A Farewell to Arms (1932)

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Transcript

00:00:00The End

00:00:30The End

00:01:00The End

00:01:30Driver

00:01:36Driver

00:01:38Stop!

00:01:42What trouble is in there?

00:01:44Why do you want to stop?

00:01:46The man up there, he is bleeding to death.

00:01:50Can't stop.

00:01:52Not here.

00:01:54Brakes won't hold.

00:01:56Brakes won't hold.

00:02:02No.

00:02:10No.

00:02:12No.

00:02:14No.

00:02:16Let's go.

00:02:46Orderly!

00:02:50Orderly!

00:03:01And just as guilty as a soldier would be who deserted his post under fire.

00:03:06Now, in making an example of you, I...

00:03:10I beg your pardon, sir. I have some wounded outside. I'm looking for the...

00:03:18Oh, yes, yes, yes. You want the Italian unit. We're the English here, you see.

00:03:22Yes, number 207.

00:03:24They're in the other wing. Moved in today.

00:03:26Yes, out that way. Straight ahead.

00:03:28Thank you, Major.

00:03:30Here.

00:03:31Shhh.

00:03:37Shhh.

00:03:37What's the girlfriend been doing?

00:04:07Typical male conceit.

00:04:14I think they're going to send her back home.

00:04:18That's a dirty shame.

00:04:19She'll be disgraced.

00:04:20It's regulations.

00:04:21At least they might let her have her baby here.

00:04:23If they send her back now, all her friends will know.

00:04:25And her family.

00:04:26She's only herself to blame.

00:04:28This is war, Fergie, and she loved him.

00:04:31Shhh, here they come.

00:04:38Well, is it necessary for us all to be here at one time?

00:04:42Get back to your posts.

00:04:43You will be packed and ready to leave within the hour.

00:04:47Molly.

00:04:49What's the matter?

00:04:51What's the matter?

00:04:52What's the matter?

00:04:53What's the matter?

00:04:54What's the matter?

00:04:55What's the matter?

00:04:56What's the matter?

00:04:57Molly.

00:05:02Can I help you pack?

00:05:04I guess so.

00:05:05If you want to.

00:05:07Why, of course I want to.

00:05:09Good girl.

00:05:11I beg your father.

00:05:13I say she's the only human being in the whole lot of us.

00:05:18I'm sorry.

00:05:19Miss Barclay appears to sympathize with one who has disgraced the uniform we all wear.

00:05:43Baby.

00:05:44Rinaldi.

00:05:45Federico.

00:05:46Get away.

00:05:47You're filthy.

00:05:48You Anglo-Saxons.

00:05:49You're not to clean yourself.

00:05:51Did you bring me some good cases, baby?

00:05:53Did you have trouble finding us?

00:05:54No.

00:05:55How do you feel?

00:05:56Is there going to be an offensive?

00:05:57Were you on the fire?

00:05:58Madonna, but I worried about you.

00:06:00Yes.

00:06:01I can see how much you've been worrying.

00:06:02Seven operations today, baby.

00:06:04And one of them was beautiful.

00:06:06I took the heart out.

00:06:09It lay in my hand and it beat like this.

00:06:12You should have seen it.

00:06:14It was lovely.

00:06:16Soon Rinaldi will be the best surgeon in all the corps.

00:06:19Then in all the army.

00:06:21And someday in all of Italy.

00:06:23Why not in all the world?

00:06:24Why not?

00:06:27You will like it here, baby.

00:06:29What sort of a town is this?

00:06:30Any girls?

00:06:31Many beautiful English nurses.

00:06:33No, I mean girls.

00:06:34Girls, too.

00:06:35A house full of them.

00:06:36Another Villa Rosa?

00:06:37Some of them have never been to the front before.

00:06:40Perhaps.

00:06:41But the nurses are much nicer.

00:06:43The most beautiful is Miss Barkley.

00:06:45I am in love with her.

00:06:48Does she know it?

00:06:49Not yet.

00:06:50Have you any money?

00:06:51Yes.

00:06:52Lend me fifty lire.

00:06:53What for?

00:06:54I want to make on Miss Barkley the impression of a man of sufficient wealth.

00:06:58All right.

00:07:00You are my great and good friend and financial protector.

00:07:03You're an ass.

00:07:04And now we will eat and drink and I will take you to meet Miss Barkley.

00:07:08But you must make for me a good impression upon her.

00:07:11Now listen.

00:07:12But you must.

00:07:13And you can have a nurse, too.

00:07:15There is another one named Miss Ferguson.

00:07:17She is also very, very nice.

00:07:19No.

00:07:20No?

00:07:22First we will eat and drink.

00:07:25And then we'll go and see the girls who have never been to the front before.

00:07:28Yes?

00:07:31Yes.

00:07:42You know what an American is.

00:07:46Yes.

00:07:47What is it?

00:07:50She doesn't know.

00:07:53Well, I'm an American.

00:07:54Then what are you doing here?

00:07:57Drinking mostly.

00:07:58You like the uniform.

00:08:01Wrong.

00:08:03I like the language.

