Shelter In The Mafia

Movista

3 hours ago

Transcript

00:00:00Hey, what are you doing with my stuff? How'd you get in here?

00:00:11I gave him the keys.

00:00:12Carl? I mean, what are you doing here so late? And what's that guy doing with my stuff?

00:00:17Tasha, Tasha, Tasha. You're always asking the wrong questions.

00:00:23What the hell is going on?

00:00:26Do you really think you're that thick, Tasha?

00:00:29Your husband and I decided that you're no longer needed here anymore.

00:00:33Reyna's gonna take over your role at the company.

00:00:35She's already proven she can do everything you can, but better.

00:00:39I'll have a letter of termination and divorce paper sent over to your new address,

00:00:43wherever that ends up being.

00:00:45What should I do with this, boss?

00:00:47Give me that, you plebe. I know exactly what to do with it.

00:00:53Is that clear enough for you, Tasha?

00:00:55Tasha, your company and your husband both belong to me now.

00:00:59No, you can't just fire me. I'm a shareholder at this company.

00:01:07Are you still a shareholder at this company, are you?

00:01:11You know, actually, your debt is mortgaged with your shares, so you actually owe this company about 200 million.

00:01:17I never took out any loans that large.

00:01:19Oh, Tasha, you were always so gallible.

00:01:23A word of advice for the future?

00:01:25Don't give the keys to the kingdom to your assistant, no matter how trustworthy your feeble brain thinks they might be.

00:01:33Security! Security! We have a vagrant in the lobby and she might become hostile.

00:01:38Stop acting. I'll just leave on my own.

00:01:47Look, there's no glamour. There's no glory. It's just blood, guts, fear and misery.

00:01:55Come on, man. You think I'm some kind of moron that doesn't know anything?

00:01:59I know that the type of money you make in just a few days, I can't make that in 10 years working as a stick.

00:02:05But at least you're guaranteed to be alive in 10 years.

00:02:07In my world, you're not guaranteed to be alive in 10 days, let alone 10 minutes sometimes.

00:02:12Yo, yo, man. Stop lecturing me. Are you gonna give me the gun or not?

00:02:18I'm sorry, but no. I'm not gonna let you get killed.

00:02:22Man, what the fuck you got me here for then? Shit.

00:02:41Oh, I guess you didn't hear. The repo guy, he came and towed your car away.

00:02:48Ugh. Said it was, like, collateral for a loan.

00:02:53Of course, I made the call and arranged everything.

00:02:57My pleasure.

00:02:59You despicable trash.

00:03:02You know, I was gonna give you a ride, you know, seeming that we were married for so long.

00:03:07But walking the streets at night kinda suits you.

00:03:11So, enjoy.

00:03:14Go to hell.

00:03:18Miss?

00:03:20Miss?

00:03:47Miss just go away. All right, I don't need your cheap sympathy right now miss your friends gone. I

00:03:54Just want to offer my cab services

00:03:59Yeah, I'm I'm sorry I have a cab is just what I need right now all right great come on board

00:04:17I

00:04:28Sorry, I I don't have any cash right now. Um, give me a minute. I'll go grab some from inside here

00:04:36Just proof. I'm not trying to skip out on the fair

00:04:47You

00:04:49Have some nerve coming back here

00:04:51I never wanted my son to marry you in the first place and now that he's finally come to his senses and kicked you to the curb

00:04:58You think that you can just waltz right back into his house?

00:05:02his house

00:05:04My father left me this house

00:05:07And I know you're senile, but I'm sure you

00:05:11Remember when you practically begged me to let you and Carl live here. I

00:05:14I always knew you were a nasty little hussy

00:05:23Who the hell are you?

00:05:25This is a personal matter, so you should really mind your own business and stay outside. Actually

00:05:31This is my boyfriend

00:05:33So if it's a personal matter for me, it's a personal matter for him

00:05:39What you think your son's the only one capable of having secrets

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00:08:30I'm so glad you're here.

00:08:32Where did you get this necklace?

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00:08:36You better not be lying to me.

00:08:38I'm not lying.

00:08:40He made that with his own hands.

00:08:42It has my name on the back.

00:08:48It's really you?

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00:25:15okay well if you don't love to paint anymore then why bring an easel with you

00:25:22i haven't painted in years i'm sure it'll be just like riding a bike

00:25:30once you start it'll all come back to you

00:25:38that's my account why are they assigning it to someone else

00:25:41fine fine just get me some damn answers and give me a call back soon

00:25:45okay

00:25:46carl this took me three months i'm sorry i just i got some bad news at work

00:25:55it's ruined now why start over you know it kills me to see you squander your intelligence and talent

00:26:04on these useless paintings you're a remarkable woman tasha okay and if the charlatan snobs in

00:26:13the art world can't see that then screw them okay if you put your focus elsewhere we could be rich

00:26:20enough to buy 10 art galleries and then you can put whatever paintings you want in them right

00:26:25what if we put painting on the side just for a little while and you could come join me at the company

00:26:36because together we'd be unstoppable and right now i am drowning your dad and his partners have no faith in these

00:26:48i need you look

00:26:53you love me don't you

00:26:58of course i do

00:27:01okay if you do this one thing for me it's one little thing please

00:27:09you're finished

00:27:23I'm soaring to the smile, it's my only dream.

00:27:33Steering out into the sea.

00:27:36Finished.

00:27:38Yep.

00:27:43That is amazing.

00:27:46Thank you, I honestly never thought I'd paint again.

00:27:50Well that would have been a shame, you're easily one of the most talented artists I've ever met.

00:28:12We're honored that you chose our gallery to showcase your work.

00:28:15I am curious about one thing, if you don't mind me asking.

00:28:19The subject in your paintings, your muse, is he your lover?

00:28:24Oh, no, he's just a friend of mine.

00:28:30But his gaze, the way he looks out to you in these paintings, there's so much tenderness and affection in his eyes.

00:28:39Is Ken really in love with me? He's so young though. At his age, he probably doesn't even know what love is.

00:28:52Oh, sorry, you're in the way.

00:28:54Actually, you're in my way.

00:29:00Actually, you're in my way. I'm trying to get into my home.

00:29:05Is this your new girlfriend?

00:29:07I've never seen you with anyone like this before.

00:29:10Ken's my roommate.

00:29:11Now, if you'll please step aside so I can get in.

00:29:18Call me again if you need anything, okay? Bye.

00:29:22Hey, what are you doing home so early? Are they gonna showcase your work?

00:29:27Sorry if I interrupted something, but as your roommate, I don't really think I need to tell you if I'm coming or going.

00:29:34So, if you have something private to do, just do it in your room.

00:29:36I never said you need to tell me when you're coming or going, I'm just saying.

00:29:39Fine, you don't need to explain. Just, I just want to be alone.

00:29:43I just want to be alone.

00:29:49What?

00:29:54I'm so sorry, sir. She just barged in without permission.

00:29:58It's okay.

00:30:00Miss Roberts, please. Grab a seat.

00:30:03We signed a contract. Why can't you show my paintings now?

00:30:07I'm afraid I don't have the answers you're looking for.

00:30:09You want to know what happened? Ask Karl Kroh.

00:30:13I want my paintings back. Right now.

00:30:19Well, they're probably somewhere in the warehouse. They haven't been thrown away yet.

00:30:43You've already searched the entire warehouse ten times. If you haven't found what you're looking for, it's not here.

00:30:53You better hope I find what I'm looking for, or I'm going to make this entire gallery compensate me.

00:30:58And then I'm going to sue you, and you'll be the first to lose your job.

00:31:01Yeah, that's great, lady. Go ahead and sue. I'm sure things will go exactly the way you described it.

00:31:05.

00:31:07.

00:31:11.

00:31:47You really care about her.

00:31:55Shh, keep your voice down.

00:31:57She's had a long day.

00:31:59Also, you can't just come over here so casually in the future.

