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Sleepers West (1941) is a classic mystery drama filled with suspense, charm, and clever storytelling. Set aboard a cross-country train, the film follows a determined investigator and a group of travelers whose lives become unexpectedly connected during the journey. With its engaging plot, sharp dialogue, and vintage atmosphere, this timeless movie captures the style and excitement of early Hollywood mystery cinema.
Sleepers West, Sleepers West 1941, 1941 mystery film, classic drama, vintage cinema, suspense movie, mystery story, old Hollywood classic, black and white film, 1940s movie, American classic, train mystery, classic storytelling, timeless movie, dramatic journey, detective story, emotional drama, vintage film, powerful performances, Hollywood golden age, suspense and intrigue, mystery and drama, classic film story, golden era cinema, classic Hollywood movie, 1941 classic movie, mystery and adventure
Sleepers West, Sleepers West 1941, 1941 mystery film, classic drama, vintage cinema, suspense movie, mystery story, old Hollywood classic, black and white film, 1940s movie, American classic, train mystery, classic storytelling, timeless movie, dramatic journey, detective story, emotional drama, vintage film, powerful performances, Hollywood golden age, suspense and intrigue, mystery and drama, classic film story, golden era cinema, classic Hollywood movie, 1941 classic movie, mystery and adventure
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FunTranscript
00:00:00The End
00:00:30The End
00:01:00Out of town papers, books, magazines, periodicals, cigars, cigarettes.
00:01:16Something to read, mister?
00:01:17Yeah, what do you got?
00:01:18I got click, pick, look, peek, spot, snap, sock.
00:01:20Wait a minute.
00:01:22What's a good detective magazine?
00:01:23True detective, lone detective, smart detective, soul.
00:01:26Smart detective.
00:01:27There's no such thing as a smart detective.
00:01:30Well, hello, Kay.
00:01:31Hi, Mike.
00:01:32Gosh, you're looking wonderful.
00:01:33Two years hasn't slowed you up a bit, has it?
00:01:35Well, you've held up pretty well yourself.
00:01:37Oh, well.
00:01:37Same smile, same gusto, same hat.
00:01:40Oh, no, no.
00:01:41It isn't the same hat.
00:01:42It's the way you wear it.
00:01:43I understand you're doing swell on the Denver paper.
00:01:46Success hasn't gone to your head, has it?
00:01:48No.
00:01:48Well, anyway, I knew it looked good.
00:01:51You're off your beat, aren't you?
00:01:52San Francisco's a long way from here.
00:01:54No, I haven't got any beat.
00:01:56The chief thought that I was smarter than he was.
00:01:57Madam, my card.
00:02:00Michael Shade, private investigator.
00:02:02Mm-hmm.
00:02:03Sleeping on your own time now, huh?
00:02:05Yeah.
00:02:05Oh, and meeting a much finer class of thugs.
00:02:07Are you out here on a case?
00:02:08Yeah.
00:02:09Anything I could use?
00:02:10No, not unless you're the sporting editor.
00:02:12Guy took a cross-country run on his wife.
00:02:15Are you checking in or out?
00:02:17Out.
00:02:17Going back on number 10.
00:02:19Oh, that's fine.
00:02:20You wouldn't even have called me.
00:02:21Well, I was just going to.
00:02:24When?
00:02:25Well, the train doesn't leave for four minutes.
00:02:27You haven't worked much on your lying, have you?
00:02:28Now, listen to me.
00:02:29Never mind.
00:02:30You'll have plenty of time to think something up.
00:02:32I'm going out on number 10 myself.
00:02:34Oh, you are?
00:02:35Say, that's great.
00:02:37That'll be just like old times.
00:02:38You and I traveling around together.
00:02:40Oh, no.
00:02:40I never got anywhere traveling with you.
00:02:42I always wound up alone.
00:02:43Are we back there again?
00:02:44You remember that little date with the preacher?
00:02:46All right.
00:02:47I kept you waiting for one hour.
00:02:48Gosh, if a girl really loved a guy, she could wait.
00:02:50I waited through a christening, a confirmation, a wedding and a funeral at that church.
00:02:54What do you think of that?
00:02:55It wasn't the same person.
00:02:56Life passed me by as you passed me up.
00:02:58Hey, wait a minute.
00:03:00What about that time we were going to get hitched in Sacramento, huh?
00:03:03What happened then?
00:03:04When I got there, you were falling on your face.
00:03:05After waiting for three buses in the wind and the cold and the rain,
00:03:09I take just a little teeny nip so that you won't be a widow before you're a bride.
00:03:13And where were you?
00:03:14Could I help it if that Bennett scandal broke?
00:03:16What could I do?
00:03:16Dessert my city editor?
00:03:18Yeah.
00:03:18If the 200 newsboys and a re-rag man and that big-hearted boss of yours, I come first.
00:03:23Oh, all right.
00:03:24I'm to blame.
00:03:24I'm always to blame.
00:03:25I didn't say that.
00:03:27Oh, come on.
00:03:30Let's let bygones be that way, huh?
00:03:35Oh, sure, Mike.
00:03:36We're still pals.
00:03:39Say, uh, it's getting a little bit late.
00:03:42Let's get going.
00:03:42No, you go ahead and I'll see you on the train.
00:03:44Oh, all right.
00:03:53Hope you have a comfortable trip.
00:03:55Would you like another blanket, madam?
00:03:57No, thank you.
00:03:59Can I bring you a glass of water?
00:04:01No, thank you.
00:04:05Is there enough air in here for you?
00:04:06Yes, everything's fine.
00:04:07Now, if there's anything else you want, don't hesitate to give me a buzz.
00:04:10All right.
00:04:11All right.
00:04:11Say, you might push that button out there before barging in.
00:04:16You almost scared me out of my shoes.
00:04:19Now, look, Helen, you're not on any excursion.
00:04:21You put that robe and wig back on.
00:04:24Can't I have a little comfort in my own room?
00:04:26Nobody's going to see me.
00:04:27Well, okay.
00:04:28But if that button doesn't matter, you're not on any excursion.
00:04:29You put that robe and wig back on.
00:04:30Say, you might push that button out there before barging in.
00:04:32You almost scared me out of my shoes.
00:04:33Now, look, Helen, you're not on any excursion.
00:04:35You put that robe and wig back on.
00:04:37Say, you might push that button out there before barging in.
00:04:40You almost scared me out of my shoes.
00:04:42Now, look, Helen, you're not on any excursion.
00:04:45You put that robe and wig back on.
00:04:46Can't I have a little comfort in my own room?
00:04:48Nobody's going to see me.
00:04:50Well, okay.
00:04:51But if that buzzer rings, you're too sick to see anybody.
00:04:53Now, you understand?
00:04:55Say, um, how about bringing me a drink?
00:04:58Not a chance.
00:05:00Now, I can't be seen with you, so I'm not coming back.
00:05:02But I want you sober when we reach San Francisco.
00:05:05Well, who said anything about getting drunk?
00:05:07No, just forget it.
00:05:09Keep out of sight.
00:05:10I don't want any more trouble with you.
00:05:12Listen, Mr. Shane.
00:05:13Where do you get off keeping me cooped up like this?
00:05:15Can't have a drink, nobody to talk to?
00:05:17I told you to testify for Callahan.
00:05:18What more do you want?
00:05:19I want to be sure that you'll be able to.
