- 8 hours ago
Psycho: The Lost Ed Gein Tapes is a chilling 4-part docuseries that dives deep into the twisted psyche of Ed Gein—the real-life inspiration behind horror legends like Norman Bates (Psycho), Leatherface (Texas Chainsaw Massacre), and Buffalo Bill (Silence of the Lambs).
In this series, we explore Gein’s disturbing crimes through rare archival audio, interviews, and dramatizations. We also connect the dots to Netflix’s Monster: The Ed Gein Story, starring Charlie Hunnam, and examine how Hollywood transformed Gein’s grotesque reality into cinematic terror.
🎥 Whether you're a true crime junkie or a horror film fanatic, this series uncovers the terrifying truth behind the myths.
👉 Don’t forget to like, comment, and subscribe for more deep dives into the minds that shaped horror history.
In this series, we explore Gein’s disturbing crimes through rare archival audio, interviews, and dramatizations. We also connect the dots to Netflix’s Monster: The Ed Gein Story, starring Charlie Hunnam, and examine how Hollywood transformed Gein’s grotesque reality into cinematic terror.
🎥 Whether you're a true crime junkie or a horror film fanatic, this series uncovers the terrifying truth behind the myths.
👉 Don’t forget to like, comment, and subscribe for more deep dives into the minds that shaped horror history.
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Short filmTranscript
00:00Transcribed by ESO, translated by —
00:30Bernice Worden had been murdered.
00:34They'd caught Eddie, because he was the one that had done it.
00:39Remember getting any blood on him in the cutter?
00:43I told him where the golds were.
00:45Oh.
00:46Where did you have the gold?
00:48Well, that was hung up right back at the door.
00:55I knew Bernice well.
00:58She'd been gutted out like a deer.
01:01Well, you don't remember addressing her.
01:04No, that's good.
01:05See that?
01:06If I hung her out?
01:09No, we could.
01:10Well, that's what we had to be.
01:12It was very hard to visualize somebody doing that to a human.
01:21But we didn't know the peculiar thoughts that went through Eddie's mind at that time.
01:39Eddie is such a mythic figure, hearing this actual human voice.
01:47I can't even remember that.
01:50It just makes these crimes that much more real.
01:55I can't even remember that.
01:56I can't even remember that.
01:57I can't even remember that.
01:58I can't even remember that.
01:59I can't even remember that.
02:00I can't even remember that.
02:01I can't even remember that.
02:02I can't even remember that.
02:03I can't even remember that.
02:04I can't even remember that.
02:05I can't even remember that.
02:06I can't even remember that.
02:07I can't even remember that.
02:08I can't even remember that.
02:09I can't even remember that.
02:10I can't remember that.
02:11I can't remember that.
02:12I can't remember that.
02:13I can't remember that.
02:14I can't remember that.
02:15I can't remember that.
02:16I can't remember that.
02:17I can't remember that.
02:18I can't remember that.
02:19I can't remember that.
02:20We've been debating for years, like, what did Ed Gein sound like?
02:38I have been playing Ed Gein in my brain for so long.
02:43What did you intend to do with their body, Mr. Morgan?
02:46He sounds just as bewildered as I always expected him to.
03:03Sure.
03:04Always wondering why did I do this, what possibly could have driven me to dig up these women,
03:11to make these, you know, costumes, to do all of this, like, he's still, he's marveled.
03:16My first reaction to him talking is he's actually a lot more canny than I thought he was,
03:24is that listening to him react, he knows there are things he can't tell the police.
03:29It's almost like he's already known that this has been going on for so long,
03:33and he's surprised that they're shocked.
03:35Yeah.
03:35He's almost ignorant of his own macabre ways. It's crazy.
03:39That's what people said again and again during his confessions, people who spoke to him,
03:44is that people would start off a little bit hard towards him, and then they would become sympathetic,
03:49because the way they described him was as a little boy, a demented little boy, but a little boy nonetheless.
03:55Ed Gein had the emotional, social maturity of a small child who was on all accounts very dependent on his mom.
04:15When I listened to the tapes, and he seems very suggestible, he's somebody who seems very passive.
04:24How many grams of children?
04:28Oh, um, and they, uh...
04:33When you, um, you cut the body apart?
04:37You didn't go through the kinds of stages and the maturation that a person would go through if they,
05:00you know, were allowed to socialize and have friendships outside of the home,
05:04and lived in a place where he had that kind of support.