00:32:02Casually?

00:32:04Are you kicking me out?

00:32:06You didn't mind my coming over so casually when you had me digging through your body for bullets.

00:32:11You men are cold as hell.

00:32:13I think my lucky star is on the lesbian.

00:32:14Look, I just can't have her finding out about the work that we do, okay?

00:32:18Are you serious about her?

00:32:21Yeah.

00:32:22Have you thought about the consequences if your dad finds out?

00:32:27Look, no.

00:32:28You and I have been best friends for over 20 years, okay?

00:32:32And my dad has taught me everything that I know.

00:32:34I think maybe it's time I just figured things out on my own.

00:32:38And you know exactly what I went through last time.

00:32:42I'm not gonna lose her again.

00:32:43Don't worry, Anna.

00:32:49Mommy's gonna find a way to bring you home soon.

00:32:58All the evidence is here.

00:33:00It's exactly what you thought.

00:33:03Let me know if you want me to find out more.

00:33:05Carl, let's meet.

00:33:21Oh, wow.

00:33:31It's not every day a famous painter comes to visit.

00:33:36To what do I owe the pleasure?

00:33:38The company I supposedly borrowed money from.

00:33:43It's a shell company owned by you.

00:33:46So what?

00:33:49All our operations are legal.

00:33:50You signed the documents.

00:33:52You borrowed the money.

00:33:54All you can do now

00:33:55is pay it back.

00:33:59You know,

00:34:00I don't think you actually want me to pay back the loans.

00:34:05You were just looking for an excuse

00:34:08to have me back in your life.

00:34:11You're obsessed with me.

00:34:12This is just your sick way

00:34:15to dominate me

00:34:16and make me surrender to you.

00:34:17I'm just getting even.

00:34:19For the years I spent

00:34:21in your father's shadow.

00:34:23The years of belittlement

00:34:24and him treating me like a clown.

00:34:26My father hired you

00:34:28when no one else would.

00:34:32Not my fault

00:34:33that your insecure petty

00:34:35took his support as belittling.

00:34:38I wouldn't upset me

00:34:41if I were you.

00:34:43Remember,

00:34:44I'm your creditor now.

00:34:47Two months.

00:34:48That's all I can give you

00:34:49to pay me back

00:34:49the remainder

00:34:50$180 million.

00:35:01What are you doing here?

00:35:03I was just in the neighborhood.

00:35:05Thought I'd give you a ride home.

00:35:06Hi.

00:35:10Um, hey.

00:35:12Who is this?

00:35:16Um, this is Ken's roommate.

00:35:19We're going to be

00:35:20dropping them off

00:35:20before we head home.

00:35:23Yeah, hey, listen.

00:35:24I didn't introduce you last time,

00:35:25but this is my best friend,

00:35:26Nell,

00:35:26and her girlfriend, Maria.

00:35:27Hey.

00:35:33Nell and I have been

00:35:33nothing more than friends

00:35:34since we were kids.

00:35:36She's not into men,

00:35:37and she never has been,

00:35:39and her and I

00:35:39are nothing more

00:35:40than just platonic friends.

00:35:42All right?

00:35:44I'm sorry.

00:35:45I jumped to conclusions

00:35:46the other day.

00:35:47It's okay.

00:35:49I just didn't want you

00:35:49to get the wrong idea.

00:35:50Look, I...

00:35:55I appreciate it.

00:35:58I really do.

00:35:58I just...

00:36:00I still think you and I

00:36:01are better off

00:36:03just as friends.

00:36:05Just...

00:36:06why?

00:36:08Why?

00:36:13Why?

00:36:16Maybe because I'm

00:36:17just getting over

00:36:18a failed marriage.

00:36:21Because I owe

00:36:22an unthinkable amount of money

00:36:23and I have no idea

00:36:25how I'm going to pay it back.

00:36:27I also have no idea

00:36:29how I'm going to get

00:36:29my daughter back.

00:36:31And getting

00:36:33into a relationship

00:36:34with you,

00:36:35that's just something

00:36:35I can't do right now.

00:36:38Love has brought me

00:36:39nothing but pain,

00:36:40okay?

00:36:40So just,

00:36:41please,

00:36:41just leave it.

00:36:42Leave it.

00:36:43Do you have

00:37:05any other paintings?

00:37:05Do you have any other paintings?

00:37:13Yeah.

00:37:13I have several.

00:37:15What are you looking for?

00:37:18I would like to buy them all.

00:37:20I love your painting style.

00:37:22It is so unique.

00:37:23I own a large gallery

00:37:24and I would like to establish

00:37:25a long-term collaboration

00:37:27with you.

00:37:29Thank you for your kind words

00:37:30about my paintings,

00:37:31but...

00:37:33I've been in some trouble lately

00:37:35and it's probably best

00:37:36if I don't involve

00:37:37your gallery.

00:37:38None of this matters to me.

00:37:44If someone wishes

00:37:45to cause me trouble,

00:37:46well,

00:37:47just let me try.

00:37:54I mean,

00:37:55it has to be a mistake.

00:37:59Or a prank,

00:38:01or a cruel practical joke.

00:38:04I mean,

00:38:04it seems pretty authentic to me.

00:38:06It has their seal

00:38:07and your name

00:38:08and address

00:38:09are clearly written on it,

00:38:11so...

00:38:13It looks authentic.

00:38:17But how would they

00:38:18have seen my paintings?

00:38:21I don't know.

00:38:21Maybe one of those

00:38:22auction sites

00:38:23that you've been

00:38:23posting your work on?

00:38:24I mean,

00:38:25you're incredibly talented,

00:38:26so anybody who's seen

00:38:27your work

00:38:28would automatically

00:38:29recognize it.

00:38:35I own a large gallery

00:38:36and I would love

00:38:37to establish

00:38:37a long-term collaboration.

00:38:40It's him.

00:38:42It's him.

00:38:43The guy

00:38:44who's been on my paintings.

00:38:45He must be the owner

00:38:46of the Fitz Gallery.

00:38:47Well, in that case,

00:38:48we better get going.

00:38:49Where?

00:38:51Gotta go get you a dress.

00:38:52Can't have you

00:38:53showing up

00:38:53to the Fitz Gallery

00:38:54in rags.

00:38:54Babe,

00:39:01which one do you like more?

00:39:02This one

00:39:03or this one?

00:39:05I need to be

00:39:06the hottest girl

00:39:06at the Fitz Gala.

00:39:09Everything just, uh,

00:39:11looks so good on you, honey,

00:39:13so, um,

00:39:13just pick whichever

00:39:14one you want.

00:39:16I gotta take a call, okay?

00:39:18Wrap this up, you twitch.

00:39:20I'll take them both.

00:39:20Wow.

00:39:29I used to buy

00:39:30dresses like this

00:39:30all the time

00:39:31without even thinking

00:39:32about the money,

00:39:33but I can't afford

00:39:35something like this now.

00:39:38You know what?

00:39:40Consider it a

00:39:40congratulatory gift for me.

00:39:42Alright?

00:39:43And when you make it

00:39:44big in the art world,

00:39:45you can just hand me back.

00:39:46Oh, hi.

00:39:49Excuse me.

00:39:50Yeah, my, uh,

00:39:50friend would like

00:39:51to try on this dress.

00:39:52Oh, your friend

00:39:53has amazing tastes.

00:39:54This dress is actually

00:39:55a limited edition,

00:39:56each one handcrafted

00:39:57by hand and therefore

00:39:59entirely unique.

00:40:00Truly a work of art.

00:40:01Well, how fitting

00:40:01that's gonna be worn

00:40:02by a very talented artist.

00:40:04I'll have someone

00:40:05on the team

00:40:05bring it out to you.

00:40:08Veronica,

00:40:09please bring

00:40:09the limited edition.

00:40:14What limited edition?

00:40:16Tasha?

00:40:18Do you really think

00:40:20you can afford

00:40:20this dress?

