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Shelter in the Mafia #Dramabox
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Transcript
00:00:00Hey, what are you doing with my stuff? How'd you get in here?
00:00:11I gave him the keys.
00:00:12Carl?
00:00:13I mean, what are you doing here so late? And what's that guy doing with my stuff?
00:00:17Tasha, Tasha, Tasha. You're always asking the wrong question.
00:00:23What the hell is going on?
00:00:26Do you really think you're that sick, Tasha?
00:00:30Your husband and I decided that you're no longer needed here anymore.
00:00:33Reyna's going to take over your role at the company.
00:00:36She's already proven she can do everything you can, but better.
00:00:40I'll have a letter of termination and divorce paper sent over to your new address,
00:00:44wherever that ends up being.
00:00:45What should I do with this, boss?
00:00:47Give me that new plebe. I know exactly what to do with it.
00:00:54Is that clear enough for you, Tasha?
00:00:56Tasha, your company and your husband both belong to me now.
00:01:04No, you can't just fire me. I'm a shareholder at this company.
00:01:08Are you still a shareholder at this company? Are you?
00:01:11Actually, your debt is mortgaged with your shares, so you actually owe this company about $200 million.
00:01:17I never took out any loans that large.
00:01:20Oh, Tasha. You were always so gallible.
00:01:23A word of advice for the future?
00:01:25Don't give the keys to the kingdom to your assistance, no matter how trustworthy your feeble brain thinks they might be.
00:01:33Security! Security! We have a vagrant in the lobby and she might become hostile.
00:01:39Stop acting. I'll just leave on my own.
00:01:42Look, there's no glamour. There's no glory. It's just blood, guts, fear and misery.
00:01:55Come on, man. You think I'm some kind of moron that doesn't know anything?
00:02:00I know that the type of money you make in just a few days, I can't make that in ten years working as a stick.
00:02:06But at least you're guaranteed to be alive in ten years. In my world, you're not guaranteed to be alive in ten days, let alone ten minutes sometimes.
00:02:13Yo, yo, man. Stop lecturing me. Are you gonna give me the gun or not?
00:02:20I'm sorry, but no. I'm not gonna let you get killed.
00:02:24Man, what the fuck you got me here for then?
00:02:28Shit.
00:02:43Oh, I guess you didn't hear. The repo guy. He came and towed your car away. Oh, said it was, like, collateral for a loan.
00:02:54Of course, I made the call and arranged everything. My pleasure.
00:03:00You despicable trash.
00:03:04You know, I was gonna give you a ride, you know, seeming that we were married for so long.
00:03:09But walking the streets at night kind of suits you. So, enjoy.
00:03:16Go to hell.
00:03:34Miss?
00:03:50Just go away, alright? I don't need your cheap sympathy right now.
00:03:55Miss, your friend's gone. I just want to offer my cab services.
00:03:59Yeah, I'm sorry. I have a cab is just what I need right now.
00:04:07Alright, great. Come on board.
00:04:29Sorry, I... I don't have any cash right now. Um...
00:04:35Give me a minute. I'll go grab some from inside.
00:04:37Here.
00:04:39Just proof I'm not trying to skip out on the fare.
00:04:52You have some nerve coming back here.
00:04:54I never wanted my son to marry you in the first place.
00:04:57And now that he's finally come to his senses and kicked you to the curb,
00:05:01you think that you can just waltz right back into his house?
00:05:05His house?
00:05:07My father left me this house.
00:05:10And I know you're senile, but I'm sure you remember when you practically begged me to let you and Carl live here.
00:05:18I always knew you were a nasty little hussy.
00:05:27Who the hell are you?
00:05:28This is a personal matter, so you should really mind your own business and stay outside.
00:05:33Actually, this is my boyfriend.
00:05:37So, if it's a personal matter for me, it's a personal matter for him.
00:05:41Okay.
00:05:42What?
00:05:43You think your son's the only one capable of having secrets?
00:05:47Hey, thanks again for today.
00:06:04I know that's a weird position to put you in.
00:06:08It's alright.
00:06:10It is really nice to know that there are still good people up there that would help a total stranger.
00:06:18Have a good night.
00:06:19Alright, you too.
00:06:40Where's my necklace?
00:06:50Here.
00:06:51Just proof I'm not trying to keep out on the fare.
00:06:53Where's my necklace?
00:06:54Here.
00:06:55Just proof I'm not trying to keep out on the fare.
00:06:59Here.
00:07:00Just proof I'm not trying to keep out on the fare.
00:07:13Here's the way...
00:07:21Why don't you find any poor chicks like you in a place like this?
00:07:28Who the hell are you?
00:07:29There we go.
00:07:30I don't want that one or something.
00:07:31I don't want that one.
00:07:32It's going to be somewhere.
00:07:33Go on.
00:07:34Right, Jim.
00:07:35Go on.
00:07:36Right!
00:07:37It's going to beç’€ Academy.
00:07:38This organizative club is springing.
00:07:40It's going too far.
00:07:41Where the hell are you? Get out now!
00:07:43All I'm trying to do is introduce myself and you're treating me like some dog shit you found stuck to your shoes.
00:07:52I'm calling the police!
00:07:55How about I give you a better idea?
00:08:06You and I are going to have some good old fashioned fun tonight.
00:08:11If I ever see you around here again you're dead! Get out of here!
00:08:26I'm so glad you're here.
00:08:31Where did you get this necklace?
00:08:34My father gave that to me.
00:08:41You better not be lying to me.
00:08:44I'm not lying.
00:08:46He made that with his own hands.
00:08:48I have my name on the back.
00:08:53It's really you?
00:08:55Hey.
00:09:08How you feeling?
00:09:12How did.. How did you?
00:09:14You lit your bag in my car.
00:09:17How did you know where to find me?
00:09:19me. I have my ways. Hey, listen, I know it's none of my business, but it's not safe for you here.
00:09:30Everything that's happened in the last 24 hours, this is all I can afford.
00:09:38Listen, I have an extra room at my place. Maybe you can just come stay with me.
00:09:49Welcome home.
00:10:09I really feel like my luck's starting to change. I mean, you've literally rescued me over and over
00:10:15today. I know what it's like. I've been rescued before.
00:10:20Um, I'm sorry. I don't think I can make rent right away, but you could sell this ring and
00:10:28then it should cover me for a few months, at least until I'm back at my feet.
00:10:34I thought he was a really rich guy. Why did he choose such a small diamond?
00:10:38It's not a very good cut either.
00:10:43Okay. Never mind. I can just...
00:10:47No, it's fine. I'm just saying. You deserve a better reign than this.
00:11:08No, babe. Stop. It's late, okay?
00:11:23You're still thinking about her.
00:11:25Who? Tasha?
00:11:27Are you kidding me?
00:11:28Then why are you wearing the wedding ring? Did you forget what she and her father did to
00:11:33you? I will never forget what she and her father did to me. But that has nothing to do with you.
00:11:39So why don't you stop mouthing off about shit that you know nothing about and let me handle
00:11:43my own affairs.
00:12:03Mary?
00:12:18Mary?
00:12:21What?
00:12:26Hey, what's going on?
00:12:27My daughter's missing.
00:12:29What?
00:12:33Tasha, you shouldn't have barged in like this.
00:12:45If Carl finds out...
00:12:46No, I don't care about Carl right now, okay?
00:12:49Where's my daughter? Where's Anna?
00:12:51I sent her away.
00:12:54No.
00:12:56You have no right.
00:12:57Actually, as Carl's new wife and Anna's legal guardian, I have all the right to do whatever
00:13:04I want with my stepdaughter.
00:13:08What?
00:13:09We never settle custody, so just skip the theatrics and tell me where my daughter is.
00:13:17You think you're getting custody?
