Shelter In The Mafia Full Episode

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Shelter In The Mafia Full Episode #fullshortdrama #trendingmovie #trendingshortdrama #hotmovie #hotfilm #completeddrama #completedmovie

Transcript

00:00:00Hey, what are you doing with my stuff? How'd you get in here?

00:00:11I gave him the keys.

00:00:12Carl? I mean, what are you doing here so late? And what's that guy doing with my stuff?

00:00:17Tasha, Tasha, Tasha. You're always asking the wrong questions.

00:00:24What the hell is going on?

00:00:26Do you really think you're that thick, Tasha?

00:00:29Your husband and I decided that you're no longer needed here anymore.

00:00:33Reyna's gonna take over your role at the company.

00:00:35She's already proven she can do everything you can, but better.

00:00:39I'll have a letter of termination and divorce papers sent over to your new address,

00:00:43wherever that ends up being.

00:00:45What should I do with this, boss?

00:00:47Give me that new plebe. I know exactly what to do with it.

00:00:53Is that clear enough for you, Tasha?

00:00:55Tasha, your company and your husband both belong to me now.

00:01:03No, you can't just fire me. I'm a shareholder at this company.

00:01:07Are you still a shareholder at this company? Are you?

00:01:10You know, actually, your debt is mortgaged with your shares.

00:01:14So you actually owe this company about 200 million.

00:01:16I never took out any loans that large.

00:01:18Oh, Tasha. You were always so gallible.

00:01:22A word of advice for the future?

00:01:24Don't give the keys to the kingdom to your assistant,

00:01:28no matter how trustworthy your feeble brain think they might be.

00:01:33Security! Security! We have a vagrant in the lobby and she might become hostile.

00:01:38Stop acting. I'll just leave on my own.

00:01:42Look. There's no glamour. There's no glory.

00:01:52It's just blood, guts, fear, and misery.

00:01:55Come on, man. You think I'm some kind of moron that doesn't know anything?

00:01:59I know that the type of money you make in just a few days,

00:02:02I can't make that in 10 years working as a stick.

00:02:05But at least you're guaranteed to be alive in 10 years.

00:02:07In my world, you're not guaranteed to be alive in 10 days, let alone 10 minutes sometimes.

00:02:12Yo, yo, man. Stop lecturing me.

00:02:14Are you gonna give me the gun or not?

00:02:18I'm sorry, but no. I'm not gonna let you get killed.

00:02:23Man, what the fuck you got me here for then?

00:02:26Shit.

00:02:29Oh, I guess you didn't hear. The repo guy, he came and towed your car away.

00:02:49Said it was like collateral for a loan.

00:02:52Of course, I made the call and arranged everything.

00:02:57My pleasure.

00:02:59You despicable trash.

00:03:01You know, I was gonna give you a ride, you know,

00:03:05seeming that we were married for so long.

00:03:07But walking the streets at night kind of suits you.

00:03:10So, enjoy.

00:03:13Go to hell.

00:03:15Let's go.

00:03:21Oh, boy.

00:03:22I love you.

00:03:23I am so sorry.

00:03:24I love you.

00:03:25I love you.

00:03:27I love you.

00:03:28I love you, I love you.

00:03:29I love you.

00:03:30Miss?

00:03:47Just go away, alright?

00:03:49I don't need your cheap sympathy right now.

00:03:52Miss, your friend's gone.

00:03:54I just want to offer my cab services.

00:03:58Yeah, um...

00:03:59I'm sorry, a...

00:04:01A cab is just what I need right now.

00:04:04Alright, great. Come on board.

00:04:05Sorry, I...

00:04:28I don't have any cash right now. Um...

00:04:31Give me a minute. I'll go grab some from inside.

00:04:34Here.

00:04:35Just proof I'm not trying to

00:04:37skip out on the fair.

00:04:38You have some nerve coming back here.

00:04:50I never wanted my son to marry you in the first place.

00:04:53And now that he's finally come to his senses

00:04:55and kicked you to the curb,

00:04:57you think that you can just

00:04:58waltz right back into his house?

00:05:01His house?

00:05:02My father left me this house.

00:05:06And I know you're senile,

00:05:08but I'm sure you remember

00:05:10when you practically begged me

00:05:12to let you and Carl live here.

00:05:14I always knew you were a nasty little hussy.

00:05:17Who the hell are you?

00:05:24This is a personal matter,

00:05:25so you should really mind your own business

00:05:27and stay outside.

00:05:28Actually,

00:05:30this is my boyfriend.

00:05:32So, if it's a personal matter for me,

00:05:35it's a personal matter for him.

00:05:37Okay.

00:05:37What?

00:05:39You think your son's the only one

00:05:41capable of having secrets?

00:05:56Hey, thanks again for today.

00:05:59I know that's a weird position to put you in.

00:06:03Sorry?

00:06:05It is really nice to know

00:06:06that there are still good people out there

00:06:09that would help a total stranger.

00:06:13Have a good night.

00:06:14All right.

00:06:14You too.

00:06:36Where's my necklace?

00:06:59It's here.

00:07:01Just proof I'm not trying to

00:07:03skip out on the fair.

00:07:04There's a fancy broad like you find yourself

00:07:33in a place like this.

00:07:34Who the hell are you?

00:07:36Get out now!

00:07:37All I'm trying to do

00:07:38is introduce myself

00:07:39and you're treating me like

00:07:40some dog shit

00:07:41you found stuck to your shoes.

00:07:45Oh.

00:07:46I'm calling the police!

00:07:49How about I give you

00:07:50a better idea?

00:07:51Yeah.

00:07:51You and I are going to have some good

00:08:01old-fashioned fun tonight.

00:08:02You and I are going to have some good old-fashioned fun tonight.

00:08:10If I ever see you around here again,

00:08:12you're dead!

00:08:13Get out of here!

00:08:14I'm so glad you're here.

00:08:24Where did you get this necklace?

00:08:28My father gave that to me.

00:08:34You better not be lying to me.

00:08:36I'm not lying.

00:08:37He made that with his own hands.

00:08:41It has my name on the back.

00:08:46It's really you?

00:08:58Hey.

00:09:01How are you feeling?

00:09:02How did...

00:09:06How did you...

00:09:07You left your bag in my car.

00:09:10How did you know where to find me?

00:09:14I have my ways.

00:09:17Hey, listen.

00:09:19I know it's none of my business,

00:09:20but it's not safe for you here.

00:09:22With everything that's happened

00:09:23in the last 24 hours,

00:09:25this is...

00:09:26all I can afford.

00:09:30Listen, I have an extra room

00:09:31at my place.

00:09:32Maybe...

00:09:33you can just come stay with me.

00:09:55Welcome home.

00:10:01I really feel like

00:10:03my luck's starting to change.

00:10:05I mean, you've literally

00:10:05rescued me over and over today.

00:10:09I know what it's like.

00:10:11I've been rescued before.

00:10:13I'm sorry.

00:10:14I...

00:10:14I don't think I can make rent

00:10:16right away,

00:10:17but...

00:10:18you could sell this ring

00:10:20and then...

00:10:22you should cover me

00:10:22for a few months,

00:10:23at least until I'm back on my feet.

00:10:25I thought he was

00:10:26a really rich guy.

00:10:27why did he get you

00:10:29such a small diamond?

00:10:32It's not a very good cut, either.

00:10:35Okay.

00:10:36Never mind.

00:10:37I...

00:10:37can just...

00:10:39No, it's fine.

00:10:40I'm just saying.