00:40:24You can afford

00:40:25this dress?

00:40:28Please.

00:40:30Reyna,

00:40:31I don't think you need

00:40:31to worry about

00:40:32Tasha's finances,

00:40:33okay?

00:40:34We established that

00:40:34last time.

00:40:37Hey, you.

00:40:38Get over here.

00:40:40I'm gonna pay

00:40:41twice what it's worth,

00:40:42but I want this dress.

00:40:44Ma'am, this dress

00:40:44is $4,000.

00:40:45Did I ask you

00:40:46how much it cost,

00:40:47you pluritarian scum?

00:40:49Just shut your mouth

00:40:49and add it to my bill.

00:40:51She's willing

00:40:52to pay double.

00:40:53I'll double her offer

00:40:54and I'll pay $16,000.

00:40:56Okay, sir.

00:40:57Sold.

00:40:58$32,000.

00:40:59You know what?

00:41:02If she wants

00:41:02to dress so bad,

00:41:03let her have it.

00:41:05You can put

00:41:05all the jewels

00:41:06you want on a pigeon,

00:41:07but it'll never

00:41:07be a peacock.

00:41:08I'll show you

00:41:09who's a pigeon,

00:41:10you little bitch.

00:41:10How dare you

00:41:12assault me?

00:41:13Tasha,

00:41:14are you okay?

00:41:17What is going on here?

00:41:19What's going on

00:41:19is that your crazy

00:41:20bitch wife

00:41:21pushed Tasha

00:41:21to the ground.

00:41:22I swear to God,

00:41:24they're all lying.

00:41:25I never touched her.

00:41:26I saw everything.

00:41:27This gentleman

00:41:28and his girlfriend

00:41:28were very nice

00:41:29and politely inquired

00:41:30about a dress

00:41:31and suddenly your wife

00:41:32appears and attacks her

00:41:33for no reason.

00:41:34Shut your mouth,

00:41:35you little lying

00:41:36asshole.

00:41:37You know what?

00:41:37Why don't you just

00:41:37call security

00:41:38before this crazy maniac

00:41:39hits somebody else?

00:41:40Wait a second

00:41:40right now.

00:41:41What actually

00:41:41happened here?

00:41:42What's going on?

00:41:43Why don't you believe me?

00:41:44Don't you?

00:41:46Do I just call 911?

00:41:48Are you blind?

00:41:49Oh Tasha,

00:41:50can you stop

00:41:50this bullshit?

00:41:51You know what,

00:41:51Raina,

00:41:51can you just stay away?

00:41:53Can I get someone

00:41:54down here?

00:41:54Room A, 122?

00:41:55No, no,

00:41:56that's not necessary.

00:41:57We are leaving

00:41:57right now.

00:41:58Let's go.

00:41:59Bro, but...

00:41:59Okay,

00:42:00you've embarrassed

00:42:01us both enough

00:42:01for one day,

00:42:02okay?

00:42:03Let's go!

00:42:10Wherever Raina goes,

00:42:13trouble's sure to follow.

00:42:16It is nice to see

00:42:17a better taste

00:42:17of her own medicine,

00:42:18though.

00:42:19Yeah.

00:42:20It's a shame,

00:42:20though.

00:42:21You would have

00:42:21looked really great

00:42:22on that dress.

00:42:26Don't worry about that.

00:42:27I have a solution.

00:42:28What are you gonna do

00:42:37with all this stuff?

00:42:39I'm gonna design

00:42:40my own dress

00:42:40and wear it to the gala.

00:42:42Are you sure

00:42:42there's enough time?

00:42:43Have some faith in me.

00:42:45I graduated with honors

00:42:46in design and fine art.

00:42:49I got this.

00:42:51Alright.

00:42:58How do I look?

00:43:14How do I look?

00:43:21What?

00:43:22Is...

00:43:23Is something wrong?

00:43:24Is it...

00:43:25Is it too much?

00:43:26Should I change something?

00:43:27No.

00:43:28No.

00:43:29You look...

00:43:31That dress, like...

00:43:33That is one of the

00:43:34most beautiful dresses

00:43:35I've ever seen.

00:43:39But there's something

00:43:40missing.

00:43:43Should I

00:43:44resell the beads?

00:43:46No.

00:43:48I have a gift for you.

00:43:50Something to

00:43:51complete the whole look.

00:43:58Just try harder, you idiot.

00:44:00Mrs. Crowe.

00:44:01I am doing

00:44:02everything I can.

00:44:03I...

00:44:04I...

00:44:04I don't know

00:44:04what more I can do.

00:44:06You're calling me fat?

00:44:07Of course not.

00:44:09You're not fat at all.

00:44:11It's the dress.

00:44:12It's not made

00:44:13for a woman's body.

00:44:15Just shut up

00:44:16and do it!

00:44:17Babe.

00:44:18Just put on another dress.

00:44:20You're gonna be late.

00:44:21I spent

00:44:23so much money

00:44:24on this dress.

00:44:25I am wearing

00:44:26this dress!

00:44:27I can't.

00:44:46It's...

00:44:47It's too much.

00:44:50No.

00:44:51It was made

00:44:52for you.

00:44:52It was made

00:44:52for you.

00:44:57I can't wait

00:45:02to see what

00:45:03you've brought

00:45:03to the auction.

00:45:04Can we have

00:45:05a little hint?

00:45:06Well,

00:45:07actually,

00:45:08I brought

00:45:08some of my

00:45:09very own

00:45:10paintings

00:45:11to auction

00:45:11tonight.

00:45:14What's wrong?

00:45:16It's just

00:45:16Tasha Roberts,

00:45:18my husband's

00:45:19dreadful

00:45:20ex-wife.

00:45:22I'm tired

00:45:23of seeing

00:45:24her sorry

00:45:25face everywhere.

00:45:25You know,

00:45:27she's also

00:45:28a horrible

00:45:29person.

00:45:30If it isn't

00:45:31everyone's

00:45:32favorite

00:45:33white-collar

00:45:34criminal

00:45:34turned

00:45:35homeless

00:45:35vagrant

00:45:36Tasha Roberts.

00:45:38So,

00:45:39the other day

00:45:40when you were

00:45:40trying to buy

00:45:41this dress

00:45:41with that

00:45:42working-class

00:45:44thug boyfriend

00:45:44of yours,

00:45:45you were

00:45:46trying to come

00:45:46here?

00:45:47Are you sure

00:45:48you were even

00:45:49invited?

00:45:52I'm sorry,

00:45:53are you

00:45:54working for

00:45:55security details?

00:45:56Do I need

00:45:56to show you

00:45:57my invitation?

00:45:58Honey,

00:45:59I'm just

00:45:59trying to

00:45:59look out

00:45:59for you,

00:46:00okay?

00:46:01I want to

00:46:01spare you

00:46:02the embarrassment

00:46:02of being

00:46:03kicked out

00:46:04when everybody

00:46:05finds out

00:46:05that you

00:46:06are not

00:46:06invited.

00:46:08You mean

00:46:08like how

00:46:08you were

00:46:09kicked out

00:46:09of the mall?

00:46:10I see.

00:46:11You still

00:46:12quite don't

00:46:12understand

00:46:13your place

00:46:14in the world.

00:46:15You think

00:46:15you're

00:46:15fucking

00:46:16Cinderella

00:46:17or something

00:46:18and life

00:46:18is a fairy tale.

00:46:19But don't

00:46:20worry,

00:46:22I'll help

00:46:22you figure

00:46:23it all

00:46:24out.

00:46:26What's

00:46:26wrong

00:46:26with you?

00:46:27You can't

00:46:28just see

00:46:28people are

00:46:28walking

00:46:29through.

00:46:30Rena,

00:46:30this time

00:46:30you've

00:46:31gone

00:46:31too far!

00:46:32Stop

00:46:32shouting,

00:46:33you dreadful

00:46:33oath.

