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Short filmTranscript
00:00The stage is set for the Dola Next presents
00:05Kashmir 10th Hum Awards
00:07Powered by Leather Galleria
00:10Luxury Leather Furniture
00:12And Tap Tap Send
00:14Saturday 11th October 2025
00:17At the NRG Arena, Houston, Texas
00:20Be there for your favourite stars
00:23Mahira Khan
00:25Adnan Siddiqui
00:28Bushran Sari
00:30Tajl Ali
00:33Faisal Qureshi
00:35Hania Amir
00:38Bilal Abbas Khan
00:40Sara Khan
00:43Imran Ashraf
00:46Sonia Hussain
00:48Ahaz Raza Meir
00:51Tanam Saib
00:53And Mohit Mirza
00:55Mavera Hussain
00:57And Many More
00:59One Stage
01:01One Night
01:02And Spectacular Celebration
01:05To Get The Group Discount
01:07Book Your Tickets Now
01:09Log On To www.hum.tv
01:13Or www.ticketmaster.com
01:16For Sponsorships
01:18Contact
01:18Mr. Naveed Aadam
01:20Hum Network Limited
01:21Aadam
01:23Aadam
01:24Aadam
01:26Aadam
01:27Aadam
01:29Aadams
01:29I was thinking about it.
01:39It will go through.
01:43When we come, we don't leave the room at the same time.
01:46And if we leave the room, we keep the room together.
01:50Now, the family is coming.
01:52I didn't think that we should enter the drama in this day.
01:56I'm looking for a question.
01:58I'm looking for a question later.
01:59I'm looking for a question first.
02:00Fakra and Buchra are my sisters.
02:08So, Fakra, who are they?
02:10They are all of them.
02:12But there is no such a picture on the stage.
02:15Where are they?
02:17When we get married,
02:20when we get married,
02:23they are all of them.
02:26And they are all of them.
02:28They are crazy.
02:30I mean, pranks?
02:32Yes.
02:33Pranks.
02:34And very dangerous.
02:36They should ban them.
02:38And what do they do with their sisters?
02:42They are also very bad.
02:44So, this house is my sister's house.
02:48And you will stay here until we open your heart.
02:52Yes.
02:53No.
02:54This is my sister's house.
02:55I can't take so much time.
02:57Why do you take tension?
02:59I am.
03:00We will stop you.
03:02Okay.
03:03Let's listen.
03:04Let me tell you Khura,
03:06please tell her.
03:07Do I have to talk with her?
03:08I have to talk with my husband today.
03:10Yes, please tell her.
03:11Yes, please tell her.
03:12When we get married,
03:13we are going to be in the house,
03:14we have to talk to them.
03:15We need to talk to them.
03:16In it.
03:17The story is that, my brother, you can tell me a son, but listen to a son from someone's mouth.
03:36Oh, my son is also a son.
03:42I'm a man who's a son.
03:45I'm a shock to make a son.
03:47I mean, I'm a man who's a son.
03:51I feel like I've understood the truth.
03:54Yes.
03:55I wanted to say that
03:58that Bushra is my oldest daughter.
04:03She's a little bit of my heart.
04:06We are very poor people.
04:09When I'm a man who is a man who's a son,
04:12I don't want to say that.
04:14And my decision was absolutely true.
04:16That we are not.
04:20This is the way you came from.
04:24How does this?
04:25How does this feel?
04:27This is the way you are.
04:29You don't have a connection.
04:31This is the way you are.
04:33Our, our and our, our, our, we have no connection.
04:39Overacting.
04:43How are you talking about this, Bashwira?
04:45Is this your big idea?
04:46Is it so...
04:47...so happy and calm...
04:50...and the whole thing...
04:52...and my daughter's own...
04:53Brother, brother, brother, brother!
04:55What?
04:56What?
04:57You've got to break down.
04:58Brother, let's keep them here tonight.
05:00Please, please, please!
05:01One second, what happened?
05:02Tell me right away.
05:04Brother...
05:06...you've got to take a break from my brother...
05:10...to leave us here.
05:13We've got to take a break.
05:15We've got to take a break.
05:23No, okay, we'll stop.
05:25No, we'll have to work.
