Shelter in the Mafia #Dramabox

Reel Horizon

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Transcript

00:00:00Hey, what are you doing with my stuff? How'd you get in here?

00:00:11I gave him the keys.

00:00:12Carl?

00:00:13I mean, what are you doing here so late? And what's that guy doing with my stuff?

00:00:17Tasha, Tasha, Tasha. You're always asking the wrong question.

00:00:23What the hell is going on?

00:00:26Do you really think you're that sick, Tasha?

00:00:30Your husband and I decided that you're no longer needed here anymore.

00:00:33Reyna's going to take over your role at the company.

00:00:36She's already proven she can do everything you can, but better.

00:00:40I'll have a letter of termination and divorce paper sent over to your new address,

00:00:44wherever that ends up being.

00:00:45What should I do with this, boss?

00:00:47Give me that new plebe. I know exactly what to do with it.

00:00:54Is that clear enough for you, Tasha?

00:00:56Tasha, your company and your husband both belong to me now.

00:01:04No, you can't just fire me. I'm a shareholder at this company.

00:01:08Are you still a shareholder at this company? Are you?

00:01:11Actually, your debt is mortgaged with your shares, so you actually owe this company about $200 million.

00:01:17I never took out any loans that large.

00:01:20Oh, Tasha. You were always so gallible.

00:01:23A word of advice for the future?

00:01:25Don't give the keys to the kingdom to your assistance, no matter how trustworthy your feeble brain thinks they might be.

00:01:33Security! Security! We have a vagrant in the lobby and she might become hostile.

00:01:39Stop acting. I'll just leave on my own.

00:01:42Look, there's no glamour. There's no glory. It's just blood, guts, fear and misery.

00:01:55Come on, man. You think I'm some kind of moron that doesn't know anything?

00:02:00I know that the type of money you make in just a few days, I can't make that in ten years working as a stick.

00:02:06But at least you're guaranteed to be alive in ten years. In my world, you're not guaranteed to be alive in ten days, let alone ten minutes sometimes.

00:02:13Yo, yo, man. Stop lecturing me. Are you gonna give me the gun or not?

00:02:20I'm sorry, but no. I'm not gonna let you get killed.

00:02:24Man, what the fuck you got me here for then?

00:02:28Shit.

00:02:43Oh, I guess you didn't hear. The repo guy. He came and towed your car away. Oh, said it was, like, collateral for a loan.

00:02:54Of course, I made the call and arranged everything. My pleasure.

00:03:00You despicable trash.

00:03:04You know, I was gonna give you a ride, you know, seeming that we were married for so long.

00:03:09But walking the streets at night kind of suits you. So, enjoy.

00:03:16Go to hell.

00:03:34Miss?

00:03:50Just go away, alright? I don't need your cheap sympathy right now.

00:03:55Miss, your friend's gone. I just want to offer my cab services.

00:03:59Yeah, I'm sorry. I have a cab is just what I need right now.

00:04:07Alright, great. Come on board.

00:04:29Sorry, I... I don't have any cash right now. Um...

00:04:35Give me a minute. I'll go grab some from inside.

00:04:37Here.

00:04:39Just proof I'm not trying to skip out on the fare.

00:04:52You have some nerve coming back here.

00:04:54I never wanted my son to marry you in the first place.

00:04:57And now that he's finally come to his senses and kicked you to the curb,

00:05:01you think that you can just waltz right back into his house?

00:05:05His house?

00:05:07My father left me this house.

00:05:10And I know you're senile, but I'm sure you remember when you practically begged me to let you and Carl live here.

00:05:18I always knew you were a nasty little hussy.

00:05:27Who the hell are you?

00:05:28This is a personal matter, so you should really mind your own business and stay outside.

00:05:33Actually, this is my boyfriend.

00:05:37So, if it's a personal matter for me, it's a personal matter for him.

00:05:41Okay.

00:05:42What?

00:05:43You think your son's the only one capable of having secrets?

00:05:47Hey, thanks again for today.

00:06:04I know that's a weird position to put you in.

00:06:08It's alright.

00:06:10It is really nice to know that there are still good people up there that would help a total stranger.

00:06:18Have a good night.

00:06:19Alright, you too.

00:06:40Where's my necklace?

00:06:50Here.

00:06:51Just proof I'm not trying to keep out on the fare.

00:06:53Where's my necklace?

00:06:54Here.

00:06:55Just proof I'm not trying to keep out on the fare.

00:06:59Here.

00:07:00Just proof I'm not trying to keep out on the fare.

00:07:12There's such a fancy broad like you find yourself in a place like this.

00:07:40Who the hell are you?

00:07:42Get out now!

00:07:43All I'm trying to do is introduce myself

00:07:45and you're treating me like some dog shit

00:07:47you found stuck to your shoes.

00:07:51I'm calling the police!

00:07:55How about I give you a better idea?

00:08:05You and I are going to have some good old-fashioned fun tonight.

00:08:10If I ever see you around here again, you're dead!

00:08:20Get out of here!

00:08:23Hey.

00:08:25Oh, I'm so glad you're here.

00:08:31Where did you get this necklace?

00:08:34My father gave that to me.

00:08:40You'd better not be lying to me.

00:08:43I'm not lying.

00:08:46He made that with his own hands.

00:08:48I have my name on the back.

00:08:53It's really you?

00:08:54It's really you.

00:08:56Hey.

00:09:08How you feeling?

00:09:12How did...

00:09:13How did you...

00:09:14You left your bag in my car.

00:09:17How did you know where to find me?

00:09:21I have my ways.

00:09:22Hey, listen.

00:09:26I know it's none of my business.

00:09:28But it's not safe for you here.

00:09:30Everything that's happened in the last 24 hours,

00:09:32this is...

00:09:33All I can afford.

00:09:38Listen, I have an extra room at my place.

00:09:39Maybe...

00:09:41You can just come stay with me.

00:09:42Welcome home.

00:10:03Welcome home.

00:10:03I really feel like my luck's starting to change.

00:10:13I mean, you've literally rescued me over and over today.

00:10:17I know what it's like.

00:10:19I've been rescued before.

00:10:20Um, I'm sorry.

00:10:22I...

00:10:22I don't think I can make rent right away.

00:10:25But, um...

00:10:27You can tell this ring and then...

00:10:30You should cover me for a few months.

00:10:31At least until I'm back on my feet.

00:10:33I thought he was a really rich guy.

00:10:36Why did you choose us a small diamond?

00:10:40It's not a very good cut, either.

00:10:43Okay.

00:10:44Never mind.

00:10:45I...

00:10:46Can just...

00:10:47No, it's fine.

00:10:48I'm just saying.

00:10:50You deserve a better reign than this.

00:11:03No, babe.

00:11:20Stop.

00:11:20It's late.

00:11:21Okay?

00:11:21You're still thinking about her.

00:11:25Who, Tasha?

00:11:27Are you kidding me?

00:11:29Then why are you wearing the wedding ring?

00:11:31Did you forget what she and her father did to you?

00:11:33I will never forget what she and her father did to me.

00:11:37But that has nothing to do with you.

00:11:38So why don't you stop mouthing off about shit that you know nothing about and let me handle

00:11:43my own affairs.

00:11:44So why don't you stop mouthing off about shit that you know nothing about and let me handle

00:11:45my own affairs.

00:11:46So why don't you stop mouthing off about shit that you know nothing about and let me handle

00:12:16you know nothing about and let me know nothing about and let me know what I'm saying.

00:12:18Mary?

00:12:21What?

00:12:26Hey, what's going on?

00:12:27My daughter's missing.

00:12:29What?

00:12:42Tasha, you shouldn't have barged in like this.

00:12:45If Carl finds out...

00:12:46No, I don't care about Carl right now, okay?