00:46:34These were

00:46:34supposed to

00:46:34be auctioned

00:46:35tonight.

00:46:35Well,

00:46:36if it is

00:46:36of any

00:46:37consolation,

00:46:38I don't

00:46:38think the

00:46:39wine has

00:46:39reduced

00:46:39their value

00:46:40of very

00:46:41much

00:46:41at all.

00:46:41now you

00:46:43can go

00:46:44and cry

00:46:44to your

00:46:45fairy gut

00:46:45mother.

00:46:47Oh,

00:46:49I think

00:46:50the auction

00:46:50is starting.

00:46:52Well,

00:46:52I'll see

00:46:52you there.

00:46:54Toodles!

00:47:02For our

00:47:02first auction

00:47:03item,

00:47:03I'd like

00:47:04to welcome

00:47:04Ms.

00:47:04Raina Crow

00:47:05to the

00:47:05stage

00:47:06with her

00:47:06collection

00:47:07of

00:47:08original

00:47:08paintings.

00:47:11As you

00:47:26can see,

00:47:26Ms.

00:47:26Raina Crow's

00:47:27style is

00:47:28very

00:47:28unconventional.

00:47:30Certainly,

00:47:31these works

00:47:31defy

00:47:32easy

00:47:33categorization,

00:47:34and yet

00:47:34there are

00:47:35touches of

00:47:36whimsy

00:47:36and an

00:47:37almost

00:47:37playful

00:47:38quality

00:47:39about them,

00:47:39as depicted

00:47:40here through

00:47:40the bold

00:47:41use of

00:47:41a duck

00:47:42as a

00:47:42central

00:47:43figure.

00:47:44It's a

00:47:44dog.

00:47:45What?

00:47:46It's a

00:47:46dog,

00:47:47not a

00:47:47duck,

00:47:47you

00:47:47buffoon.

00:47:48Oh,

00:47:48yes,

00:47:49of course.

00:47:50A

00:47:50dog.

00:47:52Seen

00:47:53through

00:47:53a

00:47:53very

00:47:54unique

00:47:54prism,

00:47:55portrayed

00:47:55as only

00:47:56an artist

00:47:57of Raina's

00:47:57caliber

00:47:58could

00:47:58possibly

00:47:59portray

00:47:59it.

00:48:00Now

00:48:01that we

00:48:01have

00:48:01familiarized

00:48:02ourselves

00:48:02with

00:48:03the art

00:48:03and

00:48:04the

00:48:04artist,

00:48:04let's

00:48:04start

00:48:05the

00:48:05bidding.

00:48:05The

00:48:06starting

00:48:06price

00:48:06will

00:48:06be

00:48:06$50,000.

00:48:08Do I

00:48:08hear

00:48:09$50,000?

00:48:10$50,000.

00:48:10Anyone?

00:48:11$50,000.

00:48:14Do I

00:48:15hear $60,000?

00:48:18Anyone?

00:48:19$50,000 going

00:48:21once,

00:48:22$50,000 going

00:48:23twice.

00:48:24Sold!

00:48:25Sold for

00:48:25$50,000.

00:48:26And now

00:48:33we'll

00:48:33invite

00:48:33our

00:48:33second

00:48:34artist

00:48:34for

00:48:34the

00:48:35evening,

00:48:35Ms.

00:48:35Tasha

00:48:36Roberts,

00:48:37who

00:48:37will

00:48:37also

00:48:37be

00:48:37presenting

00:48:38a

00:48:38series

00:48:39of

00:48:39paintings.

00:48:47Ms.

00:48:48Tasha

00:48:48Roberts,

00:48:49where

00:48:49are

00:48:49your

00:48:49paintings?

00:48:50I

00:48:51don't

00:48:51have

00:48:52my

00:48:52paintings

00:48:52tonight,

00:48:53but I

00:48:56will be

00:48:56auctioning

00:48:56off this

00:48:57dress.

00:49:10Wow!

00:49:10It's

00:49:11beautiful!

00:49:14Stupendous!

00:49:14I've never

00:49:15seen a

00:49:15dress so

00:49:16beautiful!

00:49:16Oh,

00:49:21stupendous!

00:49:22I've never

00:49:22seen a

00:49:22dress so

00:49:23beautiful!

00:49:24A stunning

00:49:25work of

00:49:25art,

00:49:26indeed!

00:49:27There's no

00:49:27need for

00:49:27me to

00:49:28say

00:49:28another

00:49:28word

00:49:28about

00:49:29this

00:49:29masterpiece.

00:49:29Everyone

00:49:30in the

00:49:30audience

00:49:30can

00:49:31clearly

00:49:31see

00:49:31the

00:49:32extraordinary

00:49:32talent

00:49:33and

00:49:33extraordinary

00:49:34artistry.

00:49:35Let's

00:49:35start

00:49:35the

00:49:36bidding

00:49:36at

00:49:36$50,000.

00:49:37$55,000!

00:49:38$75,000!

00:49:40$90,000!

00:49:41$100,000!

00:49:43$150,000!

00:49:45$250,000!

00:49:49$250,000 going

00:49:51once, $250,000 going

00:49:53twice, gold!

00:49:55This

00:49:55beautiful dress

00:49:56is sold for

00:49:57$250,000!

00:50:06Is that the

00:50:07heart of

00:50:07sun necklace

00:50:07that sold for

00:50:08$200,000,000

00:50:09a few months

00:50:10ago in a

00:50:10big deal?

00:50:12Impossible.

00:50:13How can

00:50:13that lowly

00:50:14peasant

00:50:14possibly afford

00:50:15it must

00:50:16be a

00:50:16fake?

00:50:20Thank you so

00:50:21much for

00:50:21your bid,

00:50:22Ms. Winslow.

00:50:23I'm going to

00:50:24design a few

00:50:25custom pieces

00:50:25in your size

00:50:26and design

00:50:27them to

00:50:28your elegance

00:50:28and style.

00:50:29Have you

00:50:30ever considered

00:50:31creating your

00:50:32own clothing

00:50:33brand?

00:50:34Your creations

00:50:36are so

00:50:37extraordinary.

00:50:38You should

00:50:38really share

00:50:39your talent

00:50:39with the rest

00:50:40of the world.

00:50:42I never

00:50:42considered it,

00:50:43but I

00:50:43certainly

00:50:43will now.

00:50:46Hi.

00:50:47I'd be

00:50:47careful if I

00:50:48were you.

00:50:49I personally

00:50:49wouldn't put

00:50:50any faith

00:50:51into someone

00:50:51that wears

00:50:52cheap replicas

00:50:53of famous

00:50:54pieces of

00:50:54jewelry.

00:50:56What are you

00:50:57talking about

00:50:57right now?

00:50:58This woman

00:50:59is a phony

00:50:59and a con

00:51:00artist.

00:51:01For as long

00:51:01as I worked

00:51:02with her,

00:51:03she's done

00:51:03nothing but

00:51:04defraud and

00:51:04cheat the

00:51:05people she's

00:51:06done business

00:51:06with.

00:51:07And let me

00:51:08make it clear.

00:51:08For everybody

00:51:09that wants to

00:51:10do business

00:51:10with this

00:51:11woman,

00:51:12they won't

00:51:13be allowed

00:51:13to do

00:51:14business

00:51:14with the

00:51:15Crowe Group.

00:51:16Is that

00:51:16so?

00:51:20Well,

00:51:20let it be

00:51:21known that

00:51:21if anybody

00:51:22refuses to

00:51:22work with

00:51:23Ms. Tasha

00:51:23Roberts

00:51:24because of

00:51:24the baseless

00:51:25rumors and

00:51:25lies being

00:51:26spread by

00:51:27Ms.

00:51:27Raina Crowe,

00:51:28you will no

00:51:29longer be

00:51:29welcomed back

00:51:30to the

00:51:30Fitz Gallery.