00:08:05Then what were you doing in Italy?

00:08:08Studying.

00:08:10Studying what?

00:08:13Architecture.

00:08:15You know what that is.

00:08:16Yes.

00:08:18What?

00:08:22You see.

00:08:23She doesn't know.

00:08:27Neither do I.

00:08:28Oh, you've got too much wine.

00:08:31It's filthy wine.

00:08:32It takes the enamel off your teeth and leaves it on the roof of your mouth.

00:08:36Where was I?

00:08:37Architecture.

00:08:39Oh, yes.

00:08:40Look.

00:08:41I'll explain.

00:08:44This, my dear, is called an arch.

00:08:48Sure.

00:08:51Whoo!

00:08:52Whoo!

00:08:52Ooh!

00:08:57Whoo-hoo!

00:09:02Ooh!

00:09:05Ooh!

00:09:07Ooh!

00:09:08Ooh!

00:09:09Ooh!

00:09:10Ooh!

00:09:11Ooh!

00:09:12Whoo-doo!

00:09:14Hope.

00:09:15The arch, my dear, is perhaps the oldest of architectural devices.

00:09:42Arch. Architecture.

00:09:45The very word will tell you how inextricably the two are one.

00:09:50In a word, my dear, architecture is the most ancient of the arts,

00:09:56just as yours is the most ancient of the professions.

00:10:00You better put your shoe on, you'll get cold feet.

00:10:06If you please, I'd like to go now.

00:10:08The air raid seems to be over.

00:10:10Kathleen!

00:10:12Kathleen!

00:10:13Kathleen!

00:10:14Kathleen!

00:10:15Kathleen!

00:10:16Here I am, Fergie.

00:10:17I'm coming.

00:10:18Oh, I'm worried.

00:10:19Oh.

00:10:20Oh.

00:10:21Do you think I've been blown away?

00:10:22I didn't know what to think.

00:10:23Nobody saw where you went.

00:10:24Who's that man?

00:10:25Oh, I don't know.

00:10:26Some lunatic.

00:10:27Come on.

00:10:28There he is.

00:10:29What if we take the mountains to the north?

00:10:41Behind them are more mountains, and behind those, more yet.

00:10:44Can we take them all?

00:10:45Only if the Austrians stop fighting.

00:10:47One side the worst to stop.

00:10:48Stop?

00:10:49It'll go on forever.

00:10:50Like him.

00:10:51Yes.

00:10:52The priest wants the Austrians to win the war.

00:10:53Oh, no, no.

00:10:54It is not true.

00:10:55But you don't want us to attack.

00:10:56If we must have war, I suppose we have to attack.

00:10:58Oh, but so many die that way.

00:10:59But what is death to a Christian?

00:11:00Oh, how can we, how can we plead

00:11:02The priest wants the Austrians to win the war.

00:11:05Oh, no, no, it is not true.

00:11:07But you don't want us to attack.

00:11:09If we must have war, I suppose we have to attack.

00:11:13Oh, but so many die that way.

00:11:15But what is death to a Christian?

00:11:17Don't encourage him for again.

00:11:32Oh, Frederico.

00:11:34Oh, you are back safe.

00:11:36Hello, Father. I am so glad.

00:11:38The priest prayed for you, Frederico.

00:11:39Every time you go up, he does the same.

00:11:41Oh, I pray for you all.

00:11:43You are late, baby. How is it up there?

00:11:45Quiet.

00:11:46You have nearly missed the party.

00:11:48But it is very dull.

00:11:49But Miss Barkley is here and her friend Miss Ferguson,

00:11:52the one you will like.

00:11:54Come.

00:12:00Miss Barkley, uh,

00:12:01permit me to present to you my friend and war brother,

00:12:04Lieutenant Henry.

00:12:05He has just returned back from the front.

00:12:07How do you do?

00:12:09How do you do?

00:12:11And this is Miss Ferguson.

00:12:14How do you do?

00:12:15How do you do?

00:12:18He begins again, that fellow.

00:12:19Quick, let us go into the garden.

00:12:20Let us go into the garden.

00:12:40Now, you stay here.

00:12:42I will find something for us to drink.

00:12:44Asti, grappa, vermouth.

00:12:46Which do you like?

00:12:47All of them.

00:12:48Then you shall have all of them.

00:12:49All of them.

00:12:50Nice out here.

00:12:51Mm, isn't it?

00:12:52Nice out here.

00:13:09Isn't it?

00:13:14We seem fated to bump into each other in the dark.

00:13:18I'm sorry about that.

00:13:19I mistook you for someone else.

00:13:21So I gathered.

00:13:22I'd been drinking.

00:13:24I gathered that, too.

00:13:27Mad?

00:13:28No.

00:13:30You're an American, aren't you?

00:13:32Yes.

00:13:33Well, then what are you doing in the Italian army?

00:13:35Well, it's not really the army.

00:13:37It's very odd, though.

00:13:38Why'd you do it?

00:13:40I don't know.

00:13:41Why did you?

00:13:42Oh, I joined up in England.

00:13:45Besides, the boy I was engaged to had gone across.

