- 14 ore fa
Run for Your Life (2014) is a gripping drama based on a true story that follows a young woman facing unexpected challenges and learning to overcome obstacles with courage and determination. The film explores themes of resilience, personal growth, and the importance of making positive choices. With engaging characters, a heartfelt storyline, and inspiring moments, Run for Your Life offers a thoughtful and motivating viewing experience suitable for audiences of all ages. A compelling story about perseverance, hope, and finding strength in difficult times.
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Run for Your Life, Run for Your Life 2014, Run for Your Life movie, Run for Your Life full movie, Run for Your Life film, drama movie, based on a true story, family friendly, emotional movie, uplifting movie, resilience, personal growth, courage, determination, inspiring movie, engaging story, motivating movie, heartfelt movie, positive story, life lessons, thought provoking movie, 2014 movies, best 2014 movies, English movie, full movie online, Dailymotion movies, Dailymotion full movie, watch online movie
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00:00:28So if you get this part, I'm supposed to believe you're Peter Pan? No way Jose. You're in, you're just showing us now. Amanda, my name is Meredith Redmond and my life is a scary place. I'm hoping to change that today. This is my story.
00:00:47You feel like you know all your lines? Yeah. Good. All right. All right. Bye. Bye. Bye honey.
00:00:55All right. Have fun and break away. That's so mean. Oh, Isabel, it means good luck in your theater. Yeah. Sweet. Bye mom. Bye.
00:01:25Meredith. Yeah. Kevin Barker. Hi Kevin. Thanks for seeing me so quickly. There's no time to waste.
00:01:48Thank you. Can I get you something? Coffee? Water? No. I'm good. Thank you.
00:02:14I've reviewed your file. Uh huh.
00:02:18Have you seen this man? I don't know. Who is he? His name's Lon Phillips. Your ex hired him. He's a professional hitman.
00:02:32What? From these photos, it looks like your husband came pretty close to killing you himself.
00:02:38Having failed, he's hired someone else to do the job for him. Robert has obviously found you.
00:02:45all that done in the name of love.
00:02:49I've never met Robert. But I know him. Guys like him are all the same. Cowards. They don't have the
00:02:58cojones to confront their own weaknesses. The only way Robert can feel like a man is to exert his power
00:03:03over you. He uses you as his punching bag because he knows you won't hit back.
00:03:07What happened when you went through the Canadian legal system? Robert has connections in very high
00:03:18places, including judges. After he had abused my oldest girl, they still gave him joint custody.
00:03:24So I left the country to protect my girls. I presume you have an outstanding arrest warrant in Canada.
00:03:29Yes, I violated a court order, but I was willing to accept the consequences to get him as far away
00:03:34from my kids as possible. What about getting a restraining order here in the US? A restraining order
00:03:38doesn't work. I've tried it many times. All it will do is result in my being sent back to Canada
00:03:43and losing custody to Robert. Well, as I said, Robert has found you and this time he has help.
00:03:51He is sending you a message that he won't rest until he gets rid of you so he can have the kids.
00:03:57That's why I'm here. The system turns its back on women because it's domestic. And then once the
00:04:12boyfriend or the husband finally kills her, there's a moment of hand-wringing and then back
00:04:17to business as usual. Tell me what I don't know. I assumed, you know, from these public awareness
00:04:22campaigns that domestic violence had declined over the years. Yeah, but you found it hasn't
00:04:28significantly changed in decades. No. So tell me what I can do to free myself of Robert and I will do it.
00:04:37Honestly, very little. Guys who have some respect for the law or fear it will obey a restraining order.
00:04:44We will get rid of Lon Phillips. But your husband will hire another Lon Phillips. And another. If need be,
00:04:55he'll kill you himself. Are you saying there's nothing you can do for me? I wish I could.
00:05:00But the unfortunate truth is, you're running out of options. So that's it? Unless you vanish.
00:05:12There is an underground of sorts. You mean going to witness protection? Similar,
00:05:17but without the protection of the government.
00:05:19I can't raise my girls like fugitives. They've had it hard enough.
00:05:31There is another option.
00:05:35In a court of law, I will deny ever having said this.
00:05:39You could kill the son of a bitch before he kills you.
00:05:41Not what I expected to hear.
00:05:49Turn the girls into fugitives or kill their father.
00:05:54Oh, my God. Which choice should I make?
00:06:11Don't join us.
00:06:12It seems all about your齐くurg those days.
00:06:12There is nothing.
00:06:15It seems like I don't believe you are.
00:06:18But God knows it's burning here.
00:06:21It is that you don't stand beaten up so long.
00:06:21Let'smonsize theoretically while you're breaking this thing here.
00:06:24But the future is running along to a woman.
00:06:31Who'siencesiration to be י
00:06:34Glad to rejoice.
00:06:36This is going to be very nice.
00:06:36You're doing the best.
00:06:37Why doesn't it feel-
00:06:38What does it feel me?
00:06:39I can't do anything else.
00:06:40this is going to be silent.
00:06:40Grazie a tutti.
00:07:10Grazie a tutti.
00:07:40Grazie a tutti.
00:08:10Grazie a tutti.
00:08:40Grazie a tutti.
00:08:42Grazie a tutti.
00:08:44Grazie a tutti.
00:10:16Grazie a tutti.
00:10:48Grazie a tutti.
00:12:20It's okay.
00:12:26I'll have him soon enough.
00:12:32Mom?
00:12:34Mom?
00:12:36Mom?
00:12:38Mom?
00:12:42Did he hurt you?
00:12:50Are you okay?
00:12:51Oh, yeah, no, I'm fine.
00:12:53See?
00:12:54I'm fine.
00:12:56I'm fine.
00:12:58It's okay.
00:13:00Why can't he just leave us alone, Mom?
00:13:02Why can't he just leave us alone, Mom?
00:13:04He's our dad, Amanda.
00:13:05He loves us.
00:13:08It's okay.
00:13:09Okay?
00:13:10I'm not gonna say this to make you feel guilty, Meredith.
00:13:15I'm not gonna say this to make you feel guilty, Meredith.
00:13:16You're an intelligent woman.
00:13:18You know how traumatic domestic abuse is for the children.
00:13:21It's not uncommon for them to experience post-traumatic stress symptoms.
00:13:25They're more likely to develop social, emotional, psychological and or behavioral problems that can plague them all through their lives.
00:13:33How does changing our identities and disappearing help that?
00:13:35Because you can't begin the healing process until they feel safe.
00:13:39I'll move somewhere else.
00:13:40He'll find you, just like he found you here.
00:13:43The only way to be safe is to have a professional help you disappear.
00:13:47That's so extreme.
00:13:49You're a sitting duck.
00:13:51Once you're out of the way, Robert will get your girls.
00:13:54I don't say this often or lightly, but I'm saying it to you.
00:13:57You have to escape.
00:13:59I wouldn't know where to begin.
00:14:00I mean, you've seen how well I've done so far.
00:14:03You're gonna use a professional this time.
00:14:06Tyler Stone?
00:14:10Who is he?
00:14:11A nationally renowned expert on domestic violence.
00:14:13He's helped lots of women disappear through a kind of underground railroad.
00:14:19Okay.
00:14:20Okay, if this is what it takes to keep my girls safe.
00:14:30We still have to fact check the last three names in our fracking story.
00:14:34Once that's done, I need a list of anybody who backtracks or contradicts themselves in any way.
00:14:40Also, please spell check all the names, thanks.
00:14:43I'm nothing without you, Joey.
00:14:48There.
00:14:49Yeah.
00:14:52What's this?
00:14:55Gun for hire.
00:14:58Who is this guy?
00:14:59It's a guy I met while working on a story.
00:15:02Now he's gone straight so he won't do it himself, but he does know the guy who will.
00:15:07My hitman versus Robert's hitman.
00:15:09I'm not advocating it.
00:15:11I just think you need to explore all of your options.