00:10:42You deserve a better reign than this.

00:10:43No, babe.

00:11:11Stop.

00:11:12It's late.

00:11:12Okay?

00:11:12You're still thinking about her.

00:11:16Who?

00:11:17Tasha?

00:11:18Are you kidding me?

00:11:19Then why are you wearing

00:11:21the wedding ring?

00:11:22Did you forget

00:11:23what she and her father did to you?

00:11:24I will never forget

00:11:25what she and her father did to me.

00:11:28But that has nothing to do with you.

00:11:30So why don't you stop

00:11:31mouthing off about shit

00:11:32that you know nothing about

00:11:33and let me handle my own affairs.

00:11:35I'll see you next time.

00:11:42Mary?

00:12:00Mary?

00:12:09What?

00:12:12Hey, what's going on?

00:12:18my daughter's missing.

00:12:19What?

00:12:32Tasha, you shouldn't have barged in like this.

00:12:35If Carl finds out...

00:12:36No, I don't care about Carl right now, okay?

00:12:38Where's my daughter?

00:12:40Where's Anna?

00:12:40I sent her away.

00:12:42No.

00:12:44You have no right.

00:12:48Actually, as Carl's new wife

00:12:50and Anna's legal guardian,

00:12:52I have all the rights to do whatever I want

00:12:55with my stepdaughter.

00:12:58What?

00:13:01We never settled custody,

00:13:03so just skip the theatrics

00:13:05and tell me where my daughter is.

00:13:07You think you're getting custody?

00:13:10Stai sognando.

00:13:12On one hand,

00:13:14we have a mother drowning in debt

00:13:16with no place to live.

00:13:19On the other hand,

00:13:21we have a wealthy

00:13:22and well-respected father

00:13:24who happens to be the CEO

00:13:26of the world-renowned pro group.

00:13:29Who do you think the court

00:13:30will side with?

00:13:38Oh, what's going on?

00:13:40Oh, Carl.

00:13:42Carl, it's okay.

00:13:43Tasha was understandably upset

00:13:44about the situation.

00:13:45You know, I don't blame her

00:13:47for what happened.

00:13:48You trespass on my property,

00:13:50assault my wife in her own home?

00:13:53Tasha, I have put up

00:13:54with your outrageous behavior

00:13:55for years,

00:13:55but don't you dare subject

00:13:57Raina to that kind of abuse.

00:13:59You don't understand.

00:14:00Raina sent Anna away.

00:14:02She did what any good mother would.

00:14:04I want to know

00:14:05where my daughter is right now.

00:14:07New Zealand.

00:14:08Getting medical care

00:14:09from one of the best

00:14:10cardiology departments

00:14:11in the world.

00:14:12and remind me.

00:14:14What have you done

00:14:15for your daughter lately?

00:14:16Hmm?

00:14:17Abandon her?

00:14:18To go shack up

00:14:19with some cab driver boyfriend?

00:14:20You idiot!

00:14:22I found those cardiologists

00:14:23in New Zealand.

00:14:25Scheduling those appointments

00:14:26was the last thing

00:14:27I had Raina do

00:14:28when she was still

00:14:28my assistant.

00:14:29Tasha, Tasha,

00:14:30you disgust me.

00:14:31Trying to take credit

00:14:32for this wonderful

00:14:33woman's kind gesture

00:14:35to your own sick daughter.

00:14:36I'm going to make sure

00:14:37Anna stays far,

00:14:38far away from you

00:14:39so there's no possibility

00:14:40of her ever

00:14:41becoming anything like you.

00:14:48You...

00:14:49backstabbing...

00:14:51homewrecking...

00:14:53bitch!

00:14:54I advise you

00:14:56stay far away

00:14:58from my daughter

00:14:59and I.

00:15:01By the way,

00:15:04the deed still lists me

00:15:05as the rightful owner

00:15:06to this house.

00:15:07So the two of you

00:15:08have no right

00:15:10to keep me

00:15:10from coming back here.

00:15:11Do you understand?

00:15:12Calm down.

00:15:12You can forge my signature,

00:15:15you can take my money,

00:15:16take my house,

00:15:17but you will never have

00:15:19a shred

00:15:20of the intelligence

00:15:21that I have.

00:15:21Tasha, you have made

00:15:22your point.

00:15:23I think it would be...

00:15:23You deserve that too!

00:15:27You should have told me

00:15:28about Anna

00:15:28a long time ago!

00:15:32Oh, don't stop

00:15:34at my account.

00:15:35Please, continue.

00:15:37Miss Big Shot,

00:15:39don't you forget

00:15:40that you still owe

00:15:41200 million dollars

00:15:42and 20 millions of that

00:15:44is owned

00:15:45to me personally.

00:15:47In fact,

00:15:47I'm going to call my lawyer

00:15:48and see to it

00:15:49that if you don't pay

00:15:50right away,

00:15:51you're never going

00:15:52to see your daughter

00:15:52ever again

00:15:53and you'll end up

00:15:54in debtor's prison.

00:15:55Ciao.

00:16:01Go ahead and check it out.

00:16:02But after your accountant,

00:16:03make sure this is all legit.

00:16:05I don't want you two

00:16:05jackasses counting

00:16:06my girlfriend money

00:16:07ever again.

00:16:08Got it?

00:16:08Oh, by the way,

00:16:15we're going to go ahead

00:16:17and take Anna

00:16:17in the future too.

00:16:19Don't worry, Carl.

00:16:20I'll be a better father

00:16:21to her than you ever can be.

00:16:23Tasha,

00:16:24you'll regret this.

00:16:26Thanks again,

00:16:31Kerr,

00:16:31today,

00:16:33for

00:16:34pretending to be

00:16:36my boyfriend.

00:16:39Mm-hmm.

00:16:41Was all that money real?

00:16:44As real as it comes.

00:16:45Where'd you get

00:16:46all that money?

00:16:48I robbed a couple

00:16:49jewelry stores

00:16:49before I came to find you.

00:16:51Are you serious?

00:16:54No, I'm just joking.

00:16:55It was my dad's.

00:16:57Don't worry,

00:16:57it wasn't stolen

00:16:58or robbed or anything.

00:17:00But hey, listen.

00:17:01From now on,

00:17:02I want you to think

00:17:02of me as your creditor.

00:17:04Okay?

00:17:05I don't want you

00:17:05worrying about

00:17:06owing money

00:17:06to those scumbags.

00:17:08From now on,

00:17:08you'll just

00:17:08owe money to me.

00:17:11As long as

00:17:12you're okay with that.

00:17:13I could be okay with it.

00:17:15As long as you can

00:17:15satisfy one small request.

00:17:20What kind of request?

00:17:25My only request

00:17:30is that you just

00:17:31relax.

00:17:33Okay?

00:17:34I want you to take

00:17:35a load off.

00:17:37I want you to start

00:17:37by telling me a story,

00:17:39you know,

00:17:39about the last time it was

00:17:40when you were happy.

00:17:41You know,

00:17:55I just,

00:17:55I never in a million years

00:17:57could imagine

00:17:59that Carl

00:17:59would betray me like this.

00:18:03I have nothing.

00:18:04Well,

00:18:08I mean,

00:18:09you always have me

00:18:11and,

00:18:13you know,

00:18:14other things.

00:18:17I can't hear you.

00:18:18You're whispering.

00:18:19you're whispering.

00:18:33You're whispering.

00:18:33restoring.

00:18:34Because that's what it is.

00:18:34I have to say,

00:18:36I can't hear you.