05:28What are we going to do?
05:30No, no, no.
05:32No, no, no, no.
05:33Brother, Bashir, it means that...
05:34...meerab's happiness...
05:36...and what will we do next?
05:38We'll stop.
05:40Yay!
05:41Bhaviy Zindabad!
05:49Hey, Jazar.
05:52Actually...
05:54...you know that...
05:57...that...
05:58ton...
05:59...and...
06:06...there...
06:08...and...
06:09... blame to work.
06:10Our women are there too.
06:11Of course, we must see that.
06:12Please find our lives he has Massai as well…
06:13–
06:14... Mr. tills.
06:15...
06:18...
06:21...
06:22...
06:23The, last thing, thank you to listen.
06:24...
06:25...
06:27This is a four-year-old, which was a four-year-old.
06:32Yes, my father, I was very scared.
06:35I thought that I was going to do what to do.
06:37But then I realized that,
06:40that my wife didn't get married,
06:42that my wife didn't get married,
06:44and that my wife didn't get married,
06:47then...
06:49You are so passionate.
06:55But I can't know that today,
06:59today,
07:01all of you,
07:03I'm happy to have you today.
07:05I'm so happy to have you today.
07:07I'm so happy to have you today.
07:10I'm so happy to have you today.
07:19In my days,
07:28Oursah,
07:29I'm happy to have you today.
07:31I'm happy to have you today.
07:32I'm happy to have you today.
07:34I've had no chance to experience here.
07:37I'm happy to have you today.
07:40But I'm happy to have you today.
07:42I've is a love for you.
07:44You've been to me and I've never got on my daughter
07:47Meiru has stopped me, so he will say that I will stay here.
08:02It feels so good.
08:04Today, my friends and my friends are very happy today.
08:09Thank you very much, sir.
08:13In fact, Irfan sahab, my and your story is just like that.
08:17You have married in your children's love.
08:21And I couldn't do this.
08:24Who does it?
08:30It's like a young man who gets lost.
08:39It's like a young man who gets lost.
08:46I'm going to go.
08:51What will happen to me that my two brothers are gone?
08:56Habib sahab, leave them in the guest room.
08:59And will you have to ask them?
09:03No, we took them.
09:05Where your car is located, we have to leave them.
09:13Brother Bashir, what do we always think?
09:16Yes.
09:17In fact, Brother Bashir is a business man from inside.
09:22Planning, Plan B.
09:25They came here,
09:27so they kept their needs.
09:30They had a roadblock on the road.
09:33So that's why they kept their needs.
09:37So they can't go anywhere at night.
09:44Come here.
09:45Let me show you the guest room.
09:47This one.
09:48This one.
09:49This one.
09:50Why do you start to finish in Neerab?
09:53Neerab is a child.
09:55Children are just playing with kids.
09:56They do not have to explain the same way.
09:59That's what Nacra is saying.
10:01That's what she said to her,
10:02she will understand the same way.
10:03Yes.
10:04You thought she will process what she will do.
10:06It's not that she will understand.
10:08It will not be in a situation.
10:10If there will be something else in this situation,
10:12then we will be delayed.
10:14So what will I do?
10:16When we try to get out of this situation,
10:20we have to do our own.
10:22We were also sitting in the restaurant in the restaurant.
10:26It was very bad.
10:28We were sitting in the restaurant?
10:30Yes.
10:32We were sitting in the restaurant,
10:34so we had to sit in the restaurant.
10:36I was sitting in the restaurant in the restaurant.
10:38Well, that was it.
10:40No.
10:42It happened to me that
10:44I was looking at my face.
10:46They called me to the police.
10:48Really?
10:50What's the way we found out there?
10:52We dropped Nassara's house.
10:54Nassara, you didn't read such a stupid story.
10:56You heard Nassara's house.
10:58You didn't hear Nassara's house.
11:00That's why I didn't tell you.
11:02I'm trying to make Nassara's house.
11:04I'm copying her.
11:06No, I don't know.
11:08I'll tell you one thing.
11:10I didn't know how to fix Nassara's house.
11:12No, I'm going to go inside.
11:14I'm going inside and look at you.
