- 12 hours ago
- #dramabox
Shelter in the Mafia #Dramabox
Category
🎥
Short filmTranscript
00:00:00Hey, what are you doing with my stuff? How'd you get in here?
00:00:11I gave him the keys.
00:00:12Carl? I mean, what are you doing here so late? And what's that guy doing with my stuff?
00:00:17Tasha, Tasha, Tasha. You're always asking the wrong questions.
00:00:24What the hell is going on?
00:00:26Do you really think you're death thick, Tasha?
00:00:29Your husband and I decided that you're no longer needed here anymore.
00:00:33Reyna's gonna take over your role at the company.
00:00:35She's already proven she can do everything you can, but better.
00:00:39I'll have a letter of termination and divorce papers sent over to your new address,
00:00:43wherever that ends up being.
00:00:45What should I do with this, boss?
00:00:47Give me that new plebe. I know exactly what to do with it.
00:00:53Is that clear enough for you, Tasha?
00:00:55Your company and your husband both belong to me now.
00:01:03No, you can't just fire me. I'm a shareholder at this company.
00:01:07Are you still a shareholder at this company? Are you?
00:01:10You know, actually, your debt is mortgaged with your shares, so you actually owe this company about $200 million.
00:01:16I never took out any loans that large.
00:01:19Oh, Tasha. You were always so gallible.
00:01:22A word of advice for the future?
00:01:24Don't give the keys to the kingdom to your assistant, no matter how trustworthy your feeble brain thinks they might be.
00:01:32Security! Security! We have a vagrant in the lobby and she might become hostile.
00:01:38Stop acting. I'll just leave on my own.
00:01:41Look. There's no glamour. There's no glory. It's just blood, guts, fear, and misery.
00:01:55Come on, man. You think I'm some kind of moron that doesn't know anything?
00:01:59I know that the type of money you make in just a few days, I can't make that in 10 years working as a stick.
00:02:05But at least you're guaranteed to be alive in 10 years. In my world, you're not guaranteed to be alive in 10 days, let alone 10 minutes sometimes.
00:02:12Yo, yo, man. Stop lecturing me. Are you gonna give me the gun or not?
00:02:18I'm sorry, but no. I'm not gonna let you get killed.
00:02:23Man, what the fuck you got me here for then? Shit.
00:02:29Oh, I guess you didn't hear. The repo guy, he came and towed your car away.
00:02:49Said it was, like, collateral for a loan. Of course, I made the call and arranged everything.
00:02:56My pleasure.
00:02:59You despicable trash.
00:03:02You know, I was gonna give you a ride, you know, seeming that we were married for so long.
00:03:07But walking the streets at night kind of suits you. So, enjoy.
00:03:14Go to hell.
00:03:15Oh, yeah.
00:03:16Let's go.
00:03:20We're still cleaning the area because we're so proud of.
00:03:26Do� 159 001 001 0128 00!!!
00:03:33miss just go away all right i don't need your cheap sympathy right now
00:03:52miss your friend's gone i just want to offer my cab services
00:03:56yeah i'm i'm sorry i have a cab is just what i need right now all right great come on board
00:04:26sorry i i don't have any cash right now um give me a minute i'll go grab some from inside
00:04:34here just proof i'm not trying to skip out on the fair
00:04:38you have some nerve coming back here i never wanted my son to marry you in the first place
00:04:53and now that he's finally come to his senses and kicked you to the curb you think that
00:04:58you can just waltz right back into his house his house my father left me this house and
00:05:07i know you're senile but i'm sure you remember when you practically begged me to let you and
00:05:13carl live here i always knew you were a nasty little hussy
00:05:17who the hell are you this is a personal matter so you should really mind your own business and
00:05:28stay outside actually this is my boyfriend so if it's a personal matter for me it's a personal
00:05:36matter for him okay what you think your son's the only one capable of having secrets
00:05:42hey thanks again for today i know that's a weird position to put you in sorry it is really nice
00:06:06to know that there is still good people out there that would help a total stranger
00:06:11have a good night all right you too
00:06:15have a good night all right you are you gonna
00:06:39Where's my necklace?
00:07:00Here.
00:07:02Just proof I'm not trying to skip out on the fair.
00:07:09There's a fancy broad like you find yourself in a place like this.
00:07:35Who the hell are you?
00:07:36Get out now!
00:07:37All I'm trying to do is introduce myself and you're treating me like some dog shit you found stuck to your shoes.
00:07:46I'm calling the police!
00:07:49How about I give you a better idea?
00:08:00You and I are going to have some good old-fashioned fun tonight.
00:08:03If I ever see you around here again, you're dead!
00:08:14Get out of here!
00:08:18Hey.
00:08:20Oh, I'm so glad you're here.
00:08:23Where did you get this necklace?
00:08:29My father gave that to me.
00:08:35You better not be lying to me.
00:08:37I'm not lying.
00:08:40He made that with his own hands.
00:08:42It has my name on the back.
00:08:43I'm not lying to you.
00:08:48It's really you.
00:08:59Hey.
00:09:02How are you feeling?
00:09:06How did...
00:09:07How did you...
00:09:08You left your bag in my car.
00:09:09How did you know where to find me?
00:09:15I have my ways.
00:09:19Hey, listen.
00:09:20I know it's none of my business.
00:09:22But it's not safe for you here.
00:09:23With everything that's happened in the last 24 hours, this is...
00:09:28All I can afford.
00:09:31Listen, I have an extra room at my place.
00:09:33Maybe...
00:09:34You can just come and stay with me.
00:09:40Let's get to the 여x, whole life.
00:09:56Welcome home.
00:10:03Me and I feel like my luck is starting to change.
00:10:06I mean, you've literally rescued me over and over today.
00:10:09I know what it's like. I've been rescued before.
00:10:13I'm sorry, I don't think I can make rent right away, but
00:10:17we could sell this ring and then
00:10:21it should cover me for a few months, at least until I'm back on my feet.
00:10:25I thought he was a really rich guy.
00:10:29Why did he choose such a small diamond?
00:10:33It's not a very good cut either.
00:10:37Never mind. I can just...
00:10:41No, it's fine. I'm just saying.
00:10:43You deserve a better ring than this.
00:11:07No, babe, stop. It's late, okay?
00:11:15You're still thinking about her.
00:11:17Who, Tasha? Are you kidding me?
00:11:21Then why are you wearing the wedding ring?
00:11:23Did you forget what she and her father did to you?
00:11:25I will never forget what she and her father did to me.
00:11:29But that has nothing to do with you.
00:11:31So why don't you stop mouthing off about shit
00:11:33that you know nothing about
00:11:35and let me handle my own affairs.
00:11:37It's amazing.
00:11:39I can never forget.
00:11:47Let me sing out.
00:11:49Who I am enjoying this challenge .
00:11:52We're so loving it..
00:11:54Because I'm doing awesome and how Sure.
00:12:01Doesn't you bring me?
00:12:05Mary?
00:12:10What?
00:12:18Hey, what's going on?
00:12:20My daughter's missing.
00:12:21What?
00:12:22Tasha, you shouldn't have barged in like this.
00:12:37If Carl finds out-
00:12:38No, I don't care about Carl right now, okay?
00:12:40Where's my daughter? Where's Anna?
00:12:43I sent her away.
00:12:45No.
00:12:47You have no right.
00:12:49Actually, as Carl's new wife and Anna's legal guardian, I have all the rights to do whatever I want with my stepdaughter.
00:12:59What?
00:13:03We never settled custody, so just skip the theatrics and tell me where my daughter is.
00:13:08You think you're getting custody?
00:13:12Stai sognando.
00:13:14On one hand, we have a mother drowning in debt with no place to live.
00:13:21On the other hand, we have a wealthy and well-respected father who happens to be the CEO of the world-renowned pro group.
00:13:30Who do you think the court will side with?
00:13:33Oh, what's going on?
00:13:40Oh, Carl!
00:13:42Carl, it's okay.
00:13:44Tasha was understandably upset about the situation.
00:13:47You know, I don't blame her for what happened.
00:13:50You trespass on my property? Assault my wife in her own home?
00:13:54Tasha, I have put up with your outrageous behavior for years, but don't you dare subject Raina to that kind of abuse.
00:14:00You don't understand. Raina sent Anna away!
00:14:03She did what any good mother would.
00:14:05I want to know where my daughter is right now!
00:14:08New Zealand.
00:14:09Getting medical care from one of the best cardiology departments in the world.
00:14:14And remind me, what have you done for your daughter lately?
00:14:17Hmm?
00:14:18Abandon her?
00:14:19To go shack up with some cab driver boyfriend?
00:14:22You idiot!
00:14:23I found those cardiologists in New Zealand.
00:14:26Scheduling those appointments was the last thing I had Raina do when she was still my assistant!
00:14:31Tasha, Tasha, you disgust me.
00:14:33Trying to take credit for this wonderful woman's kind gesture to your own sick daughter.
00:14:38I'm gonna make sure Anna stays far, far away from you so there's no possibility of her ever becoming anything like you.
