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00:00:00Hey, what are you doing with my stuff? How'd you get in here?
00:00:11I gave him the keys.
00:00:12Carl? I mean, what are you doing here so late? And what's that guy doing with my stuff?
00:00:17Tasha, Tasha, Tasha. You're always asking the wrong questions.
00:00:23What the hell is going on?
00:00:26Do you really think you're that thick, Tasha?
00:00:29Your husband and I decided that you're no longer needed here anymore.
00:00:33Reyna's gonna take over your role at the company.
00:00:35She's already proven she can do everything you can, but better.
00:00:39I'll have a letter of termination and divorce papers sent over to your new address,
00:00:43wherever that ends up being.
00:00:45What should I do with this, boss?
00:00:47Give me that new plebe. I know exactly what to do with it.
00:00:53Is that clear enough for you, Tasha?
00:00:55Tasha, your company and your husband both belong to me now.
00:01:03No, you can't just fire me. I'm a shareholder at this company.
00:01:07Are you still a shareholder at this company? Are you?
00:01:10You know, actually, your debt is mortgaged with your shares, so you actually owe this company about 200 million.
00:01:16I never took out any loans that large.
00:01:19Oh, Tasha. You were always so gallible.
00:01:22A word of advice for the future?
00:01:24Don't give the keys to the kingdom to your assistant, no matter how trustworthy your feeble brain thinks they might be.
00:01:32Security! Security! We have a vagrant in the lobby and she might become hostile.
00:01:38Stop, stop acting. I'll just leave on my own.
00:01:41Look, there's no glamour. There's no glory. It's just blood, guts, fear and misery.
00:01:54Come on, man. You think I'm some kind of moron that doesn't know anything?
00:01:58I know that the type of money you make in just a few days, I can't make that in 10 years working as a stick.
00:02:04But at least you're guaranteed to be alive in 10 years.
00:02:07In my world, you're not guaranteed to be alive in 10 days, let alone 10 minutes sometimes.
00:02:11Yo, yo, man. Stop lecturing me. Are you gonna give me the gun or not?
00:02:17I'm sorry, but no. I'm not gonna let you get killed.
00:02:22Man, what the fuck you got me here for then? Shit.
00:02:27Oh, I guess you didn't hear. The repo guy, he came and towed your car away.
00:02:49Said it was like collateral for a loan. Of course, I made the call and arranged everything.
00:02:56My pleasure.
00:02:58You despicable trash.
00:03:01You know, I was gonna give you a ride, you know, seeming that we were married for so long.
00:03:07But walking the streets at night kind of suits you. So, enjoy.
00:03:13Go to hell.
00:03:14Go to hell.
00:03:15Go to hell.
00:03:17Go to hell.
00:03:18Go to hell.
00:03:19Go to hell.
00:03:20Go to hell.
00:03:21Go to hell.
00:03:22You're talking to well.
00:03:23It's my buddy.
00:03:24Go to hell.
00:03:25Yeah.
00:03:26Go to hell.
00:03:27Don't have to take and explain.
00:03:28Miss?
00:03:47Just go away, alright?
00:03:49I don't need your cheap sympathy right now.
00:03:52Miss, your friend's gone.
00:03:54I just want to offer my cab services.
00:03:58Yeah, I'm sorry, a cab is just what I need right now.
00:04:04Alright, great, come on board.
00:04:05Sorry, I don't have any cash right now.
00:04:31Give me a minute, I'll go grab some from inside.
00:04:33Here.
00:04:35Just proof I'm not trying to skip out on the fair.
00:04:38You have some nerve coming back here.
00:04:50I never wanted my son to marry you in the first place.
00:04:53And now that he's finally come to his senses and kicked you to the curb, you think that
00:04:58you can just waltz right back into his house?
00:05:00His house?
00:05:02My father left me this house.
00:05:06And I know you're senile, but I'm sure you remember when you practically begged me to
00:05:12let you and Carl live here.
00:05:13I always knew you were a nasty little hussie.
00:05:17Who the hell are you?
00:05:23This is a personal matter, so you should really mind your own business and stay outside.
00:05:28Actually, this is my boyfriend.
00:05:31So if it's a personal matter for me, it's a personal matter for him.
00:05:36Okay.
00:05:37What?
00:05:38You think your son's the only one capable of having secrets?
00:05:41Hey, thanks again for today.
00:05:58I know that's a weird position to put you in.
00:06:02Sorry?
00:06:03It is really nice to know that there is still good people out there that would help a total
00:06:10stranger.
00:06:11Have a good night.
00:06:13All right.
00:06:14You too.
00:06:33Where's my necklace?
00:06:59Here.
00:07:01Just proof I'm not trying to skip out on the fair.
00:07:08There's a fancy broad like you find yourself in a place like this.
00:07:34Who the hell are you?
00:07:35Get out now!
00:07:36All I'm trying to do is introduce myself and you're treating me like some dog shit you found
00:07:41stuck to your shoes.
00:07:44Oh.
00:07:45I'm calling the police!
00:07:47How about I give you a better idea?
00:07:55You and I are going to have some good old fashioned fun tonight.
00:08:10If I ever see you around here again, you're dead!
00:08:13Get out of here!
00:08:16Hey.
00:08:17I'm so glad you're here.
00:08:23Where did you get this necklace?
00:08:26My father gave that to me.
00:08:31You better not be lying to me.
00:08:35I'm not lying.
00:08:38He made that with his own hands.
00:08:41It has my name on the back.
00:08:45It's really you.
00:08:46Hey.
00:08:47How are you feeling?
00:09:00How did...
00:09:01How did you...
00:09:02You left your bag in my car.
00:09:04How did you know where to find me?
00:09:11I have my ways.
00:09:14Hey listen.
00:09:15I know it's none of my business, but it's not safe for you here.
00:09:20With everything that's happened in the last 24 hours, this is all I can afford.
00:09:27Listen, I have an extra room in my place.
00:09:32Maybe you can just come stay with me.
00:09:54Welcome home.
00:09:56I really feel like my luck's starting to change.
00:10:04I mean, you've literally rescued me over and over today.
00:10:09I know what it's like.
00:10:10I've been rescued before.
00:10:12Um, I'm sorry.
00:10:13I...
00:10:14I don't think I can make rent right away, but, um...
00:10:18You could sell this ring and then...
00:10:21You should cover me for a few months.
00:10:23At least until I'm back on my feet.
00:10:25I thought he was a really rich guy.
00:10:27Why did he get you such a small diamond?
00:10:30It's not a very good cut either.
00:10:33Okay.
00:10:35Never mind.
00:10:36I...
00:10:37Can just...
00:10:38No, it's fine.
00:10:39I'm just saying.
00:10:40You deserve a better ring than this.
00:10:44No, babe.
00:10:45Stop.
00:10:46It's late.
00:10:47Okay?
00:10:48You're still thinking about her.
00:10:49Who?
00:10:50Tasha?
00:10:51Are you kidding me?
00:10:52Then why are you wearing the wedding dress?
00:10:53No, babe.
00:10:54Stop.
00:10:55It's late.
00:10:56Okay?
00:10:57You're still thinking about her.
00:10:58Who?
00:10:59Tasha?
00:11:00Are you kidding me?
00:11:01Then why are you wearing the wedding ring?
00:11:02Did you forget what she and her father did to you?
00:11:03I will never forget what she and her father did to me.
00:11:16But that has nothing to do with you.
00:11:17So why don't you stop mouthing off about shit that you know nothing about and let me handle
00:11:21my own affairs.