00:51:32That's the

00:51:32curator of

00:51:33the Fitz Gallery.

00:51:36Not just

00:51:36the curator,

00:51:37he's also the

00:51:38director of

00:51:38the Fitz

00:51:39Foundation.

00:51:42The curator?

00:51:43Is he the

00:51:44man who

00:51:44bought my

00:51:45paintings?

00:51:46Why does

00:51:47he seem so

00:51:47familiar?

00:51:51Ms. Tasha

00:51:52Roberts is my

00:51:52guest of

00:51:53honor tonight.

00:51:53I invited her

00:51:54personally.

00:51:55So if anybody

00:51:56treats her with

00:51:57the slightest

00:51:57bit of

00:51:57disrespect,

00:51:59they'll be

00:51:59asked to

00:51:59leave and

00:52:00never again

00:52:00invited back

00:52:01to the Fitz

00:52:01Gallery.

00:52:02As the

00:52:03director of

00:52:04this esteemed

00:52:04organization,

00:52:05am I interested

00:52:06to know that

00:52:07your guest of

00:52:08honor is

00:52:08wearing a

00:52:09cheap replica

00:52:10of a

00:52:11priceless

00:52:12work of art.

00:52:13She is not

00:52:14to be trusted.

00:52:16I'm assuming

00:52:16you mean her

00:52:17diamonds.

00:52:18What evidence

00:52:19do you have

00:52:19to prove that

00:52:19it's not real?

00:52:21Well,

00:52:21the real

00:52:22Heart of the

00:52:22Sun has

00:52:23the initials

00:52:24of the

00:52:24Craftman

00:52:24engraved

00:52:25in the

00:52:26joint between

00:52:26the gemstone

00:52:27and the

00:52:28pendant.

00:52:29So Tasha,

00:52:29would you

00:52:30indulge us

00:52:30all and

00:52:31show us

00:52:31if what

00:52:32you're

00:52:32wearing is

00:52:33a genuine

00:52:33article or

00:52:35a cheap

00:52:36knockoff?

00:52:37This was

00:52:38just given

00:52:39to me by

00:52:39a friend.

00:52:40I never

00:52:40claimed it

00:52:42was the real

00:52:42Heart of the

00:52:43Sun.

00:52:43I don't want

00:52:45to embarrass

00:52:45him by having

00:52:46people pour

00:52:47over it

00:52:47for imperfections.

00:52:48so it's

00:52:50a forgery.

00:52:51You were

00:52:51so happy

00:52:52to have

00:52:53everyone

00:52:53believe it

00:52:53was the

00:52:54real thing

00:52:54until I

00:52:54challenged

00:52:55you

00:52:55and called

00:52:56your bluff.

00:52:58Miss Roberts.

00:53:01You were

00:53:02so happy

00:53:03to have

00:53:03everyone

00:53:04believe it

00:53:04was the

00:53:04real thing

00:53:05until I

00:53:05challenged

00:53:06you

00:53:06and called

00:53:06your bluff.

00:53:08Miss Roberts,

00:53:09you have

00:53:10nothing to fear

00:53:10from this

00:53:10woman.

00:53:11Just show her

00:53:12the necklace.

00:53:13And I'll

00:53:13personally see to it

00:53:14that there are

00:53:14no despairing

00:53:15comments about

00:53:16its craftsmanship

00:53:17or quality.

00:53:18And the question

00:53:19has to be asked

00:53:20whether it is

00:53:20the true

00:53:20Heart of the Sun.

00:53:29See?

00:53:30Just like...

00:53:31What?

00:53:34How is this

00:53:34possible?

00:53:39I do say

00:53:40this engraving

00:53:41looks entirely

00:53:42authentic to me.

00:53:45This is indeed

00:53:46the one and only

00:53:47Heart of the Sun.

00:53:48Well, that settles

00:53:49it then.

00:53:49This necklace

00:53:50is authentic.

00:53:51From now on,

00:53:52no one will be

00:53:53permitted to

00:53:53question or harass

00:53:55my guest of honor.

00:53:56Now, if everyone

00:53:57is satisfied,

00:53:58can we please

00:53:58get back to

00:53:59tonight's festivities?

00:54:10Ken, you have

00:54:11a lot of

00:54:11explaining to do.

00:54:14Okay?

00:54:14What's wrong?

00:54:16I can't accept

00:54:17this necklace

00:54:17and I can't

00:54:20give you

00:54:20what you want.

00:54:21Do you even

00:54:22know what I want?

00:54:23I don't want

00:54:24to know.

00:54:26We can just

00:54:27be friends,

00:54:27nothing more.

00:54:29Tasha, you're

00:54:29just afraid.

00:54:31You're just afraid

00:54:31of going after

00:54:32what your heart

00:54:32truly desires.

00:54:35And I just think

00:54:36you're afraid

00:54:36of just being

00:54:37true to yourself.

00:54:38you're the last

00:54:40person that should

00:54:41be lecturing

00:54:41anybody on the

00:54:42truth.

00:54:44Who are you?

00:54:46What do you do?

00:54:47Is this even

00:54:48your house?

00:54:49I mean,

00:54:50how do you own

00:54:51a necklace that's

00:54:52200 million dollars?

00:54:57I just...

00:54:57see, you don't even

00:55:00respect me enough

00:55:01to tell me the

00:55:01truth.

00:55:03What, you expect

00:55:04me to jump into

00:55:05a relationship

00:55:06with you?

00:55:08You could be

00:55:08a total stranger.

00:55:11I have no idea

00:55:12who you are.

00:55:14Tasha, I want

00:55:15to tell you.

00:55:15I do.

00:55:16But I just

00:55:18can't right now.

00:55:20Alright?

00:55:20Like, maybe in the

00:55:21future when we can

00:55:22sit down and...

00:55:22there is no

00:55:23future for us.

00:55:25Not if you

00:55:26can't tell me

00:55:27one thing about

00:55:27yourself that

00:55:28isn't a lie.

00:55:30When you find

00:55:31someone that you

00:55:32really love and

00:55:33trust, you let

00:55:34them in.

00:55:41But that person

00:55:42won't be me.

00:55:52Are you okay?

00:56:02Director Fitz,

00:56:03I had a wonderful

00:56:04time at the gala.

00:56:06Thank you for

00:56:07supporting me

00:56:08and standing up

00:56:09for me.

00:56:10I wasn't bothered

00:56:11by the way the

00:56:11other guests

00:56:12treated me.

00:56:14I've endured

00:56:15far worse.

00:56:19Lovely.

00:56:20I'm glad to hear

00:56:21it.

00:56:22I would like to

00:56:22exclusively

00:56:23showcase your

00:56:23work at the

00:56:24Fitz Gallery

00:56:25for the foreseeable

00:56:26future.

00:56:27Think of it as

00:56:28a sort of

00:56:28artist's residency.

00:56:30Would you be

00:56:31interested in such

00:56:31an opportunity?

00:56:40This dress is

00:56:41every bit as

00:56:42exquisite as I

00:56:44expected it to be.

00:56:45Thank you,

00:56:46my dear.

00:56:47You're very

00:56:47welcome.

00:56:48Have you given

00:56:49any more thought

00:56:50to my proposal?

00:56:51Bill, if you wish

00:56:53to start a clothing

00:56:54brand, I would

00:56:55be more than

00:56:56happy to invest

00:56:57whatever you

00:56:58require to get

00:56:59started.

00:57:00It's a very

00:57:00gracious offer,

00:57:01but I just,

00:57:03I have to ask,

00:57:04I mean, there are

00:57:04so many other

00:57:05talented designers.

00:57:07Why do you have

00:57:07such faith in my

00:57:08abilities?

00:57:09It's not just me,

00:57:10you know.

00:57:11The curator of

00:57:13the Fitz Gallery

00:57:14has never been seen

00:57:15in public before

00:57:16the gala last

00:57:17night, and

00:57:18everyone in

00:57:19attendance was

00:57:20certain that the

00:57:21only reason he

00:57:22chose to make an

00:57:23appearance was

00:57:24because of you,

00:57:25his guest of

00:57:26honor.