05:09He had never really developed into a full-fledged self.
05:34This is the front of the Washera County Jail as it looked in 1957.
05:47This is where the Ed Gein tapes were actually made,
05:50and then the back of the building was actually where Ed Gein was held.
05:56Everything inside the building is still original in 1957.
05:59They actually came out of this door to go to the courthouse.
06:09First night he got here, they put him in a drunk tank to protect him from all the people of Plainfield.
06:15I thought they'd be coming to get him.
06:17Then after that, they moved him into his regular cell.
06:21Ed Gein's cell was directly beyond that second window.
06:24He was here for three days and two nights.
06:29This is a small town in Wisconsin.
06:32Where they just know that train's coming.
06:34They know it's coming, and if you're law enforcement, this is not what you want.
06:43You do not want this stain on your community.
06:47People are humble, but they have a lot of pride in being good people.
06:51Also, it happened under your nose.
06:54Under your nose.
06:54You know, like you did not know that this ghoul was operating right next to you.
07:02The relics of Hollywood representations of serial killers is that they're kind of like geniuses who
07:10are plotting and scheming the perfect murder and building a whole kind of like structure around
07:16getting away with it. He's an example of somebody who was not doing that.
07:20He was acting in plain sight.
07:35But I told him, I can't understand.
07:39No one knew of the existence of this tape.
07:41He was acting like me.
07:43Until now, everyone, and myself included, believed that his first confession came much
07:49later than this, when he was taken to the crime lab.
07:52The fact that he was interviewed with a jail cell immediately after he was taken into custody
08:02changes our view of the whole timeline and sheds very different light on the case.
08:08When Sheriff Schley discovered Bernice Warden's naked corpse strung up by her heels,
08:18Gein is actually not at home, but he is at a neighbor's house having dinner.
08:23One of the sons suddenly comes in and says he's heard that Bernice Warden has gone missing.
08:33And there's a big commotion in town.
08:36And, you know, he wants to go into town and see what's going on.
08:39And Ed volunteers to go with him.
08:44I was out all the time.
08:45And then Bobby Hill's coming with me.
08:48Ed makes some kind of weird remark at the time,
08:52almost indicating that he knows something dreadful has happened.
08:58But before the two of them could leave,
09:00the two deputies who've been dispatched to the Hill's house show up and they take Gein into custody.
09:20The search of his house was actually going on at the time this interview was taking place.
09:26So the full extent of Gein's horrors had not even come to light yet.
09:50Here's this socially isolated, clearly disturbed individual.
09:55He finds himself being questioned by the authorities for the people who are interrogating him.
10:03And I guess they were trying hard not to be overly judgmental.
10:07They weren't being harsh with him or they weren't threatening him.
10:11But, I mean, he was really in a kind of odd spot.
10:15All of a sudden, you know, the truth is revealed.
10:18Much more would be discovered in the coming hours and days as investigators excavated this
10:27archaeological dig in hell coming upon all of these horrors.
10:32Gein had spent years fashioning these incredibly grotesque household objects out of human body parts.
10:44Investigators see objects and artifacts that they couldn't even comprehend.
10:50Gein would be in that time period, a series of entirely unexpected, very peculiar, very bizarre, shocking behavior.
11:01What did you use to cut her?
11:15Actually, the dialogue was relatively placid and civilized, given what you imagined could have happened back at the police station.
11:24–
11:42–
11:47One of the sheriffs that spent just six hours
11:53in that house went back and physically attacked Ed Gein in his jail cell because he was so disturbed
12:02by what he'd seen and so disturbed what Ed Gein's actions did to him personally.
12:06Schlee shows up and bursts into the cell, grabs Eddie, immediately begins to manhandle him.
12:25Schlee was in this uncontrollable blind rage. Schlee immediately wants to know who else Gein
12:31has killed and really has to be pulled off of Gein. Ed Gein seems like a quiet sort of unremarkable
12:39person and yet when you compare the image of him to the stuff that police found at his house
12:47it's almost so jarring and there's there seems to be a real disconnect between
12:52his appearance and the gruesome things that they've discovered at his house.
12:57I can't imagine what it must have been like. You did not know that this ghoul was operating
13:04right next to you and he was insinuated in all of your lives and he did all of these things.
13:11They almost probably, almost equal to Ed, don't want people to know about this.
13:15Listen, let's not get into too many details, Ed.
