Ek Jhooti Kahani EP 13 [CC] - 11 Oct 25 - Sponsored by Lifebuoy Shampoo & Leather Galleria - HUM TV
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#EkJhootiKahani — a lighthearted tale where one lie leads to unexpected twists, tangled emotions, and a not-so-ordinary bond, featuring Zara Noor Abbas & Mohib Mirza
Writer: Amna Mufti
Director: Shehrazade Sheikh
Producer: Momina Duraid Productions
#HUMTV #EkJhootiKahani #ZaraNoorAbbas #MohibMirza #AmnaMufti #ShehrazadeSheikh #MominaDuraid #LeatherGalleria #PremiumFurniture #leathersofa
Digitally Presented By LifeBuoy Shampoo #TumMazbootHo
Digitally Powered by Leather Galleria #LeatherGalleria #PremiumFurniture #leathersofa
👉 Subscribe To HUM TV - https://bit.ly/HumTvPK
#EkJhootiKahani — a lighthearted tale where one lie leads to unexpected twists, tangled emotions, and a not-so-ordinary bond, featuring Zara Noor Abbas & Mohib Mirza
Writer: Amna Mufti
Director: Shehrazade Sheikh
Producer: Momina Duraid Productions
#HUMTV #EkJhootiKahani #ZaraNoorAbbas #MohibMirza #AmnaMufti #ShehrazadeSheikh #MominaDuraid #LeatherGalleria #PremiumFurniture #leathersofa
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TechTranscript
00:00The stage is set for the Dola Next presents
00:05Kashmir 10th Hum Awards
00:07Powered by Leather Galleria
00:10Luxury Leather Furniture
00:12And Tap Tap Send
00:14Saturday 11th October 2025
00:17At the NRG Arena, Houston, Texas
00:20Be there for your favourite stars
00:23Mahira Khan
00:25Adnan Siddiqui
00:28Bushran Sari
00:30Tajl Ali
00:33Faisal Qureshi
00:35Hania Amir
00:38Bilal Abbas Khan
00:40Sara Khan
00:43Imran Ashraf
00:46Sonia Hussain
00:48Ahaz Raza Meir
00:51Tanam Saib
00:53And Mohit Mirza
00:55Mavera Hussain
00:57And Many More
00:59One Stage
01:01One Night
01:02And Spectacular Celebration
01:05To Get The Group Discount
01:07Book Your Tickets Now
01:09Log On To www.hum.tv
01:13Or www.ticketmaster.com
01:16For Sponsorships
01:18Contact
01:18Mr. Naveed Aadam
01:20Hum Network Limited
01:22Mast Shum
01:33Mast 적
01:39Mast
01:42Mast
01:43When we come, we don't leave the room at the same time.
01:47And if we leave the room, we keep the room together.
01:50Today, our family is coming.
01:52We didn't think that we should enter the drama in this way.
01:56I'm going to ask one question.
01:58I'm going to ask one question.
02:00I'm going to ask one question first.
02:02Fakhra and Buchhra are my sister.
02:08So Fakhra, who are they?
02:10They are all of them.
02:12But they don't have any image on the stage.
02:15Where are they?
02:17In our house, when after a marriage,
02:21the first time Bhenu is a sussural.
02:23She meets her with her,
02:25and she is all of them.
02:27So Bhenu is crazy.
02:30I mean, pranks?
02:33Yes, pranks.
02:35And very dangerous pranks.
02:37They should be banned from her.
02:39And what do you do with her friends?
02:43Oh, they are also very bad.
02:45So just, this house is a sussural house.
02:49And you will stay here until we open your heart.
02:52Yes.
02:54No.
02:55This is my sister's sussural house.
02:56I can't take so much money here.
02:58Why are you taking tension?
02:59I'm going to.
03:00We will stop you.
03:02Okay.
03:03Okay.
03:04Okay.
03:05Okay.
03:06Can you tell me about her husband?
03:09I'm talking about her husband.
03:11Yes.
03:12Tell me.
03:13Okay.
03:14I'm going to sleep at home.
03:15I want to sleep at home.
03:16I want to sleep at her.
03:17I'm going to sleep at home.
03:18I hope I'm gonna sleep at home.
03:19I was going to sleep with my husband.
03:20Yeah.
03:21I'm going to sleep.
03:22Let's see if I were asleep.