00:12:49Where's my daughter?

00:12:50Where's Anna?

00:12:51I sent her away.

00:12:54No.

00:12:56You have no right.

00:12:58Actually, as Carl's new wife and Anna's legal guardian, I have all the right to do whatever

00:13:04I want with my stepdaughter.

00:13:08What?

00:13:09We never settle custody, so just skip the theatrics and tell me where my daughter is.

00:13:17You think you're getting custody?

00:13:20Estoy soñando.

00:13:22On one hand, we have a mother drowning in death with no place to live.

00:13:29On the other hand, we have a wealthy and well-respected father who happens to be the CEO of the world-renowned

00:13:38probe.

00:13:39What do you think the court looks like?

00:13:41What do you think the court looks like?

00:13:50What's going on?

00:13:50Oh, Carl.

00:13:53Carl, it's okay.

00:13:54Tasha was understandably upset about the situation.

00:13:56You know, I don't blame her for what happened.

00:13:59You trespass on my property, assault my wife in her own home?

00:14:04Tasha, I have put up with your outrageous behavior for years, but don't you dare subject

00:14:08Raina to that kind of abuse.

00:14:10You don't understand.

00:14:11Raina sent Anna away.

00:14:13She did what any good mother would.

00:14:15I want to know where my daughter is right now.

00:14:18New Zealand.

00:14:19Getting medical care from one of the best cardiology departments in the world.

00:14:23And remind me, what have you done for your daughter lately, hmm?

00:14:28Abandon her?

00:14:29To go shack up with some cab driver boyfriend?

00:14:31Oh, you idiot!

00:14:33I found this cardiologist in New Zealand.

00:14:36Scheduling those appointments was the last thing I had Raina do when she was still my assistant.

00:14:40Tasha, Tasha, you disgust me.

00:14:43Trying to take credit for this wonderful woman's kind gesture to your own sick daughter.

00:14:48I'm going to make sure Anna stays far, far away from me so there's no possibility of

00:14:52ever becoming anything like you.

00:14:59You backstabbing, homewrecking bitch.

00:15:07I advise you stay far away from my daughter and I.

00:15:13Hey!

00:15:13And by the way, the deed still lists me as a rightful owner to this house.

00:15:19So the two of you have no right to keep me from coming back here.

00:15:23Do you understand?

00:15:23Calm down.

00:15:24Uh-oh!

00:15:25You can forge my signature.

00:15:27You can take my money.

00:15:28Take my house.

00:15:29But you will never have a shred of the intelligence that I have.

00:15:33So you have made your point.

00:15:35I think it would be...

00:15:35You deserve that too!

00:15:38You should have told me about Anna a long time ago.

00:15:44Oh, don't stop at my account.

00:15:47Please, continue.

00:15:49Miss Big Shot.

00:15:51Don't you forget that you still owe $200 million.

00:15:55And $20 million of that is owned to me, personally.

00:15:59In fact, I'm going to call my lawyer and see to it that if you don't pay right away,

00:16:03you're never going to see your daughter ever again and you'll end up in Dexter's prison.

00:16:09Go ahead and check it out.

00:16:15But after your accountant, make sure this is all legit.

00:16:17I don't want you two jackasses counting my girl for money ever again.

00:16:20Got it?

00:16:26Oh!

00:16:27By the way, we're going to go ahead and take Anna in the future too.

00:16:31Don't worry, Carl.

00:16:32I'll be a better father to her than you ever can be.

00:16:36Tasha.

00:16:37You'll regret this.

00:16:43Thanks again, Kerr.

00:16:45Today.

00:16:47For pretending to be my boyfriend.

00:16:52Mm-hmm.

00:16:54Was all that money real?

00:16:57As real as it comes.

00:16:58Where'd you get all that money?

00:17:00I robbed a couple jewelry stores before I came to find you.

00:17:04Are you serious?

00:17:07No.

00:17:07I'm just joking.

00:17:09It was my dad.

00:17:10Don't worry.

00:17:10It wasn't stolen or robbed or anything.

00:17:13But hey, listen.

00:17:15From now on, I want you to think of me as your creditor.

00:17:17Okay?

00:17:17I don't want you to worry about owing money to those scumbags.

00:17:21From now on, you'll just owe money to me.

00:17:24As long as you're okay with that.

00:17:26I could be okay with it.

00:17:28As long as you can satisfy one small request.

00:17:30What kind of request?

00:17:42My only request is that you just relax.

00:17:47Okay?

00:17:48I want you to take a load off.

00:17:50I want you to start by telling me a story, you know, about the last time it was when you

00:17:54were happy.

00:17:55You know, I just, I never in a million years could imagine that Carl would betray me like

00:18:14this.

00:18:17I have nothing.

00:18:18Well, I mean, you always have me and, you know, other things.

00:18:31I can't hear you.

00:18:32You're whispering.

00:18:48I can't hear you.

00:19:19That bitch.

00:19:22Honey, you know, you promised to put me in touch with the curator at the Fitzgallery.

00:19:26I'm telling you, forget about the Fitzgallery, okay?

00:19:29The people who are running it are crooks.

00:19:32But I want my paintings to be showcased in the most prestigious venue possible.

00:19:36I know, I know.

00:19:38And I said I would help you find other galleries.

00:19:41Remember?

00:19:42Just stop manging me about it.

00:19:44Okay?

00:19:45Okay.

00:19:48You're a little angel.

00:19:49Okay.

00:20:09Is it okay?

00:20:10Sleeping?

00:20:11well

00:20:17it's certainly going to make things more complicated

00:20:21so you want to pretend last night never happened

00:20:25I thought we had a good thing going on between us

00:20:33I mean you've been going around

00:20:34the last couple days telling everybody I was your boyfriend

00:20:36yeah but

00:20:38that was just something I said to make my husband jealous

00:20:42you mean your ex-husband

00:20:45yeah

00:20:46ex

00:20:47yeah

00:20:48but I mean you and I

00:20:52you know I can't start a new relationship right now

00:20:56so everything you said last night

00:21:00we were just caught up in the heat of the moment

00:21:04heat of the moment

00:21:06so it was all just bullshit

00:21:08why to get me into bed with you

00:21:11just to have a one night stand

00:21:14because you miss being with your damn husband

00:21:18so everything you said last night

00:21:34get a hold of yourself

00:21:38you just got divorced

00:21:42you're not going to play mind games with men anymore

00:21:46hey

00:21:48I wasn't sure what you like so

00:21:52I just made a little bit of everything

00:21:55you made all this?

00:21:58yeah

00:21:59so what do you think?

00:22:10it's delicious

00:22:11I mean you deserve to have some of your awesome breakfast too

00:22:20but hey

00:22:21you're not going to make me sit here and eat this alone are you?

00:22:25you've got some sauce right here

00:22:31all that for some sauce

00:22:39are you kidding me?

00:22:47hello?

00:22:48mommy I miss you so much

00:22:51Anna

00:22:51mommy I miss you so much

00:22:53Anna honey what's going on?

00:22:55Anna

00:22:56okay

00:23:00both of your resumes look excellent

00:23:02I have a question

00:23:04if you spilled a glass of milk in the ocean

00:23:09how would you get it back?

00:23:11what does that question have to do with our work?

00:23:15well

00:23:15I suppose you could

00:23:18contain

00:23:19the section of the ocean

00:23:21with the spilled milk

00:23:22and then

00:23:23collect that sample

00:23:25add a centrifugal force

00:23:26and

00:23:27there's probably a good chance of separation

00:23:29so at our company

00:23:32we are always trying to

00:23:33make the impossible possible

00:23:35and for that we need people

00:23:37who can think on their feet

00:23:38derive solutions

00:23:40no matter how

00:23:43outlandish the task at hand they see

00:23:46hello?