00:14:44You backstabbing, homewrecking bitch!
00:14:56I advise you stay far away from my daughter and I.
00:15:01Hey!
00:15:03By the way, the deed still lists me as the rightful owner to this house.
00:15:08So the two of you have no right to keep me from coming back here. Do you understand?
00:15:13Calm down.
00:15:15You can forge my signature, you can take my money, take my house, but you will never have a shred of the intelligence that I have.
00:15:23Tasha, you have made your point. I think it would be-
00:15:27You deserve that too! You should have told me about Anna a long time ago!
00:15:31Oh, don't stop at my account. Please, continue.
00:15:39Miss Big Shot, don't you forget that you still owe 200 million dollars.
00:15:44And 20 millions of that is owned to me, personally.
00:15:48In fact, I'm going to call my lawyer and see to it that if you don't pay right away,
00:15:52you're never going to see your daughter ever again and you'll end up in debtor's prison.
00:15:57Ciao.
00:15:59Go ahead and check it out.
00:16:04But after your accountant, make sure this is all legit.
00:16:06I don't want you two jackasses counting my girl for money ever again.
00:16:09Got it?
00:16:15Oh!
00:16:16By the way, we're going to go ahead and take Anna in the future too.
00:16:20Don't worry, Carl. I'll be a better father to her than you ever can be.
00:16:24Tasha, you'll regret this.
00:16:28Thanks again, Kerr, today, for pretending to be my boyfriend.
00:16:41Mm-hmm.
00:16:43Was all that money real?
00:16:45As real as it comes.
00:16:47Why'd you get all that money?
00:16:49I robbed a couple jewelry stores before I came to find you.
00:16:52Are you serious?
00:16:54No, I'm just joking.
00:16:57It was my dad's.
00:16:58Don't worry, it wasn't stolen or robbed or anything.
00:17:00But hey, listen.
00:17:02From now on, I want you to think of me as your creditor.
00:17:05Okay?
00:17:06I don't want you to worry about owing money to those scumbags.
00:17:09From now on, you'll just owe money to me.
00:17:12As long as you're okay with that?
00:17:15I could be okay with it.
00:17:16As long as you can satisfy one small request.
00:17:19What kind of request?
00:17:22What kind of request?
00:17:31My only request is that you just relax.
00:17:34Okay?
00:17:35Why don't you just take a load off.
00:17:38Why don't you start by telling me a story, you know, about the last time it was when you were happy.
00:17:44You know, I just, I never in a million years could imagine that Carl would betray me like this.
00:18:06I have nothing.
00:18:07Well, I mean, you always have me and, you know, other things.
00:18:19I can't hear you.
00:18:20You're whispering.
00:18:37You know, Tasha's probably screwing around with that new boyfriend of hers.
00:18:58Carl, you know, Tasha's probably screwing around with that new boyfriend of hers.
00:19:07That bitch.
00:19:09Honey, you know, you promised to put me in touch with the curator of the Fitz Gallery.
00:19:14I'm telling you, forget about the Fitz Gallery, okay? The people who are running it are crooks.
00:19:19But I want my paintings to be showcased in the most prestigious venue possible.
00:19:24I know, I know, and I said I would help you find other galleries, remember?
00:19:29Just stop nagging me about it, okay?
00:19:33Okay.
00:19:36You're a little angel.
00:19:54It's okay.
00:19:55Just sleep in.
00:19:56Well, this is certainly going to make things more complicated.
00:20:09So you want to pretend last night never happened?
00:20:13I thought we had a good thing going on between us.
00:20:19I mean, you've been going around the last couple days telling everybody I was your boyfriend.
00:20:24Yeah, but that was just something I said to make my husband jealous.
00:20:29You mean your ex-husband?
00:20:32Yeah, ex.
00:20:34Yeah.
00:20:35But I mean, you and I, you know I can't start a new relationship right now.
00:20:45So everything you said last night?
00:20:48We were just caught up in the heat of the moment.
00:20:51Heat of the moment.
00:20:53So it was all just bullshit?
00:20:55Why?
00:20:56To get me into bed with you?
00:20:58Just have a one night stand?
00:21:01Because you miss being with your damn husband?
00:21:18So everything you said last night?
00:21:20Get older yourself.
00:21:25You just got divorced.
00:21:28You're not going to play mind games with men anymore.
00:21:33Hey.
00:21:37I wasn't sure what you liked, so I just made a little bit of everything.
00:21:43You made all this?
00:21:44Yeah.
00:21:50So what do you think?
00:21:56It's delicious.
00:22:02I mean, you deserve to have some of your awesome breakfast too.
00:22:07Hey.
00:22:08You're not going to maybe sit here and eat this alone, are you?
00:22:15You've got some sauce right here.
00:22:20All that for some sauce, huh?
00:22:26Are you kidding me?
00:22:33Hello?
00:22:34Mommy, I miss you so much.
00:22:36Anna?
00:22:37Mommy, I miss you so much.
00:22:38Anna, honey?
00:22:39What?
00:22:40What's going on?
00:22:41Anna?
00:22:45Okay.
00:22:46Both of your resumes look excellent.
00:22:49I have a question.
00:22:52If you spilled a glass of milk in the ocean, how would you get it back?
00:22:57What does that question have to do with our work?
00:23:00Well, I suppose you could contain the section of the ocean with the spilled milk and then collect that sample, add a centrifugal force, and there's probably a good chance of separation.
00:23:14So at our company, we are always trying to make the impossible possible, and for that we need people who can think on their feet, derive solutions, no matter how outlandish the task at hand may seem.
00:23:30Hello?
00:23:31Uh-huh.
00:23:32Okay.
00:23:33Congratulations, Miss Michaels.
00:23:34Welcome to the Eastwood Corporation.
00:23:35Hi.
00:23:36Hello?
00:23:37Uh-huh.
00:23:38Okay.
00:23:39Congratulations, Miss Michaels.
00:23:40Welcome to the Eastwood Corporation.
00:23:41If you don't mind me asking, why didn't I get the job?
00:23:42Uh-huh.
00:23:43Uh-huh.
00:23:44Okay.
00:23:52Congratulations, Miss Michaels.
00:23:53Welcome to the Eastwood Corporation.
00:23:54If you don't mind me asking, why didn't I get the job?
00:24:11Mrs. Roberts, maybe you should focus on fixing your own family problems first, before you start to look for work again.
00:24:21We don't want to make enemies with the Crow Group.
00:24:38So I guess you didn't get it?
00:24:40I just don't understand why Carl hates me so much.
00:24:44I mean, he doesn't want me to work for his company, but he doesn't want me to work for any other company either.
00:24:50Look, you don't need that corporate job anyways.
00:24:53Yeah?
00:24:54What else can I do?
00:24:56I mean, I thought you were an artist.
00:24:59You know, a painter.
00:25:00How'd you know about that?
00:25:01You brought an easel.
00:25:03It's just a hobby.
00:25:08I gave it up.
00:25:11I don't paint anymore.
00:25:13Okay, well, if you don't love to paint anymore, then why bring an easel with you?
00:25:20I haven't painted in years.
00:25:25I'm sure it'll be just like riding a bike.
00:25:28Once you start, it'll all come back to you.
00:25:31That's my account.
00:25:37Why are they assigning it to someone else?
00:25:39Fine, fine.
00:25:40Just get me some damn answers and give me a call back soon, okay?
00:25:43Carl, this took me three months.
00:25:49I'm sorry.
00:25:50I just got some bad news at work.
00:25:52It's ruined now.
00:25:54Why?
00:25:55Start over.
00:25:56You know, it kills me to see you squander your intelligence and talent on these useless paintings.
00:26:05You're a remarkable woman, Tasha.
00:26:08Okay?
00:26:09And if the charlatan snobs in the art world can't see that, then screw them, okay?
00:26:14If you put your focus elsewhere, we could be rich enough to buy ten art galleries.
00:26:19And then you could put whatever paintings you want in them, right?
00:26:23Painting's my passion.
00:26:25What if we put painting on the side?
00:26:30Just for a little while.
00:26:32And you could come join me at the company.
00:26:34If it was together, we'd be unstoppable.
00:26:39And right now, I am drowning.
00:26:42Your dad and his partners have no faith in these.
00:26:46I need you.
00:26:49Look.
00:26:50You love me.
00:26:51Don't you?
00:26:52Of course I do.
00:26:53Okay, then just do this one thing for me.
00:26:54This one little thing.
00:26:55Please.
00:26:56Fly away.
00:26:57With me.
00:26:58Take you high.
00:26:59I'm sorry.
00:27:00To smile.
00:27:01It's my only dream.
00:27:02Stay away.
00:27:03Stay away.
00:27:04I'm sorry.
00:27:05I'm sorry.
00:27:06My choice is here.
00:27:07I can't stand away.
00:27:09I can't stand away.
00:27:10Please.
00:27:11It's my last boat.
00:27:12You great.
00:27:13How did you feel?