11:16I'll tell you Nassara's house.
11:18You're on the right side of Nassara's house.
11:20You got it, you got it, you got it, you got it, don't tell me anything, Nassar is so proud of you.
11:32I didn't think he was going to get the head of Bhai Bashir's head.
11:35I didn't see, Mirup got a little bit.
11:38He took the firework in his face and the photographer was taking pictures of him.
11:44But you can't think about the other lines, why are you acting?
11:50You didn't even open all the rules.
11:52Yes, but I knew Adibad, right?
11:55Adibad?
11:57Yes.
11:58Nassara was sitting in a restaurant with a burqa pen.
12:02Burqa?
12:04Yes.
12:06What love?
12:08Neerav's face.
12:10And they didn't get the police there.
12:12This is a great movie.
12:14If you don't know, Nassara will leave a vlogger.
12:17These Nassara are playing some games.
12:22I'm saying something else.
12:24I can't trust Nassara in Nassara.
12:31It's amazing. Everyone is so perfect.
12:34Brother Bashir.
12:35It's amazing.
12:36Yes, but the tension here is that Miriam Ninn has stopped at night.
12:39There is no pole opening.
12:41It doesn't happen.
12:42You know, seeing all of them,
12:44I felt that my decision was right.
12:48My wife changed.
12:49Yes.
12:50And Miriam,
12:51she was so sweet.
12:52She was so sweet.
12:53She was so sweet.
12:54She was so sweet.
12:55She was so sweet.
12:56She was so sweet.
12:57She was so sweet.
12:59She was so sweet.
13:01Sorry.
13:02I'm sorry.
13:03I'm sorry.
13:04No, it's like that.
13:05It's like that.
13:06What do you see with Nassara,
13:07what do you see with Nassara?
13:09Before I saw that,
13:10I'm going to sleep right now.
13:11Because you can't sleep in the guest room.
13:13Yes.
13:14You'll come in the eyes of the girls.
13:16Oh, yes.
13:18Now, Nassara will be there.
13:20Nassara,
13:21Nassara,
13:22I'm going to the guest room for a while.
13:24I'm going to sleep with Nassara from Nassara.
13:26I'm going to sleep there.
13:27Okay.
13:32Koshra,
13:33thank you so much.
13:34You,
13:35you have changed my life.
13:40Today,
13:41I thought,
13:42my parents were responsible for me.
13:44I'm going to do it.
13:45I'm going to do it.
13:47My wife is completely normal.
13:50She's a wife.
13:51She's a wife.
13:55Huh?
13:56You will succeed,
13:57but you'll have to be able to comprehend.
13:59They call it,
14:00commitment is unease in a good way,
14:02for a lifelong success.
14:06We are still at least.
14:07Before I told you,
14:09you can listen to me.
14:11The music is also a deep потому.
14:15The music is the music.
14:16The music is the music.
14:17The music is the music.
14:20The music is the music.
14:21The music is the music.
14:22The music is the music.
14:23The music is the music.
14:24The music is the music.
14:25The music is the music.
14:26My love was your love
14:32But my love has given me
14:36My love was your love
14:45My love was your love
14:52I'll be able to get the clothes and get the clothes.
14:59I'll be able to get the clothes.
15:03I'll be able to get the clothes.
15:05Yes, it's not the need.
15:07We're all about our work.
15:09If you have to get the clothes,
15:12you'll get the clothes.
15:14No, I'm doing this.
15:16I'll keep the clothes in the morning.
15:19I'll be able to get the clothes.
15:21Actually, this guest room is not used in someone's use, right?
15:23So, it's a little bit different.
15:25No problem.
15:25But in the bathroom, the boss has a little bit of a bad idea.
15:29It seems that someone used it for a few hours before,
15:32and the clothes were too wet.
15:34Is there anyone staying here?
15:37It's possible that anyone's scared.
15:39Okay, if I want something to ask you, please tell me.
15:43Chacha, thank you.
15:45What a big house, Abba!
15:50What a big house!
15:52What a big house!
15:53It's going to be a big house.
15:54If you have to go to Irfan Sahib,
15:55I don't know in this house.
16:06Oh!
16:07It's such a good house!
16:11How talented!
