- 14 hours ago
Category
🎥
Short filmTranscript
00:00:00Hey, what are you doing with my stuff? How'd you get in here?
00:00:11I gave him the keys.
00:00:12Carl? I mean, what are you doing here so late? And what's that guy doing with my stuff?
00:00:17Tasha, Tasha, Tasha. You're always asking the wrong questions.
00:00:23What the hell is going on?
00:00:26Do you really think you're that thick, Tasha?
00:00:29Your husband and I decided that you're no longer needed here anymore.
00:00:33Reyna's gonna take over your role at the company.
00:00:35She's already proven she can do everything you can, but better.
00:00:39I'll have a letter of termination and divorce paper sent over to your new address,
00:00:43wherever that ends up being.
00:00:45What should I do with this, boss?
00:00:47Give me that, you plebe. I know exactly what to do with it.
00:00:53Is that clear enough for you, Tasha?
00:00:55Tasha, your company and your husband both belong to me now.
00:00:59No, you can't just fire me. I'm a shareholder at this company.
00:01:07Are you still a shareholder at this company, are you?
00:01:11You know, actually, your debt is mortgaged with your shares, so you actually owe this company about 200 million.
00:01:17I never took out any loans that large.
00:01:19Oh, Tasha, you were always so gallible.
00:01:23A word of advice for the future?
00:01:25Don't give the keys to the kingdom to your assistant, no matter how trustworthy your feeble brain thinks they might be.
00:01:33Security! Security! We have a vagrant in the lobby and she might become hostile.
00:01:38Stop acting. I'll just leave on my own.
00:01:47Look, there's no glamour. There's no glory. It's just blood, guts, fear and misery.
00:01:55Come on, man. You think I'm some kind of moron that doesn't know anything?
00:01:59I know that the type of money you make in just a few days, I can't make that in 10 years working as a stick.
00:02:05But at least you're guaranteed to be alive in 10 years.
00:02:07In my world, you're not guaranteed to be alive in 10 days, let alone 10 minutes sometimes.
00:02:12Yo, yo, man. Stop lecturing me. Are you gonna give me the gun or not?
00:02:18I'm sorry, but no. I'm not gonna let you get killed.
00:02:22Man, what the fuck you got me here for then? Shit.
00:02:41Oh, I guess you didn't hear. The repo guy, he came and towed your car away.
00:02:48Ugh. Said it was, like, collateral for a loan.
00:02:53Of course, I made the call and arranged everything.
00:02:57My pleasure.
00:02:59You despicable trash.
00:03:02You know, I was gonna give you a ride, you know, seeming that we were married for so long.
00:03:07But walking the streets at night kinda suits you.
00:03:11So, enjoy.
00:03:14Go to hell.
00:03:18Miss?
00:03:20Miss?
00:03:47Miss just go away. All right, I don't need your cheap sympathy right now miss your friends gone. I
00:03:54Just want to offer my cab services
00:03:59Yeah, I'm I'm sorry I have a cab is just what I need right now all right great come on board
00:04:17I
00:04:28Sorry, I I don't have any cash right now. Um, give me a minute. I'll go grab some from inside here
00:04:36Just proof. I'm not trying to skip out on the fair
00:04:47You
00:04:49Have some nerve coming back here
00:04:51I never wanted my son to marry you in the first place and now that he's finally come to his senses and kicked you to the curb
00:04:58You think that you can just waltz right back into his house?
00:05:02his house
00:05:04My father left me this house
00:05:07And I know you're senile, but I'm sure you
00:05:11Remember when you practically begged me to let you and Carl live here. I
00:05:14I always knew you were a nasty little hussy
00:05:23Who the hell are you?
00:05:25This is a personal matter, so you should really mind your own business and stay outside. Actually
00:05:31This is my boyfriend
00:05:33So if it's a personal matter for me, it's a personal matter for him
00:05:39What you think your son's the only one capable of having secrets
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00:08:30I'm so glad you're here.
00:08:32Where did you get this necklace?
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00:08:36You better not be lying to me.
00:08:38I'm not lying.
00:08:40He made that with his own hands.
00:08:42It has my name on the back.
00:08:48It's really you?
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00:25:15okay well if you don't love to paint anymore then why bring an easel with you
00:25:22i haven't painted in years i'm sure it'll be just like riding a bike
00:25:30once you start it'll all come back to you
00:25:38that's my account why are they assigning it to someone else
00:25:41fine fine just get me some damn answers and give me a call back soon
00:25:45okay
00:25:46carl this took me three months i'm sorry i just i got some bad news at work
00:25:55it's ruined now why start over you know it kills me to see you squander your intelligence and talent
00:26:04on these useless paintings you're a remarkable woman tasha okay and if the charlatan snobs in
00:26:13the art world can't see that then screw them okay if you put your focus elsewhere we could be rich
00:26:20enough to buy 10 art galleries and then you can put whatever paintings you want in them right
00:26:25what if we put painting on the side just for a little while and you could come join me at the company
00:26:36because together we'd be unstoppable and right now i am drowning your dad and his partners have no faith in these
00:26:48i need you look
00:26:53you love me don't you
00:26:58of course i do
00:27:01okay if you do this one thing for me it's one little thing please
00:27:09finish
00:27:26To smile, it's my only dream
00:27:36Finished!
00:27:38Yep.
00:27:43That is amazing.
00:27:46Thank you, I honestly never thought I'd paint again.
00:27:50Well that would have been a shame, you're easily one of the most talented artists I've ever met.
00:27:56We're honored that you chose our gallery to showcase your work.
00:28:15I am curious about one thing, if you don't mind me asking.
00:28:19The subject in your paintings, your muse, is he your lover?
00:28:24Oh, no, uh, he's just a friend of mine.