13:17If it's true that there's a ghoul in Plainfield, Wisconsin,
13:19then it's also an indictment on the police. It's an indictment on everybody.
13:27No, it's just the way I remember. I think it was two, it's either day or two after that.
13:41My dad was Arch Schlee, County Sheriff of Washera County.
13:48We lived in the jail at the time. It was no different than living in a home somewhere.
13:55That was our home. Let's put it that way.
13:59This is a picture of us in the jail. It is my mom and myself and my dad and it's in the office.
14:11My bedroom, if you would have cut a hole in the wall, I would have been upstairs by the bullpen.
14:18When my dad was voted in as sheriff, it would have been probably the summer of 57 and this case broke
14:28the last part of November of 57. He had never had any law enforcement training before this and so
14:36when this big case came about, he really didn't have a lot of experience or a lot of knowledge on
14:44how to handle something this big. On the night Ed Gein was arrested, I would have been probably 11 years
14:54old. I was in the sixth grade. All these men were sitting in the stairway and I couldn't get up to bed.
15:01And I said why? And that's when I was told what had happened. I can't imagine someone being as normal
15:13as he seemed and yet could do such horrible things. Ed was just in the lower level of the jail.
15:22I can remember Judge Boyd Clark. He was a very nice looking, very nice appearing man. Um, had a young
15:40family. And I probably was at his house at one point. I actually had a crush on his son, Nelson Clark.
15:46What did you intend to do with their body, Mr. Boyd? I remember Ed Clein. He lived right across the road from us.
16:03That, uh, that's the way it could be. People had said my dad roughed up Ed Gein a little bit.
16:17I heard he grabbed him by the front of the shirt and pushed him up against the wall.
16:25My dad was a friend of Frank Warden because Frank Warden was a deputy of his. And this was his mother.
16:33I guess my dad probably was just upset to think one human being could do something so horrific
16:40to another human being. I just think maybe it was a normal reaction as why or how could you do something like that.
17:00I would imagine there would be an outcry. We want to know if mom is in her grave or not.
17:22Did this ghoul take her from her grave? I mean, families would raise a fuss.
17:28I'm afraid that if people found out about that, there might be quite an uprising.
17:32Well, we'll do that, just those three of us.
17:35It is odd that he could just tell them, well, it's this number, and they go, okay, we'll check two.
17:43We'll accept that everything is accurate and valid. So that seems kind of sloppy and a little weird.
17:50We've got to find out what other graves you went in and what grave you took all these heads from.
18:07The phone rang.
18:09We were just finishing up supper before we went out to milk the cows.
18:13We found out that Eddie had been picked up for killing Mrs. Warden.
18:21It was shocking. There hadn't been a whole lot of murders around, you know.
18:25You just wait for the news to develop, and it did. It didn't take long.
18:40I went in to supper. My sister-in-law, she said,
18:48did you know Eddie Gaines killed Mrs. Warden? And I said,
18:51do you know that's the biggest damn lie I ever heard? That's just the very words I said.
18:56How long have you known Mr. Gaines?
18:58Seven years.
18:59Seven years. What kind of a man did you know him as?
19:02Well, a man, a nice man, just like anybody else.
19:07The only difference I'd say in a man, he seems to be a little hot.
19:15Think about this also, 1957.
19:17Having an actual news reporter have to say the words,
19:21human skin suit made from local man's mother's body.
19:25Like, they didn't want to cover, like, that there were black people in the Olympics.
19:31Like, what are they going to, now you have this thing, they're going to literally,
19:34like, blow your mind with this piece of information?
19:39The term serial killer hasn't come out for another 20, 30 years after Ed Gein was caught.
19:45So, Ed Gein's arrest must have been a massive shock to the American psyche and to the world.
19:53I don't remember when I realized what was really going on.
19:58Probably it had to do with all the newspaper men, all the media that was there.
20:03They were this small farming community, perfectly happy with being isolated and not being known
20:09by the rest of the world. All of a sudden, they're going to have to deal with people like us
20:15driving into their town, looking around, going to the graveyard for the rest of the town's existence.
20:24Plainfield, Wisconsin, for as long as America exists, will be the hometown of Ed Gein, no matter what.
20:33It was just crazy. After a while, there was so much media there.
20:39They'd be sitting on the steps and we'd have to say, excuse me, can I get upstairs? And they'd have
20:43to get up and get out of the way so we could go upstairs. And I mean, they weren't just sitting
20:48one or two of them. The stairs were full of media.