00:13:20Estoy soñando.
00:13:22On one hand, we have a mother drowning in death with no place to live.
00:13:29On the other hand, we have a wealthy and well-respected father who happens to be the CEO of the world-renowned
00:13:38probe.
00:13:39What do you think the court is inside me?
00:13:50What's going on?
00:13:50Oh, Carl!
00:13:53Carl, it's okay.
00:13:54Tasha was understandably upset about the situation.
00:13:56You know, I don't blame her for what happened.
00:13:58You trespass on my property, assault my wife in her own home?
00:14:04Tasha, I have put up with your outrageous behavior for years, but don't you dare subject
00:14:08Raina to that kind of abuse.
00:14:10You don't understand.
00:14:11Raina sent Anna away.
00:14:13She did what any good mother would.
00:14:15I want to know where my daughter is right now.
00:14:18New Zealand.
00:14:19Getting medical care from one of the best cardiology departments in the world.
00:14:23And remind me, what have you done for your daughter lately?
00:14:26Hmm?
00:14:28Abandon her?
00:14:29To go shack up with some cab driver boyfriend?
00:14:31Oh, you idiot!
00:14:33I found this cardiologist in New Zealand.
00:14:36Scheduling those appointments was the last thing I had Raina do when she was still my
00:14:40assistant.
00:14:40Tasha, Tasha, you disgust me.
00:14:43Trying to take credit for this wonderful woman's kind gesture to your own sick daughter.
00:14:48I'm going to make sure Anna stays far, far away from me so there's no possibility of
00:14:52her ever becoming anything like you.
00:14:56You backstabbing, homewrecking bitch.
00:15:06I advise you stay far away from my daughter and I.
00:15:13By the way, the deed still lists me as a rightful owner to this house, so the two of
00:15:20you have no right to keep me from coming back here.
00:15:23Do you understand?
00:15:23Calm down.
00:15:24No!
00:15:25You can forge my signature.
00:15:27You can take my money.
00:15:28Take my house.
00:15:29But you will never have a shred of the intelligence that I have.
00:15:33Now you have made your point.
00:15:35I think it would be...
00:15:35You deserve that too!
00:15:39You should have told me about Anna a long time ago.
00:15:44Oh, don't stop at my account.
00:15:47Please, continue.
00:15:49Miss Big Shot.
00:15:51Don't you forget that you still owe 200 million dollars and 20 millions of that is owned
00:15:57to me, personally.
00:15:59In fact, I'm going to call my lawyer and see to it that if you don't pay right away, you'll
00:16:03never going to see your daughter ever again and you'll end up in debtor's prison.
00:16:10Go ahead and check it out.
00:16:15But after your accounts and make sure this is all legit, I don't want you two jackasses
00:16:18hunting my girl for money ever again.
00:16:20Got it?
00:16:26Oh!
00:16:27By the way, we're going to go ahead and take Anna in the future too.
00:16:31Don't worry, Carl.
00:16:33I'll be a better father to her than you ever can be.
00:16:36Tasha, you'll regret this.
00:16:38Thanks again, Kerr, today, for pretending to be my boyfriend.
00:16:52Was all that money real?
00:16:57As real as it comes.
00:16:58Where'd you get all that money?
00:17:01I robbed a couple jewelry stores before I came to find you.
00:17:04Are you serious?
00:17:07No, I'm just joking.
00:17:08It was my dad.
00:17:10Don't worry, he wasn't stolen or robbed or anything.
00:17:13But hey, listen.
00:17:15From now on, I want you to think of me as your creditor.
00:17:17Okay?
00:17:18I don't want you to worry about owing money to those scumbags.
00:17:21From now on, you'll just owe money to me.
00:17:24As long as you're okay with that?
00:17:26I could be okay with it.
00:17:28As long as you can satisfy one small request.
00:17:33What kind of request?
00:17:38My only request is that you just relax.
00:17:47Okay?
00:17:48I want you to take a load off.
00:17:50I want you to start by telling me a story, you know, about the last time it was when you were happy.
00:17:55You know, I just...
00:18:08I never in a million years could imagine that Carl would betray me like this.
00:18:14I have nothing.
00:18:21Well, I mean, you always have me and...
00:18:26You know, other things.
00:18:29I can't hear you.
00:18:32You're whispering.
00:18:33I don't know.
00:19:03You know, Tasha's probably screwing around with that new boyfriend of hers.
00:19:19That bitch.
00:19:22Honey, you know, you promised to put me in touch with the curator at the Fitz Gallery.
00:19:26Oh, I'm telling you, forget about the Fitz Gallery, okay?
00:19:29The people who are running it are crooks.
00:19:32But I want my paintings to be showcased in the most prestigious venue possible.
00:19:36I know, I know.
00:19:38And I said I would help you find other galleries.
00:19:41Remember?
00:19:42Just stop manging me about it.
00:19:44Okay?
00:19:45Okay.
00:19:48You're a little angel.
00:19:49You're a little angel.
00:20:19It's partly going to make things more complicated.
00:20:23So you want to pretend last night never happened?
00:20:30I thought we had a good thing going on between us.
00:20:33I mean, you've been going around the last couple of days telling everybody I was your boyfriend.
00:20:37Yeah, but...
00:20:39That was just something I said to make my husband jealous.
00:20:42You mean your ex-husband?
00:20:45Yeah.
00:20:46Ex.
00:20:48Yeah.
00:20:50But I mean, you and I are...
00:20:53You know I can't start a new relationship right now.
00:20:58So everything you said last night?
00:21:02We were just caught up in the heat of the moment.
00:21:05Heat of the moment.
00:21:07So it was all just bullshit.
00:21:09Why?
00:21:10To get me into bed with you?
00:21:12Just to have a one night stand?
00:21:16Because you miss being with your damn husband?
00:21:18So everything you said last night?
00:21:37Get older yourself.
00:21:41You just got divorced.
00:21:42You're not going to play mind games with men anymore.
00:21:48Hey.
00:21:51I wasn't sure what you liked, so...
00:21:53I just made a little bit of everything.
00:21:57You made all this?
00:21:58Yeah.
00:22:07What do you think?
00:22:07I mean, you deserve to have some of your awesome breakfast, too.
00:22:21Hey.
00:22:22You're not going to make me sit here and eat this alone, are you?
00:22:29You've got some sauce right here.
00:22:31Yeah.
00:22:32Yeah.
00:22:32Yeah.
00:22:32Yeah.
00:22:32Yeah.
00:22:32Yeah.
00:22:32Yeah.
00:22:32Yeah.
00:22:33Yeah.
00:22:33Yeah.
00:22:33Yeah.
00:22:33Yeah.
00:22:34Yeah.
00:22:34Yeah.
00:22:34Yeah.
00:22:34Yeah.
00:22:35Yeah.
00:22:35Yeah.
00:22:36Yeah.
00:22:36Yeah.
00:22:36Yeah.
00:22:37All that for some sauce, huh?
00:22:40Are you kidding me?
00:22:47Hello?
00:22:48Mommy, I miss you so much.
00:22:51Anna.
00:22:51Mommy, I miss you so much.
00:22:53Anna, honey, what's going on?
00:22:55Anna...
00:22:56Okay.
00:23:00Both of your resumes look excellent.
00:23:03I have a question.
00:23:04Anna, if you spilled a glass of milk in the ocean, how would you get it back?
00:23:12What does that question have to do with our work?
00:23:15Well, I suppose you could contain the section of the ocean with the spilled milk and then collect
00:23:24that sample, add a centrifugal force, and there's probably a good chance of separation.
00:23:29So, at our company, we are always trying to make the impossible possible, and for that we need
00:23:37people who can think on their feet, derive solutions, no matter how outlandish the task
00:23:45I have to say so much.
