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Category
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Short filmTranscript
00:00:00Hey baby, tell me, who do you love more? Me or Vanessa?
00:00:11I love you more. Vanessa is who she is ever since she got those horrible scars.
00:00:18Are you only with that?
00:00:30Please, don't stop on my account. I've never filmed a porno, especially not one starring my own boyfriend and sister.
00:01:00Alright, give me the camera. Come on now, delete that shit.
00:01:04Why? You always said you wanted fame. This will make you go super viral.
00:01:10Vanessa, Bane's the company's top model. If this gets out, we're all finished.
00:01:16Dad's never gonna forgive you. Now give me that damn camera!
00:01:21Fine.
00:01:24Wise. Wise. Because you know what? Shooting sexually explicit content of your boyfriend and your sister, that's probably gonna damage your career a lot more than it will.
00:01:38You've been a whale, ass.
00:01:44Oh! Vanessa!
00:01:46More!
00:01:47Ah! That fucking face!
00:01:50Well, Blaine, you got what you wanted. It's over!
00:01:53Look out! You were the one who turned Blaine from nothing to a top model.
00:02:07And now he's messing about with Abby? I don't get how he could do that to you.
00:02:11Doesn't matter. We've already separated.
00:02:14It's because you've not been with enough guys.
00:02:19I've got the perfect stripper lined up for you.
00:02:23He's a real wizard in the bedroom.
00:02:33This. Adam.
00:02:35Adam.
00:02:36Just hang tight.
00:02:37He'll be your suit.
00:02:41Speaking of, Dad looks like the guy I booked.
00:02:44So just wait for Adam.
00:02:46He'll be wearing a suit and tie.
00:02:49He's gonna burn your mind.
00:02:52Cassidy, I work with the most beautiful people in the world.
00:02:56It takes a true stunner to impress me.
00:02:58You can keep him.
00:03:05Mr. Tom, there's still no updates on the woman with the scar on her arm.
00:03:16We're running out to police.
00:03:20Look, just expand the search radius.
00:03:22Okay, I need to find her. Now.
00:03:27You're late.
00:03:29That's not very professional.
00:03:30Yeah, excuse me. I'm in a rush.
00:03:31You shouldn't be so rude to your customers.
00:03:33Look, I'm losing my patience.
00:03:40It's, it's you.
00:03:42Yes, it's me.
00:03:45So, are we fucking here or do you want to go to the hotel?
00:03:53Finally, I found you.
00:04:03I'm losing my hand.
00:04:04I'm losing my hands.
00:04:05I'm losing my hands.
00:04:12I'm losing my hand.
00:04:14What's your name?
00:04:17Is it not it?
00:04:19No, no.
00:04:21Fine.
00:04:22I'm losing my hand.
00:04:23In the midst.
00:04:25No, it's okay.
00:04:53Oh, my God.
00:05:16Are you okay?
00:05:19Can you get up?
00:05:21Come on, stay with me.
00:05:23Come on.
00:05:27Okay, come on, come on.
00:05:32Come on.
00:05:36I'll get you out of here.
00:05:40From now on, I'll look out for you.
00:05:49Morning.
00:05:51Morning.
00:05:51Morning.
00:05:53Morning.
00:05:56Does it bother you?
00:05:58No, not at all.
00:06:01It's a symbol of your bravery.
00:06:03Well, you certainly know how to charm a woman.
00:06:06And please her.
00:06:07Last night was, um, it was really good.
00:06:22Here's a little something for you.
00:06:24I don't want your money.
00:06:26I don't want your money.
00:06:29Why?
00:06:29No.
00:06:30Keep it.
00:06:31You earned it.
00:06:34Wait a minute.
00:06:38You don't remember me?
00:06:42You don't remember me?
00:06:43I'm the one.
00:06:44I'm the one.
00:06:46Sorry.
00:06:48One second.
00:06:51Yeah?
00:06:51What's up?
00:06:52Vanessa, bad news.
00:06:53Blaine's throwing a tantrum about the shoot.
00:06:56What should I do?
00:06:57Um, okay.
00:06:59Calm down.
00:07:00I'm on my way.
00:07:00Shit.
00:07:03This is for the Todd group shoot.
00:07:04If this goes sideways, that nightmare Mr. Todd is going to be on my case again.
00:07:09Me?
00:07:10A nightmare?
00:07:11Right.
00:07:12Um, thank you for last night.
00:07:15I will see you, I guess.
00:07:17Nanny, yeah.
00:07:31All right.
00:07:32Find out which studio Vanessa's at, okay?
00:07:44Vanessa!
00:07:45Thank goodness, Blaine is flipping out.
00:07:47He's saying his arm is broken.
00:07:49I'm sure you know how to handle that spoiled brat.
00:07:52Yeah, I handle that.
00:07:54Blaine, are you seriously going to throw away this deal?
00:07:58It's not like I want to.
00:08:00You broke my arm.
00:08:02And you tell me how I'm meant to shoot if I can't even strike the pose.
00:08:08If you said I broke your brain, I'd believe you.
00:08:12What's that got to do with your arm, though?
00:08:14Give it a rest, will you, love?
00:08:15How's this?
00:08:17If you publicly apologize to me.
00:08:21Not happening.
00:08:25It's on you, remember?
00:08:26Today's the last day for shooting.
00:08:28If you can't pull this off, can you really deal with the top group's wrath?
00:08:31Vanessa, if we lose the top group's decline, I can't be in serious trouble.
00:08:43There must be some other models available.
00:08:46I reached out.
00:08:47All the top models are booked today.
00:08:48Christ, fine.
00:08:51I'll apologize.
00:08:53Blaine, I'm so sorry.
00:08:54Can you come back through the shoot?
00:08:56Oh, you know, I would really like to, but there is one little stipulation.
00:09:01Abby here.
00:09:02It's got to be behind.
00:09:04Canva.
00:09:06Abby is an amateur photographer.
00:09:08She's not ready for the top group.
00:09:10Blaine and I went over all the details last night.
00:09:13The top group are going to love it.
00:09:14So you two are just here to cause trouble?
00:09:19As if you haven't messed me about enough already?
00:09:32Since this shoot is a bust, I might as well take the heat.
00:09:36So your arm's broken?
00:09:38Yeah.
00:09:38You can't move it?
00:09:39No.
00:09:41Oh, looks like it's working perfectly fine.
00:09:44It's you.
00:09:54You know what?
00:09:56I'm not doing the shoot period.
00:09:58Do you know why?
00:10:00Because I want to see how you clean up this little mess.
00:10:07If you won't shoot, Blaine, I'll find someone who will.
00:10:10Or are you going to find a new model in, like, two seconds?
00:10:22Guess what?
00:10:32Here's my new model.
00:10:34Wait.
00:10:35What, me?
00:10:36Ha!
00:10:38I'll pay double the standard rate.
00:10:40Just help me out.
00:10:41I'm desperate.
00:10:41Yeah, okay.
00:10:45All right.
00:10:46Awesome.
00:10:47You're going to be great.
00:10:48You two can scram now.
00:10:50You really think you can just snatch someone off the street to replace Blaine?
00:10:54Modeling isn't just about looking pretty.
00:10:57He might freeze up and make a fool of himself in front of the camera.
00:11:00Vanessa, he might have the looks, but he's got no experience.
00:11:04This flops, we might lose the Todd group as a client.
00:11:06I wouldn't be where I am now if I didn't take a few risks.
00:11:18Let's start with this.
00:11:20Keep his makeup natural.
00:11:22Highlight his features and contours.
00:11:25Let's make him glow.
00:11:26Got it?
00:11:31He's taking forever.
00:11:33Why isn't he out yet?
00:11:34He's probably pissing his pants.
00:11:35He's not a star.
00:11:36Hmm.
00:11:37Unlike Blaine.
00:11:38Hmm.
00:11:39I'll show her hair and star.
00:11:41And I'm very, very sexy.
00:11:44And I just don't believe it's some random nobody off the street if you want close to mine.
00:11:50Okay?
00:11:51Yeah, of course.
00:11:52And I just don't believe it's some random nobody off the street if you want close to mine.
00:11:56And I just don't believe it's some random nobody off the street if you want close to mine.
00:11:57And I just don't believe it's some random nobody off the street if you want close to mine.
00:11:58And I just don't believe it's some random nobody off the street if you want close to mine.
00:11:59And I just don't believe it's some random nobody off the street if you want close to mine.
00:12:00And I just don't believe it's some random nobody off the street if you want close to mine.
00:12:01And I just don't believe it's some random nobody off the street if you want close to mine.
00:12:02And I just don't believe it's some random nobody off the street if you want close to mine.
00:12:03And I just don't believe it's some random nobody off the street if you want close to mine.