00:57:29That was his

00:57:29first appearance

00:57:30ever?

00:57:31Indeed.

00:57:32His very first and

00:57:33only time to appear

00:57:34in the flesh.

00:57:36Before this, he was

00:57:37a figure of myth

00:57:38and mystery.

00:57:40Many people doubted

00:57:41he existed at all.

00:57:43But all because of

00:57:44you, he chose to

00:57:46grace us with his

00:57:47presence last night.

00:57:49Seems like a

00:57:50marvelous young man,

00:57:51don't you think?

00:57:52He certainly had a

00:57:54charm about him.

00:57:55Oh, undoubtedly.

00:57:56You know, many

00:57:57people flock to the

00:57:58Fitz Gallery for

00:58:00more than just the

00:58:01art.

00:58:01They want to learn

00:58:02all about the

00:58:03enigmatic young

00:58:05curator.

00:58:06Really?

00:58:07I mean, what's so

00:58:08interesting about him?

00:58:10Have you ever

00:58:11wondered how the

00:58:12Fitz Gallery has

00:58:13managed to surpass

00:58:14all of the

00:58:16established art

00:58:17collections to become

00:58:18the top venue for

00:58:19fine art in just

00:58:20two years?

00:58:22I mean, I heard

00:58:24rumors, something

00:58:25about foul play, but

00:58:26I always just assumed

00:58:27they were baseless.

00:58:29Those rumors have

00:58:30quite a bit of truth

00:58:31to them.

00:58:32Seems like the

00:58:33Miller crime family

00:58:35is actually behind

00:58:37the Fitz Foundation.

00:58:38The one and the

00:58:39same Miller

00:58:41crime family that

00:58:42monopolizes all the

00:58:44underground trade in

00:58:45all of North America.

00:58:47He seems like such a

00:58:48gentleman.

00:58:49I just, I find it

00:58:50hard to believe that he

00:58:51ever was involved in

00:58:52something so sordid.

00:58:53You must never judge a

00:58:55Brookline's cover, my

00:58:56dear girl.

00:58:58Even people close to

00:58:59us may be harboring

00:59:00many secrets.

00:59:02We never really know

00:59:03what's going on inside.

00:59:05You got that right.

00:59:06I learned that lesson

00:59:08the hard way.

00:59:09Let me be frank.

00:59:11I have tremendous

00:59:13faith in you.

00:59:14Thank you, Mr.

00:59:15Wendlow, but I think

00:59:16it's dear.

00:59:17All my friends call me

00:59:19Laura.

00:59:22This is a check.

00:59:24For five million dollars.

00:59:26It should help you get

00:59:27your clothing brand

00:59:28started.

00:59:30Shall we become

00:59:32business partners in

00:59:33addition to being

00:59:33friends?

00:59:34Hmm.

00:59:34Director Fitz, I'd like

00:59:50to work with you.

00:59:52It would be my

00:59:52honor, Ms. Tasha

00:59:53Roberts.

00:59:56Fly away with me, take you

01:00:01high, soaring, to smile,

01:00:06smile, smile, dream.

01:00:11Staring out into the sea,

01:00:16waves don't crash in up to

01:00:19me.

01:00:20My toes slip into the sand,

01:00:24dream that I'm with you.

01:00:28Staring out into the sea,

01:00:31with me, take you high, soaring,

01:00:36my toes slip into the sand,

01:00:40smile, dream that I'm with you.

01:00:55Congratulations, Ms. Roberts.

01:00:57We expect a huge success

01:00:58from your art exhibition.

01:01:14You're looking at her.

01:01:17You're obsessed with her.

01:01:19Didn't she humiliate me enough

01:01:20the other night at the gala?

01:01:21But no, now I have to watch my

01:01:24husband stare at her picture.

01:01:27Well, maybe if you didn't give

01:01:28her the opportunity to humiliate

01:01:30you.

01:01:31So it's my fault now?

01:01:32Oh, wait, let me guess.

01:01:33Maybe it's my fault, too,

01:01:34why the two of you broke up.

01:01:35Okay.

01:01:37Raina, I've been thinking.

01:01:39I don't think this is working.

01:01:43I want a divorce.

01:01:46Brutal filla di putana.

01:01:48You used me to push Tash out of your company,

01:01:51take her property,

01:01:52and now you cast me aside like what,

01:01:54a used piece of garbage?

01:01:56I won't allow this.

01:01:59Mark my words, Karl Kroh.

01:02:01You will regret this.

01:02:03I'm spending too much time around Ken.

01:02:18He's dominating all my thoughts.

01:02:21I have to distance myself from him

01:02:22for my own sanity.

01:02:28I know you're lonely

01:02:30as if nothing I can do

01:02:37to get you to stay.

01:02:42I'm sorry,

01:02:44but no.

01:02:47You and I,

01:02:48our relationship,

01:02:49we'll just keep going in circles.

01:02:54But thank you

01:02:55for everything you've done for me.

01:02:58I have a little bit of money now,

01:02:59so...

01:03:00you should be able

01:03:01to pay off your loan soon.

01:03:05In long talks,

01:03:07in awkward silence,

01:03:09wait nights,

01:03:11walking through the garden,

01:03:13running,

01:03:16with your hand in mine,

01:03:22it's so...

01:03:22this is what happens

01:03:35when you steal

01:03:36from the millers.

01:03:37Please,

01:03:38let me go.

01:03:41I promise you'll never see me again.

01:03:43What do we got here?

01:03:50I'll break this for you.

01:03:52Yeah.

01:03:52Boss!

01:03:55I found this one peeking around the corner.

01:03:58I'm not sure how long

01:03:59this little bitch has been watching,

01:04:00but I'm pretty sure

01:04:01she tried to call the cops.

01:04:02Don't worry,

01:04:07don't worry, boss.

01:04:07I got a knife

01:04:08with her name on it.

01:04:09We can dump her body

01:04:10with the other guy.

01:04:16No,

01:04:17let her go.

01:04:18What?

01:04:18Didn't you hear what I said?

01:04:19She's seen everything.

01:04:21Let her go

01:04:22before I rip off

01:04:22your fucking arms

01:04:23and throw them in the river.

01:04:24Walk away.

01:04:34This doesn't mean anything to you.

01:04:36Is this what you couldn't tell me about?

01:04:39Boss,

01:04:40you know this woman?

01:04:42You're gonna kill him.

01:04:44Call the police then.

01:04:46See if they can save his life.

01:04:47No!

01:04:47Don't call the police,

01:04:49you stupid bitch!

01:04:52My world is more cruel

01:04:53than you can possibly imagine.

01:04:55So since you didn't

01:04:55want to get involved,

01:04:57just walk away.

01:05:19Hey, babe.

01:05:21What do you want for breakfast?

01:05:24My world is more cruel

01:05:46than you can possibly imagine.

01:05:48So since you didn't want to get involved,

01:05:50just walk away.

01:05:52I never imagined that Ken

01:05:53could be such a dangerous

01:05:55and violent man.

01:05:56There must be something

01:05:57or someone

01:05:58forcing him to do all of this.

01:06:01Even people close to us

01:06:03may be harboring

01:06:04many secrets.

01:06:06We never really know

01:06:07what's going on inside.

01:06:10Forget it.

01:06:11This has nothing to do with me.

01:06:12I decided to leave Ken,

01:06:14so I have to do my best

01:06:15not to look back.

01:06:30Tasha,

01:06:30let's talk.

01:06:32You're a pro-magnet boyfriend.

01:06:42Is he not joining us?

01:06:43It's all over.

01:06:44I'm not with him anymore.

01:06:46Where's Reyna?

01:06:48Reyna was a mistake.

01:06:51That's all over, too.