00:23:47It's good to handle the sea.
00:23:48Oh, my God, how you use it?
00:23:48Oh, my God.
00:23:49Oh, my God.
00:23:49I don't want to go...
00:23:51Hello?
00:23:52Oh, my God.
00:23:53A huge Hopkinson, I guess.
00:23:55Okay.
00:23:55Uh-huh.
00:23:56Okay.
00:23:57Okay.
00:24:07Congratulations, Miss Michaels. Welcome to the Eastwood Corporation.
00:24:21If you don't mind me asking, why didn't I get the job?
00:24:28Mrs. Roberts, maybe you should focus on fixing your own family problems first before you start to look for work again.
00:24:39We don't want to make enemies with the Crow Group.
00:24:53So I guess you didn't get it.
00:24:57I just don't understand why Carl hates me so much.
00:25:00I mean, he doesn't want me to work for his company, but he doesn't want me to work for any other company either.
00:25:06Look, you don't need that corporate job anyways.
00:25:09Yeah? What else can I do?
00:25:12I mean, I thought you were an artist. Now a painter.
00:25:16How'd you know about that?
00:25:18You brought an easel.
00:25:19It's just a hobby. I gave it up. I don't paint anymore.
00:25:29Okay, well, if you don't love to paint anymore, then why bring an easel with you?
00:25:35I haven't painted in years.
00:25:36I'm sure it'll be just like riding a bike. Once you start, it'll all come back to you.
00:25:47That's my account. Why are they assigning it to someone else?
00:25:55Fine, fine. Just get me some damn answers and give me a call back soon, okay?
00:26:00Carl, this took me three months.
00:26:04I'm sorry, I just got some bad news at work.
00:26:09It's ruined now.
00:26:11Fine. Start over.
00:26:13You know, it kills me to see you squander your intelligence and talent on these useless paintings.
00:26:22You're a remarkable woman, Tasha.
00:26:24Okay? And if the charlatan snobs in the art world can't see that, then screw them, okay?
00:26:29If you put your focus elsewhere, we could be rich enough to buy ten art galleries.
00:26:36And then you could put whatever paintings you want in them, right?
00:26:39Painting's my passion.
00:26:42What if we put painting on the side, just for a little while, and you could come join me at the company?
00:26:51Just together, we'd be unstoppable.
00:26:55And right now, I am drowning. Your dad and his partners have no faith in me.
00:27:05I need you.
00:27:07Look.
00:27:11You love me, don't you?
00:27:15Of course I do.
00:27:17Okay.
00:27:19Do this one thing for me.
00:27:21This one little thing.
00:27:23Please.
00:27:25Finish.
00:27:51Yeah.
00:27:53That is amazing.
00:28:02I honestly never thought I'd paint again.
00:28:05Well, that would have been a shame.
00:28:07You're easily one of the most talented artists I've ever met.
00:28:23We're honored that you chose our gallery to showcase your work.
00:28:31I am curious about one thing, if you don't mind me asking.
00:28:35The subject in your paintings, your muse, is he your lover?
00:28:40Oh, no.
00:28:44He's just a friend of mine.
00:28:47But his gaze, the way he looks out to you in these paintings,
00:28:50there's so much tenderness and affection in his eyes.
00:29:00Is Ken really in love with me?
00:29:02He's so young, though.
00:29:04At his age, he probably doesn't even know what love is.
00:29:08Oh, sorry, you're in the way.
00:29:12Actually, you're in my way.
00:29:16Actually, you're in my way.
00:29:18I'm trying to get into my home.
00:29:20Is this your new girlfriend?
00:29:24I've never seen you with anyone like this before.
00:29:27Ken's my roommate.
00:29:28Now, if you'll please step aside so I can get in.
00:29:35Call me again if you need anything, okay?
00:29:37Bye.
00:29:41Hey, what are you doing home so early?
00:29:43Are they going to showcase your work?
00:29:44Sorry if I interrupted something, but as your roommate,
00:29:49I don't really think I need to tell you if I'm coming or going.
00:29:51So if you have something private to do, just do it in your room.
00:29:54I never said you need to tell me when you're coming or going.
00:29:56I'm just saying.
00:29:57Fine, you don't need to explain.
00:29:58Just, I just want to be alone.
00:30:00I'm so sorry, sir.
00:30:12She just barged in without permission.
00:30:14Okay.
00:30:16Miss Roberts, please.
00:30:17Grab a seat.
00:30:19We signed a contract.
00:30:20Why can't you show my paintings now?
00:30:23I'm afraid I don't have the answers you're looking for.
00:30:25You want to know what happened?
00:30:26Ask Carl Crow.
00:30:27I want my paintings back right now.
00:30:35Well, they're probably somewhere in the warehouse.
00:30:38They haven't been thrown away yet.
00:30:57You've already searched the entire warehouse ten times.
00:31:07If you haven't found what you're looking for, it's not here.
00:31:09You better hope I find what I'm looking for,
00:31:11or I'm going to make this entire gallery compensate me,
00:31:14and then I'm going to sue you,
00:31:15and you'll be the first to lose your job.
00:31:18Yeah, that's great, lady.
00:31:19Go ahead and sue.
00:31:20I'm sure things will go exactly the way you described it.
00:31:23Go ahead and sue me.
00:31:53You really care about her?
00:32:12Shh, keep your voice down.
00:32:14She's had a long day.
00:32:16Also, you can't just come over here so casually in the future.
00:32:18Casually?
00:32:21Are you kicking me out?
00:32:23You didn't mind my coming over so casually
00:32:25when you had me digging through your body for bullets.
00:32:28You men are cold as hell.
00:32:30I think my lucky star is a lesbian.
00:32:32Look, I just can't have her finding out about the work that we do, okay?
00:32:36Are you serious about her?
00:32:39Yeah.
00:32:40Have you thought about the consequences if your dad finds out?
00:32:43Look, now, you and I have been best friends for over 20 years, okay?
00:32:49And my dad has taught me everything that I know.
00:32:53I think maybe it's time I just figure things out on my own.
00:32:56And you know exactly what I went through last time.
00:33:00I'm not going to lose her again.
00:33:01Don't worry, Anna.
00:33:07Mommy's going to find a way to bring you home soon.
00:33:16All the evidence is here.
00:33:18It's exactly what you thought.
00:33:21Let me know if you want me to find out more.
00:33:22Carl, let's meet.
00:33:47Oh, wow.
00:33:48It's not every day a famous painter comes to visit.
00:33:54To what do I owe the pleasure?
00:33:56The company I supposedly borrowed money from.
00:34:01It's a shell company owned by you.
00:34:05So what?
00:34:07All our operations are legal.
00:34:08You signed the documents.
00:34:10You borrowed the money.
00:34:12All you can do now is pay it back.
00:34:15You know, I don't think you actually want me to pay back the loans.
00:34:24You were just looking for an excuse to have me back in your life.
00:34:29You're obsessed with me.
00:34:32This is just your sick way to dominate me and make me surrender to you.
00:34:36I'm just getting even.
00:34:38For the years I spent in your father's shadow.
00:34:41The years of belittlement.
00:34:43And him treating me like a clown.
00:34:45My father hired you when no one else would.
00:34:50Not my fault that your insecure petty took his support of belittling.
00:34:58I wouldn't upset me if I were you.
00:35:02Remember, I'm your creditor now.
00:35:05Two months.
00:35:07That's all I can give you to pay me back the remainder of $180 million.
00:35:10What are you doing here?
00:35:22I was just in the neighborhood.
00:35:24Thought I'd give you a ride home.
00:35:25Hi.
00:35:28Hi.
00:35:30Hey.
00:35:31Who is this?
00:35:35This is Ken's roommate.