00:15:14Out of curiosity, how is this transaction done?
00:15:17Is it cash or credit card or PayPal?
00:15:20I don't know.
00:15:22Ask him.
00:15:23Please tell me you didn't give him my name or anything.
00:15:25Of course not.
00:15:29Mayor, I don't know what the solution is for you.
00:15:34But I do know that the clock is ticking down on your life.
00:15:37So you think I should hire somebody to kill Robert?
00:15:40Unless you're going to do it yourself, then yeah.
00:15:43You're going to have to get someone to do it for you.
00:15:46Look, I trust this guy.
00:15:47Oh, because he's honorable for a killer.
00:15:50Excuse me, a reformed killer.
00:15:53Listen, let me think about it.
00:15:54I've got such a tight deadline right now.
00:15:56Okay?
00:15:57Thank you.
00:16:07Hey, my wife's idea.
00:16:25If it was up to me, I'd have a hundred pound marlin on the wall.
00:16:28Apologize for being late.
00:16:29That's okay.
00:16:30I was putting some of the necessary pieces into place.
00:16:33We need to disappear you quickly.
00:16:36Um...
00:16:43Mr. Stone.
00:16:44Tyler.
00:16:45And Tammy's already provided me with all your information.
00:16:49This is all just happening so fast.
00:16:51I haven't had any time to even think about all the implications.
00:16:55Robert's fueled by his need to destroy you, and that's what he's about.
00:17:00The more you fight back, the more dangerous he becomes.
00:17:03So where are we going?
00:17:06It's best for you to receive information on a need-to-know basis.
00:17:10It's for your own protection.
00:17:12You'll find out when you get there.
00:17:14You can't be serious.
00:17:16You don't appear to grasp the gravity of this.
00:17:19And the only way this is going to work, for you to become completely untraceable, is for you to do precisely as I say.
00:17:28To the letter.
00:17:29No second guessing, no questions.
00:17:30I make my living asking questions.
00:17:32You're not a reporter anymore.
00:17:34You're a survivor.
00:17:35Okay, so what do I tell my kids?
00:17:40That, um, we're going to an unknown place, they have to change their identity, and they will never see their friends again?
00:17:47They take their cues from you.
00:17:50The more secure you are, the more secure they'll feel.
00:17:54This is Sylvia.
00:17:56She's your point person.
00:17:58She's terrific.
00:17:59She'll help transition you from here to your new home.
00:18:02Now, who knows that you're meeting with me?
00:18:05Uh, just, um, my good friend, Neil Robbins.
00:18:10He's, you know, I trust him completely.
00:18:14Cut off all contact immediately.
00:18:27Do you have children, Tyler?
00:18:30I have a daughter about your age.
00:18:32This is just going to sound so ridiculous, but my oldest daughter, she's got the latest Peter Pan.
00:18:43And as terrified as she is of her father, all she feels, I've robbed her of something she's desperately wanted.
00:18:55Doesn't sound the least bit ridiculous.
00:18:57But I don't want to go to a funeral of another woman who stayed just one day too long.
00:19:07Oliver?
00:19:08I'm...
00:19:09I know who you are.
00:19:10What about you?
00:19:11Should I show you my ID?
00:19:12I'm...
00:19:13Oliver?
00:19:14I'm...
00:19:15I know who you are.
00:19:16What about you?
00:19:17Should I show you my ID?
00:19:19So, as you know, I'm...
00:19:20I'm doing a story on Soldiers of Fortune.
00:19:21Right.
00:19:22I'm doing a story on Soldiers of Fortune.
00:19:23Right.
00:19:24Let's...
00:19:25Let's start at the top.
00:19:27How would some people know you would like to know you would like to know me?
00:19:28So, what about you?
00:19:29What about you?
00:19:30Should I show you my ID?
00:19:31I'm...
00:19:32I know who you are.
00:19:36What about you?
00:19:39Should I show you my ID?
00:19:43So, as you know, I'm doing a story on Soldiers of Fortune.
00:19:48Right.
00:19:51Let's start at the top.
00:19:53How would somebody go about hiring you?
00:19:56Somebody.
00:19:58But not you.
00:19:59I told you on the phone.
00:20:00I'm...
00:20:01I'm a journalist.
00:20:03Don't you need a pen?
00:20:05What?
00:20:06To write down what I'm saying.
00:20:09Oh.
00:20:10Yeah.
00:20:13Right.
00:20:17You ready?
00:20:20If somebody, not you, wanted to hire me,
00:20:23she'd need a photo, name and address of the intended target.
00:20:27That's it?
00:20:32Clean and simple.
00:20:37What about the money?
00:20:38Payments half up front, half when the job's finished.
00:20:40How much?
00:20:43Fifty grand.
00:20:47What if something goes wrong?
00:20:50I mean, what if you get caught?
00:20:53I don't get caught.
00:20:53I don't get caught.
00:20:56I'm a professional.
00:21:00You met him in college.
00:21:02Back then, he knocked you off your feet with charm and promises.
00:21:05But as soon as the deal was sealed,
00:21:09he showed his darker side.
00:21:11He was jealous of your job, your friends, even your kids.
00:21:15You took it when he was knocking you around,
00:21:17but as soon as he went after your kid,
00:21:20the gloves came off.
00:21:21He said,
00:21:22you drove in the tid Him.
00:21:23Do we like that too?
00:21:23Bye.
00:21:24Bye.
00:21:24Bye.
00:21:25Bye.
00:21:31Bye.
00:21:31Bye.
00:21:32Bye.
00:21:35Bye.
00:21:43Bye.
00:21:47Bye.
00:21:47Bye.
00:21:48Bye.
00:21:48Bye.
00:21:48Bye.
00:21:50Bye.
00:21:50Grazie a tutti.
00:22:21It didn't work.
00:22:22It's not supposed to work.
00:22:24It's not a date.
00:22:25How can I trust a hired killer?
00:22:28So what, you're just gonna spend the rest of your life looking over your shoulder, hmm?
00:22:33I'm going to kill him.
00:22:35You?
00:22:35Mm-hmm.
00:22:37You're gonna stab him in the neck with your pen?
00:22:39No, I can't talk to you about it.
00:22:41What? Why?
00:22:42Because I don't want you to be an accessory.
00:22:45You're serious.
00:22:46Yes, I am.
00:22:48Okay, what about your girls, hmm?
00:22:50What's gonna happen to them when you spend the rest of your life in prison for murder?
00:22:55I have given it a lot of thought.
00:22:57And as painful as it would be, I would be much happier with them free of Robert.
00:23:03Okay, you know whenever I'm stuck writing a story or just coping with life, you always say, come at it with a different angle.
00:23:11Well, maybe you should take your own advice.
00:23:13I have exhausted every other option.
00:23:16I still can't decide between the guitar, the flute, or the cello.
00:23:30What if I choose by Monday?
00:23:31You still haven't signed the permission slips that I can stay after school for Earth to Mom?
00:23:37What if after I choose, it turns out to be the wrong one for me?
00:23:40Earth to Mom.
00:23:41Well, I was just thinking, if there was an emergency and I could only take one thing with me, what would it be?
00:23:50Like tsunami or something?
00:23:51See, I don't have tsunamis.
00:23:53It totally could.
00:23:54I would take your baby shoes.
00:23:56What?
00:23:57Your bronze baby shoes.
00:23:59Those are like for dolls.
00:24:00Those are your first ones.
00:24:03What would you take, Amanda?
00:24:05My locker.
00:24:06That doesn't count.
00:24:07You wear it all the time.
00:24:09I take Lolly.
00:24:10She's my first friend.
00:24:11Ew, you used to pee on her when you were little.
00:24:14Did not.
00:24:14Lolly's been washed like a million times.
00:24:21Hello?
00:24:26Maybe it's a guy.
00:24:27I doubt it.
00:24:28Do you think she's still out, Dad?