16:12You haven't seen your father?
16:15He's done acting.
16:16He's crossed the lines.
16:18Over acting, Abba!
16:20What?
16:21Why did you speak so many dialogues?
16:23Why were they going to talk about the story?
16:25And tell me,
16:26why did you say this?
16:27Why did you say this?
16:28You are my 130s!
16:31Oh, baby!
16:32It's a little bit of a practice.
16:34And if I don't say this,
16:36it's a big deal.
16:38Now listen.
16:39You're my little girl.
16:40Yes.
16:41Where do you feel your brother?
16:44But now the story is very good.
16:46Don't forget to forget it.
16:47There was also the story that they said
16:49that the age of Europe,
16:50was Abba's dad's dad's dad's dad's dad's dad.
16:56Let's go.
16:57Let's go.
16:58Tell me.
16:59How are you?
17:00Shondor.
17:02Shondor.
17:03Wow.
17:04Oh!
17:05The location is so good and the cost is so good and Irfan is so good and I pray that your wife and Irfan will be in the real place.
17:14Amen.
17:15I remember Irfan's very beautiful face, I remember Rizwan's name.
17:21She asked her to call her mom and Rizwan's phone.
17:25They both go there and stay there.
17:28Now, we will not be able to finish.
17:30We will not be able to meet both of them.
17:32Father, please control Rizwan's mania.
17:36Now, we have to figure out how to play this story.
17:41You are the main cast.
17:43You will have to play the story.
17:45We are the guest appearance.
17:48I feel like we have to have a gharagat.
17:51What?
17:52When we came to the room, I thought Irfan was sleeping or sleeping.
17:57He gave me his clothes and gave him to him.
18:04Nothing happens.
18:05It's drama, right?
18:07You will also know.
18:08In fact, there is no camera here.
18:13Hmm.
18:14Mr. Bichra, thank you for your own offer.
18:17We are the ones who are the ones who say.
18:18They were the ones who are looking at the door.
18:19Surely she will show me to get tags in the room.
18:21Thus, the people she see are all defiled.
18:23What will I try now?
18:24Hmm.
18:25What do you think of the film?
18:26Do you think you will do this?
18:27The film is jumping the one by taking people's windows by his people.
18:42Mr. Bichra is talking with the mania.
18:44It's a spirit, Vina Naira.
18:54What's this? Now you'll wear this?
18:56Listen, it's a top of the pundra,
18:59and it's a jokar.
19:02Wow, mashallah.
19:04In a few days, you've been talking about senior girls.
19:07It's such a big deal, they're only senior couples.
19:09What's that?
19:11You've got a big deal in marriage.
19:14I've lost my time in the kitchen,
19:16and now I'm a senior.
19:19Look, I'm sorry.
19:21Forgive me.
19:23Good.
19:24Tell me, what's this?
19:26It's a statement.
19:27What's that?
19:28It's not that she's born again.
19:31Yeah, she's a girl.
19:34My God, it's a burial.
19:37Look, how she's born again,
19:39and she's not going to die.
19:40How are you going to die?
19:41How are you going to die?
19:42You're a girl.
19:43It's not that she's a girl.
19:44Oh, God, thank you.
19:46You've given me a shame.
19:48What's that?
19:49Then what's that?
19:50You're not with her.
19:52He was in a guest room.
19:54He was in a bed.
19:55There was a bed.
19:56There was a bed.
19:57There was a bed.
19:58There was a bed.
19:59There was a bed.
20:00You had to be in a bed.
20:02And this came after a night,
20:03a bed.
20:04Okay.
20:05Allah, I'm a sitter.
20:06Watch me now.
20:07If you're not supposed to understand,
20:08you don't have to understand anything,
20:09but you don't have to understand anything.
20:10What do you not want to understand anything?
20:12What do you not want to understand anything?
20:13What do you want to understand anything?
20:14Every time in the third movie,
20:15I have to say that I have everything I have, I have to give someone else's heart.
20:22And I have to take a look at the sofa or the guest room.
20:27I have to understand what the truth is.
20:30I have to tell you what the truth is.
20:35Let's go, let's see what happens.
20:38I've died.
20:41I've died.