00:23:52uh huh

00:23:57okay

00:23:59congratulations miss michaels

00:24:08welcome to the eastwood corporation

00:24:10if you don't mind me asking

00:24:23why didn't I get the job?

00:24:28mrs roberts

00:24:29maybe you should focus on

00:24:32fixing your own family problems first

00:24:34before you start to look for work again

00:24:36we don't want to make enemies with the crow group

00:24:42so I guess you didn't get it

00:24:55I just don't understand why Carl hates me so much

00:25:00I mean he doesn't want me to work for his company

00:25:03but he doesn't want me to work for any other company either

00:25:05look you don't need that corporate job anyways

00:25:09yeah?

00:25:10what else can I do?

00:25:13I mean I thought you were an artist

00:25:14now a painter

00:25:15how'd you know about that?

00:25:18you brought an easel

00:25:19it's just a hobby

00:25:24I gave it up

00:25:27I don't paint anymore

00:25:29okay well

00:25:33if you don't love to paint anymore

00:25:34then

00:25:34why bring an easel with you?

00:25:36I haven't painted in years

00:25:41I'm sure it'll be just like riding a bike

00:25:44once you start

00:25:45it'll all come back to you

00:25:48that's my account

00:25:53why are they assigning it to someone else?

00:25:56fine fine

00:25:57just get me some damn answers

00:25:58and give me a call back soon

00:25:59okay?

00:26:03Carl this took me three months

00:26:05I'm sorry

00:26:07I just

00:26:07I got some bad news at work

00:26:09it's ruined now

00:26:11fine

00:26:12start over

00:26:13you know it kills me

00:26:15to see you squander

00:26:17your intelligence and talent

00:26:18on these useless paintings

00:26:20you're a remarkable woman

00:26:23Tasha

00:26:24okay?

00:26:25and if the

00:26:26charlatan snobs in the art world

00:26:28can't see that

00:26:28then screw them

00:26:30okay?

00:26:31if you put your focus elsewhere

00:26:33we could be rich enough to buy

00:26:3510 art galleries

00:26:36and then you could put

00:26:37whatever paintings you want in them

00:26:39right?

00:26:41painting's my passion

00:26:42what if we put painting

00:26:45on the side

00:26:47just for a little while

00:26:48and you could come join me

00:26:50at the company

00:26:51just together

00:26:53we

00:26:53we'd be unstoppable

00:26:56and right now

00:26:58I am drowning

00:26:59your dad and his

00:27:01partners have no faith in me

00:27:03I need you

00:27:06look

00:27:07you love me

00:27:12don't you?

00:27:15of course I do

00:27:16okay

00:27:18do this one thing for me

00:27:21this one little thing

00:27:22please

00:27:23finish

00:27:25yep

00:27:28you fly away with me, take you high, your story, see the smile, my own dream, can't bring

00:27:49out into the dream, the waist of brushing up to me, my son's sleeping, my son's sleeping,

00:27:58that is amazing, thank you, I honestly never thought I'd paint again, well that would have

00:28:06been a shame, you're easily one of the most talented artists I've ever met,

00:28:09my Pokemon, me back then, with me, watch me, save my life.

00:28:28We'll honor that you chose our gallery to showcase your work, I am curious about one thing,

00:28:33if you don't mind me asking.

00:28:35The subject in your paintings,

00:28:37your muse,

00:28:38is he your lover?

00:28:40Oh.

00:28:42No.

00:28:44He's just a friend of mine.

00:28:47But his gaze,

00:28:48the way he looks out to you

00:28:50in these paintings,

00:28:51there's so much tenderness

00:28:53and affection in his eyes.

00:29:00Is Ken really in love with me?

00:29:02He's so young, though.

00:29:04At his age,

00:29:05he probably doesn't even know

00:29:06what love is.

00:29:08Oh, sorry, you're in the way.

00:29:12Actually, you're in my way.

00:29:16Actually, you're in my way.

00:29:18I'm trying to get into my home.

00:29:21Is this your new girlfriend?

00:29:24I've never seen you

00:29:25with anyone like this before.

00:29:27Ken's my roommate.

00:29:28Now, if you'll please step aside

00:29:30so I can get in.

00:29:32Call me again

00:29:35if you need anything, okay?

00:29:37Bye.

00:29:41Hey, what are you doing

00:29:42home so early?

00:29:43Are they going to

00:29:44showcase your work?

00:29:46Sorry if I interrupted something,

00:29:48but as your roommate,

00:29:49I don't really think

00:29:50I need to tell you

00:29:50if I'm coming or going.

00:29:51So if you have something

00:29:52private to do,

00:29:53just do it in your room.

00:29:54I never said you need to tell me

00:29:55when you're coming or going.

00:29:56I'm just saying.

00:29:57Fine, you don't need to explain.

00:29:58Just, I just want to be alone.

00:30:06What?

00:30:10I'm so sorry, sir.

00:30:12She just barged in

00:30:13without permission.

00:30:14Okay.

00:30:14Miss Roberts, please.

00:30:17Grab a seat.

00:30:19We signed a contract.

00:30:20Why can't you show

00:30:21my paintings now?

00:30:23I'm afraid I don't have

00:30:24the answers you're looking for.

00:30:25You want to know what happened?

00:30:26Ask Karl Crow.

00:30:30I want my paintings back.

00:30:33Right now.

00:30:35Well, they're probably

00:30:37somewhere in the warehouse.

00:30:38They haven't been thrown away yet.

00:30:39You've already searched

00:31:05the entire warehouse ten times.

00:31:07If you haven't found

00:31:07what you're looking for,

00:31:08it's not here.

00:31:09You better hope

00:31:10I find what I'm looking for

00:31:11or I'm going to make

00:31:12this entire gallery

00:31:13compensate me

00:31:14and then I'm going to sue you

00:31:15and you'll be the first

00:31:17to lose your job.

00:31:18Yeah, that's great, lady.

00:31:19Go ahead and sue.

00:31:20I'm sure things will go

00:31:21exactly the way you described it.

00:31:39that night.

00:31:51I'm sorry.

00:31:52I'm so grateful for this.

00:31:53You really care about her?

00:32:12Shh, keep your voice down.

00:32:14She's had a long day.

00:32:16Also, you can't just come over here so casually in the future.

00:32:19Casually?

00:32:20Are you kicking me out?

00:32:23You didn't mind my coming over so casually when you had me digging through your body for bullets.

00:32:28You men are cold as hell.

00:32:30I think my lucky star is on the last band.

00:32:32Look, I just can't have her finding out about the work that we do, okay?

00:32:36Are you serious about her?

00:32:39Yeah.

00:32:40Have you thought about the consequences if your dad finds out?

00:32:45Look, no.

00:32:46You and I have been best friends for over 20 years, okay?

00:32:49And my dad has taught me everything that I know.

00:32:51I think maybe it's time I just figured things out on my own.

00:32:55And you know exactly what I went through last time.

00:33:00I'm not going to lose her again.

00:33:05Don't worry, Anna.

00:33:07Mommy's going to find a way to bring you home soon.

00:33:08All the evidence is here.

00:33:18It's exactly what you thought.

00:33:21Let me know if you want me to find out more.

00:33:22Carl, let's meet.

00:33:39Oh, wow.

00:33:49It's not every day a famous painter comes to visit.

00:33:54To what do I owe the pleasure?

00:33:56The company I supposedly borrowed money from.

00:33:59It's a shell company owned by you.

00:34:05So what?

00:34:07All our operations are legal.

00:34:08You signed the documents.

00:34:10You borrowed the money.

00:34:12All you can do now is pay it back.

00:34:15You know, I don't think you actually want me to pay back the loans.

00:34:24You were just looking for an excuse to have me back in your life.