03:23Well, thank you.
03:24I always wanted to sleep at home.
03:25And I'm going to sleep at home.
03:26I've been sleeping at home too.
03:27I have a very small bit from him.
03:28You know as a kid.
03:29I'm going to sleep at home.
03:30My kid.
03:31So, I'm too late.
03:32You can tell me a kid.
03:33I'll have to sleep at home.
03:34I'll be asleep at home.
03:35I have to sleep at home and feel free.
03:36Oh, my son.
03:37Like, what do you want to sleep at your mother?
03:38I'm کی a girl.
03:39I am so excited to make a son of a son.
03:46I am so excited to make a son of a son of a son.
03:51I am so excited to make a son of a son of a son.
03:54Yes.
03:55In fact, I wanted to say that Bushra is my oldest daughter.
04:02She is my heart.
04:05We are so frustrated.
04:10When I am so excited to make a son of a son of a son,
04:15I have been forced to make a son of a son of a son.
04:18In fact, I am so excited.
04:22This is the best thing for a son of a son.
04:27You should be proud of me.
04:32And in that way, our and you have no relationship with us.
04:40Overacting.
04:43What are you talking about, Bashiira?
04:45Is it your big deal?
04:47Are you so happy, calm,
04:50and understanding everything?
04:52And my daughter is still...
04:53Bhaijan! Bhaijan! Bhaijan!
04:55Bhaijan! Bhaijan!
04:57What happened?
04:58Bhaijan, let's stop these people tonight.
05:00Please, please, please.
05:01Please, please, please.
05:02One second, what happened? Tell us first.
05:07Bhai...
05:08Bhaijan, let's stop the brother and Bashiira, Bashiira, and Bhaijan, let's stop here.
05:14We have to do this.
05:16Please...
05:23No, okay. We will stop.
05:25No, no.
05:27We will have to work.
05:28What will we do?
05:30No, no, no.
05:31No, no, no.
05:32No, no.
05:33No, no, no.
05:34Bhaijan, Bashiira, it means that,
05:35with more than meeraph,
05:36what will we do?
05:37We will stop.
05:39Yay!
05:40Yay, Bhaijia, Bhaijian.
05:41Hey, Bhaiji, Bhaijian!
05:42Thank you very much.
06:12very good. Then the third thing was that Irfan-sahab took us into the trial and then the fourth thing was that Irfan-sahab
06:24has loved our daughter Bushra. So the fourth thing was that it was the fourth thing.
06:32Yes, I was very scared before. I thought that I was going to do what I was going to do. But then I realized that
06:40I thought that if we did not get married to have married, that if I didn't get married to have married,
06:47it wasn't always a believer. But I just realized that today I am I worried about all of you
07:05Your actions and actions have been given to the people of God who are given to the people of God.
07:28The world has been a great deal.
07:32I believe that this is the real fact that I have not felt like this, but I believe that
07:42that the love that you gave me my daughter to accept me and gave me my daughter to stop
07:50when I say that I will be here
08:02It feels so good.
08:04Today, my friends are very happy in my house today.
08:13In fact, Irfan Sahib, my and your story is just like that.
08:16You have married in love with your daughters.
08:21And I can't do this.
08:24Who do you want to marry?
08:26My brother is just like a little girl.
08:47I'm going to go.
08:51What will you tell me about my two brothers?
08:56Habib Sahib, leave them in the guest room.
08:59And Saman, will you have to ask them?
09:02No, we took the Saman.
09:04We have to leave the car outside.
09:12Brother Bashir, what do we always think?
09:16In fact, Brother Bashir is a business man.
09:21He's the best man.
09:23Planny, Plan B.
09:25If you came here,
09:26they would have to be with them all.
09:28So, they put their needs of their own things.
09:29They put their hands on the road,
09:31they put their own roadblocks.
09:32So, they put their needs of their needs.
09:34So, they may not go anywhere anytime?
09:44Come here.
09:45Let me show you the guest room.
09:47This is the shape of it.
09:49This is the shape of it.
09:54What does Neerab start doing in Neerab?
09:56Neerab is a child.
09:58Children always keep playing and playing.
10:00The one who has to explain it to you,
10:02has to explain it to you.
10:03Yes.
10:04I thought that we will behave in the truth.
10:06No, don't understand.