20:56Stay up, stay up, stay up.
20:59Don't stay on the street with sherry.
21:02Sherry gave her a little sister's face.
21:05and was up on a black car.
21:08Don't be afraid to go.
21:09Stay human, stay human.
21:12Don't rest yourself.
21:13Don't rest on the intel.
21:15Don't rest on the intel.
21:19Don't rest on the intel, don't rest on the intel.
21:24Don't rest on the intel.
21:25Don't rest on the intel.
21:30Don't rest on the intel!
21:32We almost got there.
21:36Oh, man, it's such a deep breath.
21:39The people who say that are coming.
21:48Now?
21:50Now what?
21:51Where are we going?
21:52We'll hear the sound of the fingers?
21:54Bushra! Bushra!
21:57I was watching this dream,
21:59that I'm going to be a choky-dare
22:00and I'm going to hold my hand in my hand
22:02and I'm going to hear the sound of the fingers.
22:03I'm going to be a choky-dare.
22:06And I'm saying that
22:08keep going, keep going, keep going,
22:10keep going, keep going,
22:11keep going, keep going,
22:12keep going, keep going.
22:14What?
22:16What?
22:18She died.
22:19She's broken.
22:20She's broken.
22:26We're not going to work.
22:28The enemy has to be here
22:30that
22:31that
22:33she killed her
22:34in the kitchen garden
22:35in front of the kitchen garden.
22:36It's not that much.
22:38I don't know what's going on.
22:41What's going on?
22:45What's going on to happen?
22:46I'm going to be a big one.
22:49You guys.
22:50You guys.
22:51I wanted to say something.
22:52What's going on?
22:53Tell me what's going on.
22:54What's going on?
22:56I want to do something I want to do.
22:59You guys are the only ones.
23:03I mean, you guys.
23:04Nothing happened.
23:05Nothing happened.
23:07It happened.
23:07Something happened.
23:09Nassar, you're giving us a shame.
23:11Absolutely a shame.
23:14They mean that you've become a chasusa.
23:19Bindiya, you know how much you know about the world's politics?
23:22No, don't let go of it.
23:24Tell me that you're a double agent.
23:27What are you saying?
23:29You're just like a chumgadr.
23:31You're here with us.
23:33And you're with us and with us.
23:36What a shame.
23:38You came out with the people.
23:40The whole thing went on.
23:41The sweetest thing went on.
23:43Where were we?
23:45Habib and Safiya were sitting with us.
23:48That's it.
23:50That's the reason.
23:52So it's a little less.
23:55And why did you call the samoso?
23:58Hmm?
24:01You call it and now you're leaving.
24:04This was our plan.
24:06This was your and your brother's plan.
24:08You made us like that.
24:10And you're like four people.
24:12And you're like.
24:13You're wrong.
24:15This is the truth.
24:17I'm saying that I'm with them.
24:19And I'm with them.
24:20And I've already discussed my plan before you.
24:23I don't know.
24:24I don't know, Nassaraphi.
24:26But something strange is.
24:28I don't know.
24:29I don't know.
24:30I don't know.
24:31I don't know.
24:32I don't know.
24:34I don't know.
24:35I don't know.
24:36I don't know.
24:37I don't know.
24:38I don't know.
24:39I don't know.
24:40I don't know.
24:41I don't know.
24:42I don't know.
24:43I don't know.
24:44I don't know.
24:45I don't know.
24:46I don't know.
24:47You're our leader?
24:48No.
24:49I don't know.
24:50I don't know.
24:51But we're all doing this work.
24:52We're all team.
24:53We're team.
24:54No team.
24:55We don't know.
24:56First of all, we clear our views.
24:58And what are you doing?
24:59And what are you doing?
25:01We will have the money.
25:20Look, Noirap, who is in the night she will go home.
25:23Who is who I know?
25:25Who the hell is?
25:28My purpose is clear.
25:30I'm out of this.
25:34I'll get it.
25:36I'll get it.
25:38I'll do it.
25:43But I'll do it.
25:46I'll get it.
25:48I'll get it.
25:50What do you need to do?
25:52When you take a look at the girl's, the girl's, the girl's, the girl's, the girl's, the girl's, the girl's, the girl's, the girl's, the girl's.
