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Dive deep into the shocking, hidden history of Golden Age Hollywood, exposing the disturbing truth about its most beloved stars. Beyond the glamour and iconic films, many Old Hollywood legends harbored racist beliefs and engaged in prejudiced actions that studios desperately tried to bury. This video unmasks the darker side of classic Hollywood, revealing the racial controversies that shaped the movie industry's past.

Explore the documented accounts of top Golden Age actors and actresses whose public statements, private behaviors, and on-set demands highlighted systemic racism. From defending segregation to refusing to work with minority co-stars, these revelations shatter the illusion of a perfect era. We delve into specific cases, shedding light on how racial prejudice wasn't just tolerated but often ingrained in the industry's fabric during Hollywood's so-called 'golden' years.

This comprehensive exposé uncovers the surprising legacy of these classic film stars, whose actions left an indelible stain on film history. Discover which celebrity reputations were secretly tarnished, which legends openly embraced bigotry, and the real impact of their forgotten history. For fans of movie history, true crime, and celebrity scandals, this deep dive into Hollywood's hidden truths offers a critical perspective on an era often romanticized.

What do you think about these revelations? Share your thoughts in the comments below. If you found this historical exposé insightful, please like and subscribe for more untold stories from Hollywood's past. Support our channel to uncover more forgotten facts and challenging narratives.

#HollywoodRacism #GoldenAgeScandals #ClassicHollywood #OldHollywoodSecrets #FilmHistory