00:05:22You get it?
00:05:23What's going to stop me?
00:05:24Now, listen, sister.
00:05:26There are lots of people who would love to see Callahan burn.
00:05:28You're the one person who can disappoint them if you get there.
00:05:32Wouldn't it be safer if you put me in the baggage car or in a mail sack?
00:05:35All right, you just take it easy and relax.
00:05:38I could relax a lot easier with a drink.
00:05:40Yeah, that's what I'm afraid of.
00:05:50How do they expect a man to bring a train in on schedule of the worn-out old hogs like that?
00:05:55What's the difference or last run, anyway?
00:05:57If I was being pensioned off, believe me, I wouldn't worry about getting her in on time.
00:06:00Oh, you wouldn't, eh?
00:06:02With the boys waiting at the beating point with the brass bands,
00:06:05and Harrigan going to give me a watch,
00:06:07how am I going to look coming in late on the last run?
00:06:10They'll wait for you.
00:06:11Not if I can help it, they won't.
00:06:13I'll bring her in on time
00:06:14if I have to bust the living heart out of her.
00:06:21Sorry I'm late, eh?
00:06:22Oh, that's all right.
00:06:23I haven't been waiting long.
00:06:26Got your ticket?
00:06:27Yes.
00:06:29Come on.
00:06:33Hey, McGowan.
00:06:34You've got to hold up for a while.
00:06:36Why?
00:06:36Just got orders from the division manager to wait for Troutwine.
00:06:39He's on his way.
00:06:40I tell you, somebody is trying to frame me
00:06:43when they're doing everything to keep me from coming in on time.
00:06:46Oh, keep their pants on.
00:06:47He'll be here in a minute.
00:06:48That big ape.
00:06:50If I lived away over in West Colfax,
00:06:53he'll be lucky to find the station.
00:06:56What are you laughing at?
00:07:02Got a match, Trout?
00:07:05Hey, your laundry's showing.
00:07:08There he comes.
00:07:09There he comes.
00:07:31I'm home playing generally with the old lady
00:07:33when the chief phones and says,
00:07:34grab number 10, West, and ride her.
00:07:36I'll wire the dope as soon as I get it straight.
00:07:38Just like that.
00:07:38There's something up when I'm hanged to find what it is.
00:07:41That's nothing unusual for a railroad dick.
00:07:43Now, if I see anything that looks suspicious
00:07:44like a murder or something, I'll report to you.
00:07:47Thanks.
00:07:56Ready to light, boy.
00:07:58That's what I'm doing.
00:07:59That's the way I want it.
00:08:01Lighting up.
00:08:02Help!
00:08:02You can't wait.
00:08:03I'll sit over here.
00:08:10I'll sit over here.
00:08:12You mind if I sit here?
00:08:14Not if you can behave yourself.
00:08:16Well, you'd never like me when I did.
00:08:17That's what you think.
00:08:17Well, I wonder if I got any griddle cakes.
00:08:19Hey, remember that time at Jack's when I ate 22
00:08:23and you got sick watching me?
00:08:25You remember the time we went to the picnic
00:08:27and you got your hand caught in the olive bottle?
00:08:29Hey, those were the days, weren't they?
00:08:31We certainly had a lot of fun.
00:08:33Mind, Trudy?
00:08:35Look, Bud, there's lots of empty tables
00:08:37before I pick on those.
00:08:39Don't mind him, Tom. Sit down.
00:08:41Oh, yeah.
00:08:43This is Mr. Linscott, Mr. Shake.
00:08:45Mr. Who Scott?
00:08:46Linscott. How do you do, Mr. Shane?
00:08:48Not as well as I thought.
00:08:49Thank you, Bud.
00:08:50Don't pay any attention to him.
00:08:51He gets dizzy riding backwards.
00:08:53Mr. Linscott is my fiancé.
00:08:56No, that's not him.
00:08:59You mean...
00:09:00Yes, we're going to get married.
00:09:02Get it?
00:09:04Oh.
00:09:06Congratulations.
00:09:07Thanks.
00:09:09Wish you all the luck in the world.
00:09:10Don't take it so hard.
00:09:12I don't know.
00:09:13Maybe I'm the one that ought to be congratulated.
00:09:15What do you mean?
00:09:16Oh, be careful what you say, Mike.
00:09:18Tom's a lawyer.
00:09:19He can make a case out of anything.
00:09:21Oh, Linscott.
00:09:23You're not the legal brains of the Wentworth Enterprises in San Francisco.
00:09:27Well, I work for them.
00:09:28That's the Wentworth that's running for governor.
00:09:30The very same, yeah.
00:09:31Well, you'll be in a pretty spot if he's elected.
00:09:34Oh, I don't know.
00:09:35You'll have to invite me to the inaugural ball
00:09:37when you're Mrs. Lieutenant Governor.
00:09:39Well, of course, Mike.
00:09:40It wouldn't be complete without you.
00:09:42To watch the silver.
00:09:55Stop Avondale.
00:09:56Pick up passenger.
00:09:57Well, of all the roughed Jonas,
00:10:00it ain't bad enough to leave 20 minutes late with this broken-down old key kettle.
00:10:04Now I got orders to stop Avondale.
00:10:34What are they waiting for? Christmas?
00:10:49They have the eyeballs.
00:11:04Oh, almost missed the train.
00:11:06Where's the conductor?
00:11:08Two cars forward.
00:11:10Okay, thanks.
00:11:16Anything else I can do for you, sir?
00:11:18No.
00:11:20Okay, thanks.
00:11:28Anything else I can do for you, sir?
00:11:30No.
00:11:34Thanks.
00:11:36Thank you, sir.
00:11:42Do you want your birth meet up now, sir?
00:11:44Oh, well, I'll be going to dinner in a few minutes, and you can do it then.
00:11:48Don't forget to change your time before we get to Ogden, or you'll get all mixed up.
00:11:51Oh, yes. What time do we get there?
00:11:53That's 6.30 tomorrow morning. That's mountain time.
00:11:56You changed your watch back one hour. We're about 40 minutes late now.
00:12:00We've got to make about 40 minutes less the hour, if we don't make up 20 minutes.
00:12:04In that case, we'll get there. Let's see. We'll do there at 6.30.
00:12:08But Maureen and I can make up all that time and get there at, uh, 6.30.
00:12:12Thank you very much.
00:12:14Yes, sir.
00:12:16Yes, sir.
00:12:46Let's go.
00:12:47Excuse me. I just got on. Caught the train at Avondale. Is there a berth available?
00:13:03Yes, I have a lower in the car behind, number five.
00:13:07Now, just a minute.
00:13:09Is there a man named Michael Shane aboard?
00:13:12I think there is.
00:13:14Yes, he's in compartment B, car 38.
00:13:17He's an old friend of mine. Is he traveling with anyone?
00:13:20No, sir.
00:13:21Do you have a Helen Carlson?
00:13:24She's sort of a platinum blonde. Pretty good looking.
00:13:28Oh.
00:13:30No Helen Carlson.
00:13:32There's a tall blonde and upper two car 40. The brakeman's wife.
00:13:36But she's far from a good-looker.
00:13:38It's not important. She must have missed the train.
00:13:43Here's the San Francisco paper you asked for, sir. It just came on board.
00:13:45Oh, thanks.
00:13:51Say, I wonder what that means.