00:13:47Where is Miss Ferguson?

00:13:55Why don't you go see?

00:13:57Yes, do bring her out, Captain Rinaldi.

00:13:59Have some?

00:14:13Thanks.

00:14:17He's sore.

00:14:18What for?

00:14:19Because I'm here with you.

00:14:21Well, women prefer him, as a rule.

00:14:28Shall we take a walk?

00:14:31Yes, let's.

00:14:32Where is he now?

00:14:37Who?

00:14:38The boy you're engaged to.

00:14:40He's dead.

00:14:41Oh.

00:14:42He was killed in the Somme.

00:14:45Were you engaged long?

00:14:46Eight years.

00:14:47We grew up together.

00:14:49Why didn't you marry?

00:14:51I didn't know what the war was like then.

00:14:54If I had it to do over again, I'd marry him.

00:14:57Or anything.

00:15:06When I joined up, I remember having this silly idea that he might come to the hospital where I was.

00:15:11With a saber cut, I suppose, and a bandage around his head.

00:15:15Shot through the shoulder.

00:15:17Something picturesque.

00:15:18This is the picturesque front, not France.

00:15:21He didn't have a saber cut.

00:15:24They blew him to bits.

00:15:48What are you thinking about now?

00:15:53What are you thinking about now?

00:16:15About whiskey.

00:16:17What about whiskey?

00:16:19About how nice it is.

00:16:22And you're nice, too.

00:16:29No.

00:16:30Why not?

00:16:31No, don't.

00:16:31I'm sorry.

00:16:32I'm sorry.

00:16:32Did I hurt you?

00:16:33It's all right.

00:16:34I'm dreadfully sorry, really.

00:16:36I just couldn't bear the nurse's evening off aspect of it.

00:16:39It's quite all right.

00:16:39I don't mind at all.

00:16:40Poor man.

00:16:41You see, I've been leading a funny sort of life.

00:16:44Besides, you're so very beautiful.

00:16:45You don't have to talk a lot of nonsense.

00:16:46I said I'm sorry.

00:16:47We could get along.

00:16:57Couldn't we?

00:16:58You're sweet.

00:16:59No, I'm not.

00:17:00Yes, you're a dear.

00:17:02I'd be very glad to have you kiss me now, if you don't mind.

00:17:06I'd be very glad to have you kiss me now, if you don't mind.

00:17:10I'd be very glad to have you kiss me now, if you don't mind.

00:17:40You are looking for someone?

00:18:04Have you seen Miss Barkley?

00:18:06Miss Barkley?

00:18:07Didn't she go out there with you?

00:18:09With me?

00:18:10No, no, no.

00:18:11But just a little while ago.

00:18:13I thought I saw her go out to the gardener gate with Lieutenant Henry.

00:18:18She went out with an officer?

00:18:20Alone?

00:18:21Well, perhaps I was mistaken.

00:18:23You know, it is quite dark out there.

00:18:25Oh, she wouldn't do that.

00:18:26No.

00:18:27No, I am sure I was mistaken.

00:18:29Where is she, then?

00:18:31You're a grand girl.

00:18:36I'm a crazy girl.

00:18:38What?

00:18:39To stay out here.

00:18:41It's nice.

00:18:42Isn't that enough?

00:18:43It's nice.

00:18:44I suppose that has to be enough for people who are living as we live.

00:18:56Back home, I courted you and sent you flowers.

00:18:59Out here, you're crowded all into one hour.

00:19:02Isn't that the way it's got to be, out here?

00:19:07Look.

00:19:08Tomorrow morning, I've got to go up to the front again.

00:19:13And if a shell got me, and you never saw me again, then we'd both be sorry that we'd been

00:19:22so formal and waited.

00:19:24Besides, what's there so fine in putting it off?

00:19:27Dragging it out?

00:19:28Giving me your lips tonight?

00:19:29No.

00:19:30And your throat tomorrow?

00:19:31No.

00:19:32No, wait.

00:19:33No, please.

00:19:34No.

00:19:35Catherine?

00:19:36Catherine?

00:19:37Catherine?

00:19:39Good night.

00:19:40Thanks for the lovely concert.

00:19:41I...

00:19:42I hope you are not worried about Miss Barkley.

00:19:43It's not like her to disappear this way.

00:19:44Well, perhaps she felt ill and went home alone.

00:19:48Perhaps.

00:19:49Good night.

00:19:50Come go, sac.

00:19:51Come, come.

00:20:14Why didn't you tell me?

00:20:15It doesn't matter.

00:20:17If it had to happen, I'd rather it were like this.

00:20:19I couldn't know.

00:20:21In a churchyard under the stars.

00:20:23Well, why not?

00:20:24Why not?

00:20:25There's a war on.

00:20:27And tonight, who cares?

00:20:28And tomorrow, who knows?

00:20:33What did you say your name was?

00:20:36Stop it.

00:20:39If you knew how I was back home,

00:20:44you'd see the funny side of it.

00:20:47Please, stop it.

00:20:55Oh.

00:20:57We blame everything on the war, but that's rot.

00:21:01It's something in our cells.

