- 2 days ago
Category
🎥
Short filmTranscript
00:00:00Hey, what are you doing with my stuff? How'd you get in here?
00:00:11I gave him the keys.
00:00:12Carl? I mean, what are you doing here so late? And what's that guy doing with my stuff?
00:00:17Tasha, Tasha, Tasha. You're always asking the wrong questions.
00:00:24What the hell is going on?
00:00:26Do you really think you're death thick, Tasha?
00:00:29Your husband and I decided that you're no longer needed here anymore.
00:00:33Reyna's gonna take over your role at the company.
00:00:35She's already proven she can do everything you can, but better.
00:00:39I'll have a letter of termination and divorce papers sent over to your new address,
00:00:43wherever that ends up being.
00:00:45What should I do with this, boss?
00:00:47Give me that, you plebe. I know exactly what to do with it.
00:00:53Is that clear enough for you, Tasha?
00:00:55Your company and your husband both belong to me now.
00:01:03No, you can't just fire me. I'm a shareholder at this company.
00:01:07Are you still a shareholder at this company? Are you?
00:01:11You know, actually, your debt is mortgaged with your shares, so you actually owe this company about 200 million.
00:01:17I never took out any loans that large.
00:01:19Oh, Tasha. You were always so gallible.
00:01:23A word of advice for the future?
00:01:25Don't give the keys to the kingdom to your assistant, no matter how trustworthy your feeble brain thinks they might be.
00:01:33Security! Security! We have a vagrant in the lobby and she might become hostile.
00:01:39Stop acting. I'll just leave on my own.
00:01:47Look, there's no glamour. There's no glory. It's just blood, guts, fear and misery.
00:01:55Come on, man. You think I'm some kind of moron that doesn't know anything?
00:01:59I know that the type of money you make in just a few days, I can't make that in 10 years working as a stick.
00:02:05But at least you're guaranteed to be alive in 10 years.
00:02:07In my world, you're not guaranteed to be alive in 10 days, let alone 10 minutes sometimes.
00:02:12Yo, yo, man. Stop lecturing me. Are you gonna give me the gun or not?
00:02:18I'm sorry, but no. I'm not gonna let you get killed.
00:02:23Man, what the fuck you got me here for then?
00:02:26Shit.
00:02:27Oh, I guess you didn't hear. The repo guy, he came and towed your car away.
00:02:48Ugh. Said it was, like, collateral for a loan.
00:02:52Of course, I made the call and arranged everything. My pleasure.
00:02:59You despicable trash.
00:03:02You know, I was gonna give you a ride, you know, seeming that we were married for so long.
00:03:07But walking the streets at night kinda suits you. So, enjoy.
00:03:14Go to hell.
00:03:22face and music
00:03:32Alright.
00:03:37Miss?
00:03:39Just go away, alright? I don't need your cheap sympathy shot on me.
00:03:44We have a wonderful peteybraicη.
00:03:47Miss just go away. All right. I don't need your cheap sympathy right now. Miss your friends gone. I
00:03:54Just want to offer my cab services
00:03:59Yeah, I'm I'm sorry a a cab is just what I need right now. All right great. Come on board
00:04:17Sorry, I I don't have any cash right now. Um, give me a minute. I'll go grab some from inside here
00:04:36Just proof. I'm not trying to skip out on the fair
00:04:47you
00:04:49Have some nerve coming back here
00:04:51I never wanted my son to marry you in the first place and now that he's finally come to his senses and kicked you to the curb
00:04:58You think that you can just waltz right back into his house
00:05:02his house
00:05:04My father left me this house
00:05:07And I know you're senile, but I'm sure you
00:05:11Remember when you practically begged me to let you and Carl live here. I
00:05:14I always knew you were a nasty little hussy
00:05:23Who the hell are you?
00:05:25This is a personal matter, so you should really mind your own business and stay outside. Actually
00:05:31This is my boyfriend
00:05:33So if it's a personal matter for me, it's a personal matter for him
00:05:39What you think your son's the only one capable of having secrets
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00:32:58All the evidence is here.
00:33:00It's exactly what you thought.
00:33:02Let me know if you want me to find out more.
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00:45:02Can't wait to see what you've brought to the auction
00:45:04Can we have a little hint?
00:45:06Well, actually, I brought some of my very own paintings to auction tonight
00:45:14What's wrong?