10:08It will be in another place.
10:10If there will be something else in this place,
10:12then our marriage will be delayed.
10:14What will I do?
10:16When we try to do this,
10:19we have to do it.
10:21We have to do it.
10:22We have to listen to the stories in the restaurant.
10:25It was a lot of fun.
10:27To make it?
10:29Yes.
10:31We used to listen to the stories in the restaurant.
10:33We had to listen to the restaurant.
10:35We had to listen to the restaurant in the restaurant.
10:38That's how it happened.
10:40No.
10:41It happened that
10:43I was looking for a man.
10:45I thought I was going to do it.
10:46They called the police.
10:48Really?
10:49What kind of thing?
10:50We have to find out where we have to go to Nassarapha.
10:52Think about it.
10:54Nassarapha has not heard such a strange story.
10:56You didn't hear that.
10:57You didn't hear that.
10:58You didn't hear that.
10:59You didn't hear that.
11:00You don't hear that.
11:01You don't hear that.
11:02You don't hear that.
11:03You don't hear that.
11:04You're copying her.
11:05No.
11:06No.
11:07I don't know.
11:08I don't know.
11:09I don't know.
11:10As long as we have to go to Nassarapha,
11:12all of us have to go to Nassarapha.
11:14Okay.
11:15I'm going to go and see myself.
11:16I'll meet Nassarapha.
11:17I'll meet Nassarapha.
11:18I'll meet Nassarapha.
11:19Nassarapha has been great.
11:20O
11:37Man, you lost Nassarapha.
11:42The photographer was taking pictures of the photographer.
11:45But you can't be thinking about the other lines.
11:48Why are you acting?
11:51You didn't open all the rules before.
11:53Yes, but then I knew Adibad.
11:56Adibad?
11:58Yes.
11:59Nasr Abhi was sitting in a restaurant with burqa pen.
12:04Burqa?
12:05Yes.
12:07What's the meaning of Nirov?
12:10And they took the police there.
12:12This is a great movie story.
12:14If you don't meet Nirov, they leave Nirov a locker.
12:17The Nirov is playing Nirov?
12:19No one is playing the game.
12:22My little girl is saying something else.
12:24I can't trust Nirov at Nirov.
12:31It's amazing.
12:32Everyone is so perfect.
12:33Brother Bashir.
12:35It's amazing.
12:36Yes.
12:37I think the tension is so important.
12:39You've been letting Miram Nirov at night.
12:40There's no time.
12:41There's nothing there.
12:43I've ever seen those people,
12:44I've always felt that...
12:45...that...
12:46...my decision was perfect.
12:47My daughter's changed.
12:49Yes.
12:50And Miram,
12:51...which was so sweet.
12:52Our children were so much as a child.
12:53She kept her.
12:54She kept her.
12:56She kept her.
12:57All his life is strange and abnormal.
13:02Sorry, I have more.
13:03No, it's just like that.
13:05Just to see what's going on with Fakhra,
13:07what's going on with Fakhra?
13:09Before I tell you, where will I go?
13:11Because you can't sleep in the guest room.
13:14You'll come in the eyes of the girls, right?
13:16Oh, yes.
13:17You'll be there now.
13:20Fakhra, I'm going to the guest room
13:23and I'll go back to Fakhra.
13:26I'll go back to Fakhra.
13:27Okay.
13:31Koshra, thank you so much.
13:34You've changed my life.
13:40Today, I thought,
13:41my parents were responsible for me.
13:44I'm going to do everything.
13:46My wife is completely normal.
13:49She's a wife.
13:51She's a wife.
13:53Huh?
13:55You've done commitment.
13:57She's you've got to learn anything.
13:59You say,
14:01you're part of a good commitment
14:02through a job of doing a great job.
14:04You're kind of all?
14:06Well?
14:07Before I told you,
14:09you can listen to me
14:39ھوٹ موٹ کا تھا تیرا میرا عشتہ
14:53مگر نصیب نے
14:59वोजी
15:00आपके कपड़े में सुब है
15:02इंशालला इस्तरी कर दूँगा
15:04चट जी
15:05इसकी सुरुवत ही नहीं है
15:07We are doing our own work.
15:09If you have to do someone's clothes,
15:12he will give you a child.
15:14No, I don't care.
15:16I've put water on the table,
15:18so it will go away.