00:18:39I can't hear you.

00:18:40I can't hear you.

00:18:40You're whispering.

00:18:41I can't hear you.

00:18:41This way.

00:18:42This way.

00:18:45I can't hear you.

00:18:47Bye.

00:18:48You know, Tasha's probably screwing around with that new boyfriend of hers.

00:19:04That bitch.

00:19:06Honey, you know, you promised to put me in touch with the curator at the Fitz Gallery.

00:19:11I'm telling you, forget about the Fitz Gallery, okay?

00:19:14The people who are running it are crooks.

00:19:16But I want my paintings to be showcased in the most prestigious venue possible.

00:19:21I know, I know, and I said I would help you find other galleries, remember?

00:19:26Just stop nagging me about it, okay?

00:19:30Okay.

00:19:33You're a little angel.

00:19:46It's okay.

00:19:47Just sleep in.

00:19:49Well, this is certainly going to make things more complicated.

00:20:05So you want to pretend last night never happened?

00:20:12I thought we had a good thing going on between us.

00:20:16I mean, you've been going around the last couple of days telling everybody I was your boyfriend.

00:20:21Yeah, but that was just something I said to make my husband jealous.

00:20:26You mean your ex-husband?

00:20:28Yeah.

00:20:29Ex.

00:20:30Yeah.

00:20:31But I mean, you and I, you know I can't start a new relationship right now.

00:20:40So everything you said last night?

00:20:45We were just caught up in the heat of the moment.

00:20:49Heat of the moment.

00:20:51So it was all just bullshit?

00:20:53Why?

00:20:54To get me into bed with you?

00:20:56Just to have a one night stand?

00:20:59Because you miss being with your damn husband?

00:21:15So everything you said last night?

00:21:20Get a hold of yourself.

00:21:24You just got divorced.

00:21:27You're not going to play mind games with men anymore.

00:21:30Hey.

00:21:34I wasn't sure what you liked, so I just made a little bit of everything.

00:21:40You made all this?

00:21:41Yeah.

00:21:49So what do you think?

00:21:52It's delicious.

00:21:56I mean, you deserve to have some of your awesome breakfast too.

00:22:03But hey, you're not going to make me sit here and eat this alone, are you?

00:22:09You've got some sauce right here.

00:22:16All that for some sauce, huh?

00:22:22Are you kidding me?

00:22:24Hello?

00:22:26Mommy, I miss you so much.

00:22:33Anna?

00:22:34Mommy, I miss you so much.

00:22:35Anna, honey?

00:22:36What?

00:22:37What's going on?

00:22:38Anna?

00:22:39Okay.

00:22:40Well, both of your resumes look excellent.

00:22:46I have a question.

00:22:49If you spilled a glass of milk in the ocean, how would you get it back?

00:22:54What does that question have to do with our work?

00:22:57Well, I suppose you could contain the section of the ocean with the spilled milk and then collect that sample, add a centrifugal force, and there's probably a good chance of separation.

00:23:13So at our company, we are always trying to make the impossible possible.

00:23:18And for that, we need people who can think on their feet, derive solutions, no matter how outlandish the task at hand may seem.

00:23:33Hello?

00:23:38Uh-huh.

00:23:40Okay.

00:23:49Congratulations, Ms. Michaels.

00:23:50Welcome to the Eastwood Corporation.

00:24:02If you don't mind me asking, why didn't I get the job?

00:24:10Mrs. Roberts, maybe you should focus on fixing your own family problems first, before you start to look for work again.

00:24:21We don't want to make enemies with the Crow Group.

00:24:32So I guess you didn't get it.

00:24:38I just don't understand why Carl hates me so much.

00:24:42I mean, he doesn't want me to work for his company, but he doesn't want me to work for any other company either.

00:24:47Look, you don't need that corporate job anyways.

00:24:50Yeah?

00:24:52What else can I do?

00:24:54I mean, I thought you were an artist, now a painter.

00:24:57How'd you know about that?

00:24:59You brought an easel.

00:25:02It's just a hobby.

00:25:06I gave it up.

00:25:08I don't paint anymore.

00:25:12Okay, well, if you don't love to paint anymore, then why bring an easel with you?

00:25:20I haven't painted in years.

00:25:23I'm sure it'll be just like riding a bike.

00:25:25Once you start, it'll all come back to you.

00:25:32That's my account. Why are they assigning it to someone else?

00:25:36Fine, fine. Just get me some damn answers and give me a call back soon, okay?

00:25:40Carl, this took me three months.

00:25:46I'm sorry, I just got some bad news at work.

00:25:50It's ruined now.

00:25:51Fine.

00:25:52Please, start over.

00:25:54You know, it kills me to see you squander your intelligence and talent on these useless paintings.

00:26:02You're a remarkable woman, Tasha.

00:26:05Okay? And if the charlatan snobs in the art world can't see that, then screw them, okay?

00:26:10If you put your focus elsewhere, we could be rich enough to buy ten art galleries.

00:26:16And then you could put whatever paintings you want in them, right?

00:26:20Painting's my passion.

00:26:23What if we put painting on the side, just for a little while, and you could come join me at the company?

00:26:30Because together, we...

00:26:33We'd be unstoppable.

00:26:36And right now, I am drowning.

00:26:39Your dad and his partners have no faith in these.

00:26:43I need you.

00:26:46Look.

00:26:50You love me, don't you?

00:26:53Of course I do.

00:26:55Of course I do.

00:26:57Okay, then just...

00:26:59Do this one thing for me.

00:27:01This one little thing.

00:27:03Please.

00:27:25Finish.

00:27:30Finished.

00:27:32Yep.

00:27:37That is amazing.

00:27:40Thank you, I...

00:27:42I honestly never thought I'd paint again.

00:27:44Well, that would have been a shame.

00:27:46You're easily one of the most talented artists I've ever met.

00:27:48Waves come crashing, hunting me.

00:27:51Sorry.

00:27:54We're honored that you chose our gallery to showcase your work.

00:28:10I am curious about one thing, if you don't mind me asking.

00:28:13The subject in your paintings, your muse, is he your lover?

00:28:18Oh.

00:28:20No.

00:28:22He's just a friend of mine.

00:28:25But his gaze.

00:28:27The way he looks out to you in these paintings.

00:28:30There's so much tenderness and affection in his eyes.

00:28:33Is Ken really in love with me?

00:28:40He's so young, though.

00:28:42At his age, he probably doesn't even know what love is.

00:28:45Oh.

00:28:47Sorry, you're in the way.

00:28:50Actually, you're in my way.

00:28:54Actually, you're in my way.

00:28:56I'm trying to get into my home.

00:28:58Is this your new girlfriend?

00:29:00I've never seen you with anyone like this before.

00:29:04Ken's my roommate.

00:29:06Now, if you'll please step aside so I can get in.

00:29:12Call me again if you need anything, okay?

00:29:15Bye.

00:29:19Hey, what are you doing all so early?

00:29:21Are they gonna showcase your work?

00:29:23Sorry if I interrupted something, but as your roommate, I don't really think I need to tell you if I'm coming or going.

00:29:28So if you have something private to do, just do it in your room.

00:29:31I never said you need to tell me when you're coming or going. I'm just saying.

00:29:34No, it's fine. You don't need to explain. I just want to be alone.

00:29:43What?

00:29:47I'm so sorry, sir. She just barged in without permission.

00:29:51It's okay.

00:29:52Miss Roberts, please. Grab a seat.