00:45:16Tasha Roberts, my husband's dreadful ex-wife
00:45:22I'm tired of seeing her sorry face everywhere
00:45:26I
00:45:28You know she's also a horrible person
00:45:30If it isn't everyone's favorite white collar criminal turned homeless vagrant Tasha Roberts
00:45:38So the other day when you were trying to buy this dress with that working class thug boyfriend of yours
00:45:44You were trying to come here?
00:45:46Are you sure you were even invited?
00:45:48I'm sorry, are you working the security details?
00:45:50Do I need to show you my invitation?
00:45:52Honey, I'm just trying to look out for you, okay?
00:45:54I want to spare you the embarrassment of being kicked out when everybody finds out that you are not invited
00:45:56You mean like how you were kicked out of the mall?
00:45:58I see, you still quite don't understand your place in the world
00:46:02You think you're fucking Cinderella or something and life is a fairy tale
00:46:06But don't worry
00:46:08I'll help you figure it all out
00:46:10What's wrong with you?
00:46:12Can't you see people are walking through?
00:46:14Rina, this time you've gone too far
00:46:16Stop shooting me
00:46:17I'm sorry, I'm sorry
00:46:18I'm sorry
00:46:19I'm sorry
00:46:20I'm sorry
00:46:21I'm sorry
00:46:22I'm sorry
00:46:23I'm sorry
00:46:24I'm sorry
00:46:25I'm sorry
00:46:26I'm sorry
00:46:27I'm sorry
00:46:28I'm sorry
00:46:29Rina, this time you've gone too far
00:46:31Stop shouting, you dreadful O
00:46:33These were supposed to be auctioned tonight
00:46:35Well, if it is of any consolation
00:46:37I don't think the wine has reduced their value of very much at all
00:46:42Now you can go and cry to your fairy gut mother
00:46:46What is your...
00:46:48Oh, I think the auction's starting
00:46:51Well, I'll see you there
00:46:53Toodles
00:46:59For our first auction item
00:47:03I'd like to welcome Ms. Rina Crowe to the stage
00:47:05With her collection of original paintings
00:47:09As you can see, Ms. Rina Crowe's style is very unconventional
00:47:29Certainly these works defy easy categorization
00:47:33And yet there are touches of whimsy
00:47:36And an almost playful quality about them
00:47:38As depicted here through the bold use of a duck
00:47:41As a central figure
00:47:43It's a dog
00:47:44What?
00:47:45It's a dog, not a duck, you buffoon
00:47:47Oh, yes, of course
00:47:49A dog
00:47:51Seen through a very unique prism
00:47:54Portrayed as only an artist of Rina's caliber
00:47:57Could possibly portray it
00:47:59Now that we have familiarized ourselves with the art and the artist
00:48:03Let's start the bidding
00:48:05The starting price will be $50,000
00:48:07Do I hear $50,000?
00:48:09Anyone?
00:48:11$50,000, do I hear $60,000?
00:48:17Anyone?
00:48:19$50,000 going once
00:48:21$50,000 going twice
00:48:23Sold!
00:48:24Sold for $50,000
00:48:26And now we'll invite our second artist for the evening, Ms. Tasha Roberts
00:48:36Who will also be presenting a series of paintings
00:48:47Ms. Tasha Roberts, where are your paintings?
00:48:49I don't have my paintings tonight
00:48:52Um, but
00:48:54I will be auctioning off this dress
00:49:09Oh, wow!
00:49:10It's beautiful!
00:49:12Oh, stupendous!
00:49:14I've never seen a dress so beautiful!
00:49:16A stunning work of art indeed!
00:49:17There's no need for me to say another word about this masterpiece
00:49:18Everyone in the audience can clearly see the extraordinary talent and extraordinary artistry
00:49:34Let's start the bidding at $50,000
00:49:37$55,000
00:49:38$75,000
00:49:39$90,000
00:49:40$100,000
00:49:41$100,000
00:49:42$150,000
00:49:44$250,000
00:49:45$250,000
00:49:47$250,000 going once
00:49:51$250,000 going twice
00:49:53Gold!
00:49:54This beautiful dress is sold for $250,000
00:49:58$250,000
00:49:59$250,000
00:50:00$250,000
00:50:01$250,000
00:50:02$250,000
00:50:03$250,000
00:50:04$250,000
00:50:05$250,000
00:50:06Is that the heart of Sly McPhys that sold for $200 million a few months ago in a bid now?
00:50:10Impossible!
00:50:11How can that lowly peasant possibly afford it?