00:21:07The lady sat in the public square

00:21:09and mourned her lost innocence.

00:21:14Don't be sorry.

00:21:15I'm not.

00:21:19I love you.

00:21:24Oh, darling.

00:21:25Did you have a nice, uh, time, baby?

00:21:50You made progress with her, eh?

00:21:54We're friends, if that's what you mean.

00:21:56I mean, uh, was she nice to you practically speaking?

00:22:01Shut up.

00:22:01I am a man of extreme delicacy, but was she...

00:22:05Brinoli, will you please shut up?

00:22:07If you want to be a friend of mine, shut up.

00:22:10I am your best friend and your war brother.

00:22:13Then shut up.

00:22:17Miss Barkley prefers you to me.

00:22:19That is very clear.

00:22:21But, uh, Miss Ferguson is very nice, too.

00:22:25You like her?

00:22:27No.

00:22:29No.

00:22:59That you of all people, a lot of geese, that's what you are, silly geese, stuffed with bunk about woman's part in the war.

00:23:10We must bring solace to the men who fight, sacrifice ourselves, give ourselves.

00:23:17If you've known him for a long time, or been in love with him, but you only met him tonight.

00:23:23How long must you know a man before you can love him?

00:23:27Are you pretending to be in love with that man?

00:23:30I think I am, Fergie.

00:23:33I must be.

00:23:35Or it couldn't have happened.

00:23:39You're just another conqueror, Stim.

00:23:41One in a hundred.

00:23:43You'll probably never see him again.

00:23:44He said if he'd met me back home, he'd have courted me, sent me flowers.

00:23:54But now, I suppose I won't ever see him again.

00:24:00Hello, baby.

00:24:28Good luck.

00:24:30Let's go.

00:25:00Turn back.

00:25:14Back?

00:25:14Yes, back.

00:25:30I want to see Mr. Barkley.

00:25:48She's on duty.

00:25:49Wait.

00:25:50You can't go in there.

00:25:55Hey, why did we come back here for?

00:26:17Lieutenant, he knows what he's doing.

00:26:19Please.

00:26:20What's wrong, Borelli?

00:26:21Don't we ever get started here?

00:26:22We've got plenty of time.

00:26:23Hold it.

00:26:24I thought you started.

00:26:26What are you doing here?

00:26:27We come back, signor Capitano.

00:26:29Tenente, he forgot something.

00:26:31Oh.

00:26:53I...

00:26:54You're all right, aren't you?

00:26:55Yes, I'm all right.

00:26:57I came to...

00:26:59I thought...

00:27:01You see...

00:27:03I'm going to be away for a while.

00:27:07And I didn't want you to think that I'd just gone away.

00:27:11No, I...

00:27:12No, I...

00:27:13What I mean is...

00:27:14What I mean is...

00:27:15I'd hate to have you feel that...

00:27:18That it wasn't important to me...

00:27:21About...

00:27:22About us.

00:27:23I don't exactly know how to say it.

00:27:27You said it very nicely, dear.

00:27:29No, I don't mean...

00:27:32You mustn't feel...

00:27:33Will you be gone long?

00:27:35No.

00:27:36Only a few days.

00:27:37There's going to be a show above...

00:27:38Up above Plava.

00:27:39Nothing much, I guess.

00:27:40A show?

00:27:41You'll be careful, won't you?

00:27:42I won't get hit.

00:27:43Hold it.

00:27:46Here.

00:27:47It's a St. Anthony.

00:27:50Here.

00:27:51It's a St. Anthony.

00:27:55Here.

00:27:56It's a St. Anthony.

00:27:59Here.

00:28:00It's a St. Anthony.

00:28:03They say St. Anthony is very useful...

00:28:07To guard you from harm.

00:28:10I'll take good care of them.

00:28:18I wish I could kiss you.

00:28:33He is my friend and a good soldier.

00:28:40I do not like to see him lose his head over a woman.

00:28:43Aren't you exaggerating, Mfett?

00:28:45I think not.

00:28:46Couldn't we send her back to the base, Major?

00:28:48No, if you could send her away, it would simplify everything.

00:28:52Could perhaps send her to Milan?

00:28:55Excellent, my dear Major.

00:28:56Magnificent.

00:28:56No wonder the English are first in diplomacy.

00:29:03Uh, what did you say her name was?

00:29:14We won't get anything else to eat once the attack starts.

00:29:17This is all they'd give me.

00:29:19Starting to eat at an end?

00:29:21No, we'll all eat together.

00:29:23Come on, sit down to it.

00:29:33Here, take some cheese and let's go to the village.

00:29:47Wash it down with wine.

00:29:49Who goes to the attack?

00:30:03Nobody would attack.

00:30:13The war would be over.

00:30:28That's a big one.

00:30:30420.

00:30:30No, it's behind him fives.

00:30:33Sounded like a scoter to me.

00:30:34Scoter?

00:30:35That's what I say.

00:30:56Tenente.

00:30:58Anybody hurt?

00:31:00My leg.

00:31:01Hold on my leg, please.

00:31:06You were right at the end.