00:34:29You're obsessed with me.

00:34:32This is just your sick way to dominate me and make me surrender to you.

00:34:36I'm just getting even.

00:34:37For the years I spent in your father's shadow.

00:34:41The years of belittlement and him treating me like a clown.

00:34:45My father hired you when no one else would.

00:34:50It's not my fault that your insecure petty took his support of belittling.

00:34:58I wouldn't upset me if I were you.

00:35:02Remember, I'm your creditor now.

00:35:04Two months.

00:35:07That's all I can give you to pay me back the remainder of $180 million.

00:35:20What are you doing here?

00:35:22I was just in the neighborhood.

00:35:24Thought I'd give you a ride home.

00:35:28Hi.

00:35:29Um, hey.

00:35:31Who is this?

00:35:34Uh, this is Ken's roommate.

00:35:38We're going to be dropping them off before we head home.

00:35:42Yeah, hey, listen.

00:35:43I didn't introduce you last time, but this is my best friend, Nell and her girlfriend, Maria.

00:35:52Nell and I have been nothing more than friends since we were kids.

00:35:55She's not into men.

00:35:56She never has been.

00:35:58And her and I are nothing more than just platonic friends.

00:36:01All right?

00:36:01I'm sorry.

00:36:04I jumped to conclusions the other day.

00:36:06It's okay.

00:36:08I just didn't want you to get the wrong idea.

00:36:14Look, I...

00:36:15I appreciate it.

00:36:17I really do.

00:36:18I just...

00:36:19I still think you and I are better off just as friends.

00:36:23Just...

00:36:25Why?

00:36:27Why?

00:36:32Why?

00:36:35Maybe because I'm just getting over a failed marriage?

00:36:39Because I owe an unthinkable amount of money and I have no idea how I'm going to pay it back.

00:36:47I also have no idea how I'm going to get my daughter back.

00:36:52And getting into a relationship with you?

00:36:55That's just something I can't do right now.

00:36:58Love has brought me nothing but pain, okay?

00:37:00So just please, just leave it.

00:37:02Do you have any other paintings?

00:37:25Do you have any other paintings?

00:37:25Yeah, I have several.

00:37:35What are you looking for?

00:37:38I would like to buy them all.

00:37:40I love your painting style.

00:37:42It is so unique.

00:37:43I own a large gallery and I would like to establish a long-term collaboration with you.

00:37:49Thank you for your kind words about my paintings, but...

00:37:52I've been in some trouble lately and it's probably best if I don't involve your gallery.

00:38:03None of this matters to me.

00:38:04If someone wishes to cause me trouble, well, just let me try.

00:38:13I mean, it has to be a mistake.

00:38:20Or a prank.

00:38:21Or a cruel practical joke.

00:38:24I mean, it seems pretty authentic to me.

00:38:27It has their seal and your name and address are clearly written on it, so...

00:38:34It looks authentic.

00:38:38But how would they see my paintings?

00:38:39I don't know, maybe one of those auction sites that you've been posting your work on?

00:38:45I mean, you're incredibly talented, so anybody who's seen your work would automatically recognize it.

00:38:56I own a large gallery and I would love to establish a long-term collaboration.

00:39:01It's him.

00:39:03It's him.

00:39:04The guy who's been on my paintings.

00:39:06He must be the owner of the Fitz Gallery.

00:39:07Oh, well, in that case, we better get going.

00:39:10Where?

00:39:12Gotta go get you a dress.

00:39:13Can't have you showing up to the Fitz Gala in Bragg.

00:39:21Babe, which one do you like more?

00:39:23This one or this one?

00:39:26I need to be the hottest girl at the Fitz Gala.

00:39:28Everything just, uh, looks so good on you, honey.

00:39:34So, um, just pick whichever one you want.

00:39:37I gotta take a call, okay?

00:39:39Wrap this up, you twitch.

00:39:41I'll take them both.

00:39:42Wow.

00:39:49I used to buy dresses like this all the time without even thinking about the money, but...

00:39:55I can't afford something like this now.

00:39:59You know what?

00:40:01Consider it a congratulatory gift for me.

00:40:04Alright?

00:40:04And when you make it big in the art world, you can just pay me back.

00:40:10Oh, hi.

00:40:10Excuse me.

00:40:11Yeah, my, uh, friend would like to try on this dress.

00:40:13Oh, your friend has amazing taste.

00:40:16This dress is actually a limited edition.

00:40:18Each one handcrafted by hand and therefore entirely unique.

00:40:21Truly a work of art.

00:40:23Well, how fitting is it going to be worn by a very talented artist?

00:40:26I'll have someone on the team bring it out to you.

00:40:30Veronica, please bring the limited edition.

00:40:32Well, limited edition.

00:40:39Tasha?

00:40:40Do you really think you can afford this dress?

00:40:46You can afford this dress?

00:40:50Please.

00:40:51Reina, I don't think you need to worry about Tasha's finances, okay?

00:40:55We established that last time.

00:40:58Hey, you.

00:41:00Get over here.

00:41:00I'm going to pay twice what it's worth.

00:41:04But I want this dress.

00:41:05Ma'am, this dress is $4,000.

00:41:07Did I ask you how much it costs?

00:41:09You blurtarian scum.

00:41:10Just shut your mouth and add it to my bill.

00:41:13She's willing to pay double.

00:41:15I'll double her offer and I'll pay $15,000.

00:41:17Okay, sir.

00:41:19Go.

00:41:20$32,000.

00:41:21You know what?

00:41:24She wants the dress so bad, let her have it.

00:41:27You can put all the jewels you want on a pigeon, but it'll never be a peacock.

00:41:31I'll show you who's a pigeon, you'll be a bitch.

00:41:32How dare you assault me?

00:41:35Tasha, are you okay?

00:41:39What is going on here?

00:41:41What's going on is that your crazy bitch wife pushed Tasha to the ground.

00:41:45I swear to God, they're all lying.

00:41:47I never touched her.

00:41:48I saw everything.

00:41:49This gentleman and his girlfriend were very nice and politely inquired about a dress,

00:41:53and suddenly your wife appears and attacks her for no reason.

00:41:56Shut your mouth, you little lying asshole.

00:41:59You know what?

00:41:59Why don't you just call security before this crazy maniac hits somebody else?

00:42:02Wait a second, Reyna.

00:42:03What actually happens here?

00:42:05What's going on?

00:42:06Why don't you believe me?

00:42:07I told you.

00:42:08Why don't you just call 911?

00:42:11Are you blind?

00:42:12Oh, Tasha, can you stop this bullshit?

00:42:13Well, Reyna, can you just stay away?

00:42:15Can I get someone down here?

00:42:17Room A, 122?

00:42:18No, no, that's not necessary.

00:42:19We are leaving right now.

00:42:20Let's go.

00:42:21Oh, but...

00:42:22Okay.

00:42:22You've embarrassed us both enough for one day, okay?

00:42:25Let's go.

00:42:34Wherever Reyna goes, trouble's sure to follow.

00:42:38It is nice to see her get her taste of her own medicine, though.

00:42:41Yeah.

00:42:42Just saying, though, you would have looked really great on that dress.

00:42:48Don't worry about that.

00:42:50That will solution.

00:42:51What are you going to do with all this stuff?

00:43:01I'm going to design my own dress and wear it to the gala.

00:43:05Are you sure there's enough time?

00:43:06Have some faith in me.

00:43:08I graduated with honors in design and fine art.

00:43:11I got this.

00:43:12How do I look?

00:43:34How do I look?

00:43:38What?

00:43:38Is something wrong?

00:43:47Is it too much?

00:43:48Should I change something?

00:43:50No.

00:43:51No.

00:43:52You look...

00:43:54That dress, like...