00:13:58You don't think that has anything to do with Wentworth and the election, do you?
00:14:01I don't see how it could. He's only running for governor.
00:14:03It must be the present administration.
00:14:05Mm-hmm.
00:14:06Do you mind telling me what's in my paper?
00:14:07Oh.
00:14:08It seems that my boss had a good tip.
00:14:10Looks like the surprise witness in the Callahan case is going to blast things wide open.
00:14:13That's true.
00:14:15Say, I wonder where they hid that witness during the trial.
00:14:18Well, it's not unusual for a defense counsel to pull something spectacular at the last minute.
00:14:22That's true.
00:14:23Hey, get this.
00:14:24Here's a guy who's got 26 kids.
00:14:27He must have been driven stork mad.
00:14:29That's very funny.
00:14:30Say, Mike, when you were a cop in San Francisco, didn't you pinch Callahan once?
00:14:35Mm-hmm.
00:14:36Yeah, for robbery.
00:14:37He stuck up a gas station.
00:14:38He got four years.
00:14:39He's got a wife and a couple of kids, hasn't he?
00:14:41I don't know.
00:14:42I haven't seen him since he got out.
00:14:43Why are you so interesting?
00:14:44My editor wants a feature story.
00:14:47The woman's angle.
00:14:48Oh, tear gas, huh?
00:14:50I've got to whip up some stuff in his background.
00:14:52You know, poor environment, never had a chance.
00:14:54That's the trouble with these sob sisters.
00:14:56They'd take some hoodlum that'd blow your brains out for a quarter and make a hero out of them.
00:15:00I'm not interested in this mug, Callahan.
00:15:02I'm interested in Kay Bentley.
00:15:03Don't you ever get tired of her?
00:15:05I didn't do so bad two years ago when I started the ball-roaring that got Taggart acquitted at the Globe Diamond robbery, did I?
00:15:10Yeah, I'll say you did.
00:15:11Then when he came to your office to thank you, he walked out with your purse.
00:15:15There wasn't much in it.
00:15:17So what kind of a chance do you think Callahan has?
00:15:19Oh, about as much chance as a snowball and a red-hot stove. They got him cold this time.
00:15:24Mike, when I interview him, will it be all right to mention your name?
00:15:27Sure, if you want to learn some new words.
00:15:30Shall we go?
00:15:32Why not?
00:15:33If you don't mind, I think I'll stay and have a little more coffee.
00:15:37Of course.
00:15:38It's been nice meeting any friend of Kay's.
00:15:40Yeah, it's been nice.
00:15:41These are yours, dear.
00:15:42Oh, thanks.
00:15:46Yeah.
00:15:48Looks more like a milk to me.
00:15:51Hey, Myers, anything there for me?
00:15:53Not a thing, Trout.
00:15:54It's the weirdest thing I've ever seen.
00:15:56There's something phony on this train that she's keeping it a secret.
00:15:59Anything could happen right under my nose.
00:16:01Well, there's room enough.
00:16:11There's room enough.
00:16:12I'm going to go.
00:16:13Hey, Myers!
00:16:14You're taking these cars pretty fast.
00:16:15Well, we're still on the rails, don't we?
00:16:18Ha, ha, ha!
00:16:25I won't be more in a minute, sir.
00:16:26Yes, well, I'll wait in the smoker.
00:16:36I'm sorry.
00:16:37What are you...
00:16:38Nothing.
00:16:39It was an accident.
00:16:40I hope you'll excuse me.
00:16:44I...
00:16:45I'm sorry.
00:16:46I've had a couple of drinks.
00:16:48Oh, wait a minute, mister.
00:16:50Have you got a match?
00:16:51Yes.
00:16:53I hate ringing for these porters.
00:16:56Mind closing the door?
00:16:57What?
00:17:08You sick?
00:17:09No, why?
00:17:11You look kind of pale.
00:17:13Maybe it's the binge.
00:17:14I'm not really drunk.
00:17:15I've only had two sidecars.
00:17:19Some guys get all the luck.
00:17:21Well, I guess I'll get along.
00:17:22Stick around a minute.
00:17:23There's no charge.
00:17:24Oh, but I...
00:17:25Wife along?
00:17:26No, thanks.
00:17:27Well, I mean, the way I broke in here...
00:17:28You don't have to be afraid of me, mister.
00:17:29All I want is a drink.
00:17:30If you could spare one.
00:17:31Well, I...
00:17:32I hate to ask for it, but I'm in the dumps.
00:17:34I'll send one in.
00:17:41I'll send one in.
00:17:42I don't like to drink alone.
00:17:45Well, I'll bring something right away.
00:17:48Is there anything else you want, miss?
00:17:49Yes, sir.
00:17:51There we are.
00:17:52Thanks for having me.
00:17:54Well, I'll bring something right away.
00:17:59Come on, Miss.
00:18:00Good thing.
00:18:01Yes.
00:18:02I'm going to my compartment to get a cigar.
00:18:12Mr. Linscott?
00:18:13Yes?
00:18:15I'm called Izzard.
00:18:17I'm working on a little job for Caleb Wentworth.
00:18:20I see. Special detective, huh?
00:18:23What do you want with me?
00:18:28I'm in kind of a jam.
00:18:30And I need your help.
00:18:32What for?
00:18:33There's a woman on this train who could blow the Callahan case wide open.
00:18:36Say, what are you driving at?
00:18:37Just this.
00:18:38It's very important that she doesn't get to San Francisco to testify.
00:18:41Say, I don't get it.
00:18:42What has the Callahan case got to do with Wentworth?
00:18:45Are you kidding?
00:18:46I know.
00:18:47Well, you can get that dope from Wentworth.
00:18:49But right now, what I want you to do is this.
00:18:52You're engaged to Kay Bentley.
00:18:54Now, she and she and she are going to do it.
00:18:57Now, never mind that.
00:18:58I'm afraid you'll have to mind it.
00:18:59Because I want her to talk to Shane and find out where this woman is.
00:19:02Understand?
00:19:03Well, listen.
00:19:04I don't know what this is all about.
00:19:05And frankly, I'll just as soon forget it.
00:19:06If you'll excuse me.
00:19:07Now, listen, wise guy.
00:19:08I didn't want to tell you this.
00:19:09But you might as well know.
00:19:10Callahan is innocent and this woman can prove it.
00:19:12What?
00:19:13That's right.
00:19:14You mean that they're railroading an innocent man?
00:19:16You catch on quick.
00:19:17I don't know.
00:19:18I don't know.
00:19:19I don't know.
00:19:20I don't know.
00:19:21I don't know.
00:19:22I don't know.
00:19:23I don't know.
00:19:24You mean that they're railroading an innocent man?
00:19:25You catch on quick.
00:19:26But why?
00:19:27Lesson, you know as well as I do that Wentworth's company is under investigation.
00:19:32So, if Wentworth isn't elected governor, he'll have a new office.
00:19:37In San Quentin and you may be with him.
00:19:41Think it over.
00:19:43Mike Shane is in car 38.
00:19:47Compartment B.
00:20:13I don't know.
00:20:14I don't know.
00:20:19Shut my big mouth.
00:20:28Boy, what a crap game I could have with this.
00:20:31Get behind me, Satan, and tie my hands.
00:20:34Lordy, little lordy.
00:20:36Why wasn't I born a little larceny in my soul?