00:12:04Damn, he's gorgeous.
00:12:28It's not just his face, his whole vibe screams top model.
00:12:32He could steal anyone's spotlight.
00:12:33Oh, for fuck's sake, anyone could look good with a bit of make-up and a blazer with no
00:12:39shirt.
00:12:40Come on, I wanna see, I want to see how he crashes and burns when the lights start flashing.
00:12:48That's what I want to see.
00:12:53Better than I expected.
00:12:56It's okay to be a little nervous before your first shoot, but I'm here.
00:13:01Trust me, you're gonna be great.
00:13:05Okay, lights, let's shoot.
00:13:09Yeah.
00:13:10It's so cute.
00:13:12Okay.
00:13:13That's so good.
00:13:15I'm really sorry.
00:13:16Open up your shirt a little bit.
00:13:18Yeah.
00:13:19Yeah.
00:13:20Wow.
00:13:21Maybe pick up the magazine and we'll look through there.
00:13:23Yeah.
00:13:24You're a hot model.
00:13:25You're so good.
00:13:26Okay, that's it.
00:13:27Joyce, let's get his next look ready.
00:13:31Okay, that's it.
00:13:32Joyce, let's get his next look ready.
00:13:44This is the L.A. Premium brand shoot, Blaine.
00:13:46This would've taken you to the next level.
00:13:48It's too bad, you're such a whiny little bitch.
00:13:53You're both messed up.
00:13:54Victory.
00:13:55I can't believe that this shoot has just landed on this random gobshine slap.
00:14:00Would you do something about it?
00:14:12Chill.
00:14:13I'm working on it.
00:14:14No way, you's new.
00:14:15Look at him go.
00:14:16His outfit is practically perfect.
00:14:19It's beautiful.
00:14:20Let's go.
00:14:21I'd say it's beautiful.
00:14:22It's beautiful.
00:14:23I'd say it's beautiful.
00:14:25It's beautiful.
00:14:26It's beautiful.
00:14:27It's beautiful.
00:14:28It's beautiful.
00:14:29It's beautiful.
00:14:30It's, like, made for him.
00:14:31It's going to sell out in no time.
00:14:33I used to put Blaine on Pedal Store, but he's nowhere near it now.
00:14:36Exactly.
00:14:37He was the company's top guy, but now he's got outshone by a newbie.
00:14:41Wow, babe, you've crushed it.
00:14:45These shots are turning out better than anyone would have expected.
00:14:49Sure you're not thinking of ditching your job, Mom?
00:14:52Hey, look, I'm just glad I didn't screw it up.
00:14:55I was actually wondering, are you free tonight?
00:14:58I was thinking we could go on, like, an actual date for...
00:15:01Ah, is this yours?
00:15:02Your phone's been going off.
00:15:04Oh, thanks.
00:15:12Six-pack strippers.
00:15:15Guess we know how he pays his bills.
00:15:18Dude's a stripper.
00:15:21A cheap one, too.
00:15:26He's got that serious look, bro.
00:15:27He's in that line of work.
00:15:30Vanessa's pretty cosy with that male stripper.
00:15:33Could she be his regular?
00:15:36Who knew she would be living that kind of life behind the scenes?
00:15:44You have no shame.
00:15:46And I thought you were a professional bringing a stripper to work.
00:15:49Nothing short of fucking embarrassing, love.
00:15:57Don't show me in that professionalism, Blaine.
00:16:00Oh, it concerns him now.
00:16:03When the tall group finds out you've used a stripper for their campaign,
00:16:07think I'll be cool with that?
00:16:10Is the chute still not wrapped?
00:16:12Why are you guys dragging your feet?
00:16:14Mr. Dale, the chute's done.
00:16:16The photographer insisted on using a stripper as their model.
00:16:21This could really hurt the tall group's image.
00:16:24What?
00:16:26A stripper?
00:16:28Who's the photographer?
00:16:31Where's this guy?
00:16:32Bring him here.
00:16:33That's them.
00:16:36Look, it has nothing to do with him.
00:16:38It's all on me.
00:16:41No one messes with the tall group and walks away with it.
00:16:44Let's see what the stripper thinks.
00:16:49Mr. Todd.
00:16:52Mr. Todd.
00:16:55You didn't tell me you were coming in tonight.
00:16:56The hell?
00:16:58Why did he just call you Mr. Todd?
00:17:01No, no, no.
00:17:02You've misheard him.
00:17:03She mentioned hating Mr. Todd before.
00:17:06If she figures out who I really am,
00:17:08she won't come near me at all.
00:17:09What he meant to say was
00:17:11Mr. Todd doesn't judge people on their occupations, right?
00:17:16Exactly.
00:17:20This guy's got it all.
00:17:21He perfectly embodies the brand's executive vibe.
00:17:27I'm sure Mr. Todd will be delighted with his work here.
00:17:35Lawrence, you have an eye for talent.
00:17:38I'll show you the shots.
00:17:39He absolutely nails his outfit.
00:17:41How could he not?
00:17:42The brand is perfectly made for the...
00:17:44Mr. Lawrence, by the way,
00:17:50I was the original model
00:17:52and if this shoot hadn't been done with me,
00:17:54if I was given a chance,
00:17:55it would have been a lot fucking better.
00:18:00Exactly.
00:18:01Blaine's a pro.
00:18:02He's light years ahead of these amateurs.
00:18:05Aren't you the ones who turned it down?
00:18:08Let me get back to that now.
00:18:11Well, if you guys can't show some respect,
00:18:15what's the point being a pro?
00:18:18You're messing up the shoot.
00:18:19What?
00:18:19Both of you,
00:18:21get out.
00:18:22Lawrence,
00:18:23I'm Abby Clark.
00:18:24Get them out.
00:18:25Just listen.
00:18:27You're a man.
00:18:27Take them.
00:18:28Take them.
00:18:36Mr. Dale,
00:18:37you should take a look at these photos.
00:18:39No need.
00:18:40I was just stopping by
00:18:41to take a quick look.
00:18:42I'll let you get back to it.
00:18:43Why are the Todd group reps being so nice all of a sudden?
00:18:50Are they usually that bad?
00:18:53You have no idea how picky Mr. Todd is.
00:18:57He is a total perfectionist,
00:19:00moody, just asshole.
00:19:01Okay, there was one time
00:19:04everything was arranged on set,
00:19:06but he nitpicked every single tiny detail.
00:19:09He had me pulling all letters.
00:19:10And one time,
00:19:11he fired someone.
00:19:13Just randomly,
00:19:14out of the blue,
00:19:15because he was in a bad mood.
00:19:16So yeah,
00:19:17I don't like him at all.
00:19:18He's a jerk.
00:19:19I swear to God,
00:19:21if I ever meet him,
00:19:22I'm going to give him a piece of my mind.
00:19:24Maybe it was a misunderstanding?
00:19:28You've never met this guy.
00:19:30And you're seeing these things?
00:19:32Yeah,
00:19:33don't bring him up again.
00:19:35She's got the wrong impression here.
00:19:36I need to fix this.
00:19:39These shots are amazing.
00:19:40Have you ever thought about
00:19:42ditching your job from modeling?
00:19:44Ditching my job?
00:19:45Well, yeah,
00:19:46you can't be a stripper forever, right?
00:19:49What?
00:19:49No, no,
00:19:50Vanessa,
00:19:50I am not a stripper.
00:19:52Luke, come on.
00:19:53You've got the look.
00:19:54You've got the charm.
00:19:55You kill it in front of a camera.
00:19:58I'll sign you up.
00:20:00Whatever deal you want.
00:20:01Really?
00:20:03Whatever deal I want.
00:20:13So,
00:20:14this is it.
00:20:16Are you sure
00:20:17you're cool with staying here?
00:20:19Um,
00:20:20yeah,
00:20:21not really feeling it.
00:20:22You got any other options?
00:20:24Nope.
00:20:26Master bedroom's off limits,
00:20:28obviously.
00:20:29This place isn't a mansion.
00:20:31I don't know why
00:20:32you insist on staying here.
00:20:34Well,
00:20:34I switched jobs for you.
00:20:35I don't have anywhere to go.
00:20:37Come on,
00:20:37have me back here.
00:20:38All right,
00:20:42all right,
00:20:42all right,
00:20:42look,
00:20:42if I'm being honest,
00:20:44I'd, uh,
00:20:46I'd rather stay with you.
00:20:48Stop.
00:20:50I'm your boss now.
00:20:52You gave me a roof.
00:20:54All right,
00:20:54I'll pay it back.
00:20:56Yeah,
00:20:56well,
00:20:56you're not a stripper anymore.
00:20:58See,
00:20:58you can't stop at that point.