00:43:57That is one of the most beautiful dresses I've ever seen.

00:43:59But there's something missing.

00:44:06Should I...

00:44:07Restill the beads?

00:44:09No.

00:44:11I have a gift for you.

00:44:13Something to...

00:44:14Complete the whole look.

00:44:15Just try harder, you idiot.

00:44:23Mrs. Crowe, I am doing everything I can.

00:44:27And I don't know what more I can do.

00:44:29You're calling me fat?

00:44:31Of course not.

00:44:32You're not fat at all.

00:44:34It's the dress.

00:44:35It's not made for a woman's body.

00:44:38Just shut up and do it!

00:44:40Babe, just put on another dress.

00:44:44You're going to be late.

00:44:46I spent so much money on this dress.

00:44:48I am wearing this dress!

00:44:50I can't.

00:45:10It's...

00:45:11It's too much.

00:45:13No.

00:45:15It was made for you.

00:45:16I can't.

00:45:20I can't wait to see what you've brought to the auction.

00:45:28Can we have a little hint?

00:45:30Well, actually, I brought some of my very own paintings to auction tonight.

00:45:38What's wrong?

00:45:40Tasha Roberts.

00:45:43My husband's dreadful ex-wife.

00:45:46I'm tired of seeing her sorry face everywhere.

00:45:50You know, she's also a horrible person.

00:45:54If it isn't everyone's favorite wide-collar criminal turned homeless vagrant, Tasha Roberts.

00:46:02So, the other day, when you were trying to buy this dress with that working-class thug boyfriend of yours,

00:46:10you were trying to come here?

00:46:12Are you sure you were even invited?

00:46:13I'm sorry, are you working the security these days?

00:46:20Do you need to show you my invitation?

00:46:22Honey, I'm just trying to look out for you, okay?

00:46:25I want to spare you the embarrassment of being kicked out when everybody finds out that you are not invited.

00:46:31You mean like how you were kicked out of the mall?

00:46:34I see.

00:46:35You still quite don't understand your place in the world.

00:46:39You think you're fucking Cinderella or something, and life is a fairy tale.

00:46:44But don't worry.

00:46:46I'll help you figure it all out.

00:46:49Oh!

00:46:49What's wrong with you?

00:46:52You can't just see if he's about walking through.

00:46:54Rina, this time you've gone too far!

00:46:57Stop shouting, you dreadful O.

00:46:58These were supposed to be auctioned tonight!

00:47:00Well, if it is of any consolation, I don't think the wine has reduced their value of very much at all.

00:47:07Now you can go and cry to your fairy gut mother.

00:47:12Loser.

00:47:13Oh, I think the auction's starting.

00:47:16Well, I'll see you there.

00:47:18Toodles!

00:47:19For our first auction item, I'd like to welcome Ms. Raina Crowe to the stage with her collection of original paintings.

00:47:34As you can see, Ms. Raina Crowe's style is very unconventional.

00:47:54Certainly, these works defy easy categorization, and yet there are touches of whimsy and an almost playful quality about them,

00:48:04as depicted here through the bold use of a duck as a central figure.

00:48:08It's a dog.

00:48:10What?

00:48:11It's a dog, not a duck, you buffoon!

00:48:13Oh, yes, of course!

00:48:15A dog!

00:48:17Seen through a very unique prism.

00:48:20Portrayed as only an artist of Raina's caliber could possibly portray it.

00:48:25Now that we have familiarized ourselves with the art and the artist, let's start the bidding.

00:48:31The starting price will be $50,000.

00:48:34Do I hear $50,000?

00:48:35$50,000.

00:48:36Anyone?

00:48:37$50,000.

00:48:39$50,000.

00:48:40Do I hear $60,000?

00:48:43Anyone?

00:48:44$50,000 going once, $50,000 going twice.

00:48:50Sold!

00:48:50Sold for $50,000.

00:48:52And now we'll invite our second artist for the evening, Ms. Tasha Roberts, who will also

00:49:03be presenting a series of paintings.

00:49:13Ms. Tasha Roberts, where are your paintings?

00:49:16Ms. Tasha Roberts, I don't have my paintings tonight, but I will be auctioning off this dress.

00:49:34Oh, wow, it's beautiful!

00:49:40Dupendous!

00:49:41I've never seen a dress so beautiful!

00:49:46A stunning work of art, indeed.

00:49:47There's no need for me to say another word about this masterpiece.

00:49:48Everyone in the audience can clearly see the extraordinary talent and extraordinary artistry.

00:50:01Let's start the bidding at $50,000.

00:50:03$55,000.

00:50:04$75,000.

00:50:05$90,000.

00:50:06$100,000.

00:50:07$150,000.

00:50:09$250,000.

00:50:11$250,000.

00:50:13$250,000.

00:50:14$250,000 going once.

00:50:15$250,000 going twice.

00:50:16Gold!

00:50:17This beautiful dress is sold for $250,000.

00:50:18$250,000.

00:50:19$250,000.

00:50:20$250,000.

00:50:21$250,000.

00:50:22$250,000.

00:50:23$250,000.

00:50:24$250,000.

00:50:25$250,000.

00:50:26$250,000.

00:50:27$250,000.

00:50:28$250,000.

00:50:29$250,000.

00:50:30Is that the heart of Sly Memphis that sold for $200 million a few months ago in a big deal?

00:50:39Impossible. How can that lowly peasant possibly afford it? It must be a fake.

00:50:47Thank you so much for your bid, Miss Munslow.

00:50:50I'm going to design a few custom pieces in your size and design them to your elegance and style.

00:50:56Have you ever considered creating your own clothing brand?

00:51:01Your creations are so extraordinary. You should really share your talent with the rest of the world.

00:51:08Thank you. I never considered it, but I certainly will now.

00:51:13Hi. I'd be careful if I were you.

00:51:16I personally wouldn't put any faith into someone that wears cheap replicas of famous pieces of jewelry.

00:51:23What are you talking about right now?

00:51:25This woman is a phony and a con artist.

00:51:28For as long as I worked with her, she's done nothing but defraud and cheat the people she's done business with.

00:51:35And let me make it clear.

00:51:36For everybody that wants to do business with this woman,

00:51:39they won't be allowed to do business with the Crow Group.

00:51:43Is that so?

00:51:44Well, let it be known that if anybody refuses to work with Miss Tasha Roberts because of the baseless rumors and lies being spread by Miss Raina Crow,

00:51:56you will no longer be welcomed back to the Fitz Gallery.

00:51:58That's the curator of the Fitz Gallery.

00:52:01Not just the curator.

00:52:05He's also the director of the Fitz Foundation.

00:52:09The curator?

00:52:11Is he the man who bought my paintings?

00:52:14Why does he seem so familiar?

00:52:19Miss Tasha Roberts is my guest of honor tonight.

00:52:21I invited her personally.

00:52:22So if anybody treats her with the slightest bit of disrespect,

00:52:26they'll be asked to leave and never again invite her back to the Fitz Gallery.

00:52:30As the director of this esteemed organization,

00:52:33am I interested to know that your guest of honor is wearing a cheap replica of a priceless work heart.

00:52:41She is not to be trusted.

00:52:44I'm assuming you mean her diamond.

00:52:45What evidence do you have to prove that it's not real?

00:52:49Well, the real heart of the sun has the initials of the craft man engraved in the joint between the gemstone and the pendant.

00:52:57So Tasha, would you indulge us all and show us if what you're wearing is a genuine article or a cheap knockoff?

00:53:06This was just given to me by a friend.

00:53:08I never claimed it was the real heart of the sun.

00:53:11I don't want to embarrass him by having people pour over it for imperfection.

00:53:17So, it's a forgery.

00:53:19You were so happy to have everyone believe it was the real thing until I challenged you and called your bluff.