00:20:39Folks ain't got no business being so careless with a blessing in life.
00:20:43Must be five or ten thousand dollars.
00:20:46Maybe fifteen.
00:20:50Say, it didn't take you long.
00:20:51No, the club card's writing back.
00:20:53What's Santa Claus got there?
00:20:55This is the only way it comes.
00:20:57Midgets.
00:20:58Yes, they don't sell it in big bottles.
00:21:00Well, as long as there's enough of them.
00:21:02Do you think I should get some more?
00:21:03Oh, no.
00:21:04I was just kidding.
00:21:05Oh.
00:21:15Well, glasses and everything.
00:21:16Say, in case I forget to tell you, you're a lifesaver.
00:21:18Oh, is it that bad?
00:21:19Almost.
00:21:20I don't know what I'd have done without you.
00:21:22Say, when?
00:21:23You don't have to with those.
00:21:24Oh, of course.
00:21:25I've never seen these little bottles before.
00:21:32I don't like to spoil good liquor.
00:21:34Well?
00:21:35No toast.
00:21:36I don't know any.
00:21:37You're evidently not a drinking man.
00:21:38Oh, I take one now and then.
00:21:39Sit down.
00:21:40Thanks.
00:21:41Cigarette?
00:21:42Why, I'll smoke one of these, if you don't mind cigars.
00:21:43Only at a smoker.
00:21:44Some ladies don't like them.
00:21:45Oh, isn't the liquor all right?
00:21:46Well, I'll smoke one of these, if you don't mind cigars.
00:21:47Only at a smoker.
00:21:48Some ladies don't like them.
00:21:49Oh, isn't the liquor all right?
00:21:50Oh, it couldn't be better.
00:21:51Oh.
00:21:52And when that suitcase busted open, it just spattered money.
00:21:55Must have been 20 or 25 thousand dollars.
00:21:56Maybe 30.
00:21:57Mm-hmm.
00:21:58He must be one of these, if you don't mind cigars.
00:21:59Well, I'll smoke one of these, if you don't mind cigars.
00:22:01I'll smoke one of these, if you don't mind cigars.
00:22:02Only at a smoker.
00:22:03Some ladies don't like them.
00:22:04Oh, it couldn't be better.
00:22:05Oh.
00:22:06And when that suitcase busted open, it just spattered money.
00:22:11Must have been 20 or 25 thousand dollars.
00:22:14Maybe 30.
00:22:15Mm-hmm.
00:22:16He must be one of them wall street typhoons.
00:22:19From the way that money flew, he's the whole hurricane.
00:22:27The end of a perfect day.
00:22:29Oh, I, uh, I'll go when I finish this.
00:22:32Oh, I didn't mean for you to scram.
00:22:33What's the rush?
00:22:34Well, I, I really haven't any place to go.
00:22:36And sit still silly.
00:22:42You're a funny duck.
00:22:43What you mean?
00:22:44Jason.
00:22:45Everett Jason.
00:22:46Sounds like a school teacher.
00:22:47Or a doctor.
00:22:48I'm in the dry goods business.
00:22:49Dry goods?
00:22:50And me with a permanent thirst.
00:22:51Oh.
00:22:52I'm sorry.
00:22:54What are they doing?
00:22:55What are they doing?
00:22:56What are they doing?
00:22:57I'm sorry.
00:22:58What are they doing?
00:22:59I'm sorry.
00:23:00What are they doing?
00:23:01What do they call you for short?
00:23:03I've never been called anything for short.
00:23:06If...
00:23:07J...
00:23:08How's Jase?
00:23:09I'm fine.
00:23:10Well, Jase, down the hatch.
00:23:14Same to you.
00:23:15Mind if I sit now?
00:23:16Oh, no.
00:23:17Of course not.
00:23:18Smoke?
00:23:19No, thanks.
00:23:20Wrong advice.
00:23:21Casual, a little work back there.
00:23:22She's so interested in her job.
00:23:23I didn't want to disturb her.
00:23:24Yeah.
00:23:25Yeah.
00:23:26Yes, she used to make me believe that.
00:23:31You know, Mr. Shane, I get worried about that girl sometimes.
00:23:35How so?
00:23:36Oh, the chances she takes.
00:23:37Oh, she's just naturally impulsive.
00:23:39Don't take her too seriously.
00:23:40Don't take her too seriously.
00:23:41Say it.
00:23:42Oh, Mr. Shane...
00:23:43I get worried about that girl sometimes.
00:23:44How so?
00:23:45Oh, the chances she takes.
00:23:46Oh, she's just naturally impulsive.
00:23:48Don't take her too seriously.
00:23:49Oh, the chances she takes.
00:23:51Oh, she's just naturally impulsive.
00:23:53Don't take her too seriously.
00:23:56You know, she told me she heard the secret witness
00:23:58for the Callahan cases aboard.
00:24:00She's determined to find out.
00:24:02Is that so?
00:24:03Yeah.
00:24:04If I thought the witness was on this train,
00:24:06I wouldn't let Kay out of my sight.
00:24:07Oh, let her look.
00:24:09Give her some exercise.
00:24:11I think I'll grab a breath of fresh air before I turn in.
00:24:19What would you do if you had your choice of anything in the world?
00:24:26Money, no objection.
00:24:28I think I'd go away where there's a lot of sun and water.
00:24:33No cops.
00:24:34You mean, uh, like a tropical island?
00:24:38Sure, good idea. Why not?
00:24:40Oh, the tropics is no place for white women.
00:24:43A lot of malaria.
00:24:45Well, where would you go?
00:24:48I'm going to South America.
00:24:50South America?
00:24:51Yep.
00:24:52They've got everything there.
00:24:53Climate perfect all year round.
00:24:56And scenery, magnificent.
00:25:00Who is this?
00:25:01Oh, come in.
00:25:03Kay, I...
00:25:04I'll be with you in a minute.
00:25:05I'm going to South America.
00:25:06Well, where would you go?
00:25:07I'm going to South America.
00:25:08South America?
00:25:09Yeah.
00:25:10They've got everything there.
00:25:11Climate perfect all year round.
00:25:12And scenery, magnificent.
00:25:14I'll be with you in a minute.
00:25:17Hmm?
00:25:18I ran into a story for you.
00:25:19A front page story.
00:25:20Well, let's have it.
00:25:21You've been curious to know why Mike Shane is going to San Francisco, haven't you?
00:25:24Yes.
00:25:25According to a friend I just met, Shane is hiding a woman somewhere on this train.
00:25:29A woman?
00:25:30Mm-hmm.
00:25:31Oh, now, wait a minute.
00:25:32That doesn't make sense.
00:25:33Would it if the woman was a surprise witness for Callahan?
00:25:37Holy cats.
00:25:39Who is she?
00:25:41I think her name is, uh, Helen Carlson.
00:25:44Surprise witness, eh?
00:25:47And he hasn't seen Callahan in years.
00:25:49Why, that lying flat was...
00:25:52Say, are you sure about this?
00:25:55It was told to me in strict confidence I wouldn't want my name mentioned.
00:25:57Well, okay.
00:25:58I'll check it myself.
00:25:59Oh.
00:26:00Oh, I have my own little way of means committed.
00:26:02What's the matter?
00:26:03Oh.
00:26:04Nothing.
00:26:23Trout wine.
00:26:24I guess that's the one he was looking for.