00:11:24I will never forget what she and her father did to me.
00:11:28But that has nothing to do with you.
00:11:30So why don't you stop mouthing off about shit that you know nothing about and let me handle
00:11:34my own affairs.
00:11:54Mary?
00:12:09What?
00:12:12Hey, what's going on?
00:12:17My daughter's missing.
00:12:19What?
00:12:24Tasha, you shouldn't have barged in like this.
00:12:35If Carl finds out-
00:12:36No, I don't care about Carl right now, okay?
00:12:39Where's my daughter?
00:12:40Where's Anna?
00:12:41I sent her away.
00:12:43No.
00:12:45You have no right.
00:12:47Actually, as Carl's new wife and Anna's legal guardian, I have all the rights to do whatever
00:12:54I want with my stepdaughter.
00:12:57What?
00:13:01We never settle custody, so just skip the theatrics and tell me where my daughter is.
00:13:07You think you're getting custody?
00:13:09You're dreaming.
00:13:10You're dreaming.
00:13:12On one hand, we have a mother drowning in debt with no place to live.
00:13:19On the other hand, we have a wealthy and well-respected father who happens to be the CEO of the world-renowned
00:13:27program.
00:13:28What do you think the court will side with?
00:13:31Oh, what's going on?
00:13:35Oh, Carl!
00:13:36Carl, it's okay.
00:13:37Tasha was understandably upset about the situation.
00:13:38You know, I don't blame her for what happened.
00:13:39You trespass on my property?
00:13:40Assault my wife in her own home?
00:13:41Tasha, I have put up with your outrageous behavior for years, but don't you dare subject
00:13:43Raina to that kind of abuse?
00:13:44You don't understand, Raina sent Anna away.
00:13:46She did what any good mother would.
00:14:00I want to know where my daughter is right now.
00:14:02New Zealand.
00:14:03Getting medical care from one of the best cardiology departments in the world and reminds
00:14:07Zealand getting medical care from one of the best cardiology departments in the
00:14:12world and remind me what have you done for your daughter lately hmm abandon her
00:14:17to go shack up with some cab driver boyfriend you idiot I found those
00:14:22cardiologists in New Zealand scheduling those appointments was the last thing I
00:14:27had Reina do when she was still my assistant Tasha Tasha you disgust me
00:14:31trying to take credit for this wonderful woman's kind gesture to your own sick
00:14:35daughter I'm gonna make sure Anna stays far far away from you so there's no
00:14:39possibility for ever becoming anything like you
00:14:47you backstabbing homewrecking bitch I advise you stay far away from my daughter
00:15:01by the way the deed still lists me as a rightful owner to this house so the two
00:15:08of you have no right to keep me from coming back here do you understand oh you
00:15:13can forge my signature you can take my money take my house but you will never
00:15:18have a shred of the intelligence that I thought you have made your point I think
00:15:23you deserve that too you should have told me about it a long time ago oh oh don't
00:15:33stop on my account please continue miss big shot don't you forget that you still
00:15:40owe 200 million dollars and 20 millions of that is owned to me personally in fact I'm
00:15:47going to call my lawyer and see to it that if you don't pay right away you'll never going
00:15:52to see your daughter ever again and you'll end up in debtor's prison
00:16:01go ahead and check it out but after your accountant make sure this is all legit
00:16:04I don't want you two jackasses hunting my girlfriend money ever again got it
00:16:08oh by the way we're gonna go ahead and take Anna in the future too don't worry Carl I'll be a better
00:16:21father to her than you ever can be Tasha you'll regret this
00:16:26thanks again her today for pretending to be my boyfriend
00:16:38mm-hmm
00:16:40was all that money real as well as it comes where'd you get all that money I robbed a
00:16:48couple jewelry stores for him to find you are you serious
00:16:52no I'm just joking it was my dad's don't worry it wasn't stolen or robbed or
00:16:58anything but hey listen from now on I want you to think of me as your creditor
00:17:03okay I don't want you worrying about only money to those scumbags from now on you
00:17:08just throw money to me as long as you're okay with that I could be okay with it as
00:17:15long as you can satisfy one small request what kind of request
00:17:27my only request is that you just relax okay all right take a load off when you
00:17:37start by telling me a story you know but the last time it was when you were happy
00:17:45you know I just I never in a million years could imagine that Carl would betray me like this
00:18:00now I have nothing
00:18:04well I mean you always have me and
00:18:12I can't hear you you're whispering
00:18:19you
00:18:22you
00:18:26you
00:18:28you
00:18:34you
00:18:38You know, Tasha's probably screwing around with that new boyfriend of hers.
00:19:04That bitch.
00:19:05Honey, you know, you promised to put me in touch with the curator of the Fitz Gallery.
00:19:11I'm telling you, forget about the Fitz Gallery, okay?
00:19:14The people who are running it are crooks.
00:19:16But I want my paintings to be showcased in the most prestigious venue possible.
00:19:21I know, I know.
00:19:22And I said I would help you find other galleries.
00:19:25Remember?
00:19:26Just stop nagging me about it, okay?
00:19:29Okay.
00:19:32You're a little angel.
00:19:35It's okay.
00:19:36Just sleep in.
00:19:41It's okay.
00:19:42Just sleep in.
00:19:43It's okay.
00:19:44Just sleep in.
00:19:48It's okay.
00:19:49Just sleep in.
00:19:50It's okay.
00:19:51Just sleep in.
00:19:52Well, this is certainly going to make things more complicated.
00:20:05So you want to pretend last night never happened?
00:20:12I thought we had a good thing going on between us.
00:20:16I mean, you've been going around the last couple days telling everybody I was your boyfriend.
00:20:21Yeah, but that was just something I said to make my husband jealous.
00:20:26You mean your ex-husband?
00:20:28Yeah.
00:20:29Ex.
00:20:30Yeah.
00:20:31But I mean, you and I, you know I can't start a new relationship right now.
00:20:42So everything you said last night?
00:20:45We were just caught up in the heat of the moment.
00:20:49Heat of the moment.
00:20:51So it was all just bullshit.
00:20:53Why?
00:20:54To get me into bed with you?
00:20:56Just to have a one night stand?
00:20:59Because you miss being with your damn husband?
00:21:15So everything you said last night?
00:21:20Get a hold of yourself.
00:21:24You just got divorced.
00:21:27You're not going to play mind games with men anymore.
00:21:30Hey.
00:21:34I wasn't sure what you like, so I just made a little bit of everything.
00:21:40You made all this?
00:21:41Yeah.
00:21:49So what do you think?
00:21:52It's delicious.
00:21:55I mean, you deserve to have some of your awesome breakfast too.
00:22:02But hey, you're not going to make me sit here and eat this alone, are you?
00:22:08You've got some sauce right here.
00:22:21All that for some sauce, huh?
00:22:23Are you kidding me?
00:22:25Hello?
00:22:26Mommy, I miss you so much.
00:22:27Anna?
00:22:28Mommy, I miss you so much.
00:22:29Anna?
00:22:30Mommy, I miss you so much.
00:22:31Anna, honey?
00:22:32What?
00:22:33What's going on?
00:22:34Anna?
00:22:35Okay.
00:22:36Both of your resumes look excellent.
00:22:37I have a question.
00:22:38If you spilled a glass of milk in the ocean, how would you get it back?
00:22:53What does that question have to do with our work?
00:22:56Well, I suppose you could contain the section of the ocean with the spilled milk and then
00:23:06collect that sample, add a centrifugal force, and there's probably a good chance of separation.