01:06:53Tasha,

01:06:54I want you back.

01:07:00I can't stop thinking about us.

01:07:03You were right.

01:07:03You belong in my life.

01:07:06So if you just

01:07:08sign those documents,

01:07:10then you can come back to me.

01:07:13Come back to the house.

01:07:14We can carry on

01:07:15like none of this ever happened.

01:07:17I can give you your old job back.

01:07:19That'll be fun,

01:07:20working together again.

01:07:21And then all that debt you owe me

01:07:23will be wiped clean.

01:07:24You, uh,

01:07:25need a pen?

01:07:31You think I'd get back with you

01:07:33after everything you put me through?

01:07:39Here is

01:07:40a hundred million dollars.

01:07:43I'll pay the rest on time,

01:07:45and

01:07:45for your agreement,

01:07:47take these documents

01:07:54and

01:07:54shove them right up your ass.

01:07:59You disgust me, Carl.

01:08:01You should think about Anna.

01:08:03Do you really want her

01:08:04growing up without a mother?

01:08:06With all her health problems,

01:08:07she could really use your support.

01:08:09Don't dare talk about Anna.

01:08:11She'll be with me soon.

01:08:12Then I'll never let her

01:08:14out of my sight again.

01:08:15She needs her mother

01:08:15and her father.

01:08:16Not a father like you,

01:08:17she doesn't.

01:08:19She'd be better off

01:08:20with no father at all.

01:08:32I'm sorry,

01:08:32am I interrupting?

01:08:34Are you texting

01:08:35a new boyfriend already?

01:08:37Can it wait?

01:08:39I'm not done talking here.

01:08:40You're pathetic, Carl.

01:08:42Hey, Tasha.

01:08:45T-

01:08:45Tasha.

01:08:50Hey, Tasha.

01:08:52Tasha, come back.

01:08:54Where are you going?

01:08:54This place is disgusting.

01:08:56T-

01:08:56Come on, Tasha.

01:08:58Don't you remember

01:08:59the happy times?

01:09:00Come on,

01:09:00we can have that again.

01:09:01Think of Anna.

01:09:02Think of me.

01:09:03Please.

01:09:04I la-

01:09:04Hey.

01:09:05Hey.

01:09:06Hey.

01:09:07Hey.

01:09:08Hey.

01:09:09Hey.

01:09:10Hey.

01:09:24Sorry, folks.

01:09:27It's the end of the line for you.

01:09:30No hard feelings.

01:09:33But we got to do what the people who pay us tell us to do.

01:09:37Who's paying you?

01:09:38Hmm.

01:09:40I'll give you a hint.

01:09:42A very beautiful woman paid us a small fortune to make sure you two would make sure you two

01:09:48don't make it.

01:09:50Raina.

01:09:50That fucking bitch.

01:09:52Do you know who I am?

01:09:54I'm Carl Crowe.

01:09:55I'm Carl Crowe.

01:09:56Hmm.

01:09:57The CEO of the Crowe Group.

01:09:59Hmm.

01:10:00What if she's paying you?

01:10:01I'll pay double, okay?

01:10:02Yeah, yeah.

01:10:03Yeah, yeah.

01:10:04You pay me double.

01:10:05I guess you haven't heard the news, buddy.

01:10:07See, I don't think you have the means to outbid your pretty little friend.

01:10:13Oh, that back-stepping slut!

01:10:17Please, pack up the phone.

01:10:19You trying to phone a friend?

01:10:21That's a big no-no, sweetheart.

01:10:23That's breaking the rules.

01:10:24Sweetie.

01:10:27Don't waste the little time you have left trying to call for help.

01:10:31It won't do you any good.

01:10:34No one.

01:10:36They're gonna help you now.

01:10:38Three hours?

01:10:39Where is Tasha?

01:10:41Hey, Nell.

01:10:42Hey, listen.

01:10:43I need you to do me a favor.

01:10:45Yeah, I need you to pull out the city's surveillance system in the area and find all the footage.

01:10:50Yeah, no.

01:10:51Something's wrong.

01:10:53What are you doing?

01:10:55I'm gonna help you now.

01:10:56Three hours.

01:10:57Where is Tasha?

01:10:59Hey, Nell.

01:11:00Hey, listen.

01:11:01I need you to do me a favor.

01:11:03Yeah, I need you to pull out the city's surveillance system in the area and find all the footage.

01:11:07What are you doing?

01:11:09We have to get out of here.

01:11:17Out?

01:11:22You should just go.

01:11:25Save yourself.

01:11:26Leave me.

01:11:28It's what I deserve.

01:11:31I'm not gonna leave you.

01:11:34I'm not that type of person.

01:11:36I'm not that type of person.

01:11:41Come on.

01:11:42Let's go.

01:11:45Come down here.

01:11:46Wait until they come in.

01:11:52Hey, Tasha.

01:11:57I'm so sorry.

01:12:00Now's not the time for that.

01:12:06All in.

01:12:07Looks like we got ourselves a suicidal prick here, fellas.

01:12:08I can't think of any other reason why somebody would kick in the door that's got Vince's

01:12:12Santorelli on the other side of it.

01:12:13Oh, shit.

01:12:14I can't think of any other reason why somebody would kick in the door that's got Vincent Santorelli on the other side of it.

01:12:17Oh, shit.

01:12:18Boss.

01:12:19I didn't realize it was you.

01:12:20I can't think of any other reason why somebody would kick in the door that's got Vincent Santorelli on the other side of it.

01:12:23Oh, shit.

01:12:24Oh, shit.

01:12:25Boss.

01:12:26I didn't realize it was you.

01:12:28These are guys?

01:12:29Where the fuck are they?

01:12:30You better find them.

01:12:31Quick.

01:12:32I can't think of any other reason why somebody would kick in the door that's got Vincent Santorelli on the other side of it.

01:12:37Oh, shit.

01:12:40Boss.

01:12:41I didn't realize it was you.

01:12:44I didn't realize it was you.

01:12:48These your guys?

01:12:50Where the fuck are they?

01:12:52You better find them. Quick!

01:13:10Now it's your turn.

01:13:14To be continued...

01:13:28Now it's your turn.

01:13:32Pretty little thing like you I was gonna make it painless.

01:13:34But I guess you didn't want that.

01:13:36All the same.

01:13:40Hey who's this fucking monkey? Slow your fucking gun.

01:13:42Vinny, what the fuck is going on?

01:13:44You fucking down?

01:13:45Yo, lower your fucking gun!

01:13:47Are you...

01:13:49Are you Ken Miller?

01:13:51How can that be? What the fuck is going on?

01:13:53Ken Miller.

01:13:55The one and the same Miller crime family

01:13:59that monopolizes all the underground trade in all of North America.

01:14:06It's you.

01:14:12You know what you have to do.

01:14:17Boss.

01:14:18Please.

01:14:20He's my brother.

01:14:22Rules are rules.

01:14:37I was pushing you away as Ken and...

01:14:42growing closer to you as Fitz.

01:14:46I'm sorry, Tasha, but...

01:14:49There's just nothing I can do that will make you happy.

01:14:53And I just...

01:14:54I just can't win over your heart.

01:15:01Is Ken Miller always this loving with the hostages he rescues?

01:15:05No sir, it's just special treatment reserved for his lovers.

01:15:11Tasha, I love you.

01:15:12My heart has belonged to you, and only you, for the past 15 years.

01:15:2115 years?

01:15:24No, we just met a few months ago.

01:15:25We met 15 years ago.

01:15:28We met 15 years ago.

01:15:32You went to Marr Middle School.

01:15:35Yeah.

01:15:37And you saved my life there.

01:15:38We met 15 years ago.

01:15:39We met 15 years ago.

01:15:40We met 15 years ago.

01:15:46Stand up, chicken, and hit us back.

01:15:49Isn't that what your dad does for a living?

01:15:51Beat people up?

01:15:53I'm not my dad.