00:53:27Miss Roberts.

00:53:30You were so happy to have everyone believe it was the real thing until I challenged you and called your bluff.

00:53:36Miss Roberts, you have nothing to fear from this woman.

00:53:39Just show her the necklace.

00:53:41And I'll personally see to it that there are no despairing comments about its craftsmanship or quality.

00:53:47And the question has to be asked whether it is the true heart of the sun.

00:53:58See, just like...

00:54:00What?

00:54:01How is this possible?

00:54:07I do say...

00:54:10This engraving looks entirely authentic to me.

00:54:14This is indeed the one and only heart of the sun.

00:54:17Well, that settles it then.

00:54:18This necklace is authentic.

00:54:20From now on, no one will be permitted to question or harass my guest of honor.

00:54:24Now, if everyone is satisfied, can we please get back to tonight's festivities?

00:54:39Ken, you have a lot of explaining to do.

00:54:43Okay, what's wrong?

00:54:45I can't accept this necklace.

00:54:46And I can't give you what you want.

00:54:51Do you even know what I want?

00:54:52I don't want to know.

00:54:55We can just be friends, nothing more.

00:54:58Tasha, you're just afraid.

00:55:00You're just afraid of going after what your heart truly desires.

00:55:02And I just think you're afraid of just being true to yourself.

00:55:09You're the last person that should be lecturing anybody on the truth.

00:55:13Who are you?

00:55:15What do you do?

00:55:17Is this even your house?

00:55:18I mean, how do you own a necklace that's $200 million?

00:55:27See, you don't even respect me enough to tell me the truth.

00:55:32You expect me to jump into a relationship with you?

00:55:37You could be a total stranger.

00:55:40I have no idea who you are.

00:55:44Tasha, I want to tell you.

00:55:45I do.

00:55:46But I just can't right now.

00:55:50All right?

00:55:50Like, maybe in the future when we can take care of it.

00:55:52No, Ken, there is no future for us.

00:55:55Not if you can't tell me one thing about yourself that isn't a lie.

00:55:58When you find someone that you really love and trust, you let them in.

00:56:11But that person won't be me.

00:56:13Are you okay?

00:56:32Director Fitz, I had a wonderful time at the gala.

00:56:36Thank you for supporting me and standing up for me.

00:56:39And I wasn't bothered by the way the other guests treated me.

00:56:44I've endured far worse.

00:56:49Lovely.

00:56:50I'm glad to hear it.

00:56:52I would like to exclusively showcase your work at the Fitz Gallery for the foreseeable future.

00:56:57Think of it as a sort of artist residency.

00:57:00Would you be interested in such an opportunity?

00:57:02This dress is every bit as exquisite as I expected it to be.

00:57:16Thank you, my dear.

00:57:17You're very welcome.

00:57:19Have you given any more thought to my proposal?

00:57:23If you wish to start a clothing brand, I would be more than happy to invest whatever you require to get started.

00:57:30It's a very gracious offer, but I just, I have to ask.

00:57:35I mean, there are so many other talented designers.

00:57:38Why do you have such faith in my ability?

00:57:40It's not just me, you know.

00:57:42The curator of the Fitz Gallery has never been seen in public before the gala last night.

00:57:48And everyone in attendance was certain that the only reason he chose to make an appearance was because of you, his guest of honor.

00:58:00That was his first appearance ever?

00:58:02Indeed.

00:58:03His very first and only time to appear in the flesh.

00:58:07Before this, he was a figure of myth and mystery.

00:58:10Many people doubted he existed at all.

00:58:14But all because of you, he chose to grace us with his presence last night.

00:58:20Seems like a marvelous young man, don't you think?

00:58:23He certainly had a charm about him.

00:58:26Oh, undoubtedly.

00:58:27You know.

00:58:28Many people flock to the Fitz Gallery for more than just the art.

00:58:33They want to learn all about the enigmatic young curator.

00:58:36Really? I mean, what's so interesting about him?

00:58:41Have you ever wondered how the Fitz Gallery has managed to surpass all of the established art collections to become the top venue for fine art in just two years?

00:58:54I mean, I heard rumors.

00:58:56Something about foul play, but I always just assumed they were baseless.

00:59:00Those rumors have quite a bit of truth to them.

00:59:03It seems like the Miller crime family is actually behind the Fitz Foundation.

00:59:10The one and the same Miller crime family that monopolizes all the underground trade in all of North America.

00:59:19He seems like such a gentleman.

00:59:20And I just, I find it hard to believe that he ever was involved in something so sordid.

00:59:25You must never judge a Brooklyn's cover, my dear girl.

00:59:30Even people close to us may be harboring many secrets.

00:59:34We never really know what's going on inside.

00:59:37You got that right.

00:59:38I learned that lesson the hard way.

00:59:41Let me be frank.

00:59:43I have tremendous faith in you.

00:59:47Oh, but I need to see her.

00:59:50All my friends call me Laura.

00:59:54Let's go get a check.

00:59:56For five million dollars.

00:59:58She'd help you get your clothing brand started.

01:00:01Shall we become business partners in addition to being friends?

01:00:20Director Fitz, I'd like to work with you.

01:00:24It would be my honor, Miss Dr. Robert.

01:00:26Fly away with me.

01:00:33Take you high.

01:00:35Sorry.

01:00:38Smile.

01:00:39My only dream.

01:00:44Steering out into the sea.

01:00:48Waves come crashing up to me.

01:00:52My toes slip into the sand.

01:00:56Dream that I'm with you.

01:01:01Staring out into the sea.

01:01:05Waves come crashing up to me.

01:01:09My toes slip into the sand.

01:01:13Dream that I'm with you.

01:01:17Congratulations, Miss Roberts.

01:01:30We expect a huge success from your art exhibition.

01:01:35You're looking at her.

01:01:50You're obsessed with her.

01:01:53Didn't she humiliate me enough the other night at the gala?

01:01:55But now I have to watch my husband stare at her picture.

01:02:00Well, maybe if you didn't give her the opportunity to humiliate you.

01:02:04So it's my fault now?

01:02:05Oh, wait.

01:02:06Let me guess.

01:02:07Maybe it's my fault too when the two of you broke up.

01:02:09Okay.

01:02:11Raina, I've been thinking.

01:02:13I don't think this is working.

01:02:16I want a divorce.

01:02:21You used me to push Tash out of your company, take her property, and now you cast me aside

01:02:27like what, a used piece of garbage?

01:02:30I won't allow this.

01:02:32Mark my words, Karl Kroh, you will regret this.

01:02:49I'm spending too much time around Ken.

01:02:52He's dominating all my thoughts.

01:02:54I have to distance myself from him for my own sanity.

01:03:02As if nothing can do to get you to stay.

01:03:16I'm sorry.

01:03:18But no.

01:03:21You and I, our relationship, we'll just keep going in circles.

01:03:28But thank you for everything you've done for me.

01:03:32I have a little bit of money now, so you should be able to pay off your loan soon.

01:03:36And mommy talks, an awkward silence, waiting nights, walking through the garden, running with your hand in mine.

01:03:53This is what happens when you steal from the millers.

01:04:11Please, let me go.

01:04:16Promise you'll never see me again.

01:04:18What do you got here?

01:04:26Right this way.

01:04:28Boss!

01:04:30I found this one peeking around the corner.

01:04:32Not sure how long this little bitch has been watching, but I'm pretty sure she tried to call a cop.

01:04:41Don't worry, boss.

01:04:42I got a knife with her name on it.

01:04:44We can dump her body with the other guys.

01:04:51No, let her go.

01:04:53What?

01:04:53Didn't you hear what I said?

01:04:54She's seen everything.

01:04:56Let her go before I rip off your fucking arms and throw them in the river.

01:04:59No.