00:23:12So, at our company, we are always trying to make the impossible possible.
00:23:18And for that, we need people who can think on their feet.
00:23:21Derive solutions.
00:23:23No matter how outlandish the task at hand may seem.
00:23:33Hello?
00:23:38Uh-huh.
00:23:40Okay.
00:23:49Congratulations, Miss Michaels.
00:23:50Welcome to the Eastwood Corporation.
00:24:03If you don't mind me asking, why didn't I get the job?
00:24:09Mrs. Roberts, maybe you should focus on fixing your own family problems first, before you
00:24:16start to look for work again.
00:24:21We don't want to make enemies with the Crow Group.
00:24:23So, I guess you didn't get it?
00:24:36I just don't understand why Carl hates me so much.
00:24:40I mean, he doesn't want me to work for his company, but he doesn't want me to work for any other company either.
00:24:45Look, you don't need that corporate job anyways.
00:24:46Yeah?
00:24:47What else can I do?
00:24:48I mean, I thought you were an artist.
00:24:49Now a painter.
00:24:50How'd you know about that?
00:24:51You brought an easel.
00:24:52It's just a hobby.
00:24:53I gave it up.
00:24:54I don't paint anymore.
00:24:57I don't paint anymore.
00:24:58Okay, well, if you don't love to paint anymore, then why bring an easel with you?
00:25:04I haven't painted in years.
00:25:05I'm sure it'll be just like riding a bike.
00:25:06Once you start, it'll all come back to you.
00:25:11That's my account.
00:25:12Why are they assigning it to someone else?
00:25:13Fine, fine.
00:25:14Just get me some damn answers and give me a call back soon, okay?
00:25:16Okay, well, if you don't love to paint anymore, then why bring an easel with you?
00:25:19I haven't painted in years.
00:25:21I'm sure it'll be just like riding a bike.
00:25:24Once you start, it'll all come back to you.
00:25:29That's my account.
00:25:34Why are they assigning it to someone else?
00:25:36Fine, fine.
00:25:37Just get me some damn answers and give me a call back soon, okay?
00:25:40Carl, this took me three months.
00:25:45I'm sorry, I just got some bad news at work.
00:25:49It's ruined now.
00:25:51Fine.
00:25:52I have to start over.
00:25:53You know, it kills me to see you squander your intelligence and talent on these useless paintings.
00:26:00You're a remarkable woman, Tasha.
00:26:04Okay, and if the charlatan snobs in the art world can't see that, then screw them.
00:26:09Okay?
00:26:10If you put your focus elsewhere, we could be rich enough to buy ten art galleries.
00:26:16And then you could put whatever paintings you want in them, right?
00:26:20Painting's my passion.
00:26:22What if we put painting on the side, just for a little while, and you could come join me at the company?
00:26:31Because together, we'd be unstoppable.
00:26:36And right now, I am drowning.
00:26:39Your dad and his partners have no faith in me.
00:26:43I need you.
00:26:46Look.
00:26:47You love me.
00:26:51Don't you?
00:26:52Don't you?
00:26:55Of course I do.
00:26:57Okay, then just...
00:26:59Do this one thing for me.
00:27:01This one little thing.
00:27:02Please.
00:27:03what if I do?
00:27:04I do so many ways, please.
00:27:06Window.
00:27:07In the way with me.
00:27:10With me.
00:27:14Take you high.
00:27:18I'm sorry.
00:27:20To the smile, it's my only dream.
00:27:22It's my only dream
00:27:30Finished!
00:27:32Yep.
00:27:37That is amazing.
00:27:40Thank you. I honestly never thought I'd paint again.
00:27:44Well that would have been a shame. You're easily one of the most talented artists I've ever met.
00:27:52We're honored that you chose our gallery to showcase your work.
00:28:10I am curious about one thing, if you don't mind me asking.
00:28:14The subject in your paintings, your muse, is he your lover?
00:28:18Oh, no, uh, he's just a friend of mine.
00:28:24But his gaze, the way he looks out to you in these paintings, there's so much tenderness and affection in his eyes.
00:28:34Is Ken really in love with me?
00:28:40He's so young though. At his age, he probably doesn't even know what love is.
00:28:44Oh, uh, sorry, you're in the way.
00:28:48Actually, you're in my way.
00:28:51Actually, you're in my way.
00:28:54I'm trying to get into my home.
00:28:58Is this your new girlfriend?
00:29:00I've never seen you with anyone like this before.
00:29:04Ken's my roommate.
00:29:06Now, if you'll please step aside so I can get in.
00:29:12Call me again if you need anything, okay? Bye.
00:29:16Hey, what are you doing home so early? Are they gonna showcase your work?
00:29:22Sorry if I interrupted something, but as your roommate, I don't really think I need to tell you if I'm coming or going.
00:29:28So, if you have something private to do, just do it in your room.
00:29:31I never said you need to tell me when you're coming or going, I'm just saying.
00:29:34Fine, you don't need to explain. Just, I just want to be alone.
00:29:42What?
00:29:46I'm so sorry, sir. She just barged in without permission.
00:29:50It's okay.
00:29:52Ms. Roberts, please. Grab a seat.
00:29:55We signed a contract. Why can't you show my paintings now?
00:29:59I'm afraid I don't have the answers you're looking for.
00:30:02You want to know what happened? Ask Karl Krohm.
00:30:07I want my paintings back. Right now.
00:30:11Well, they're probably somewhere in the warehouse.
00:30:15They haven't been thrown away yet.
00:30:16You've already searched the entire warehouse ten times.
00:30:30If you haven't found what you're looking for, it's not here.
00:30:33You better hope I find what I'm looking for, or I'm going to make this entire gallery compensate me.
00:30:35And then I'm going to sue you, and you'll be the first to lose your job.
00:30:39Yeah, that's great, lady. Go ahead and sue.
00:30:40I'm sure things will go exactly the way you described it.
00:30:44I'm sure things will go exactly the way you described it.
00:31:16Let's go!
00:31:17Wow.
00:31:18Oh.
00:31:19Oh.
00:31:20Oh.
00:31:21Oh.
00:31:22Huh?
00:31:23Oh.
