- 14 hours ago
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- #amnamufti
- #shehrazadesheikh
Ek Jhooti Kahani EP 12,Hum tv drama ,11th October 2026, Zara Noor Abbas ,Mohib Mirza,
#HUMTV ,#EkJhootiKahani ,#ZaraNoorAbbas ,#MohibMirza, #AmnaMufti,#ShehrazadeSheikh
#HUMTV ,#EkJhootiKahani ,#ZaraNoorAbbas ,#MohibMirza, #AmnaMufti,#ShehrazadeSheikh
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TVTranscript
00:00If we don't leave our house, we don't leave our house.
00:03And if we leave our house, we keep our house together.
00:07Today, our family is coming.
00:09I didn't think we should enter the drama in this way.
00:13I'm going to ask one question.
00:15I'm going to ask one question.
00:16I'm going to ask one question.
00:17I'm going to ask one question.
00:18My sister and my sister are my sister.
00:24So, which is which one of these?
00:27They are many.
00:28But there is no such thing.
00:30There is no such thing.
00:32Where is it?
00:33When we are married,
00:35when we are married,
00:37when we are married,
00:39we are married with her.
00:41We are married with her.
00:43And we are married with her.
00:45We are married with her.
00:47I mean, pranks?
00:49Yes.
00:50Pranks.
00:51And very dangerous.
00:53We need to ban something from them.
00:55Yes.
00:56And what do you do with her sister?
00:59Oh.
01:00They are also very bad.
01:02So, just.
01:03This house is my sister's house.
01:05And you will stay here until we open your heart.
01:09Yes.
01:10No.
01:11This is my sister's house.
01:12I can't stay here so much.
01:14Why do you have tension?
01:15I am.
01:16I am.
01:17I am.
01:18I am.
01:19I am.
01:20I am.
01:21I am.
01:22Yes.
01:23Tell her about it.
01:25Tell her about that.
01:26I am talking to her and I am talking over with her.
01:27Yes.
01:28Tell her.
01:29I am.
01:30If you catch up at home,
01:31we always have good relief.
01:34The thing that is for this is for her husband.
01:36A few years later, I'm a son.
01:43My son is a son.
01:46You can say a son, but for a long time, listen to someone's son.
01:51My son is also an son.
01:55My son is a son.
01:59I'm a son.
02:02I'm so shocked to make a son.
02:04I'm so shocked to make a son.
02:07My son, I feel like you've already understood the truth.
02:10Yes.
02:11I wanted to say this,
02:14that Bushra is my oldest daughter.
02:19She's my heart.
02:21We are very poor people.
02:25When you asked her to ask me,
02:29I couldn't do this.
02:31My decision was absolutely right.
02:34That we are not in front of you.
02:37My son, this is a flower.
02:41This is a flower.
02:42This is a flower.
02:44This is a flower.
02:46This is a flower.
02:47I don't know.
02:48This is a flower.
02:49I don't know.
02:52and there is no relationship with you.
02:56Overacting.
02:59What are you doing, Bashwira?
03:01Your big thing is that you are so...
03:03so happy, calm, calm...
03:06and understanding everything,
03:08and my daughter's own...
03:09Brother! Brother! Brother!
03:12What happened? What happened?
03:12You broke the damn thing.
03:14Brother, let's stop these people today. Please, please, please, please.
03:17Wait a second. What happened? Tell me first.
03:22Yes, yes.
03:24Let's take a trip from my brother,
03:27and let your brother leave here.
03:30We have to do it.
03:39No, okay, we will stop.
03:41No, we will have to work.
03:44What will we do?
03:46No, no, no, no.
03:49Brother Bashir means that,
03:51what will we do with Mirob?
03:54We will stop.
03:56Yay!
03:57Baba Zindabad!
04:05Hey, Jazza.
04:08In fact,
04:10as you all know that
04:13this marriage is a situation like this.
04:17The first one was this one.
04:20The first one was his.
04:21The second one was the opposite.
04:23The second one was the opposite.
04:26It was really good here.
04:29The second one was his.
04:31The third one was his.
04:33The fourth one was his.
04:36And then the fourth incident happened that Irfan Sahib has loved our daughter Bushra.
04:44This is the fourth incident.
04:46It was the fourth incident.
04:48Yes, I was very scared before.
04:51I thought that I was going to do what I was doing.