00:29:55We signed a contract. Why can't you show my paintings now?

00:29:59I'm afraid I don't have the answers you're looking for.

00:30:02You want to know what happened? Ask Karl Krohm.

00:30:07I want my paintings back. Right now.

00:30:11Well, they're probably somewhere in the warehouse. They haven't been thrown away yet.

00:30:15You've already searched the entire warehouse ten times.

00:30:30If you haven't found what you're looking for, it's not here.

00:30:32You better hope I find what I'm looking for, or I'm going to make this entire gallery compensate me.

00:30:37And then I'm going to sue you, and you'll be the first to lose your job.

00:30:39Yeah, that's great, lady. Go ahead and sue. I'm sure things will go exactly the way you described it.

00:30:44I'm sure things will go exactly the way you described it.

00:31:14I'm sure things will come back.

00:31:15You can tell me your paintings and your paintings.

00:31:16You're not even looking for some of the differences.

00:31:17You don't have any paintings, any paintings, you can tell them.

00:31:18I'm trying to get caught up

00:31:29if you have any paintings.

00:31:30I don't know what you're looking for.

00:31:31But you have a lot of paintings in the same way.

00:31:33You can tell them to be left with a very Belgian.

00:31:35What do you do?

00:31:37You get to know what if you were looking for.

00:31:38You can tell them to be right to be right.

00:31:40I don't know where you're looking for the full thing.

00:31:42you really care about her keep your voice down she's had a long day also you can't just come

00:31:53over here so casually in the future casually are you kicking me out you didn't mind my coming over

00:32:01so casually when you had me digging through your body for bullets you men are cold as hell i think

00:32:06my lucky star is i'm a lesbian look i just can't have her finding out about the work that we do

00:32:10okay are you serious about her yeah have you thought about the consequences if your dad finds out

00:32:21look no you and i have been best friends for over 20 years okay and my dad has taught me everything

00:32:26that i know i think maybe it's time i just figured things out on my own and you know exactly what i

00:32:33went through last time i'm not gonna lose her again don't worry anna mommy's gonna find a way to bring

00:32:43you home soon all the evidence is here it's exactly what you thought let me know if you want me to find

00:32:57out more

00:33:12carl let's meet

00:33:14oh wow it's not every day a famous painter comes to visit to what do i owe the pleasure

00:33:31the company i supposedly borrowed money from

00:33:34it's a shell company owned by you so what all our operations are legal you signed the documents you

00:33:45borrowed the money all you can do now is pay it back you know i don't think you actually want me to pay

00:33:57back the loans you were just looking for an excuse to have me back in your life you're obsessed with me

00:34:06this is just your sick way to dominate me and make me surrender to you i'm just getting even

00:34:13for the years i spent in your father's shadow the years of belittlement and him treating me like a clown

00:34:19my father hired you when no one else would not my fault that your insecure petty took his support as

00:34:30belittling

00:34:33i wouldn't upset me if i were you remember i'm your creditor now two months that's all i can give you

00:34:42you to pay me back the remainder 180 million

00:34:54what are you doing here i was just in the neighborhood thought i'd give you a ride home

00:35:02hi um hey who is this

00:35:06uh this is ken's roommate we're gonna be dropping them off before we head home

00:35:16yeah hey listen i didn't introduce you last time but this is my best friend nell and her girlfriend maria

00:35:25nell and i have been nothing more than friends since we were kids

00:35:29she's not into men and she never has been and her and i are nothing more than just platonic friends

00:35:35all right i'm sorry i jumped to conclusions the other day it's okay i just didn't want you to get the

00:35:42wrong idea look i i appreciate it i really do i just i i still think you and i are better off just as

00:35:56friends just why

00:36:04maybe because i'm just getting over a failed marriage

00:36:13because i owe an unthinkable amount of money and i have no idea how i'm gonna pay it back

00:36:20i also have no idea how i'm gonna get my daughter back

00:36:23and and getting into a relationship with you that's just something i can't do right now

00:36:31love has brought me nothing but pain okay so just please just leave it

00:36:45do you have any other paintings

00:36:58yeah i have several what are you looking for

00:37:09i would like to buy them all i love your painting style it is so unique

00:37:16i own a large gallery and i would like to establish a long-term collaboration with you

00:37:21thank you for your kind words about my paintings but

00:37:25i've been in some trouble lately and it's probably best if i don't involve your gallery

00:37:30none of this matters to me if someone wishes to cause me trouble well just let me try

00:37:40i mean it has to be a mistake or a prank or a cruel practical joke

00:37:56i mean it seems pretty authentic to me it has their seal and your name and address are like clearly

00:38:02written on it so it looks authentic but how would they have seen my paintings

00:38:13i don't know maybe one of those auction sites that you've been posting your work on

00:38:17i mean you're incredibly talented so anybody who's seen your work would automatically recognize it

00:38:22i own a large gallery and i would love to establish a long-term collaboration it's him

00:38:34it's him the guy who've been on my paintings he must be the owner of the fitz gallery

00:38:40well in that case we better get going where gotta go get you a dress

00:38:44i can have you showing up to the fitz gala in rags

00:38:52babe which one do you like more this one or this one i need to be the hottest girl at the fitz gala

00:39:01everything just uh looks so good on you honey so um just pick whichever one you want i gotta

00:39:08take a call okay wrap this up you twitch i'll take them both wow i used to buy dresses like this

00:39:22all the time without even thinking about the money but i can't afford something like this now

00:39:30you know what consider a congratulatory gift for me all right and when you make it big in the art

00:39:36world you can just hang me back oh hi excuse me yeah my uh friend would like to try on this dress

00:39:44oh your friend has amazing taste this dress is actually a limited edition each one handcrafted

00:39:49by hand and therefore entirely unique truly a work of art well how fitting it's gonna be worn by a very

00:39:55talented artist i'll have someone on the team bring it out to you veronica please bring the limited

00:40:01edition thank you while limited edition tasha do you really think you can afford this dress

00:40:16you can afford this dress please reina i don't think you need to worry about tasha's finances

00:40:25okay we established that last time hey you get over here i'm gonna pay twice what it's worth but i

00:40:34want this dress ma'am this dress is four thousand dollars did i ask you how much it cost you

00:40:39pluritarian scum just shut your mouth and add it to my bill she's willing to pay double i'll double her

00:40:45offer and i'll pay 16. okay sir sold 32 000. you know what

00:40:51she wants to dress so bad let her have it you can put all the jewels you want on a pigeon but it'll

00:40:59never be a peacock i'll show you who's a pigeon you bitch how dare you assault me tasha are you okay

00:41:09what is going on here what's going on is that your crazy bitch wife pushed tasha to the ground

00:41:14i swear to god they're all lying i never touched her i saw everything this gentleman and his girlfriend

00:41:20were very nice and politely inquired about a dress and suddenly your wife appears and attacks her for

00:41:24no reason shut your mouth you little lying asshole you know what why don't you just call security

00:41:29before this crazy maniac hits somebody else wait a second right now what actually happened here

00:41:34what's going on why don't you believe me don't you don't just call 911 are you blind oh tasha can you

00:41:41stop this bullshit well you know what reina can you just stay away can i get someone down here room a

00:41:46one two two no no that's not necessary we are leaving right now let's go okay okay you've

00:41:52embarrassed us both enough for one day okay let's go wherever reina goes trouble sure to follow

00:42:07it is nice to see you got a taste of her own medicine though

00:42:10yeah it's the same though you would have looked really great in that dress