00:35:38We're going to be dropping them off before we head home.
00:35:40Yeah, hey, listen, I didn't introduce you last time, but this is my best friend, Nell, and her girlfriend, Maria.
00:35:52Nell and I have been nothing more than friends since we were kids.
00:35:55She's not into men, and she never has been, and her and I are nothing more than just platonic friends.
00:36:01Alright?
00:36:03I'm sorry, I jumped to conclusions the other day.
00:36:06It's okay.
00:36:08I just didn't want you to get the wrong idea.
00:36:10Oh, look, I appreciate it, I really do, I just, I still think you and I are better off just as friends.
00:36:25Just friends?
00:36:27Why?
00:36:32Why?
00:36:35Maybe because I'm just getting over a failed marriage?
00:36:39Because I owe an unthinkable amount of money and I have no idea how I'm going to pay it back.
00:36:47I also have no idea how I'm going to get my daughter back.
00:36:52And getting into a relationship with you?
00:36:55That's just something I can't do right now.
00:36:58Let this drop me nothing but pain, okay?
00:37:00So just, please, just leave it.
00:37:02Do you have any other paintings?
00:37:25Do you have any other paintings?
00:37:25Yeah, I have several.
00:37:35What are you looking for?
00:37:38I would like to buy them all.
00:37:40I love your painting style.
00:37:42It is so unique.
00:37:43I own a large gallery and I would like to establish a long-term collaboration with you.
00:37:49Thank you for your kind words about my paintings, but...
00:37:53I've been in some trouble lately and it's probably best if I don't involve your gallery.
00:37:58None of this matters to me.
00:38:04If someone wishes to cause me trouble, well, just let me try.
00:38:15I mean, it has to be a mistake.
00:38:20Or a prank.
00:38:21Or a cruel practical joke.
00:38:24I mean, it seems pretty authentic to me.
00:38:27It has their seal and your name and address are, like, clearly written on it, so...
00:38:33It looks authentic.
00:38:38How would they have seen my paintings?
00:38:41I don't know.
00:38:42Maybe one of those auction sites that you've been posting your work on?
00:38:45I mean, you're incredibly talented, so anybody who's seen your work would automatically recognize it.
00:38:50I own a large gallery and I would love to establish a long-term collaboration.
00:39:01It's him.
00:39:03It's him.
00:39:04The guy who's been on my paintings.
00:39:06He must be the owner of the Fitz Gallery.
00:39:08Well, in that case, you better get going.
00:39:10Where?
00:39:12Gotta go get you a dress.
00:39:13Can't have you showing up to the Fitz Gallery in a rag.
00:39:15Babe, which one do you like more?
00:39:23This one or this one?
00:39:26I need to be the hottest girl at the Fitzgala.
00:39:30Everything just looks so good on you, honey.
00:39:34So just pick whichever one you want.
00:39:37I gotta take a call, okay?
00:39:39Wrap this up, you twitch.
00:39:41I'll take them both.
00:39:42Wow.
00:39:50I used to buy dresses like this all the time without even thinking about the money, but
00:39:54I can't afford something like this now.
00:39:59You know what?
00:40:01Consider it a congratulatory gift for me.
00:40:04Alright?
00:40:05And when you make it big in the art world, you can just pay me back.
00:40:07Oh, hi.
00:40:10Excuse me.
00:40:11Yeah, my friend would like to try on this dress.
00:40:14Oh, your friend has amazing taste.
00:40:16This dress is actually a limited edition.
00:40:18Each one handcrafted by hand and therefore entirely unique.
00:40:21Truly a work of art.
00:40:23Well, how fitting that's going to be worn by a very talented artist.
00:40:26I'll have someone on the team bring it out to you.
00:40:30Veronica, please bring the limited edition.
00:40:32Well, limited edition.
00:40:39Tasha?
00:40:40Do you really think you can afford this dress?
00:40:46You can afford this dress?
00:40:50Please.
00:40:51Raina, I don't think you need to worry about Tasha's finances, okay?
00:40:55We established that last time.
00:40:59Hey, you.
00:41:00Get over here.
00:41:00I'm going to pay twice what it's worth.
00:41:04But I want this dress.
00:41:05Ma'am, this dress is $4,000.
00:41:07Did I ask you how much it costs?
00:41:09You blurtarian scum.
00:41:10Just shut your mouth and add it to my bill.
00:41:13She's willing to pay double.
00:41:15I'll double her offer and I'll pay $15,000.
00:41:18Okay, so.
00:41:19Both.
00:41:20$32,000.
00:41:21You know what?
00:41:24She wants to dress so bad, let her have it.
00:41:26You can put all the jewels you want on a pigeon, but it'll never be a peacock.
00:41:31I'll show you who's a pigeon, you'll be a bitch.
00:41:33How dare you assault me!
00:41:35Tasha, are you okay?
00:41:39What is going on here?
00:41:41What's going on is that your crazy bitch wife pushed Tasha to the ground.
00:41:45I swear to God, they're all lying.
00:41:47I never touched her.
00:41:48I saw everything.
00:41:49This gentleman and his girlfriend were very nice and politely inquired about a dress,
00:41:53and suddenly your wife appears and attacks her for no reason.
00:41:56Shut your mouth, you little lying asshole.
00:41:59You know what?
00:41:59Why don't you just call security before this crazy maniac hits somebody else?
00:42:02Wait a second right now.
00:42:03What actually happens here?
00:42:05What's going on?
00:42:06Why don't you believe me?
00:42:07Don't you?
00:42:08Don't you just call 911?
00:42:09Are you blind?
00:42:12Oh, Tasha, can you stop this bullshit?
00:42:13You know what, Raina, can you just stay away?
00:42:15Can I get someone down here?
00:42:17Room A, 122?
00:42:18No, no, that's not necessary.
00:42:19We are leaving right now.
00:42:20Let's go.
00:42:21Oh, but...
00:42:22Okay, you've embarrassed us both enough for one day, okay?
00:42:25Let's go!
00:42:34Wherever Raina goes, trouble's sure to follow.
00:42:36It is nice to see a better taste of her own medicine, though.
00:42:41Yeah.
00:42:42Just saying, though, you would have looked really great on that dress.
00:42:48Don't worry about that.
00:42:50I have a solution.
00:42:59What are you going to do with all this stuff?
00:43:01I'm going to design my own dress and wear it to the gala.
00:43:05Are you sure there's enough time?
00:43:06Have some faith in me.
00:43:07I graduated with honors in design and fine art.
00:43:11I got this.
00:43:14All right.
00:43:14How do I look?
00:43:37How do I look?
00:43:38What?
00:43:44What?
00:43:45Is...
00:43:45Is something wrong?
00:43:47Is it...
00:43:48Is it too much?
00:43:48Should I change something?
00:43:50No.
00:43:51No.
00:43:52You look...
00:43:54The dress, like...
00:43:56That is one of the most beautiful dresses I've ever seen.
00:43:59But there's something missing.
00:44:06Should I...
00:44:07Refill the beads?
00:44:09No.
00:44:11I have a gift for you.
00:44:13Something to...
00:44:14Complete the whole look.
00:44:15Just try harder, you idiot.
00:44:23Mrs. Crowe, I am doing everything I can.
00:44:27And I...
00:44:27I don't know what more I can do.
00:44:29You're calling me fat?
00:44:31Of course not.
00:44:32You're not fat at all.
00:44:34It's the dress.
00:44:35It's not made for a woman's body.
00:44:38Just shut up and do it!
00:44:41Babe.
00:44:42Just put on another dress.
00:44:44You're gonna be late.
00:44:46I spent so much money on this dress.
00:44:48I am wearing this dress!
00:44:50I am wearing this dress!