00:28:30But his gaze, the way he looks out to you in these paintings, there's so much tenderness and affection in his eyes.
00:28:39Is Ken really in love with me? He's so young though. At his age, he probably doesn't even know what love is.
00:28:51Oh, uh, sorry, you're in the way.
00:28:55Actually, you're in my way.
00:29:00Actually, you're in my way. I'm trying to get into my home.
00:29:03Is this your new girlfriend?
00:29:06I've never seen you with anyone like this before.
00:29:10Ken's my roommate.
00:29:11Now, if you'll please step aside so I can get in.
00:29:18Call me again if you need anything, okay? Bye.
00:29:21Uh, hey, what are you doing home so early? Are they gonna showcase your work?
00:29:28Sorry if I interrupted something, but as your roommate, I don't really think I need to tell you if I'm coming or going.
00:29:34So, if you have something private to do, just do it in your room.
00:29:37I never said you need to tell me when you're coming or going. I'm just saying.
00:29:40No, it's fine. You don't need to explain. Just... I just want to be alone.
00:29:44What?
00:29:54I'm so sorry, sir. She just barged in without permission.
00:29:57It's okay.
00:29:59Miss Roberts, please. Grab a seat.
00:30:02We signed a contract. Why can't you show my paintings now?
00:30:06I'm afraid I don't have the answers you're looking for.
00:30:09You want to know what happened? Ask Karl Kroh.
00:30:14I want my paintings back. Right now.
00:30:19Well, they're probably somewhere in the warehouse. They haven't been thrown away yet.
00:30:44You've already searched the entire warehouse ten times. If you haven't found what you're looking for, it's not here.
00:30:52You better hope I find what I'm looking for, or I'm gonna make this entire gallery compensate me.
00:30:57And then I'm gonna sue you, and you'll be the first to lose your job.
00:31:01Yeah, that's great, lady. Go ahead and sue. I'm sure things will go exactly the way you described it.
00:31:06You're coming for a new building.
00:31:08I think it's okay.
00:31:10This is a beautiful house.
00:31:12You're back for a new exploration.
00:31:13If you do it, you must move around.
00:31:14I think it's good.
00:31:16Yeah.
00:31:18It's a beautiful energy.
00:31:21I'm not working.
00:31:23I'm not working.
00:31:24I'm sure it's perfect for a new project.
00:31:26I'm okay, guys.
00:31:27I'm not doing that.
00:31:28You're not fine.
00:31:29I'm not doing that.
00:31:30I'm not doing this.
00:31:31I'm not doing that.
00:31:32I'm not me.
00:31:33you really care about her keep your voice down she's had a long day also you can't just come
00:32:00over here so casually in the future casually are you kicking me out you didn't mind my coming
00:32:07over so casually when you had me digging through your body for bullets you men are cold as hell
00:32:12i think my lucky star is on the lesbian look i just can't have her finding out about the work
00:32:16that we do okay are you serious about her yeah have you thought about the consequences if your
00:32:24dad finds out look no you and i have been best friends for over 20 years okay and my dad has
00:32:33taught me everything that i know i think maybe it's time i just figure things out on my own
00:32:37and you know exactly what i went through last time i'm not gonna lose her again
00:32:43don't worry anna mommy's gonna find a way to bring you home soon
00:32:51all the evidence is here it's exactly what you thought let me know if you want me to find out
00:33:04carl let's meet
00:33:21oh wow
00:33:30it's not every day a famous painter comes to visit to what do i owe the pleasure the company
00:33:38i supposedly borrowed money from
00:33:41it's a shell company owned by you
00:33:46so what all our operations are legal you signed the documents you borrowed the money
00:33:53all you can do now is pay it back you know i don't think you actually want me to pay back the loans
00:34:05you were just looking for an excuse to have me back in your life
00:34:10you're obsessed with me this is just your sick way to dominate me and make me surrender to you
00:34:17i'm just getting even for the years i spent in your father's shadow the years of belittlement
00:34:25and him treating me like a clown my father hired you when no one else would
00:34:32not my fault that insecure petty took his support as belittling
00:34:38i wouldn't upset me if i were you remember i'm your creditor now
00:34:46two months that's all i can give you to pay me back the remainder a hundred and eighty million
00:34:51what are you doing here i was just in the neighborhood thought i'd give you a ride home
00:35:09hi um hey who is this
00:35:13uh this is ken's roommate we're gonna be dropping them off before we head home
00:35:23yeah hey listen i didn't introduce you last time but this is my best friend nell
00:35:26and her girlfriend maria
00:35:33nell and i have been nothing more than friends since we were kids
00:35:36she's not into men and she never has been and her and i are nothing more than just platonic friends
00:35:42all right i'm sorry i jumped to conclusions the other day it's okay i just didn't want you to get the wrong idea
00:35:54look i i appreciate it i really do i just
00:36:00i i still think you and i are better off just as friends just why
00:36:11why
00:36:16maybe because i'm just getting over a failed marriage
00:36:21because i owe an unthinkable amount of money and i have no idea how i'm gonna pay it back
00:36:25i also have no idea how i'm gonna get my daughter back
00:36:32and and getting into a relationship with you that's just something i can't do right now
00:36:38love has brought me nothing but pain okay so just please just leave it
00:36:42do you have any other paintings
00:37:05any other paintings
00:37:13yeah i have several what are you looking for
00:37:16i would like to buy them all i love your painting style it is so unique i own a large gallery and i
00:37:24would like to establish a long-term collaboration with you thank you for your kind words about my
00:37:31paintings but i've been in some trouble lately and it's probably best if i don't involve your gallery
00:37:38none of this matters to me if someone wishes to cause me trouble well just let me try
00:37:48i mean it has to be a mistake or a prank or a cruel practical joke i mean it seems pretty authentic
00:38:05to me it has their seal and your name and address are like clearly written on it so
00:38:11it looks authentic but how would they have seen my paintings i don't know maybe one of those auction
00:38:22sites that you've been posting your work on i mean you're incredibly talented so anybody who's seen
00:38:27your work would automatically recognize it i own a large gallery and i would love to establish a
00:38:38long-term collaboration it's him it's him the guy who's been on my paintings he must be the owner of the fitz gallery
00:38:47well in that case we better get going where gotta go get you a dress i can't have you showing up to the fitz gala in rags
00:39:00babe which one do you like more this one or this one i need to be the hottest girl at the fitz gala
00:39:08um everything just uh looks so good on you honey so um just pick whichever one you want i gotta