26:02She's behind her.
26:06It's a good thing.
26:08It's not so good.
26:10I'll do it.
26:12Who will do it?
26:14With her.
26:18You'll find it.
26:20You'll find it.
26:22Who will find it?
26:24Who will find it?
26:26Why do you talk about it?
26:28What? I'll tell you.
26:30I'll tell you.
26:32I'll tell you.
26:34How do you find it?
26:36I find it.
26:38I don't know.
26:40But
26:42you'll find it.
26:46I'll tell you.
26:48Why are you trying to hear it?
26:50Do you see it?
26:52You're mad at death.
26:54Yes.
26:56You're mad at death.
26:58You're mad at death.
27:00You have to have to.
27:02My God is you.
27:04You're mad.
27:06You're mad at death.
27:08Yes.
27:10Oh, my God.
27:12You're a big Delhi.
27:13So much more than a thousand thousand times.
27:15How are you doing?
27:17How are you doing?
27:19How are you doing?
27:21How are you doing?
27:23Where are you doing?
27:25And here?
27:27Greenery, pool,
27:29fruit!
27:31God bless you!
27:45How are you doing?
27:47I wanted to say something about you.
27:49If I come to the kitchen,
27:51you will be very sad.
27:53That's why,
27:55you will take me to the guest room.
27:57Abba Ji?
27:59Brother Bashir!
28:01Brother Bashir!
28:03Brother Bashir!
28:05They look good for bread.
28:07They look good for bread.
28:09They look good for bread.
28:11And for me,
28:12you will have
28:13annda,
28:14lassi,
28:15shahed,
28:16halwa puri
28:17and
28:18tea.
28:19Take it.
28:20And Irfan,
28:21you know,
28:22what they eat.
28:23They will eat this omelette
28:25to eat.
28:26Hmm?
28:27These two people
28:29are also good.
28:31Yes.
28:33Rizwan,
28:35there are three daughters,
28:36and who can you forget?
28:38Why?
28:40I asked for a question.
28:42I didn't know
28:43about the details.
28:44Oh,
28:45I did.
28:47He will give you a
28:49a drink.
28:50He will give you a drink.
28:51He will give you a drink.
28:52He will give you a drink.
28:53He will give you a drink.
28:55He will give you a drink.
28:57I feel very tired.
28:58I feel very tired.
29:03Habib Sahib,
29:04what is this?
29:05I was just a kid with you.
29:07I was just a kid with you.
29:09I am just a kid with you.
29:10I am just a kid.
29:11I am just a kid.
29:12It's a kid who is so good.
29:13What happened?
29:14What happened to her?
29:15Look at her,
29:16the red hair was the red hair.
29:18What happened?
29:19The red hair was the red hair.
29:22It's a kid that was a red hair.
29:23This is such a long order. This is Bushra.
29:28This is the Bushra who came to his house with his cockroach.
29:36Listen, you can tell us. We will leave here.
29:38First, we will know each other. Then we will have five people.
29:41Please, please, please, please.
29:43The charge is closed.
29:44You were saying totally fine.
29:47Bushra was our team.
29:50Bushra was our team, who is here.
29:53I'm coming, I'm coming.
29:56It's time to sleep at the morning.
29:59You come to the guest room and talk to Abba.
30:01I'll take the shower.
30:03We'll take the shower.
30:05We'll take the shower and we'll never talk.
30:06Come.
30:09Sorry.
30:13Come.
30:23What did he do outside?
30:26He's talking outside.
30:29He's talking with the dogs and dogs.
30:32What was the need for him to talk to him?
30:35Abba, you too.
30:36My son, my heart wants to talk to him.
30:42Today, you have to talk very little about the camera.
30:45You forget about the situation.
30:48What was the need for him to talk to him?
30:51I'm calling him that you have to talk to him.
30:54I don't need to teach acting.
30:56I'm a very old actor.
30:58He's calling him an economy of characters.
31:02If you say the mother,
31:04then the mother gets killed.
31:06If you say she's dead,
31:07then the child gets killed.
31:09I'm not a child.
31:10Do you know how the character becomes?