00:44:50I can't.
00:45:10It's...
00:45:11It's too much.
00:45:13No.
00:45:15It was made for you.
00:45:16I can't.
00:45:20I can't wait to see what you've brought to the auction.
00:45:28Can we have a little hint?
00:45:30Well, actually, I brought some of my very own paintings to auction tonight.
00:45:38What's wrong?
00:45:40Tasha Roberts.
00:45:42My husband's dreadful ex-wife.
00:45:46I'm tired of seeing her sorry face everywhere.
00:45:50You know, she's also a horrible person.
00:45:54If it isn't everyone's favorite white-collar criminal turned homeless vagrant, Tasha Roberts.
00:46:02So, the other day, when you were trying to buy this dress with that working-class thug boyfriend of yours,
00:46:10you were trying to come here?
00:46:12Are you sure you were even invited?
00:46:13I'm sorry, are you working the security these days?
00:46:20Do you need to show you my invitation?
00:46:22Honey, I'm just trying to look out for you, okay?
00:46:25I want to spare you the embarrassment of being kicked out when everybody finds out that you are not invited.
00:46:31You mean like how you were kicked out of the mall?
00:46:34I see.
00:46:35You still quite don't understand your place in the world.
00:46:39You think you're fucking Cinderella or something, and life is a fairy tale.
00:46:44But don't worry.
00:46:45I'll help you figure it all out.
00:46:50What's wrong with you?
00:46:52You can't just be a piece of my walking through.
00:46:54Rina, this time you've gone too far!
00:46:57Stop shouting, you dreadful O.
00:46:58These were supposed to be auctioned tonight!
00:47:00Well, if it is of any consolation, I don't think the wine has reduced their value of very much at all.
00:47:06Well, now you can go and cry to your fairy gut mother.
00:47:12Loser.
00:47:14Oh, I think the auction's starting.
00:47:16Well, I'll see you there.
00:47:18Toodles!
00:47:26For our first auction item, I'd like to welcome Ms. Rina Crow to the stage with her collection of original paintings.
00:47:36As you can see, Ms. Rina Crow's style is very unconventional.
00:47:55Certainly, these works defy easy categorization, and yet there are touches of whimsy and an almost playful quality about them,
00:48:04as depicted here through the bold use of a duck as a central figure.
00:48:09It's a dog.
00:48:10What?
00:48:11It's a dog, not a duck, you buffoon!
00:48:13Oh, yes, of course!
00:48:15A dog!
00:48:17Seen through a very unique prism.
00:48:20Portrayed as only an artist of Rina's caliber could possibly portray it.
00:48:25Now that we have familiarized ourselves with the art and the artist, let's start the bidding.
00:48:31The starting price will be $50,000.
00:48:34Do I hear $50,000?
00:48:36Anyone?
00:48:39$50,000.
00:48:40Do I hear $50,000?
00:48:44Anyone?
00:48:45$50,000 going once.
00:48:47$50,000 going twice.
00:48:50Sold!
00:48:50Sold for $50,000.
00:48:52And now we'll invite our second artist for the evening, Ms. Tasha Roberts, who will also
00:49:03be presenting a series of paintings.
00:49:13Ms. Tasha Roberts, where are your paintings?
00:49:16I don't have my paintings tonight, but I will be auctioning off this dress.
00:49:36Wow, it's beautiful!
00:49:40Dupendous!
00:49:41I've never seen a dress so beautiful!
00:49:42Oh, stupendous!
00:49:48I've never seen a dress so beautiful!
00:49:51A stunning work of art, indeed!
00:49:53There's no need for me to say another word about this masterpiece.
00:49:56Everyone in the audience can clearly see the extraordinary talent and extraordinary artistry.
00:50:01Let's start the bidding at $50,000.
00:50:04$55,000!
00:50:05$75,000!
00:50:06$90,000!
00:50:08$100,000!
00:50:10$150,000!
00:50:11$250,000!
00:50:13$250,000 going once, $250,000 going twice.
00:50:21Sold!
00:50:22This beautiful dress is sold for $250,000!
00:50:25Is that the heart of Sly Memphis that sold for $200,000 a few months ago in a big deal?
00:50:38Impossible!
00:50:40How can that lowly peasant possibly afford it?
00:50:43It must be a fake.
00:50:44Thank you so much for your bid, Ms. Munsell.
00:50:50I'm going to design a few custom pieces in your size and design them to your elegance and style.
00:50:57Have you ever considered creating your own clothing brand?
00:51:01Your creations are so extraordinary.
00:51:05You should really share your talent with the rest of the world.
00:51:09I never considered it, but I certainly will now.
00:51:13Hi.
00:51:14I'd be careful if I were you.
00:51:16I personally wouldn't put any faith into someone that wears cheap replicas of famous pieces of jewelry.
00:51:21What are you talking about right now?
00:51:25This woman is a phony and a con artist.
00:51:28For as long as I worked with her, she's done nothing but defraud and cheat the people she's done business with.
00:51:34And let me make it clear.
00:51:36For everybody that wants to do business with this woman,
00:51:39they won't be allowed to do business with the Crow Group.
00:51:43Is that so?
00:51:44Well, let it be known that if anybody refuses to work with Ms. Tasha Roberts
00:51:51because of the baseless rumors and lies being spread by Ms. Raina Crow,
00:51:56you will no longer be welcomed back to the Fitz Gallery.
00:51:59That's the curator of the Fitz Gallery.
00:52:03Not just the curator.
00:52:05He's also the director of the Fitz Foundation.
00:52:09The curator?
00:52:11Is he the man who bought my paintings?
00:52:14Why does he seem so familiar?
00:52:19Tasha Roberts is my guest of honor tonight.
00:52:21I invited her personally.
00:52:23So if anybody treats her with the slightest bit of disrespect,
00:52:26they'll be asked to leave and never again invite her back to the Fitz Gallery.
00:52:30As the director of this esteemed organization,
00:52:33am I interested to know that your guest of honor is wearing a cheap replica of a priceless work part.
00:52:41She is not to be trusted.
00:52:43I'm assuming you mean her diamond.
00:52:46What evidence do you have to prove that it's not real?
00:52:49Well, the real heart of the sun has the initials of the craft man engraved in the joint between the gemstone and the pendant.
00:52:56So, Tasha, would you indulge us all and show us if what you're wearing is a genuine article or a cheap knockoff?
00:53:05This was just given to me by a friend.
00:53:08I never claimed it was the real heart of the sun.
00:53:11I don't want to embarrass him by having people pour over it for an infection.
00:53:16So, it's a forgery.
00:53:19You were so happy to have everyone believe it was the real thing until I challenged you and called your bluff.
00:53:26Ms. Roberts.
00:53:27You have nothing to fear from this woman to show her the necklace.
00:53:40And I'll personally see to it that there are no despairing comments about its craftsmanship or quality.
00:53:46And the question has to be asked whether it is the true heart of the sun.
00:53:57See, just like...
00:54:00What?
00:54:02How is this possible?
00:54:04I do say, this engraving looks entirely authentic to me.
00:54:14This is indeed the one and only heart of the sun.
00:54:17Well, that settles us in.
00:54:18This necklace is authentic.
00:54:20From now on, no one will be permitted to question or harass my guest of honor.
00:54:25Now, if everyone is satisfied, can we please get back to tonight's festivities?
00:54:34This is a mess.
00:54:39Ken, you have a lot of explaining to do.
00:54:43Okay, what's wrong?
00:54:45I can't accept this necklace.
00:54:47And I can't give you what you want.
00:54:51Do you even know what I want?
00:54:52I don't want to know.
00:54:55We can just be friends, nothing more.
00:54:58Tasha, you're just afraid.
00:55:00You're just afraid of going after what your heart truly desires.