00:31:24you really care about her keep your voice down she's had a long day also you can't just come
00:31:53over here so casually in the future casually are you kicking me out you didn't mind my coming over so
00:32:01casually when you had me digging through your body for bullets you men are cold as hell I think my
00:32:06lucky stars I'm a lesbian look I just can't have her finding out about the work that we do okay
00:32:11are you serious about her yeah have you thought about the consequences if your dad finds out
00:32:18look now you and I have been best friends for over 20 years okay and my dad has taught me
00:32:26everything that I know I think maybe it's time I just figured things out on my own and you know
00:32:32exactly what I went through last time I'm not gonna lose her again don't worry Anna mommy's
00:32:43gonna find a way to bring you home soon all the evidence is here it's exactly what you thought
00:32:55let me know if you want me to find out more
00:32:58Carl let's meet
00:33:14oh wow it's not every day a famous painter comes to visit to what do I owe the pleasure
00:33:30the company I supposedly borrowed money from
00:33:34it's a shell company owned by you
00:33:39so what all our operations are legal you signed the documents you borrowed the money
00:33:46all you can do now is pay it back
00:33:51you know I don't think you actually want me to pay back the loans
00:33:58you were just looking for an excuse to have me back in your life
00:34:03you're obsessed with me this is just your sick way to dominate me and make me surrender to you
00:34:10I'm just getting even for the years I spent in your father's shadow the years of belittlement
00:34:17and him treating me like a clown
00:34:19my father hired you when no one else would
00:34:23not my fault that your insecure petty took his support as belittling
00:34:31I wouldn't upset me if I were you
00:34:35remember I'm your creditor now
00:34:38two months
00:34:40that's all I can give you to pay me back the remainder
00:34:43a hundred and eighty million
00:34:44what are you doing here
00:34:55I was just in the neighborhood
00:34:57thought I'd give you a ride home
00:34:58I'm gonna be driving them off before we head home
00:35:14yeah hey listen I didn't introduce you last time but this is my best friend Nell and her
00:35:20girlfriend Maria
00:35:21Nell and I have been nothing more than friends since we were kids
00:35:28she's not into men and she never has been
00:35:31and her and I are nothing more than just platonic friends
00:35:34alright
00:35:35I'm sorry I jumped to conclusions the other day
00:35:40it's okay
00:35:40I just didn't want you to get the wrong idea
00:35:43look I appreciate it I really do I just I I still think you and I are better off just as friends
00:35:57just why
00:36:01maybe because I'm just getting over a failed marriage
00:36:14because I owe an unthinkable amount of money and I have no idea how I'm gonna pay it back
00:36:18I also have no idea how I'm gonna get my daughter back
00:36:23and getting into a relationship with you that's just something I can't do right now
00:36:30love has brought me nothing but pain okay so just please just leave it
00:36:35do you have any other paintings
00:36:58yeah I have several what are you looking for
00:37:08I would like to buy them all I love your painting style it is so unique
00:37:15I own a large gallery and I would like to establish a long-term collaboration with you
00:37:20thank you for your kind words about my paintings but
00:37:24I have been in some trouble lately and it's probably best if I don't involve your gallery
00:37:30none of this matters to me
00:37:36if someone wishes to cause me trouble
00:37:38well just let me try
00:37:40I mean
00:37:47it has to be a mistake
00:37:50or a prank
00:37:53or a cruel practical joke
00:37:56I mean it seems pretty authentic to me
00:37:58it has their seal and your name and address are like clearly written on it so
00:38:03it looks authentic
00:38:07but how would they have seen my paintings?
00:38:13I don't know maybe one of those auction sites that you've been posting your work on
00:38:16I mean you're incredibly talented so anybody who's seen your work would automatically recognize it
00:38:22I own a large gallery and I would love to establish a long-term collaboration
00:38:31it's him
00:38:33it's him the guy who's been on my paintings he must be the owner of the Fitz gallery
00:38:38well in that case we better get going
00:38:40well in that case we better get going
00:38:41where?
00:38:42where?
00:38:43gotta go get you a dress
00:38:44can't have you showing up to the Fitzgala in rags
00:38:46babe? which one do you like more? this one or this one? I need to be the hottest girl at the Fitzgala
00:38:59everything just looks so good on you honey so just pick whichever one you want I gotta take a call okay?
00:39:09wrap this up you twitch I'll take them both
00:39:16wow
00:39:20I used to buy dresses like this all the time without even thinking about the money but
00:39:26I can't afford something like this now
00:39:30you know what? consider it a congratulatory gift from me
00:39:34alright? and when you make it big in the art world you can just pay me back
00:39:38oh hi excuse me
00:39:41yeah my friend would like to try on this dress
00:39:43oh your friend has amazing taste this dress is actually a limited edition
00:39:48each one handcrafted by hand and therefore entirely unique truly a work of art
00:39:53well how fitting this is going to be worn by a very talented artist
00:39:56I'll have someone on the team bring it out to you
00:39:59Veronica please bring the limited edition thank you
00:40:03well limited edition
00:40:05Tasha
00:40:06do you really think you can afford this dress?
00:40:10you can afford this dress?
00:40:14please
00:40:16Reina I don't think you need to worry about Tasha's finances okay?
00:40:23you'll be a slabber stat last time
00:40:26hey you get over here
00:40:29I'm gonna pay twice what it's worth but I want this dress
00:40:33ma'am this dress is four thousand dollars
00:40:35did I ask you how much it cost? you pluritarian scum
00:40:39just shut your mouth and add it to my bill
00:40:42she's willing to pay double
00:40:44I'll double her offer and I'll pay sixteen
00:40:46okay sir sold
00:40:48thirty two thousand
00:40:50you know what?
00:40:52if she wants the dress so bad let her have it
00:40:55you can put all the jewels you want on a pigeon but it'll never be a peacock
00:40:59I'll show you who's a bitch and you'll be a bitch
00:41:03how dare you assault me?
00:41:05Tasha are you okay?
00:41:08what is going on here?
00:41:10what's going on is that your crazy bitch wife pushed Tasha to the ground
00:41:13I swear to god they're all lying I never touched her
00:41:17I saw everything this gentleman and his girlfriend were very nice
00:41:20and politely inquired about a dress and suddenly your wife appears and attacks her for no reason
00:41:24shut your mouth you little lying asshole
00:41:27you know what why don't you just call security before this crazy maniac hits somebody else
00:41:31wait a second Reina what actually happened here?
00:41:33what's going on?
00:41:34why don't you believe me?
00:41:35I told you
00:41:36don't just call 911
00:41:38are you blind?
00:41:40oh Tasha can you stop this bullshit
00:41:42you know what Reina can you just stay away?
00:41:44can I get someone down here?
00:41:45room A122
00:41:46no no that's not necessary we are leaving right now let's go
00:41:49bro but
00:41:50okay you've embarrassed us both enough for one day okay let's go
00:41:54let's go
00:42:01wherever Reina goes trouble sure to follow
00:42:05it is nice to see you get a taste of her own medicine though
00:42:09yeah it's a shame though you would have looked really great in that dress
00:42:13don't worry about that I have a solution
00:42:27what are you gonna do with all this stuff?
00:42:29I'm gonna design my own dress and wear it to the gala
00:42:32are you sure there's enough time?
00:42:34have some faith in me I graduated with honors in design and fine art
00:42:39I got this
00:42:41alright
00:43:01how do I look?
00:43:05how do I look?
00:43:07what is
00:43:13is something wrong?
00:43:14is it
00:43:15is it too much?
00:43:16should I change something?
00:43:17no
00:43:18no
00:43:19no
00:43:20you
00:43:21look
00:43:22that dress
00:43:23like
00:43:24that is one of the most beautiful dresses I've ever seen
00:43:27but there's something missing
00:43:31should I
00:43:35resell the beads?
00:43:37no
00:43:38I have a gift for you
00:43:40something to
00:43:41complete the whole look
00:43:43destroy harder you idiot
00:43:50mrs crow
00:43:52I am doing everything I can
00:43:54I don't know what more I can do
00:43:56you're calling me fat?
00:43:58of course not
00:43:59you're not fat at all
00:44:01it's the dress
00:44:02it's not made for a woman's body
00:44:04just shut up and do it
00:44:07babe
00:44:08just put on another dress
00:44:10you're gonna be late
00:44:11I spent so much money on this dress
00:44:14I am wearing this dress
00:44:16I am wearing this dress
00:44:17I can't it's
00:44:21it's too much
00:44:23no
00:44:24it was made for you
00:44:26I can't it's
00:44:27it's too much
00:44:28no
00:44:29it was made for you
00:44:30I can't it's
00:44:37it's too much
00:44:39no
00:44:40it was made for you
00:44:42I can't wait to see what you brought to the auction
00:44:45can we have a little hint?