00:24:31She hates him.
00:24:32So do I.
00:24:33You're not supposed to say that, Amanda.
00:24:35Mom says we're supposed to have the truth.
00:24:36That's the truth.
00:24:37Okay, Isabel?
00:24:40Girls, I want you both to know how proud I am of the two of you and how you've handled all the changes in our lives.
00:24:51From the new schools, to the moves, to saying goodbye to your friends.
00:24:56We're the three musketeers.
00:24:57And sometimes, I need to keep secrets from you.
00:25:02And when I do, it's for your safety.
00:25:05You get that, don't you?
00:25:06To keep us safe from Dad.
00:25:08He's the only one who wants to hurt us.
00:25:10Well, he's not going to hurt us anymore.
00:25:12I promise.
00:25:12Honey, you ready?
00:25:20Here.
00:25:20Put this jacket on.
00:25:21I don't want to be slugging around.
00:25:22Isabel, don't argue with me.
00:25:24But it's going to be too hot.
00:25:25You can bring Lolly to school today.
00:25:27Really?
00:25:27Yep, put her in your backpack, okay?
00:25:28Mom, I forgot my homework.
00:25:56Never mind.
00:25:58But Mr. Cummings will mark me down.
00:26:00It doesn't matter.
00:26:01Yes, it does.
00:26:02Hey, you guys.
00:26:04We have time.
00:26:04I can go run back.
00:26:05I said no.
00:26:06Mom, why are you stressing so much?
00:26:08Just leave it alone, okay?
00:26:10Don't ask so many questions.
00:26:12Okay.
00:26:13Hey, bye.
00:26:14Bye.
00:26:15Bye.
00:26:15Love you.
00:26:16Bye.
00:26:26Amanda.
00:26:26Uh, yes, Miss Wilson?
00:26:27I need you and your sister to come with me right away.
00:26:29Is everything okay?
00:26:30Everything's fine.
00:26:31Just do as I say.
00:26:32Okay.
00:26:36The principal wants us to go with her.
00:26:38Why?
00:26:39I don't know.
00:26:39Just do it.
00:26:39Come on.
00:26:40Okay.
00:26:40Okay.
00:26:43Okay, girls, follow me.
00:26:45Let's go.
00:26:45Where are we going?
00:26:46Please, just hurry.
00:26:47What are we doing?
00:26:48Come on, just please.
00:26:49Look at me.
00:26:51Where are we going?
00:26:51Please, stop asking questions.
00:26:53You sound like Mom.
00:27:00Hey, girls, get in quickly, please.
00:27:02You're freaking me.
00:27:03Thank you.
00:27:03It's okay.
00:27:04Thank you so much.
00:27:05We're going to miss that.
00:27:05Good luck.
00:27:06Mom, where are we going?
00:27:07What's going on?
00:27:08Where are we going?
00:27:09Mom, where are we going?
00:27:09I know what you're saying to me, okay?
00:27:20All right, get in.
00:27:21Amanda, taxi.
00:27:23Isabel, you too.
00:27:25Come on.
00:27:26You're hurting me.
00:27:27Sorry.
00:27:28It's just getting in.
00:27:29Get in.
00:27:30Come on.
00:27:32Sorry, honey.
00:27:33I know.
00:27:33Mom, what's going on?
00:27:35Mom.
00:27:35Mom.
00:27:36Mom.
00:27:36Mom.
00:27:36Mom.
00:27:36Mom.
00:27:37Mom.
00:27:37Mom.
00:27:38Mom.
00:27:38All right, girls, get in the car.
00:27:46Vaccine.
00:27:49This is Sylvia.
00:27:50Hi.
00:27:51Yeah, we spoke yesterday.
00:27:52I followed your instruction to a T.
00:27:54Sylvia's going to see to it that everything goes smooth.
00:27:56Okay.
00:27:56Trust us.
00:27:58Everything will be fine.
00:27:59Stay safe.
00:28:00Thanks.
00:28:00Goodbye.
00:28:01Mom, where are we going?
00:28:02It's okay.
00:28:03Come on.
00:28:04Come on.
00:28:04Come on.
00:28:05Come on.
00:28:06Come on.
00:28:07Come on.
00:28:08Come on.
00:28:08new papers and social security numbers.
00:28:12We'll do photo IDs after you change your looks.
00:28:19Karen Bancroft?
00:28:21Yeah, that's your name from now on.
00:28:22The girls are Carol and Louise.
00:28:24I forget which one is which.
00:28:26It's all in there.
00:28:27I think Carol is younger.
00:28:28Where are we going and where are they taking us?
00:28:32Uh.
00:28:36Some place will be safe.
00:28:38We'll be safe.
00:28:38Sì
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00:33:01Ah, smart
00:33:02Why?
00:33:04Well, get them out of the way so that we can be alone
00:33:07Remember the old days, Mer?
00:33:11Oh man, we couldn't get enough of each other
00:33:13I just have to look at you and not be like
00:33:15Don't, don't
00:33:17I would have done anything for you, Meredith
00:33:20I love you so much
00:33:25I still do
00:33:27That ship has sailed, Robert
00:33:29We're divorced and you're happily remarried
00:33:32I would have had to do that if you hadn't divorced me
00:33:35You're the only woman I would love you, Robert
00:33:38And I think that you feel the same about me
00:33:40Well, you think I want to hurt you?
00:33:43No, I just want to hold you, Meredith
00:33:45I just want to hold you and feel your breath on my skin
00:33:50Stop it
00:33:51Why do you play this game with me?
00:33:55You invite me here when the girls are away
00:33:58Now you play hard to get
00:33:59Hey, I'm talking to you
00:34:00Why do you make me do this?
00:34:06You never change
00:34:08You like to talk to me
00:34:09Don't you?
00:34:10Don't you?
00:34:11You like to talk to me
00:34:12Where do you think you're going?
00:34:13Huh?
00:34:14Huh?
00:34:14You invite me here and then you treat me like this
00:34:23Uh, uh, uh, uh, uh...
00:34:24Oh, god
00:34:24Uh, uh, uh, uh, uh, uh, uh, uh, uh, uh
00:34:28Uh!
00:34:29Ah! Ah!
00:34:59Penis
00:35:13Send in Ambulance, 64 Camden Street, sorta
00:35:25All right. How do you think your ex-husband got in?
00:35:29same way he always got in
00:35:30he let himself in
00:35:31no matter how many times I changed the locks
00:35:34he'd always get in
00:35:35you're facing an outstanding court order
00:35:38in Canada, is that right?
00:35:40yes
00:35:40I ran because he got joint custody
00:35:44in 14 years of marriage
00:35:47I've had 2 broken arms
00:35:48a broken nose and jaw
00:35:49and a damaged spleen
00:35:50and then he abused my oldest daughter
00:35:53is that why you got the gun?
00:35:56Robert hired a hitman
00:35:57Why don't you go to the police?
00:35:59Beh, se ho fatto così, saremmo in la morgola invece di Robert.
00:36:02Excuse me?
00:36:02I went to the police, again and again, and I did.
00:36:05All they said was get a restraining order.
00:36:08I mean, we know how effective those are.
00:36:10I could wallpaper the Space Needle with all that paper.
00:36:13I purchased a gun to protect my children,
00:36:16and I hoped I'd never have to use it, but I had no choice.
00:36:20Okay, uh, just relax for now,
00:36:23but I am going to have to ask you some more questions.
00:36:29I brought a bunch of wigs
00:36:50so you can pick out the one that feels most comfortable.
00:36:53Yeah, I'm not wearing any of those.
00:36:56You either have to wear a wig or cut and color your hair.
00:36:59No way!
00:37:00The disguise is especially important.
00:37:02As you girls grow up, your appearance will change naturally.
00:37:06So I can pick any one I want?
00:37:08Mm-hmm.
00:37:09Okay.
00:37:10While you try on wigs, I'll go pick up some food.