00:26:25If you see him, tell him I've got it.
00:26:26All right.
00:26:27That's right.
00:26:28And Leander said it was $50,000 or maybe $60,000.
00:26:33Wow.
00:26:34He must have won the pot of gold.
00:26:35He must have won gold or silver or something.
00:26:37Uh-huh.
00:26:42Uh-huh.
00:26:43Uh-huh.
00:26:44Uh-huh.
00:26:45Uh-huh.
00:26:46Uh-huh.
00:26:47Uh-huh.
00:26:48Uh-huh.
00:26:49Uh-huh.
00:26:50Uh-huh.
00:26:51Uh-huh.
00:26:52Uh-huh.
00:26:53Uh-huh.
00:26:54Uh-huh.
00:26:55Uh-huh.
00:26:56Uh-huh.
00:26:57Uh-huh.
00:26:58Uh-huh.
00:26:59Uh-huh.
00:27:00Uh-huh.
00:27:01Uh-huh.
00:27:02Uh-huh.
00:27:03Uh-huh.
00:27:04Uh-huh.
00:27:05Uh-huh.
00:27:06Uh-huh.
00:27:07Uh-huh.
00:27:08Uh-huh.
00:27:09Uh-huh.
00:27:10Uh-huh.
00:27:11Uh-huh.
00:27:12Uh-huh.
00:27:13Uh-huh.
00:27:14Uh-huh.
00:27:15Uh-huh.
00:27:16Uh-huh.
00:27:17Uh-huh.
00:27:18Uh-huh.
00:27:19Uh-huh.
00:27:20Uh-huh.
00:27:21Uh-huh.
00:27:22Uh-huh.
00:27:23Uh-huh.
00:27:24Uh-huh.
00:27:25Uh-huh.
00:27:26Uh-huh.
00:27:27Oh, just a minute, please.
00:27:29Oh, just a minute, please.
00:27:31Oh, just a minute, please.
00:28:00Get in there.
00:28:01All right, now, be quiet.
00:28:11Why, Kay.
00:28:12Oh, is this your cell?
00:28:13What, no.
00:28:14You see, I was just waiting here until they made up my birth.
00:28:17Well, I met a girlfriend.
00:28:18She said she was in this car.
00:28:19I was looking for her.
00:28:20You've got a nice clear night for her.
00:28:22I'm sure she said drawing room A.
00:28:25Oh, I did see a tall, dark girl with rather full of brush
00:28:30eyelashes, right down by the water cooler.
00:28:32Oh, no, no.
00:28:33This one's sort of blonde.
00:28:34She's an old schoolmate of mine, grammar school.
00:28:37I haven't seen any old girls.
00:28:39Well, she's not old.
00:28:40About my age.
00:28:41And still going to grammar school, my.
00:28:42She must be rather mentally round-shouldered.
00:28:44Well, come on in.
00:28:49You've never seen a drawing room before.
00:28:54This, uh, this room's a little larger than mine.
00:28:57Yeah, is it?
00:28:58Yes, they say that some are larger and some are smaller.
00:29:00I guess it's because of the size, huh?
00:29:03You, uh, you might invite me to sit down.
00:29:06Oh, sure.
00:29:07Go ahead.
00:29:08Sit down.
00:29:09Take a load off your arches.
00:29:10Thanks.
00:29:12Oh, you can leave the door open.
00:29:13Oh, no, no.
00:29:14That isn't necessary.
00:29:15I trust you.
00:29:16Oh, no.
00:29:17No, no.
00:29:18No, no.
00:29:19That isn't necessary.
00:29:20I trust you.
00:29:21Oh, no.
00:29:22Say, you know, that guy you're engaged to is pretty smooth.
00:29:25Yes, isn't he?
00:29:26I never thought you'd go for a guy like that.
00:29:28You always picked him kind of, you know, rowdy.
00:29:31The kind that you meet in your racket, you know?
00:29:33Oh, no, no, no.
00:29:34What's the matter?
00:29:35No, I need some water.
00:29:36Oh, no, no.
00:29:37I'll have a water.
00:29:38Oh, no, no.
00:29:39Oh, it's all right.
00:29:40I can get some water.
00:29:41Oh, no, no.
00:29:42I'll have a water.
00:29:43Oh, it's all right.
00:29:44I can get some water.
00:29:45Oh, no, no.
00:29:46I'll have a water.
00:29:47Oh, no, no.
00:29:48I'll have a water.
00:29:49Oh, no, no.
00:29:50Oh, no.
00:29:51I'll get the water.
00:29:52No, I'll get the water.
00:29:53Oh, no, really.
00:29:56Well, all right if you insist.
00:30:14I...
00:30:15I feel better.
00:30:16Oh, that's good.
00:30:17That's...
00:30:45I'll get the water.
00:30:46I'll get the water.
00:30:47I'll get the water.
00:30:48I'll get the water.
00:30:49Hey, look.
00:30:50Uh, let's go up the club car.
00:30:51Oh, no.
00:30:52This is fun here.
00:30:53Oh, they've got a nice radio up there.
00:30:54Oh, radios never work on trades.
00:30:55Come on, stay here.
00:30:56What, you're both paid up now, sir?
00:30:57What?
00:30:58I...
00:30:59I told you to make it up before.
00:31:00Uh, no, sir.
00:31:01You didn't tell me.
00:31:02Well, I ain't seen you since you got on.
00:31:05All right, then.
00:31:06It must have been your brother.
00:31:07I ain't got no brother.
00:31:08Then forget about it.
00:31:09Make it up later.
00:31:10Yes, sir.
00:31:11You're slipping, Mike.
00:31:13You used to be able to cover up much better than that.
00:31:15Cover up?
00:31:16Well, I'd skip it.
00:31:17Say, what's the number of this car?
00:31:1938.
00:31:2038?
00:31:21Oh, I thought it was 28.
00:31:23Now, isn't that stupid?
00:31:25Yeah.
00:31:26I'll go find 28.
00:31:27Excuse me.
00:31:31I'll be anxious to know if you find your friend.
00:31:33Oh, I'll find her.
00:31:34You know, there isn't any car 28 on this train.
00:31:37Or maybe you were thinking of two other trains, huh?
00:32:03Porter, have you something for a headache?
00:32:05Uh, no, ma'am.
00:32:06But I'll try to get you something.
00:32:08Governor번.
00:32:09I'll try to get you something for a beginner.
00:32:11Well, I'll try to get you something for a beginner.
00:32:12And that was a experiment.
00:32:13See?
00:32:14Oh, no, ma'am.
00:32:15Well, come on.
00:32:17Why make me?
00:32:18I'm not sure why you want to go in the morning, ma'am.
00:32:19Don't let me go in.
00:32:20I'm sorry.
00:32:21You're righteous?
00:32:22I'm not sure.
00:32:23Come on.
00:32:24WISHO.
00:32:25I can't do it.
00:32:26But I'm going to get me a bambi.
00:32:28I know.
00:32:29I can't do it.
00:32:30I'll hit him.
00:32:31What did he do?
00:32:32What do you want?
00:32:33I can do it?
00:32:34I can't do it.
00:32:35I can't do it.
00:32:36Come here.
00:32:59Porter.
00:33:03Porter.
00:33:06Oh, Porter, will you...
00:33:08Oh, Alarm, I...
00:33:12Well, how'd you ever get up there?