00:50:14It must be a fake
00:50:16Thank you so much for your bid, Ms. Winslow
00:50:22I'm gonna design a few custom pieces in your size and design them to your elegance and style
00:50:29Have you ever considered creating your own clothing brand
00:50:34Your creations are so extraordinary
00:50:37You should really share your talent with the rest of the world
00:50:40Thank you. I never considered it, but I certainly will now.
00:50:44Hi. I'd be careful if I were you.
00:50:48I personally wouldn't put any faith into someone that wears cheap replicas
00:50:52of famous pieces of jewelry.
00:50:56What are you talking about right now? This woman is a phony and a con artist.
00:51:00For as long as I worked with her, she's done nothing but defraud
00:51:04and cheat the people she's done business with. And let me make it clear.
00:51:08For everybody that wants to do business with this woman,
00:51:12they won't be allowed to do business with the Crow Group.
00:51:16Is that so?
00:51:20Well, let it be known that if anybody refuses to work with Miss Tasha Roberts
00:51:24because of the baseless rumors and lies being spread by Miss Raina Crow,
00:51:28you will no longer be welcomed back to the Fitz Gallery.
00:51:32That's the curator of the Fitz Gallery.
00:51:36He's not just the curator. He's also the director of the Fitz Foundation.
00:51:40The curator? Is he the man who bought my paintings?
00:51:44Why does he seem so familiar?
00:51:48Miss Tasha Roberts is my guest of honor tonight, alright? I invited her personally.
00:51:54So if anybody treats her with the slightest bit of disrespect,
00:51:58they'll be asked to leave and never again invited back to the Fitz Gallery.
00:52:02As the director of this esteemed organization, am I interested to know that your guest of honor
00:52:08is wearing a cheap replica of a priceless work heart.
00:52:12She is not to be trusted.
00:52:14I'm assuming you mean her diamonds.
00:52:16What evidence do you have to prove that it's not real?
00:52:20Well, the real heart of the sun has the initials of the craft man engraved in the joint between the gemstone and the pendant.
00:52:28So Tasha, would you indulge us all and show us if what you're wearing is a genuine article or a cheap knockoff?
00:52:36If this was just given to me by a friend, I never claimed it was the real heart of the sun.
00:52:43I don't want to embarrass him by having people pour over it for imperfections.
00:52:48So it's a forgery.
00:52:50You were so happy to have everyone believe it was the real thing until I challenged you and called your bluff.
00:52:58Miss Roberts.
00:52:59You have nothing to fear from this woman.
00:53:00Just show her the necklace.
00:53:01And I'll personally see to it that there are no despairing comments about its craftsmanship or quality.
00:53:04And the question has to be asked whether it is the true heart of the sun.
00:53:29See?
00:53:30Just like...
00:53:32What?
00:53:33How is this possible?
00:53:38I do say, this engraving looks entirely authentic to me.
00:53:44This is indeed the one and only heart of the sun.
00:53:48Well, that settles it then.
00:53:49This necklace is authentic.
00:53:51From now on, no one will be permitted to question or harass my guest of honor.
00:53:55Now, if everyone is satisfied, can we please get back to tonight's festivities?
00:54:00Cheers.
00:54:10Ken, you have a lot of explaining to do.
00:54:13Okay, what's wrong?
00:54:15I can't accept this necklace.
00:54:18And I can't give you what you want.
00:54:21Do you even know what I want?
00:54:22I don't want to know.
00:54:25We can just be friends, nothing more.
00:54:28Tasha, you're just afraid.
00:54:30You're just afraid of going after what your heart truly desires.
00:54:34And I just think you're afraid of just being true to yourself.
00:54:38You're the last person that should be lecturing anybody on the truth.
00:54:43Who are you?
00:54:44Who are you?
00:54:46What do you do?
00:54:47Is this even your house?
00:54:48I mean...
00:54:50How do you own a necklace that's 200 million dollars?
00:54:56I just...
00:54:57See, you...
00:54:59You don't even respect me enough to tell me the truth.
00:55:02But you...
00:55:03You expect me to jump into a relationship with you?
00:55:07You could be a total stranger.
00:55:10I have no idea who you are.
00:55:13Tasha, I want to tell you.
00:55:15I do.
00:55:16But...
00:55:17I just can't right now.
00:55:19Alright?
00:55:20Like, maybe in the future...
00:55:21No, Ken, there is no future for us.
00:55:24Not if you can't tell me one thing about yourself that isn't a lie.
00:55:29When you find someone that you really love and trust,
00:55:32you let them in.
00:55:41But that person won't be me.