00:27:14I gotta go.
00:27:15Come over there.
00:27:16You're good, qué tales are crazy.
00:27:17See you?
00:27:18I need you to turn someplace.
00:27:19You've learned your granddaughter.
00:27:20Too high, soaring
00:27:23To smile, it's my only dream
00:27:30Steering out into the sea
00:27:34Finished!
00:27:35Yeah.
00:27:41That is amazing.
00:27:44Thank you. I honestly never thought I'd paint again.
00:27:47Well, that would have been a shame. You're easily one of the most talented artists I've ever met.
00:28:10We're honored that you chose our gallery to showcase your work.
00:28:13I am curious about one thing, if you don't mind me asking.
00:28:17The subject in your paintings, your muse, is he your lover?
00:28:22Oh.
00:28:24No.
00:28:26He's just a friend of mine.
00:28:29But his gaze.
00:28:30The way he looks out to you in these paintings.
00:28:33There's so much tenderness and affection in his eyes.
00:28:36Is Ken really in love with me? He's so young though. At his age, he probably doesn't even know what love is.
00:28:48Oh, uh, sorry. You're in the way.
00:28:51Actually, you're in my way.
00:28:54Actually, you're in my way.
00:28:57Actually, you're in my way. I'm trying to get into my home.
00:29:01Is this your new girlfriend?
00:29:04I've never seen you with anyone like this before.
00:29:07Ken's my roommate.
00:29:09Now, if you'll please step aside so I can get in.
00:29:12Call me again if you need anything. Okay? Bye.
00:29:19Hey, what are you doing home so early? Are they gonna showcase your work?
00:29:26Sorry if I interrupted something, but as your roommate, I don't really think I need to tell you if I'm coming or going.
00:29:31So, if you have something private to do, just do it in your room.
00:29:34I never said you need to tell me when you're coming or going. I'm just saying.
00:29:37No, it's fine. You don't need to explain. Just... I just want to be alone.
00:29:46What?
00:29:50I'm so sorry, sir. She just barged in without permission.
00:29:54It's okay.
00:29:56Miss Roberts, please. Grab a seat.
00:29:58We signed a contract. Why can't you show my paintings now?
00:30:03I'm afraid I don't have the answers you're looking for.
00:30:06You want to know what happened? Ask Karl Krohm.
00:30:11I want my paintings back. Right now.
00:30:15Well, they're probably somewhere in the warehouse. They haven't been thrown away yet.
00:30:28You've already searched the entire warehouse ten times. If you haven't found what you're looking for, it's not here.
00:30:49You better hope I find what I'm looking for, or I'm going to make this entire gallery compensate me.
00:30:54And then I'm going to sue you, and you'll be the first to lose your job.
00:30:58Yeah, that's great, lady. Go ahead and sue. I'm sure things will go exactly the way you described it.
00:31:02The
00:31:12The
00:31:45You really care about her.
00:31:52Shh, keep your voice down.
00:31:54She's had a long day.
00:31:56Also, you can't just come over here so casually in the future.
00:31:59Casually?
00:32:00Are you kicking me out?
00:32:03You didn't mind my coming over so casually when you had me digging through your body for bullets.
00:32:07You men are cold as hell.
00:32:09I think my lucky star is on the lesbian.
00:32:11Look, I just can't have her finding out about the work that we do, okay?
00:32:15Are you serious about her?
00:32:18Yeah.
00:32:19Have you thought about the consequences if your dad finds out?
00:32:24Look, no.
00:32:25You and I have been best friends for over 20 years, okay?
00:32:28And my dad has taught me everything that I know.
00:32:32I think maybe it's time I just figure things out on my own.
00:32:35And you know exactly what I went through last time.
00:32:37I'm not going to lose her again.
00:32:44Don't worry, Anna.
00:32:45Mommy's going to find a way to bring you home soon.
00:32:55All the evidence is here.
00:32:57It's exactly what you thought.
00:32:58Let me know if you want me to find out more.
00:33:15Carl.
00:33:15Let's meet.
00:33:17Oh, wow.
00:33:27It's not every day a famous painter comes to visit.
00:33:32To what do I owe the pleasure?
00:33:34The company I supposedly borrowed money from.
00:33:37It's a shell company owned by you.
00:33:44So what?
00:33:45All our operations are legal.
00:33:47You signed the documents.
00:33:48You borrowed the money.
00:33:50All you can do now
00:33:52is pay it back.
00:33:54You know,
00:33:56I don't think you actually want me to pay back the loans.
00:34:02You were just looking for an excuse to have me back in your life.
00:34:07You're obsessed with me.
00:34:10This is just your sick way to dominate me and make me surrender to you.
00:34:14I'm just getting even.
00:34:16For the years I spent in your father's shadow.
00:34:19The years of belittlement and him treating me like a clown.
00:34:22My father hired you when no one else would.
00:34:28Not my fault that your insecure petty
00:34:32took his support as belittling.
00:34:36I wouldn't upset me if I were you.
00:34:39Remember, I'm your creditor now.
00:34:43Two months.
00:34:44That's all I can give you to pay me back the remainder.
00:34:46$180 million.
00:34:52What are you doing here?
00:34:59I was just in the neighborhood.
00:35:01Thought I'd give you a ride home.
00:35:05Hi.
00:35:06Um, hey.
00:35:08Who is this?
00:35:09Uh, this is Ken's roommate.
00:35:15We're gonna be dropping them off before we head home.
00:35:19Yeah, hey, listen.
00:35:20I didn't introduce you last time,
00:35:21but this is my best friend, Nell,
00:35:22and her girlfriend, Maria.
00:35:29Nell and I have been nothing more than friends
00:35:30since we were kids.
00:35:32She's not into men,
00:35:33and she never has been,
00:35:35and her and I are nothing more than just platonic friends.
00:35:38All right?
00:35:40I'm sorry.
00:35:41I jumped to conclusions the other day.
00:35:43It's okay.
00:35:45I just didn't want you to get the wrong idea.
00:35:50Look, I...
00:35:51I appreciate it.
00:35:54I really do.
00:35:54I just...
00:35:56I still think you and I are better off just as friends.
00:36:00Just...
00:36:02Why?
00:36:09Why?
00:36:12Maybe because I'm just getting over a failed marriage?
00:36:17Because I owe an unthinkable amount of money
00:36:19and I have no idea how I'm gonna pay it back.
00:36:23I also have no idea how I'm gonna get my daughter back.
00:36:27And getting into a relationship with you,
00:36:31that's just something I can't do right now.
00:36:34Love has brought me nothing but pain, okay?
00:36:36So just...
00:36:37Please, just...
00:36:38Leave it.
00:36:38Do you have any other paintings?
00:37:01Yeah, I have several.
00:37:10What are you looking for?
00:37:12I would like to buy them all.
00:37:16I love your painting style.
00:37:17It is so unique.
00:37:19I own a large gallery and I would like to establish a long-term collaboration with you.
00:37:23Thank you for your kind words about my paintings,
00:37:27but I've been in some trouble lately
00:37:30and it's probably best if I don't involve your gallery.
00:37:38None of this matters to me.
00:37:40If someone wishes to cause me trouble,
00:37:42well,
00:37:43just let me try.
00:37:44I mean,
00:37:51it has to be a mistake.
00:37:55Or a prank,
00:37:56or a cruel practical joke.
00:38:00I mean,
00:38:00it seems pretty authentic to me.
00:38:02It has their seal and
00:38:03your name and address are, like,
00:38:06clearly written on it,
00:38:06so...
00:38:08It looks authentic.
00:38:11But how would they have seen my paintings?
00:38:16I don't know.
00:38:17Maybe one of those auction sites
00:38:18that you've been posting your work on?
00:38:20I mean,
00:38:21you're incredibly talented,
00:38:22so anybody who's seen your work
00:38:24would automatically recognize it.
00:38:31I own a large gallery
00:38:32and I would love to establish
00:38:33a long-term collaboration.
00:38:36It's him.
00:38:38It's him.
00:38:39The guy who'd been on my paintings.
00:38:40He must be the owner
00:38:42of the Fitz Gallery.
00:38:43Well, in that case,
00:38:44we better get going.
00:38:45Where?
00:38:46Gotta go get you a dress.
00:38:48Can't have you showing up
00:38:49to the Fitz Gala in rags.
00:38:55Babe,
00:38:56which one do you like more?
00:38:58This one
00:38:59or this one?
00:39:00I need to be the hottest girl
00:39:02at the Fitz Gala.
00:39:05Everything just, uh,
00:39:06looks so good on you, honey,
00:39:08so, um,
00:39:09just pick whichever one you want.
00:39:11I gotta take a call, okay?
00:39:14Wrap this up, you twitch.
00:39:15I'll take them both.
00:39:23Wow.
00:39:25I used to buy dresses like this
00:39:26all the time
00:39:27without even thinking about the money,
00:39:28but...
00:39:29I can't afford something like this now.
00:39:31You know what?
00:39:35Consider it a congratulatory gift for me.