15:19I've also changed my clothes.
15:21Actually, the guest room is not in any case.
15:23So, it's a little bit.
15:25But in the bathroom,
15:27it's a little bit gross.
15:29It seems that someone used it for a few hours before.
15:32And the clothes were too tired.
15:34Is there anyone staying here?
15:37It's possible that someone's scared.
15:39Okay.
15:40If you want anything,
15:41please tell me.
15:43Chacha, thank you.
15:49This is such a big house,
15:50my brother.
15:51What's up?
15:52I'm going to go to the house.
15:54I'm going to go to the house.
15:55I don't know.
15:56I don't know.
15:57I don't know.
15:58I don't know.
15:59I don't know.
16:00Oh, my God.
16:01Oh, my God.
16:02I'm going to.
16:03You're not going to take this action before the house.
16:04You're not going to take this action?
16:05Oh, that's the deal.
16:06You're not going to take that action.
16:07How did you take this action?
16:08I'm going to take this action?
16:09How did it change everything?
16:10How much you are so talented.
16:13Have you seen your father?
16:15Have you been doing acting?
16:17Have you crossed your head?
16:18Over acting, father?
16:20Why?
16:21Why did you speak so many dialogues?
16:23Why were you going to talk about the story?
16:25And tell me, why did you say that you took me 130?
16:30Oh, son.
16:31It's a little bit of practice.
16:33And if I don't say this,
16:35then it's a big deal.
16:37Now listen.
16:39You're my little girl.
16:41Where do you feel from your brother?
16:43But the story has become very good.
16:45That's why we don't forget.
16:47There was also a story that they told us
16:49that the generation of people from Europe
16:51was his father's father's father's father.
16:56Let's go.
16:57Come on.
16:58Tell me, how is it going?
17:01Shandor.
17:03Wow.
17:04The location is so beautiful.
17:06The place is so beautiful.
17:08And I pray that you and Irfan's marriage will be true.
17:13No, my God.
17:14Amen.
17:15Irfan's beautiful and beautiful face.
17:18I remember to remember Rizwan's father's father.
17:20And Rizwan's father's father's mother's father's father.
17:21And Rizwan's father's father's father's father.
17:23And Rizwan's father's father's father.
17:24They all go there and go there.
17:26They all go there.
17:27They all go there.
17:28Now, when we'll finish the divorce,
17:30we'll not come here.
17:31Abba, Abba, Abba.
17:32Abba, Abba, Abba.
17:33Just a little while for Rizwan and Mania control.
17:36Abba, Abba.
17:37Now we've had to figure out
17:38how to do it.
17:39Hey, we're the main cast.
17:40You're the main cast.
17:42You're the main cast of Kani Rizwan.
17:43You're the main cast.
17:44You're the main cast.
17:45We're the main cast.
17:46Guest appearance.
17:47It must be all idea.
17:48I think he's got a shame.
17:50What?
17:51What?
17:52When I came to the camera, I thought I was sleeping or sleeping.
17:57I gave it to Husserl Khan and gave it to him.
18:04Nothing happens. It's drama, right?
18:07He will also know.
18:09In fact, there is no camera here.
18:15Thank you for your own offer.
18:17Otherwise, we were just saying ourselves.
18:19That's why Sherry will keep her in mind.
18:22Yes, I don't know. What's she doing now?
18:27What is it?
18:28What is it?
18:29It's going to be blowing people's windows.
18:31That's right.
18:33I'm going to say,
18:34brothers, I have no idea.
18:36I have no idea.
18:38I have no idea.
18:41I have no idea.
18:43I have no idea.
18:45I have no idea.
18:47I have no idea.
18:49I have no idea.
18:50I have no idea.
18:51I have no idea.
18:52What is it?
18:53Now, you will wear this?
18:55Listen, it's like a
19:09I have no idea.
19:10You have no idea.
19:11You have no idea.
19:12You have no idea.
19:13I have no idea.
19:14I have no idea to be in the kitchen.
19:15I have no idea.
19:16And now,
19:17I will be a senior.
19:18Look,
19:19it's gonna be a man.
19:20Look at this.
19:21I am sorry.
19:22I am sorry.
19:23I am sorry.
19:24Now, what is this?
19:25It's a statement.
19:27What's the matter?
19:28That she's not the one who is being born.