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Transcript
00:00Okay, so the latest celebrity news is intense today, but there's one name that really leaps out from everything we looked at.
00:10John Wayne.
00:11The Duke, yeah.
00:12The absolute symbol of, you know, American goodness, justice on the frontier.
00:19It really makes you stop and think, doesn't it?
00:21You feel like you know these Hollywood icons, but the image the studios pushed.
00:26Totally.
00:26It was often, well, frankly, a complete fabrication when you dig into their actual private lives, their politics.
00:32I know, because the quote we found from him, it's genuinely shocking.
00:36Like, from 1971, talking openly about believing in white supremacy.
00:40Right.
00:40How did we celebrate this guy for so long with that just sitting there?
00:44And that's exactly why we're doing this deep dive.
00:46We're here to help you sort through all this information, pull out the really challenging stuff about these Golden Age Hollywood gods and goddesses.
00:53Our mission today is really looking at that massive gap, right, between the personas we loved on screen, the ones who basically defined the American dream, and the, well, the really disturbing private views or, you know, the actual practices like blackface and yellowface that just reinforced horrible stereotypes in the movies themselves.
01:11It is heavy stuff, definitely.
01:12Yeah.
01:13But we've tried to organize it logically for you.
01:16We're going to start with some of the most dramatic public statements.
01:20Okay.
01:21Then kind of move into the systemic issues like blackface showing up in places you wouldn't expect, like high art and even family films.
01:28Right.
01:28And finally, look in yellowface and how the Academy itself actually rewarded it.
01:33Okay, let's dive into the Wayne thing first because the image was just so powerful, courage, strength for decades.
01:40Decades.
01:41But the man himself, he gives this Playboy interview in 1971, and the timing is crucial.
01:47And this is well into the modern civil rights movement.
01:49Yeah, not some youthful mistake.
01:51Exactly.
01:52Not an early career slip-up.
01:53This was a conscious thing, so at the peak of his fame.
01:56Yeah.
01:56And he says, and this is a direct quote from the source material.
02:00I believe in white supremacy until the blacks are educated to a point of responsibility.
02:04I mean, that's just a full-on endorsement.
02:06Right.
02:06Wow.
02:07In 1971.
02:08And it wasn't just that.
02:10The sources show he went further, talking about Native Americans in this incredibly callous way.
02:17Yeah.
02:18Defending, taking their land.
02:19Oh, yeah.
02:20I read that part.
02:20He basically said it was necessary.
02:22He did.
02:22Said, I don't feel we did wrong in taking this great country away from them.
02:26He called it just a matter of survival.
02:29Survival.
02:29And claimed the Native Americans were, get this, selfishly trying to keep it for themselves.
02:33It just, it highlights the scale of the studio myth-making machine, doesn't it?
02:37Absolutely.
02:38They spent all that time building this image of perfect American values, and then his own words,
02:43especially that late, just ripped the whole thing open.
02:46You see the gap between the creation, the duke, and the actual man.
02:50And that tension, it forces you to confront how his film legacy, all those heroic roles,
02:56is tied up with this worldview that kind of glorified conquest and, well, erasing people.
03:01His movies helped shape this national story that downplayed the rights and experiences
03:05of non-white people, and he was backing those views up off screen.
03:08Okay, that perfectly sets up the next big topic, blackface.
03:12It's just wild how completely, utterly pervasive it was.
03:18Yeah.
03:18Like, not just in cheap entertainment, but in really sophisticated stuff, too.
03:21Well, the baseline for cinematic blackface, you kind of have to look at L. Jolson.
03:27Yeah.
03:27He didn't invent it, obviously.
03:29But the jazz singer in 1927...
03:31That first talkie.
03:32Right.
03:32That cemented it.
03:34It popularized that racist caricature for this whole new medium of film.
03:38And his entire career was basically built on it, Mammy the Singing Fool.
03:41Mm-hmm.
03:42But what's really weird is the contradiction.
03:44The sources say he privately supported black performers and causes.
03:47There is evidence of that.
03:48But professionally, he made a fortune turning black Americans into these, like, dehumanizing
03:53cartoons for white audiences.
03:55It shows how powerful the system was in just normalizing it.
03:58Yeah.
03:58Okay, maybe you can sort of rationalize Jolson as, like, a holdover from vaudeville.
04:02Okay.
04:03What really gets me, which shows how deep this went, is seeing it in the supposedly classy
04:07parts of Hollywood.
04:08Mm-hmm.
04:08Like, Fred Astaire.
04:10Wait, Fred Astaire.
04:10Seriously.
04:11Mr. Elegance.
04:11Yeah.
04:12Top hat and tails.
04:13Yep.
04:14Fred Astaire.
04:14Huh.
04:15In the movie Swing Time, 1936, he does this number.
04:18Oh, Jangles of Harlem.
04:20Technically, it's amazing dancing.
04:22Okay.
04:23But he performs it in blackface.
04:25And it was meant to be a tribute to Bill Bojangles Robinson, the great black tap dancer.
04:30A tribute in blackface.
04:32Exactly.
04:32It just fundamentally undermines any real respect.
04:35Yeah.
04:35It shows that this racist blind spot was everywhere, even in what they considered high art.
04:40Wow.
04:41And then the ultimate wholesome guy, Bing Crosby.
04:44Mr. Christmas himself.
04:45Right.