00:21:00All right.
00:21:00just get some rest,
00:21:03okay?
00:21:03We have somewhere to be tomorrow.
00:21:05Where are we going?
00:21:07We'll find out when we get there.
00:21:08Mr. Todd,
00:21:18Ms. Clark sent over
00:21:19the LA's final promo shots.
00:21:21Want to take a look?
00:21:22I have to admit,
00:21:23you've got a knack
00:21:24for this modeling thing, sir.
00:21:26Photos turned out amazing.
00:21:28No, no, no,
00:21:28listen,
00:21:28just, just,
00:21:29just get someone else
00:21:30to redo the shoot,
00:21:30okay?
00:21:31What about Ms. Clark?
00:21:33I don't know.
00:21:33Tell her that the brand
00:21:34postponed the campaign
00:21:35or something,
00:21:36but look,
00:21:37these photos
00:21:37cannot leak,
00:21:38okay?
00:21:39If they do,
00:21:40people might figure out
00:21:41who I really am,
00:21:42right?
00:21:43Figure out what?
00:21:48Um,
00:21:49my,
00:21:50my secret side job,
00:21:51yeah.
00:21:53Um,
00:21:54I'm worried that
00:21:54it might cause you
00:21:55some problems.
00:21:58Uh,
00:21:58why did Jim come back?
00:22:01Read your mind?
00:22:03Want to stay another night with me?
00:22:04Sweet dreams.
00:22:07Sweet dreams.
00:22:16All right,
00:22:17what's going on?
00:22:18Why are we here?
00:22:19Clothes.
00:22:20Duh.
00:22:21You're my new model.
00:22:22I need you to look sharp.
00:22:24Welcome.
00:22:25Hi.
00:22:26These two.
00:22:27Okay,
00:22:28we need these ASAP.
00:22:30Why can't they?
00:22:30Absolutely.
00:22:31Um,
00:22:32just a sec.
00:22:35Wait,
00:22:36wait,
00:22:36wait.
00:22:37Hold on.
00:22:39I want to buy those outfits.
00:22:41And Mr. White,
00:22:42what brings you here?
00:22:44Ugh.
00:22:44I'm afraid we'll have to
00:22:47prioritise Mr. White's order.
00:22:49Yours will have to wait.
00:22:51But we order first.
00:22:53Isn't it first come,
00:22:54first serve?
00:22:56In this world,
00:22:57please.
00:22:59Lane's at the top.
00:23:01So yeah,
00:23:02he comes first.
00:23:10So,
00:23:11you're waiting or not?
00:23:13Is this how you treat
00:23:14your customers?
00:23:16Yeah,
00:23:16I'd like to talk to your manager.
00:23:17Manager's tied up.
00:23:19If you insist on causing trouble,
00:23:21I'll have security to show you out.
00:23:38What seems to be the problem?
00:23:40It's them.
00:23:41They're trying to mess up
00:23:42Mr. White's order.
00:23:46Mr.
00:23:47You start talking now.
00:23:50Of course.
00:23:55You're done.
00:23:58Fired.
00:23:59Now get out.
00:23:59I am so sorry about all this.
00:24:09We'll get your order process right away
00:24:11and throw in
00:24:12an 100% discount for your trouble.
00:24:14How does that sound?
00:24:15What a load of shit.
00:24:27That's Matt.
00:24:28He's a no-name,
00:24:29no-fame,
00:24:30and you're treating him like this?
00:24:31How we run this place
00:24:32is not your concern.
00:24:34From now on,
00:24:35the two of you
00:24:36are blacklisted.
00:24:40Don't expect any future collaborations
00:24:42with us.
00:24:47What a day, huh?
00:25:01Yeah.
00:25:02Abby and Blaine
00:25:02were practically glowing with envy.
00:25:04I mean, you've got my back,
00:25:05but are you not worried
00:25:06about pissing off the brand?
00:25:08No.
00:25:09No?
00:25:09No, not at all.
00:25:10No, there's plenty of other
00:25:11luxury brands out there.
00:25:13What are you looking at?
00:25:27I'm just looking at you.
00:25:28I feel the way
00:25:31behind my eyes
00:25:34Leamed towards
00:25:38the color that lies within
00:25:41It's late.
00:25:53We have work for now.
00:25:55We should get some rest.
00:26:07Good morning.
00:26:09I thought you might want
00:26:10to start your day right.
00:26:11Get a grip, Vanessa.
00:26:25He's your model now.
00:26:26Now it's some wild flame.
00:26:31Morning.
00:26:33So,
00:26:34you made all this?
00:26:37I thought you might be hungry.
00:26:40Try it.
00:26:40It's better than I expected.
00:26:54It's better than I expected.
00:26:54It's better than I expected.
00:26:56Wow.
00:26:57Confident.
00:26:58Yeah, don't get used to it.
00:27:02Try it.
00:27:06Really?
00:27:08Is that what it's going to be like
00:27:10having you in my house?
00:27:12Well, thank you.
00:27:13Good morning, everyone.
00:27:22Good morning, Vanessa.
00:27:23Good morning, Vanessa.
00:27:24Wait a sec.
00:27:25Hasn't that the same guy you brought in a few days ago?
00:27:29Yeah.
00:27:29He's my new model.
00:27:30Hey, guys.
00:27:31I'm Jason.
00:27:32I look forward to working with you all.
00:27:35I thought you said your name was...
00:27:37I stayed here.
00:27:40So,
00:27:41you two arrived together.
00:27:43What?
00:27:43Are you living together now?
00:27:45Oh, Joyce, seriously.
00:27:46Let's just get this done.
00:27:48Okay, are the cameras ready?
00:27:50She really signed that cool boy into the company.
00:27:53Just wait.
00:27:54This is going to be fun to watch.
00:27:56Vanessa, over here, now.
00:28:05All right, everyone.
00:28:06Take five.
00:28:13It's one thing messing around in your personal life,
00:28:16but bringing a stripper into the company.
00:28:21You ready to deal with the fallout if this backfires?
00:28:24Dad, I didn't pull this out of thin air.
00:28:27Jason is talented.
00:28:28Talented?
00:28:30He's playing you with smooth talk.
00:28:34I've let you run things your way,
00:28:36but hiring him,
00:28:37that's where I draw the line.
00:28:40You need to fire him now.
00:28:42I'm not going to fire him.
00:28:46I promise, he's really talented.
00:28:48Just look at him.
00:28:51You're really going to take sides against your father?
00:28:54Sis, Dad's only trying to protect the company's reputation.
00:28:57Just do what's right.
00:29:00And let him go.
00:29:02Abby, stay out of this.
00:29:03It's none of your business.
00:29:06Dad, can you please just trust me for once?
00:29:10I've been pulling in projects first for you.
00:29:12Dad, when another client, Vertex Group,
00:29:14finds out you've let her use a stripper for the shoot,
00:29:17they're going to flip.
00:29:18Abby's got a point.
00:29:19Either he goes,
00:29:22or Abby and Blaine take over.
00:29:24Your choice.
00:29:29Either he goes,
00:29:31or Abby and Blaine take over.
00:29:33Your choice.
00:29:33I appreciate it, Dad.
00:29:35I've always led the Vertex Group's shoots.
00:29:38And you're just going to let Abby take it,
00:29:40just like that?
00:29:42You took it for granted, Vanessa.
00:29:44Don't blame Abby.
00:29:46Abby, if you think you can steal this shoot from me,
00:29:48you better know how to handle it.
00:29:52You know what, actually?
00:29:53Let's make this interesting.
00:29:56Let's split into teams.
00:29:58If the Vertex Manager choose the winner,
00:30:00you want a competition.
00:30:01Fine by me.
00:30:02Just don't cry if you lose.
00:30:04What would I be losing?
00:30:07Your model's an amateur.
00:30:09And he's going to run circles around him.
00:30:11We'll see.
00:30:14Hey.
00:30:15You good?
00:30:16Yeah, I'm fine.
00:30:18All right, listen.
00:30:19The Vertex shoots in three days.
00:30:22You got a plan yet?
00:30:24No.
00:30:24Not yet.
00:30:26All right, well.
00:30:28Vertex is all about the bold jewelry design, right?
00:30:32So,
00:30:32why don't we work with that?
00:30:35Like, like this.
00:30:39Oh, yeah, that's it.
00:30:42Base the idea around the Eternal Night Rose.
00:30:45You know, dark, edgy.
00:30:48Allison can pull off some really killer outfits.
00:30:51Eternal Night Rose?
00:30:53It sounds cool, but will I look right in that?
00:30:57Are you kidding?
00:30:58Black is your vibe.
00:30:59Look, this is going to be great.
00:31:02Can you just please trust me?