00:31:09It was a score of gun.

00:31:11Easy now.

00:31:12I think it is.

00:31:14Vicerations of the scalp and possible fracture of the skull.

00:31:18Multiple superficial wounds of the left and right thigh,

00:31:22left and right knee and right foot.

00:31:25Profound wounds of right knee and foot incurred in line of duty.

00:31:30Anti-Tetanus, please.

00:31:44Come on, lift them up a little more.

00:31:46All right, go ahead.

00:31:47Please.

00:32:00Hurry, hurry.

00:32:03How do you feel, baby?

00:32:06Rinaldi, what are you doing here?

00:32:09Bonello telephoned to me.

00:32:11The Major gave me permission to come.

00:32:14No one shall hurt you, baby.

00:32:16I won't let them.

00:32:18No butcher is going to touch my wall, Prof.

00:32:20Only Rinaldi can take you and never hurt you.

00:32:23You must forgive me, baby, for talking so much, but I am...

00:32:26I am very moved to see you badly wounded.

00:32:29How did it happen?

00:32:31I will see you are decorated for bravery.

00:32:33Perhaps we can get you the medaglia d'argento,

00:32:35but surely the bronze one.

00:32:36Did you carry somebody on your back?

00:32:37I didn't carry anybody.

00:32:39I couldn't move.

00:32:40Surely there was something heroic.

00:32:41Tell me what you did.

00:32:43I was blown up eating cheese.

00:32:47Don't worry, baby.

00:32:50I will fix you so that you are as good as new.

00:32:53You will see.

00:32:54Every day I learn to do things smoother, quicker.

00:32:57Soon, very soon, you will be walking again.

00:33:02I brought a present for you.

00:33:03You will find it under your blanket next to your heart.

00:33:06It is a bottle of brandy, baby.

00:33:08Very good brandy.

00:33:09The infantry captured it from the Austrians on San Gabriele.

00:33:12I have another surprise for you.

00:33:15Take a deep breath.

00:33:17Where do you think you will go from here?

00:33:19To the Italian hospital where they have the male nurses with the beards?

00:33:23No.

00:33:24I will arrange everything with my friend, the British Major.

00:33:28You will go to Milan to the beautiful Miss Barclay.

00:33:32That makes you happy, eh?

00:33:34Think of Rinaldi.

00:33:36Left all alone with the war.

00:33:38No one to make fun of.

00:33:40No one to lend him money.

00:33:42While you, while you are in Milan with the beautiful Miss Barclay,

00:33:47making love in Milan to the chaste Miss Barclay.

00:33:51Look out for the step.

00:34:14Why do you stop?

00:34:16I am the superintendent.

00:34:17May I have your medical papers, please?

00:34:19They're in my coat.

00:34:20In the button-down pocket.

00:34:21Take him up those stairs, down the corridor.

00:34:26why do you stop I am the superintendent may I have your medical papers please

00:34:41they're in my coat in the button-down pocket take him up those stairs down

00:34:48the corridor his room is the one at the end you show them Giulio who are you I'm

00:34:55the portals in your turn into come follow me now in your turn into we must lift you

00:35:11off the bed all right but keep my legs straight this is in your preventer anything

00:35:20get me some brandy it's not allowed wasn't I wounded fighting for the glory of Hitchley

00:35:26you'll find some money in my pocket as you wish

00:35:29so it's you Ferguson is Catherine here as if you didn't know I believe that's why you got wounded

00:35:42where is she you're to be still here's your child I must take your temperature does she know I'm here

00:35:48under the arm please

00:35:50hello darling Catherine you're lovely are you badly hurt you're lovely oh my poor darling it's your leg

00:36:09isn't it you're the loveliest thing I ever saw I have to go now darling I can't stay you'll come

00:36:18back later but we'll have to be awfully careful you've got to come back oh well when I can tonight

00:36:23I'll take that thermometer now good gracious pitch the doctor it's a miracle you're not delirious with

00:36:48such a fever I haven't got any fever stay quiet please it's not what you think

00:37:18I have brought you a few little things and this is mosquito netting and this is a bottle of vermouth

00:37:24you like vermouth huh and these are English papers thank you father it's very good of you to come oh but I

00:37:31mustn't stay long they warned me not to tire you you seem very tired yourself I am tired but I have no

00:37:37right to be you have the war disgust I hate the war I don't enjoy it but you do not mind it you do

00:37:46not see it oh you must forgive me I know you are wounded that was an accident still even wounded you

00:37:52do not see it I can tell I do not see it myself but I feel it a little come in get well don't go yet

00:38:03father it's still early you are sure the operation in the morning he should rest oh he's strong he has

00:38:09such a lovely temperature it's always normal I'm very proud of his temperature maybe all our children

00:38:14will have fine temperatures too our children are probably have beastly temperatures don't mind us

00:38:21father we're in love I know I could see it in your faces you're approved don't you father

00:38:28father you spoke of children this too is the war without the war you would live married in God's grace

00:38:39is it not so

00:38:43and you

00:38:48I hadn't thought about it like that but

00:38:55father are you is that the marriage service

00:39:22of course you realize father that army regulations prevent us from marrying

00:39:44What do you think?