19:31Yes, she's a girl.
19:34My God, it's a miracle.
19:37Look, how many girls are being born, they're not going to be born.
19:40How do you know?
19:42She's a girl, she's a girl.
19:44That's not the matter.
19:45Oh, my God, thank you.
19:47You gave me that.
19:48Okay, then what's the matter?
19:51Mr. Irfan Sahib Bhushra was not in his house, but in the guest room.
19:55The bed was used there and the clothes were also there.
19:58Oh, that's right.
20:00So, the first night he was a girl.
20:03Okay.
20:05God bless you.
20:07Look, you don't want to understand the story.
20:09If you don't want to understand the story, you don't want to understand the story.
20:11What do you want to understand the story?
20:14In every third drama, he takes a girl with a girl with a girl with a girl and a girl.
20:18I've got everything I've got.
20:20I've only got a girl with a girl with a girl.
20:22And she takes a girl with a girl with a girl,
20:25or in the sofa, or in the guest room.
20:26And she sees a girl with a girl.
20:27Can you understand what the story is?
20:30God, you don't want to understand the story of a girl with a girl with a girl with a girl with a girl.
20:35Let's go.
20:36Let's see what happens in the morning.
20:41Oh, my God, I'm dead.
20:43Let's go.
21:08Don't keep on staying. Milk and keep on staying. Don't keep on staying.
21:16Sheree is a loser! Loser!
21:20Don't keep on staying. Don't keep on staying. Don't keep on staying.
21:26Don't be a rich man by bucket!
21:30Bye! All the rest of your sprinklers are getting behind it.
21:33Oh
21:37Oh, I see. I'm gonna go
21:39I'm gonna go
21:41I'm gonna go
21:47I'm
21:49I'm
21:51I'm
21:53I'm
21:55I'm
21:57I'm
21:59I'm
22:01I'm
22:03I'm
22:05I'm
22:07I'm
22:09I'm
22:11I'm
22:13I'm
22:15I'm
22:17I'm
22:19I'm
22:21So, we are going to work hard, but the enemy is here to the end of the kitchen garden in front of the end of the kitchen garden.
22:37The kitchen garden is not that much. I don't know what will happen there.
22:45What happened to you?
22:46I'm a big fan of you. I wanted to say that you guys.
22:52What happened? Tell me what happened.
22:54Why are you so upset? I want to talk to you.
22:59You guys are the only ones.
23:02I mean, you guys.
23:04Nothing happened. Nothing happened.
23:06Nothing happened.
23:08Nassar, you're giving us a shame.
23:11A shame.
23:13I mean, you are the only one.
23:18You are the only one.
23:19Bindiya, you know the world of the society.
23:22You don't know what you are.
23:23No, you don't go away.
23:24Tell me that you are double agent.
23:26What are you saying?
23:28You are the only one.
23:31You are here with us.
23:33You are the only one with us.
23:36What a shame.
23:38You are the only one with us.
23:40You are the only one with us.
23:41Where were you?
23:43Where were you?
23:44حبیب صاحب اور صفیہ کے ساتھ بیٹھے تھے
23:47بس
23:49یہی وجہ تھی
23:51رہی
23:52تو یہ کم ہے
23:53اور اس سموسو والے کو کیوں بلایا
23:57پہلے بلایا اور اب ٹھہرا لیا
24:03یہ ہمارا پلان تھا
24:05یہ تمہارا اور بھائی جان کا پلان تھا
24:08تم نے ہمیں اُلُلُو بنائے
24:10اور جیسے وہ لوگ چارے
24:11بیسے ہو رہے
24:13You are wrong.
24:15This is the right answer.
24:17I am saying that I am with them,
24:20and I have discussed my plans before you guys.
24:23I don't know.
24:25I don't know.
24:27But there is something strange.
24:29We have married our brother,
24:32and then our sister came to the guest room.
24:35And we are just planning.
24:39Look, this change will help us.
24:45Do you believe me?
24:47Are you our leader?
24:49No, I am not a leader.
24:51But we are all working together.
24:53We are team.
24:55No, we are team.
24:57First, clear your views.
24:59And what are you doing here?
25:09Is the time to explain the truth of this?
25:11Is it the time to explain the truth of this?
25:13Because Nassarah would become such a powerful kind of community.
25:17It would notрь.