00:39:38Alright?
00:39:39And when you make it big in the art world,
00:39:41you can just pay me back.
00:39:44Oh, hi.
00:39:45Excuse me.
00:39:45Yeah, my, uh, friend
00:39:46would like to try on this dress.
00:39:48Oh, your friend has amazing tastes.
00:39:50This dress is actually
00:39:51a limited edition,
00:39:52each one handcrafted by hand
00:39:54and therefore entirely unique.
00:39:56Truly a work of art.
00:39:57Well, how fitting
00:39:57that's gonna be worn
00:39:58by a very talented artist?
00:40:00I'll have someone on the team
00:40:01bring it out to you.
00:40:04Veronica,
00:40:04please bring the limited edition.
00:40:10What limited edition?
00:40:13Tasha?
00:40:14Do you really think
00:40:15you can afford
00:40:16this dress?
00:40:20You can afford
00:40:21this dress?
00:40:24Please.
00:40:24Reyna,
00:40:26I don't think you need
00:40:27to worry about Tasha's finances,
00:40:29okay?
00:40:29We established that last time.
00:40:32Hey, you.
00:40:33Get over here.
00:40:35I'm gonna pay
00:40:36twice what it's worth,
00:40:38but I want this dress.
00:40:39Ma'am, this dress is $4,000.
00:40:41Did I ask you how much it cost,
00:40:42you pluritarian scum?
00:40:44Just shut your mouth
00:40:45and add it to my bill.
00:40:47She's willing to pay double.
00:40:48I'll double her offer
00:40:49and I'll pay $16,000.
00:40:51Okay, sir.
00:40:52Sold.
00:40:53$32,000.
00:40:54You know what?
00:40:57She wants to dress so bad,
00:40:59let her have it.
00:41:00You can put all the jewels
00:41:01you want on a pigeon,
00:41:02but it'll never be a peacock.
00:41:04I'll show you who's a pigeon,
00:41:05you little bitch.
00:41:06How dare you assault me?
00:41:09Tasha,
00:41:10are you okay?
00:41:12What is going on here?
00:41:14What's going on
00:41:15is that your crazy bitch wife
00:41:16pushed Tasha to the ground.
00:41:18I swear to God,
00:41:19they're all lying.
00:41:20I never touched her.
00:41:22I saw everything.
00:41:23This gentleman
00:41:23and his girlfriend
00:41:24were very nice
00:41:25and politely inquired
00:41:26about a dress
00:41:26and suddenly your wife
00:41:27appears and attacks her
00:41:28for no reason.
00:41:29Shut your mouth,
00:41:31you little lying asshole.
00:41:32You know what?
00:41:32Why don't you just call security
00:41:33before this crazy maniac
00:41:34hits somebody else?
00:41:35Wait a second,
00:41:36right now.
00:41:36What actually happened here?
00:41:38What's going on?
00:41:39Why don't you believe me?
00:41:40Don't you?
00:41:40Do you want to just call 911?
00:41:43Are you blind?
00:41:45Oh, Tasha,
00:41:45can you stop this bullshit?
00:41:46You know what,
00:41:47Reyna,
00:41:47can you just stay away?
00:41:48Can I get someone down here?
00:41:50Room A, 122?
00:41:51No, no,
00:41:51that's not necessary.
00:41:52We are leaving right now.
00:41:53Let's go.
00:41:54No, but...
00:41:55Okay,
00:41:55you've embarrassed us both
00:41:56enough for one day,
00:41:58okay?
00:41:58Let's go!
00:41:59Wherever Reyna goes,
00:42:08trouble's sure to follow.
00:42:11It is nice to see
00:42:12you've got a taste
00:42:12of her own medicine, though.
00:42:14Yeah.
00:42:15It's a shame, though.
00:42:16You would have looked
00:42:17really great on that dress.
00:42:21Don't worry about that.
00:42:22I have a solution.
00:42:29What are you going to do
00:42:32with all this stuff?
00:42:34I'm going to design
00:42:35my own dress
00:42:35and wear it to the gala.
00:42:37Are you sure
00:42:38there's enough time?
00:42:39Have some faith in me.
00:42:40I graduated with
00:42:41honors in design
00:42:42and fine art.
00:42:44I got this.
00:42:46All right.
00:42:59How do I look?
00:43:09How do I look?
00:43:16What?
00:43:17Is something wrong?
00:43:19Is it too much?
00:43:21Should I change something?
00:43:22No.
00:43:23No.
00:43:24You look...
00:43:27That dress, like...
00:43:29That is one of the most
00:43:30beautiful dresses
00:43:31I've ever seen.
00:43:34But there's something missing.
00:43:38Should I resell the beads?
00:43:41No.
00:43:43I have a gift for you.
00:43:45Something to...
00:43:46complete the whole look.
00:43:54Just try harder,
00:43:55you idiot!
00:43:55Mrs. Crow.
00:43:56I am doing
00:43:57everything I can.
00:43:59I don't know
00:44:00what more I can do.
00:44:01You're calling me fat?
00:44:02Of course not.
00:44:04You're not fat at all.
00:44:06It's the dress.
00:44:07It's not made
00:44:08for a woman's body.
00:44:10Just shut up
00:44:11and do it!
00:44:12Babe,
00:44:14just put on another dress.
00:44:15You're going to be late.
00:44:17I spent
00:44:18so much money
00:44:19on this dress.
00:44:20I am wearing
00:44:21this dress!
00:44:22I can't.
00:44:41It's...
00:44:41It's too much.
00:44:45No.
00:44:46It was made for you.
00:44:47I can't wait to see
00:44:57what you've brought
00:44:58to the auction.
00:44:59Can we have a little hint?
00:45:01Well,
00:45:02actually,
00:45:03I brought some of my
00:45:04very own paintings
00:45:05to auction tonight.
00:45:07what's wrong?
00:45:11It's just Tasha Roberts,
00:45:13my husband's
00:45:14dreadful ex-wife.
00:45:17I'm tired
00:45:18of seeing her
00:45:19sorry face everywhere.
00:45:21You know,
00:45:22she's also
00:45:23a horrible person.
00:45:25If it isn't
00:45:26everyone's favorite
00:45:28white-collar criminal
00:45:29turned homeless
00:45:30vagrant
00:45:31Tasha Roberts.
00:45:32So,
00:45:34the other day
00:45:34when you were
00:45:35trying to buy
00:45:36this dress
00:45:36with that
00:45:37working-class
00:45:38thug boyfriend
00:45:39of yours,
00:45:40you were trying
00:45:41to come here?
00:45:42Are you sure
00:45:43you were even
00:45:44invited?
00:45:47I'm sorry,
00:45:48are you working
00:45:50with the security detail?
00:45:51Do I need
00:45:51to show you
00:45:52my invitation?
00:45:53Honey,
00:45:53I'm just trying
00:45:54to look out
00:45:54for you,
00:45:55okay?
00:45:56I want to spare
00:45:57you the embarrassment
00:45:57of being kicked
00:45:59out when everybody
00:45:59finds out
00:46:00that you were
00:46:01not invited.
00:46:02You mean
00:46:03like how
00:46:03you were
00:46:03kicked out
00:46:04of the mall?
00:46:05I see.
00:46:06You still
00:46:06quite don't
00:46:07understand
00:46:07your place
00:46:08in the world.
00:46:10You think
00:46:10you're
00:46:10fucking
00:46:11Cinderella
00:46:12or something
00:46:12and life
00:46:13is a fairy tale.
00:46:15But don't worry,
00:46:16I'll help you
00:46:17figure it
00:46:18all out.
00:46:20What's wrong
00:46:21with you?
00:46:22You can't just see
00:46:23people are walking
00:46:23through.
00:46:24Rina,
00:46:25this time
00:46:25you've gone
00:46:26too far!
00:46:27Stop shouting,
00:46:28you dreadful O.
00:46:28These were supposed
00:46:29to be auctioned
00:46:30tonight.
00:46:30Well,
00:46:31if it is
00:46:31of any
00:46:31consolation,
00:46:32I don't think
00:46:33the wine
00:46:34has reduced
00:46:34their value
00:46:35of very much
00:46:36at all.
00:46:37Now you can
00:46:38go and cry
00:46:39to your fairy
00:46:40gut mother.
00:46:42Oh,
00:46:42I think the auction
00:46:45is starting.
00:46:46Well,
00:46:47I'll see you
00:46:47there.
00:46:48Toodles!
00:46:49for our first auction
00:46:58item,
00:46:58I'd like to welcome
00:46:59Ms.
00:46:59Raina Crowe
00:47:00to the stage
00:47:00with her collection
00:47:02of original paintings.
00:47:04as you can see,
00:47:21Ms. Raina Crowe's style
00:47:22is very unconventional.
00:47:25Certainly,
00:47:26these works
00:47:26defy
00:47:27easy categorization,
00:47:28and yet there are
00:47:30touches of whimsy
00:47:31and an almost
00:47:32playful quality
00:47:33about them
00:47:34as depicted here
00:47:35through the bold use
00:47:36of a duck
00:47:36as a central figure.