04:54But then I realized that as my daughter didn't get married,
05:00if she didn't get married to Bushra,
05:06I was very proud of you.
05:12But let me know,
05:14that today,
05:16I am very happy with you today.
05:22I am very proud of you today.
05:24I am very proud of you today.
05:36I am very proud of you today.
05:46I am very proud of you.
05:50I am very proud of you today.
05:53I am very proud of you today.
05:56But you know what you have done with the love that you have accepted me to my daughter
06:03and the girl has stopped me from the time I will stay here.
06:19It feels so good.
06:21My friends, my friends, my friends and my friends are very happy today.
06:29In fact, Irfan Sahib, my family and your family is just like that.
06:33You have married your children's love.
06:36And I can't do this.
06:40Who will do this?
06:45You will get married like a young man.
06:51I'm sorry.
06:53What would you say about me?
06:55I'm sorry.
06:57I'm sorry.
06:59I'm sorry.
07:01I'm sorry.
07:03I'm sorry.
07:05What would you say about me?
07:07I'm sorry.
07:09I'm sorry.
07:11I'm sorry.
07:13Habib Saab,
07:15let them go to the guest room.
07:17And you,
07:19what would you say about me?
07:21No, no.
07:23We took the guest room.
07:25Where your car is located,
07:27I'll leave you there.
07:29Habibashi,
07:31what do you think about me?
07:33In fact, Habibashi
07:35is a business man from inside.
07:39Plan A,
07:41Plan B.
07:43They came here,
07:45because of that,
07:47the road,
07:49the road,
07:51the road,
07:53the road,
07:55the road,
07:57etc.
07:59So,
08:01the road,
08:03the road,
08:05the road,
08:07the road,
08:09the road,
08:11the road,
08:13the road,
08:15the road,
08:17the road,
08:19the road,
08:21the road,
08:23the road,
08:25the road,
08:27the road,
08:29the road,
08:31the road,
08:33the road,
08:37the road,
08:39the road,
08:41the road.
09:03They called the police to them.
09:04Kravaki?
09:06What kind of knowledge is that we rocked Nasrapa's house?
09:09Think about it.
09:10Nasrapa didn't have such a crazy story
09:13that Mirabh listened to his house.
09:16That's why I didn't tell you.
09:18I'm trying to make Mirabh like that.
09:20I'm copying her.
09:21No, I don't know.
09:23As long as he's running,
09:24you'll notice one thing.
09:25When we're in a house,
09:27we're not talking about Nasrapa.
09:29I'll see you in the house.
09:31I'll see you in the house.
09:33I'll see you in Nasrapa's house.
09:42You got me.
09:43I'll tell you.
09:44Don't tell me.
09:46Nasrapa's house is very excited.
09:48He didn't have to become a man of the village of Bhai Bashir.
09:51He saw Mirabh who hit me.
09:54He took his face to his face,
09:57And the photographer was making a lot of pictures.
10:01But I can't think about the other lines.
10:04Why are you acting?
10:07You didn't open all the streets.
10:09Yes, but then I knew Adibad, right?
10:12Adibad?
10:13Yes.
10:15I was sitting in the restaurant in Burka.
10:20Burka?
10:21Yes.
10:23That means...
10:24Neerab's face.
10:25Yes, but they didn't have a full spot there.
10:28This is a great thing to tell you.
10:30If you don't have a meeting, Nassara will block you.
10:33Nassara is playing a game.
10:38My little girl is saying something else.
10:40I can't trust Nassara in Nassara.
10:47It's amazing.
10:48Everything is so perfect.
10:50Brother Bashir.
10:51It's amazing.
10:52Yes.
10:52But now the tension is that Mirab has stopped at night.
10:55There's no door open.
10:56I don't know anything.
10:57I don't know.
10:58I know that all of these people,
11:00I felt that my decision was completely correct.
11:04I didn't change my life.
11:05Yes.
11:06And Mirab,
11:07I was so loved.
11:08I was so proud of my children.
11:09I was so proud of her.
11:10You know,
11:11I was so proud of my children.
11:12And I was so proud of him.
11:13And I was so proud of him.
11:14And I wasn't all the same.
11:15It's normal.
11:18Sorry, I have more.
11:19No, it's just like that.
11:21Just to see what's going on with Fakhra.
11:25Before I had to see where I'm going to sleep tonight.
11:28Because you can't sleep in the guest room.