00:33:14Well, don't stand there like a dog.
00:33:16Got me down.
00:33:18You know, I bet that's hard to do, isn't it?
00:33:20Put a torch in your hand,
00:33:22and you could pass for the statue of a man.
00:33:24Well, don't stand there like a dog.
00:33:26Got me down.
00:33:28You know, I bet that's hard to do, isn't it?
00:33:30Put a torch in your hand,
00:33:32and you could pass for the statue of a man.
00:33:34Go on, enjoy yourself.
00:33:36I bet you pulled wings off of flies when you were a kid.
00:33:38All right, you don't like me, huh?
00:33:40I'll get your fiancé.
00:33:41Oh, no, Mike, please.
00:33:43Please help me down.
00:33:45Look, there's the key.
00:33:46I don't see any key.
00:33:48It's right there on the floor next to your foot.
00:33:50Oh, you mean this thing, huh?
00:33:52What were you doing up there, looking for mice?
00:33:54Ah, yes, I...
00:33:56No, I...
00:33:58I just wanted to find out how the birds went up in town.
00:34:00Oh.
00:34:02Studying to become a porter, huh?
00:34:04Oh, that won't fit.
00:34:06Oh, you've got the wrong end, stupid.
00:34:08Oh, the two ends, huh?
00:34:10Isn't that clever?
00:34:14Oh, I'm sorry.
00:34:16Oh, you poor kitty.
00:34:18Are you all right?
00:34:19Yeah, I'm all right.
00:34:20Are you sure you're all right?
00:34:21Sure, I'm sure.
00:34:22Oh, okay, you ought to get angry more often.
00:34:24It makes you sparkle.
00:34:25Oh, let go of me.
00:34:26Oh, was I holding you?
00:34:27I didn't realize it, honestly.
00:34:28Oh, Mike, why don't you come out in the open
00:34:30and whatever you're doing?
00:34:31What are you talking about?
00:34:32I happen to know that you're hiding someone on this train.
00:34:34Who told you that?
00:34:35Never mind.
00:34:36I happen to know that you're hiding someone on this train.
00:34:38Who told you that?
00:34:39Never mind.
00:34:40I happen to know.
00:34:41You know, Kay, I think you're a pretty swell dish.
00:34:43I'd hate to see you get into something
00:34:44that you couldn't get out of.
00:34:45I can take care of myself.
00:34:46Well, all right.
00:34:47I didn't think you'd be dumb enough
00:34:48to put yourself in a spot for the wrong people.
00:34:50And who are you to judge?
00:34:51Oh, so you are covering someone, huh?
00:34:52I didn't say that.
00:34:53You didn't have to.
00:34:54Now, wait a minute.
00:34:55Oh, wait a minute.
00:34:56I'm sorry.
00:34:57I'm sorry.
00:34:58I'm sorry.
00:34:59I'm sorry.
00:35:00I'm sorry.
00:35:01I'm sorry.
00:35:02I'm sorry.
00:35:03I'm sorry.
00:35:04I'm sorry.
00:35:05I'm sorry.
00:35:06I'm sorry.
00:35:07I'm sorry.
00:35:08Now, wait a minute.
00:35:09I think you dropped this in front of my room.
00:35:12See, you still don't cross your T's.
00:35:15That's a very bad habit.
00:35:17You ought to...
00:35:35Hey, May!
00:35:36If you keep this up, you'll be getting more than a watch.
00:35:38They'll be picking you for a wooden suit.
00:35:40And the next, a pair of pants for you, Spurt.
00:35:43You keep that shovel moving, or I'll wrap it around your neck.
00:35:52South America must be a swell place.
00:35:55Won't you get kind of lonesome down there?
00:35:57Oh, no.
00:35:58I won't have a chance to.
00:35:59I've made some contacts, and I'm going to open a dry goods store.
00:36:03Anyway, I'll be too busy getting settled and learning the language.
00:36:07Aren't you coming back?
00:36:08I don't intend to.
00:36:10Must be wonderful to start over with a clean slate.
00:36:13I always wished I could.
00:36:17Who is it?
00:36:18Mike Shane.
00:36:20Just a minute.
00:36:22Who is it?
00:36:23Mike Shane.
00:36:24Just a minute.
00:36:50Mike Shane.
00:36:51Mike Shane.
00:36:52What took you so long?
00:36:53Who was long?
00:36:57Oh.
00:36:59Where'd you get the liquor?
00:37:01They still have porters on these trains.
00:37:05Now look, Helen.
00:37:06I told you that there might be someone who would stop at nothing to keep you from getting to San Francisco.
00:37:13Yeah, you told me.
00:37:15Well, I just found out that there is, and right on this train.
00:37:18Now it's up to me to see that you get there safely.
00:37:20I'll get there.
00:37:22I sneaked you in here on a stretcher.
00:37:24I'd hate to see you have to leave the same way on the level.
00:37:27You're not scaring me.
00:37:29I'm not trying to.
00:37:31But you're going to go through with this.
00:37:33I don't want to get tough, but if I have to, I will.
00:37:37All right, what's it going to be?
00:37:39You're going to play ball or not?
00:37:40Why should I?
00:37:41I've got nothing to gain.
00:37:44Honey, a man's life is at stake.
00:37:47You can't figure it out any other way, all right.
00:37:50Chalk it off to what you owe to society.
00:37:52Yeah.
00:37:53For what society did for me, I suppose.
00:37:56Yeah.
00:37:58Yeah.
00:38:00Yeah.
00:38:01All right, now you lay low and keep this door locked.
00:38:05Be a good girl now, hmm?
00:38:22You heard, didn't you?
00:38:24Yes, Alan.
00:38:26Well, it's been swell meeting you.
00:38:32You don't have to stall about going.
00:38:34It's okay.
00:38:35I'm not going.
00:38:38Unless you want me to.
00:38:41Why don't you tell me what it's all about?
00:38:43Maybe I can help you.
00:38:46You couldn't help.
00:38:48How can you know, unless...
00:38:50Oh, it's no use, Chase.
00:38:52It may seem useless to you, but somehow I have a feeling I can help you.
00:38:56You'll only trust me.
00:38:58Well, it isn't that I don't trust you, but...
00:39:01Then tell me.
00:39:03Okay.
00:39:04But remember, you asked for it.
00:39:13It all started when I was in the chorus of a second-rate musical show on Frisco.
00:39:18Met a lot of party boys.
00:39:20You know how it is when you're in a show.
00:39:26One night, a miracle happened.
00:39:28I met the right guy.
00:39:30He loaded me down with furs, clothes, and jewels.
00:39:36Gee, he was thoughtful.
00:39:37When the police broke in, I found out the stuff was hot.
00:39:41True Blue Herald took it on the lamb, and I took it on the chin.
00:39:44One to five.
00:39:46Did a year, and got out on parole.
00:39:51It was pretty tough going.
00:39:53Yes.
00:39:54I guess it would be.
00:39:56One night, a friend introduced me to a real nice kid.
00:40:00He took me to what turned out to be a gay man.
00:40:02He took me to what turned out to be a gay man.
00:40:04He took me to what turned out to be a gambling joint run by Jeff Alton.
00:40:09Kid got drunk, and bragged he was gonna break the house.
00:40:13In an hour, they had his bank rule.
00:40:16Barges into Alton's office, and accuses him of needling the wheel.