00:31:06Dark theme, huh?
00:31:07Nice move, Vanessa.
00:31:09But I'm still going to outshine you.
00:31:11I'm still forcing that stripper to be a model, huh?
00:31:23Oh, this is getting embarrassing.
00:31:26Maybe you don't worry about yourself for months.
00:31:30I can't wait to see you crash and burn today.
00:31:33Hi, I'm Abby Clark, the lead photographer for this project.
00:31:46Vanessa Clark.
00:31:48Good to see everyone.
00:31:49At Vertex, we only care about results.
00:31:54I trust both of you will deliver.
00:31:56My shoot is inspired by Vertex's latest feature, Eternal Night Rose.
00:32:09Centered around the themes of darkness on the duality of man.
00:32:14This works for me.
00:32:21Definitely fits the brand.
00:32:26This is stunning.
00:32:31I'm already seeing the partnership potential.
00:32:33All in our faces.
00:32:45Did we both go for the same thing?
00:32:47Well, what do you know?
00:32:58We both also went for the Eternal Night Rose theme.
00:33:02No, are you serious?
00:33:03You copied me.
00:33:05But I decided to take it a step further.
00:33:09I've gone for a more gothic theme.
00:33:12Creating a real sensual beauty.
00:33:14Darker, more sensual.
00:33:15I know our customers are going to want this.
00:33:25These are absolutely incredible.
00:33:30The detail, the mood, it's...
00:33:33It's all perfect.
00:33:38The water nails it.
00:33:39It brings the right kind of balance.
00:33:41The right energy.
00:33:43With him, you can actually see the jewelry.
00:33:45Not just the model.
00:33:46This set fits our brand to a T.
00:33:49It's both.
00:33:51The other, previous one,
00:33:54just doesn't have the same emblem.
00:33:59This got me on.
00:34:01It's like you might have to pull your kisses.
00:34:03All right.
00:34:06Well, after our discussion, we're all in agreement.
00:34:13We'll go with the second set.
00:34:16Miss Vanessa Clark, looking forward to collaborating with you.
00:34:20Amazing.
00:34:21Thank you so much.
00:34:22Love and fun.
00:34:23Love and fun.
00:34:29God.
00:34:30You know, you really can't steal what someone just has, naturally.
00:34:38True creativity comes from within, sis.
00:34:43Better luck next time.
00:34:44Right.
00:34:47I'm off.
00:34:49To celebrate.
00:34:51Have a good day.
00:34:58Look at you.
00:34:59Come on, I knew you had it.
00:35:01You're my lucky charm.
00:35:03So, what are we, uh, celebrating?
00:35:06I was thinking I'd take you out.
00:35:08I know the best sushi restaurant.
00:35:10What, just sushi?
00:35:11What else were you expecting?
00:35:13I don't know, something a little more, uh, exciting.
00:35:19Take it early then.
00:35:21All right, fine.
00:35:21I'll take it.
00:35:22Hey, wait.
00:35:22Cassie, oh my god, I've missed you so much.
00:35:36Oh, this is Cassie, my bestie.
00:35:38Nice to meet you.
00:35:38Hi, nice to meet you too.
00:35:40It's so nice.
00:35:42I thought you were so mysterious about that.
00:35:45Oh, I got you.
00:35:46Looks like you've upgraded.
00:35:48So, come on, Spill.
00:35:49How did you two meet?
00:35:50How long has this been going on?
00:35:51That stripper, the other night, that, that wasn't him.
00:36:04That stripper, the other night, that, that wasn't him.
00:36:08No way.
00:36:09The guy that I hired just called me and said he couldn't find you.
00:36:13I assumed you'd bailed or something.
00:36:16Look, to be fair, you were the one, you know, coming on to me that night.
00:36:20But, yeah, you mixed me up with someone else.
00:36:26But, you were the one who was asking me to do the whole thing.
00:36:30That's enough.
00:36:31That's enough of that.
00:36:32Um, maybe it's a sign, Vanessa.
00:36:38I mean, it's not bad.
00:36:39Why don't you give him a shot?
00:36:41Yeah, it's not like that.
00:36:45He's just my model.
00:36:46Oh, looks like everyone's gone to lunch, so we can just go.
00:36:56Hey.
00:36:57Hey.
00:36:57Jason, what are you doing?
00:36:59Vanessa, what are we?
00:37:03Like, are you seriously telling me there's nothing between us?
00:37:07What are you talking about?
00:37:09You know exactly what I'm talking about.
00:37:22Vanessa, we've got a problem.
00:37:25The Vertex Group announced their collaboration with the Clark Group.
00:37:28Yeah, I know.
00:37:29They picked my pitch earlier.
00:37:30I didn't think they'd move this fast, though.
00:37:32They did use your photos, but Abby's the official photographer.
00:37:37What?
00:37:39Hey.
00:37:46You better knock this Vertex deal out of the park.
00:37:50Don't let your old man down.
00:37:53I won't, Dad.
00:37:54I've got this.
00:37:59Ever thought of knocking, Vanessa?
00:38:01What's this, hon?
00:38:02Couldn't come up with your own ideas.
00:38:04I had to steal mine.
00:38:05Is that what we're doing now, Abby?
00:38:07That's enough.
00:38:08I don't know what you're talking about.
00:38:11This wasn't her doing.
00:38:13It was mine.
00:38:15What are you saying?
00:38:17Abby's fresh.
00:38:18She needs this high-profile project to boost her career.
00:38:22I made the call, and she's getting it.
00:38:25Are you serious?
00:38:26That was my idea.
00:38:28Why should she take all the credit?
00:38:29It's all staying in the family, Vanessa.
00:38:32Whether it's Abby or you, the company benefits.
00:38:37We're family.
00:38:39Don't be so selfish.
00:38:42Selfish?
00:38:42Do you know how many hours my team spent working on this project?
00:38:48As chairman of this company, my word is final.
00:38:53If you have a problem with that, we'll have to leave.
00:38:57Fine.
00:39:02I don't want to work here anymore, anything.
00:39:11Vanessa, are you really leaving?
00:39:13It's your company.
00:39:14Yeah, but there's more out there for me.
00:39:18Don't worry, it won't affect you guys.
00:39:20Oh, I'm coming with you.
00:39:22I've literally had it with this place.
00:39:24Way too much drama.
00:39:26Count me in.
00:39:27I only sign off because of you, Vanessa.
00:39:29I'm not staying here without you.
00:39:31I've been itching to start out on my own.
00:39:34Let's start a studio.
00:39:34We're with you, Vanessa.
00:39:36And with you, Zoe.
00:39:37Yeah.
00:39:38Hey, you guys.
00:39:39Hey, what about me?
00:39:42I switched jobs for you, remember?
00:39:44You owe me one.
00:39:46All right.
00:39:48I will let you go.
00:39:49Let's start a studio together.
00:39:53Yay!
00:39:55Woo!
00:39:57All right, let's get out of here.
00:39:58Dad, those people who are purits were really letting Vanessa take them?
00:40:14They're loyal to Vanessa.
00:40:17If they want to go, there's not much I can do to stop them.
00:40:21So she's just going to go off and compete against us now?
00:40:24Don't worry.
00:40:25I'll make sure people know.
00:40:26If they work with her, they're crossing us.
00:40:30She'll learn quickly.
00:40:32Without us, she won't get far.
00:40:40Since we've launched the Phoenix Studios, we haven't landed a single deal.
00:40:45Every brand we've reached out to either thinks we're amateurs or flat out ignores us.
00:40:51How do we fix this?
00:40:55Just trust me.
00:40:56I'll figure something out.
00:40:58That's it for today.
00:41:00Meeting dismissed.
00:41:09You all right?
00:41:10My father's told every big brand not to work for me.
00:41:17If we don't land something soon, Phoenix will die before it's even taken off.
00:41:23Hey, come on.
00:41:24It's going to get better.
00:41:27But it's late.
00:41:29You should go home and get some rest.
00:41:30No.
00:41:32No.
00:41:34No, I can't give up that easy.
00:41:37You go ahead, though.
00:41:39I'll make some more calls.
00:41:43All right.
00:41:43So, can I see Mr. Scott?
00:42:00No.
00:42:00Just five minutes of his time.
00:42:01He has already made it clear he's not interested in your own studio.
00:42:05Please don't come back.
00:42:06Sis, without the family behind you, you've really hit rock bottom, huh?
00:42:11It's none of your business, Abby.
00:42:12Look at this.
00:42:17An invite to the Todd Group banquet.
00:42:21They're announcing their collaboration with the Clark Group there.
00:42:24Too bad you're not invited.
00:42:27The Todd Group banquet?
00:42:29Why didn't I think of that?
00:42:32Don't get too excited.