01:05:00Walk away.

01:05:09This doesn't mean anything to you.

01:05:11Is this what you couldn't tell me about?

01:05:14Boss, you know this woman?

01:05:17You're gonna kill him.

01:05:19Please.

01:05:19Call the police then.

01:05:21See if they can save his life.

01:05:22No!

01:05:22Don't call the police, you stupid bitch!

01:05:25My world is more cruel than you can possibly imagine.

01:05:30Since you didn't want to get involved, just walk away.

01:05:33Hey, babe.

01:05:55What do you want for breakfast?

01:05:57My world is more cruel than you can possibly imagine.

01:06:24Since you didn't want to get involved, just walk away.

01:06:26I never imagined that Ken could be such a dangerous and violent man.

01:06:32There must be something or someone forcing him to do all of this.

01:06:37Even people close to us may be harboring many secrets.

01:06:42We never really know what's going on inside.

01:06:45Forget it.

01:06:46This has nothing to do with me.

01:06:48I decided to leave Ken, so I have to do my best not to look back.

01:06:56Tasha, let's talk.

01:07:08You're a pro-magnet boyfriend.

01:07:17Is he not joining us?

01:07:19It's all over.

01:07:20I'm not with him anymore.

01:07:21Where's Reyna?

01:07:23Reyna was a mistake.

01:07:26That's all over, too.

01:07:28Tasha, I want you back.

01:07:37I can't stop thinking about us.

01:07:39You were right.

01:07:40You belong in my life.

01:07:43So, if you just sign those documents, then you can come back to me.

01:07:49Come back to the house.

01:07:51So, we can carry on like none of this ever happened.

01:07:54I can give you your old job back.

01:07:56That'll be fun.

01:07:56Working together again.

01:07:58And then all that debt you owe me will be wiped clean.

01:08:01You, uh, need a pet?

01:08:08You think I'd get back with you after everything you put me through?

01:08:15Here is...

01:08:17A hundred million dollars.

01:08:18I'll pay the rest on time, and if you're agreement...

01:08:26Take these documents and shove them right up your ass.

01:08:36You disgust me, Carl.

01:08:38You should think about Anna.

01:08:40Do you really want her growing up without a mother?

01:08:43With all her health problems, she could really use your support.

01:08:45Don't you dare talk about Anna.

01:08:47She'll be with me soon.

01:08:49Then I'll never let her out of my sight again.

01:08:52She needs her mother and her father.

01:08:53Not a father like you, she doesn't.

01:08:56She'd be better off with no father at all.

01:08:58I'm sorry, am I interrupting?

01:09:11Are you texting a new boyfriend already?

01:09:14Can it wait?

01:09:16I'm not done talking here.

01:09:19Pathetic, Carl.

01:09:19Hey, Tasha.

01:09:22T-

01:09:23Tasha.

01:09:27Hey, Tasha.

01:09:29Tasha, come back.

01:09:31Where are you going?

01:09:32This place is disgusting.

01:09:34Come on, Tasha.

01:09:36Don't you remember the happy times?

01:09:37Come on, we can have that again.

01:09:39Think of Anna.

01:09:40Think of me, please.

01:09:41I love...

01:09:42Sorry, folks.

01:10:02The end of the line for you.

01:10:08No hard feeling.

01:10:11But, we gotta do what the people who pay us tell us to do.

01:10:15Who's paying you?

01:10:17I'll give you a hint.

01:10:18A very beautiful woman paid us a small fortune to make sure you two...

01:10:24Make sure you two don't make it.

01:10:28Raina.

01:10:28That fucking bitch.

01:10:30Do you know who I am?

01:10:33I'm Carl Crow.

01:10:34The CEO of the Crow Group.

01:10:37Whatever she's paying you, I'll pay double, okay?

01:10:39Yeah, yeah.

01:10:40You're gonna pay me double.

01:10:41I guess you haven't heard the news, buddy.

01:10:44See, I don't think you have the news to update your pretty little friend.

01:10:48Oh, fuck the backstabbing slut!

01:10:55Please, pick up the phone.

01:10:57You trying to phone a friend?

01:10:59That's a big no-no, sweetheart.

01:11:01That's breaking the rules.

01:11:05Sweetie.

01:11:07Don't waste the little time you have left trying to call for help.

01:11:10It won't do you any good.

01:11:13No one.

01:11:16They're gonna help you now.

01:11:18Three hours, where's Tasha?

01:11:24Hey, Nell.

01:11:25Hey, listen, I need you to do me a favor.

01:11:28Yeah, I need you to pull out the city surveillance system in the area

01:11:31and find all the footage.

01:11:34Yeah, no, something's wrong.

01:11:35What are you doing?

01:11:47We have to get out of here.

01:11:49You should just go.

01:12:03Save yourself.

01:12:04Leave me.

01:12:06It's what I deserve.

01:12:09I'm not gonna leave you.

01:12:12I'm not that type of person.

01:12:13Come on, let's go.

01:12:23Come down here.

01:12:24Wait until they come in.

01:12:31Hey, Tasha.

01:12:32I'm so sorry.

01:12:39Now's not the time for that.

01:12:40All in.

01:12:58Looks like we got ourselves a suicidal prick here, fellas.

01:13:11I can't think of any other reason why somebody would kick in a door

01:13:14that's got Vincent Santorelli on the other side of it.

01:13:16Oh, shit.

01:13:21Boss.

01:13:23I didn't realize it was you.

01:13:27These your guys?

01:13:29Where the fuck are they?

01:13:32You better find them.

01:13:33Quick!

01:13:33Now it's your turn.

01:13:53Now it's your turn.

01:14:02Now it's your turn.

01:14:11A pretty little thing like you

01:14:13I was going to make it painless.

01:14:14But I guess you didn't want that.

01:14:16All the same.

01:14:19Hey, who's this fucking monkey?

01:14:20Lower your fucking gun.

01:14:22Vinny, what the fuck is going on?

01:14:23You fucking downfield? Lower your fucking gun!

01:14:26Are you...

01:14:27Are you Ken Miller?

01:14:30How can that...

01:14:30What the fuck is going on?

01:14:32Ken Miller.

01:14:34The one and the same Miller crime family

01:14:38that monopolizes all the underground trade

01:14:41in all of North America.

01:14:45It's you.

01:14:52You know what you have to do.

01:14:56Boss, please.

01:14:59He's my brother.

01:15:00Rules are rules.

01:15:03I was pushing you away as Ken and...

01:15:06growing closer to you as Fitz.

01:15:23I'm sorry, Tasha, but...

01:15:28There's just nothing I can do that will make you happy.

01:15:32And I just...

01:15:33I just can't win over your heart.

01:15:41Ken Miller always this loving with the hostages he rescues?

01:15:44It's just a special treatment reserved for his lovers.

01:15:50Tasha, I love you.

01:15:51My heart has belonged to you and only you for the past 15 years.

01:15:56And we just met a few months ago.

01:16:04We just met a few months ago.

01:16:07We met 15 years ago.

01:16:12You went to Marr Middle School.

01:16:15Yeah.

01:16:16And you saved my life there.

01:16:18Stand up, chicken, and hit us back.

01:16:29Isn't that what your dad does for a living?

01:16:31Beat people up?

01:16:33I'm not my dad.

01:16:35You and your father are both scum.

01:16:37Let's teach this little and sub a lesson.

01:16:39Yeah, idiot.

01:16:41Get up and show us what you've got.

01:16:42Hey!

01:16:46Hey!

01:16:47Hey!

01:16:47Hey, hey, hey, hey!

01:16:48Stop!

01:16:49That's enough!

01:16:50None of your business, Robert!

01:16:51Get out of here, Robert!

01:16:53Hey!

01:16:53Stop!

01:16:54Go home!