00:55:04And I just think you're afraid of just being true to yourself.
00:55:09You're the last person that should be lecturing anybody on the truth.
00:55:13Who are you?
00:55:15What do you do?
00:55:17Is this even your house?
00:55:18I mean...
00:55:19How do you own a necklace that's $200 million?
00:55:23See, you don't even respect me enough to tell me the truth.
00:55:32You expect me to jump into a relationship with you?
00:55:37You could be a total stranger.
00:55:40I have no idea who you are.
00:55:42Tasha, I want to tell you.
00:55:45I do.
00:55:46But...
00:55:47I just can't right now.
00:55:50Alright?
00:55:50Like, maybe in the future...
00:55:52No, Ken, there is no future for us.
00:55:55Not if you can't tell me one thing about yourself that isn't a lie.
00:55:58When you find someone that you really love and trust...
00:56:04You let them in.
00:56:11But that person won't be me.
00:56:13Are you okay?
00:56:32Director Fitz, I had a wonderful time at the gala.
00:56:36Thank you for supporting me and standing up for me.
00:56:40I wasn't bothered by the way the other guests treated me.
00:56:43I've endured far worse.
00:56:49Lovely.
00:56:50I'm glad to hear it.
00:56:52I would like to exclusively showcase your work at the Fitz Gallery for the foreseeable future.
00:56:57Think of it as a sort of artist residency.
00:57:00Would you be interested in such an opportunity?
00:57:02This dress is every bit as exquisite as I expected it to be.
00:57:16Thank you, my dear.
00:57:17You're very welcome.
00:57:19Have you given any more thought to my proposal?
00:57:22If you wish to start a clothing brand, I would be more than happy to invest whatever you require to get started.
00:57:30It's a very gracious offer, but I just...
00:57:33I have to ask.
00:57:35I mean, there are so many other talented designers.
00:57:37Why do you have such faith in my ability?
00:57:40It's not just me, you know.
00:57:42The curator of the Fitz Gallery has never been seen in public before the gala last night.
00:57:48And everyone in attendance was certain that the only reason he chose to make an appearance was because of you, his guest of honor.
00:58:00That was his first appearance ever?
00:58:02Indeed.
00:58:03His very first and only time to appear in the flesh.
00:58:06Before this, he was a figure of myth and mystery.
00:58:11Many people doubted he existed at all.
00:58:14But all because of you, he chose to grace us with his presence last night.
00:58:20Seems like a marvelous young man, don't you think?
00:58:23He certainly had a charm about him.
00:58:26Oh, undoubtedly.
00:58:27You know, many people flock to the Fitz Gallery for more than just the art.
00:58:32And they want to learn all about the enigmatic young curator.
00:58:38Really? I mean, what's so interesting about him?
00:58:41Have you ever wondered how the Fitz Gallery has managed to surpass all of the established art collections to become the top venue for fine art in just two years?
00:58:53I mean, I heard rumors.
00:58:56Something about foul play, but I always just assumed they were baseless.
00:59:00Those rumors have quite a bit of truth to them.
00:59:04Seems like the Miller crime family is actually behind the Fitz Foundation.
00:59:10The one and the same Miller crime family that monopolizes all the underground trade in all of North America.
00:59:19He seems like such a gentleman.
00:59:21I just, I find it hard to believe that he ever was involved in something so sordid.
00:59:25You must never judge a Brooklyn's cover, my dear girl.
00:59:30Even people close to us may be harboring many secrets.
00:59:34We never really know what's going on inside.
00:59:37You got that right.
00:59:39I learned that lesson the hard way.
00:59:41Let me be frank.
00:59:42I have tremendous faith in you.
00:59:47I know, but I need a fear.
00:59:50All my friends call me Laura.
00:59:54Let's go get a check.
00:59:56For five million dollars.
00:59:58She'd help you get your clothing brand started.
01:00:01Shall we become business partners in addition to being friends?
01:00:20Director Fitz, I'd like to work with you.
01:00:24It would be my honor, Miss Dr. Robert.
01:00:26Fly away with me
01:00:32Take you high
01:00:34Sorry
01:00:36Smile
01:00:38My only dream
01:00:41Steering out into the sea
01:00:48Waves come crashing up to me
01:00:52My toes slip into the sand
01:00:56Dream that I'm with you
01:01:00Staring out into the sea
01:01:04Waves come crashing up to me
01:01:08My toes slip into the sand
01:01:13Dream that I'm with you
01:01:17Congratulations, Miss Roberts
01:01:30We expect a huge success from your art exhibition
01:01:32Thank you
01:01:34Thank you
01:01:35You're looking at her
01:01:49You're obsessed with her
01:01:52Didn't she humiliate me enough the other night at the gala?
01:01:56But now I have to watch my husband stare at her picture
01:01:59Well maybe if you didn't give her the opportunity to humiliate you
01:02:04So it's my fault now?
01:02:05Oh wait, let me guess
01:02:06Maybe it's my fault too when the two of you broke up
01:02:09Okay
01:02:09Raina
01:02:12I've been thinking
01:02:13I don't think this is working
01:02:15I want a divorce
01:02:17You used me to push Tasha out of your company
01:02:24Take her property
01:02:25And now you cast me aside like what?
01:02:28A huge piece of garbage?
01:02:30I won't allow this
01:02:32Mark my words, Carl Crow
01:02:34You will regret this
01:02:37I'm spending too much time around Ken
01:02:51He's dominating all my thoughts
01:02:54I have to distance myself from him
01:02:56For my own sanity
01:02:58As if nothing can do to get you to stay
01:03:12I'm sorry
01:03:17But no
01:03:19You and I
01:03:22Our relationship
01:03:23We'll just
01:03:24Keep going in circles
01:03:26But thank you
01:03:29For everything you've done for me
01:03:31I have a little bit of money now
01:03:34So
01:03:34You should be able to pay off your loan soon
01:03:36And mommy talks
01:03:41An awkward silence
01:03:43Waiting nights
01:03:45Walking through the garden
01:03:47Running
01:03:49With your hand in mine
01:03:53It's so
01:03:57This is what happens when you steal from the millers
01:04:11Please
01:04:12Let me go
01:04:13I promise you'll never see me again
01:04:18What do you got here?
01:04:26It's right here
01:04:26It's right here
01:04:26It's right here
01:04:27It's right here
01:04:27It's right here
01:04:27It's right here
01:04:28It's right here
01:04:28Boston
01:04:29I found this one peeking around the corner
01:04:32Not sure how long this little bitch has been watching
01:04:35But I'm pretty sure she tried to call a cop
01:04:36Don't worry, Boston
01:04:42I got a knife with her name on it
01:04:44We can dump her body with the other guy
01:04:45No, let her go
01:04:52What?
01:04:53Didn't you hear what I said?
01:04:54She's seen everything
01:04:55Let her go
01:04:56Before I rip off your fucking arms
01:04:58And throw them in the river
01:04:59Walk away
01:05:08This doesn't mean anything to you
01:05:10Is this what you couldn't tell me about?
01:05:14Boss
01:05:14You know this woman?
01:05:15You're gonna kill him
01:05:18Call the police then
01:05:20See if they can save his life
01:05:21No
01:05:22Don't call the police
01:05:24You stupid bitch
01:05:25My world is more cruel than you can possibly imagine
01:05:29Since you didn't want to get involved
01:05:31Just walk away
01:05:33Hey babe
01:05:39What do you want for breakfast?
01:05:40What do you want for breakfast?
01:05:48Hey babe
01:05:51What do you want for breakfast?
01:05:53Hey babe
01:05:53What do you want for breakfast?
01:05:57My world is more cruel than you can possibly imagine?