00:37:13Any requests?
00:37:14No, I'm not hungry. Thanks, though.
00:37:15Me neither.
00:37:16You guys haven't eaten anything all day.
00:37:18You must be starving.
00:37:19I'm not hungry.
00:37:20Uh-uh.
00:37:20Tell you what.
00:37:23I've got some errands to run,
00:37:25and on my way back,
00:37:26I'll pick up the kind of food you want
00:37:28on the worst day of your life.
00:37:31Burgers, fries, shakes, the works.
00:37:33Mm, that sounds good.
00:37:34That sounds perfect.
00:37:36Oh, and don't forget chocolate.
00:37:38We love chocolate.
00:37:39I wouldn't dream of it.
00:37:40Thank you.
00:37:41I couldn't tell you girls the truth.
00:37:51I'm sorry.
00:37:52I didn't want to keep it a secret,
00:37:54but I had to for your own safety.
00:37:57Where are we even going?
00:37:58I don't know.
00:37:59You don't know?
00:38:02They don't tell me anything either.
00:38:03It's part of the plan.
00:38:05It's all Dad's fault.
00:38:06My life is ruined because he's crazy.
00:38:08Don't call him that.
00:38:09I don't want to be Carol or Louise.
00:38:13I don't want someone picking
00:38:14some stupid name for me.
00:38:16I know, sweetheart.
00:38:17Can't I at least pick my own name?
00:38:19No, you can't pick your own name.
00:38:21That's the rules.
00:38:22When do Isabel and I get a say in our lives?
00:38:24I mean, don't you ever stop and think about us.
00:38:26That's all I think about.
00:38:28I'm doing this so we don't have to be afraid
00:38:29of Daddy anymore.
00:38:30You said they're the last time.
00:38:32Oh, yeah, wait.
00:38:32You say that every time.
00:38:39Isabel, take that off.
00:38:50You look like Justin Bieber.
00:38:52Ew.
00:38:57Let's see this one.
00:38:58Mom?
00:39:05No.
00:39:05What do you think?
00:39:06I like it.
00:39:07That's because you have no taste, Isabel.
00:39:09Oh.
00:39:10Mommy looks pretty in anything.
00:39:12Well, thank you, honey.
00:39:13Except this wig.
00:39:20Mine's too small, I think.
00:39:22Mine's too big.
00:39:23Rapunzel gone wrong.
00:39:24Remember, it's not about being glamorous, okay?
00:39:27We don't want to draw attention to ourselves.
00:39:29No worries.
00:39:30I'm the definition of a pathetic loser.
00:39:32Come on, Carol.
00:39:33That's a little harsh.
00:39:35At least nobody will recognize me.
00:39:37They don't even recognize me.
00:39:40Well, it's about blending in.
00:39:43You're always telling us to be ourselves,
00:39:45and now you're telling us to be exactly like everybody else.
00:39:48Is everything has changed now?
00:39:50When are you going to get that through your pee brain?
00:39:51Stop it.
00:39:52Don't pick on her.
00:40:10How do you like it?
00:40:12Cute.
00:40:13Oh, that looks good on you.
00:40:19Hey.
00:40:20Good job.
00:40:22Now, let's, uh, get photos of all of you for the new IDs.
00:40:30Sure.
00:40:31What's that?
00:40:32What?
00:40:33Oh, my name's Lockett.
00:40:35Sorry, it has to go.
00:40:37Mom?
00:40:37It was my mother's, her grandmother, who died.
00:40:41She never takes it off.
00:40:43Oh, that's the point.
00:40:44It's something that can be used to identify her.
00:40:46You know what?
00:40:47Fine.
00:40:47You've taken everything else.
00:40:48Why don't you just take this also?
00:40:50Here, I'm going to hold it for you, okay?
00:40:53I love you.
00:40:55Cheers.
00:41:04That's us.
00:41:05Come on, girls.
00:41:08Wouldn't a plane be easier and faster?
00:41:10It's also a lot easier to trace.
00:41:13Sylvan told me our final destination.
00:41:15Your complete itinerary is in that envelope.
00:41:17You change buses once.
00:41:18When you reach your destination, you will pick up a rental car.
00:41:21There'll be a map in the glove compartment.
00:41:23And you'll drive the remainder of the lane.
00:41:24What?
00:41:26No camels?
00:41:28I'm sorry, Sylvia.
00:41:29If I don't laugh, I'm going to cry.
00:41:30You're coping the best way you know how, just like the rest of us.
00:41:34I've been there.
00:41:35I don't judge anybody.
00:41:37I can't decide if this is the beginning or the end.
00:41:40You're going to be fine.
00:41:42I wish I could believe that.
00:41:44Just look straight ahead.
00:41:46Always face what's in front of you, not what's behind.
00:41:48Thank you for everything.
00:41:53I have the sudden urge to grab you and hold on for dear life.
00:41:57Just whatever you do, don't take any chances, no matter how small.
00:42:00It's the mistakes that always do you in.
00:42:03Okay, thanks.
00:42:08Bye, Sylvia.
00:42:08Bye, girls.
00:42:18I want to sit next to the window, Amanda.
00:42:23No.
00:42:24It's Louise.
00:42:25You have to always remember to call her Louise.
00:42:29Okay?
00:42:29No goof-ups.
00:42:30Even to each other?
00:42:31Yes.
00:42:32Even to each other.
00:42:34We have to become these new people.
00:42:36Kind of like a play, and you're creating a new character.
00:42:39Right, Louise?
00:42:39Sure, whatever.
00:42:41So whenever we meet new people, we can't tell them anything about our past.
00:42:47It would be cool to make stuff up.
00:42:48We could tell them we're related to someone famous or something.
00:42:52We already have family histories they made up for us.
00:42:55We have to stick to them.
00:42:57Does it say that we're freaks?
00:42:59That we're always going to be freaks?
00:43:02We have no past and we have no future.
00:43:04I know.
00:43:05I know that's how you feel right now, sweetheart, but we'll get through this.
00:43:08Because we're together.
00:43:10Anyone's interested in changing my name from Louise when I'm older?
00:43:13Well, you can change your name to whatever you want when you're older.
00:43:16As long as it's not your birth name.
00:43:17And who worries?
00:43:18I don't want anything that reminds me of that.
00:43:21Can you take Lolly out of my backpack for me, please?
00:43:24Yes.
00:43:25Lolly, little Lolly.
00:43:27There you go.
00:43:29What are you doing?
00:43:31Oh, I just realized that I never stick around a daisy.
00:43:33She'll go mental and think that I'm dead.
00:43:35Just say, give it to me.
00:43:36What did I just say?
00:43:37You can't call or write or text anybody from our past any time ever.
00:43:41Do you understand?
00:43:41It's not enough that you've ruined my life.
00:43:43Now you think you're actually going to take away all human communication from me?
00:43:47Give it.
00:43:48You've got to be kidding me.
00:43:54I wish you were dead.
00:43:55All right.
00:44:14See you ladies later.
00:44:15Hey, remember, I have rehearsals after school, okay?
00:44:17Okay.
00:44:17Okay.
00:44:18Love you.
00:44:18Oh, bye, mama.
00:44:20Oh, bye.
00:44:23Bye.
00:44:24They're just a very musical language.
00:44:26I can help you work on your ear.
00:44:28What's wrong with my ear?
00:44:30I hardly recognize you.
00:44:32What?
00:44:33You're by a gateway?
00:44:34Well, not that you mentioned it.
00:44:36I'm kidding.
00:44:37It's crazy.
00:44:38No, it's just you're always smiling.
00:44:40I love it.
00:44:41Oh, well, you should see the girls.
00:44:44They walked to school all by themselves today.
00:44:47I mean, who would have thought something so normal would be such a groundbreaking event?
00:44:55I still feel this wave of guilt suddenly wash over me.
00:44:59How very like you.
00:45:00No, thank you.