25:19But the truth of Nassarah is also in the house.
25:21Is it the same?
25:23Who is this?
25:25Run?
25:26I am not sure.
25:27Are you?
25:28I mean this is clear.
25:30I've been out for the same time.
25:34I'll be able to get this.
25:36And I'll be able to do this for my next year.
25:39Maybe I'll do it.
25:43But I'll do it.
25:45But I'll do it before.
25:47I'll be able to get it.
25:49I'll be sorry.
25:51What do you need to do?
25:53First of all, when you take a look at the relationship,
25:56I don't know what the girl is saying.
25:59The girl's the most talented lady.
26:03She's like a dumb.
26:06You're such a dumb.
26:09No, I'll do it.
26:12Who is it?
26:14With me.
26:17You'll find the dumb and it will be like a dumb.
26:23Who is it?
26:25Don't talk to me. I'm a big one.
26:28What? I'll call you.
26:30I'll call you. I'll call you.
26:32I'll call you.
26:33Tell me.
26:34How do you think you'll find?
26:36You'll find yourself.
26:38You'll find yourself.
26:40But you'll find yourself.
26:42You'll find yourself.
26:47So what?
26:49You'll find yourself.
26:52I'll call you.
26:54It's just a time.
26:56I'll call you.
26:58I'll call you.
26:59You guys will find yourself.
27:01I'll call you.
27:02I'll call you.
27:06Your God is you.
27:08My God is you.
27:13Your God is the biggest reward.
27:15My God is me.
27:17That is so nice.
27:19My eyes opened, my morning morning, where I was living in the jungle of the woods.
27:25And here, greenery, flowers, and flowers.
27:31God, thank you for your 100,000,000,000.
27:34Oh, oh, oh, oh, oh.
27:48I had to say something to you.
27:51If I come to the kitchen, you will be very sad.
27:55That's why you will take me to the guest room.
28:00Abba Ji?
28:01Brother Bashier.
28:03Brother Bashier.
28:05He looks very good.
28:08With bread, he doesn't like anything.
28:11And for me, you have an enda, lassi, shahed, halwa puri, and tea.
28:19Take it.
28:20And Irfan knows what they eat.
28:24They will cook this omelette.
28:27Hmm?
28:28In...
28:29In...
28:30In...
28:31In...
28:32In...
28:33In...
28:34In...
28:35In...
28:36In...
28:37In...
28:38In...
28:39In...
28:40In...
28:41In...
28:42In...
28:47New...
28:49In...
28:50He...
28:51I'll give you a chance to see you soon.
28:53If you do it, you go to the house,
28:55and you go to the house.
28:57I feel very tired.
29:03Habibsah?
29:05What is this?
29:07I was running away with you.
29:09Here are the five girls.
29:11Let's go.
29:13What happened to you?
29:15What happened to you?
29:17What happened to you?
29:19This is a tree.
29:21This tree is a tree.
29:23This tree is so long.
29:25This tree is a tree.
29:27This tree is a tree.
29:29This tree is a tree.
29:31When it came to me,
29:33it was a tree.
29:35Listen to me,
29:37you will leave here.
29:39People will know about it,
29:41but you will have five people.
29:43Please do, please.
29:45You said it right.
29:47Bushra was not our team.
29:49Bushra was our team,
29:51who is here.
29:53I'm coming.
29:55I'm coming.
29:57It's time to sleep at the morning.
29:59Let's talk to Abba in the guest room.
30:01I'll take the shower.
30:03We'll take the shower.
30:05We'll take the shower.
30:07We'll take the shower.
30:09We'll come.
30:11Sorry.
30:13We'll take the shower.
30:15We'll take the shower.
30:17I'll take the shower.
30:19Come.
30:21We'll take the shower.
30:23Oh, my God.
30:25What was going to do outside?
30:27He was talking with the people and the dogs.
30:33What was the need to talk to him?
30:36You're also going to do it.
30:38My son, my heart wants to talk to him.
30:43Today you have to say very little less.
30:46You forget about the situation.
30:49How do you think about this?
30:53I don't have to say acting.
30:56I'm a very old actor.
30:58He's called the economy of character.
31:02If you say that you say that you say that you say that you say that you die, then you say that you say that you say that you die, then you say that you say that you say that you say that you don't have a child.
31:10So you know how the character is?
31:12How?