31:12How?
31:13It's very bad.
31:15For a 60-year-old.
31:17How bad it feels.
31:20Now, the character becomes changed.
31:22A 60-year-old.
31:24A chronic bachelor.
31:26What's wrong?
31:27I'm saying the truth.
31:29It's very bad.
31:30It's very bad.
31:31It's very bad.
31:32It's very bad.
31:33It's very bad.
31:34Shari?
31:35Shari?
31:36I'm scared.
31:37It's very bad.
31:38It's very bad.
31:46I'm scared.
31:47It's very bad.
31:50I'm scared.
31:51Naspi
31:53Naspi
31:56What happened?
31:59My mom's memory
32:07What do you think about this?
32:09I don't know
32:11My mom and my mom are there
32:13Think about it
32:17How good they are
32:19She is like a sweet sweet
32:21She must tell me
32:23She must tell me
32:25She must tell me
32:27Naspi
32:33What a job
32:35What a job
32:37If she told me, she would kill me
32:39If she told me, she would kill me
32:41What a job
32:43What a job
32:45She must tell me
32:49Hmm
32:51So
32:52So
32:53So
32:55So
32:57So
32:59This
33:01Is
33:03You
33:05What a job
33:07Is
33:09What a job
33:11Is
33:13What a job
33:15What a job
33:17Is
33:19What a job
33:21Is
33:23What a job
33:25Is
33:27What a job
33:29Is
33:31What a job
33:33Is
33:35What a job
33:37Is
33:39What a job
33:41What a job
33:43Is
33:45What a job
33:47Is
33:49What a job
33:51Is
33:53What a job
33:55Is
33:57What a job
33:59Is
34:01What a job
34:03What a job
34:05Is
34:07What a job
34:09Is
34:11What a job
34:13Is
34:15What a job
34:17Is
34:19What a job
34:21Is
34:23What a job
34:25Is
34:27What a job
34:29Is
34:31What a job
34:33Is
34:35Okay
34:37I have to take a nap and eat.
34:40My kids have healed my mother and her mother.
34:43Please give me a gift.
34:48You have to pay for it.
34:50You have to pay for it.
34:52You are not saying that the house is sitting here.
34:54You have to pay for a hundred percent.
34:56You have to pay for it.
34:57I am not paying for it.
34:59I am not paying for it.
35:01You can pay for it.
35:02You have to pay for it.
35:04I am paying for it.
35:05No, I am not getting paid.
35:14What?
35:14You don't eat everything all this?
35:16Hmmmm.
35:18I didn't eat anything.
35:20I've never eaten anything with this.
35:22This is the price of production.
35:25And it's the price of production.
35:28You eat a while or you'll eat a lot of theater.
35:32Don't worry.
35:34Okay, but let's wait for them, don't you?
35:37Oh my god, stop it, it feels bad.
35:39Hey, wait, what does it feel bad?
35:41What's wrong?
35:42What's Abib saying?
35:44That he will have a scene in the first place,
35:46and then we'll have a scene, and then we'll have a dance.
35:48I'm going to go to my real girlfriend,
35:51and I'll tell her about it.
35:52That's what I'm saying to you.
35:54Like this set, it's very good.
35:58It's good.
35:59And the actors, he's a little girl, he's a good girl.
36:02What's that, Nassaraki?
36:04In fact, these awards, I have a choice.
36:09They always give a hero and heroine awards.
36:12In fact, these awards,
36:14the characters of the site,
36:16should be given to the show.
36:19Oh my god, you're saying fish in water.
36:23They're giving the industry.
36:25They're telling the categories of awards.
36:28My god, the fact is this.
36:32They've given us.
36:34Those who are the people of their know,
36:37who give their money,
36:39who are the people of their love,
36:40who give their awards.
36:42Oh my god, we're also a dream.
36:44It's our fault.
36:46It's all about giving a dream.
36:48It's all about it.
36:49I've come.
36:50Hey, come here.
36:52Nassaraki, it's warm, it's warm.
36:54If you get water, then I'll eat it again.
36:56Nassaraki, it's warm, it's warm, it's warm, it's warm, it's warm.
37:10Nassaraki, it's warm.
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