00:39:16take a call okay wrap this up you twitch i'll take them both
00:39:28wow i used to buy dresses like this all the time without even thinking about the money but
00:39:33i can't afford something like this now you know what consider a congratulatory gift for me
00:39:42all right and when you make it big in the art world you can just hang me back
00:39:48oh hi excuse me yeah my uh friend would like to try on this dress oh your friend has amazing tastes
00:39:54this dress is actually a limited edition each one handcrafted by hand and therefore entirely unique
00:40:00truly a work of art well how fitting that's gonna be worn by a very talented artist
00:40:04i'll have someone on the team bring it out to you veronica please bring the limited edition thank you
00:40:14what limited edition tasha do you really think you can afford this dress
00:40:22you can afford this dress please reina i don't think you need to worry about tasha's finances
00:40:33okay we established that last time hey you get over here i'm gonna pay twice what it's worth but i
00:40:42want this dress ma'am this dress is four thousand dollars did i ask you how much it cost you
00:40:47you pluralitarian scum just shut your mouth and add it to my bill she's willing to pay double i'll
00:40:53double her offer and i'll pay 16. okay sir sold 32 000. you know what she wants to dress so bad let
00:41:03her have it you can put all the jewels you want on a pigeon but it'll never be a peacock i'll show you
00:41:09who's a pigeon you little bitch how dare you assault me tasha are you okay what is going on here what's
00:41:19going on is that your crazy bitch wife pushed tasha to the ground i swear to god they're all lying i
00:41:25never touched her i saw everything this gentleman and his girlfriend were very nice and politely
00:41:30inquired about a dress and suddenly your wife appears and attacks her for no reason
00:41:34shut your mouth you little lying asshole you know what why don't you just call security before
00:41:38this crazy maniac hit somebody else wait a second right now what actually happened here what's going
00:41:43on why don't you believe me don't you don't just call 911 are you blind oh tasha can you stop this
00:41:50bullshit you know what reina can you just stay away can i get someone down here room a 122 no no that's
00:41:56not necessary we are leaving right now let's go okay okay you've embarrassed us both enough for one day
00:42:02okay let's go wherever reina goes trouble sure to follow it is nice to see a better taste of road
00:42:17medicine though yeah it's a shame though you would have looked really great in that dress
00:42:23don't worry about that i have a solution
00:42:36what are you gonna do with all this stuff i'm gonna design my own dress and wear it to the gala
00:42:42are you sure there's enough time have some faith in me i graduated with honors in design
00:42:47and fine art i got this all right
00:43:10how do i look
00:43:11how do i look
00:43:21what is is something wrong is it is it too much should i change something no no you look
00:43:31that dress like that is one of the most beautiful dresses i've ever seen
00:43:36but there's something missing
00:43:43should i resell the beads
00:43:46no i have a gift for you something to complete the whole look
00:43:59just try harder you idiot mrs crow i am doing everything i can i i i don't know what more i can do
00:44:06you're calling me fat of course not you're not fat at all it's the dress it's not made for a woman's body
00:44:15just shut up and do it babe just put on another dress you're gonna be late i spent so much money on
00:44:24on this dress i am wearing this dress
00:44:38i can't wait to see what you brought to the auction can we have a little hint well actually i
00:45:06i brought some of my very own paintings to auction tonight
00:45:14what's wrong
00:45:16just tasha roberts
00:45:18my husband's dreadful ex-wife
00:45:23i'm tired of seeing her sorry face everywhere
00:45:25you know she's also a horrible person if it isn't everyone's favorite white collar criminal turned
00:45:35homeless vagrant tasha roberts
00:45:38so the other day when you were trying to buy this dress with that um working class thug boyfriend of
00:45:44yours you were trying to come here are you sure you were even invited
00:45:49i'm sorry are are you working the security details do we need to show you my invitation
00:45:58honey i'm just trying to look out for you okay i want to spare you the embarrassment of being
00:46:03kicked out when everybody finds out that you are not invited you mean like how you were kicked out of
00:46:09the mall i see you still quite don't understand your place in the world you think you're
00:46:15fucking cinderella or something and life is a fairy tale but don't worry i'll help you figure it all
00:46:24out what's wrong with you you can't just see people are walking through reena this time you've gone too
00:46:31far stop shouting you dreadful o these were supposed to be auctioned tonight well if it is of any
00:46:37consolation i don't think the wine has reduced their value of very much at all
00:46:41so now you can go and cry to your fairy gut mother oh i think the auction's starting
00:46:51well i'll see you there toodles
00:47:02for our first auction item i'd like to welcome miss reina crow to the stage
00:47:06with her collection of original paintings
00:47:25as you can see miss reina crow's style is very unconventional certainly these works defy easy
00:47:33categorization and yet there are touches of whimsy and an almost playful quality about them as
00:47:39depicted here through the bold use of a duck as a central figure it's a dog what it's a dog not a duck
00:47:47you buffoon oh yes of course a dog seen through a very unique prism portrayed as only an artist of reina's
00:47:57caliber could possibly portray it now that we have familiarized ourselves with the art and the
00:48:04artist let's start the bidding the starting price will be fifty thousand dollars do i hear fifty thousand dollars
00:48:11anyone fifty thousand dollars do i hear sixty thousand dollars
00:48:16fifty thousand dollars going once fifty thousand going twice sold sold for fifty thousand dollars
00:48:32and now we'll invite our second artist for the evening miss tasha roberts
00:48:37who will also be presenting a series of paintings
00:48:48miss tasha roberts where are your paintings i don't have my paintings tonight um but i will be auctioning off this dress
00:49:07oh wow it's beautiful stupendous i've never seen a dress so beautiful
00:49:20oh stupendous i've never seen a dress so beautiful a stunning work of art indeed there's no need for me
00:49:27to say another word about this masterpiece everyone in the audience can clearly see the extraordinary talent
00:49:33and extraordinary artistry let's start the bidding at fifty thousand dollars fifty five thousand
00:49:39seventy five thousand thirty five thousand ninety thousand a hundred thousand 150 thousand
00:49:46two hundred and fifty thousand
00:49:50250 000 going once 250 000 going twice
00:49:55gold is beautiful
00:49:56Michael Jackson stole it for $250,000.