00:55:58Are you okay?
00:55:59Director Fitz, I had a wonderful time at the Gala.
00:56:05Thank you for supporting me and standing up for me.
00:56:09I wasn't bothered by the way the other guests treated me.
00:56:13I've endured far worse.
00:56:18Lovely.
00:56:20I'm glad to hear it.
00:56:21I would like to exclusively showcase your work at the Fitz Gallery for the foreseeable future.
00:56:25Think of it as a sort of artist's residency.
00:56:29Would you be interested in such an opportunity?
00:56:31This dress is every bit as exquisite as I expected it to be.
00:56:44Thank you, my dear.
00:56:45You're very welcome.
00:56:48Have you given any more thought to my proposal?
00:56:51If you wish to start a clothing brand, I would be more than happy to invest whatever you require to get started.
00:56:59It's a very gracious offer, but I just, I have to ask. I mean, there are so many other talented designers.
00:57:05Why do you have such faith in my abilities?
00:57:09It's not just me, you know.
00:57:11The curator of the Fitz Gallery has never been seen in public before the Gala last night.
00:57:17And everyone in attendance was certain that the only reason he chose to make an appearance was because of you, his guest of honor.
00:57:25That was his first appearance ever?
00:57:30Indeed.
00:57:32His very first and only time to appear in the flesh.
00:57:35Before this, he was a figure of myth and mystery.
00:57:39Many people doubted he existed at all.
00:57:43But all because of you, he chose to grace us with his presence last night.
00:57:49Seems like a marvelous young man, don't you think?
00:57:51He certainly had a charm about him.
00:57:54Oh, undoubtedly.
00:57:56You know, many people flock to the Fitz Gallery for more than just the art.
00:58:01They want to learn all about the enigmatic young curator.
00:58:06Really? I mean, what's so interesting about him?
00:58:09Have you ever wondered how the Fitz Gallery has managed to surpass all of the established art collections
00:58:16to become the top venue for fine art in just two years?
00:58:22I mean, I heard rumors, something about foul play, but I always just assumed they were baseless.
00:58:29Those rumors have quite a bit of truth to them.
00:58:32Seems like the Miller crime family is actually behind the Fitz Foundation.
00:58:37The one and the same Miller crime family that monopolizes all the underground trade in all of North America.
00:58:47He seems like such a gentleman. I just, I find it hard to believe that he ever was involved in something so sordid.
00:58:52You must never judge a Brooklyn's cover, my dear girl.
00:58:57Even people close to us may be harboring many secrets.
00:59:02We never really know what's going on inside.
00:59:05You got that right. I learned that lesson the hard way.
00:59:09Let me be frank. I have tremendous faith in you.
00:59:13Thank you, Mr. Wendlow, but I can't do it.
00:59:17All my friends call me Laura.
00:59:22This is in a shack.
00:59:24For five million dollars.
00:59:26It should help you get your clothing brand started.
00:59:30Shall we become business partners in addition to being friends?
00:59:33Director Fitz, I'd like to work with you.
00:59:51It would be my honor, Miss Tasha Roberts.
00:59:53Mr. Roberts.
00:59:56Fly away with me.
01:00:00Take you high, soaring.
01:00:04See your smile, it's my only dream.
01:00:11Staring out into the sea.
01:00:15Waves come crashing up to me.
01:00:18My toes slip into the sand.
01:00:24Dream that I'm with you.
01:00:28Staring out into the sea.
01:00:32Waves come crashing up to me.
01:00:36My toes slip into the sand.
01:00:40Dream that I'm with you.
01:00:43I'm with you.
01:00:55Congratulations, Miss Roberts.
01:00:57We expect a huge success from your art exhibition.
01:01:00Thank you. Thank you.
01:01:14You're looking at her.
01:01:16You're obsessed with her.
01:01:18Didn't she humiliate me enough the other night at the gala?
01:01:22But no, now I have to watch my husband stare at her picture.
01:01:26Well maybe if you didn't give her the opportunity to humiliate you.
01:01:30So it's my fault now?
01:01:32Oh wait, let me guess. Maybe it's my fault too when the two of you broke up.
01:01:35Okay.
01:01:37Raina, I've been thinking.
01:01:40I don't think this is working.
01:01:41I want a divorce.
01:01:44Bruta figlio di puttana.
01:01:48You used me to push Tash out of your company, take her property,
01:01:51and now you cast me aside like what, a huge piece of garbage?
01:01:55I won't allow this.