00:42:34The Todd Group is picky with their photographers.
00:42:36I'm not sure you're up to it.
00:42:42What's going on here?
00:42:50Oh, I'm...
00:42:52I'm making invites to the Todd Group banquet.
00:42:55Well, pretty convincing, right?
00:42:57I'm just hoping they don't notice it's fake.
00:43:01Wait, why?
00:43:04Why?
00:43:04Yeah, why?
00:43:05Because it's the Todd Group.
00:43:08There's going to be major players from all over the place.
00:43:11Because I could land some killer collaborations from this.
00:43:14Yeah, but you know that's risky, right?
00:43:18Yeah.
00:43:19Of course I know.
00:43:22But...
00:43:23I'm all out of options.
00:43:27It's this or nothing.
00:43:30So, are you coming with me?
00:43:33With me?
00:43:34To the Todd Group banquet?
00:43:36Yeah?
00:43:37Uh...
00:43:39Yeah, I...
00:43:41No, I actually...
00:43:43I have something I need to handle that day.
00:43:46But to answer your question, yeah, that does look...
00:43:51Real.
00:43:53I'm just...
00:43:54I gotta...
00:43:55Yeah.
00:43:56This is my shot.
00:44:06If this doesn't work...
00:44:08My studio's done.
00:44:14Invitational, please.
00:44:19Invitational, please.
00:44:19Go ahead.
00:44:33Mr. Todd?
00:44:34She's going inside.
00:44:37That was way too easy.
00:44:39Did I just pull this off?
00:44:41Guess the Todd Group's security isn't as tight as our reputation.
00:44:43Vanessa!
00:44:51Why the hell are you here?
00:44:53What, you get to Watson and I don't?
00:44:55How did you get an invite?
00:44:57You didn't sneak in, did you?
00:45:00I'm too busy for this, Abby.
00:45:01Court right-handed, huh?
00:45:03You really think you can crash the Todd Group's banquet without an invitation?
00:45:07It's fake.
00:45:16Nice try, though.
00:45:22Vanessa, did you really sneak in with a fake invite?
00:45:26A fake invite?
00:45:28She must really be desperate.
00:45:30Can you believe that?
00:45:31No one will want to work with her after this.
00:45:34What makes you so sure it's fake?
00:45:37Well, because they're real ones.
00:45:39They've got a code, right here in the corner.
00:45:43Yours?
00:45:44It's missing.
00:45:46Care to explain?
00:45:49Mr. Simpson!
00:45:52Just the man I need.
00:45:54How can I help?
00:45:55Someone crashed the party.
00:45:57Can you help her find the door?
00:46:00Tipsy?
00:46:04I'm afraid if you don't have a legitimate invitation, you'll have to be.
00:46:16Miss Clark!
00:46:18Just wait a second.
00:46:21Danny Rogers, Mr. Todd's personal assistant.
00:46:27I'm sent here to collect you.
00:46:28Are you sure you didn't mix things up, Mr. Rogers?
00:46:32She wasn't invited.
00:46:34She snuck in with a fake invite.
00:46:37Look.
00:46:39There's no number.
00:46:41Miss Clark here is one of Mr. Todd's honoured guests.
00:46:46The reason why it doesn't have a code on there is because I personally sent her the invitation.
00:46:50She's Mr. Todd's honoured guest.
00:46:57How the heck is that even possible?
00:47:00Who is she?
00:47:02Why does she get to be one of Mr. Todd's VIPs?
00:47:04Even Mr. Rogers is giving her respect.
00:47:06That bitch always steals my spotlight.
00:47:30After careful consideration, we've chosen our partner for the upcoming season.
00:47:34Let's get to the moment we've all been waiting for.
00:47:39Mr. Simpson.
00:47:41There better not be any slip-ups.
00:47:44Remember our little deal?
00:47:45Chill out, Miss Clark.
00:47:48Everything's locked in.
00:47:51I do the business deals around here.
00:47:54No one can change my mind.
00:47:55Unless it's Mr. Todd.
00:47:58And he doesn't usually get involved in this.
00:48:01Good to know.
00:48:02Vanessa, no matter how hard you crash this banquet, you'll always be in my shadow.
00:48:08Once I nail this partnership with the Todd Group, let's see how you deal with the fallout.
00:48:12The partner for the Todd Group is...
00:48:16Thank you, Todd Group, for selecting...
00:48:19Phoenix Studios.
00:48:24What?
00:48:25How is this happening?
00:48:34How is this happening?
00:48:38One makes her think she can be part of the Todd Group.
00:48:41The Todd Group is watching me.
00:48:46I've got a project that may catch her eye.
00:48:49Well, thank you.
00:48:50Didn't you say everything was set?
00:48:55Are you playing me?
00:48:57No!
00:48:58I think no one...
00:48:59Danny?
00:49:03What the hell happened?
00:49:05There's no mistake.
00:49:07The Todd Group chose Vanessa's studio to be our partner.
00:49:10You're corrupt, Colin.
00:49:15So you're out.
00:49:25Danny, come on.
00:49:27I messed up.
00:49:28But I ought to do it again.
00:49:29After all I've done for you, can you not cut me some slack?
00:49:34Mr. Todd is cutting you some slack by not calling the police.
00:49:39So, are you leaving on your own, or do I need to call security?
00:49:49Miss Clark, if you'd like to follow me.
00:49:51Our contracts are ready.
00:49:53Let's make this official.
00:49:54Miss Clark, there's the contract.
00:50:03Have a look through.
00:50:04If everything's in order, then feel free to sign.
00:50:08So, um, what made the Todd Group sign with the Phoenix Studios?
00:50:13Temple.
00:50:14It's your talent.
00:50:16It speaks for itself.
00:50:18Well, you won't be disappointed.
00:50:24Excuse me.
00:50:30May I ask who that is?
00:50:32Oh, that is, uh, Mrs. Todd.
00:50:36Um, Mr. Todd's mother.
00:50:38She's the chairwoman.
00:50:39After Mr. Todd's father passed, she took over just to keep the business thriving.
00:50:44That's really impressive.
00:50:45How come he looks just like Jason?
00:51:04So, any more questions about the contract?
00:51:11Yep.
00:51:12All set.
00:51:13I look forward to working with the Todd Group again.
00:51:15Great.
00:51:20I don't know how you could throw away such a major deal.
00:51:24She's only after your money and the Todd name.
00:51:29Jason, what's he doing here?
00:51:31And who's that woman?
00:51:32He doesn't even know who I really am.
00:51:36No way.
00:51:37Isn't that the chairwoman of the Todd Group?
00:51:39I can't believe you'd throw away such a major deal.
00:51:46All for some woman.
00:51:47She saved my life, Mom.
00:51:50She's not just some woman.
00:51:51Some woman.
00:51:53You could have just written her a check and called it a day.
00:51:55Yeah, I have my reasons.
00:51:57So stay out of it.
00:51:58What's she done to make you so obsessed?
00:52:02She's only after your money and the Todd name.
00:52:05That's all it was.
00:52:06It'd be easier.
00:52:07What?
00:52:07It's nothing, Mom.
00:52:08Look, just what you were afraid of won't happen.
00:52:12Okay, she doesn't even know who I really am.
00:52:14But you say her.
00:52:16You see her.
00:52:17I won't say anything.
00:52:19Okay?
00:52:20Yeah?
00:52:24Only you could fool something this obvious.
00:52:27Yeah, all right.
00:52:27And don't you have a meeting?
00:52:28Come on, go, go, go.
00:52:29Oh, hey, are you, uh, are you done with work?
00:52:42The chairwoman of the Todd group.
00:52:46How do you know her?
00:52:48Don't.
00:52:50You were laughing with her.
00:52:56What are you talking about?
00:52:58No, no.
00:52:58I just, I ran into her and I thought maybe I'd help you secure the Todd team.
00:53:06Oh, I'm sorry.
00:53:08So I was right.
00:53:09Yeah.
00:53:11But I have good news.
00:53:13I secured the Todd group team.
00:53:15No way, that's huge.
00:53:17I honestly didn't even think my studio would be in the running for it.
00:53:20Yeah, well, you deserve it.
00:53:22Come on.
00:53:24So, uh, where do you want to go?
00:53:26The studio?
00:53:27Yeah.
00:53:28Or do you want to go for some heat?
00:53:30To us and to our company for nailing that Todd group collaboration.
00:53:40You know what?
00:53:41Cheers, everyone.
00:53:42Cheers.
00:53:44Vanessa, you're a genius.
00:53:47You really made it happen with the Todd group.
00:53:49And that's not all.
00:53:51We had calls from big brands that want to work with us, too.
00:53:54Well, tomorrow's a big shoot.
00:53:55So let's crush it.