20:51What kind of a man did you know Ed Gein as? Well, he was rather simple-minded,
21:00but I always figured he was just perfectly harmless.
21:05You could be a serial killer or just kind of gay and they would be in Wisconsin and be like,
21:10he's just a little different. He's just a little different.
21:13I'd say he was more or less a pleasant man who would be a nice man to talk to or somebody
21:19would like to have around. It seems to be harmless, you know.
21:28Plainfield, it's the home of Ed Gein. It's not on the sign, but it's known. There are hints throughout the town.
21:37On one hand, we're horrified by what happened. Like footage of like a car accident or like an earthquake
21:47is on one hand just horrifying and scary, but there's something also morbidly exciting about that.
21:55And we don't want to look, but we can't look away at the same time because of the nature of the crimes.
22:02It's been years since I've been to Plainfield, but even when I was researching my book,
22:11it was a sore subject with a lot of people. There were people who had family members
22:18whose bodies had been exhumed by Gein.
22:24You kind of begin to think about it.
22:26People are talking about it. That sucker, he's really kind of a sick devil. You've heard of people
22:34killing people, but you don't hear him taking them in and gutting them out and all that kind of stuff
22:39that Eddie did. He was in a box by himself when it come to his murders.
22:47If you drive around the country, there are all these small towns that take civic pride
22:54and being home to whatever. Plainfield was suddenly like,
22:59this is the town where Ed Gein committed his crimes.
23:09Here's a picture of my grandpa and grandma's car that my dad would use at times to take Ed Gein to
23:16different appointments or something when he thought maybe he'd be followed or something like that.
23:21That's why I have a video of it. I'll show it to you. Press play.
23:26Then you tell me what you're looking at. It's the triangle in the middle.
23:38Okay, my dad is opening the door for Ed Gein.
23:43Is that your grandfather's car? Yes.
23:44Ed's covering his face. Ed was always a very polite man.
23:57My mother made the meals and done the laundry and we would help take the meals down.
24:02When we take the food tray into him, he'd always thank us for bringing it. I don't know what to say
24:14about him saying the man is a nice man when he done what he done. It's a terrible thing for him. It's
24:20a terrible thing for the people involved and it was a terrible thing for this, for the whole community of Plainfield.
24:34After Ed's arrest, he was declared mentally incompetent and consigned to a mental institution.
24:55Competency is not the same thing as insanity. Competency is really can you understand the meaning of your
25:03charges. Can you participate in a knowing manner with your attorney in your own defense? Are you fit
25:11to proceed to trial? It's no shock that he'd wind up in a hospital. The crimes are too weird. They're too
25:20violent. They're peculiar. Had it been something like a sexual assault or a murder, the commission of a
25:30robbery. They would have just thrown him in prison. But this stuff that he did was just too
25:36unthinkable and too weird. And you know, my rule of thumb is if it scares a jury, you go into the hospital.
25:44I'm looking at Edward Gein's records from Central State Hospital. And this reflects his intake.
26:02What is interesting and consistent with his interview at the police station
26:07is that he was found to be coherent. The records are very descriptive, but also, in some respects,
26:17contradictory. I mean, on one hand, they talk about his train of thought as coherent and relevant,
26:24but sometimes illogical. Now, I don't know what that means. That seems to be an implicit
26:31contradiction. They also say that he experiences visual and auditory hallucinations.
26:39And yet, they then go on to say, it's uncertain if these should be designated as overt hallucinations.
26:49Well, I don't know what you would call them. There's only two questions you can ask.
26:53Is it real or is it not real? They even are curious about whether or not he found, you know,
27:00the body's sexually stimulating. And there's some speculation about that. But I don't see anything
27:07where he says that he found the body sexually stimulating. Though he's not providing much of an
27:16explanation for his own conduct as to what motivates him. It's my sense that they don't have, like, a really
27:25great idea about who this guy is and what would have motivated him to do what he does.
27:32They're hedging their bets. They're not really sure themselves that they probably never saw anything like this.
27:38I was a consulting psychologist at Central State Hospital, where in the early 1970s,
27:51I had an encounter with Ed Gein. And I must say, it was memorable.
27:57I was there working hard in this office. I was riding away at the desk.
28:13I heard this noise behind me.
28:17I just kept on working because I was used to distractions. But then I got thirsty,
28:23and so I went out in the hall. I saw Dr. Schubert. And he said to me,
28:31did you meet Mr. Gein? And I turned around. There was Mr. Gein. He wasn't very tall, white hair.