01:01:58Mark my words, Karl Crow.
01:02:01You will regret this.
01:02:11I'm spending too much time around Ken.
01:02:18He's dominating all my thoughts.
01:02:20I have to distance myself from him.
01:02:23For my own sanity.
01:02:24I know you're lonely, but this song will last me down.
01:02:36Is there nothing going to do to get you to stay?
01:02:38I'm sorry.
01:02:41I'm sorry.
01:02:43But no.
01:02:45You and I, our relationship will just keep going in circles.
01:02:51But thank you for everything you've done for me.
01:02:57I have a little bit of money now, so you should be able to pay off your loan soon.
01:03:01And long talks, an awkward silence, waiting nights, walking through the garden, running, with your hand in mine.
01:03:18And some...
01:03:34This is what happens when you steal from the Millers!
01:03:37Please, let me go.
01:03:41Promise you'll never see me again.
01:03:48What do you got here?
01:03:51I'm writing this for you.
01:03:53Boss!
01:03:55I found this one peeking around the corner.
01:03:57Not sure how long this little bitch has been watching, but I'm pretty sure she tried to call the cops.
01:04:06Don't worry, boss. I got a knife with her name on it.
01:04:09We can dump her body with the other guy.
01:04:16No, let her go.
01:04:17What? Didn't you hear what I said? She's seen everything.
01:04:20Let her go before I rip off your fucking arms and throw them in the river.
01:04:32Walk away. This doesn't mean anything to you.
01:04:35Is this what you couldn't tell me about?
01:04:38Boss, you know this woman?
01:04:42You're gonna kill him.
01:04:44Call the police then. See if they can save his life.
01:04:46No! Don't call the police, you stupid bitch!
01:04:51My world is more cruel than you can possibly imagine.
01:04:54So since you didn't want to get involved, just walk away.
01:04:57Hey, babe. What do you want for breakfast?
01:04:58What do you want for breakfast?
01:05:02Hey, babe. What do you want for breakfast?
01:05:03Hey, babe. What do you want for breakfast?
01:05:07Hey, babe. What do you want for breakfast?
01:05:08Hey, babe. What do you want for breakfast?
01:05:12Hey, babe. What do you want for breakfast?
01:05:13Hey, babe. What do you want for breakfast?
01:05:18Hey, babe. What do you want for breakfast?
01:05:22Hey, babe.
01:05:45My world is more cruel than you can possibly imagine.
01:05:48Since you didn't want to get involved, just walk away.
01:05:52I never imagined that Ken could be such a dangerous and violent man.
01:05:56There must be something or someone forcing him to do all of this.
01:06:02Even people close to us may be harboring many secrets.
01:06:06We never really know what's going on inside.
01:06:10Forget it. This has nothing to do with me.
01:06:12I decided to leave Ken, so I have to do my best not to look back.
01:06:30Tasha, let's talk.
01:06:39You're a pro-magnet boyfriend.
01:06:41And is he not joining us?
01:06:43It's all over. I'm not with him anymore.
01:06:47Where's Reyna?
01:06:48Reyna was a mistake.
01:06:51That's all over, too.
01:06:53Tasha, um...
01:06:57I want you back.
01:07:00I can't stop thinking about us.
01:07:02You were right. You belong in my life.
01:07:06So, if you just sign those documents, then you can come back to me.
01:07:13Come back to the house.
01:07:14We can carry on like none of this ever happened.
01:07:17I can give you your old job back.
01:07:19That'll be fun, working together again.
01:07:21And then all that debt you owe me will be wiped clean.
01:07:25You, uh...
01:07:25You have it?
01:07:32You think I'd get back with you after everything you put me through?
01:07:35Here is...
01:07:41A hundred million dollars.
01:07:43I'll pay the rest on time, and...
01:07:46For your agreement...
01:07:48Take these documents, and...
01:07:56Shove them right up your ass.
01:07:59You disgust me, Carl.
01:08:01You should think about Anna.
01:08:03Do you really want her growing up without a mother?
01:08:06With all her health problems, she could really use your support.
01:08:09Don't dare talk about Anna.
01:08:11She'll be with me soon.
01:08:13Then I'll never let her out of my sight again.
01:08:15She needs her mother and her father.
01:08:16Not a father. Like you, she doesn't.
01:08:19She'd be better off with no father at all.
01:08:32I'm sorry. Am I interrupting?
01:08:34Are you texting a new boyfriend already?
01:08:37Can it wait?
01:08:39I'm not done talking here.