00:50:06Is that the heart of Sun necklace that sold for $200 million a few months ago in a big deal?
00:50:11Impossible. How can that lowly peasant possibly afford it? It must be a fake.
00:50:21Thank you so much for your bid, Ms. Winslow.
00:50:23I'm gonna design a few custom pieces in your size and design them to your elegance and style.
00:50:30Have you ever considered creating your own clothing brand?
00:50:35Your creations are so extraordinary. You should really share your talent with the rest of the world.
00:50:41Thank you. I never considered it, but I certainly will now.
00:50:46Hi. I'd be careful if I were you.
00:50:48I personally wouldn't put any faith into someone that wears cheap replicas of famous pieces of jewelry.
00:50:55What are you talking about right now?
00:50:58This woman is a phony and a con artist.
00:51:01For as long as I worked with her, she's done nothing but defraud and cheat the people she's done business with.
00:51:06And let me make it clear. For everybody that wants to do business with this woman, they won't be allowed to do business with the Crow group.
00:51:15Is that so?
00:51:16Well, let it be known that if anybody refuses to work with Ms. Tasha Roberts because of the baseless rumors and lies being spread by Ms. Raina Crowe, you will no longer be welcomed back to the Fitz Gallery.
00:51:30That's the curator of the Fitz Gallery.
00:51:34Not just the curator, he's also the director of the Fitz Foundation.
00:51:40The curator? Is he the man who bought my paintings? Why does he seem so familiar?
00:51:47Ms. Tasha Roberts is my guest of honor tonight. I invited her personally. So if anybody treats her with the slightest bit of disrespect, they'll be asked to leave and never again invited back to the Fitz Gallery.
00:52:02As the director of this esteemed organization, am I interested to know that your guest of honor is wearing a cheap replica of a priceless work of art. She is not to be trusted.
00:52:15I'm assuming you mean her diamonds. What evidence do you have to prove that it's not real?
00:52:21Well, the real Heart of the Sun has the initials of the Craft Man engraved in the joint between the gemstone and the pendant.
00:52:29So Tasha, would you indulge us all and show us if what you're wearing is a genuine article or a cheap knockoff?
00:52:37This was just given to me by a friend. I never claimed it was the real Heart of the Sun.
00:52:43I don't want to embarrass him by having people pour over it for imperfections.
00:52:49So, it's a forgery. You were so happy to have everyone believe it was the real thing until I challenged you and called your bluff.
00:52:56Miss Roberts, you have nothing to fear from this woman. Just show her the necklace. And I'll personally see to it that there are no despairing comments about its craftsmanship or quality. And the question has to be asked whether it is the true Heart of the Sun.
00:53:10See, just like... What? How is this possible?
00:53:16I do say... This engraving looks entirely authentic to me.
00:53:26This is indeed the one and only Heart of the Sun.
00:53:29Well, that settles it then. This necklace is authentic. From now on, no one will be permitted to question or harass my Guest of Honor.
00:53:32Now, if everyone is satisfied, can we please get back to tonight's festivities?
00:53:38I do say, this engraving looks entirely authentic to me.
00:53:45This is indeed the one and only heart of the sun.
00:53:48Well that settles it then.
00:53:50This necklace is authentic.
00:53:51From now on, no one will be permitted to question or harass my guest of honor.
00:53:56Now if everyone is satisfied, can we please get back to tonight's festivities?
00:54:08Ken, you have a lot of explaining to do.
00:54:13Okay, what's wrong?
00:54:15I can't accept this necklace.
00:54:18And I can't give you what you want.
00:54:21Do you even know what I want?
00:54:23I don't want to know.
00:54:25We can just be friends, nothing more.
00:54:28Tasha, you're just afraid.
00:54:30You're just afraid of going after what your heart truly desires.
00:54:33And I just think you're afraid of just being true to yourself.
00:54:37Being true to yourself.
00:54:39You're the last person that should be lecturing anybody on the truth.
00:54:44Who are you?
00:54:46What do you do?
00:54:47Is this even your house?
00:54:49I mean...
00:54:51How do you own a necklace that's 200 million dollars?
00:54:56I just...
00:54:57See, you...
00:54:59You don't even respect me enough to tell me the truth.
00:55:02But you...
00:55:03You expect me to jump into a relationship with you?
00:55:06You could be a total stranger.
00:55:10I have no idea who you are.
00:55:13Tasha, I want to tell you.