28:44And he had these tools, a hammer and saw. He'd been trying to put up a partition behind me.
28:54I just about fainted. Dr. Schubert goes, I guess he was taking your measure.
29:03He was referring to the idea that Gein had skinned various women and made,
29:09you know, like, lampshades out of them.
29:14I was really upset that Dr. Schubert would do this.
29:17I complained to the other people that worked there. And they said, oh, Gein's harmless.
29:26And there wasn't anything malicious in his eyes. There was only some confusion and concern.
29:34Well, you tell me. I don't know. I've never been out to your place, like I told you.
29:41It's like a haze. It's kind of hazey. But it comes back.
29:53People in general felt kind of sorry for him.
30:03It was an odd contrast.
30:05In terms of this, the little man that evoked pity and such sensational crimes.
30:12I later asked Dr. Schubert why Gein had done these things.
30:21He said that as far as he could figure, the Gein was trying to reconstitute his dead mother.
30:32Now, how he would do that, I don't know. But of course, the man was crazy.
30:38This is my copy of the novel Psycho. It's a first edition.
31:03Very happy to have a chance to read the first edition as it came out.
31:07This is before the film came out. This is as it appeared before all the fame and the hoopla.
31:14Robert Bloch is perhaps the best known writer of horror fiction through the middle part of the 20th century.
31:23There's a quote by Stephen King saying there was nobody better than Bloch,
31:27nobody more prolific, nobody more profoundly influential.
31:30And when I graduated from high school in 1934, I sat down and started to write professionally.
31:40Sold my first story six weeks later. I was 17 then and I didn't have enough sense to quit.
31:46One of the great contributions that Bloch made to the horror genre was that he realized that what is
31:56between the ears can be much more horrible than what's out there rustling in the night.
32:02Bloch idolized H.P. Lovecraft, who was 27 years his senior and who would die at a young age.
32:10Bloch started off writing that kind of supernatural horror that H.P. Lovecraft is so well known for.
32:16But there was a change for Bloch. He started reading psychology textbooks, books by psychologists
32:24about the craft of psychology. And so he made a shift, late 40s, early 50s, into writing psychological
32:32horror as we see exemplified in Psycho, of course. We have this morass of things happening at the end
32:40of the 1950s alongside interest in psychology, interest in psychoanalysis, interest in theories
32:47around trauma, interest in what does the family structure mean. And that, I think, makes it a
32:53perfect, perfect moment for Psycho to really take the country by storm.
33:02Bloch himself was in small town Wisconsin when this small town Wisconsin horror story was being
33:10exposed to the world.
33:14That was the reason for the book. When I heard of the Gein case, I didn't hear anything about the
33:19details, but I did hear about an apparently ordinary man living an ordinary life in a very small town
33:26where he'd been observed by his neighbors for many years and never suspected of his crimes. And I said,
33:33that's the story.
33:34He's a nice man, just like anybody else, perfectly harmless.
33:40I'm going to write a story about a man in a similar situation,
33:45point out to people that they don't necessarily know their neighbors or the people that they come
33:52in contact with. And that, to me, is truly horrifying.
33:59For Bloch, the idea that this could be happening in a small town in the middle of Wisconsin,
34:05where everybody knows everybody's business, just absolutely fascinated him.
34:09It fit in really well with his ideas of psychological horror that the person you should be afraid of is
34:17not the werewolf howling at the moon or some sort of supernatural monster that will come at you in
34:23the night. It's the guy sitting a couple of seats behind you on the bus. And why is he coming after you?
34:30Maybe there's no reason. Maybe he's just coming after you.
34:39The life of a pulp fiction writer during this era, the idea wasn't necessarily to create great art all
34:48the time. It was to sell your story, get the small payday, sell another story, get the small payday.
34:56Bloch reported that it took him seven weeks from start to finish with Psycho, which is an amazingly
35:02kind of brief period of time if you've ever tried to write a novel.
35:05But he was also of the generation for whom being prolific was the way to sleep indoors and eat every
35:15once in a while.
35:17It is primarily a story of a girl with a secret. She's just stolen $40,000 from her employer.
35:27It's about a young man who leads a tortured secret life so secret that he himself is not aware of it.
35:37And it is about the buried and exhumed secrets of his mother.