00:53:56More deals are just around the corner.
00:53:58Woo!
00:53:59Okay, drinking is fun and all, but let's switch it up.
00:54:04Truth or death?
00:54:14All right, truth.
00:54:16Do you have a girlfriend?
00:54:18Not yet.
00:54:24Ah, not yet.
00:54:25Does that mean there's one on the horizon?
00:54:28That's your next question.
00:54:36Looks like you're not off the hook.
00:54:37So, is there anyone you have your eye on?
00:54:45Yeah.
00:54:46Yeah, I do.
00:54:52All right, all right.
00:54:53Quit tearing at me.
00:54:54Just, please, spin the bottle again.
00:55:02Oh, what?
00:55:03So, this is the master bedroom?
00:55:04Okay.
00:55:05All right.
00:55:06I thought this was off limits.
00:55:08Not anymore.
00:55:08No?
00:55:09No.
00:55:21Look at what I want to do.
00:55:24It's passionate.
00:55:54And he knows how to make a girl feel special.
00:56:03Why aren't we prepping yet?
00:56:04It's almost time to shoot.
00:56:06We've been waiting for over an hour.
00:56:08What's the hold up inside?
00:56:10Are you Vanessa?
00:56:12Yes, that's me.
00:56:13Hi, Mr. Bailey.
00:56:16Can we get started?
00:56:18Just keep waiting.
00:56:20Can you see?
00:56:22I'm not ready.
00:56:23But we said we'd start at nine, and it's past that, so what are we waiting for?
00:56:29If you can't be patient, you really think you're ready for a partnership with the Todd Group.
00:56:32I don't understand why Mr. Todd partners with all these small studios.
00:56:38I think the studios might be small, but we can handle ourselves against the big companies.
00:56:42You think you can compare with the big boys?
00:56:48What do you have?
00:56:49Pretty face?
00:56:52What did you...
00:56:53You slept your way into this job.
00:56:57Huh, shocking.
00:57:05A big company like the Todd Group can't get timing right.
00:57:09Or show basic respect to its partners.
00:57:11If that's how it's going to be, we're out.
00:57:14Oh, you're leaving so soon.
00:57:15I've hit the nail on the head, and you're feeling guilty.
00:57:20See, you can't take the heat.
00:57:23If you want the chute to keep going, I suggest that you beg me for it, and nicely.
00:57:32Your mouth is fucking foul.
00:57:34Consider that free mouthwash.
00:57:36No need to thank you.
00:57:36You bitch!
00:57:37Just you wait!
00:57:38I'll...
00:57:38I'll...
00:57:39Yo, Mr. Todd.
00:57:47Long time to see you.
00:57:49Do you want to tour the studio?
00:57:52Where's everybody from Vanessa's studio?
00:57:54Weren't they meant to shoot today?
00:57:57It was a total disaster.
00:57:58She had to wait a little bit longer, and then she splashed water on the phone and left.
00:58:02What?
00:58:03You drove her away?
00:58:05What's it, Mr. Knight?
00:58:07I didn't mean...
00:58:08This is truly outrageous.
00:58:14What's our next meeting, Vanessa?
00:58:16Let's just head back for now.
00:58:21Miss Clark, I'm so sorry for the trouble.
00:58:24It's on us at the Todd Group for dropping the ball with our team.
00:58:28Edwin's been let go.
00:58:29We'd be so grateful if you'd reconsider and come back for the shoot.
00:58:35We'll be right back for now.
00:58:36We'll be right back for now.
00:58:37We'll be right back for now.
00:58:38We'll be right back for now.
00:58:39We'll be right back for now.
00:58:40We'll be right back for now.
00:58:41Great!
00:58:42Okay, thank you.
00:58:43You're all done.
00:58:44Well, I think we got it.
00:58:45Stunning.
00:58:46Amazing.
00:58:47We'll see you later.
00:58:48Bye guys.
00:58:49Miss Clark!
00:58:50Miss Clark!
00:58:51Hi.
00:58:52Um...
00:58:54I just wanted to come by personless and apologize for what happened earlier on.
00:58:59Um, I hope that doesn't change your view on the Todd Group.
00:59:02No way.
00:59:03I'm really appreciative to the Todd Group for this opportunity.
00:59:06Good.
00:59:07Good.
00:59:08And Mr. Todd is, uh, very impressed with your skills.
00:59:14You'd afford to see what you do next.
00:59:16I really appreciate your help today.
00:59:19The shoot turned out way better than I expected.
00:59:21Good.
00:59:22I'm glad.
00:59:23And, uh, if you need any help in the future, just let me know.
00:59:30Danny's been stepping up for me, helping out more than I expected.
00:59:38So, uh, how was today?
00:59:41Smooth sailing?
00:59:43Hey.
00:59:45Oh, I'm sorry.
00:59:46What did you say?
00:59:47I asked how today was.
00:59:48You seemed kinda out of it.
00:59:50It's nothing.
00:59:54I'm probably just overthinking, but, uh...
00:59:57I think Danny might have a crush on you.
01:00:01Wait, what?
01:00:05I think Danny might have a crush on you.
01:00:08Wait, what?
01:00:10Yeah, he's always coming in, like, last minute to save me.
01:00:14I mean, why else would he be so attentive?
01:00:17Look, I swear, if you start swooning over other guys, I'm gonna turn green.
01:00:21Swooning?
01:00:22Yeah.
01:00:23I don't like Danny at all.
01:00:26Well, then who do you like?
01:00:30I like...
01:00:34You're trying to trap me into saying something.
01:00:36Well, yeah, I've been very obvious about how I feel about you, Vanessa.
01:00:41Like, I wanna be with you.
01:00:43Like, forever.
01:00:46You not see that?
01:00:47You see that?
01:01:00But come on.
01:01:01I know you feel something for me, too.
01:01:02Me, too.
01:01:07I guess...
01:01:10I am kind of empty here.
01:01:11I wanna take the longest trip with you.
01:01:18The one that starts right when we say I do.
01:01:23From Mary Hall.
01:01:24Guess what?
01:01:25The Todd Group loved our promo shot.
01:01:26Our studio is making waves.
01:01:40We've got brands lining up to collaborate with us.
01:01:43You guys are killing it at the moment, so I say we head to the shooting gallery.
01:01:48You're the best!
01:01:50Woo!
01:01:51Woo!
01:01:57Oh, my God!
01:01:59The shooting stuff is way harder than it looks.
01:02:01If I'd have known, I would have chosen something less intense.
01:02:05Nah, don't worry. I'll show you the ropes.
01:02:08Ha-ha-ha.
01:02:10Look who's trying to be a sharp shooter.
01:02:14Well, if you think you can do better, why don't you give it a shot?
01:02:16Seriously, you think you can stack up against Blaine?
01:02:20He's got the second best aim in the city, right after Mr. Todd.
01:02:24Mr. Todd?
01:02:26Yeah, this place is owned by Mr. Todd.
01:02:29He's got the top score, but watch out.
01:02:32Blaine's gunning for that record.
01:02:35You didn't know that, no, Vanessa?
01:02:38And what, you just thought you'd stroll in here and embarrass yourself?
01:02:43You think you can beat the record?
01:02:49Aye.
01:02:51You can't even beat me.
01:02:53You can't even beat me.
01:02:55Ha!
01:02:56Oh!
01:03:02Ha!
01:03:04Oh, very confident.
01:03:07All right, then. How's about we make ourselves a little deal?
01:03:10You lose, you run over your portion of the Todd Groove's partnership to me, eh?
01:03:15So, when you can't win fair and square, you resort to cheating!
01:03:20Classic Blaine.
01:03:22Come on, let's go.
01:03:24No, no, no, no, no.
01:03:25I can take you on.
01:03:27But if you lose, what's your game plan?
01:03:31Lose! Ha, ha! Lose me!
01:03:33You think you can just walk in here and break the record like it's a walk in the park?
01:03:41Sing.
01:03:42Oh, all right. Very confident.
01:03:46My goodness, I have never seen somebody so eager to get embarrassed.
01:03:52You can't even swing that thing, man.
01:03:54I'm not buying either.
01:03:56But how about this?
01:03:57If you beat Blaine, Vanessa can take any project home.
01:04:01I'm not really sure about this. You don't have to do it just to prove a point.
01:04:06Lose, your boyfriend's got this.
01:04:10Ooh!
01:04:17Baby, you're on fire!
01:04:22Ah, yes.
01:04:23Even better than last time.
01:04:25Indeed.
01:04:26You know something?
01:04:27I think you should just throw in the towel.
01:04:29Save yourself a bit of embarrassment.
01:04:33Not a chance.
01:04:34I believe in Jason.
01:04:36Uh...