00:40:22It's an argument.
00:40:24Kid grabs Alton's gun, and lets him have it.
00:40:28We duck, and...
00:40:30The kid gives me some dough, and tells me to get out of the state.
00:40:34I told him it violated my parole.
00:40:37He asked me how I'd like to serve the rest of my term.
00:40:40His dad was a big shot.
00:40:42Caleb Wentworth, running for governor.
00:40:45I was scared and confused, so I beat it to Denver.
00:40:49Then the Bulls picked up a guy by the name of Callahan,
00:40:52and pinned the murder on him.
00:40:55Then this flat-foot Shane shows up in Denver,
00:40:57and says either I testify, or he'll tell off the parole board.
00:41:00So, here I am.
00:41:08That's funny.
00:41:10Yeah.
00:41:12Very funny.
00:41:16Well, it's been nice knowing you.
00:41:17No, no, I didn't mean it that way.
00:41:19You don't have to believe it.
00:41:21But I do.
00:41:22Every word of it.
00:41:23And I understand, Alan.
00:41:25Because I'm in a mess the same as you are.
00:41:28What do you mean? The cops after you?
00:41:30No. Not that.
00:41:32What then?
00:41:34Well, it may sound crazy to you,
00:41:37but I'm running away from the very thing you're searching for.
00:41:40What's that?
00:41:42Security and peace.
00:41:44That doesn't make sense.
00:41:46I know it doesn't.
00:41:50I've lived my whole life back there in Avondale,
00:41:53where mother and father were born there.
00:41:55I always had everything done for me.
00:41:57I was never allowed to make a decision in my whole life.
00:42:00When I graduated from college,
00:42:02my family had a wife picked out for me.
00:42:05She took up where they left off.
00:42:08I don't mean she was bossy or nagging,
00:42:11but I just couldn't go on that way any longer.
00:42:14I had to get away to find out if I could really think for myself.
00:42:34Well, Miss Bentley talked with Shane.
00:42:37The Ida knows what she's trying to find out,
00:42:39or Helen Carlson isn't on the train.
00:42:41So we're back where we started, eh?
00:42:43There are other means of Shane getting her to San Francisco.
00:42:45We got them all covered.
00:42:47Now, look.
00:42:49This is my biggest chance for important go,
00:42:51and I'm not blowing it.
00:42:53That day mustn't get to San Francisco.
00:42:55Well, I wish you luck.
00:42:56You're not out of it yet, Mr. Linskin.
00:42:58I may need your help.
00:43:00Well, how can I help?
00:43:02I might have to arrange an accident.
00:43:04Now, wait a minute. You can't do that.
00:43:06Why not?
00:43:08I don't want any part of it.
00:43:10You got nothing to say about it.
00:43:12Just listen to me and get what I tell you straight.
00:43:14I don't want any part of it.
00:43:16You got nothing to say about it.
00:43:18Just listen to me and get what I tell you straight.
00:43:20My wife's a good woman, Helen.
00:43:23Too good.
00:43:25But I've been just a shadow to her.
00:43:27That's why I'm going to South America.
00:43:29Do you think you'll find what you're looking for there?
00:43:31I know I will.
00:43:33Helen,
00:43:35we've only just met,
00:43:37but there's something about you that makes me feel I've known you for a long time.
00:43:41That's the only reason I can come out and ask you this.
00:43:43Why don't you come along?
00:43:45I don't know.
00:43:46You don't mean that.
00:43:48It's the liquor talking.
00:43:50No, it isn't.
00:43:51You don't want to go back and testify.
00:43:53You'll be risking your life.
00:43:55Look, I've got $10,000 in my compartment.
00:43:57It's all mine. I've saved it.
00:43:59I've left my wife well provided for it.
00:44:01We can get off at the next stop and catch another train.
00:44:03It's crazy.
00:44:05No, it isn't.
00:44:07Don't you see?
00:44:09We've got a lot of money.
00:44:11We've got a lot of money.
00:44:12It doesn't seem real, Jase.
00:44:14Things like this just, they just can't happen.
00:44:16They can if we'll only let them.
00:44:18We'll be far away from people we know why it'll be like,
00:44:20like starting all over again.
00:44:22I don't know, Jase.
00:44:24I don't know, Jase.
00:44:26I don't know.
00:44:28I don't know.
00:44:29I'm telling you.
00:44:31I got it straight from Leander.
00:44:33He told you that?
00:44:34Well, he didn't exactly tell me.
00:44:36But George told me that Henry told him that Leander see it with his own eyes.
00:44:39Is that so?
00:44:41His suitcase was just a bustin' with money.
00:44:43No clothes, just clothes.
00:44:45Just clothes.
00:44:46I don't know why it'll be like, like starting all over again.
00:44:48I don't know, Jase.
00:44:50I don't know.
00:44:52I don't know.
00:44:53Why don't you boys stop lyin' to each other?
00:44:54I ain't lyin'?
00:44:55It's a fact.
00:44:56We got the richest man in the world on board.
00:44:58Who's that?
00:44:59I don't know.
00:45:00But he's tootin' around a half a million dollars in a suitcase.
00:45:02In a suitcase?
00:45:03Where?
00:45:05Up in Leon Jones' car.
00:45:07So that's it.
00:45:09I don't know.
00:45:11I don't know.
00:45:12But he's tootin' around a half a million dollars in a suitcase.
00:45:15In a suitcase?
00:45:16Where?
00:45:18Up in Leon Jones' car.
00:45:20So that's it.
00:45:23I got a chance to make up some time.
00:45:33Now get off the lead, boy, before I pass my foot to the seat of your pants.
00:45:37What's the matter with you?
00:45:38She's red on the fire of a shirt and I don't want red.
00:45:42They're even pink.
00:45:43White!
00:45:44Can you hear me?
00:45:50This is it.
00:45:51See if he's in.
00:45:54Take a look.
00:46:01He ain't in.
00:46:05This it?
00:46:06Yes.
00:46:07It's the McCoy all right.
00:46:08This guy's makin' quite a haul.
00:46:09I just hope she ain't trein' the wrong possum.
00:46:22Now get this, Leander.
00:46:23This man's an embezzler sure of shootin'.
00:46:24I want you to keep your eyes open for him.
00:46:25If he tries to get off the train, stop him.
00:46:26I'll be waitin' here.
00:46:27Yes, sir.
00:46:28But just cause a man carries a lot of cash, you don't make it necessarily so.
00:46:31You're under orders.
00:46:32Yes, sir.
00:46:33Absolutely, sir.
00:46:34The old fool's driving that hog like a madman.
00:46:35Made up 30 minutes since we left Laramie.
00:46:36Well, I was up there.
00:46:37Yeah, what'd he say?
00:46:38He said if you don't like the speed he's runnin' the street net, you can get off and walk.
00:46:39Oh, he did, huh?
00:46:40When we get to division point, I'll make a speech or two.
00:46:43Better as if we get there.
00:46:45Come in.
00:46:47Hey, Mr.
00:47:04Yes, sir.
00:47:05Come in.
00:47:08Good evening, Mr. Shane.
00:47:11My name is...
00:47:12Carl Izzard.
00:47:13How'd you know?
00:47:14I don't know.
00:47:15You just look like a guy who'd have a name like Izzard.
00:47:18All right.
00:47:19What's on your mind?