11:30You'll come in the eyes of girls.
11:32Oh, yes.
11:34You'll be there now.
11:36Fakhra, I'm going to the guest room for a while.
11:40I'm going to talk about Fakhra.
11:43Okay.
11:45Koshra.
11:48Thank you so much.
11:50You've changed my life.
11:54Today, I thought,
11:57I'm going to do the responsibility of my husband.
12:01I'm going to do it.
12:03My wife is very normal.
12:05She's a wife.
12:07She's a wife.
12:09Yes.
12:11She's going to sleep.
12:13She's going to sleep.
12:15She's saying,
12:17commitment is a good thing.
12:18It's a good thing.
12:20We are all good, my wife.
12:23Before I said,
12:25You can hear me.
12:26You can listen to me.
12:27Thank you very much.
12:57Thank you very much.
14:23What a good actor!
14:27How talented he is!
14:29Have you seen my father?
14:31He has been acting, crossed the line.
14:34Overacting, father!
14:36How many dialogues were you talking about?
14:38Why were you talking about the conversation?
14:40And tell me, why did you say this?
14:43Why did you say that you were 133?
14:47I am a little bit of a practice.
14:49And if I don't say that,
14:51then there is a big deal in the conversation.
14:53Now listen, you are my little girl.
14:56Yes.
14:57Where do you feel your brother?
14:59But the conversation has become very good.
15:01That's why we don't forget.
15:03There was also a deal in the conversation.
15:05He said that the other generation of Europe,
15:07was not his father's father's father's father.
15:12Let's go, it's over.
15:14Tell me, how are you?
15:16Shondor!
15:18Shondor!
15:19Wow!
15:20This location is so good.
15:22And this is so beautiful.
15:23And Irfan is so good.
15:25And I pray that you and Irfan will be the best.
15:29Amen.
15:30Look at Irfan's face,
15:33I remember Rizwan's face.
15:36It's a tragedy.
15:37It's a tragedy.
15:38The human being said
15:39because I've seen two people,
15:40we're here.
15:41That's the beginning.
15:42I will wait for her.
15:43When we're there,
15:44even if we don't end the thing,
15:45it will come to the mother's face.
15:47Father,
15:49don't have to control the mania's face.
15:51Can we control the behavior of the mania?
15:53Is a story where we need to move?
15:55How would it be?
15:57You're the main cast.
15:59You're the host of the story.
16:00We are a guest appearance.
16:04I feel like we are getting angry.
16:07What?
16:08When we came to the room, I thought that Rufanya was sleeping or sleeping.
16:13I gave Hussar Khan to his clothes.
16:20Nothing happens. It's a drama.
16:23He will also know.
16:25In fact, there is no camera here.
16:30Thank you. You got your own offer.
16:33Otherwise, we are going to say ourselves.
16:35We are going to have to keep them in mind.
16:38I don't know. What is he doing now?
16:43What is he doing?
16:45He's going to take the door and take the door.
16:47That's right.
16:49He's going to say,
16:50Bro, you guys are waiting.
16:52That's just for you.
16:53You don't want to keep your body and your body and your body.
16:57That's just for me.
16:59That's just for you.
17:01That's just for you.
17:03That's just for you.
17:05What is this?
17:10Are you going to wear this?
17:12Listen, it's a top of the pundra and the lal naga.
17:18Wow, mashallah.
17:19In a few days, you've been talking to seniors like seniors.
17:22It's such a big deal that they're just senior couples.
17:25What the hell is that?
17:27You've got a big deal in marriage.
17:29You've also put me in the kitchen and broke my tongue.
17:31And if you're a new teacher, you're going to be a senior?
17:34Look, this is the same.
17:36I'm sorry.
17:37I'm sorry.
17:38That's good.
17:39What's this?
17:40This is a proof.
17:42What about that?
17:44That's not the pundra when it's been again.
17:46Oh, it's a pundra.
17:48Oh, my God, it's a sign of the pundra.
17:52Look, how many pundra and pundra are going to be again?
17:56How do you know?
17:57It's a pundra.
17:59It's not a pundra.
18:00Oh, God, thank you.
18:02You've given me the pundra.
18:04Oh, so what's that?
18:06Irfan Sahib was not with us in the kitchen.
18:08It was in the guest room.
18:10The bed was used there.
18:12And the clothes were there.
18:14Oh, so the first night,
18:17the pundra went out of the pundra.
