01:25:22Now we have nothing left!
01:25:23No company, no house, no money, not even a dime!
01:25:27And it's all because of you, you greedy cow!
01:25:30Don't you, don't!
01:25:32Hey, hey, hey!
01:25:39The late Mrs. Miller was a beautiful woman, sir.
01:25:44Yes.
01:25:48Back then, my wife protected me from every danger that befell our family.
01:25:53And today, my son found the perfect woman that I said I'd do the same for him.
01:26:02He's a lucky man.
01:26:04Wow, you look so beautiful.
01:26:18No, you can't be here right now.
01:26:21Babe, I don't want to rush you, but everybody's waiting to see you.
01:26:25Ken, can you promise me one thing?
01:26:28I can promise you two if you'd like.
01:26:32I'm serious.
01:26:35I want you to walk away from the family business.
01:26:40There's a city called Ostia.
01:26:42It's on the southwest side of Rome by the ocean.
01:26:46What?
01:26:47You know what I found over there?
01:26:50I found you an art teaching job out of public school.
01:26:54I would do tickets, maybe even in the morning.
01:26:56You're sending me away?
01:26:58No.
01:27:00I opened my own restaurant.
01:27:02It's just down the street.
01:27:05I want one more thing.
01:27:07I enrolled Anna at the school they were going to be teaching at.
01:27:11I think she's going to really live it over there.
01:27:15So you really are walking away?
01:27:17Yeah.
01:27:23You got some sauce.
01:27:26I want to be a man.
01:27:27I know who it was.
01:27:29I'm taste ha man.
01:27:31Evil.
01:27:32See you later.
01:27:33I'm ready to explore the computers.
01:27:36Terrier Sam.
01:27:38I don't know when I'm territoriates.
01:27:39You got things familiar.
01:27:41There's some food.
01:27:42There's some food.
01:27:44You're going to be a place where you're going to take a breakage.
01:27:45There's a place where you're walking away from thebehind.
01:27:47There's a lot of food.
01:27:49There's a lot of food on the season.
01:27:50There's a lot of foodess.
01:27:51You everything?
01:27:52I'm scared.
01:27:53You're going to get something information.
01:27:54Transcription by CastingWords
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