00:44:47well actually I brought some of my very own paintings to auction tonight
00:45:04what's wrong?
00:45:06just Tasha Roberts
00:45:08my husband's dreadful ex-wife
00:45:12I'm tired of seeing her sorry face everywhere
00:45:16you know she's also a horrible person
00:45:20if it isn't everyone's favorite white collar criminal turned homeless vagrant Tasha Roberts
00:45:28so the other day when you were trying to buy this dress with that working class thug boyfriend of yours
00:45:35you were trying to come here?
00:45:37are you sure you were even invited?
00:45:40I'm sorry are you working the security details?
00:45:46do I need to show you my invitation?
00:45:48honey I'm just trying to look out for you
00:45:50okay?
00:45:51I want to spare you the embarrassment of being kicked out when everybody finds out that you are not invited
00:45:57you mean like how you were kicked out of the mall?
00:46:00I see
00:46:01you still quite don't understand your place in the world
00:46:04you think you're fucking Cinderella or something and life is a fairy tale
00:46:09but don't worry
00:46:11I'll help you figure it all out
00:46:14what's wrong with you?
00:46:17you can't just see people are walking through
00:46:19Rina this time you've gone too far
00:46:21stop shouting you dreadful oaf
00:46:23these were supposed to be auctioned tonight
00:46:25well if it is of any consolation
00:46:27I don't think the wine has reduced their value of very much at all
00:46:31now you can go and cry to your fairy gut mother
00:46:36loser
00:46:38oh I think the auction is starting
00:46:41well I'll see you there
00:46:43toodles
00:46:52for our first auction item I'd like to welcome Ms. Rina Crowe to the stage
00:46:56with her collection of original paintings
00:47:08as you can see Ms. Rina Crowe's style is very unconventional
00:47:20certainly these works defy easy categorization
00:47:23and yet there are touches of whimsy
00:47:26and an almost playful quality about them
00:47:29as depicted here through the bold use of a duck as a central figure
00:47:33it's a dog
00:47:35what?
00:47:36it's a dog not a duck you buffoon
00:47:38oh yes of course
00:47:40a dog
00:47:42seen through a very unique prism
00:47:45portrayed as only an artist of Rina's caliber could possibly portray it
00:47:50now that we have familiarized ourselves with the art and the artist
00:47:54let's start the bidding
00:47:55the starting price will be $50,000
00:47:58do I hear $50,000?
00:48:01anyone?
00:48:03$50,000 going once
00:48:10$50,000 going twice
00:48:12$50,000 going twice
00:48:13sold!
00:48:14sold for $50,000
00:48:17and now we'll invite our second artist for the evening Ms. Tasha Roberts
00:48:22who will also be presenting a series of paintings
00:48:25and now we'll invite our second artist for the evening Ms. Tasha Roberts
00:48:26who will also be presenting a series of paintings
00:48:29Ms. Tasha Roberts where are your paintings?
00:48:35I don't have my paintings tonight
00:48:42but I will be auctioning off this dress
00:48:47oh wow it's beautiful
00:49:02oh stupendous I've never seen a dress so beautiful
00:49:06oh stupendous I've never seen a dress so beautiful
00:49:10oh stupendous I've never seen a dress so beautiful
00:49:14a stunning work of art indeed
00:49:16there's no need for me to say another word about this masterpiece
00:49:19everyone in the audience can clearly see the extraordinary talent and extraordinary artistry
00:49:24let's start the bidding at $50,000
00:49:27$55,000
00:49:28$75,000
00:49:29$90,000
00:49:30$100,000
00:49:31$150,000
00:49:34$250,000
00:49:36$250,000 going once
00:49:41$250,000 going twice
00:49:43gold
00:49:44this beautiful dress is sold for $250,000
00:49:48is that the heart of Slamathus it sold for $200,000 a few months ago in a big note?
00:50:01impossible
00:50:02how can that lowly peasant possibly afford it?
00:50:05it must be a fake
00:50:10thank you so much for your bid Ms. Munslow
00:50:13I'm going to design a few custom pieces in your size
00:50:16and design them to your elegance and style
00:50:19have you ever considered creating your own clothing brand?
00:50:24your creations are so extraordinary
00:50:27you should really share your talent with the rest of the world
00:50:30thank you I never considered it but I certainly will now
00:50:35hi
00:50:36I'd be careful if I were you
00:50:38I personally wouldn't put any faith into someone that wears cheap replicas of famous pieces of jewelry
00:50:44what are you talking about right now?
00:50:47this woman is a phony and a con artist
00:50:50for as long as I worked with her
00:50:52she's done nothing but defraud and cheat the people she's done business with
00:50:56and let me make it clear
00:50:58for everybody that wants to do business with this woman
00:51:01they won't be allowed to do business with the Crow group
00:51:04is that so?
00:51:06well, let it be known that if anybody refuses to work with Ms. Tasha Roberts
00:51:13because of the baseless rumors and lies being spread by Ms. Raina Crowe
00:51:17you will no longer be welcomed back to the Fitz Gallery
00:51:21that's the curator of the Fitz Gallery
00:51:25not just the curator, he's also the director of the Fitz Foundation
00:51:29the curator?
00:51:32is he the man who bought my paintings?
00:51:35why does he seem so familiar?
00:51:40Ms. Tasha Roberts is my guest of honor tonight
00:51:42alright, I invited her personally
00:51:44so if anybody treats her with the slightest bit of disrespect
00:51:47they'll be asked to leave and never again invite her back to the Fitz Gallery
00:51:50as the director of this esteemed organization
00:51:54am I interested to know that your guest of honor
00:51:57is wearing a cheap replica of a priceless work of art
00:52:01she is not to be trusted
00:52:04I'm assuming you mean her diamonds
00:52:06what evidence do you have to prove that it's not real?
00:52:09well, the real Heart of the Sun has the initials of the Craftman
00:52:13engraved in the joint between the gemstone and the pendant
00:52:17so Tasha, would you indulge us all
00:52:20and show us if what you're wearing is a genuine article
00:52:23or a cheap knockoff?
00:52:26this was just given to me by a friend
00:52:29I never claimed it was the real Heart of the Sun
00:52:32I don't want to embarrass him by having people pour over it for imperfections
00:52:38so it's a forgery
00:52:40you were so happy to have everyone believe it was the real thing
00:52:43until I challenged you and called your bluff
00:52:47Miss Roberts
00:52:50you were so happy to have everyone believe it was the real thing
00:52:53until I challenged you and called your bluff
00:52:56Miss Roberts
00:52:57you have nothing to fear from this woman
00:52:59just show her the necklace
00:53:01and I'll personally see to it that there are no despairing comments
00:53:04about its craftsmanship or quality
00:53:06and the question has to be asked whether it is the true Heart of the Sun
00:53:10what?
00:53:11how is this possible?
00:53:25I do say, this engraving looks entirely authentic to me
00:53:31this is indeed the one and only Heart of the Sun
00:53:37well that settles it then
00:53:38this necklace is authentic
00:53:40from now on
00:53:41no one will be permitted to question or harass my guest of honor
00:53:44now if everyone is satisfied
00:53:46can we please get back to tonight's festivities?
00:53:49Cheers
00:53:58Ken, you have a lot of explaining to do
00:54:01okay, what's wrong?
00:54:03I can't accept his necklace
00:54:06and I can't give you what you want
00:54:09do you even know what I want?