00:55:15I do.
00:55:16But...
00:55:17I just can't right now.
00:55:19Alright?
00:55:20Like, maybe in the future when we can sit down and...
00:55:22No, Ken.
00:55:23There is no future for us.
00:55:25Not if you can't tell me one thing about yourself that isn't a lie.
00:55:29When you find someone that you really love and trust...
00:55:33You let them in.
00:55:41But that person won't be me.
00:55:43Are you okay?
00:55:58Are you okay?
00:56:02Director Fitz, I had a wonderful time at the gala.
00:56:06Thank you for supporting me and standing up for me.
00:56:10I wasn't bothered by the way the other guests treated me.
00:56:14I've endured far worse.
00:56:15Lovely.
00:56:16I'm glad to hear it.
00:56:17I would like to exclusively showcase your work at the Fitz Gallery for the foreseeable future.
00:56:26Think of it as a sort of artist's residency.
00:56:29Would you be interested in such an opportunity?
00:56:31This dress is every bit as exquisite as I expected it to be.
00:56:45Thank you, my dear.
00:56:46You're very welcome.
00:56:48Have you given any more thought to my proposal?
00:56:52If you wish to start a clothing brand, I would be more than happy to invest whatever you require to get started.
00:56:59It's a very gracious offer.
00:57:01But...
00:57:02I just...
00:57:03I have to ask.
00:57:04I mean, there are so many other talented designers.
00:57:07Why do you have such faith in my abilities?
00:57:09It's not just me, you know.
00:57:11The curator of the Fitz Gallery has never been seen in public before the gala last night.
00:57:18And everyone in attendance was certain that the only reason he chose to make an appearance was because of you.
00:57:25His guest of honor.
00:57:29That was his first appearance ever?
00:57:31Indeed.
00:57:32His very first and only time to appear in the flesh.
00:57:36Before this, he was a figure of myth and mystery.
00:57:40Many people doubted he existed at all.
00:57:43But all because of you, he chose to grace us with his presence last night.
00:57:49Seems like a marvelous young man, don't you think?
00:57:52He certainly had a charm about him.
00:57:54Oh, undoubtedly.
00:57:56You know, many people flock to the Fitz Gallery for more than just the art.
00:58:01They want to learn all about the enigmatic young curator.
00:58:06Really? I mean, what's so interesting about him?
00:58:09Have you ever wondered how the Fitz Gallery has managed to surpass all of the established art collections to become the top venue for fine art in just two years?
00:58:22I mean, I heard rumors, something about foul play, but I always just assumed they were baseless.
00:58:29Those rumors have quite a bit of truth to them.
00:58:32Seems like the Miller crime family is actually behind the Fitz Foundation.
00:58:38The one and the same Miller crime family that monopolizes all the underground trade in all of North America.
00:58:46He seems like such a gentleman. I just, I find it hard to believe that he ever was involved in something so sordid.
00:58:53You must never judge a Brooklyn's cover, my dear girl.
00:58:57Even people close to us may be harboring many secrets.
00:59:02We never really know what's going on inside.
00:59:05You got that right. I learned that lesson the hard way.
00:59:09Let me be frank. I have tremendous faith in you.
00:59:13Thank you, Mr. Wendlow, but I think it's dear.
00:59:17All my friends call me Laura.
00:59:22This is in a check.
00:59:24For five million dollars.
00:59:26It should help you get your clothing brand started.
00:59:31Shall we become business partners in addition to being friends?
00:59:43Director Fitz, I'd like to work with you.
00:59:51It would be my honor, Miss Tasha Roberts.
00:59:53Miss Tasha Roberts.
00:59:56Fly away with me.
01:00:00Take you high, soaring.
01:00:04See your smile, it's my only dream.
01:00:08Staring out into the sea.
01:00:09Waves come crashing up to me.
01:00:19My toes slip into the sand.
01:00:24Dream that I'm with you.
01:00:28Staring out into the sea.
01:00:31Waves come crashing up to me.
01:00:32Waves come crashing up to me.
01:00:34My toes slip into the sand.
01:00:35My toes slip into the sand.
01:00:36Dream that I'm with you.
01:00:38Congratulations, Miss Roberts.
01:00:39We expect a huge success from your art exhibition.
01:01:14You're looking at her.
01:01:16You're obsessed with her.
01:01:19Didn't she humiliate me enough the other night at the gala?
01:01:22But no, now I have to watch my husband stare at her picture.
01:01:27Well maybe if you didn't give her the opportunity to humiliate you.
01:01:31So it's my fault now?
01:01:32Oh wait, let me guess.
01:01:33Maybe it's my fault too when the two of you broke up.
01:01:35Okay.
01:01:38Reyna, I've been thinking.
01:01:40I don't think this is working.
01:01:43I want a divorce.
01:01:45Brutto figlio di puttana.
01:01:48You used me to push Tash out of your company.
01:01:51Take her property.
01:01:52And now you cast me aside like what?
01:01:54A used piece of garbage?
01:01:56I won't allow this.
01:01:59Mark my words, Karl Crow.
01:02:01You will regret this.
01:02:12I'm spending too much time around Ken.
01:02:18He's dominating all my thoughts.
01:02:21I have to distance myself from him.
01:02:23For my own sanity.
01:02:24I know you're lonely but this song will last me down.
01:02:37Is there nothing gonna do to get you to stay?
01:02:39I'm sorry.
01:02:40But no.
01:02:41You and I, our relationship will just keep going in circles.
01:02:53But thank you for everything you've done for me.
01:02:57I have a little bit of money now so you should be able to pay off your loan soon.
01:03:02I'll see you soon.
01:03:03I'll see you soon.
01:03:04I'll see you soon.
01:03:06I'll see you soon.