01:06:11My world is more cruel than you can possibly imagine
01:06:23Since you didn't want to get involved
01:06:25Just walk away
01:06:26I never imagined that Ken could be such a dangerous and violent man
01:06:31There must be something or someone forcing him to do all of this
01:06:35Even people close to us may be harboring many secrets
01:06:41We never really know what's going on inside
01:06:44Forget it
01:06:46This has nothing to do with me
01:06:48I decided to leave Ken
01:06:49So I have to do my best not to look back
01:06:52Tasha
01:07:06Let's talk
01:07:08You're a pro-magnon boyfriend
01:07:17Is he not joining us?
01:07:19Tell of her
01:07:20I'm not with him anymore
01:07:21Where's Raina?
01:07:24Raina was a mistake
01:07:26That's all over too
01:07:28Tasha
01:07:30I want you back
01:07:35I can't stop thinking about us
01:07:38You were right
01:07:40You belong in my life
01:07:41So if you just
01:07:44Sign those documents
01:07:47Then you can come back to me
01:07:49Come back to the house
01:07:51So we can carry on like none of this ever happened
01:07:53I can give you your old job back
01:07:56That'll be fun
01:07:56Working together again
01:07:57And then all that debt you owe me will be wiped clean
01:08:00You think I'd get back with you after everything you put me through
01:08:11Here is a hundred million dollars
01:08:19I'll pay the rest on time
01:08:20I'll pay the rest on time
01:08:21And if you're agreement
01:08:24Take these documents and
01:08:31Shove them right up your ass
01:08:34You disgust me Carl
01:08:37You should think about Anna
01:08:39Do you really want her growing up without a mother?
01:08:43With all her health problems she could really use your support
01:08:45Don't you dare talk about Anna
01:08:47She'll be with me soon
01:08:49Then I'll never let her out of my sight again
01:08:51She needs her mother and her father
01:08:53Not a father like you she doesn't
01:08:56She'd be better off with no father at all
01:08:58I'm sorry am I interrupting?
01:09:11Are you texting a new boyfriend already?
01:09:14Can it wait?
01:09:16I'm not done talking here
01:09:18Pathetic Carl
01:09:19Hey Tasha
01:09:22Tasha
01:09:23Hey Tasha
01:09:28Tasha come back
01:09:30Where are you going?
01:09:32This place is disgusting
01:09:33Come on Tasha
01:09:35Don't you remember the happy times?
01:09:37Come on we can have that again
01:09:39Think of Anna
01:09:40Think of me
01:09:40Please
01:09:41I love
01:09:42Who?
01:09:42Who?
01:09:43Who?
01:09:49Sorry folks
01:10:02The end of the line for you
01:10:06No hard feeling
01:10:09But
01:10:11We gotta do what the people who pay us tell us to do
01:10:14Who's paying you?
01:10:17I'll give you a hint
01:10:18A very beautiful woman
01:10:21Paid us a small fortune
01:10:22To make sure you two
01:10:23Make sure you two don't make it
01:10:26Raina
01:10:28That fucking bitch
01:10:30Do you know who I am?
01:10:33I'm Carl Crow
01:10:34The CEO of the Crow Group
01:10:36Whatever she's paying you
01:10:38I'll pay double
01:10:39Okay?
01:10:39Yeah yeah
01:10:40You're gonna pay me double
01:10:41I guess you haven't heard the news buddy
01:10:43See I don't think you have the news
01:10:46To outbid your pretty little friend
01:10:48Oh
01:10:51Backstabbing slut
01:10:53Please pick up the phone
01:10:56You trying to phone a friend?
01:10:59That's a big no-no sweetheart
01:11:00That's breaking the rules
01:11:02Sweetie
01:11:06Don't waste the little time you have left trying to call for help
01:11:10It won't do you any good
01:11:12No one
01:11:14They can help you now
01:11:17Three hours?
01:11:21Where's Tasha?
01:11:24Hey Nell
01:11:25Hey listen
01:11:26I need you to do me a favor
01:11:27Yeah I need you to pull out the city surveillance system in the area
01:11:31And find all the footage
01:11:32Yeah no
01:11:34Something's wrong
01:11:35What are you doing?
01:11:46We have to get out of here
01:11:50Huh?
01:11:55I don't
01:11:56You should just
01:12:01Go
01:12:02Save yourself
01:12:04Leave me
01:12:05It's what I deserve
01:12:07I'm not gonna leave you
01:12:10I'm not that type of person
01:12:13Come on let's go
01:12:21Come down here
01:12:24Wait until they come in
01:12:25Hey Tasha
01:12:32I'm so sorry
01:12:36Now's not the time for that
01:12:55All in
01:12:58Looks like we got ourselves a suicidal prick here fellas
01:13:10I can't think of any other reason why somebody would kick in the door
01:13:14That's got Vincent Santorelli on the other side of it
01:13:16Oh shit
01:13:20Boss
01:13:22I didn't realize it was you
01:13:25These are your guys?
01:13:29Where the fuck are they?
01:13:32You better find them
01:13:33Quick
01:13:33Now it's your turn
01:13:55Pretty little thing like you I was gonna make you painless
01:14:01Now it's your turn
01:14:11Pretty little thing like you I was gonna make you painless
01:14:14But I guess you didn't want that
01:14:15All the same
01:14:17Hey who's this fucking monkey?
01:14:20Lower your fucking gun
01:14:21Benny what the fuck is going on?
01:14:23You fucking down
01:14:24Lower your fucking gun
01:14:25Are you
01:14:27Are you Ken Miller?
01:14:30How can that be?
01:14:31What the fuck is going on?
01:14:33Ken Miller
01:14:34The one and the same
01:14:36Miller crime family
01:14:38That monopolizes all the underground trade
01:14:41In all of North America
01:14:43It's you
01:14:46You know what you have to do
01:14:54Boss
01:14:57Please
01:14:58He's my brother
01:15:00Rules are rules
01:15:03I was pushing you away as Ken
01:15:19And
01:15:19Growing closer to you as Fitz
01:15:23I'm sorry Tasha but
01:15:27There's just nothing I can do
01:15:30It'll make you happy
01:15:31And I just
01:15:33I just can't win over your heart
01:15:35Ken Miller always this loving with
01:15:42The hostages he rescues
01:15:44Or is
01:15:45It's just special treatment
01:15:47Reserved for his lovers
01:15:48Tasha I love you
01:15:51My heart has belonged to you
01:15:53And only you
01:15:54For the past 15 years
01:15:5615 years
01:16:02And we just met a few months ago
01:16:05We met 15 years ago
01:16:09You went to Marr Middle School
01:16:14Yeah
01:16:15And you saved my life there
01:16:26Stand up chicken
01:16:27And hit us back
01:16:28Isn't that what your dad does for a living
01:16:30Beat people up
01:16:32I'm not my dad
01:16:34You and your father are both scum
01:16:37Let's teach this little and thug a lesson
01:16:39Yeah idiot
01:16:40Get up and show us what you got
01:16:42Hey
01:16:44Hey
01:16:47Hey
01:16:47Hey
01:16:47Stop
01:16:48That's enough
01:16:49That's enough
01:16:50None of your business Robert
01:16:51Get out of here Robert
01:16:52Hey
01:16:53Stop
01:16:53I'll call your parents
01:16:54Go
01:16:55Oh crap
01:16:55Ever since I saw you that night in the cab
01:17:11With that necklace on
01:17:12I just
01:17:14I knew I found you
01:17:15Look
01:17:17This isn't just some feeling
01:17:19For me
01:17:19Okay
01:17:20This is
01:17:21This is everything to me
01:17:23Like you
01:17:24Are everything to me
01:17:25No matter what happens between us
01:17:28I'll always care about you
01:17:30And maybe
01:17:33One day we can
01:17:34Make it work in a different way
01:17:38I just need some time to process this
01:17:54Okay
01:17:57And after that
01:17:59Maybe we can pick up where we left off
01:18:03That first night you spent here
01:18:04Maybe
01:18:07Play your cards right
01:18:10Maybe
01:18:11Play your cards right
01:18:11Does everything look good to you Myronis?