18:19Oh, God.
18:21I don't want to know what you want to know.
18:23If you don't know what you want to know,
18:24but I'm not sure what you want to know.
18:26What do you want to know?
18:27Why don't you want to know what you want to know?
18:29In every drama,
18:30you can draw the pundra with the pundra.
18:32All the pundra has a pundra.
18:33I'm just a heart.
18:35I've given away someone else.
18:37And you keep the pundra.
18:39And you sit on the pundra,
18:41or the pundra,
18:42or the pundra.
18:43Now it's a pundra.
18:44What the hell are you talking about?
18:46What are you talking about in your mind?
18:51Let's see what happens.
18:57Oh, he's dead.
19:00Shari fondue
19:11in the streets.
19:12Do not come to the streets.
19:13Shari never killed her.
19:15Shari has been killed by herself.
19:21Shari's been killed by a distant car.
19:25Do not come to the streets of Shari's children.
19:28� Shari's been killed by herself.
19:28Don't stay on the same time.
19:30Don't stay on the same time.
19:32Shari is a loser.
19:36Don't stay on the same time.
19:38Don't stay on the same time.
19:40Don't stay on the same time.
19:42Don't be a good guy.
19:46You're coming.
19:48You're coming.
19:52You're so hungry.
19:54The old guy said that the other guy said.
19:58You're coming.
20:00Now...
20:02What?
20:04Where are we going?
20:06We're going to the hotel?
20:08We'll call you.
20:10I'm going to call you.
20:12I'm seeing this dream.
20:14I'm making a joke.
20:16I'm putting a joke on my hand.
20:18I'm putting a joke on my feet.
20:20I'm making a joke on my feet.
20:22And I'm saying...
20:24Don't stay on the same time.
20:26Don't stay on the same time.
20:28Don't stay on the same time.
20:30Don't stay on the same time.
20:32What?
20:34He died.
20:36Shari's jib cut.
20:38You got a joke on my feet.
20:40You got a joke.
20:42I'm not going to die.
20:44But, the enemy is not going to die.
20:46It's going to be the end of our own.
20:48The enemy is here.
20:50He's in front of the kitchen garden.
20:52I don't know what's going on in the kitchen and garden.
20:55I don't know what's going on there.
21:00What's going on to happen to you?
21:02I'm a big fan of you.
21:04I wanted to say to you.
21:06What's going on to happen to you?
21:08What's going on to happen to you?
21:10What's going on to happen to you?
21:12I want to talk to you.
21:14You guys are the same.
21:18I mean, you guys are the same.
21:20Nothing happened.
21:22It happened.
21:24Something happened.
21:26You are the same.
21:28You are the same.
21:30You are the same.
21:32You are the same.
21:34You are the same.
21:36You are the same.
21:38Don't take it.
21:40Tell me that you are double agent.
21:42What are you saying?
21:44You are the same.
21:46You are the same.
21:48You are the same.
21:50that you are with us.
21:52What kind of pain?
21:54We went out and went out.
21:56We went out and went out.
21:58Where were we?
22:00We were sitting here with us.
22:04That's it.
22:06That's the reason.
22:08But it's less than that.
22:10And why didn't we call the Samoso?
22:12Why didn't we call the Samoso?
22:16She said before,
22:18it was our plan.
22:20It was our plan.
22:22It was your brother's plan.
22:24You made us,
22:26and the four people are like.
22:28You don't understand correctly.
22:30It's true.
22:32I'm telling you,
22:34that I'm with them,
22:36and I've discussed my plan with you.
22:38I don't know.
22:40I don't know, but
22:42it's strange.
22:44We've been married first.
22:46We've done the plan.
22:48We've done the plan.
22:50And then,
22:52we've done the plan.
22:54We've done the plan.
22:56We've done the plan.
22:58We've done the plan.
22:59We've done the plan.
23:00We've done the plan.
23:02You're our leader.
23:04I'm not a leader.
23:06But we've done this job.
23:08We're team.
23:09No, no.
23:10We've done the plan.
23:12Please, clear the plan.
23:14Why were you doing that?
23:16the
23:20intro
23:23people
23:26hey
23:27you're your
23:29name
23:29this
23:30name
23:31you're
23:32you're
23:33going to
23:34say
23:35your
23:35story
23:36or
23:36my
23:37know
23:39you're
23:40who
23:41I'm
23:42saying
23:43my
23:44definition
23:44clear
23:46If you don't get out of the way, you'll be able to get out of the way.