00:39:46Let's send Catherine home.

00:40:01Poor Catherine.

00:40:03Such a crazy marriage.

00:40:05At least I'm in white.

00:40:09No orange blossoms.

00:40:10I can smell them.

00:40:12No organ music?

00:40:14I can hear it plainly.

00:40:31It was a foolish notion, perhaps.

00:40:34I have not the right to say you are married.

00:40:37Yet it has made me happy to do this.

00:40:40For now, from my heart, I can say I bless you in his name.

00:40:43Thank you, Father.

00:40:47Goodbye and be happy, both of you.

00:40:49Thank you, Father.

00:40:52Give my regards to the mess.

00:40:54I will.

00:40:55And get well soon.

00:40:56I will come again the next time I am in Milan.

00:40:59Goodbye, my dear.

00:41:00Goodbye.

00:41:01Is Miss Barkley here?

00:41:02Uh-uh.

00:41:03No.

00:41:04No.

00:41:05No.

00:41:06Shut the door.

00:41:07I can't.

00:41:08Please, darling.

00:41:10Please, darling.

00:41:11Is Miss Barkley here?

00:41:12Uh-uh.

00:41:14No.

00:41:15No.

00:41:16No.

00:41:18Shut the door.

00:41:20Shut the door.

00:41:29Why, Dad?

00:41:30Please, darling.

00:41:40We mustn't.

00:41:41Your operation's in the morning.

00:41:43It's our wedding night.

00:41:45Oh, darling.

00:41:49You'll have to take your oil.

00:41:50Castor oil?

00:41:52No.

00:41:52You'll take it from me.

00:41:53I'll take anything from you.

00:41:55Darling.

00:41:56If you stay.

00:41:59Oh, darling, darling.

00:42:02I want what you want.

00:42:03There isn't any me anymore, just what you want.

00:42:06You're sweet.

00:42:13Did I make a lovely wife?

00:42:16Such a lovely wife.

00:42:20Feel our heartbeat.

00:42:23No wonder my heartbeat.

00:42:26I'm mad about you.

00:43:27That's the opera I made my debut in, at the Scala.

00:43:43They threw benches at it.

00:43:45That's a lie.

00:43:46Yes, they did.

00:43:47I threw six benches myself.

00:43:48Well, that's not funny.

00:43:56Oh, now he's offended.

00:43:57You'll get over it.

00:43:58That's his sore spot.

00:43:59We always tease him.

00:44:01You don't care whom you hurt.

00:44:02Now, don't you get mad, too?

00:44:04Catherine and I were thinking of asking you to our wedding.

00:44:07Where'd we get?

00:44:08You'll never get married.

00:44:09We will.

00:44:10No, you won't.

00:44:11We'll fight before you'll marry.

00:44:13Oh, we never fight.

00:44:14You've time yet.

00:44:14We won't fight ever.

00:44:16You'll die, then.

00:44:17Fight or die.

00:44:18That's what people do.

00:44:20They don't marry.

00:44:21Why, Fergie.

00:44:23Don't.

00:44:23I'm not crying.

00:44:28Maybe you'll be all right, you two.

00:44:31Watch out.

00:44:31You don't get her in trouble.

00:44:33I won't get her into trouble.

00:44:34You better not.

00:44:35Or I'll kill you.

00:44:38Why, Fergie.

00:44:40What is the matter with her?

00:44:42She doesn't like me, that's all.

00:44:44Oh, no.

00:44:45She just likes me more.

00:44:53Are you on night duty tonight?

00:44:56Yes, but you won't care.

00:44:57You'll go right off to sleep.

00:44:58You wait and see.

00:45:02Darling, how many other girls have you ever loved?

00:45:05None.

00:45:07How many, really?

00:45:08None.

00:45:10How many have you, um, how you say it, loved?

00:45:17None.

00:45:17You're lying to me.

00:45:19Of course.

00:45:20Oh, that's right.

00:45:21You just keep right on lying.

00:45:22That's what I want you to do.

00:45:25Were they pretty?

00:45:26I've never been with anyone.

00:45:28That's right, darling.

00:45:31What were they like?

00:45:33I don't know anything about it.

00:45:35You're just mine.

00:45:36That's true.

00:45:37You've never belonged to anyone else.

00:45:39I don't care if you have, though.

00:45:41I'm not afraid of them.

00:45:42Only don't tell me about them.

00:45:44You never told them you loved them, did you?

00:45:46No.

00:45:47I knew you wouldn't.

00:45:50Oh, darling, I do love you.

00:45:51Don't kiss me.

00:45:53Right here in the street?

00:45:54Yes.

00:46:09I'll go in first.

00:46:10So, what is this, if I may ask?

00:46:26What was in it?

00:46:28That's Kimmel.

00:46:30That's the best kind.

00:46:31It comes in those bear-shaped bottles from Russia.

00:46:33And these.

00:46:35That's brandy, wine, and whiskey.

00:46:38And I've been pitying you for being wounded.