01:08:41You're pathetic, Carl.
01:08:44Hey, Tasha.
01:08:45T-
01:08:45Tasha.
01:08:50Hey, Tasha.
01:08:52Tasha, come back.
01:08:54Where are you going?
01:08:54This place is disgusting.
01:08:56T-Come on, Tasha.
01:08:58Don't you remember the happy times?
01:09:00Come on, we can have that again.
01:09:02Think of Anna.
01:09:02Think of me.
01:09:03Please.
01:09:04I love...
01:09:04Who...
01:09:05Who...
01:09:06Who...
01:09:06Sorry, folks.
01:09:25It's the end of the line for you.
01:09:31No hard feelings.
01:09:34But...
01:09:34We gotta do what the people who pay us tell us to do.
01:09:37Who's paying you?
01:09:40I'll give you a hint.
01:09:41A very beautiful woman paid us a small fortune to make sure you two would...
01:09:46Make sure you two don't make it...
01:09:48Raina.
01:09:51That fucking bitch.
01:09:53Do you know who I am?
01:09:54I'm Carl Crow.
01:09:57The CEO of the Crow Group.
01:09:59What if she's paying you?
01:10:00I'll pay double, okay?
01:10:02Yeah, yeah.
01:10:02You pay me double.
01:10:03I guess you haven't heard the news, buddy.
01:10:06See, I don't think you have the means to outbid your pretty little friend.
01:10:10Oh, that back-stabbing slut!
01:10:17Please, pack up the phone.
01:10:19You trying to phone a friend?
01:10:21That's a big no-no, sweetheart.
01:10:23That's breaking the rules.
01:10:27Sweetie.
01:10:29Don't waste the little time you have left trying to call for help.
01:10:32It won't do you any good.
01:10:35No one.
01:10:37They're gonna help you now.
01:10:40Three hours, where's Tasha?
01:10:46Hey, Nell.
01:10:47Hey, listen, I need you to do me a favor.
01:10:50Yeah, I need you to pull out the city surveillance system in the area
01:10:52and find all the footage.
01:10:55Yeah, no, something's wrong.
01:11:07What are you doing?
01:11:08Well, you have to get out of here.
01:11:17Huh?
01:11:17I don't...
01:11:18You should just...
01:11:23go.
01:11:25Save yourself.
01:11:26Leave me.
01:11:27It's what I deserve.
01:11:28I'm not gonna leave you.
01:11:34I'm not that type of person.
01:11:39Come on, let's go.
01:11:45Come down here.
01:11:46Wait until they come in.
01:11:47Hey, Tasha.
01:11:56I'm so sorry.
01:12:00Now's not the time for that.
01:12:01All in.
01:12:20All in.
01:12:20Looks like we got ourselves a suicidal prick here, fellas.
01:12:32I can't think of any other reason why somebody would kick in a door
01:12:35that's got Vincent Santorelli on the other side of it.
01:12:37Oh, shit.
01:12:42Boss.
01:12:45I didn't realize it was you.
01:12:48These your guys?
01:12:51Where the fuck are they?
01:12:53You better find them.
01:12:54Quick!
01:12:54Now it's your turn.
01:13:11Pretty little thing like you, I was gonna make it painless.
01:13:35But I guess you didn't want that.
01:13:37All the same.
01:13:40Hey, who's this fucking monkey?
01:13:41Lower your fucking gun.
01:13:42Vinny, what the fuck is going on?
01:13:44You fucking devil?
01:13:45Lower your fucking gun!
01:13:47Are you...
01:13:48Are you Ken Miller?
01:13:50How can that be?
01:13:51What the fuck is going on?
01:13:53Ken Miller.
01:13:55The one and the same Miller crime family
01:13:59that monopolizes all the underground trade
01:14:02in all of North America.
01:14:05It's you.
01:14:06You know what you have to do.
01:14:17Boss.
01:14:18Please.
01:14:20He's my brother.
01:14:22Rules are rules.
01:14:24I was pushing you away as can and growing closer to you as fits.
01:14:43I'm sorry, Tasha, but there's just nothing I can do that will make you happy.
01:14:52And I just can't win over your heart.
01:14:55Is Ken Miller always this loving with the hostages he rescues?
01:15:05Or is this just special treatment reserved for his lovers?
01:15:08Tasha, I love you.
01:15:12My heart has belonged to you and only you for the past 15 years.
01:15:2115 years?
01:15:23No, we just met a few months ago.
01:15:25We met 15 years ago.