23:52And I'll have to agree with you.
23:55Maybe I'll have to agree with you.
23:59But what do you agree with the agreement?
24:02I'm going to get out of the way.
24:04Until I'm sorry.
24:07What do you want to do?
24:09The first thing I've heard is that the daughter of the daughter of the daughter of the daughter of the daughter of the daughter of the daughter of the daughter always sends me a sign.
24:22Choose it, I don't hear it.
24:25Then I'll do it.
24:28Who It's the one with?
24:30The one with the one with Nascarabhi.
24:34I will show you the number of Nascarabhi and you'll show it.
24:38That's true.
24:39You're a f***er.
24:40Who is it?
24:41You're a f***er.
24:42I'm a f***er.
24:43I'm a f***er.
24:44What?
24:45I'm a f***er.
24:46I'm a f***er.
24:47I'll call you.
24:48I'll call you.
24:49Tell me, how do you know that you're going?
24:52You're going to call me.
24:54I'm going to call you.
24:55I'll give you a little bit of a lie.
24:57But you'll be no longer.
25:02What?
25:04You're a f***er.
25:05You don't speak to me like honestly.
25:26God! Your great God! Your 100000000 Shukr are my God!
25:32What a nice place you have opened my eyes, my morning morning.
25:38Where are you?
25:39Where are you?
25:41And here?
25:43Greenery, pool, flowers!
25:47God bless you!
26:02I had to say something about you.
26:06If I come to the kitchen, you will be very sad.
26:11That's why you will take me to the guest room.
26:16Abba Ji?
26:17Brother Bashir!
26:19Brother Bashir!
26:21She looks good at her.
26:24She looks good at her bed.
26:27And for me, you will have annda, lassi, shahed, halwa puri and chai.
26:35You will have to take me.
26:36And Irfan knows what they eat.
26:40We will have to cook this omelette.
26:43These two people are also respectable.
26:48Yes, Rizwan.
26:51There are three daughters.
26:53And who can I forget?
26:55Why?
26:57I have asked for any information about Zafir.
27:01Oh!
27:02I have done well.
27:04She will give her a dance to her brother Bashir.
27:08She will do a dance late.
27:10She will get a mood from her.
27:12I feel very tired.
27:19Habib Sahib!
27:20What is this?
27:22I was just a kid with you.
27:25Here's five girls.
27:27They are good.
27:28But it's like that she's like our girl.
27:30What happened with her?
27:31What happened with her?
27:32When her coat was red, she got her coat.
27:34And what happened with her?
27:36She is also as a white coat.
27:38She had so long.
27:40She looked at her.
27:42She went the same way.
27:44She was a queen.
27:45She was a queen.
27:47When he came to his house, he had to destroy his cockroach.
27:51Listen, we'll have to leave here.
27:54First, we'll have to know each other, then we'll have five people.
27:56Please, please, please, please.
27:58Maybe we'll have to stop.
28:00You said exactly right.
28:03Bushra never had our team.
28:05Bushra was our team, who came here.
28:11I'm coming, I'm coming.
28:12It's time to sleep in the morning.
28:14You come to the guest room and talk to Abba.
28:17I'll take a shower.
28:18If you take a shower, we'll all go up and we'll never talk.
28:21Come on.
28:25Sorry.
28:29Come on.
28:30Come on.
28:32Come on.
28:33Come on.
28:34Come on.
28:35Come on.
28:36Come on.
28:37Come on.
28:39What did he do outside?
28:42He was talking with the birds and the birds.
28:48What was the need for him to talk to him?
28:51Abba, you can't do it.
28:52My son, my heart wants to talk to him.
28:56Today, you can't talk to me.
29:01You can't forget the situation.
29:04What do you need to talk about?
29:06How do you manage this?
29:08I don't need acting.
29:11I'm a very old actor.
29:13He's called the economy of characters.
29:17If you tell the baby, then the baby comes.
29:21If you tell the baby, then the baby comes.
29:23Then the baby comes.
29:25You know how the character makes it?
29:27How?
29:28Very bad.
29:2960 years old.
29:32How bad it feels.
29:35Now, the character changes.
29:3760 years old.
29:39Chronic Bachelor.
29:41Is that right?
29:42I'm saying that right.