00:47:38It's a dog.
00:47:40What?
00:47:40It's a dog,
00:47:41not a duck,
00:47:42you buffoon.
00:47:43Oh, yes,
00:47:43of course.
00:47:44A dog.
00:47:47Seen through
00:47:48a very unique prism.
00:47:50Portrayed as only
00:47:51an artist
00:47:51of Raina's caliber
00:47:52could possibly
00:47:54portray it.
00:47:54Now that we have
00:47:56familiarized ourselves
00:47:57with the art
00:47:58and the artist,
00:47:59let's start the bidding.
00:48:00The starting price
00:48:01will be $50,000.
00:48:03Do I hear $50,000?
00:48:05Anyone?
00:48:08$50,000.
00:48:09Do I hear $60,000?
00:48:12Anyone?
00:48:14$50,000 going once,
00:48:16$50,000 going twice.
00:48:18Sold!
00:48:19Sold for $50,000.
00:48:24And now we'll invite
00:48:28our second artist
00:48:29for the evening,
00:48:30Ms. Tasha Roberts,
00:48:31who will also be
00:48:32presenting a series
00:48:33of paintings.
00:48:42Ms. Tasha Roberts,
00:48:44where are your paintings?
00:48:45I don't have my paintings
00:48:47tonight,
00:48:48but I will be auctioning
00:48:51off this dress.
00:48:52Oh, wow.
00:49:05It's beautiful.
00:49:08Stupendous.
00:49:09I've never seen
00:49:10a dress so beautiful.
00:49:15Oh, stupendous.
00:49:16I've never seen
00:49:17a dress so beautiful.
00:49:19A stunning work of art,
00:49:20indeed.
00:49:21There's no need
00:49:22for me to say
00:49:22another word
00:49:23about this masterpiece.
00:49:24Everyone in the audience
00:49:25can clearly see
00:49:26the extraordinary talent
00:49:27and extraordinary artistry.
00:49:29Let's start the bidding
00:49:30at $50,000.
00:49:32$55,000.
00:49:33$75,000.
00:49:34$90,000.
00:49:36$100,000.
00:49:37$150,000.
00:49:40$250,000.
00:49:44$250,000 going once,
00:49:47$250,000 going twice.
00:49:48Is that the heart of Slymex?
00:50:02It sold for $200,000,000
00:50:03a few months ago
00:50:05in a bid now?
00:50:06Impossible.
00:50:07How can that lowly peasant
00:50:09possibly afford it?
00:50:10It must be a fake.
00:50:11Thank you so much
00:50:16for your bid,
00:50:16Miss Winslow.
00:50:18I'm going to design
00:50:19a few custom pieces
00:50:20in your size
00:50:21and design them
00:50:22to your elegance
00:50:23and style.
00:50:23Have you ever considered
00:50:25creating your own
00:50:27clothing brand?
00:50:29Your creations
00:50:30are so extraordinary.
00:50:33You should really
00:50:33share your talent
00:50:34with the rest of the world.
00:50:36I never considered it,
00:50:37but I certainly will now.
00:50:38Hi.
00:50:41I'd be careful
00:50:42if I were you.
00:50:43I personally wouldn't
00:50:44put any faith
00:50:45into someone
00:50:46that wears cheap replicas
00:50:47of famous pieces
00:50:48of jewelry.
00:50:50What are you talking
00:50:51about right now?
00:50:53This woman is a phony
00:50:54and a con artist.
00:50:55For as long
00:50:56as I worked with her,
00:50:57she's done nothing
00:50:58but defraud
00:50:59and cheat
00:50:59the people
00:51:00she's done business with.
00:51:01And let me make it clear.
00:51:03For everybody
00:51:04that wants to do business
00:51:05with this woman,
00:51:07they won't be allowed
00:51:08to do business
00:51:08with the Crow Group.
00:51:10Is that so?
00:51:14Well, let it be known
00:51:15that if anybody
00:51:16refuses to work
00:51:17with Miss Tasha Roberts
00:51:18because of the
00:51:19baseless rumors
00:51:19and lies
00:51:20being spread
00:51:21by Miss Raina Crow,
00:51:23you will no longer
00:51:23be welcomed back
00:51:24to the Fitz Gallery.
00:51:26That's the curator
00:51:27of the Fitz Gallery.
00:51:30Not just the curator,
00:51:32he's also the director
00:51:33of the Fitz Foundation.
00:51:36The curator?
00:51:37Is he the man
00:51:39who bought my paintings?
00:51:40Why does he seem
00:51:41so familiar?
00:51:45Miss Tasha Roberts
00:51:46is my guest of honor tonight.
00:51:48I invited her personally.
00:51:50So if anybody treats her
00:51:51with the slightest bit
00:51:51of disrespect,
00:51:53they'll be asked to leave
00:51:54and never again
00:51:54invite her back
00:51:55to the Fitz Gallery.
00:51:56As the director
00:51:58of this esteemed organization,
00:52:00am I interested to know
00:52:01that your guest of honor
00:52:02is wearing a cheap replica
00:52:04of a priceless work of art?
00:52:07She is not to be trusted.
00:52:10I'm assuming you mean
00:52:11her diamonds.
00:52:12What evidence do you have
00:52:13to prove that it's not real?
00:52:15Well, the real
00:52:16heart of the sun
00:52:17has the initials
00:52:18of the craft man
00:52:19engraved in the joint
00:52:20between the gemstone
00:52:22and the pendant.
00:52:22So Tasha,
00:52:24would you indulge us all
00:52:25and show us
00:52:26if what you're wearing
00:52:27is a genuine article
00:52:28or a cheap knockoff?
00:52:32This was just
00:52:33given to me by a friend.
00:52:34I never claimed
00:52:36it was the real
00:52:37heart of the sun.
00:52:37I don't want to embarrass him
00:52:39by having people
00:52:41pore over it
00:52:42for imperfections.
00:52:43So it's a forgery.
00:52:45You were so happy
00:52:47to have everyone believe
00:52:48it was the real thing
00:52:48until I challenged you
00:52:49and called your bluff.
00:52:52Ms. Roberts.
00:52:56You were so happy
00:52:57to have everyone believe
00:52:58it was the real thing
00:52:59until I challenged you
00:53:00and called your bluff.
00:53:02Ms. Roberts,
00:53:03you have nothing to fear
00:53:04from this woman.
00:53:06Just show her the necklace.
00:53:07And I'll personally
00:53:08see to it
00:53:08that there are no
00:53:09despairing comments
00:53:10about its craftsmanship
00:53:11or quality.
00:53:12And the question
00:53:13has to be asked
00:53:14whether it is
00:53:14the true heart of the sun.
00:53:19See?
00:53:24Just like...
00:53:26What?
00:53:28How is this possible?
00:53:33I do say
00:53:34this engraving
00:53:36looks entirely
00:53:36authentic to me.
00:53:39This is indeed
00:53:40the one and only
00:53:41heart of the sun.
00:53:42Well, that settles it then.
00:53:44This necklace
00:53:44is authentic.
00:53:45From now on,
00:53:47no one will be permitted
00:53:47to question
00:53:48or harass
00:53:49my guest of honor.
00:53:50Now, if everyone
00:53:51is satisfied,
00:53:52can we please
00:53:52get back
00:53:53to tonight's festivities?
00:53:55Cheers.
00:54:04Ken,
00:54:04you have a lot
00:54:05of explaining to do.
00:54:08Okay?
00:54:08What's wrong?
00:54:10I can't accept
00:54:11this necklace
00:54:11and I can't
00:54:14give you what you want.
00:54:15Do you even know
00:54:16what I want?
00:54:17I don't want
00:54:18to know.
00:54:20We can just be
00:54:21friends, nothing more.
00:54:23Tasha, you're just
00:54:23afraid.
00:54:25You're just afraid
00:54:26of going after
00:54:26what your heart
00:54:27truly desires.
00:54:29And I just think
00:54:30you're afraid
00:54:30of just being
00:54:31true to yourself.
00:54:33You're the last
00:54:34person that should
00:54:35be lecturing anybody
00:54:35on the truth.
00:54:38Who are you?
00:54:40What do you do?
00:54:41Is this even
00:54:42your house?
00:54:43I mean,
00:54:44how do you own
00:54:46a necklace
00:54:46that's 200 million
00:54:48dollars?
00:54:51I just...
00:54:51See,
00:54:52you don't even
00:54:54respect me enough
00:54:55to tell me the truth.
00:54:57You expect me
00:54:58to jump into
00:54:59a relationship
00:55:00with you?
00:55:02You could be
00:55:03a total stranger.
00:55:03I have no idea
00:55:06who you are.
00:55:08Tasha, I want
00:55:09to tell you.
00:55:09I do.
00:55:10But I just
00:55:12can't right now.
00:55:14Alright?
00:55:14Like, maybe in the
00:55:15future when we can
00:55:16sit down and...