01:16:54I'll call your parents!

01:16:55Go!

01:16:55Oh, crap!

01:16:55Crap!

01:17:09Ever since I saw you that night in the cab,

01:17:11with that necklace on,

01:17:12I just, I knew I found you.

01:17:17Look, this isn't just some feeling for me, okay?

01:17:20This is, this is everything to me.

01:17:23Like, you are everything to me.

01:17:26No matter what happens between us,

01:17:29I will always care about you.

01:17:32And maybe one day we can make it work in a different way.

01:17:38I just need some time to process this.

01:17:54Okay.

01:17:57Okay.

01:17:58And after that,

01:18:01maybe we can pick up where we left off

01:18:03that first night you spent here?

01:18:07Maybe.

01:18:09Play your cards, right?

01:18:10Does everything look good to you, Myron?

01:18:26Yeah.

01:18:27Thanks for everything.

01:18:31That doesn't sound very convincing.

01:18:34Is there anything you want to change?

01:18:36No.

01:18:37I just, I never got around to asking

01:18:39why you wanted to start an art gallery in the first place.

01:18:43Honestly?

01:18:44Just to get to you.

01:18:46See, I thought if I owned the world's greatest art museum

01:18:48that one day you might find your way in here

01:18:50and I don't know,

01:18:52that I might find you.

01:18:53I don't know.

01:19:23I want to see what kind of woman this is

01:19:30that has ensnared my son.

01:19:34I thought she's worthy of joining the Miller family.

01:19:38As you wish, sir.

01:19:39I will make the arrangement.

01:19:44Honestly?

01:19:45Just to get to you.

01:19:47See, I thought if I owned the world's greatest art museum

01:19:49that one day you might find your way in here

01:19:51and I don't know, that I might find you.

01:19:55Okay, okay.

01:19:57Just concentrate on painting.

01:19:59Don't think about him.

01:20:00Who are you?

01:20:21Miss Tasha Roberts?

01:20:22Mortimer Miller would like to speak with you privately

01:20:25at his home.

01:20:28Come here.

01:20:30Take a look.

01:20:35She's an heiress

01:20:36to the largest chain of luxury hotels

01:20:39in the Western Hemisphere.

01:20:40She's young, beautiful,

01:20:43well-educated.

01:20:46I think she'll make a fine wife for my son, Ken.

01:20:50With all due respect, sir,

01:20:53I believe that it's up to Ken

01:20:56to decide who he wants to spend

01:20:57the rest of his life with.

01:20:58Well, choose you.

01:21:03Got a chance.

01:21:05You're no match for my son.

01:21:12Now, you owe money

01:21:14to the Crow Group.

01:21:19I'm going to pay

01:21:20your debt.

01:21:21And in return,

01:21:25you will agree to

01:21:27never see my son again.

01:21:33It's our decision

01:21:34whether we want to be together or not.

01:21:37Your son and I love each other.

01:21:39There's nothing in this world

01:21:40that can keep us apart.

01:21:43Tasha,

01:21:44you want us to be together?

01:21:47It's impossible.

01:21:49Father.

01:21:49I forbid it.

01:21:50Father, this is the love of my life.

01:21:53I can't lose her again.

01:21:55I'd rather leave the family business.

01:21:57Then leave if you wish.

01:22:00But she will never have my approval,

01:22:02ever.

01:22:02And she'll never be a part

01:22:04of the Miller family

01:22:05as long as I live.

01:22:07You'll come running back

01:22:08without the Miller family power

01:22:11and money.

01:22:14You'll accomplish nothing.

01:22:17You're making a big mistake.

01:22:19she was in this

01:22:21old hand

01:22:23instead of family.

01:22:34Ken, where are you?

01:22:36Why aren't you back yet?

01:22:37Oh, you're still awake?

01:22:42Mm-hmm.

01:22:43Who did this to you?

01:23:00Don't worry about me.

01:23:02I'm fine.

01:23:04Nothing out of the ordinary.

01:23:17Hey, babe.

01:23:19Yeah, no, I'm just right outside.

01:23:20You son of a bitch.

01:23:26You're making me cut my own brother's hand.

01:23:29Now you think you can

01:23:30betray the Miller family,

01:23:32walk away scoff-free?

01:23:33There's not a fucking chance.

01:23:37This guy means nothing

01:23:38to the Miller family now.

01:23:40He's worthless.

01:23:42Helpless.

01:23:43He'll be absolutely nothing now.

01:23:46Let's make him feel the pain

01:23:47that my brother felt.

01:23:50Come on, boy.

01:23:51Stop.

01:24:15Stop hitting him!

01:24:18Stupid bitch.

01:24:19Stop at once!

01:24:45You insolent fools!

01:24:49Son.

01:24:59You know how hard it is

01:25:00for me to admit

01:25:01that I made a mistake?

01:25:05But today,

01:25:05the two of you

01:25:06have proved me wrong

01:25:07beyond a shadow

01:25:08of a doubt.

01:25:11Tasha.

01:25:13You are the perfect woman

01:25:15for my son.

01:25:18Go.

01:25:19Be together.

01:25:24You approve?

01:25:25You have my blessing.

01:25:29From this day onward,

01:25:32you have nothing more to do

01:25:33with the legal activities

01:25:34of the family.

01:25:37But,

01:25:38you'll always be a Miller.

01:25:41I don't know.

01:25:43You have no shame.

01:25:44You have no shame.

01:25:53You have no shame.

01:25:53Get off me!

01:26:11Stop!

01:26:12You useless, impotent man-child!

01:26:15The crowd group is bankrupt!

01:26:17That hurt!

01:26:18Getting involved with you is the worst decision I could have made in my life!

01:26:21Get off! This is all your fault!

01:26:23You spent every single thing that we had!

01:26:26Now we have nothing left!

01:26:27No company, no house, no money, not even a dime!

01:26:31And it's all because of you, you greedy cow!

01:26:34Don't you-

01:26:34Don't-

01:26:43The late Mrs. Miller was a beautiful woman, sir.

01:26:48Yes.

01:26:51Back then, my wife protected me from every danger that befell our family.

01:26:58And today, my son found the perfect woman at us and I'd do the same for him.

01:27:06He's a lucky man.

01:27:10Wow, you look so beautiful.

01:27:23No, you can't be here right now.

01:27:26Babe, I don't want to rush you, but everybody's waiting to see you.

01:27:31Ken, can you promise me one thing?

01:27:33I can promise you two if you'd like.

01:27:35I'm serious.

01:27:39I want you to walk away from the family business.

01:27:44There's a city called Ostia.

01:27:46It's on the southwest side of Rome by the ocean.

01:27:49What?

01:27:50You know what I found over there?

01:27:53I found it an art teaching job.

01:27:56I had a public school.

01:27:57I had to do a ticket.

01:27:59Maybe in the morning.

01:28:00You're sending me away?

01:28:02No.

01:28:03I opened my own restaurant.

01:28:05It's just down the street.

01:28:07Oh, and one more thing.

01:28:10I enrolled Anna at the school they're going to be teaching at.

01:28:14I think she's going to really live it over there.

01:28:17So you really are walking away?

01:28:22Yeah.

01:28:27I got some songs.

01:28:47You know what else?

01:28:48Let's go, let's go.

01:28:49Let's go, let's go, let's go.

01:28:50Let's go.

01:28:51Please, come back and go.

01:28:52Let's go.

01:28:53Let's go.

01:28:54Let's go.

01:28:56Let's go.

01:28:57Let's go.

01:28:58You just need to.

01:28:59Okay.

01:29:00Let's go.

01:29:05You're welcome.

01:29:06We're welcome.

01:29:08Let's go.

01:29:11Piano.

01:29:12Hot, hot, hot.

01:29:14You

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