04:45White Christmas is still, like, the biggest single ever.
04:49The voice of comfort.
04:50And yet, Mr. Family Values performed in blackface in Holiday Inn, the 1942 Christmas classic.
04:56In Holiday Inn.
04:57Which part?
04:58There's a number called Abraham, supposedly celebrating Lincoln's birthday, and Crosby's
05:02in full blackface makeup.
05:04No way.
05:04And it's just presented normally.
05:06Totally casually.
05:07Like, just another holiday song and dance routine, which tells you everything about how
05:10accepted and normalized blackface still was, even in mainstream family movies in the
05:1440s.
05:14That brings up a tricky point, though, about how we handle this stuff now.
05:18Yeah.
05:18The sources mention this.
05:19When Holiday Inn is shown on TV today, that scene, it's almost always cut out.
05:24Right.
05:24To make it watchable.
05:25Exactly.
05:25Makes it more palatable now.
05:27But you could argue it also kind of erases the proof of Hollywood's racist past.
05:32Let's stars like Crosby off the hook, historically speaking.
05:35That tension between, yeah, palatability and historical truth is huge.
05:40Okay, let's pivot to Yellow Face, because the industry didn't just allow that, it actively
05:45rewarded it.
05:46Yeah, let's start with maybe the most, I don't know, cringeworthy comedic one, Mickey
05:51Rooney, America's favorite kid star, basically.
05:53Isn't he already, already?
05:54But in 1961, which is shockingly late for this, he does Mr. Yunyoshi in Breakfast at Tiffany's.
06:00Ugh, that character.
06:02It's almost unwatchable now.
06:03The fake teeth, the taped eyes.
06:05Teeth, taped eyes, the awful accent, all just for these cheap, really ugly laughs in a movie
06:10that's otherwise seen as, you know, stylish and sophisticated.
06:14And didn't he deny it was offensive later?
06:15He did.
06:16The reports say he claimed, like decades later, that nobody ever complained, that he was surprised
06:21anyone found it offensive.
06:22That level of blindness.
06:24Wow.
06:24It really speaks volumes about how deep the institutional racism went in Hollywood, doesn't
06:30it?
06:30So if Rooney is the cheap laugh version, then Louise Rayner is kind of the prestige example.
06:35Exactly.
06:36Austrian actress wins Best Actress Oscars back to back.
06:39One was for the Good Earth in 1937.
06:42Playing.
06:42Playing Olan, a Chinese peasant woman, in full yellow face makeup.
06:46And she won the Oscar for that.
06:48She won the Oscar.
06:49So the Academy itself, giving its highest acting award for this performance, that's basically
06:54an endorsement.
06:55It's saying yellow face is legitimate, dramatic acting.
06:58And this wasn't comedy.
06:59This was a big, serious drama.
07:01The absolute pinnacle of Hollywood prestige, rewarding racial distortion and cultural appropriation.
07:09And the sources are clear.
07:09It wasn't like there weren't Asian actors available.
07:12No, not at all.
07:13It was a deliberate choice.
07:14The system wanted to center white actors, even in stories about non-white people.
07:20It limited opportunities and pushed stereotypes at the same time.
07:24And it wasn't just like conservative figures doing this, right?
07:26It crossed lines.
07:28Completely.
07:28Look at Katharine Hepburn.
07:30She's seen as this progressive icon, challenged gender norms, fiercely independent.
07:34Right.
07:35But in 1944, in Dragon Seat, she plays a Chinese woman.
07:39Full prosthetics, dark makeup, yellow face.
07:42Even Katharine Hepburn.
07:43Even her.
07:44It just proves how pervasive this acceptance was.
07:47Someone who questioned everything else didn't seem to question the basic wrongness of a white actress playing an Asian character like that, even in a serious wartime film.
07:56It's mind-blowing.
07:57And you had careers built on this.
07:59Warner Olin, a Swedish-American actor.
08:01He played Charlie Chand.
08:02He played Fu Manchu.
08:04Over 40 films.
08:05Basically making his entire career out of yellow face.
08:08Yeah.
08:08Monetizing prejudice.
08:09Okay, so pulling it all together, what the sources show is we have these massive stars, these icons we celebrated.
08:15Wayne, Crosby, Astaire, Hepburn.
08:18And their legacies are just tangled up completely with this systemic racism that was baked into Hollywood.
08:23From cheap jokes to Oscar winners.
08:25Yeah.
08:25The big takeaway really is that you can't easily separate the art from the institution that made it.
08:31And if you want to talk about the power of movies to shape how we see things, how we remember history.
08:37Where do you go?
08:37You kind of have to go back further, maybe to D.W. Griffith, The Birth of a Nation, 1915.
08:43Okay, not an actor, but hugely influential.
08:46Hugely.
08:46It was basically America's first blockbuster movie.
08:49But it was also maybe the most effective piece of racist propaganda ever made in the U.S.
08:54It glorified the KKK.
08:56And actually inspired its revival, right.
08:58Directly credited with inspiring the KKK's resurgence in the 1920s.
09:02And technically, the filmmaking was revolutionary.
09:06Griffith invented techniques we still use.
09:08So the technical brilliance and the moral awfulness are totally intertwined.
09:12Completely.
09:13It's maybe the ultimate example of how early cinema's pioneers could advance the art form
09:18while also doing profound damage to the country's moral compass.
09:22It really complicates things.
09:23Well, that's all the tea we have for today.
09:25If you loved this scoop and want more, make sure to subscribe to Stateside Gossip wherever you get your podcasts.
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