31:14Very old.
31:1560 years old for a man.
31:17The man should be poor.
31:20Now our character is changing.
31:2260 years old.
31:24A chronic bachelor
31:26You know?
31:27To say that you're right.
31:29It is the right thing.
31:30It's been the right thing.
31:32Yes.
31:33That's exactly the part of the show.
31:34Don't they trust me.
31:36What?
31:37Naspi...
31:52Naspi...
31:54Naspi...
31:56He's gone...
31:58He's gone...
32:00He's gone...
32:02Oh
32:07Hey, Paz. How are you?
32:09I'm not sure.
32:11I'm not sure.
32:13I'm not sure.
32:15How good are these?
32:19They're like a mother.
32:22They should tell me that she's going to be a victim.
32:28Paz.
32:30Hmm
32:32Hmm
32:34What are you doing?
32:36What are you doing?
32:38If you tell me, you'll be able to do it.
32:40If you tell me, you'll be very sad.
32:42What are you doing?
32:44What are you doing?
32:50Hmm
32:52I'm going to talk to you.
32:54I'm going to talk to you
32:56and I'm going to tell you.
32:58You're not listening to me.
33:00You're not listening to me.
33:26I'm sorry, I'm hungry.
33:34If you do something, you can eat me.
33:36Don't do it, boss, I'm hungry.
33:39Tell me, how do you get food without money?
33:46I'm asking.
33:47I'm asking.
33:49But there are two ways.
33:51We'll buy some money and buy some money.
33:54Or we'll buy some money.
33:58You know what?
34:01I'm just saying that we're good at the gym.
34:05We're going to be a doctor and we're going to be a doctor.
34:08Is that my fault?
34:10No.
34:12I'm going to leave you with your jayb.
34:15I'll leave you.
34:17If I'm not mistaken, I'll take a piece of paper and put it on the table.
34:22Okay, the way I'll take it.
34:24That's one of the first two.
34:25To kill?
34:26To kill.
34:27To kill.
34:28To kill.
34:29To kill.
34:30To kill.
34:31To kill.
34:32To kill.
34:33To kill.
34:34To kill.
34:35To kill.
34:36To kill.
34:37To kill.
34:38I didn't have to kill you at night.
34:40Your children are living.
34:42God would give your mother to you and cousin.
34:44Just give one or two.
35:14You don't eat all these things.
35:16Yes.
35:18I didn't eat this.
35:19I've never eaten these things.
35:22It's a production property.
35:24It's a lot of fun in production.
35:27So, I'm eating a few days later.
35:31Don't lie. Don't lie.
35:34But wait for them to wait.
35:36No, do not. It feels bad.
35:39What's bad.
35:41What's that?
35:42Habib what's saying?
35:43That we will have a fight in the first place,
35:45and then we will have a scene, and then we will have a dance.
35:47If you go to the real woman,
35:49I will have to say that I am a woman in the real world.
35:51I will say that you are right.
35:54I think that the feeling of the set is very good.
35:57It's good.
35:58And the actors are like,
36:00that's what the thing is like.
36:01What a joke, Nassaraki.
36:03In fact, these people who are given the award,
36:07I have a choice.
36:08They always give the award to hero and heroine.
36:11They actually give the award,
36:13the characters of the site,
36:15they need to give the show.
36:18You say that they are fish in water.
36:22They are giving the industry.
36:24They are telling the categories of awards.
36:27The fact is that
36:30these people have given us
36:33who are known,
36:35who are giving money,
36:37who are giving money,
36:39who are giving their love,
36:40who are giving the award.
36:41They are also rich.
36:43It is our fault.
36:45We are giving money to each person.
36:47Is it not?
36:48I am here.
36:50Come on, Nassaraki.
36:51It's hot.
36:52It's hot.
36:53If you come to the airport,
36:55I will eat it again.
36:56You will end up,
36:58and we'll take care of it again.
36:59Yes, the mailing list the first thing goes up.
37:00Yes, the answer is for when
37:01closing the following phase.
37:02If I ask it theusters section,
37:04the next one is forking.
37:05Why do youتهve that is to take tool to the total?
37:07Unfortunately,
37:08if I lose it quickly.
37:09It's not.
37:11Please wait if you want to return.
37:13Have a Pepsi麾 on the trailer.
37:16If you want to return forever,
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