00:55:17There is no future
00:55:18for us.
00:55:19Not if you
00:55:20can't tell me
00:55:21one thing about
00:55:21yourself that
00:55:22isn't a lie.
00:55:24When you find
00:55:25someone that you
00:55:26really love and
00:55:27trust, you let
00:55:29them in.
00:55:35But that person
00:55:36won't be me.
00:55:47Are you okay?
00:55:56Director Fitz,
00:55:57I had a wonderful
00:55:58time at the gala.
00:56:00Thank you for
00:56:01supporting me
00:56:02and standing up
00:56:03for me.
00:56:04I wasn't bothered
00:56:05by the way the
00:56:05other guests
00:56:06treated me.
00:56:08I've endured
00:56:09far worse.
00:56:13Lovely.
00:56:14I'm glad to hear it.
00:56:16I would like to
00:56:16exclusively showcase
00:56:17your work at the
00:56:18Fitz Gallery for
00:56:19the foreseeable
00:56:20future.
00:56:21Think of it as a
00:56:22sort of artist's
00:56:23residency.
00:56:24Would you be
00:56:24interested in such
00:56:25an opportunity?
00:56:33This dress is
00:56:35every bit as
00:56:36exquisite as I
00:56:37expected it to be.
00:56:39Thank you, my
00:56:40dear.
00:56:41You're very
00:56:41welcome.
00:56:42Have you given
00:56:43any more thought
00:56:44to my proposal?
00:56:45if you wish to
00:56:47start a clothing
00:56:48brand, I would
00:56:49be more than
00:56:50happy to invest
00:56:51whatever you
00:56:52require to get
00:56:53started.
00:56:54It's a very
00:56:54gracious offer,
00:56:55but I just,
00:56:57I have to ask,
00:56:58I mean, there are
00:56:58so many other
00:56:59talented designers.
00:57:01Why do you have
00:57:01such faith in my
00:57:02abilities?
00:57:03It's not just me,
00:57:04you know.
00:57:05The curator of
00:57:07the Fitz Gallery
00:57:08has never been
00:57:09seen in public
00:57:10before the gala
00:57:11last night.
00:57:11and everyone
00:57:13in attendance
00:57:14was certain
00:57:14that the only
00:57:16reason he chose
00:57:17to make an
00:57:17appearance was
00:57:17because of you,
00:57:19his guest of
00:57:20honor.
00:57:22That was his
00:57:23first appearance
00:57:24ever?
00:57:25Indeed.
00:57:25His very first
00:57:26and only time
00:57:27to appear in the
00:57:28flesh.
00:57:29Before this,
00:57:30he was a figure
00:57:31of myth and
00:57:32mystery.
00:57:34Many people
00:57:34doubted he existed
00:57:35at all,
00:57:37but all because
00:57:38of you,
00:57:39he chose to
00:57:39grace us
00:57:40with his
00:57:41presence last
00:57:42night.
00:57:43Seems like a
00:57:43marvelous young
00:57:44man, don't you
00:57:45think?
00:57:46He certainly
00:57:47had a charm
00:57:48about him.
00:57:48Oh, undoubtedly.
00:57:50You know,
00:57:51many people flock
00:57:52to the Fitz Gallery
00:57:53for more than
00:57:54just the art.
00:57:55They want to
00:57:56learn all about
00:57:57the enigmatic
00:57:58young curator.
00:58:00Really?
00:58:01I mean,
00:58:01what's so
00:58:02interesting about
00:58:02him?
00:58:04Have you ever
00:58:04wondered how
00:58:06the Fitz Gallery
00:58:07has managed to
00:58:07surpass all of
00:58:09the established
00:58:10art collections
00:58:11to become the
00:58:12top venue for
00:58:13fine art in
00:58:14just two years?
00:58:16I mean,
00:58:16I heard rumors
00:58:18something about
00:58:19foul play,
00:58:20but I always
00:58:21just assumed
00:58:21they were
00:58:22baseless.
00:58:22Those rumors
00:58:23have quite a bit
00:58:24of truth to
00:58:25them.
00:58:26Seems like
00:58:27the Miller
00:58:27crime family
00:58:29is actually
00:58:30behind the
00:58:31Fitz Foundation.
00:58:32The one
00:58:33and the same
00:58:34Miller crime
00:58:35family that
00:58:36monopolizes
00:58:37all the
00:58:37underground
00:58:38trade in
00:58:39all of
00:58:39North America.
00:58:41He seems
00:58:41like such
00:58:42a gentleman.
00:58:42I just,
00:58:43I find it
00:58:44hard to believe
00:58:44that he ever
00:58:45was involved
00:58:46in something
00:58:46so sordid.
00:58:47You must
00:58:47never judge
00:58:48a Brooklyn
00:58:49White's cover,
00:58:49my dear girl.
00:58:52Even people
00:58:52close to us
00:58:53may be harboring
00:58:54many secrets.
00:58:56We never
00:58:57really know
00:58:57what's going
00:58:58on inside.
00:58:59You got
00:58:59that right.
00:59:01I learned
00:59:01that lesson
00:59:02the hard way.
00:59:03Let me
00:59:03be frank.
00:59:04I have
00:59:05tremendous
00:59:06faith in you.
00:59:08Thank you,
00:59:09Mr. Wingo,
00:59:09but I think
00:59:10it's dear.
00:59:11All my
00:59:12friends call
00:59:12me Laura.
00:59:16This is a
00:59:16check.
00:59:17For five
00:59:18million dollars.
00:59:20It should
00:59:20help you get
00:59:21your clothing
00:59:21brand started.
00:59:24Shall we
00:59:25become business
00:59:26partners in
00:59:26addition to
00:59:27being friends?
00:59:27director
00:59:42Fitz,
00:59:43I'd like
00:59:44to work
00:59:44with you.
00:59:45It would be
00:59:46my honor,
00:59:46Miss Tasha
00:59:47Roberts.
00:59:47Fly away
00:59:51with me
00:59:53Take you
00:59:55high
00:59:55soaring
00:59:57To
00:59:58smile
00:59:59It's my
01:00:01only dream
01:00:03Staring
01:00:06out
01:00:07into
01:00:08the sea
01:00:09Waves
01:00:10come crashing
01:00:11up to me
01:00:13My
01:00:14toes
01:00:15slip
01:00:15into
01:00:16the sand
01:00:17Dream
01:00:18that
01:00:19I'm
01:00:20with
01:00:21you
01:00:21Staring
01:00:23out
01:00:23into
01:00:24the sea
01:00:25Waves
01:00:26come crashing
01:00:28up to me
01:00:29My
01:00:30toes
01:00:31slip
01:00:32into
01:00:32the sand
01:00:33Dream
01:00:35that
01:00:35I'm
01:00:36with
01:00:37you
01:00:38congratulations
01:00:50Miss Roberts
01:00:50we expect
01:00:51a huge
01:00:52success
01:00:52from your
01:00:52art exhibition
01:00:53Thank you
01:00:55Thank you
01:00:55You're
01:01:08looking at
01:01:09her
01:01:09You're
01:01:11obsessed
01:01:11with her
01:01:12Didn't she
01:01:13humiliate me
01:01:14enough
01:01:14the other
01:01:14night
01:01:15at the
01:01:15gala
01:01:15Now I have
01:01:17to watch
01:01:17my husband
01:01:18stare
01:01:19at her
01:01:19picture
01:01:19Maybe
01:01:21if you
01:01:21didn't
01:01:22give her
01:01:22the opportunity
01:01:22to humiliate
01:01:24you
01:01:24So it's
01:01:25my fault
01:01:25now?