01:15:32You went to Marr Middle School.
01:15:35Yeah.
01:15:36And you saved my life there.
01:15:46Stand up, chicken, and hit us back!
01:15:49Isn't that what your dad does for a living?
01:15:51Beat people up?
01:15:53I'm not my dad!
01:15:55You and your father are both scum.
01:15:57Let's teach this little and thug a lesson.
01:15:59Yeah, idiot.
01:16:00Get up and show us what you've got!
01:16:04Hey!
01:16:06Hey!
01:16:07Hey!
01:16:07Hey!
01:16:07Hey, hey, hey!
01:16:08Stop!
01:16:08That's enough!
01:16:09That's enough!
01:16:09It's none of your business, Robert!
01:16:11Get out of here, Robert!
01:16:12Hey!
01:16:13Stop!
01:16:13Go home!
01:16:13I'll call your parents!
01:16:14Go!
01:16:14Oh, crap!
01:16:15Crap!
01:16:15Crap!
01:16:15Crap!
01:16:15Crap!
01:16:21Crap!
01:16:22Crap!
01:16:22Crap!
01:16:23Crap!
01:16:23Crap!
01:16:24Crap!
01:16:24Crap!
01:16:25Crap!
01:16:25Crap!
01:16:25Crap!
01:16:26Crap!
01:16:26Crap!
01:16:27Crap!
01:16:27Crap!
01:16:28Crap!
01:16:28Ever since I saw you that night in the cab with that necklace on, I just, I knew I found
01:16:34you.
01:16:35Look, this isn't just some feeling for me, okay?
01:16:40This is, this is everything to me.
01:16:42Like, you are everything to me.
01:16:46No matter what happens between us, I will always care about you.
01:16:51And maybe one day we can make it work in a different way.
01:16:58Well, I can't find what we're both looking for, it's fine.
01:17:03I don't know, I just need some time to process this.
01:17:16Okay.
01:17:17Okay.
01:17:18And after that, maybe we can pick up where we left off that first night you spent here.
01:17:25Maybe.
01:17:26Maybe.
01:17:27You play your cards, right?
01:17:32No.
01:17:33I'll be right back to you.
01:17:34I'm going to say what I'm hoping for you to be, let me know.
01:17:36Does everything look good to you, my artist?
01:17:48Yeah.
01:17:50Thanks for everything.
01:17:52That doesn't sound very convincing.
01:17:53Is there anything you want to change?
01:17:56No.
01:17:57I just, I never got around to asking why you wanted to start an art gallery in the first place.
01:18:02Honestly, it was to get to you.
01:18:04See, I thought if I owned the world's greatest art museum that one day you might find your way in here and I don't know, that I might find you.
01:18:34I want to see what kind of woman this is that hasn't snared my son.
01:18:50I doubt she's worthy of joining a Miller family.
01:18:56As you wish, sir, I will make the arrangements.
01:18:59Honestly, it was to get to you.
01:19:06See, I thought if I owned the world's greatest art museum that one day you might find your way in here and I don't know, that I might find you.
01:19:14Okay, okay.
01:19:16Just concentrate on painting.
01:19:18Don't think about him.
01:19:19Who are you?
01:19:39Miss Tasha Roberts?
01:19:41Mortimer Miller would like to speak with you privately at his home.
01:19:44Come here.
01:19:48Take a look.
01:19:53She's an heiress to the largest chain of luxury hotels in the Western Hemisphere.
01:19:59She's young, beautiful, well-educated.
01:20:04I think she'll make a fine wife for my son, Ken.
01:20:06With all due respect, sir.
01:20:12I believe that it's up to Ken to decide who he wants to spend the rest of his life with.
01:20:19Choose you.
01:20:21Not a chance.
01:20:23You're no match for my son.
01:20:25Now, you owe money to the Crow Group.
01:20:37I'm going to pay your debt.
01:20:39And in return, you will agree to never see my son again.
01:20:50It's our decision whether we want to be together or not.
01:20:54Your son and I love each other.
01:20:56There's nothing in this world that can keep us apart.
01:21:00Tasha, you want us to be together?
01:21:04It's impossible.
01:21:06Father.
01:21:06I forbid it.
01:21:08Father, this is the love of my life.
01:21:10I can't lose her again.
01:21:13I'd rather leave the family business.
01:21:15Then leave if you wish.
01:21:17But she will never have my approval, ever.
01:21:20And she'll never be a part of the Miller family as long as I live.
01:21:24You'll come running back.