00:42:17don't worry about that i have a solution

00:42:27what are you gonna do with all this stuff i'm gonna design my own dress and wear it to the gala

00:42:33are you sure there's enough time have some faith in me

00:42:36i graduated with honors in design and fine art i got this all right

00:43:01how do i look

00:43:02how do i look

00:43:12what is is something wrong is it is it too much should i change something no no

00:43:20you look that dress like that is one of the most beautiful dresses i've ever seen

00:43:27but there's something missing

00:43:34should i resell the beads

00:43:37no i have a gift for you something to complete the whole look

00:43:43just try harder you idiot mrs crowe i am doing everything i can i i i don't know what more i can

00:43:56do you're calling me fat of course not you're not fat at all it's the dress it's not made for a woman's

00:44:04body just shut up and do it babe just put on another dress you're gonna be late i spent

00:44:14so much money on this dress i am wearing this dress

00:44:27i can't wait to see what you've brought to the auction can we have a little hint

00:44:56well actually i brought some of my very own paintings to auction tonight

00:45:05what's wrong

00:45:06it's just tasha roberts

00:45:09my husband's dreadful ex-wife

00:45:13i'm tired of seeing her sorry face everywhere

00:45:17you know she's also a horrible person

00:45:21if it isn't everyone's favorite white collar criminal turned homeless vagrant tasha roberts

00:45:29so the other day when you were trying to buy this dress with that um working class thug boyfriend of

00:45:35yours you were trying to come here are you sure you were even invited

00:45:40i'm sorry are are you working the security detail do i need to show you my invitation

00:45:48honey i'm just trying to look out for you

00:45:51okay i want to spare you the embarrassment of being kicked out when everybody finds out that you

00:45:56are not invited you mean like how you were kicked out of the mall i see you still quite don't

00:46:02understand your place in the world you think you're fucking cinderella or something and life is a

00:46:09fairy tale but don't worry i'll help you figure it all out what's wrong with you you can't just see

00:46:18people are walking through reena this time you've gone too far stop shouting you dreadful o

00:46:24these were supposed to be auctioned tonight well if it is of any consolation i don't think the wine

00:46:29has reduced their value of very much at all now you can go and cry to your fairy god mother

00:46:37loser oh i think the auction's starting well i'll see you there toodles

00:46:52for our first auction item i'd like to welcome miss reina crow to the stage with her collection of

00:46:58original paintings

00:47:15as you can see miss reina crow's style is very unconventional certainly these works defy easy

00:47:23categorization and yet there are touches of whimsy and an almost playful quality about them as depicted

00:47:30here through the bold use of a duck as a central figure it's a dog what it's a dog not a duck you

00:47:37buffoon oh yes of course a dog seen through a very unique prism portrayed as only an artist of reina's

00:47:47caliber could possibly portray it now that we have familiarized ourselves with the art and the artist

00:47:54let's start the bidding the starting price will be fifty thousand dollars do i hear fifty thousand dollars

00:48:01anyone fifty thousand dollars do i hear sixty thousand dollars

00:48:06fifty thousand dollars going once fifty thousand going twice sold sold for fifty thousand dollars

00:48:22and now we'll invite our second artist for the evening miss tasha roberts

00:48:27who will also be presenting a series of paintings

00:48:38miss tasha roberts where are your paintings i don't have my paintings tonight um but i will be auctioning

00:48:46off this dress

00:49:00wow it's beautiful stupendous i've never seen a dress so beautiful

00:49:06a stunning work of art indeed there's no need for me to say another word about this masterpiece

00:49:19everyone in the audience can clearly see the extraordinary talent and extraordinary artistry

00:49:25let's start the bidding at fifty thousand dollars fifty five thousand seventy five thousand

00:49:30ninety thousand a hundred thousand one hundred fifty thousand two hundred and fifty thousand

00:49:39two hundred and fifty thousand dollars going once two hundred and fifty thousand going twice

00:49:44Gold! This beautiful dress was sold for $250,000!

00:49:56Is that the heart of Slymachus that sold for $200 million a few months ago in a bid now?

00:50:01Impossible. How can that lowly peasant possibly afford it? It must be a fake.

00:50:10Thank you so much for your bid, Ms. Wenzel.

00:50:13I'm gonna design a few custom pieces in your size and design them to your elegance and style.

00:50:19Have you ever considered creating your own clothing brand?

00:50:24Your creations are so extraordinary. You should really share your talent with the rest of the world.

00:50:30Thank you. I never considered it, but I certainly will now.

00:50:35Hi. I'd be careful if I were you.

00:50:38I personally wouldn't put any faith into someone that wears cheap replicas of famous pieces of jewelry.

00:50:44What are you talking about right now?

00:50:47This woman is a phony and a con artist.

00:50:50For as long as I worked with her, she's done nothing but defraud and cheat the people she's done business with.

00:50:56And let me make it clear. For everybody that wants to do business with this woman, they won't be allowed to do business with the Crow Group.

00:51:05Is that so?

00:51:06Well, let it be known that if anybody refuses to work with Ms. Tasha Roberts because of the baseless rumors and lies being spread by Ms. Raina Crowe, you will no longer be welcomed back to the Fitz Gallery.

00:51:20That's the curator of the Fitz Gallery. Not just the curator, he's also the director of the Fitz Foundation.

00:51:29The curator? Is he the man who bought my paintings? Why does he seem so familiar?

00:51:37Ms. Tasha Roberts is my guest of honor tonight. I invited her personally. So if anybody treats her with the slightest bit of disrespect, they'll be asked to leave and never again invite it back to the Fitz Gallery.

00:51:51As the director of this esteemed organization, am I interested to know that your guest of honor is wearing a cheap replica of a priceless work of art.

00:52:02She is not to be trusted.

00:52:05I'm assuming you mean her diamonds. What evidence do you have to prove that it's not real?

00:52:10Well, the real Heart of the Sun has the initials of the Craft Man engraved in the joint between the gemstone and the pendant.

00:52:18So Tasha, would you indulge us all and show us if what you're wearing is a genuine article or a cheap knockoff?

00:52:26This was just given to me by a friend. I never claimed it was the real Heart of the Sun. I don't want to embarrass him by having people pour over it for imperfections.

00:52:37So it's a forgery. You were so happy to have everyone believe it was the real thing until I challenged you and called your bluff.

00:52:45Ms. Roberts, you have nothing to fear from this woman. Just show her the necklace. And I'll personally see to it that there are no despairing comments about its craftsmanship or quality.

00:52:54And the question has to be asked whether it is the true Heart of the Sun.

00:52:59Ms. Roberts, you have nothing to fear from this woman. Just show her the necklace. And I'll personally see to it that there are no despairing comments about its craftsmanship or quality.

00:53:07And the question has to be asked whether it is the true Heart of the Sun.

00:53:18See, just like... What? How is this possible?

00:53:25I do say... This engraving looks entirely authentic to me. This is indeed the one and only Heart of the Sun.

00:53:37Well, that settles it then. This necklace is authentic. From now on, no one will be permitted to question or harass my guest of honor.

00:53:45Now, if everyone is satisfied, can we please get back to tonight's festivities?

00:53:49Cheers!

00:53:55Ken, you have a lot of explaining to do.

00:54:02Okay, what's wrong?

00:54:04I can't accept this necklace. And I can't give you what you want.

00:54:10Do you even know what I want?

00:54:12I don't want to know. We can just be friends, nothing more.

00:54:17Tasha, you're just afraid. You're just afraid of going after what your heart truly desires.