00:45:03Thanks.
00:45:04No, it's not what you think.
00:45:06I feel guilty for not feeling guilty.
00:45:08I mean, the father of my kids is six feet under and I feel absolutely no remorse.
00:45:14Maybe I'm the sociopath.
00:45:15That's highly plausible.
00:45:18I just always thought I'd be looking over my shoulder.
00:45:24And now I'm afraid.
00:45:26I am so happy for you.
00:45:30I did kill my ex-husband.
00:45:32It's not exactly cause for celebration.
00:45:34You know what?
00:45:35You should write a first-person account of your experience.
00:45:39Nope.
00:45:39Why not?
00:45:41That's what writers do.
00:45:43Thank you.
00:45:48It's what we do.
00:45:49No.
00:45:49We write and we share our knowledge.
00:45:53Think of all the women you could help.
00:45:54It's enough.
00:45:55I had to live through it.
00:45:56I'm not going to be the poster girl for self-defense and spousal abuse cases.
00:46:00Well, you know what?
00:46:04Sometimes one person has to be the voice for many.
00:46:09Cheers.
00:46:10And I agree with you.
00:46:13But if I do what you're suggesting, I'd risk drawing scrutiny to my case and undermining my innocence.
00:46:18Everyone knows you're a reporter.
00:46:22Yeah, but so what if the guy who sold me the gun decides he wants to be part of the story and talks about me buying it?
00:46:26Easily explained.
00:46:28What if somebody heard me calling Robert and inviting him over?
00:46:31No.
00:46:32I just want to put as much distance between me and Robert as possible.
00:46:36You did what you had to do, right?
00:46:38You did it for your girls.
00:46:39Can we vow to never talk about this again?
00:46:45Fine.
00:46:46I just want to focus on the future.
00:46:48Ready, set, go.
00:46:52What do you have?
00:46:53Whatever you're having.
00:46:55Mom, I'm so tired.
00:46:56I know.
00:46:57Me too, honey.
00:46:57You can sleep in the back seat when we get the rental car.
00:47:00Can I go to the bathroom?
00:47:02Yes.
00:47:03Oh, there's a spot.
00:47:10Hey, can I have some money for juice?
00:47:12There's a vending machine right over there.
00:47:13Sure.
00:47:14Will you get one for me and your sister, too?
00:47:16Sure.
00:47:17How you holding up, Louise?
00:47:18I don't know.
00:47:19I'm kind of thinking that this is all just a dream.
00:47:23Yeah, I got it in here.
00:47:24Yeah?
00:47:28Oh.
00:47:30Go grab your sister, and I'll meet you in the parking lot.
00:47:32What's wrong?
00:47:33It's your Uncle Tim and Aunt Stephanie.
00:47:34Oh, my God.
00:47:37She's going in the bathroom.
00:47:37Go get her.
00:47:38Carole! Carole, come here! Come here!
00:47:59Carole! What are you doing?
00:48:01Shh!
00:48:03Why?
00:48:04Shh!
00:48:08Thank you.
00:48:10Oh, miss, excuse me. Excuse me, miss. I forgot this.
00:48:18Oh, thank you.
00:48:38You have no idea how badly I feel about the play. You're such a talented girl. I know you're gonna have more opportunities.
00:48:52No, I won't. I understand it seems that way now.
00:48:54I haven't had a chance to read Sylvia's handouts. Let's see. There we are. Okay.
00:49:02So no group pictures, no public gatherings where photographers are present, no taking part in public performances or other high-profile activities.
00:49:08You know, I guess I just think about becoming a vet or zookeeper or something.
00:49:12This breaks my heart how it affects you.
00:49:14You know, sometimes I'll just think about something that he did that was remotely nice for me.
00:49:20And then for a split second I'll stop hating him. I'll hate myself instead.
00:49:30He's your dad, Amanda. It's as simple and as complicated as that.
00:49:36Can I ask you something?
00:49:38Yeah, anything.
00:49:40Why'd you marry him?
00:49:42Hmm.
00:49:43I... I loved him.
00:49:47It was different back then.
00:49:49At least I thought he was. I was different too.
00:49:51Hell.
00:49:52Well, we were 19.
00:49:54We were 19.
00:49:56We were 19.
00:49:57I was 19.
00:49:58I hate myself.
00:49:59I hate myself, he's dead.
00:50:01He's dead.
00:50:02He's dead.
00:50:03He's dead.
00:50:04He's dead.
00:50:05He's dead.
00:50:06He's dead.
00:50:07He's dead.
00:50:08He's dead.
00:50:09He's your dad, Amanda.
00:50:10Well, we were 19.
00:50:12My mom had just died.
00:50:14And I was alone and lonely for the first time.
00:50:18And he was this possessive and intense guy.
00:50:22I liked it.
00:50:23It made me feel like he loved me.
00:50:26I thought it was romantic.
00:50:28Why didn't you leave?
00:50:30I mean, the very first time.
00:50:40Oh, wow.
00:50:41Mmm.
00:50:42Mmm.
00:50:43Mmm.
00:50:44Oh.
00:50:45Mmm.
00:50:46That looks great.
00:50:47Aw, thanks.
00:50:48Mmm.
00:50:49I think it'll be fun tonight.
00:50:50Mmm.
00:50:51Mmm.
00:50:52Did you, um, did you stop and get the clam sauce?
00:50:55Damn it.
00:50:56I knew I forgot something.
00:50:57Oh, something.
00:50:58It's the one thing.
00:50:59I'll go get it.
00:51:00No.
00:51:01Forget it.
00:51:02I'll improvise.
00:51:03I haven't let you down, have I?
00:51:04Yeah, maybe a little.
00:51:05That feels full-screen.
00:51:06Ya.
00:51:07What did you stop and uh?
00:51:08The one thing.
00:51:09Oh, I don't.
00:51:10If you're wrong, you forgot something.
00:51:11Oh, something.
00:51:12It's the one thing.
00:51:13I'll go get it.
00:51:14No.
00:51:15Forget it.
00:51:16I'll improvise.
00:51:17I haven't let you down, have I?
00:51:20Yeah, maybe a little.
00:51:21Well, where you going?
00:51:26I want to put some music on.
00:51:28We were just having a conversation here.
00:51:30Sì, ho fatto un po' di una dame in questo canto.
00:51:38Come on!
00:51:41What?
00:51:43No!
00:51:44What are you doing?
00:51:45I am sick of you second-guessing me.
00:51:47You do it all the time.
00:51:48It's because you think I don't know anything, right?
00:51:50Don't be ridiculous.
00:51:51Right, Ridiculous Robert.
00:51:54Doesn't have a PhD from some fancy university.
00:51:57Stop it!
00:51:58Ridiculous Robert doesn't have an exciting job.
00:52:00As a journalist, right?
00:52:01Don't do this, Robert.
00:52:02Ridiculous Robert can't do anything right.
00:52:04He forgets things, doesn't pick the right music,
00:52:06doesn't make enough money!
00:52:08That's not true.
00:52:09Who is good enough for you, Meredith?
00:52:11Who is good enough for you?
00:52:13Because certainly it's not me!
00:52:20You never change!
00:52:22You like to talk!
00:52:23So sorry, baby.
00:52:29I don't know what came over me.
00:52:44I don't know what would say you call me and I said so...
00:52:49I mean, I've got to cut my hands off and hurt you
00:52:51Couldn't hurt you
00:52:53Please forgive me, David
00:52:56I didn't mean to tell you
00:53:00I don't know what happened to me
00:53:02I thought it was my fault
00:53:07I thought that if I was nicer, more patient, more everything, he'd change
00:53:14Did you tell anyone?
00:53:19No, I was too ashamed
00:53:21I mean, how can, you know, an intelligent woman and an award-winning journalist be in an abusive relationship?