01:21:26Without the Miller family power, money,
01:21:31you'll accomplish nothing.
01:21:34You're making a big mistake.
01:21:37She was in this
01:21:38old hand.
01:21:41Instead of the family.
01:21:43Ken, where are you?
01:21:53Why aren't you back yet?
01:21:58Oh, you're still awake?
01:22:00Who did this to you?
01:22:18Don't worry about me.
01:22:19I'm fine.
01:22:21It's nothing out of the ordinary.
01:22:22Hey, babe.
01:22:35Yeah, no, I'm just right outside.
01:22:36You son of a bitch.
01:22:43You make me cut my own brother's hand.
01:22:45Now you think you can betray the Miller family,
01:22:49walk away scot-free?
01:22:51Not a fucking chance.
01:22:53This guy means nothing to the Miller family now.
01:22:56He's worthless.
01:22:58Helpless.
01:23:00You're absolutely nothing now.
01:23:01Let's make him feel the pain
01:23:04that my brother felt.
01:23:06Come on, boys.
01:23:07Stop.
01:23:31Stop hitting him!
01:23:34Stupid bitch.
01:23:35Stop at once,
01:24:01you insolent fools!
01:24:03Son.
01:24:11Son.
01:24:15You know how hard it is for me to admit
01:24:17that I made a mistake?
01:24:21But today, the two of you have proved me wrong
01:24:23beyond a shadow of a doubt.
01:24:27Tasha.
01:24:29You are the perfect woman for my son.
01:24:33Go.
01:24:37Be together.
01:24:39You approve?
01:24:41You have my blessing.
01:24:44From this day onward,
01:24:47you'll have nothing more to do
01:24:49with the legal activities of the family.
01:24:50you.
01:24:50You'll have nothing more to do with the family.
01:24:52But...
01:24:52You'll always be a Miller.
01:24:58As will she.
01:24:59You...
01:25:00You...
01:25:00You...
01:25:00You...
01:25:01You...
01:25:02You...
01:25:03You...
01:25:04You...
01:25:05You...
01:25:06You...
01:25:07You...
01:25:08You...
01:25:09You...
01:25:10You...
01:25:11You...
01:25:12You...
01:25:13You...
01:25:14You...
01:25:15You...
01:25:16...
01:25:17You...
01:25:18You...
01:25:19You...
01:25:20You...
01:25:21You...
01:25:22Get off me!
01:25:26You useless, impotent man-child!
01:25:30The Krog Group is bankrupt!
01:25:32I hurt.
01:25:33Getting involved with you is the worst decision I could have made in my life!
01:25:36Get off! This is all your fault!
01:25:38You spent every single thing that we had!
01:25:40Now we have nothing left!
01:25:42No company, no house, no money, not even a dime!
01:25:46And it's all because of you, you greedy cow!
01:25:48Don't you-
01:25:49Don't-
01:25:50Don't you-
01:25:57The late Mrs. Miller was a beautiful woman, sir.
01:26:02Yes.
01:26:06Back then, my wife protected me from every danger that befell our family.
01:26:13And today, my son found the perfect woman in us and I did the same for him.
01:26:19He was a lucky man.
01:26:21He was a lucky man.
01:26:22Wow.
01:26:23You look so beautiful.
01:26:24No, you- You can't be here right now!
01:26:25Babe, I don't want to rush you but everybody is waiting to see you.
01:26:28Wow, you look so beautiful.
01:26:38No, you can't be here right now.
01:26:41Babe, I don't want to rush you, but everybody's waiting to see you.
01:26:46Ken, can you promise me one thing?
01:26:48I can promise you two if you like.
01:26:51I'm serious.
01:26:51Yes.
01:26:54I want you to walk away from the family business.
01:26:58There's a city called Ostia.
01:27:02It's on the southwest side of Rome by the ocean.
01:27:05What?
01:27:07You know what I found over there?
01:27:10I'm doing an art teaching job at a public school.
01:27:13I already took tickets.
01:27:15I leave in the morning.
01:27:16You're sending me away?
01:27:18No.
01:27:20I opened my own restaurant.
01:27:21It's just down the street.
01:27:24I'll have one more thing.
01:27:25I enrolled Anna at the school they're going to be teaching at.
01:27:30I think she's going to really love it over there.
01:27:35So you really are walking away?
01:27:37Yeah.
01:27:42You got some songs.
01:27:44I'm sorry.
01:28:07I'm sorry.
01:28:13Transcription by CastingWords
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