29:44It's a bad thing.
29:45It's a bad thing.
29:46It's a bad thing.
29:47It's a bad thing.
29:48It's a bad thing.
29:49It's a bad thing.
29:50Sherry?
29:51Natsby, Natsby?
30:07What did you say?
30:08He has given you...
30:10you're that bad thing.
30:15You're telling me?
30:17I'll give you a beautiful voice.
30:21I'll give you a face to my hands.
30:25I'll give you a face.
30:26I'll give you a face.
30:29I'll give you a face.
30:33How nice are they!
30:35That they're from having a pleasant and pleasant place.
30:38They should tell me that they're gonna be my husband's wife to fall.
30:43That's the beauty.
30:46Hmm
30:48I'm sorry
30:50What do you do?
30:52Tell me that you will be able to get me
30:54If you don't tell me that you will be very sad
30:58What do you do?
31:00I'm sorry
31:02I'm sorry
31:08I'm sorry
31:10I'm sorry
31:12I'm sorry
31:15I'm sorry
31:17You can't hear that
31:18You have
31:20See you
31:22Come
31:25See you
31:27Come
31:29See you
31:31See you
31:33See you
31:35See you
31:37See you
31:39See you
31:41I'm sorry, I'm hungry.
31:47If you do this, you can eat me.
31:51Don't do it, boss. I'm hungry.
31:54Tell me, how do you get to eat without money?
32:02I'm asking.
32:03I'm asking.
32:05But it's the same way.
32:07Either we ask direct money,
32:09or we ask direct money,
32:11or we ask direct money.
32:15Do you know this thing?
32:17Yeah, I'm just saying,
32:19we're good at gym,
32:21we're training people.
32:23First, we're hungry,
32:25and we're hungry.
32:27No.
32:29That's what I've cut.
32:31I'll leave it.
32:33If I get it,
32:35I'll take it out.
32:37I'll take it out.
32:38Okay, the first one.
32:40To kill?
32:42To kill.
32:43What do you want to kill?
32:48Sir,
32:49I'm hungry.
32:51I'm hungry.
32:52Please eat food.
32:54I've told you that I didn't eat food at night.
32:56You're the children.
32:58God bless your mother and father.
33:00Just give me one.
33:02Not very good.
33:06Please leave your house a mile
33:07or only you just you'll buy your house a club.
33:09This isn't bad.
33:10Is it possible if your daughter wants to kill his penis?
33:13It's quite a lot.
33:14Now, once at night,
33:15I will have to give you money,
33:16I'll give your money back to the house a каждый dollars a day.
33:18I'll give you 페ản quarter to the house a half hundred.
33:20Just hold on only dividend.
33:22One more than experiential and outraㅇ business,
33:24you won't make any money back missing,
33:26you won't have to give us any vídeos.
33:27Hello.
33:30Are you all eating everything?
33:32Yes, I'm not eating anything.
33:35I've never eaten anything from these things.
33:38This is the price of the production.
33:40This is the price of the production.
33:42It's just the price of the production.
33:44I've been eating a bunch of hours after that.
33:47No, no, no!
33:49But they have to wait for the rest of us.
33:52I've felt bad.
33:54What's bad?
33:56What do you think?
33:58What did Abib say?
34:00That he will have a fight for the first time,
34:02and then we will have a scene, and then we will have a dance.
34:04Come on, I'm going to go.
34:06I'm a woman in the real world,
34:08and I'll trust her.
34:10You're right.
34:12The feeling of this set is very good.
34:14And the actors,
34:16she's a little girl.
34:18What the hell is it, Nassaraki?
34:20I mean, these people who give awards,
34:24they always give awards.
34:26They always give awards.
34:28In fact, these awards,
34:30the characters of the site,
34:32should be given to the show.
34:34You say,
34:36fish in water.
34:38They're giving awards.
34:40They're giving awards.
34:42They're giving categories.
34:44The fact is,
34:46they have
34:48told us
34:50that they know
34:52who give money,
34:54who give awards.
34:56They're giving awards.
34:58We're also looking at it.
35:00Our fault is.
35:02It's our fault.
35:04It's not that human being.
35:06I'm here.
35:08Come on, Nassaraki.
35:10If you're a boy,
35:12you'll eat again.
35:14We'll eat again.
35:16Hold on the prayers.
35:18AfterThere
35:37AfterThere
35:39After My looking
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