00:53:30But the worst part is that I've set the exact opposite kind of example I want to set for you and your sister
00:53:36I just hope that I have the chance to change that
00:53:41I hope I can be somebody you're proud of
00:53:45You know, I'm really sorry I've been such a hard-ass
00:53:51I do know you're doing this for Isabel and me
00:53:54I don't apologize
00:53:57Isabel's asleep, you can tell me the truth
00:54:02This isn't actually forever, is it?
00:54:05I mean, once Daddy thinks we're gone, he'll just give up and we can continue our life in Seattle, right?
00:54:11I'm Annabelle Redman, I'm the wife of the late Robert Redman
00:54:28Excuse me, hi, I know who you are
00:54:30I'm Sergeant Kendridge
00:54:31You investigated the death of my husband, Robert Redman
00:54:34Yes, I did
00:54:35And you ruled it self-defense
00:54:37Yes, after an investigation, that's correct
00:54:39Well, I am here to tell you that you got it wrong
00:54:42I haven't had a night's sleep since Rob left
00:54:48How can I?
00:54:50My child will never know his father, but his murderer is free walking around
00:54:55Yes, well, if you have any evidence that you could provide
00:54:59With all due respect, Sergeant, isn't that your job?
00:55:02I assure you, Miss Redman, every questionable death is thoroughly investigated
00:55:07Thoroughly
00:55:07I'll tell you what's going on
00:55:09Nobody wants to challenge a so-called battered wife because it's not politically correct
00:55:13She just has to flash some black and blue marks that she got bumping into something
00:55:18And the entire judicial process crumbles
00:55:20I was married to Rob, too, you know
00:55:23And he never once laid a hand on me that wasn't kind and gentle and loving
00:55:29She tried to keep him from seeing his own kids
00:55:33Not just the ones she had with him, mine as well
00:55:36Yes, but I
00:55:37I mean, the fact still remains
00:55:40Your ex-husband was in her apartment
00:55:42She lured him
00:55:43She always had excuses with the kids or whatever
00:55:49He wanted nothing to do with her
00:55:51But he loved those little girls
00:55:53She called him that morning
00:55:56That's not what her phone records indicate
00:56:00She didn't call from her own phone
00:56:03How do you know?
00:56:07I hired a private detective
00:56:08He traced the call
00:56:10It came from a coffee shop on Parkwood
00:56:12My detective
00:56:16Took a photo of Meredith
00:56:17And showed it to the owner
00:56:19Who identified her
00:56:20Whoa, this place rocks
00:56:32You can have the coolest parties here
00:56:35I have to show Daisy
00:56:35Why do you like it?
00:56:41Better
00:56:41Awesome
00:56:42Are the policemen going to find us if we move here?
00:56:46We're not in hiding, honey
00:56:48We're just moving across town
00:56:50Yeah, because our old place had bad energy
00:56:52Do the policemen know that Daddy used to hurt you?
00:57:00Yes
00:57:00They understand I was acting in self-defense
00:57:05Are we still going to get a dog like you promised?
00:57:11Do you still want a dog?
00:57:13Yeah
00:57:13Okay, then
00:57:16We can still get a dog
00:57:17Yes
00:57:18Hey, Iz, come push
00:57:19But when?
00:57:24As soon as we get situated
00:57:25But when, though?
00:57:26Come on, Iz, back off
00:57:28Once this place starts to feel like our home
00:57:30Come on, Iz, go all the way
00:57:33Come on
00:57:33All right, I'm going to grab a few things
00:57:54I'll be right back
00:57:55Okay
00:57:55It's so quiet here
00:57:59Dead is more like it
00:58:00Can't even get a good station
00:58:01Do you think there's any internet?
00:58:06How should I know?
00:58:07It's not like I've been here before
00:58:08Wherever here is
00:58:11I'm sorry about the plane
00:58:14You'd have made a really good Peter Pan
00:58:16Makes sense
00:58:17Got some good things
00:58:33All right
00:58:39Guy in the store said we're close
00:58:41To what?
00:58:43Louise, really?
00:58:45I don't blame you for being angry
00:58:47But come on
00:58:48This is hard on all of us
00:58:49I'm done with your attitude
00:58:51It's my fault
00:58:52I might as well be dead
00:58:53Don't say that
00:58:56It's true
00:58:57We don't know anybody
00:58:57And nobody knows us
00:58:58Don't say that
00:58:59You can borrow a lolly if you'd like
00:59:02How can she not fully lollipine?
00:59:04Just stop it, okay?
00:59:29Is this it?
00:59:37Yep
00:59:37Ew
00:59:45It's pathetic
00:59:47We'll fix it up
00:59:48It'll be fun
00:59:49Where's the beach?
00:59:53I think it's just down the hill
00:59:55Wow
01:00:11It looks like it's going to be a barrel of fun
01:00:14Right, Iz?
01:00:16We have to go back
01:00:17It's only going to make Daddy bad
01:00:19But he finds us
01:00:20You can't go back, Isabel
01:00:22Why not?
01:00:25We don't do anything
01:00:26We don't have anything to hide
01:00:28Honey
01:00:29It's going to be okay
01:00:30Mom
01:00:32I'm sorry
01:00:33It's just
01:00:34I've been really unhappy lately
01:00:36Come here
01:00:37Ladies, it's not going to be that bad
01:00:40Okay?
01:00:42Let's look around
01:00:43Okay
01:00:44Okay?
01:00:46Come on, Iz
01:00:46Let's go
01:00:47Hello
01:00:52As long as it doesn't shed
01:00:54That's my only criteria
01:00:55And it has to be a rescue
01:00:56A chihuahua
01:00:58No
01:00:58It's not even a real dog
01:01:00You just make stuff up
01:01:01She is an actress
01:01:02I am
01:01:03Oh, what about that one?
01:01:06That one's cute
01:01:07Yeah
01:01:07I'll get it
01:01:08I think it's easy
01:01:08What do you think, Iz?
01:01:09It's cute
01:01:10Yeah?
01:01:10Let me see after
01:01:11Oh, hi
01:01:13Hi, is your mom home?
01:01:14Yeah
01:01:15Mom
01:01:15Someone shut the door for you
01:01:17Sergeant Kendrick?
01:01:18I'm here to take you into custody
01:01:19What?
01:01:20I have a warrant for your arrest
01:01:21In the murder of Robert Redmond
01:01:22What are you talking about?
01:01:24Mom?
01:01:24Mom?
01:01:25What are you doing?
01:01:26You have the right to remain silent
01:01:27Anything you say can
01:01:28It will be used against you
01:01:29In a court of law
01:01:30You have the right to
01:01:30Consult an attorney
01:01:31Before talking to the police
01:01:32And to have an attorney present
01:01:34During questioning
01:01:34Okay, don't cry
01:01:35I understand these lights
01:01:35Baby, just don't cry
01:01:37It's okay
01:01:37Have them call Neil
01:01:39He'll come get you, okay?
01:01:40Mom!
01:01:40Oh, don't worry
01:01:41Mom!
01:01:43Mom, where are you going?
01:01:44Mom!
01:01:44Mom!
01:01:44Mom!
01:01:45Mom!
01:01:45Mom!
01:01:45Mom!
01:01:46Mom!
01:01:46Mom!
01:01:47Mom!
01:01:48Mom!
01:01:49Mom!
01:01:50Mom!
01:01:51Mom!
01:01:52How are you doing?
01:02:04Oh, gosh, okay
01:02:05How are the girls?
01:02:07The girls are fine
01:02:08They're with my sister Carly
01:02:09That's good
01:02:10Look, I got you an excellent lawyer
01:02:12We're going to get you bail
01:02:13And get you out of here
01:02:14Oh, thank you so much
01:02:15You're such a lifesaver, Neil
01:02:16Well, let's see how things go first
01:02:18Who's the lawyer?
01:02:19Her name's Betty Carmichael
01:02:21She's a leading expert in battered wife defense
01:02:23It still startles me to hear that
01:02:25Me, a battered wife
01:02:27I just can't wrap my head around it
01:02:31How did it happen?