00:54:22And I just think you're afraid of just being true to yourself.

00:54:27You're the last person that should be lecturing anybody on the truth.

00:54:33Who are you? What do you do? Is this even your house? I mean...

00:54:39How do you own a necklace that's 200 million dollars?

00:54:43I just...

00:54:46See, you... you don't even respect me enough to tell me the truth.

00:54:50What, you... you expect me to jump into a relationship with you?

00:54:56You could be a total stranger. I have no idea who you are.

00:55:02Tasha, I want to tell you. I do. But...

00:55:06I just can't right now.

00:55:08Alright? Like, maybe in the future when we can sit down and...

00:55:11No, Ken, there is no future for us.

00:55:13Not if you can't tell me one thing about yourself that isn't a lie.

00:55:17When you find someone that you really love and trust, you let them in.

00:55:23You let them in.

00:55:30But that person won't be me.

00:55:46Are you okay?

00:55:48Director Fitz, I had a wonderful time at the Gala.

00:55:55Thank you for supporting me and standing up for me.

00:55:59I wasn't bothered by the way the other guests treated me.

00:56:03I've endured far worse.

00:56:08Lovely. I'm glad to hear it.

00:56:10I would like to exclusively showcase your work at the Fitz Gallery for the foreseeable future.

00:56:15Think of it as a sort of artist residency.

00:56:18Would you be interested in such an opportunity?

00:56:28This dress is every bit as exquisite as I expected it to be.

00:56:34Thank you, my dear.

00:56:35You're very welcome.

00:56:37Have you given any more thought to my proposal?

00:56:40If you wish to start a clothing brand, I would be more than happy to invest whatever you require to get started.

00:56:48It's a very gracious offer, but I just, I have to ask.

00:56:52I mean, there are so many other talented designers.

00:56:55Why do you have such faith in my abilities?

00:56:58It's not just me, you know.

00:56:59The curator of the Fitz Gallery has never been seen in public before the Gala last night.

00:57:07And everyone in attendance was certain that the only reason he chose to make an appearance was because of you.

00:57:14His guest of honor.

00:57:15That was his first appearance ever?

00:57:19Indeed.

00:57:20His very first and only time to appear in the flesh.

00:57:24Before this, he was a figure of myth and mystery.

00:57:28Many people doubted he existed at all.

00:57:31But all because of you, he chose to grace us with his presence last night.

00:57:37Seems like a marvelous young man, don't you think?

00:57:40He certainly had a charm about him.

00:57:43Oh, undoubtedly.

00:57:45You know, many people flock to the Fitz Gallery for more than just the art.

00:57:50They want to learn all about the enigmatic young curator.

00:57:54Really? I mean, what's so interesting about him?

00:57:58Have you ever wondered how the Fitz Gallery has managed to surpass all of the established art collections

00:58:05to become the top venue for fine art in just two years?

00:58:11I mean, I heard rumors.

00:58:13Something about foul play, but I always just assumed they were baseless.

00:58:17Those rumors have quite a bit of truth to them.

00:58:20Seems like the Miller crime family is actually behind the Fitz Foundation.

00:58:26The one and the same Miller crime family that monopolizes all the underground trade in all of North America.

00:58:36He seems like such a gentleman. I just...

00:58:38I find it hard to believe that he ever was involved in something so sordid.

00:58:42You must never judge a Brooklyn's cover, my dear girl.

00:58:46Even people close to us may be harboring many secrets.

00:58:51We never really know what's going on inside.

00:58:53You got that right.

00:58:56I learned that lesson the hard way.

00:58:58Let me be frank.

00:59:00I have tremendous faith in you.

00:59:03Thank you, Mr. Wendlow, but I think it's dear.

00:59:06All my friends call me Laura.

00:59:11This is a good check.

00:59:13For five million dollars.

00:59:15It should help you get your clothing brand started.

00:59:19Shall we become business partners in addition to being friends?

00:59:24Director Fitz, I'd like to work with you.

00:59:40It would be my honor, Miss Tasha Roberts.

00:59:42And I think that's the good one.

00:59:44For five million dollars.

00:59:45I think there must be many years of all, but I think it should be the same.

00:59:46As a generous one piece, I think the hard way too.

00:59:48If you want to work with you, you have to become the only one and only one and only one,

00:59:50I know that you would be the same.

00:59:51It's so fresh.

00:59:52I feel the same stuff as well.

00:59:53You know you're happy, like you're not as the poor.

00:59:54I know you're happy.

00:59:55You're happy, like I'm the only one and only one.

00:59:56I'm happy I'm happy.

00:59:57It's so pretty weak.

00:59:59The sea's the same for me.

01:00:01You're happy to make your world as a pleasure.

01:00:02Yeah.

01:00:03You get the same if you're happy with me.

01:00:04It's so rare to look at mine.

01:00:05I'm crashing up to me. My toes slip into the sand. Dream that I'm with you. Staring out into the sea. Waves come crashing up to me. My toes slip into the sand. Dream that I'm with you.

01:00:35Congratulations, Miss Roberts. We expect a huge success from your art exhibition. Thank you. Thank you.

01:00:50You're looking at her. You're obsessed with her. Didn't she humiliate me enough the other night at the gala?

01:01:10But now I have to watch my husband stare at her picture.

01:01:15Well, maybe if you didn't give her the opportunity to humiliate you.

01:01:19So it's my fault now?

01:01:20Oh, wait. Let me guess. Maybe it's my fault, too, when the two of you broke up.

01:01:23Okay.

01:01:25Raina, I've been thinking. I don't think this is working. I want a divorce.

01:01:32You used me to push Tash out of your company, take her property, and now you cast me aside like what, a used piece of garbage?

01:01:44I won't allow this.

01:01:47Mark my words, Karl Kroh.

01:01:49You will regret this.

01:01:51I'm spending too much time around Ken.

01:02:06He's dominating all my thoughts.

01:02:08I have to distance myself from him.

01:02:11For my own sanity.

01:02:12Is there nothing I can do to get you to stay?

01:02:29I'm sorry.

01:02:32But no.

01:02:35You and I, our relationship, we'll just keep going in circles.

01:02:39But thank you for everything you've done for me.

01:02:46I have a little bit of money now, so you should be able to pay off your loan soon.

01:02:50And long talks, an awkward silence, wait nights, walking to the garden, running, with your hand in mine.

01:03:06This is what happens when you steal from the Millers.

01:03:24Please, let me go.

01:03:29I promise you'll never see me again.

01:03:31What do you got here?

01:03:39I'll break this over here.

01:03:41Boss!

01:03:43I found this one peeking around the corner.

01:03:45Not sure how long this little bitch has been watching, but I'm pretty sure she tried to call the cops.

01:03:49Don't worry, boss.

01:03:55I got a knife with her name on it.

01:03:57We can dump her body with the other guy.

01:04:03No, let her go.

01:04:05What?

01:04:06Didn't you hear what I said?

01:04:07She's seen everything.

01:04:08Let her go before I rip off your fucking arms and throw them in the river.

01:04:11Let her go.

01:04:19Walk away.

01:04:21This doesn't mean anything to you.

01:04:23Is this what you couldn't tell me about?

01:04:26Boss, you know this woman?

01:04:30You're gonna kill him.

01:04:31Call the police then.

01:04:33See if they can save his life.

01:04:34No!

01:04:35Don't call the police, you stupid bitch!

01:04:39My world is more cruel than you can possibly imagine.

01:04:42So since you didn't want to get involved, just walk away.