01:03:08Bye for now.
01:03:21This is what happens when you steal from the Millers.
01:03:37Please, let me go.
01:03:41I promise you'll never see me again.
01:03:43What do you got here?
01:03:51Right this way.
01:03:53Boss!
01:03:55I found this one peeking around the corner.
01:03:57I'm not sure how long this little bitch has been watching, but I'm pretty sure she tried to call the cops.
01:04:06Don't worry, boss. I got a knife with her name on it.
01:04:09We can dump her body with the other guy.
01:04:13No, let her go.
01:04:17What? Didn't you hear what I said? She's seen everything.
01:04:20Let her go before I rip off your fucking arms and throw them in the river.
01:04:32Walk away. This doesn't mean anything to you.
01:04:34Is this what you couldn't tell me about?
01:04:38Boss, you know this woman?
01:04:40You're gonna kill him.
01:04:44Call the police then. See if they can save his life.
01:04:46No! Don't call the police, you stupid bitch!
01:04:49My world is more cruel than you can possibly imagine.
01:04:53So since you didn't want to get involved, just walk away.
01:04:57Hey, babe. What do you want for breakfast?
01:05:03Hey, babe. What do you want for breakfast?
01:05:05What do you want for breakfast?
01:05:09Hey, babe. What do you want for breakfast?
01:05:19Hey, babe. What do you want for breakfast?
01:05:21My world is more cruel than you can possibly imagine.
01:05:23Since you didn't want to get involved, just walk away.
01:05:27I never imagined that Ken could be such a dangerous and violent man.
01:05:33There must be something or someone forcing him to do all of this.
01:05:39Even people close to us may be harboring many secrets.
01:05:42We never really know what's going on inside.
01:05:43We never really know what's going on inside.
01:05:45My world is more cruel than you can possibly imagine.
01:05:48My world is more cruel than you can possibly imagine.
01:05:51Since you didn't want to get involved, just walk away.
01:05:53I never imagined that Ken could be such a dangerous and violent man.
01:05:56There must be something or someone forcing him to do all of this.
01:05:59Even people close to us may be harboring many secrets.
01:06:05We never really know what's going on inside.
01:06:08Forget it. This has nothing to do with me.
01:06:11I decided to leave Ken, so I have to do my best not to look back.
01:06:29Tasha, let's talk.
01:06:38Your, uh, pro-magnet boyfriend. Is he not joining us?
01:06:42It's all over. I'm not with him anymore.
01:06:46Where's Reyna?
01:06:48Reyna was a mistake. That's all over too.
01:06:53Tasha, um...
01:06:57I want you back.
01:07:00I can't stop thinking about us.
01:07:02You were right. You belong in my life.
01:07:05So, if you just...
01:07:08Sign those documents, then...
01:07:11You can come back to me.
01:07:12Come back to the house.
01:07:13We can carry on like none of this ever happened.
01:07:17I can give you your old job back.
01:07:18That'll be fun. Working together again.
01:07:21And then all that debt you owe me will be wiped clean.
01:07:24You, uh, be a pet?
01:07:29You think I'd get back with you after everything you put me through?
01:07:38Here is...
01:07:40A hundred million dollars.
01:07:42I'll pay the rest on time, and...
01:07:45For your agreement...
01:07:51Take these documents and...
01:07:55Shove them right up your ass.
01:07:58You disgust me, Carl.
01:08:01You should think about Anna.
01:08:03Do you really want her growing up without a mother?
01:08:06With all her health problems, she could really use your support.
01:08:08Don't dare talk about Anna.
01:08:10She'll be with me soon.
01:08:12Then I'll never let her out of my sight again.
01:08:15She needs her mother and her father.
01:08:16Not a father like you, she doesn't.
01:08:18She'd be better off with no father at all.
01:08:31I'm sorry, am I interrupting?
01:08:33Are you texting a new boyfriend already?
01:08:36Can it wait?
01:08:38I'm not done talking here.
01:08:40You're pathetic, Carl.
01:08:41You're pathetic, Carl.
01:08:43Hey, Tasha.
01:08:45Ta...
01:08:47Tasha!
01:08:50Hey, Tasha!
01:08:52Tasha, come back!
01:08:53Where are you going?
01:08:54This place is disgusting!
01:08:56Come on, Tasha!
01:08:58Don't you remember the happy times?
01:08:59Come on, we can have that again!
01:09:01Think of Anna!
01:09:02Think of me!
01:09:03Please!
01:09:04I love...
01:09:11Sorry, folks.
01:09:27It's the end of the line for you.
01:09:30No hard feelings.
01:09:32But, we gotta do what the people who pay us tell us to do.
01:09:37Who's paying you?
01:09:39I'll give you a hint.
01:09:41A very beautiful woman paid us a small fortune to make sure you two would...
01:09:46Make sure you two don't make it.
01:09:49Reina.
01:09:50That fucking bitch.
01:09:52Do you know who I am?
01:09:54I'm Carl Crow.
01:09:56The CEO of the Crow Group.
01:09:59What if she's paying you?
01:10:00I'll pay double, okay?
01:10:01Yeah, yeah.
01:10:02You pay me double.
01:10:03I guess you haven't heard the news, buddy.
01:10:04See, I don't think you have the means to outbid your pretty little friend.
01:10:12Oh, that back-stepping slut!
01:10:15Please, pick up the phone.
01:10:18You trying to phone a friend?
01:10:20That's a big no-no, sweetheart.
01:10:22That's breaking the rules.
01:10:26Sweetie.
01:10:28Don't waste the little time you have left trying to call for help.
01:10:30It won't do you any good.
01:10:33No one.
01:10:36They're gonna help you now.
01:10:41Three hours, where is Tasha?