01:15:55You and your father are both scum.

01:15:57Let's teach this little and thug a lesson.

01:15:59Yeah, idiot!

01:16:00Get out of here and show us what you've got!

01:16:04Hey!

01:16:06Hey!

01:16:07Hey!

01:16:08Hey, hey, hey, hey!

01:16:09Stop!

01:16:10That's enough!

01:16:11That's enough!

01:16:12It's none of your business, Robert!

01:16:13Get out of here, Robert!

01:16:14Hey!

01:16:15Stop!

01:16:16Go home!

01:16:17I'll call your parents!

01:16:18Go!

01:16:19Oh crap!

01:16:20Go home!

01:16:21Go home!

01:16:22Go home!

01:16:23Go home!

01:16:24Go home!

01:16:25Go home!

01:16:26Go home!

01:16:27Go home!

01:16:28Ever since I saw you that night in the cab with that necklace on, I just, I knew I found

01:16:34you.

01:16:36Look, this isn't just some feeling for me, okay?

01:16:40This is, this is everything to me.

01:16:43Like, you are everything to me.

01:16:45No matter what happens between us, I will always care about you.

01:16:49And maybe, one day we can, make it work in a different way.

01:17:10I just need some time to process this.

01:17:16Okay.

01:17:18And after that, maybe we can pick up where we left off that first night you spent here?

01:17:25Maybe.

01:17:27You play your cards, right?

01:17:30He's not hip- hired!

01:17:34I can get confused...

01:17:39Yeah...

01:17:40Does everything look good to you my artist?

01:17:44Yeah!

01:17:45Thanks for everything.

01:17:46artist? Yeah. Thanks for everything. That doesn't sound very convincing. Is there anything you want

01:17:55to change? No. I just, I never got around to asking why you wanted to start an art gallery

01:18:01in the first place. Honestly, it's to get to you. See, I thought if I owned the world's greatest art

01:18:07museum that one day you might find your way in here and I don't know, that I might find you.

01:18:16I don't know.

01:18:46I want to see what kind of woman this is that has ensnared my son. I doubt she's worthy

01:18:54of joining the Miller family. As you wish, sir, I will make the arrangements.

01:19:04Honestly, it's to get to you. See, I thought if I owned the world's greatest art museum

01:19:08that one day you might find your way in here and I don't know, that I might find you.

01:19:12Okay, okay. Just concentrate on painting. Don't think about him.

01:19:19Who are you?

01:19:37Miss Tasha Roberts, Mortimer Miller would like to speak with you privately at his home.

01:19:45Come here. Take a look.

01:19:53She's an heiress to the largest chain of luxury hotels in the Western Hemisphere.

01:19:58She's young, beautiful, well-educated. I think she'll make a fine wife for my son, Ken.

01:20:06With all due respect, sir. I believe that it's up to Ken to decide who he wants to spend the rest of his life with.

01:20:15What? Choose you? Not a chance. You're no match for my son.

01:20:25Now, you owe money to the Crow Group.

01:20:36I'm going to pay your debt.

01:20:42And in return, you will agree to never see my son again.

01:20:47It's our decision whether we want to be together or not.

01:20:54Your son and I love each other.

01:20:56There's nothing in this world that can keep us apart.

01:21:00Natasha, do you want us to be together?

01:21:04It's impossible.

01:21:06Father.

01:21:06I forbid it.

01:21:08Father, this is the love of my life.

01:21:10I can't lose her again.

01:21:12I'd rather leave the family business.

01:21:14Then leave if you wish.

01:21:17But you will never have my approval, ever.

01:21:20And she'll never be a part of the Miller family as long as I live.

01:21:24You'll come running back.

01:21:26Without the Miller family power, money,

01:21:31you'll accomplish nothing.

01:21:34You're making a big mistake.

01:21:37Choosing this old hang instead of family.

01:21:44Ken, where are you?

01:21:53Why aren't you back yet?

01:21:58Oh, you're still awake?

01:21:59Mm-hmm.

01:22:00Who did this to you?

01:22:18Don't worry about me.

01:22:19I'm fine.

01:22:20It's nothing out of the ordinary.

01:22:21Hey, babe.

01:22:35Yeah, no, I'm just right outside.

01:22:40You son of a bitch.

01:22:42You're making me cut my own brother's hand.

01:22:45Now you think you can betray the Miller family?

01:22:49Walk away scoff-free?

01:22:51Not a fucking chance.

01:22:53This guy means nothing to the Miller family now.

01:22:56He's worthless.

01:22:58Helpless.

01:23:00You're absolutely nothing now.

01:23:02Let's make him feel the pain

01:23:04that my brother felt.

01:23:05Come on, boys.

01:23:07Stop.

01:23:31Stop hurting him.

01:23:34Stupid bitch.

01:23:35Stop.

01:23:59Stop at once, you insolent fools.

01:24:03You insolent fools.

01:24:05Son, you know how hard it is for me to admit

01:24:17that I made a mistake?

01:24:20But today the two of you have proved me wrong

01:24:23beyond a shadow of a doubt.

01:24:27Tasha, you are the perfect woman for my son.

01:24:31Oh, be together.

01:24:39You approve?

01:24:41You have my blessing.

01:24:44From this day onward,

01:24:47you have nothing more to do

01:24:49with the legal activities of the family.

01:24:50you have nothing more to do with the family.

01:24:52But

01:24:53you'll always be a Miller.

01:24:58As will she.

01:24:59Get off me!

01:25:16Get off me!

01:25:26Stop!

01:25:27Useless, impotent man-child!

01:25:30The crowd group is bankrupt!

01:25:32That hurt.

01:25:33Getting involved with you is the worst decision I could have made in my life!

01:25:36Get off!

01:25:37This is all your fault!

01:25:38You spent every single thing that we had.

01:25:41Now we have nothing left.

01:25:42No company, no house, no money, not even a dime.

01:25:46And it's all because of you, you greedy cow!

01:25:49Don't you?

01:25:49Don't!

01:25:50Hey, hey, hey!

01:25:57The late Mrs. Miller was a beautiful woman, sir.

01:26:03Yes.

01:26:06Back then, my wife protected me from every danger that befell our family.

01:26:11And today, my son found the perfect woman at us, and I did the same for him.

01:26:21He's a lucky man.

01:26:22Wow, you look so beautiful.

01:26:38No, you can't be here right now.

01:26:41Babe, I don't want to rush you, but everybody's waiting to see you.

01:26:46Ken, can you promise me one thing?

01:26:47I can promise you two, if you'd like.

01:26:50I'm serious.

01:26:54I want you to walk away from the family business.

01:26:59There's a city called Ostia.

01:27:01It's on the southwest side of Rome by the ocean.

01:27:05What?

01:27:06You know what I found over there?

01:27:09I found you in our teaching job at a public school.

01:27:12I already took tickets.

01:27:14I leave in the morning.

01:27:16You're sending me away?

01:27:18No.

01:27:19I opened my own restaurant.

01:27:21It's just down the street.

01:27:24Oh, one more thing.

01:27:26I enrolled Anna at the school they're going to be teaching at.

01:27:29I think she's going to really love it over there.

01:27:34So you really are walking away?

01:27:36Yeah.

01:27:41You got some socks.

01:28:11You were walking away from giveaway World Trade.

01:28:13欠ing.

01:28:14I'm not going to êtes allenos.

01:28:16I just don't want you to leave it here.

01:28:17I'm not going to tip.

01:28:18See ya alone.

01:28:20Saluteer Penis.

01:28:23You want to get a job I'm going Bullseyside.

01:28:24How about you?

01:28:26Well you gotін, huh?

01:28:28You got an accident and I'm coming back, awesome.

01:28:30I always want to hear you.

01:28:31I'm going to do it well.

01:28:33Where are you going to keep your list?

01:28:34Let me know your story.

01:28:36When you need a good idea that you keep your list of those that have been really difficult.

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