01:04:37It sounds like...
01:04:41I was asleep and I'm out...
01:04:47Uh...
01:04:50Hey, I have two four permit !
01:04:54Player EPISOD!
01:04:55I have awashy sparkly.
01:04:57No sahaja or not.
01:04:59It is the only kind...
01:05:01I believed him.
01:05:02Did I just see that?
01:05:09Ten shots, ten hits.
01:05:11We just broke the record.
01:05:13Someone just beat Mr. Todd's record.
01:05:16Beat Mr. Todd's record? How's that even possible?
01:05:19How's that possible? Who are you?
01:05:22Breaking Mr. Todd's record and sharing his last name.
01:05:25Could he be?
01:05:26How are you so good? You just shattered Mr. Todd's record.
01:05:32It's nothing. I just picked it up in college.
01:05:36I was shooting champ every year.
01:05:39Okay, I'm definitely overthinking this.
01:05:42He's just a regular guy.
01:05:44There's no way he could be Mr. Todd.
01:05:46Remember, you owe us a project.
01:05:48Why should I?
01:05:50There's projects I've got some I've got to secure.
01:05:52No way.
01:05:53You've obviously cheated.
01:05:55You've obviously done so long for the gums.
01:05:57A second right than that.
01:05:59Not a chance I would lose.
01:06:01Why is it really that hard to just admit someone's better, Blaine?
01:06:06I'm going to get you two.
01:06:15You're so good!
01:06:17I thought Blaine and Abby were going to explode.
01:06:19Yeah, look, I'm done letting them push her around.
01:06:21Yeah, you were the best.
01:06:24You know, it takes me my lucky day.
01:06:25I learned how to shoot and secure projects for free.
01:06:29But what if Abby goes back in on deal?
01:06:31Then I'll snatch the projects from her.
01:06:34Line gets under my skin.
01:06:37What if you find out I've been hiding something?
01:06:41I dare you to try me.
01:06:44If Vanessa discovers I've been keeping my true identity a secret,
01:06:47will she walk away?
01:06:48I need to tell her soon.
01:06:53Vanessa.
01:07:01What's going on?
01:07:02I'm here to apologize.
01:07:06Come back with me.
01:07:08I've saved a spot for you at the Clark Group.
01:07:11You kicked me out.
01:07:13Remember, Dad?
01:07:14I've been much happier since I left.
01:07:17So why would I come back?
01:07:19The Clark Group is struggling.
01:07:20We need your talent.
01:07:23Sounds like you can't handle it, Abby.
01:07:25If Dad's here begging for my help,
01:07:28things must be bad.
01:07:29You.
01:07:34Vanessa.
01:07:34What will it take to bring you back?
01:07:40I'll give you half the company's shares.
01:07:42How does that sound?
01:07:43Dad, are you serious?
01:07:45That's not fair.
01:07:50I'll think about it.
01:07:51Excellent.
01:07:53Give it some serious thought.
01:07:54I'll be waiting for you at the Clark Group.
01:07:59Get out of my fucking way.
01:08:00The shares are meant for me, Vanessa!
01:08:02Just wait.
01:08:03I'll make sure you never enjoy them.
01:08:13You know, I like your car.
01:08:15It's a smooth ride, like you.
01:08:21Stop it.
01:08:21Are you sure you can't come to dinner?
01:08:24No, look, I can't.
01:08:26I've got something to do tonight,
01:08:28but call me when you're done
01:08:29and I'll pick you up.
01:08:31What could you possibly have to do at night?
01:08:34Better not have another client.
01:08:44I know where to have the energy.
01:08:46Good.
01:08:47Better keep it that way.
01:08:54Good.
01:08:55Good.
01:08:55Good.
01:08:56Good.
01:09:11I don't know.
01:09:41This is Vanessa Clark. I'm calling about Jason. He's been in a car accident. You need to come to the hospital immediately.
01:09:52I'm here for Jason. He was in a car accident. Where is he?
01:09:57He's down in the hall to your left.
01:09:59Thanks.
01:10:04Jason, are you okay? Are you seriously hurt?
01:10:08No, I'm fine. Just a scratch. Nothing major.
01:10:15Thank God. You scared the life out of me. How did this happen?
01:10:21Someone cut the brakes, Vanessa. This was your car. They're aiming for you.
01:10:27It's Abby. It has to be. It's all about the sheriff. She's trying to take me out.
01:10:38I'm so sorry. It's all my fault you got her. I promise I'll get to the bottom of this.
01:10:44My God. You're all right, dear?
01:10:51You're all right, dear?
01:10:53Uh, Mrs. Todd, what are you doing here?
01:10:57Oh, you must be here to see Mr. Todd, right?
01:11:05The nurse just told me he's across the hall.
01:11:08Yeah, yeah, he's fine.
01:11:10Do you scratch this?
01:11:17Wait.
01:11:19Mr. Todd got in a car accident, too?
01:11:21Yeah, yeah, that's right.
01:11:27So, so you and Mr. Todd in a car accident at the same time?
01:11:33Yeah. Crazy coincidence, huh?
01:11:36Should I go and see him? He's been so good to the studio.
01:11:39Ow!
01:11:40Are you okay?
01:11:42Where does it hurt? Should I call someone?
01:11:44No, no, I just, I need, I need you.
01:11:47You know, a spoonful of sugar and all.
01:11:49Even now, you're talking nonsense.
01:11:53I'm glad you're safe.
01:11:55Okay, if this was you,
01:11:57I don't, I don't know what I'd do.
01:12:02You're so stupid.
01:12:05Look, it's late.
01:12:06I'll go get you some tea.
01:12:08Just rest, okay?
01:12:09Okay.
01:12:09I have a question.
01:12:29Okay.
01:12:29How would you feel if, like, someone close to you told you a lie?
01:12:38Depends on the lie.
01:12:40And if they had good reason?
01:12:43Um, I mean, I'd, I'd still be upset.
01:12:46A lie's a lie.
01:12:48They just really have to make it up to me.
01:12:50Uh, why are you asking?
01:12:52Are you lying to me?
01:12:53No, no, I'm just, um, just wondering.
01:13:00Wondering if, if you want to go out sometime.
01:13:03I mean, we've not been on a real date since we got together.
01:13:06That's true.
01:13:07Okay, so, we'll go on one after you've been discharged.
01:13:11All right, deal.
01:13:12I'll, uh, I'll make a plan.
01:13:14All right.
01:13:16Surprise me.
01:13:17Surprise you?
01:13:18You're so dumb.
01:13:25You're there.
01:13:26Mm-hmm.
01:13:28You're there.
01:13:31Where are we?
01:13:33Jason, why all the suspense?
01:13:36Right.
01:13:37Yeah.
01:13:46Oh, my God.
01:13:48He's there.
01:13:49You like him?
01:13:49Yeah.
01:13:59You really know how to treat a woman, don't you?
01:14:04Vanessa, I can't keep hiding this from you.
01:14:08Tonight, I'll tell you everything.
01:14:11And then, I'll propose.
01:14:13Vanessa, I love you.
01:14:24And I want to be with you forever.
01:14:31I love you, too.
01:14:32Vanessa, I've got a secret, okay?
01:15:00And then, I hope that you won't be upset.
01:15:05You're really hiding something?
01:15:07Just say it, Ernie.
01:15:09Actually,
01:15:10I am...
01:15:20Oh, shit.
01:15:21Jason, Grandpa's very ill.
01:15:40You need to come home now.
01:15:41Um, I've got some, like, personal stuff that I have to handle.
01:15:50Can you head home?
01:15:51So you...
01:15:52You can't stay tonight?
01:15:55What's going on that's so urgent?
01:15:56It's really important, but I'll fill you in when I'm home.
01:15:59All right?
01:16:00Here.
01:16:02Okay.
01:16:02But I don't get it.
01:16:04What's the rush?
01:16:14So this is your urgent matter?
01:16:16Comforting the other woman?
01:16:18What's really between you and Mrs. Todd?
01:16:20Why the closeness?
01:16:22Hey, Vanessa, are you in there?
01:16:43Hey, Allison.
01:16:52Yeah.
01:16:53Hey, have you seen Vanessa?
01:16:54Is she at the office?
01:16:55She wanted me to tell you.
01:16:57You're fired.
01:16:58What?
01:16:59Seriously?
01:17:00Why?
01:17:00Yeah.
01:17:01She seemed really upset.
01:17:03Good luck, okay?
01:17:04Upset?
01:17:05Hey, Allison.
01:17:06Hey.
01:17:06Hey.
01:17:13Hey, Vanessa.
01:17:18Hey.
01:17:19Hey, what's going on?
01:17:20Hey, everything was fine yesterday.
01:17:21What happened?