00:54:11I don't want to know
00:54:13we can just be friends, nothing more
00:54:16Tasha, you're just afraid
00:54:18you're just afraid of going after what your heart truly desires
00:54:21and I just think you're afraid of just being true to yourself
00:54:26you're the last person that should be lecturing anybody on the truth
00:54:31who are you?
00:54:34what do you do?
00:54:35is this even your house?
00:54:37I mean
00:54:39how do you own a necklace that's 200 million dollars?
00:54:45I just
00:54:46see
00:54:47you
00:54:48you don't even respect me enough to tell me the truth
00:54:51but you
00:54:52you expect me to jump into a relationship with you?
00:54:55you
00:54:57you could be a total stranger
00:54:59I have no idea who you are
00:55:02Tasha, I want to tell you
00:55:04I do
00:55:05but
00:55:06I just can't right now
00:55:08alright?
00:55:09like maybe in the future
00:55:10when we can sit down and
00:55:11no, Ken, there is no future for us
00:55:13not if you can't tell me one thing about yourself that isn't a lie
00:55:18when you find someone that you really love and trust
00:55:22you let them in
00:55:24but that person won't be me
00:55:31are you okay?
00:55:47director Fitz, I had a wonderful time at the gala
00:55:54thank you for supporting me and standing up for me
00:55:58I wasn't bothered by the way the other guests treated me
00:56:01I've endured far worse
00:56:04lovely
00:56:07I'm glad to hear it
00:56:09I would like to exclusively showcase your work at the Fitz Gallery for the foreseeable future
00:56:15think of it as a sort of artist's residency
00:56:18would you be interested in such an opportunity?
00:56:20this dress is every bit as exquisite as I expected it to be
00:56:33thank you my dear
00:56:34you're very welcome
00:56:35have you given any more thought to my proposal?
00:56:39if you wish to start a clothing brand
00:56:43I would be more than happy to invest whatever you require to get started
00:56:48it's a very gracious offer
00:56:50but I just, I have to ask
00:56:52I mean there are so many other talented designers
00:56:55why do you have such faith in my abilities?
00:56:58it's not just me you know
00:56:59the curator of the Fitz Gallery
00:57:02has never been seen in public before the gala last night
00:57:06and everyone in attendance was certain
00:57:09that the only reason he chose to make an appearance was because of you
00:57:13his guest of honor
00:57:15that was his first appearance ever?
00:57:19indeed
00:57:20his very first and only time to appear in the flesh
00:57:23before this he was a figure of myth and mystery
00:57:28many people doubted he existed at all
00:57:31but all because of you
00:57:33he chose to grace us with his presence last night
00:57:37seems like a marvelous young man
00:57:39don't you think?
00:57:40he certainly had a charm about him
00:57:42oh undoubtedly
00:57:44you know
00:57:45many people flock to the Fitz Gallery
00:57:47for more than just the art
00:57:49they want to learn all about
00:57:51the enigmatic young curator
00:57:54really?
00:57:55I mean what's so interesting about him?
00:57:57have you ever wondered
00:57:59how the Fitz Gallery has managed to surpass
00:58:02all of the established art collections
00:58:05to become the top venue for fine art
00:58:07in just two years?
00:58:09I mean I, I heard rumors
00:58:12something about foul play
00:58:14but I always just assumed they were baseless
00:58:16those rumors have quite a bit of truth to them
00:58:19seems like the Miller crime family
00:58:22is actually behind the Fitz Foundation
00:58:25the one and the same Miller crime family
00:58:29that monopolizes all the underground trade
00:58:32in all of North America
00:58:34he seems like such a gentleman
00:58:36I just
00:58:37I find it hard to believe
00:58:38that he ever was involved in something so sordid
00:58:40you must never judge a Brooklyn's cover my dear girl
00:58:45even people close to us may be harboring many secrets
00:58:50we never really know what's going on inside
00:58:53you got that right
00:58:55I learned that lesson the hard way
00:58:57let me be frank
00:58:59I have tremendous faith in you
00:59:02thank you, Mr. Gwinglow, but I think it's dear
00:59:05all my friends call me Laura
00:59:10this is in a check
00:59:12for five million dollars
00:59:14it should help you get your clothing brand started
00:59:17shall we become business partners
00:59:20in addition to being friends?
00:59:22director Fitz
00:59:37I'd like to work with you
00:59:39it would be my owner
00:59:41Miss Tasha Roberts
00:59:43Fly away with me
00:59:48take you high
00:59:50soaring
00:59:52see your smile
00:59:54it's my only dream
00:59:59staring out into the sea
01:00:03waves come crashing up to me
01:00:07my toes slip into the sand
01:00:11dream that I'm with you
01:00:16staring out into the sea
01:00:20waves come crashing up to me
01:00:24my toes slip into the sand
01:00:28dream that I'm with you
01:00:41congratulations Miss Roberts
01:00:44we expect a huge success from your art exhibition
01:00:48thank you
01:00:49thank you
01:01:02you're looking at her
01:01:04you're obsessed with her
01:01:06didn't she humiliate me enough the other night at the gala?
01:01:09but no
01:01:10now I have to watch my husband stare her picture
01:01:14maybe if you didn't give her the opportunity to humiliate you
01:01:18so it's my fault now?
01:01:19oh wait let me guess
01:01:20maybe it's my fault too
01:01:21why the two of you broke up
01:01:22okay
01:01:23Reina
01:01:25I've been thinking
01:01:27I don't think this is working
01:01:29I want a divorce
01:01:31you use me to push Tash out of your company
01:01:38take her property
01:01:39and now you cast me aside like what?
01:01:41a used piece of garbage?
01:01:43I won't allow this
01:01:45mark my words Karl Crow
01:01:48you will regret this
01:01:50I'm spending too much time around Ken
01:02:05he's dominating all my thoughts
01:02:07I have to distance myself from him
01:02:10for my own sanity
01:02:24is there nothing I can do to get you to stay?
01:02:27if it was so true
01:02:29I'm sorry
01:02:31but no
01:02:33you and I
01:02:35our relationship
01:02:36will just
01:02:37keep going in circles
01:02:39but thank you
01:02:42for everything you've done for me
01:02:44I have a little bit of money now
01:02:46so
01:02:47you should be able to pay off your loan soon
01:02:49in long talks
01:02:50in awkward silence
01:02:52wait
01:02:53nights
01:02:54walking through the garden
01:02:55running
01:02:56with your hand in mind
01:02:58cause some
01:02:59ahhh
01:03:00ahhh
01:03:01ahhh
01:03:02ahhh
01:03:03ahhh
01:03:04ahhh
01:03:05ahhh
01:03:06ahhh
01:03:07ahhh
01:03:08ahhh
01:03:09ahhh
01:03:10ahhh
01:03:11ahhh
01:03:12ahhh
01:03:13ahhh
01:03:14ahhh
01:03:15ahhh
01:03:16ahhh
01:03:17ahhh
01:03:18ahhh
01:03:19ahhh
01:03:21this
01:03:22is what happens when you steal from the Millers
01:03:23utilize
01:03:26let me go
01:03:29promise you'll never see me again
01:03:36can
01:03:37we got here
01:03:38right this way
01:03:41boss
01:03:42I found this one peeking around the corner
01:03:45not sure how long this little bitch has been watching
01:03:47but I'm pretty sure she tried to call the cops.
01:03:53Don't worry, boss. I got a knife with her name on it.
01:03:56We can dump her body with the other guy.
01:04:02No, let her go.
01:04:04What? Didn't you hear what I said? She's seen everything.