01:01:26Oh wait
01:01:26let me
01:01:26guess
01:01:26maybe it's
01:01:27my fault
01:01:27too
01:01:27when the
01:01:28two of
01:01:28you
01:01:28broke
01:01:28up
01:01:29Okay
01:01:29Raina
01:01:31I've been
01:01:33thinking
01:01:33I don't
01:01:34think
01:01:34this is
01:01:35working
01:01:35I want
01:01:37a divorce
01:01:37Brutto
01:01:39figlio
01:01:41di
01:01:41botana
01:01:42You
01:01:42used
01:01:43me
01:01:43to push
01:01:43Tush
01:01:44out of
01:01:44your
01:01:44company
01:01:44take
01:01:45her
01:01:45property
01:01:45and
01:01:46now
01:01:46you
01:01:46cast
01:01:47me
01:01:47aside
01:01:47like
01:01:47what
01:01:48a
01:01:48used
01:01:48piece
01:01:48of
01:01:48garbage
01:01:49I
01:01:50won't
01:01:51allow
01:01:51this
01:01:51mark
01:01:53my
01:01:53words
01:01:53Karl
01:01:54Kro
01:01:54you
01:01:55will
01:01:56regret
01:01:56this
01:02:08I'm
01:02:09spending
01:02:09too
01:02:10much
01:02:10time
01:02:10around
01:02:10Ken
01:02:11he's
01:02:12dominating
01:02:12all
01:02:13my
01:02:13thoughts
01:02:13I have
01:02:15to
01:02:15distance
01:02:15myself
01:02:15from
01:02:16him
01:02:16for
01:02:17my
01:02:17own
01:02:17sanity
01:02:17Is there
01:02:30nothing
01:02:31going to do
01:02:31to get
01:02:31you to
01:02:31stay
01:02:32I'm
01:02:36sorry
01:02:36but
01:02:38no
01:02:38you
01:02:41and I
01:02:41our
01:02:42relationship
01:02:42will just
01:02:43keep
01:02:44going
01:02:45in circles
01:02:45but
01:02:48thank
01:02:48you
01:02:48for
01:02:49everything
01:02:49you've
01:02:49done
01:02:50for
01:02:50me
01:02:50I
01:02:51have
01:02:52a
01:02:52little
01:02:52bit
01:02:52of
01:02:52money
01:02:52now
01:02:53so
01:02:53you
01:02:54should
01:02:54be
01:02:54able
01:02:54to
01:02:55pay
01:02:55off
01:02:55your
01:02:55loan
01:02:55soon
01:02:56and
01:02:59long
01:03:00talks
01:03:00and
01:03:01awkward
01:03:01silence
01:03:02late
01:03:04nights
01:03:04walking
01:03:05to
01:03:05the
01:03:06garden
01:03:06running
01:03:08with
01:03:10your
01:03:10hand
01:03:11in
01:03:11mine
01:03:12and
01:03:15so
01:03:16this
01:03:28is
01:03:28what
01:03:28happens
01:03:29when
01:03:29you
01:03:29steal
01:03:29from
01:03:29the
01:03:29millers
01:03:30please
01:03:30let
01:03:31me
01:03:32go
01:03:32promise
01:03:35you'll never
01:03:36see me
01:03:36again
01:03:37boss
01:03:47i found
01:03:49this one
01:03:50peeking
01:03:50around the
01:03:50corner
01:03:51not sure
01:03:52how long
01:03:52this little
01:03:52bitch has
01:03:53been watching
01:03:53but i'm
01:03:53pretty sure
01:03:54she tried
01:03:54to call
01:03:54the cops
01:03:55don't worry
01:04:00boss
01:04:01i got a knife
01:04:01with her name
01:04:02on it
01:04:02we can dump
01:04:03her body
01:04:03with the
01:04:04other
01:04:04guy
01:04:07no
01:04:10let her
01:04:10go
01:04:10what
01:04:11didn't you
01:04:12hear what
01:04:12i said
01:04:12she's seen
01:04:13everything
01:04:13let her
01:04:15go
01:04:15before i
01:04:15rip off
01:04:16your
01:04:16fucking
01:04:16arms
01:04:16and throw
01:04:17them
01:04:17in the
01:04:17river
01:04:17walk
01:04:26away
01:04:27this doesn't
01:04:27mean
01:04:27anything
01:04:28to you
01:04:28is this
01:04:29what you
01:04:30couldn't
01:04:30tell me
01:04:30about
01:04:30boss
01:04:33you know
01:04:33this
01:04:33woman
01:04:34you're
01:04:36gonna
01:04:36kill
01:04:36him
01:04:37call
01:04:38the police
01:04:38then
01:04:39see if
01:04:39they
01:04:39can
01:04:39save
01:04:39his
01:04:39life
01:04:40no
01:04:40don't
01:04:41call
01:04:41the
01:04:41police
01:04:42you
01:04:42stupid
01:04:43bitch
01:04:43my world
01:04:46is more cruel
01:04:46than you
01:04:46can possibly
01:04:47imagine
01:04:47since you
01:04:48didn't want
01:04:49to get
01:04:49involved
01:04:49just walk
01:04:50away
01:05:07hey babe
01:05:09hey babe
01:05:13what do you want
01:05:15for breakfast
01:05:15my world is more cruel than you can possibly imagine
01:05:29my world is more cruel than you can possibly imagine
01:05:41since you didn't want to get involved just walk away
01:05:44I never imagine
01:05:45I never imagined that Ken could be such a dangerous and violent man there must be something or someone forcing him to do all of this
01:05:52even people close to us may be harboring many secrets
01:05:58we never really know what's going on inside
01:06:01forget it this has nothing to do with me I decided to leave Ken so I have to do my best not to look back
01:06:09Tasha let's talk
01:06:25your pro-magnet boyfriend
01:06:34is he not joining us
01:06:36it's all over
01:06:37I'm not with him anymore
01:06:38where's Reyna
01:06:40Reyna was a mistake
01:06:43that's all over too
01:06:45Tasha
01:06:47I want you back
01:06:51I can't stop thinking about us
01:06:55you were right
01:06:56you belong in my life
01:06:58so if you just
01:07:01sign those documents
01:07:03then you can come back to me
01:07:05come back to the house
01:07:07so we can carry on like none of this ever happened
01:07:09I can give you your old job back
01:07:12that'll be fun
01:07:13working together again
01:07:14and then all that debt you owe me will be wiped clean
01:07:17you think I'd get back with you after everything you put me through
01:07:27here is a hundred million dollars
01:07:35I'll pay the rest on time
01:07:37I'll pay the rest on time
01:07:37and if you're agreement
01:07:40take these documents and
01:07:47shove them right up your ass
01:07:50you disgust me Carl
01:07:53you should think about Anna
01:07:55do you really want her growing up without a mother
01:07:58with all her health problems
01:08:00she could really use your support
01:08:01don't dare talk about Anna
01:08:03she'll be with me soon
01:08:05then I'll never let her out of my sight again
01:08:07she needs her mother and her father
01:08:09not a father like you she doesn't
01:08:11she'd be better off with no father at all
01:08:13I'm sorry am I interrupting
01:08:26are you are you texting a new boyfriend already
01:08:29can it wait
01:08:31I'm not done talking here
01:08:33pathetic Carl
01:08:35okay Tasha
01:08:37hey Tasha
01:08:44Tasha come back
01:08:46where are you going this place is disgusting
01:08:48come on Tasha
01:08:50don't you remember the happy times
01:08:52come on we can have that again
01:08:54think of Anna
01:08:55please
01:09:07sorry folks
01:09:17it's the end of the line for you
01:09:21no hard feelings
01:09:24but
01:09:26we gotta do what the people who pay us tell us to do
01:09:29who's paying you
01:09:31I'll give you a hint
01:09:33a very beautiful woman
01:09:36you paid us a small fortune to make sure you two
01:09:38make sure you two don't make it
01:09:41Reina
01:09:43that fucking bitch
01:09:44do you know who I am
01:09:46I'm Carl Crow
01:09:49the CEO of the Crow group
01:09:51what if she's paying you
01:09:53I'll pay double
01:09:53okay
01:09:54yeah yeah
01:09:54you pay me double
01:09:55I guess you haven't heard the news buddy
01:09:57see I don't think you have the means to outbid your pretty little friend
01:10:02that's a big no no sweetheart
01:10:03that's breaking the rules
01:10:04oh
01:10:05that backstabbing slut
01:10:07please pick up the phone
01:10:09you trying to phone a friend
01:10:12that's a big no no sweetheart
01:10:14that's breaking the rules
01:10:16sweetie
01:10:19don't waste the little time you have left trying to call for help
01:10:23it won't do you any good
01:10:25no one
01:10:26they can help you now
01:10:30three hours where is Tasha
01:10:32hey Nell
01:10:34hey listen I need you to do me a favor
01:10:36yeah I need you to pull out the city surveillance system in the area
01:10:40and find all the footage
01:10:42yeah I know something's wrong
01:10:59what are you doing
01:11:01we have to get out of here
01:11:09how
01:11:10you should just
01:11:15go
01:11:17save yourself
01:11:18leave me
01:11:19it's what I deserve
01:11:23I'm not gonna leave you
01:11:26I'm not that type of person
01:11:33come on let's go
01:11:37come down here
01:11:38wait until they come in
01:11:40hey Tasha
01:11:44hey Tasha
01:11:48I'm so sorry
01:11:49now's not the time for that
01:11:52now's not the time for that
01:11:53all in
01:11:54look at
01:12:03look at
01:12:07it's like we got ourselves a suicidal prick here fellas
01:12:10All in.
01:12:20Looks like we got ourselves a suicidal prick here, fellas.
01:12:23I can't think of any other reason why somebody would kick in a door that's got Vincent Santorelli on the other side of it.
01:12:32Oh shit.
01:12:34Boss.
01:12:36I didn't realize it was you.
01:12:40These your guys?
01:12:42Where the fuck are they?
01:12:44You better find them. Quick!
01:13:02Now it's your turn.
01:13:10Pretty little thing like you, I was going to make it painless. But I guess you didn't want that. All the same.
01:13:16Hey, who's this fucking monkey?
01:13:18Blow your fucking gun.
01:13:20Vinny, what the fuck is going on?
01:13:22You fucking deaf? Yo, blow your fucking gun!