01:02:35He surprised me
01:02:37He showed up a day early
01:02:40No
01:02:40Gun was in my bag
01:02:43He came after me, attacked me, wrestled for it
01:02:48It went off and he knows the rest
01:02:50Yeah
01:02:51Happy ending if you ask me
01:02:53Well, I've got to convince the jury of that
01:02:56You know, not all terrorists carry bombs
01:03:00Or have political agendas
01:03:02Ask the kids
01:03:03They've been terrorized by their father all their lives
01:03:05If they ask me if I'm glad he's dead
01:03:08I'm going to say yes
01:03:09What if they don't understand?
01:03:14I mean, what if I've just been the rest of my life in here?
01:03:17How'd you find me?
01:03:29I saw your ad in the paper
01:03:31Oh
01:03:32You know, there's not much work in town
01:03:35Right
01:03:36You can't afford to live here if you work here
01:03:40You know what I mean?
01:03:41Mm-hmm
01:03:42Yeah
01:03:42You know, if you're looking for big city wages
01:03:46I'm afraid you've come to the wrong place
01:03:47No, I understand
01:03:48I'm fine with it
01:03:50You done housekeeping before?
01:03:52Oh, yeah
01:03:53A lot
01:03:53Really?
01:03:54Mm-hmm
01:03:55No
01:03:57Okay
01:03:59Fill her out
01:04:00Great
01:04:02Okay
01:04:08That's
01:04:11Okay
01:04:12Okay
01:04:12, okay
01:04:14Okay
01:04:25Oh
01:04:27Oh
01:04:31You're the lawyer here, but from the jury's perspective
01:04:37There's no sign of forced entry or struggle
01:04:40So why are they going to believe me?
01:04:42You suffered 15 years of heinous abuse
01:04:45At the hands of Robert Redman
01:04:47But why did it take me so long to leave?
01:04:53I mean, I could have left sooner
01:04:55I had a good job, a good education, a roof over my head
01:04:58I mean, from the jury's perspective
01:05:00Are they going to sympathize with a woman like me?
01:05:03Meredith, whose side are you on here?
01:05:05Look, I've spent my entire professional life
01:05:07Putting myself in other people's shoes
01:05:09Every person on that jury is going to be judging me
01:05:13For all these little things
01:05:14Perhaps, but it is my job to make them understand
01:05:17The battered wife syndrome
01:05:19Well then, please, make me understand it
01:05:22Because I'm a battered wife
01:05:23And it still baffles the hell out of me
01:05:25Yeah, well that's kind of the whole point, isn't it, Meredith?
01:05:29Look, I am not going to sit here
01:05:31And pretend that it's going to be easy
01:05:32Because it's not
01:05:33But I do believe
01:05:36We have a very strong case for self-defense
01:05:39I hope so
01:05:40Because I've looked at the statistics
01:05:42The jury does not sympathize with women
01:05:44Who killed their husbands
01:05:45Oh, Meredith
01:05:46I just wish you would take a more positive attitude
01:05:49Towards your case
01:05:50All right, I'm just a realist
01:05:51And if our case is weak in some place
01:05:53I want to fix it
01:05:54Well, we can't fix the fact
01:05:56You are a woman who has killed her ex-husband
01:06:00But come out
01:06:01That's the reality in which we find ourselves
01:06:03But Meredith
01:06:05You got a credible defense
01:06:07You did it
01:06:09Because you feared for your safety
01:06:11And for the safety of your children
01:06:13Did you see the look on juror number six?
01:06:32That damn phone call
01:06:34It just, it just sounds like I enticed him
01:06:38Which undermines my whole defense
01:06:40The jurors are blind, Mare
01:06:41Well, they can't ignore those pictures
01:06:44They can't, they can't deny the hell
01:06:46That you lived through all those years
01:06:48Okay, well, what about Annabelle?
01:06:49Does she think I'm making all this up?
01:06:52Well, if it was my guess
01:06:53I think that's exactly what she thinks
01:06:55Who's going to take care of the kids
01:06:57If the verdict comes back guilty?
01:06:59I mean, who's going to watch them?
01:07:00Isabel's barely 11
01:07:01Me
01:07:02Oh, that's practical
01:07:04I'm serious, Mare
01:07:05I've been giving this a lot of thought
01:07:07You have no idea what you'd be getting yourself into, Neil
01:07:10Okay, first of all
01:07:11No woman is going to want to be involved with a man who has so much baggage
01:07:13Okay, let me worry about that
01:07:16I love you for offering, I do
01:07:17I appreciate it
01:07:18Listen, this is a moot point anyway
01:07:20You're going to be acquitted
01:07:22Listen
01:07:24The most important thing
01:07:28Is that worst case scenario
01:07:30You know
01:07:31That your girls are taken care of
01:07:33Okay, that you can be certain of
01:07:36Okay, yeah
01:07:41The jury's reached a verdict
01:07:46Stay strong
01:07:51All rise
01:07:55Make a seat
01:08:04Ladies and gentlemen of the jury
01:08:11Have you arrived at a verdict?
01:08:14We have, Your Honor
01:08:15Defendant will rise and face the jury
01:08:18In case number 6644324
01:08:26The state of Washington versus Meredith Cranor
01:08:29How say you?
01:08:31We find the defendant guilty
01:08:36Of murder in the first degree
01:08:38I am so sorry
01:08:45Bailiff will take the defendant into custody
01:08:47It'll be okay
01:08:52My toenails, are you serious?
01:08:59You compare my toenails to my hair?
01:09:01Do you even have a brain?
01:09:03Yes
01:09:03You're stupid
01:09:05Why am I stupid?
01:09:06Because look at you
01:09:07Why did you choose that color?
01:09:08The color?
01:09:09It looks like a stupid ogre
01:09:10No it does not
01:09:11Okay, if it looked like an ogre
01:09:12It would look like you
01:09:13But does it look like you?
01:09:14And no it does not
01:09:15So this is not an ogre
01:09:15Put it where the sun doesn't shine
01:09:17Whoa, what's going on?
01:09:22Nothing
01:09:22Huh?
01:09:23Nothing
01:09:24Thought I asked you to straighten up
01:09:27Oh, yeah, I'll do it later
01:09:29Well, I was hoping to come home to a clean house
01:09:31Well, y'all have hopes
01:09:32Excuse me?
01:09:34Nothing
01:09:34Yeah
01:09:36Where did you get this, Carol?
01:09:50I'm not Carol
01:09:51Answer my question
01:09:52I found it in your closet
01:09:54Did you use it?
01:09:55No
01:09:55Do you understand how much danger you could have put us in?
01:09:59You know the rules about not contacting anyone from our past
01:10:02This was the first time and I didn't even send it
01:10:04I was about to but then you came
01:10:06You could have easily just destroyed everything that we have been through the last few months
01:10:10Leave her alone
01:10:11This wouldn't be happening if you would have paid attention to her
01:10:15But me?
01:10:15Yes, you
01:10:16Did you send any text messages or make any phone calls I should know about?
01:10:20No, never
01:10:20Let's put it all out there so I can deal with it now
01:10:23And I didn't even get to say goodbye to my friends
01:10:28Now I have nobody
01:10:30No friends
01:10:31Nobody to talk to
01:10:32Nobody to invite to my sleepovers
01:10:34Our whole lives are ruined
01:10:36It's not the same for you
01:10:39You're a grown up
01:10:39You can just get in your car and go to a job
01:10:42And hang out
01:10:44And do whatever you want
01:10:46She's right, Mom
01:10:48We didn't ask for any of this
01:10:51I know
01:10:53I know
01:10:58You didn't
01:10:59You know
01:11:00Sometimes when things are going badly
01:11:04I like to imagine myself in different circumstances
01:11:08Ones that make me happy
01:11:10So I'll close my eyes and I'll think of myself
01:11:13And focus until I can see myself clearly
01:11:16And then soon that becomes my reality
01:11:18But we don't know how to do that
01:11:21Well, you just haven't had much practice at it
01:11:24You need some help?