01:10:44Hey, Nell.
01:10:46Hey, listen, I need you to do me a favor.
01:10:48Yeah, I need you to pull out the city's surveillance system in the area
01:10:52and find all the footage.
01:10:53Get all the footage.
01:10:55Yeah, no, something's wrong.
01:11:06What are you doing?
01:11:08We have to get out of here.
01:11:10Huh?
01:11:12I don't...
01:11:14You should just... go.
01:11:17Save yourself, leave me.
01:11:19It's what I deserve.
01:11:21I'm not gonna leave you.
01:11:23I'm not that type of person.
01:11:24Come on, let's go.
01:11:27Come down here.
01:11:29Wait until they come in.
01:11:31Hey, Tasha?
01:11:33You know what the hell?
01:11:35What?
01:11:37I'm not that type of person.
01:11:39It's what I deserve.
01:11:41It's what I deserve.
01:11:43I'm not gonna leave you.
01:11:45I'm not that type of person.
01:11:47Come on. Let's go.
01:11:49Come down here.
01:11:50Wait until they come in.
01:11:52Hey Tasha, I'm so sorry.
01:11:59Now's not the time for that.
01:12:18All in.
01:12:22Looks like we got ourselves a suicidal prick here, fellas.
01:12:31I can't think of any other reason why somebody would kick in a door that's got Vincent Santorelli on the other side of it.
01:12:40Oh shit.
01:12:42Boss.
01:12:44I didn't realize it was you.
01:12:48These your guys?
01:12:50Where the fuck are they?
01:12:53You better find them. Quick!
01:13:10Now it's your turn.
01:13:19Pretty little thing like you, I was going to make it painless. But I guess you didn't want that. All the same.
01:13:38Hey, who's this fucking monkey?
01:13:40Lower your fucking gun.
01:13:41Vinny, what the fuck is going on?
01:13:43You fucking down? Lower your fucking gun!
01:13:46Are you...
01:13:48Are you Ken Miller?
01:13:50How can that be? What the fuck is going on?
01:13:52Ken Miller.
01:13:54The one and the same Miller crime family that monopolizes all the underground trade in all of North America.
01:14:02America.
01:14:05It's you.
01:14:13You know what you have to do.
01:14:16Boss.
01:14:18Please.
01:14:20He's my brother.
01:14:22Rules are rules.
01:14:23I was pushing you away as Ken and growing closer to you as Fitz.
01:14:42I'm sorry, Tasha, but there's just nothing I can do that will make you happy.
01:14:51And I just...
01:14:53I just can't win over your heart.
01:14:54Is Ken Miller always this loving with the hostages he rescues? Or is this just special treatment reserved for his lovers?
01:15:10Tasha, I love you. My heart has belonged to you and only you for the past 15 years.
01:15:1515 years.
01:15:2015 years?
01:15:23No, we just met a few months ago.
01:15:26We met 15 years ago.
01:15:32You went to Marr Middle School.
01:15:34Yeah.
01:15:36And you saved my life there.
01:15:45Stand up, chicken, and hit us back.
01:15:48Isn't that what your dad does for a living? Beat people up?
01:15:52I'm not my dad.
01:15:54You and your father are both scum. Let's teach this little and thug a lesson.
01:15:59Yeah, idiot! Get up and show us what you've got!
01:16:03Hey!
01:16:05Hey, hey, hey, hey, hey! Stop! That's enough! That's enough!
01:16:09It's none of your business, Robert!
01:16:10Get out of here, Robert!
01:16:12Hey! Stop! Go home! I'll call your parents, go!
01:16:13Oh, crap!
01:16:14Crap!
01:16:16Ever since I saw you that night in the cab with that necklace on, I just, I knew I found you.
01:16:34Look, this isn't just some feeling for me, okay? This is, this is everything to me.
01:16:41You are everything to me. Like, you are everything to me.
01:16:45But no matter what happens between us, I will always care about you.
01:16:50And maybe one day we can make it work in a different way.
01:16:56I just need some time to process this.
01:16:57Okay. And after that, maybe we can pick up where we left off that first night you spent here?
01:16:58Maybe.
01:16:59Maybe.
01:17:00Maybe.
01:17:01Maybe.
01:17:02Maybe.
01:17:03Maybe.
01:17:04Maybe.
01:17:05Maybe.
01:17:06Maybe.
01:17:07You play your cards, right?
01:17:08Maybe.
01:17:09Maybe.
01:17:10You play your cards, right?
01:17:11Maybe.
01:17:12Maybe.
01:17:13Maybe.
01:17:14Maybe.
01:17:15You play your cards, right?
01:17:16Maybe.
01:17:17You play your cards, right?
01:17:18Yeah.
01:17:19Yeah.
01:17:20Yeah.
01:17:21Yeah.
01:17:22Yeah.
01:17:23Yeah.
01:17:24Yeah.
01:17:25Yeah.
01:17:26Yeah.
01:17:27You play your cards, right?
01:17:28You play your cards, right?
01:17:44Does everything look good to you, my artist?
01:17:47Yeah.
01:17:49Thanks for everything.
01:17:52That doesn't sound very convincing.
01:17:53Is there anything you want to change?
01:17:55No.
01:17:56I just, I never got around to asking why you wanted to start an art gallery in the first place.
01:18:02Honestly, it's to get to you.
01:18:05See, I thought if I owned the world's greatest art museum that one day you might find your way in here and, I don't know, that I might find you.
01:18:26I want to see what kind of woman this is that has ensnared my son.
01:18:36I want to see what kind of woman this is that has ensnared my son.
01:18:53I doubt she's worthy of joining a Miller family.
01:18:55As you wish, sir, I will make the arrangements.