01:18:28Yeah
01:18:29Thanks for everything
01:18:31That doesn't sound very convincing
01:18:34Is
01:18:34Is there anything you want to change?
01:18:36No
01:18:37I just
01:18:38I never got around to asking why you
01:18:40Wanted to start an art gallery in the first place
01:18:42Honestly
01:18:43Just to get to you
01:18:45See I thought if I own the world's greatest art museum
01:18:48That
01:18:48One day you might find your way in here
01:18:50And
01:18:51I don't know
01:18:52That I might find you
01:18:53I don't know
01:18:54I don't know
01:18:55I don't know
01:18:56I don't know
01:18:57I don't know
01:18:58I don't know
01:18:59I don't know
01:19:00I don't know
01:19:01I don't know
01:19:02I don't know
01:19:03I don't know
01:19:04I don't know
01:19:05I don't know
01:19:06I don't know
01:19:07I don't know
01:19:08I don't know
01:19:09I don't know
01:19:10I don't know
01:19:11I don't know
01:19:12I don't know
01:19:13I don't know
01:19:14I don't know
01:19:15I don't know
01:19:16I don't know
01:19:17I don't know
01:19:18I don't know
01:19:19I don't know
01:19:20I want to see what kind of woman this is that has ensnared my son.
01:19:32I thought she's worthy of joining the Miller family.
01:19:37As you wish, sir.
01:19:39I will make the arrangement.
01:19:43Honestly, this is good to you.
01:19:47See, I thought if I own the world's greatest art museum that one day you might find your way in here and I don't know, that I might find you.
01:19:55Okay, okay. Just concentrate on painting. Don't think about him.
01:20:17Who are you?
01:20:21Miss Tasha Roberts, Mortimer Miller would like to speak with you privately at his home.
01:20:27Come here. Take a look.
01:20:31She's an heiress to the largest chain of luxury hotels in the Western Hemisphere.
01:20:41She's young, beautiful, well-educated.
01:20:46I think she'll make a fine wife for my son, Ken.
01:20:49With all due respect, sir.
01:20:54I believe that it's up to Ken to decide who he wants to spend the rest of his life with.
01:21:02Choose you. Not a chance.
01:21:05You're no match for my son.
01:21:08Now you owe money to the Crow Group.
01:21:19I'm going to pay your debt.
01:21:25And in return you will agree to never see my son again.
01:21:33It's our decision whether we want to be together or not.
01:21:36Your son and I love each other.
01:21:39There's nothing in this world that can keep us apart.
01:21:43Tasha, you want us to be together?
01:21:47It's impossible.
01:21:49Father.
01:21:50I forbid it.
01:21:51Father, this is the love of my life.
01:21:53I can't lose her again.
01:21:55I'd rather leave the family business.
01:21:58Then leave if you wish.
01:22:00But she will never have my approval, ever.
01:22:02And she'll never be a part of the Miller family as long as I live.
01:22:07You'll come running back.
01:22:09Without the Miller family power.
01:22:12Money.
01:22:14You accomplish nothing.
01:22:17You're making a big mistake.
01:22:20Choosing this.
01:22:22Old hand.
01:22:25Instead of family.
01:22:33Ken, where are you?
01:22:36Why aren't you back yet?
01:22:41Oh, you're still awake?
01:22:42Who did this to you?
01:22:43Don't worry about me, I'm fine.
01:22:44Nothing out of the ordinary.
01:22:48Who did this to you?
01:22:49Don't worry about me, I'm fine.
01:22:50Nothing out of the ordinary.
01:22:51Who did this to you?
01:22:53Who did this to you?
01:22:55Who did this to you?
01:22:59Who did this to you?
01:23:00Who did this to you?
01:23:01Don't worry about me, I'm fine.
01:23:03Nothing out of the ordinary.
01:23:04There's nothing out of the ordinary.
01:23:18Hey, babe.
01:23:19Yeah, no, I'm just right outside.
01:23:24You son of a bitch.
01:23:26You make me cut my own brother's hand.
01:23:29Now you think you can betray the Miller family,
01:23:32walk away sky-free?
01:23:34Not a fucking chance.
01:23:36This guy means nothing to the Miller family now.
01:23:39He's worthless.
01:23:41Helpless.
01:23:43He's absolutely nothing now.
01:23:45Let's make him feel the pain
01:23:47that my brother felt.
01:23:49Come on, boy.
01:24:02Stop.
01:24:03Stop hitting him.
01:24:04Stupid bitch.
01:24:05Stop.
01:24:06Help.
01:24:07Stop hitting him.
01:24:15Stop hitting him.
01:24:19Stupid bitch.
01:24:20Stop.
01:24:21Help.
01:24:22Everyone can hit me.
01:24:27Stop at once!
01:24:45You insolent fools!
01:24:47Son, you know how hard it is for me to admit that I made a mistake?
01:25:05But today the two of you have proved me wrong beyond a shadow of a doubt.
01:25:11Natasha, you are the perfect woman for my son.
01:25:18Go.
01:25:21Be together.
01:25:24You approve?
01:25:26You have my blessing.
01:25:29From this day onward,
01:25:32you have nothing more to do with the legal activities of the family.
01:25:37Son, you'll always be a miller.
01:25:43There's no shame.
01:25:46Get off me!
01:25:52Get off me!
01:25:53Good-
01:25:57Get off me!
01:26:11Stop!
01:26:12You useless, impotent man-child!
01:26:15The choreographer is bankrupt!
01:26:17That hurt.
01:26:18Getting involved with you is the worst decision I could have made in my life!
01:26:21Get off!
01:26:22This is all your fault!
01:26:23You spent every single thing that we had!
01:26:26Now we have nothing left!
01:26:27No company, no house, no money, not even a dime!
01:26:31And it's all because of you, you greedy cow!
01:26:33Don't you-don't-
01:26:43The late Mrs. Miller was a beautiful woman, sir.
01:26:48Yes.
01:26:52Back then, my wife protected me from every danger that befell our family.
01:26:57And today, my son found the perfect woman unless I do the same for him.
01:27:03He's a lucky man.
01:27:04Wow! You look so beautiful!
01:27:09No, you-you can't be here right now!
01:27:11Babe, I don't want to rush you, but everybody's waiting to see you.
01:27:20Ken, can you promise me one thing?
01:27:20I can promise you two if you like.
01:27:21I'm serious.
01:27:21I want you to walk away from the family business.
01:27:22There's a city called Ostia on the southwest side of Rome by the ocean.
01:27:26What?
01:27:27You know what I found over there?
01:27:28I found you an art teaching job at a public school.
01:27:32I would do a ticket maybe in the morning.
01:27:40I would do a ticket maybe in the morning.
01:27:45There's a city called Ostia.
01:27:47It's on the southwest side of Rome by the ocean.
01:27:51What?
01:27:52You know what I found over there?
01:27:55I found you an RT team job.
01:27:56I had a public school.
01:27:59I had to do a ticket.
01:28:00Maybe in the morning.
01:28:02You're sending me away?
01:28:03No.
01:28:05I opened my own restaurant.
01:28:07It's just down the street.
01:28:10Oh, and one more thing.
01:28:12I enrolled Anna at the school they're going to be teaching at.
01:28:16I think she's going to really live it over there.
01:28:20So you really are walking away?
01:28:23Yeah.
01:28:28You got some songs.
01:28:29I am.
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