01:11:26Yeah, sure
01:11:27Okay, so close your eyes
01:11:30Picture yourself
01:11:33In a brand new school
01:11:36Meeting new people
01:11:40And making lots of new friends
01:11:43Laughing with them
01:11:45Playing with them
01:11:47And you really like your new friends
01:11:50Can you picture that?
01:11:55Yeah
01:11:56Yeah
01:11:56And the most important thing is that we have each other
01:12:02We're still the three musketeers
01:12:05And the three musketeers will endure
01:12:07Right?
01:12:09That helps
01:12:10Me too
01:12:13Hmm
01:12:16Hi
01:12:35How you doing?
01:12:40Hmm
01:12:40I'm okay
01:12:41I'm holding up
01:12:42Have a seat
01:12:45How are you?
01:12:54Oh, God
01:12:55Mayor, I've got bad news
01:12:58I'm going to spend the rest of my life in prison
01:13:00What kind of news can you tell me that's worse?
01:13:03I'm really sorry, but
01:13:06The court's denied my petition to keep the girls on the grounds that I'm not family
01:13:11Oh, they'd rather see them live in a foster care home with strangers?
01:13:19They won't be with strangers
01:13:21What do you mean?
01:13:25Oh, no
01:13:26Robert's parents?
01:13:29They're going to live with Robert's parents?
01:13:31Mayor, they are the closest blood relatives
01:13:34Their blood ran through Robert and you see how well he turned up
01:13:37But they live in Florida that's 2,500 miles away
01:13:41That means I'm never going to see my kids
01:13:43I'm sorry
01:13:44I did everything I could
01:13:46I pulled every string
01:13:49I called in every favor
01:13:50I know it's not your fault
01:13:51When it comes to biological relations
01:13:55The courts won't listen to reason
01:13:57They'll always rule with a family member
01:14:00I have no one to blame on myself
01:14:02I lie awake in my jail cell just pinching myself hoping that I could just wake up from this nightmare
01:14:12Because I think about my girls and I think about how much I'm going to miss
01:14:19And I'm not going to be there for them
01:14:21And they're just going to grow up and graduate
01:14:24And try to make their way in the world
01:14:27Your time's up
01:14:31Just give me one second, please
01:14:34This isn't over
01:14:36Okay, we will appeal
01:14:37Betty said that there are grounds
01:14:39Yeah, but it's going to take years
01:14:41And they're not going to know me by then
01:14:43Mayor, that is not true
01:14:44You don't know Robert's family
01:14:47They're going to turn them against me
01:14:50Even from the grave, Robert's one
01:14:54You have to leave now, sir
01:14:59They brought your girls to say their goodbyes
01:15:14This isn't over, okay?
01:15:16Uh-huh
01:15:16Stay strong
01:15:18Thank you
01:15:20Uh-huh
01:15:34Uh-huh
01:15:35Uh-huh
01:15:36Uh-huh
01:15:46I miss you so much
01:15:50I miss you too so much
01:15:52Do you know where they're sending us?
01:15:54We're going to Grandma and Grandpa Redmond
01:15:56In Florida
01:15:57Why did the judge have to do that?
01:16:00Doesn't he care about what we want?
01:16:03Everyone keeps talking about the children this, the children that
01:16:05It's so unfair
01:16:07Yeah
01:16:08You're the mom, you're the one who's supposed to decide where we live
01:16:11I know, unfortunately I can't do that
01:16:14I mean the judge decides
01:16:15If there's something I could do, I would do it
01:16:18Do they know about Daddy?
01:16:20And what he did to us?
01:16:22Yes
01:16:23So everything they teach us in school about justice and fairness
01:16:26That's all fake
01:16:28The judges don't even know us
01:16:30Neither do Grandma and Grandpa
01:16:32They're all strangers
01:16:34And they're way too old
01:16:36Can we at least spend the holidays with you?
01:16:40Oh gosh, I wish you could
01:16:41But we'll do the best we can
01:16:44And we're not going to let this defeat us
01:16:46And the only way that we can make it
01:16:48Is if we can face the truth
01:16:50And the truth is that I'm going to be here the rest of my life
01:16:54No
01:16:55Yes sweetheart, I know it's hard, I know
01:16:58That's the truth and we need to face it
01:17:00We need to be honest with ourselves
01:17:02And we're not going to be able to see each other very often
01:17:05Your grandparents, they live far away
01:17:09And it'll be really expensive for the four of you to fly up here
01:17:13So when you're just a little bit older
01:17:16You can start coming on your own
01:17:17So we're never going to see you again?
01:17:21No baby
01:17:21Of course you're going to see me again
01:17:24Of course you're going to see me again
01:17:26But we have to find new ways of being together
01:17:31We have to think of all the things that we share
01:17:34And maybe we won't necessarily be sharing them at the same time
01:17:38Or in the same way
01:17:39We'll still share the moon
01:17:42We'll still share each other's thoughts
01:17:46We'll still write and talk on the phone
01:17:52But I can't handle this
01:17:53Well we have to handle it
01:17:56Because if you and Isabel can't handle it
01:17:59Well neither can I
01:18:01Okay
01:18:04Because the thought of not seeing you
01:18:09And touching you
01:18:10And watching you grow up
01:18:11Is just more than I can handle
01:18:14But if I know you guys are thriving
01:18:17Doing well even in small ways
01:18:20It's going to help me hang on, okay?
01:18:25I'm going to have to break this up now
01:18:26Oh
01:18:27No
01:18:29Mom, I promise we're going to make you proud
01:18:32I love you, girl
01:18:33You already have made me proud
01:18:35Mom
01:18:36Mom
01:18:37I love you, Mommy
01:18:38I love you, my girls
01:18:40I love you, my girls
01:18:42I love you, my girls
01:18:44I love you, my girls
01:18:45I love you, my girls
01:18:46I love you, my girls
01:18:47I love you, my girls
01:18:48I love you, my girls
01:18:49I love you, my girls
01:18:50I love you, my girls
01:18:51I love you, my girls
01:18:52I love you, my girls
01:18:53I love you, my girls
01:18:54I love you, my girls
01:18:55I love you, my girls
01:18:56I love you, my girls
01:18:57I love you, my girls
01:18:58I love you, my girls
01:18:59I love you, my girls
01:19:00I love you, my girls
01:19:01I love you, my girls
01:19:02I love you, my girls
01:19:03I love you, my girls
01:19:04I love you, my girls
01:19:05I love you, my girls
01:19:06I love you, my girls
01:19:07I love you, my girls
01:19:08I love you, my girls
01:19:09Grazie a tutti.
01:19:39Grazie a tutti.
01:20:09Grazie a tutti.
01:20:39Grazie a tutti.
01:20:41Grazie a tutti.
01:20:43Grazie a tutti.
01:21:13Grazie a tutti.
01:21:15Grazie a tutti.
01:21:17Grazie a tutti.
01:21:19Grazie a tutti.
01:21:21Grazie a tutti.
01:21:23Grazie a tutti.
01:21:25Grazie a tutti.
01:23:27No?
01:23:29No?
01:23:31No?
01:23:33No?
01:23:35No?
01:23:37No?
01:23:39No?
01:23:41No?
01:23:43No?
01:23:45No?
01:23:47No?
01:23:49No?
01:23:51No?
01:23:53No?
01:23:55No?
01:23:57No?
01:23:59No?
01:24:01No?
01:24:03No?
01:24:05No?
01:24:07No?
01:24:09No?
01:24:11No?
01:24:13No?
01:24:15No?
01:24:17No?
01:24:19No?
01:24:21No?
01:24:23No?
01:24:25No?
01:24:27No?
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