00:46:41Pity is something that is wasted on you.

00:46:44If you're so anxious not to go back to the front,

00:46:46I should think you'd try something more intelligent.

00:46:48Not self-inflicted alcoholism.

00:46:51What?

00:46:51I said alcoholism.

00:46:53And I also say that I'll see your convalescent leave is cancelled.

00:46:57You'll go back to the front tomorrow night.

00:47:00Have I time for a drink before the train leaves?

00:47:26For the front?

00:47:26Yes.

00:47:27About 20 minutes, senor Capitano.

00:47:29Right.

00:47:57It's a fine room, a lovely room.

00:48:02It's all right.

00:48:04The red plush is just the thing.

00:48:06Those mirrors are very attractive, too.

00:48:09People who go in for vice seem to have very good taste about it.

00:48:13You're a grand girl.

00:48:15Oh, darling.

00:48:16Darling.

00:48:19I wish you could do something really sinful.

00:48:22Everything we do seems so innocent and right.

00:48:24You're a fine, simple girl.

00:48:27I am a simple girl.

00:48:29Nobody but you ever realized it.

00:48:31At first, I thought you were a crazy girl.

00:48:33I was a little crazy at first.

00:48:39Was that your train?

00:48:41Maybe.

00:48:42It makes up a turn.

00:48:44But it stays in the station here till time to leave.

00:48:47There's really lots of time.

00:48:48But at my back, I always hear

00:48:56Time's winged chariot hurrying near.

00:48:59I know that poem.

00:49:00It's by Marvel.

00:49:02Only it's about a girl who wouldn't live with a man.

00:49:12Listen.

00:49:12It's only the rain.

00:49:21I hate the rain.

00:49:23I like it.

00:49:25I'm afraid of the rain.

00:49:27Afraid?

00:49:28Why?

00:49:28I...

00:49:30Oh, well, perhaps it's silly.

00:49:32What?

00:49:32Tell me.

00:49:33No, don't make me.

00:49:34Tell me.

00:49:36All right.

00:49:38I'm afraid of the rain because sometimes I see me dead in it.

00:49:41No.

00:49:42And sometimes I see you dead in it.

00:49:46That's more likely.

00:49:47Oh, now, darling, don't say that.

00:49:54That is your train.

00:49:57Time's winged chariot.

00:50:05I'll come with you, hmm?

00:50:07No, please.

00:50:07I don't want you...

00:50:09Not at the station.

00:50:11All right, darling.

00:50:12How often will you write?

00:50:14As often as I can.

00:50:15Do they read your letters?

00:50:16Well, they can't read English enough to hurt any.

00:50:18Well, I'll make them very confusing.

00:50:20But not too confusing.

00:50:21Oh, I should have got you a going away gift.

00:50:24A whistle to make you feel better in the dark.

00:50:26Or a sword.

00:50:27I'm sure we could get a used sword very cheap.

00:50:29Swords aren't very useful at the front.

00:50:31Oh, I see.

00:50:32They get in the way of your legs when you're running.

00:50:34Well, they might be useful at mess, though.

00:50:39I'm afraid I have to start, darling.

00:50:40I hate to leave our fine house.

00:50:46So do I.

00:50:49We never stay settled very long in a home, do we?

00:50:53We will.

00:50:55I'll have a fine home for you when you come back.

00:50:59Say, I'll come back to Catherine.

00:51:03I'll come back to Catherine.

00:51:05I'll always come back.

00:51:18Maybe this time you'll be hurt just a little in the foot.

00:51:21Or the lobe of the ear.

00:51:23Oh, no, no, no.

00:51:23I want your ears just the way they are.

00:51:25Your feet have been hurt already.

00:51:35I'll do the other.

00:53:33I want a ticket to Switzerland, please.

00:53:35To where, signora? To what town?

00:53:37The nearest one to Italy.

00:53:38That would be Brissago, signora.

00:53:39Then give me a ticket to Brissago.

00:53:40All right.

00:53:41Oh.

00:53:42Oh, Fergie, I was afraid you wouldn't come.

00:53:44Would you mind telling me what this is all about?

00:53:46I'm going away.

00:53:47So I gathered by this, but...

00:53:48Where? Why?

00:53:49To Switzerland, to have a baby.

00:53:52Oh.

00:53:54I knew he'd get you in trouble.

00:53:56Oh, no, it wasn't his fault really, Fergie.

00:53:57Well, what's he going to do about it?

00:53:58He doesn't know it.

00:54:00You didn't tell him?

00:54:01Well, what would be the good?

00:54:02It would only worry him.

00:54:03He'd have to go anyway.

00:54:04Aren't you going to tell him?

00:54:05Well, not yet.

00:54:07I may write him from...

00:54:08from Switzerland.

00:54:10You're a fool.

00:54:11Here, signora.

00:54:13On track 3.

00:54:15But what's the hurry?

00:54:16Why tonight?

00:54:16I couldn't go back to that hospital.

00:54:18I couldn't stand it.

00:54:19Not with him gone.

00:54:19But you'll be all alone in Switzerland.

00:54:21Don't worry, Fergie.