01:04:49Hey babe, what do you want for breakfast?

01:05:09My world is more cruel than you can possibly imagine.

01:05:35So since you didn't want to get involved, just walk away.

01:05:38I never imagined that Ken could be such a dangerous and violent man.

01:05:43There must be something or someone forcing him to do all of this.

01:05:48Even people close to us may be harboring many secrets.

01:05:53We never really know what's going on inside.

01:05:57Forget it.

01:05:57This has nothing to do with me.

01:05:59I decided to leave Ken, so I have to do my best not to look back.

01:06:03You're a pro-magnet boyfriend.

01:06:27And is he not joining us?

01:06:30It's all over.

01:06:31I'm not with him anymore.

01:06:33Where's Reyna?

01:06:35Reyna was a mistake.

01:06:38That's all over too.

01:06:40Tasha.

01:06:40I want you back.

01:06:47I can't stop thinking about us.

01:06:50You were right.

01:06:50You belong in my life.

01:06:53So if you just sign those documents, then you can come back to me.

01:06:59Come back to the house.

01:07:01We can carry on like none of this ever happened.

01:07:04I can give you your old job back.

01:07:06That would be fun, working together again.

01:07:08And then all that debt you owe me will be wiped clean.

01:07:11You, uh, need a pen?

01:07:13You think I'd get back with you after everything you put me through?

01:07:25Here is a hundred million dollars.

01:07:30I'll pay the rest on time.

01:07:31And if you're agreement, take these documents and shove them right up your ass.

01:07:45You disgust me, Carl.

01:07:48You should think about Anna.

01:07:50Do you really want her growing up without a mother?

01:07:53With all her health problems, she could really use your support.

01:07:55Don't dare talk about Anna.

01:07:58She'll be with me soon.

01:07:58Then I'll never let her out of my sight again.

01:08:01She needs her mother and her father.

01:08:03Not a father like you, she doesn't.

01:08:05She'd be better off with no father at all.

01:08:18I'm sorry, am I interrupting?

01:08:20Are you texting a new boyfriend already?

01:08:23Can it wait?

01:08:25I'm not done talking here.

01:08:27You're pathetic, Carl.

01:08:30Hey, Tasha.

01:08:31Ta-

01:08:32Tasha.

01:08:36Hey, Tasha.

01:08:39Tasha, come back.

01:08:40Where are you going?

01:08:41This place is disgusting.

01:08:43Ta-

01:08:43Come on, Tasha.

01:08:45Don't you remember the happy times?

01:08:46Come on, we can have that again.

01:08:48Think of Anna.

01:08:49It's me, please.

01:08:50I love-

01:08:51Hey, hey, hey.

01:08:53Sorry, folks.

01:09:13It's the end of the line for you.

01:09:15No hard feelings.

01:09:19But we gotta do what the people who pay us tell us to do.

01:09:23Who's paying you?

01:09:26I'll give you a hint.

01:09:28A very beautiful woman paid us a small fortune to make sure you two would-

01:09:32Make sure you two don't make it.

01:09:36Reina.

01:09:37That fucking bitch.

01:09:39Do you know who I am?

01:09:41I'm Carl Crow.

01:09:43Who?

01:09:43The CEO of the Crow Group.

01:09:45What if she's paying you?

01:09:47I'll pay double, okay?

01:09:48Yeah, yeah.

01:09:48You're gonna pay me double.

01:09:49I guess you haven't heard the news, buddy.

01:09:52See, I don't think you have the means to outbid your pretty little friend.

01:09:59Oh, that backstabbing slut!

01:10:03Please, pick up the phone.

01:10:05You trying to phone a friend?

01:10:07That's a big no-no, sweetheart.

01:10:09That's breaking the rules.

01:10:13Sweetie.

01:10:15Don't waste the little time you have left trying to call for help.

01:10:17It won't do you any good.

01:10:21No one.

01:10:23They're gonna help you now.

01:10:28Three hours, where's Tasha?

01:10:32Hey, Nell.

01:10:33Hey, listen, I need you to do me a favor.

01:10:36Yeah, I need you to pull out the city surveillance system in the area

01:10:38and find all the footage.

01:10:41Yeah, no, something's wrong.

01:10:47What are you doing?

01:10:55We have to get out of here.

01:11:02Huh?

01:11:03How?

01:11:03You should just go.

01:11:10Save yourself.

01:11:12Leave me.

01:11:13It's what I deserve.

01:11:16I'm not gonna leave you.

01:11:19I'm not that type of person.

01:11:26Come on, let's go.

01:11:27Come down here.

01:11:31Wait until they come in.

01:11:38Hey, Tasha.

01:11:42I'm so sorry.

01:11:45Now's not the time for that.

01:11:47All in.

01:12:05Looks like we got ourselves a suicidal prick here, fellas.

01:12:17I can't think of any other reason why somebody would kick in a door

01:12:20that's got Vincent Santorelli on the other side of it.

01:12:25Oh, shit.

01:12:27Boss.

01:12:30I didn't realize it was you.

01:12:31These are your guys?

01:12:36Where the fuck are they?

01:12:38You better find them.

01:12:39Quick.

01:12:55Now it's your turn.

01:13:01Pretty little thing like you, I was gonna make it painless, but I guess you didn't want that.

01:13:22All the same.

01:13:25Hey, who's this fucking monkey?

01:13:26Lower your fucking gun.

01:13:27Vinny, what the fuck is going on?

01:13:29You fucking down?

01:13:30Yeah, lower your fucking gun.

01:13:32Are you...

01:13:33Are you Ken Miller?

01:13:35How can that be?

01:13:36What the fuck is going on?

01:13:38Ken Miller.

01:13:40The one and the same Miller crime family that monopolizes all the underground trade in all of North America.

01:13:50It's you.

01:13:51You know what you have to do.

01:14:01Boss, please.

01:14:04He's my brother.

01:14:07Rules are rules.

01:14:08Rules.

01:14:08I was pushing you away as Ken and growing closer to you as Fitz.

01:14:27I'm sorry, Tasha, but there's just nothing I can do that will make you happy.

01:14:37And I just, I just can't win over your heart.

01:14:39Is Ken Miller always this loving with the hostages he rescues?

01:14:49Or is it just special treatment reserved for his lovers?

01:14:55Tasha, I love you.

01:14:56My heart has belonged to you and only you for the past 15 years.

01:15:0115 years.

01:15:08No, we just met a few months ago.

01:15:11We met 15 years ago.

01:15:17You went to Marr Middle School.

01:15:19Yeah.

01:15:20And you saved my life there.

01:15:22Stand up, chicken, and hit us back.

01:15:33Isn't that what your dad does for a living?

01:15:35Beat people up?

01:15:37I'm not my dad.

01:15:39You and your father are both scum.

01:15:41Let's teach this little and thug a lesson.

01:15:43Yeah, idiot.

01:15:44Get up and show us what you got.

01:15:48Hey.

01:15:48Hey, hey, hey, hey, hey, stop.

01:15:52That's enough, that's enough.

01:15:54It's none of your business, Robert.

01:15:55Get out of here, Robert.

01:15:56Hey, stop.

01:15:57Go home.

01:15:58I'll call your parents.

01:15:58Go.

01:15:58Oh, crap.

01:15:59Crap.

01:16:12Ever since I saw you that night in the cab with that necklace on,

01:16:15I just, I knew I found you.

01:16:20Look, this isn't just some feeling for me, okay?

01:16:24This is, this is everything to me.

01:16:27Like, you are everything to me.