01:13:24Are you...
01:13:26Are you Ken Miller?
01:13:28How can that be? What the fuck is going on?
01:13:30Ken Miller.
01:13:32The one and the same Miller crime family that monopolizes all the underground trade in all of North America.
01:13:36It's you.
01:13:38You know what you have to do.
01:13:40Are you Ken Miller?
01:13:42How can that be? What the fuck is going on?
01:13:44Ken Miller.
01:13:46The one and the same Miller crime family
01:13:50that monopolizes all the underground trade in all of North America.
01:13:57It's you.
01:14:04You know what you have to do.
01:14:06Boss, please.
01:14:10He's my brother.
01:14:13Rules are rules.
01:14:28I was pushing you away as Ken and growing closer to you as Fitz.
01:14:36I'm sorry, Tasha, but there's just nothing I can do that will make you happy.
01:14:43And I just can't win over your heart.
01:14:51Is Ken Miller always this loving with the hostages he rescues?
01:14:55Or is this just special treatment reserved for his lovers?
01:15:01Tasha, I love you.
01:15:03My heart has belonged to you and only you for the past 15 years.
01:15:0715 years.
01:15:1215 years?
01:15:14No, we just met a few months ago.
01:15:18We met 15 years ago.
01:15:23You went to Marr Middle School.
01:15:26Yeah.
01:15:27And you saved my life, eh?
01:15:37Stand up, chicken!
01:15:38And hit us back!
01:15:39Isn't that what your dad does for a living?
01:15:41Beat people up?
01:15:43I'm not my dad!
01:15:46You and your father are both scum.
01:15:48Let's teach this little and thug a lesson.
01:15:50Yeah, idiot!
01:15:51Get up and show us what you've got!
01:15:55Hey!
01:15:57Hey!
01:15:58Hey!
01:15:59Hey, hey, hey!
01:16:00Stop!
01:16:01That's enough!
01:16:02That's enough!
01:16:03It's none of your business, Robert!
01:16:04Get out of here, Robert!
01:16:05Hey!
01:16:06Stop!
01:16:07Go home!
01:16:08I'll call your parents!
01:16:09Go!
01:16:10Oh crap!
01:16:11Ever since I saw you that night in the cab with that necklace on,
01:16:23I just, I knew I found you.
01:16:27Look, this isn't just some feeling for me, okay?
01:16:31This is, this is everything to me.
01:16:34Like, you are everything to me.
01:16:36But no matter what happens between us,
01:16:38I will always care about you.
01:16:42And maybe, one day we can...
01:16:47Make it work in a different way.
01:17:00I just...
01:17:02Need some time to process this.
01:17:07Okay.
01:17:09And after that...
01:17:11Maybe we can pick up where we left off,
01:17:13that first night you spent here.
01:17:17Maybe.
01:17:19You play your cards, right?
01:17:20That's right.
01:17:35Does everything look good to you, my artist?
01:17:38Yeah.
01:17:40Thanks for everything.
01:17:42That doesn't sound very convincing.
01:17:43Is...
01:17:44Is there anything you want to change?
01:17:45No.
01:17:46I just...
01:17:47I never got around to asking why you wanted to start an art gallery in the first place.
01:17:52Honestly?
01:17:53It's to get to you.
01:17:55See, I thought if I own the world's greatest art museum that one day you might find your way in here and...
01:18:00I don't know, that I might find you.
01:18:01I don't know, that I might find you.
01:18:02I don't know, that I might find you.
01:18:03I don't know.
01:18:04I don't know...
01:18:06I don't know.
01:18:37I want to see what kind of woman this is that has ensnared my son.
01:18:43I don't she's worthy of joining the Miller family.
01:18:47As you wish, sir, I will make the arrangements.
01:18:53Honestly, it's to get to you.
01:18:56See, I thought if I owned the world's greatest art museum that one day you might find your way in here and I don't know, that I might find you.
01:19:03Okay, okay. Just concentrate on painting. Don't think about him.
01:19:09Who are you?
01:19:29Miss Tasha Roberts?
01:19:32Mortimer Miller would like to speak with you privately at his home.
01:19:35Come here. Take a look.
01:19:44She's an heiress to the largest chain of luxury hotels in the Western Hemisphere.
01:19:50She's young, beautiful, well-educated.
01:19:54I think she'll make a fine wife for my son, Ken.
01:19:58With all due respect, sir.
01:20:03I believe that it's up to Ken to decide who he wants to spend the rest of his life with.
01:20:10Choose you.
01:20:12Better chance.
01:20:14You're no match for my son.
01:20:16Now, you owe money to the Crow Group.
01:20:27I'm going to pay your debt.
01:20:29And in return, you will agree to never see my son again.
01:20:41It's our decision whether we want to be together or not.
01:20:45Your son and I love each other.
01:20:47There's nothing in this world that can keep us apart.
01:20:51Tasha, do you want us to be together?
01:20:53It's impossible.
01:20:56Father.
01:20:57I forbid it.
01:20:58Father, this is the love of my life.
01:21:01I can't lose her again.
01:21:03I'd rather leave the family business.
01:21:05Then leave if you wish.
01:21:07But she will never have my approval, ever.
01:21:10And she'll never be a part of the Miller family as long as I live.
01:21:14You'll come running back.
01:21:16Without the Miller family power, money,
01:21:20You'll accomplish nothing.
01:21:25You're making a big mistake.
01:21:28Choosing this old hag instead of family.
01:21:41Ken, where are you?
01:21:43Why aren't you back yet?
01:21:48Oh, you're still awake?
01:21:50Who did this to you?
01:22:08Don't worry about me.
01:22:09I'm fine.
01:22:11It's nothing out of the ordinary.
01:22:12Hey, babe.
01:22:26Yeah, no, I'm just right outside.
01:22:31You son of a bitch.
01:22:33You make me cut my own brother's hand.
01:22:36Now you think you can betray the Miller family?
01:22:39Walk away scoffry?
01:22:41Not a fucking chance.
01:22:44This guy means nothing to the Miller family now.
01:22:46It's worthless.
01:22:48Helpless.
01:22:50You're absolutely nothing now.
01:22:52Let's make him feel the pain
01:22:54that my brother felt.
01:22:57Come on, boys.
01:22:57Stop.
01:23:21Stop hitting him.
01:23:25Stupid bitch.
01:23:26Stop.
01:23:28Stop.
01:23:28Stop.
01:23:28Stop.
01:23:49Stop at once, you insolent fools.
01:23:53Son, you know how hard it is for me to admit
01:24:07that I made a mistake.
01:24:10But today, the two of you have proved me wrong
01:24:13beyond a shadow of a doubt.
01:24:17Tasha, you are the perfect woman for my son.
01:24:21Oh, be together.
01:24:29You approve?
01:24:31You have my blessing.
01:24:34From this day onward,
01:24:37you'll have nothing more to do
01:24:39with the legal activities of the family.
01:24:40But, you'll always be a Miller.
01:24:48As will she.
01:24:49Get off me!
01:25:02Get off me!
01:25:16You useless, impotent man-child!
01:25:19The Crog Group is bankrupt!
01:25:22That's hurt.
01:25:23Getting involved with you
01:25:24is the worst decision I could have made in my life!
01:25:26Get off!
01:25:27This is all your fault!
01:25:28You spent every single thing that we had.
01:25:31Now we have nothing left.
01:25:32No company, no house, no money,
01:25:35not even a dime.
01:25:36And it's all because of you,
01:25:37you greedy cow!
01:25:38Don't you, don't!
01:25:39Hey, hey, hey, hey!
01:25:47The late Mrs. Miller was a beautiful woman, sir.
01:25:52Yes.
01:25:56Back then, my wife protected me
01:25:58from every danger that befell our family.
01:26:01And today,
01:26:05my son found the perfect woman
01:26:07that I said I'd do the same for him.
01:26:11He's a lucky man.
01:26:24Wow.
01:26:25You look so beautiful.
01:26:28No, you can't be here right now.
01:26:30Babe, I don't want to rush you,
01:26:31but everybody's waiting to see you.
01:26:35Ken, can you promise me one thing?
01:26:38I can promise you two, if you'd like.
01:26:40I'm serious.
01:26:44I want you to walk away
01:26:45from the family business.
01:26:49There's a city called Ostia.
01:26:51It's on the southwest side of Rome by the ocean.
01:26:55What?
01:26:56You know what I found over there?
01:26:57I don't do an art teaching job.
01:27:00I had a public school.
01:27:03I would do tickets maybe in the morning.
01:27:06You're sending me away?
01:27:08No.
01:27:09I opened my own restaurant.
01:27:11It's just down the street.
01:27:14Oh, and one more thing.
01:27:15I enrolled Anna at the school
01:27:18they're going to be teaching at.
01:27:20I think she's going to really live it over there.
01:27:24So you really are walking away?
01:27:27Yeah.
01:27:32I got some socks.
01:27:33I got some socks.
01:27:52Yeah.
01:27:53Transcription by CastingWords
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