35:41Norman Bates, on the surface, he seems sweet, he seems vulnerable. But underneath the surface,
35:49there's all kinds of things roiling. There's all kinds of dark psychology that's all wrapped up in,
35:54of course, his obsessive relationship to his dead mother.
35:57Block considered many titles for the novel. He was inspired by words like psychology and psychoanalysis.
36:15It's about being a psychotic, right? It's about somebody being a psychopath. And that is really
36:22different from just saying, this monster is outlandish. This monster can never happen.
36:29Here, we have a monster who is defined by the inner workings of his brain.
36:35Today, organizations of specialists in mental medicine, like the New York Psychoanalytic Institute,
36:41have helped to gain general medical acceptance for such doctrines, considered a radical departure
36:46when first advanced by Dr. Sigmund Freud of Vienna some 50 years ago. It gets us toward a variety of
36:54mental illnesses, including some pretty violent and gruesome ones that perhaps the Ed Gein story brought up
37:01in Block's mind. Psycho didn't sell particularly in any way that was different from his previous work.
37:20But it did attract the attention of a film production company. They didn't accept the first offer from this
37:27film company that they had never heard of. They accepted the second offer, which was for $9,500,
37:32and Block's cut was about $6,000 for that, which is a nice payday for a writer of pulp fiction.
37:39Block was fairly convinced that it was unfilmable, partly the way that the narrative is kind of structured.
37:46We have this main character in the novel. She dies, and you're less than halfway through the novel.
37:53And so the idea that this could be filmable successfully, given a Hollywood formula,
37:59Block was just really kind of doubtful about that. And then he found out that the film company was
38:04actually Alfred Hitchcock, who was looking for his next film.
38:10Hitchcock started in England. He's a British director. Eventually, he comes over to the States to make
38:17movies here. And that's really where he experiences the vast majority of his success.
38:23And when he makes Psycho in 1960, he really hadn't made a straight-up horror movie.
38:29That was really the first time that he had done something in that extreme horror genre.
38:34Hitchcock was on a tremendous roll at that point. This is just after North by Northwest.
38:43Maybe the rights conversation would have been a little different had Block's agent done a bit
38:48more homework before signing away the rights. The power of cinema in its purest form is so vast
38:56because it can go over the whole world. On a given night, a film can play in Tokyo, West Berlin,
39:04London, New York, and the same audience is responding emotionally to the same things.
39:11And no other medium can do this. Dirty night. You have a vacancy? Oh, we have 12 vacancies.
39:22Psycho the novel bears a tremendous resemblance to Psycho the film. But one of the interesting changes
39:30that happened between the novel and Hitchcock's interpretation of the novel was that Norman Bates
39:36changed subtly. In the novel, he's probably 20 years older. He doesn't look like the young
39:44Hollywood leading man of Anthony Perkins, that's for sure. He's described as balding and overweight
39:48with an alcohol problem. Don't you go out with friends? Well, a boy's best friend is his mother.
39:56Norman Bates can never be separated from Tony Perkins, who of course plays him and plays him
40:01so beautifully as this kind of vulnerable character who also houses significant darkness.
40:09But then that also was in some parts influenced by Ed Gein. Ed Gein had a little round face.
40:17He always would wear like a baseball hat. He'd always thank us or, you know, always say something,
40:24greet us in some way usually. Just a nice little old man, really. He really was just like all the
40:30people said. He couldn't believe that he would do anything that gruesome. I don't know if he snapped
40:35or why he would do what he did, but I don't know.
40:42The very, very famous shower scene, which occurs on page 39 out of 180 pages in this edition of the
40:48novel, it comes and goes very quickly. The economy of language is stunning in this. You read the novel
40:57and you look at that shower scene. The shower scene is very, very, very brief. And it ends a section
41:03and it's just a series of very short sentences, declarative sentences. And it comes and goes so
41:09quickly, but it's shocking. It's the economy of language that creates the horror for Block in that
41:18scene. The last four lines of this chapter, Mary started to scream, the curtains parted further,
41:27and a hand appeared holding a butcher knife. It was the knife that a moment later cut off her screen
41:37and her head. And that's the end of the chapter.
41:48It was the end of the chapter.
41:49It was the end of the chapter.
41:55The process of this chapter was the end of the chapter.
41:57This is more of the end of the chapter.
42:05It was great that there were two pieces of the diet that had been made in the Quan
42:07and the airotape universitariot.
42:09It was a great thing of the day, which was an ancient tragedy, in the prime of the family.
42:13This is one of the the most dynamic.
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