01:16:29No matter what happens between us,

01:16:32I will always care about you.

01:16:35And maybe one day we can make it work in a different way.

01:16:41I just need some time to process this.

01:17:00Okay.

01:17:01And after that,

01:17:04maybe we can pick up where we left off

01:17:06that first night you spent here?

01:17:10Maybe.

01:17:12You play your cards, right?

01:17:28Does everything look good to you, my artist?

01:17:31Yeah.

01:17:33Thanks for everything.

01:17:35That doesn't sound very convincing.

01:17:37Is there anything you want to change?

01:17:39No.

01:17:39I just, I never got around to asking

01:17:42why you wanted to start an art gallery in the first place.

01:17:46Honestly,

01:17:47just to get to you.

01:17:49See, I thought if I own the world's greatest art museum

01:17:51that one day you might find your way in here

01:17:53and I don't know,

01:17:55that I might find you.

01:17:55So,

01:18:14that you're not familiar with me.

01:18:16Let's move on,

01:18:18so that you can't see where you're going.

01:18:18So,

01:18:19we'll see you in the next one.

01:18:20I want to see what kind of woman this is that has ensnared my son.

01:18:36I doubt she's worthy of joining a Miller family.

01:18:40As you wish, sir, I will make the arrangements.

01:18:46Honestly, it's too good to you.

01:18:48See, I thought if I own the world's greatest art museum, that one day you might find your way in here, and I don't know, that I might find you.

01:18:57Okay, okay. Just concentrate on painting. Don't think about him.

01:19:18Who are you?

01:19:22Miss Tasha Roberts.

01:19:24Mortimer Miller would like to speak with you privately at his home.

01:19:29Come here.

01:19:31Take a look.

01:19:32She's an heiress to the largest chain of luxury hotels in the Western Hemisphere.

01:19:42She's young, beautiful, well-educated.

01:19:47I think she'll make a fine wife for my son, Ken.

01:19:50With all due respect, sir, I believe that it's up to Ken to decide who he wants to spend the rest of his life with.

01:20:02Well, choose you.

01:20:04Not a chance.

01:20:06You're no match for my son.

01:20:08Now, you owe money to the Crow Group.

01:20:19I'm going to pay your debt.

01:20:22And in return, you will agree to never see my son again.

01:20:33It's our decision whether we want to be together or not.

01:20:37Your son and I love each other.

01:20:39There's nothing in this world that can keep us apart.

01:20:43It's impossible.

01:20:44You want us to be together?

01:20:47It's impossible.

01:20:49Father.

01:20:49I forbid it.

01:20:51Father, this is the love of my life.

01:20:53I can't lose her again.

01:20:56I'd rather leave the family business.

01:20:58Then leave if you wish.

01:21:00But she will never have my approval, ever.

01:21:03And she'll never be a part of the Miller family as long as I live.

01:21:07You'll come running back.

01:21:09Without the Miller family power, money,

01:21:14you'll accomplish nothing.

01:21:17You're making a big mistake.

01:21:19She was in this

01:21:21old hand

01:21:23instead of the family.

01:21:34Ken, where are you?

01:21:36Why aren't you back yet?

01:21:37Oh, you're still awake?

01:21:42Mm-hmm.

01:21:59Who did this to you?

01:22:00Don't worry about me.

01:22:02I'm fine.

01:22:03There's nothing out of the ordinary.

01:22:17Hey, babe.

01:22:18Yeah, no.

01:22:18I'm just right outside.

01:22:19You son of a bitch.

01:22:25You're making me cut my own brother's hand.

01:22:28Now you think you can betray the Miller family,

01:22:31walk away scot-free?

01:22:32Not a fucking chance.

01:22:36This guy means nothing to the Miller family now.

01:22:39He's worthless.

01:22:41Helpless.

01:22:42He'll be absolutely nothing now.

01:22:45Let's make him feel the pain

01:22:46that my brother felt.

01:22:49Come on, boys.

01:22:50Stop.

01:23:14Stop hurting him.

01:23:17Stupid bitch.

01:23:20Stop.

01:23:42Stop at once,

01:23:44you insolent fools.

01:23:50Son,

01:23:54you know how hard it is

01:23:58for me to admit

01:23:59that I made a mistake?

01:24:03But today,

01:24:04the two of you

01:24:04have proved me wrong

01:24:06beyond a shadow of a doubt.

01:24:09Tasha,

01:24:11you are the perfect woman

01:24:13for my son.

01:24:16Go.

01:24:17be together.

01:24:21You approve?

01:24:23You have my blessing.

01:24:27From this day onward,

01:24:30you have nothing more to do

01:24:31with the legal activities

01:24:32of the family.

01:24:34But,

01:24:36you'll always be a Miller,

01:24:38and who's going around

01:24:40as will she.

01:24:51I don't understand.

01:24:52I don't know.

01:24:53But I don't know.

01:24:54I don't know.

01:24:54Go.

01:24:55Get off me!

01:24:56Get off me!

01:24:56Get off me.

01:24:58Get off me!

01:24:59Get off me!

01:25:01You useless, impotent man-child! The Crog Group is bankrupt!

01:25:14Getting involved with you is the worst decision I could have made in my life!

01:25:18Get off! This is all your fault! You spent every single thing that we had!

01:25:22Now we have nothing left! No company, no house, no money, not even a dime!

01:25:27And it's all because of you, you greedy cow! Don't you-don't-

01:25:39The late Mrs. Miller was a beautiful woman, sir.

01:25:44Yes.

01:25:48Back then, my wife protected me from every danger that befell our family.

01:25:53And today, my son found the perfect woman that I said I'd do the same for him.

01:26:02He's a lucky man.

01:26:04Wow, you look so beautiful.

01:26:19No, you can't be here right now!

01:26:21Babe, I don't want to rush you, but everybody's waiting to see you.

01:26:25Ken, can you promise me one thing?

01:26:28I can promise you two if you'd like.

01:26:31I'm serious.

01:26:35I want you to walk away from the family business.

01:26:38There's a city called Ostia. It's on the southwest side of Rome by the ocean.

01:26:45What?

01:26:47You know what I found over there?

01:26:49Found you an art teaching job at a public school.

01:26:52No doing tickets. Maybe in the morning.

01:26:55You're sending me away?

01:26:57No.

01:26:59I opened my own restaurant.

01:27:02It's just down the street.

01:27:04Oh, and one more thing.

01:27:06I enrolled Anna at the school they're going to be teaching at.

01:27:10I think she's going to really love it over there.

01:27:12So you really are walking away?

01:27:13Yeah.

01:27:14I got some socks.

01:27:16So you really are walking away?

01:27:18Yeah.

01:27:23I got some socks.

01:27:45I got some socks.

01:27:46I got some socks.

01:27:47I got some socks.

01:27:48I got some socks.

01:27:49I got some socks.

01:27:50I got some socks.

01:27:51I got some socks.

01:27:52I got some socks.

01:27:53I got some socks.

01:27:54I got some socks.

01:27:55I got some socks.

01:27:56I got some socks.

01:27:57I got some socks.

01:27:58I got some socks.

01:27:59I got some socks.

01:28:00I got some socks.

01:28:01I got some socks.

01:28:02I got some socks.

01:28:03I got some socks.

01:28:04I got some socks.

01:28:05I got some socks.

01:28:06I got some socks.

01:28:08I got some socks.

01:28:10I got some socks.

01:28:11I got some socks.

01:28:12I got some socks.

01:28:13I got some socks.

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