01:19:03Honestly, it's to get to you.
01:19:06See, I thought if I owned the world's greatest art museum that one day you might find your way in here and, I don't know, that I might find you.
01:19:14Okay, okay.
01:19:16Just concentrate on painting.
01:19:18Don't think about him.
01:19:19Who are you?
01:19:39Miss Tasha Roberts?
01:19:41Mortimer Miller would like to speak with you privately at his home.
01:19:44Come here.
01:19:48Take a look.
01:19:53She's an heiress to the largest chain of luxury hotels in the Western Hemisphere.
01:19:59She's young, beautiful, well-educated.
01:20:04I think she'll make a fine wife for my son, Ken.
01:20:08With all due respect, sir,
01:20:10I believe that it's up to Ken to decide who he wants to spend the rest of his life with.
01:20:19Choose you.
01:20:21Not a chance.
01:20:23You're no match for my son.
01:20:30Now you owe money to the Crow Group.
01:20:34I'm going to pay your debt.
01:20:42And in return, you will agree to never see my son again.
01:20:50It's our decision whether we want to be together or not.
01:20:54Your son and I love each other.
01:20:55There's nothing in this world that can keep us apart.
01:21:00Tasha, do you want us to be together?
01:21:04It's impossible.
01:21:06Father.
01:21:06I forbid it.
01:21:08Father, this is the love of my life.
01:21:10I can't lose her again.
01:21:12I'd rather leave the family business.
01:21:15Then leave if you wish.
01:21:17But she will never have my approval, ever.
01:21:20And she'll never be a part of the Miller family as long as I live.
01:21:23You'll come running back without the Miller family power and money.
01:21:31You'll accomplish nothing.
01:21:34You're making a big mistake.
01:21:37Choosing this old hand instead of family.
01:21:51Ken, where are you?
01:21:53Why aren't you back yet?
01:21:58Oh, you're still awake?
01:22:00Mm-hmm.
01:22:15Who did this to you?
01:22:17Don't worry about me.
01:22:19I'm fine.
01:22:20There's nothing out of the ordinary.
01:22:34Hey, babe.
01:22:35Yeah, no.
01:22:36I'm just right outside.
01:22:36You son of a bitch.
01:22:43You're making me cut my own brother's hand.
01:22:45Now you think you can betray the Miller family?
01:22:49Walk away scot-free?
01:22:51Not a fucking chance.
01:22:53This guy means nothing to the Miller family now.
01:22:56He's worthless.
01:22:57Helpless.
01:22:58Helpless.
01:23:00You're absolutely nothing now.
01:23:02Let's make him feel the pain that my brother felt.
01:23:06Come on, boys.
01:23:07Stop.
01:23:17Stop hurting him.
01:23:32Stop.
01:23:33Stop.
01:23:34Stop.
01:23:35Stop.
01:23:36Stop.
01:23:37Stop at once, you insolent fools.
01:24:03Son, you know how hard it is for me to admit that I made a mistake?
01:24:20But today, the two of you have proved me wrong beyond a shadow of a doubt.
01:24:27Tasha, you are the perfect woman for my son.
01:24:33Oh, be together.
01:24:39You approve?
01:24:41You have my blessing.
01:24:44From this day onward, you have nothing more to do with the legal activities of the family.
01:24:54But you'll always be a Miller, as will she.
01:25:03and let's go.
01:25:24Let's go.
01:25:25You useless, impotent man-child! The Krog Group is bankrupt!
01:25:32Getting involved with you is the worst decision I could have made in my life!
01:25:36Get off! This is all your fault!
01:25:38You spent every single thing that we had! Now we have nothing left!
01:25:42No company, no house, no money, not even a dime!
01:25:46And it's all because of you, you greedy cow!
01:25:48Don't you, don't! Hey, hey, hey!
01:25:57The late Mrs. Miller was a beautiful woman, sir.
01:26:02Yes.
01:26:06Back then, my wife protected me from every danger that befell our family.
01:26:11And today, my son found the perfect woman at us and I did the same for him.
01:26:21He's a lucky man.
01:26:35Wow, you look so beautiful.
01:26:38No, you can't be here right now!
01:26:41Babe, I don't want to rush you, but everybody's waiting to see you.
01:26:46Ken, can you promise me one thing?
01:26:48I can promise you two if you'd like.
01:26:51I'm serious.
01:26:54I want you to walk away from the family business.
01:27:00There's a city called Ostia.
01:27:02It's on the southwest side of Rome by the ocean.
01:27:05What?
01:27:06You know what I found over there?
01:27:08I found you an art teaching job at a public school.
01:27:12I already booked tickets.
01:27:14I leave in the morning.
01:27:16You're sending me away?
01:27:18No.
01:27:20I opened my own restaurant.
01:27:22It's just down the street.
01:27:24Oh, one more thing.
01:27:25I enrolled Anna at the school they were going to be teaching at.
01:27:29I think she's going to really love it over there.
01:27:34So you really are walking away?
01:27:35Yeah.
01:27:37I got some socks.
01:27:39I got some socks.
01:27:41I got some socks.
01:27:42I got some socks.
01:27:43I got some socks.
01:28:10I got some socks.
01:28:11I got some socks.
01:28:12I got some socks.
01:28:13It's a dream.
01:28:14Cheers.
01:28:16Anyone else?
01:28:17No.
01:28:18I got some socks.
01:28:19Do you have one.
01:28:21I'll property and run it over there.
01:28:23There's a plan.
01:28:25Nobody thinks you knew it'd be perfect.
01:28:27It's got some socks.
01:28:29Anyway, I'll insist.
01:28:30So you'll see oh, 10 and 4 or so.
01:28:33No, wait until they're a Fer courtesy.
01:28:35Hare.
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