01:17:23You're asking me?
01:17:24You were with some other woman,
01:17:26and you're asking me what's wrong?
01:17:28When was I ever...
01:17:30Mrs. Todd?
01:17:35No, I can explain that I really...
01:17:36I saw it with my own eyes.
01:17:38I don't need you to explain.
01:17:40Just let go.
01:17:41No, I'm not moving.
01:17:41Let go.
01:17:43Come on, Vanessa.
01:17:51Don't start feeling sorry for a playboy.
01:17:55The Todd Group is hosting a photography competition next month.
01:17:59Where's we get a chance at a long-term strategic partnership?
01:18:03A long-term partnership?
01:18:05If I can nail this competition,
01:18:07my studio's future is set.
01:18:09Vanessa, what brings you to the national photo contest hosted by the Todd Group?
01:18:26Aren't you just a little ashamed to show your face here?
01:18:29Ashamed?
01:18:30Please.
01:18:32Speaking of shame, look in the mirror.
01:18:36This is a national contest, Abby, remember?
01:18:39Better not play any plagiarism stunts.
01:18:42He'll be blacklisted quicker than you can cry about it.
01:18:44You bitch.
01:18:46Go ahead.
01:18:47Say one word, I dare you.
01:18:48Welcome, ladies and gentlemen, to the annual photo contest for the Todd Group.
01:18:53Just wait.
01:18:54When the results are in, I'll make sure you're crushed beneath my feet.
01:18:57Oh, I'll be right here, eagerly waiting for the fallout.
01:19:01Let's kick things off by welcoming our first contestants.
01:19:04Hey, everyone.
01:19:11The photos I'm showing today are from my incredible travels.
01:19:19This shit is breathtaking.
01:19:21I give it 98 points out of 100.
01:19:23I'm in love with this.
01:19:25This class is truly a star on the rise.
01:19:2799 points.
01:19:29Vanessa, get ready to be beneath my feet.
01:19:32I need to report this work.
01:19:36Vanessa, are you seriously doing this out of spite?
01:19:39This photo clearly shows signs of AI generation.
01:19:42And stealing the work of the renowned photographer, Feliciano Bowe.
01:19:48You're lying.
01:19:49This is a setup.
01:19:52I have the original shot right here.
01:19:55What's your excuse now, Abby?
01:19:56Don't listen to her.
01:19:58She's just out to get me.
01:19:59Two photos don't prove anything.
01:20:03Yeah, I heard they're not exactly the best of buds.
01:20:07And now this is ruining the competition.
01:20:09The judges have thoroughly vetted this work.
01:20:12Miss Vanessa Clark, please do not disrupt the competition.
01:20:16But this is clearly AI generated.
01:20:18I want a judge to review this.
01:20:20Come on, sis.
01:20:21Everyone knows that you're just jealous and trying to make me look bad.
01:20:25Give it a rest.
01:20:27Vanessa, please do not disrupt the competition.
01:20:31We see I had the Todd Group's tech team run the numbers.
01:20:35Abby's work?
01:20:37Total AI generation.
01:20:38Now that breaks the rules.
01:20:42So, I'm announcing Abby's disqualification and banning her from working with the Todd Group
01:20:47and any of their associates.
01:20:50Jason?
01:20:51What's he doing here?
01:20:52Who do you think you are?
01:20:53You can't just ban me.
01:20:55The Todd Group tech team isn't your personal squad.
01:20:58Get a load of this guy.
01:21:00Some stripper playing Mr. Todd.
01:21:04Imagine that.
01:21:05Mr. Rogers, he's here to cause chaos.
01:21:20Get him out of here fast.
01:21:22Using AI to cheat, hmm?
01:21:24Seems like you're the real troublemaker here.
01:21:26Shit.
01:21:27It looks like Jason's really got Mr. Todd backing him.
01:21:30Even Mr. Rogers is in his corner.
01:21:32Mr. Rogers,
01:21:33that man is a male stripper.
01:21:36Don't fall for this fucking shit.
01:21:39The judges here have been bribed by Abby.
01:21:41I mean, she's ruining the contest and the whole industry.
01:21:44And the Todd Group's not going to touch this.
01:21:51I'm looking for Abby Clark.
01:21:53You're under arrest on the suspicion of attempted murder.
01:21:56Yeah.
01:21:56No, you've mistaken me for someone else.
01:21:59Easy.
01:21:59Let me go.
01:22:00I didn't kill anyone.
01:22:02I'm being framed.
01:22:03It's Vanessa.
01:22:03She's setting me up again.
01:22:05You mess with my car.
01:22:06You put lives at risk.
01:22:08Do I need to show everyone the proof, Abby?
01:22:10I can't believe she'd go this far against her own sister.
01:22:15Sister?
01:22:16They're half-sisters, remember?
01:22:20You're going to pay for this, you bitch.
01:22:22You're going to pay for this, you bitch.
01:22:29Blaine, help me.
01:22:33Officer, I had nothing to do with this.
01:22:35It was all Abby.
01:22:36Blaine!
01:22:37I'm a grateful jerk.
01:22:39I did everything for you.
01:22:40How could you betray me like this?
01:22:46Are you okay?
01:22:47Is she hurting you?
01:22:47Don't touch me.
01:22:50Okay, look, Vanessa.
01:22:51There's something I need to say, and it's not...
01:22:53No need for explanations.
01:22:54I already know what's going on.
01:22:57You're cozying up to Mrs. Todd, right?
01:23:00The tech team is all ears when you're around.
01:23:02No, no, no, Vanessa.
01:23:03You got this wrong.
01:23:04Mrs. Todd is my mom.
01:23:06Like my mom.
01:23:08What?
01:23:08So, so Jason Todd, the CEO of the Todd Group.
01:23:15Is it fun to play games with me, Jason?
01:23:19Watching me get played like some sort of idiot?
01:23:22Hey, hey, just listen!
01:23:23Mom, I don't need your explanation!
01:23:25Don't follow me!
01:23:26He knew I can't stand Miles.
01:23:38Yet he strung me along like a puppet.
01:23:40I can't believe I fell for it.
01:23:46You think you can just walk away, don't you?
01:23:50It's a chance.
01:23:52Not a chance.
01:23:56Oh, Vanessa, my dear.
01:24:00You have fucked up my life.
01:24:04And now, you, my darling, are coming to pay.
01:24:10Ah.
01:24:26What the hell?
01:24:50Is Blaine out of his mind?
01:24:51He can't seriously be trying to burn me alive.
01:24:54Help!
01:24:54Is anyone there?
01:24:55I'm trapped!
01:24:59It's going to be different.
01:25:01Hey, Vanessa!
01:25:02What's in there?
01:25:03Jason!
01:25:04Jason, please come in and help me.
01:25:05I'm trapped!
01:25:08Sorry it took me so long.
01:25:09Are you okay?
01:25:10I thought I lost you.
01:25:12Hey, hey, hey, hey!
01:25:13Hey!
01:25:13Come on, let's get out of here!
01:25:14Hey, hey, you're awake, hey.
01:25:30Are you okay?
01:25:31Are you hurt?
01:25:33Yeah, I'm okay.
01:25:35But what were you thinking, rushing into the fire like that?
01:25:39Look, if something happened to you, I would lose my mind.
01:25:42Yeah, don't think playing the hero makes me forget that you lied to me.
01:25:49Look, I messed up. I didn't know I was. I know that.
01:25:55I'm sorry, could you give us a moment?
01:25:57Yeah, of course.
01:25:58Thanks.
01:26:01Look, you can hate me if you want.
01:26:05Don't walk away from me.
01:26:06You had a million chances to tell me who you really were, but you kept me in the dark.
01:26:11You made me think that you and Mrs. Todd were together.
01:26:17The only person that I love is you.
01:26:19Then why are you hiding your identity?
01:26:22And then stick around?
01:26:24This wasn't just some love at first sight thing, was it?
01:26:27You still don't remember who I am, do you?
01:26:39You really don't remember who I am, do you?
01:26:41Oh, my God.
01:26:50Are you okay?
01:26:52Can you get up?
01:26:54Come on, stay with me.
01:26:56Come on.
01:26:58It was you.
01:27:04You were the one I saved from the fire.
01:27:09I've been looking for you.
01:27:12For years.
01:27:16There was so much smoke and fire.
01:27:19That I didn't see anything except your arm.
01:27:25And when I met you at the club.
01:27:28I saw the scar on your arm.
01:27:32I knew it was you.
01:27:35Jason, you don't owe me anything.
01:27:38I'm not here because you saved me.
01:27:41I'm here because I love you.
01:27:53Vanessa.
01:28:00Marry me.
01:28:06I'll marry you.
01:28:11I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I
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