01:04:07Let her go before I rip off your fucking arms and throw them in the river.
01:04:17Walk away. This doesn't mean anything to you.
01:04:22Is this what you couldn't tell me about?
01:04:25Boss, you know this woman?
01:04:29You're gonna kill him.
01:04:31Call the police then. See if they can save his life.
01:04:33No! Don't call the police, you stupid bitch!
01:04:39My world is more cruel than you can possibly imagine.
01:04:41So since you didn't want to get involved, just walk away.
01:04:47Hey, babe. What do you want for breakfast?
01:05:17My world is more cruel than you can possibly imagine.
01:05:21So since you didn't want to get involved, just walk away.
01:05:23I never imagined that Ken could be such a dangerous and violent man.
01:05:26There must be something or someone forcing him to do all of this.
01:05:28I never imagined that Ken could be such a dangerous and violent man.
01:05:30There must be something or someone forcing him to do all of this.
01:05:33Even people close to us may be harboring many secrets.
01:05:35Even people close to us may be harboring many secrets.
01:05:39We never really know what's going on inside.
01:05:41Forget it. This has nothing to do with me.
01:05:43I decided to leave Ken, so I have to do my best not to look back.
01:05:53Tasha, let's talk.
01:06:18Your pro-magnet boyfriend. Is he not joining us?
01:06:29It's all over. I'm not with him anymore.
01:06:32Where's Reyna?
01:06:34Reyna was a mistake. That's all over too.
01:06:39Tasha, I want you back.
01:06:47I can't stop thinking about us.
01:06:49You were right. You belong in my life.
01:06:52So if you just sign those documents, then you can come back to me.
01:06:59Come back to the house. We can carry on like none of this ever happened.
01:07:04I can give you your old job back. That'll be fun. Working together again.
01:07:08And then all that debt you owe me will be wiped clean.
01:07:11You, uh, need a pen?
01:07:18You think I'd get back with you after everything you put me through?
01:07:25Here is a hundred million dollars.
01:07:29I'll pay the rest on time and, for your agreement, take these documents and shove them right up your ass.
01:07:45You disgust me, Carl.
01:07:47You should think about Anna.
01:07:49Do you really want her growing up without a mother?
01:07:52With all her health problems, she could really use your support.
01:07:55Don't dare talk about Anna.
01:07:57She'll be with me soon.
01:07:59Then I'll never let her out of my sight again.
01:08:01She needs her mother and her father.
01:08:03Not a father. Like you, she doesn't.
01:08:05She'd be better off with no father at all.
01:08:18I'm sorry, am I interrupting?
01:08:20Are you texting a new boyfriend already?
01:08:23Can it wait?
01:08:25I'm not done talking here.
01:08:27You're pathetic, Carl.
01:08:29Hey, Tasha.
01:08:31Ta-
01:08:32Tasha.
01:08:36Hey, Tasha.
01:08:38Tasha, come back.
01:08:39Where are you going?
01:08:40This place is disgusting.
01:08:42Ta- come on, Tasha.
01:08:44Don't you remember the happy times?
01:08:45Come on, we can have that again.
01:08:47Think of Anna.
01:08:48Think of me.
01:08:49Please.
01:08:50I la-
01:08:51Who f***?
01:08:52Who f***?
01:08:59Sorry, folks.
01:09:12It's the end of the line for you.
01:09:15No hard feelings.
01:09:18But, we gotta do what the people who pay us tell us to do.
01:09:22Who's paying you?
01:09:24I'll give you a hint.
01:09:27A very beautiful woman paid us a small fortune to make sure you two would-
01:09:32To make sure you two don't make it.
01:09:34Oh.
01:09:35Raina.
01:09:36That f***ing b***h.
01:09:38Do you know who I am?
01:09:40I'm Carl Crow.
01:09:42Who?
01:09:43The CEO of the Crow Group.
01:09:45What if she's paying you?
01:09:46I'll pay double, okay?
01:09:47Yeah, yeah.
01:09:48Yeah, pay me double.
01:09:49I guess you haven't heard the news, buddy.
01:09:52See, I don't think you have the means to outbid your pretty little friend.
01:09:56Oh, that backstabbing slut!
01:10:01Please, pick up the phone.
01:10:04You trying to phone a friend?
01:10:06That's a big no-no, sweetheart.
01:10:08That's breaking the rules.
01:10:10Sweetie.
01:10:13Don't waste the little time you have left trying to call for help.
01:10:17It won't do you any good.
01:10:19No one.
01:10:20They can help you now.
01:10:24Three hours, where is Tasha?
01:10:29Hey, Nell.
01:10:30Hey, listen.
01:10:31I need you to do me a favor.
01:10:32Yeah, I need you to pull out the city surveillance system in the area and find all the footage.
01:10:38Yeah, no.
01:10:39Something's wrong.
01:10:40What are you doing?
01:10:41We have to get out of here.
01:10:43Huh?
01:10:44How?
01:10:45You should just go.
01:10:46Save yourself, leave me.
01:10:48It's what I deserve.
01:10:49I'm not gonna leave you.
01:10:51You should just go.
01:10:53Save yourself, leave me.
01:10:54It's what I deserve.
01:10:55I'm not gonna leave you.
01:10:56I'm not that type of person.
01:11:10I'm not gonna leave you.
01:11:13I'm not that type of person.
01:11:17leave you. I'm not that type of person. Come on, let's go. Come down here and wait until
01:11:32they come in. Hey Tasha, I'm so sorry. Now's not the time for that.
01:11:47All in.
01:12:14Looks like we got ourselves a suicidal prick here fellas.
01:12:17I can't think of any other reason why somebody would kick in a door that's got
01:12:20Vincent Santorelli on the other side of it.
01:12:26Oh shit. Boss, I didn't realize it was you.
01:12:31These your guys? Where the fuck are they? You better find them, quick!
01:12:48Oh my god. Oh my god.
01:12:54Now it's your turn.
01:12:56Now it's your turn.
01:13:09Pretty little thing like you I was going to make it painless, but I guess you didn't want that.
01:13:21All the same.
01:13:24Hey, who's this fucking monkey?
01:13:26What the fuck is going on?
01:13:28Are you fucking deaf?
01:13:30Yo, lower your fucking gun!
01:13:32Are you...
01:13:34Are you Ken Miller?
01:13:35How can that be? What the fuck is going on?
01:13:37Ken Miller.
01:13:39The one and the same Miller crime family that monopolizes all the underground trade in all of North America.
01:13:48It's you.
01:13:58You know what you have to do.
01:14:01Boss, please.
01:14:04He's my brother.
01:14:07Rules are rules.
01:14:18I was pushing you away as Ken and growing closer to you as Fitz.
01:14:30I'm sorry, Tasha, but there's just nothing I can do that will make you happy.
01:14:37And I just can't win over your heart.
01:14:39Is Ken Miller always this loving with the hostages he rescues or is it's just special treatment reserved for his lovers?
01:14:52Tasha, I love you.
01:14:56My heart has belonged to you and only you for the past 15 years.
01:15:0015 years.
01:15:08No, we just met a few months ago.
01:15:10We met 15 years ago.
01:15:13You went to Marr Middle School?
01:15:19Yeah.
01:15:21And you saved my life, I...
01:15:22And you saved my life.
01:15:23And you saved my life.
01:15:24And you saved my life.
01:15:25And you saved my life.
01:15:30Stand up, chicken, and hit us back.
01:15:32Isn't that what your dad does for a living?
01:15:35Beat people up?
01:15:37I'm not my dad.