00:54:22I'll be all right.

00:54:26You're not afraid of anything, are you?

00:54:28Only of going back to that hospital.

00:54:31Don't scold me, Fergie.

00:54:36I'll carry it.

00:54:49I've always told you I was a crazy girl.

00:55:17I couldn't bear my lamb without you away.

00:55:19So I've chucked the war and come to live in this little Swiss town

00:55:22as near as possible to the Italian border and you.

00:55:25And, darling, it's an adorable place.

00:55:27I'm going to be very happy here.

00:55:29I've taken a suite...

00:55:33suite in the best hotel

00:55:36and I'm fairly wallowing in luxury.

00:55:39The bed is ampere and fit for an empress.

00:55:43There's a maroon velvet carpet, ankle deep,

00:55:45and a bathroom.

00:55:46Oh, darling, the bathroom.

00:55:48It's of black marble with silver fittings.

00:55:52I've just dined in state

00:55:54at my sitting room window

00:55:56from which there is a divine view of the lake

00:55:59shimmering in moonlight.

00:56:01I'm an awful liar, darling.

00:56:16It's not really a nice place at all.

00:56:18It's mean, cheap, and horrible.

00:56:20But it doesn't matter where I live

00:56:22because I don't really live at all

00:56:24when I'm not with you.

00:56:24Oh, darling.

00:56:31What I really want to tell you is that

00:56:33that I shall lie awake in the dark

00:56:36and cry because you're not here.

00:56:39I'm lonely and frightened.

00:56:40And I love you.

00:56:44Oh.

00:56:57Hurry, baby.

00:56:57Why?

00:56:58Time to go.

00:56:59Go where?

00:57:00But I told you before, to the Villa Rosa.

00:57:02New girls.

00:57:03Everybody's going.

00:57:04Not me.

00:57:05But you must.

00:57:06It will be a fine party.

00:57:07And besides, I said you would go.

00:57:09I can.

00:57:09I've got to write some letters.

00:57:12Oh, to that little...

00:57:13Every day more letters.

00:57:15You might as well be married.

00:57:17That's my business.

00:57:18No, baby.

00:57:20How you have come back to me.

00:57:22Serious like a shopkeeper with a liver.

00:57:25Where is my war brother

00:57:26who used to get drunk with me

00:57:27and go to the Villa Rosa every night?

00:57:30Leave me alone, will you?

00:57:33Why?

00:57:33Isn't she just a girl?

00:57:36Keep her out of this.

00:57:38Sacred subject.

00:57:40Believe me, baby.

00:57:41Sacred subjects are not good for soldiers.

00:57:43Why don't you be like me?

00:57:47All fire and smoke.

00:57:49And do nothing inside.

00:57:51Come on, baby.

00:57:52You're drunk.

00:57:53Stop it.

00:57:53Of course I am drunk.

00:57:55You come with me and you will be drunk too.

00:57:57Come on, baby.

00:57:59Oh, I am sorry.

00:58:00Now you must come.

00:58:02There is no more ink.

00:58:04Get your hands off me and get out.

00:58:11Poor baby.

00:58:12Tomorrow I will get you drunk

00:58:14and I will take out your liver

00:58:16and I will put you in a good Italian liver

00:58:18and make a man of you again.

00:58:21Ciao, baby.

00:58:33You're going out, signor Capitano?

00:58:36Yes, why?

00:58:37The mail just came, signor Capitano.

00:58:39You censored it.

00:58:40Signor Capitano.

00:58:41Oh, the officer's mail too?

00:58:47Very well.

00:59:00Aren't you going to open them, signor Capitano?

00:59:03No.

00:59:03I'm going to hurry.

00:59:23Send this one back.

00:59:24Yes, signor Capitano.

00:59:25I do not like to see him lose his head over a woman.

00:59:29Yes, signor Capitano.

00:59:30And today my letters came back,

00:59:55every one I'd ever written her.

00:59:56Came back just mark return to sender person unknown. That's very strange

01:00:0232 letters. She never got one. Well, that's why she never wrote you. No

01:00:07She'd have written me anyway something's happened to her. Have you tried? I can't get any information at all

01:00:13I've got to go and find her myself

01:00:15Can you I'm going to Milan I'll find her but aren't all leaves of absence forbidden since that battle in the north began

01:00:22I'm going anyway. Well, that's desertion. I

01:00:24I don't care. I'm going you'll be caught. Oh, you mustn't do this Frederico. Yes, I must

01:00:31That's what I want to tell you Padre

01:00:34What does this war mean to me anymore? What does anything mean but finding her but Frederico consider the I can depend on you Padre

01:00:45Say goodbye to Rinaldi and the others for me. When are you leaving now while they're at dinner and by morning when they miss me

01:00:53I'll be halfway to Milan

01:00:55They asked me what you say I anything you like

01:00:59Bye bye

01:01:01Goodbye Federico may the Lord bless and preserve you

01:01:23I'm

01:01:25I'm

01:01:31I'm

01:01:33You

01:01:33I'm

01:01:35I'm

01:01:36I'm

01:01:37I'm

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