01:15:39You and your father are both scum.
01:15:41Let's teach this little and thug a lesson.
01:15:43Yeah, idiot.
01:15:44Get up and show us what you've got.
01:15:48Hey.
01:15:50Hey, hey, hey, hey, hey, stop.
01:15:52That's enough.
01:15:53That's enough.
01:15:53It's none of your business, Robert.
01:15:55Get out of here, Robert.
01:15:56Hey, stop.
01:15:57Go home.
01:15:57I'll call your parents.
01:15:58Go.
01:15:58Oh, crap.
01:16:06Ever since I saw you that night in the cab, with that necklace on, I just, I knew I found you.
01:16:20Look, this isn't just some feeling for me, okay?
01:16:24This is, this is everything to me.
01:16:27Like, you are everything to me.
01:16:29No matter what happens between us, I will always care about you.
01:16:36And maybe one day we can make it work in a different way.
01:16:53I just need some time to process this.
01:17:00Okay, and after that,
01:17:02maybe we can pick up where we left off that first night you spent here?
01:17:10Maybe.
01:17:12You play your cards, right?
01:17:15You play your cards, right?
01:17:27You play your cards, right?
01:17:28Does everything look good to you, my artist?
01:17:31Yeah.
01:17:33Thanks for everything.
01:17:35That doesn't sound very convincing.
01:17:37Is there anything you want to change?
01:17:39No, I just, I never got around to asking why you wanted to start an art gallery in the first place.
01:17:46Honestly, just to get to you.
01:17:49See, I thought if I own the world's greatest art museum that
01:17:51one day you might find your way in here, and I don't know, that I might find you.
01:18:05I want to see what kind of woman this is that hasn't scared my son.
01:18:35I don't know.
01:18:36I don't know if you're worthy of joining the Miller family.
01:18:40As you wish, sir.
01:18:41I will make the arrangements.
01:18:46Honestly, just to get to you.
01:18:49See, I thought if I own the world's greatest art museum that
01:18:52one day you might find your way in here, and I don't know, that I might find you.
01:18:57Okay, okay.
01:18:59Just concentrate on painting.
01:19:01Don't think about him.
01:19:05Who are you?
01:19:22Miss Tasha Roberts?
01:19:24Mortimer Miller would like to speak with you privately at his home.
01:19:27Come here.
01:19:31Take a look.
01:19:36She's an heiress to the largest chain of luxury hotels in the Western Hemisphere.
01:19:41She's young, beautiful, well-educated.
01:19:47I think she'll make a fine wife for my son, Ken.
01:19:51With all due respect, sir,
01:19:55I believe that it's up to Ken to decide who he wants to spend the rest of his life with.
01:19:59I choose you, not a chance.
01:20:06You're no match for my son.
01:20:08Now you owe money to the Crow Group.
01:20:20I'm going to pay your debt.
01:20:22And in return you will agree to never see my son again.
01:20:33It's our decision whether we want to be together or not.
01:20:37Your son and I love each other.
01:20:39There's nothing in this world that can keep us apart.
01:20:42Natasha, you want us to be together?
01:20:47It's impossible.
01:20:49Father.
01:20:49I forbid it.
01:20:50Father, this is the love of my life.
01:20:53I can't lose her again.
01:20:56I'd rather leave the family business.
01:20:57Then leave if you wish.
01:21:00But she will never have my approval, ever.
01:21:03And she'll never be a part of the Miller family as long as I live.
01:21:06You'll come running back without the Miller family power.
01:21:12Money.
01:21:14You'll accomplish nothing.
01:21:17You're making a big mistake.
01:21:20Choosing this old hag instead of family.
01:21:34Ken, where are you?
01:21:36Why aren't you back yet?
01:21:37Oh, you're still awake?
01:21:58Who did this to you?
01:22:00Don't worry about me.
01:22:02I'm fine.
01:22:03There's nothing out of the ordinary.
01:22:14How about you?
01:22:17Hey, babe?
01:22:17Yeah, no, I'm just right outside.
01:22:23Son of a bitch.
01:22:25You make me cut my own brother's hand
01:22:28Now you think you can betray the Miller family walk away scot-free
01:22:33Not a fucking chance
01:22:36This guy means nothing to the Miller family now. It's worthless
01:22:41Helpless
01:22:42You absolutely nothing now
01:22:45Let's make him feel the pain
01:22:47My brother felt
01:22:49Come on boys
01:22:54Stop! Stop hurting him!
01:23:17Stupid bitch
01:23:18Stop!
01:23:24Stop at once you insolent fools
01:23:45Son
01:23:52You know how hard it is for me to admit that I made a mistake
01:23:59But today the two of you have proved me wrong beyond a shadow of a doubt
01:24:06Tasha
01:24:08You are the perfect woman for my son
01:24:13Go
01:24:15Be together
01:24:17You approve?
01:24:19You have my blessing
01:24:21From this day onward
01:24:22You have nothing more to do with the legal activities of the family
01:24:24But
01:24:25You'll always be a Miller
01:24:27As will she
01:24:28You have no need
01:24:29You have no need
01:24:30You have no need
01:24:31You have no need
01:24:32You have no need
01:24:33To do with the legal activities of the family
01:24:34But
01:24:35You will always be a Miller
01:24:38As will she
01:24:42Get off me!
01:25:08You useless, impotent man-child!
01:25:12The crowd group is bankrupt!
01:25:14It hurt!
01:25:15Getting involved with you is the worst decision I could have made in my life!
01:25:18Get off! This is all your fault!
01:25:20You spent every single thing that we had!
01:25:23Now we have nothing left!
01:25:24No company, no house, no money, not even a dime!
01:25:28And it's all because of you, you greedy cow!
01:25:30Don't you-don't-
01:25:31Hey, hey, hey!
01:25:33The late Mrs. Miller was a beautiful woman, sir.
01:25:44Yes.
01:25:48Back then my wife protected me from every danger that befell our family.
01:25:55And today, my son found the perfect woman that I said I'd do the same for him.
01:26:02He's a lucky man.
01:26:04Wow, you look so beautiful.
01:26:19No, you can't be here right now!
01:26:22Babe, I don't want to rush you, but everybody's waiting to see you.
01:26:25Ken, can you promise me one thing?
01:26:29I can promise you two if you'd like.
01:26:32I'm serious.
01:26:36I want you to walk away from the family business.
01:26:41There's a city called Ostia.
01:26:42It's on the southwest side of Rome by the ocean.
01:26:47What?
01:26:48You know what I found over there?
01:26:51I found doing an art teaching job out of public school.
01:26:55I already took tickets.
01:26:56Maybe in the morning.
01:26:58You're sending me away?
01:26:59No.
01:27:01I opened my own restaurant.
01:27:02It's just down the street.
01:27:06Oh, one more thing.
01:27:08I enrolled Anna at the school they're going to be teaching at.
01:27:11I think she's going to really love it over there.
01:27:16So you really are walking away?
01:27:18Yeah.
01:27:23You got some socks.
01:27:27Oh!
01:27:28Yeah.
01:27:30You're too cute.
01:27:32Oh, no.
01:27:34Oh, no.
01:27:38Oh, no.
01:27:39Oh, no.
01:27:41I'm sorry.
01:27:42I can't see you.
01:27:44I'm sorry.
01:27:46I'm sorry.
01:27:48I'm sorry.
01:27:50I'm sorry.
01:27:51I can't see you, Hope.
01:27:52Oh, no.
01:27:54Transcription by CastingWords
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