00:47:20Mr. Shane, you and I have plenty in common.
00:47:22Is that so?
00:47:23Yeah.
00:47:24Mind if I sit down?
00:47:25No, no.
00:47:26Go ahead.
00:47:27Sit down.
00:47:28I don't care.
00:47:38Maybe I don't have to tell you this, but I'm on the biggest job that ever hit my office.
00:47:42If I crack it, I can write my own check.
00:47:45I'm very impressed.
00:47:47I believe in being frank.
00:47:49This job's too tough for me to handle alone.
00:47:51Oh, I'm sorry.
00:47:52I'm on a vacation.
00:47:53Wouldn't want to combine a little business with it.
00:47:56What kind of business?
00:47:57Profitable.
00:47:58How profitable?
00:48:00$2,500.
00:48:02That's a lot of money.
00:48:04Now, all you gotta do is introduce me to a certain young lady.
00:48:07Ah, it's just my luck.
00:48:09I don't know any young ladies.
00:48:11You don't?
00:48:12No.
00:48:13Not for three grand?
00:48:14No.
00:48:15On the line?
00:48:16Mm-mm.
00:48:17Well, would you know any young ladies for, say, $3,500?
00:48:21I'm sorry.
00:48:22How much are you getting for the Carlson job?
00:48:25Ask the quiz, kids.
00:48:28After when we're selected governor, maybe they'd be head of the state police department.
00:48:32Oh, no thanks.
00:48:34No.
00:48:35See, there's so much responsibility and all.
00:48:38No.
00:48:39You're a hard man to do business with.
00:48:41Not always.
00:48:42Come on, Shane.
00:48:43Let's stop clowning.
00:48:44Every man has his price.
00:48:45What's yours?
00:48:46What do you think?
00:48:47I think $5,000 and that's tops.
00:48:49Well, you're all wrong.
00:48:53Now, go on.
00:48:54Get out of here.
00:48:58You're a chump, Shane.
00:48:59Yeah.
00:49:00This opportunity won't knock again.
00:49:02It's too bad for me, isn't it?
00:49:06Where's the girl?
00:49:07Now...
00:49:09Come on.
00:49:10Quit the stalling.
00:49:13Now, listen.
00:49:14You fire that gun and the...
00:49:17The whole train's gonna come piling in here.
00:49:20Yeah?
00:49:21It'll be pretty hard to hear a shot when you go by a crossing or another train comes by.
00:49:26So you better change your mind, cause one's liable to come along any minute.
00:49:30Aren't you afraid you're gonna have a little trouble finding that girl without my help?
00:49:34I'll take that chance.
00:50:04Jump, man.
00:50:05Jump!
00:50:06Jump!
00:50:07Jump!
00:50:08What happened?
00:50:09What happened?
00:50:10What happened?
00:50:11What's the matter?
00:50:12Don't know.
00:50:13What happened?
00:50:14I don't know.
00:50:15Get out of here, man.
00:50:16Get out of here, man.
00:50:17Hey!
00:50:18Come on.
00:50:19Be back.
00:50:20Get out of here, man.
00:50:21Wait, you know.
00:50:23Let me show down.
00:50:24Come on!
00:50:25No.
00:50:26I don't know.
00:50:27Let me show up.
00:50:28What's the matter?
00:50:29Let it go.
00:50:30Let it go.
00:50:31Let it go.
00:50:32Let it go.
00:50:33You better be ready, man.
00:50:36Hey, Kay, are you all right?
00:50:38Yeah, I think so.
00:50:42Is anybody a doctor?
00:50:44There's a girl here.
00:50:46She's unconscious.
00:50:48Try one of the other cars.
00:50:50Say, maybe I can help.
00:50:52Oh, thanks.
00:50:54I'll be right back.
00:50:56Hey, Kay, are you all right?
00:50:58Yeah, I think so.
00:51:00Is anybody a doctor?
00:51:02There's a girl here. She's unconscious.
00:51:04Try one of the other cars.
00:51:06All right, bye.
00:51:14This girl's out like a light.
00:51:16Get a wet towel, quick.
00:51:18Is anybody here a doctor?
00:51:20No.
00:51:21Hey, what happened?
00:51:22Used the cab of that truck we hit to get him into Kingsley
00:51:24at three miles west.
00:51:26And phoned division point and had them send an engine
00:51:28and a wrecking crew to haul it.
00:51:32Nice mess that old fool got us into.
00:51:34Oh, yeah?
00:51:36Only guy can stick to his engine like he did is okay in my book.
00:51:46Mike.
00:51:47Boy, I must be in the wrong car.
00:51:50What's the matter with her?
00:51:52I don't know yet.
00:51:54Take it easy, honey.
00:51:55You'll be all right.
00:51:56Ah.
00:51:57Say, I think you two better get out of here.
00:51:59I can take care of her better alone.
00:52:00Oh, but look.
00:52:01Maybe I can put the...
00:52:02Oh, come on, Mike.
00:52:03Please.
00:52:11Say, uh, that girl may need a doctor.
00:52:13I'll try and find one.
00:52:14That's a good idea.
00:52:15Hey.
00:52:16Somebody come in here.
00:52:18Anybody out there?
00:52:19Help!
00:52:20Help!
00:52:21Good gracious of me.
00:52:22What's the matter, sir?
00:52:23Come on.
00:52:24Hurry up and untie me.
00:52:25You sure isn't that pretty?
00:52:26Yeah.
00:52:27I was hanging up my overcoat when the crash came and got twisted in the belt.
00:52:32If I hadn't seen it with my own eyes, I never would have believed it.
00:52:35Come on.
00:52:36Hurry up.
00:52:37I never would have believed it.
00:52:38Come on.
00:52:39Hurry up.
00:52:40Oh.
00:52:41What happened?
00:52:42A little accident.
00:52:43You've got a bad bump.
00:52:44I must have taken a swell header all right.
00:52:46Oh, I passed out cold.
00:52:47Where's Jase?
00:52:48Oh, no.
00:52:49No.
00:52:50No.
00:52:51No.
00:52:52No.
00:52:53No.
00:52:54No.
00:52:55No.
00:52:56No.
00:52:57No.
00:52:58No.
00:52:59No.
00:53:00No.
00:53:01No.
00:53:02No.
00:53:03No.
00:53:04No.
00:53:05No.
00:53:06No.
00:53:07No.
00:53:08No.
00:53:09No.
00:53:10No.
00:53:11No.
00:53:12No.
00:53:13No.
00:53:14No.
00:53:15No.
00:53:16No.
00:53:17No.
00:53:18No.
00:53:19No.
00:53:20No.
00:53:21No.
00:53:22No.
00:53:23No, I'm not.
00:53:24Mike Shane's taking you to San Francisco on the Callahan case, isn't he?
00:53:27Who are you?
00:53:28Oh, it's all right.
00:53:29You can trust me.
00:53:30Yeah.
00:53:31It's the same kind of a line Shane handed me.
00:53:33Sure, I know all about Shane.
00:53:34He'd do anything to get in the limelight.
00:53:36Here.
00:53:37You'd better take it easy.
00:53:39How did you know who I was?
00:53:42Well, I heard someone talking on the train.
00:53:45And Shane was right.
00:53:46There are people.
00:53:47I really want to help you.
00:53:48Please believe me.
00:53:51I guess it wouldn't do me any good not to.
00:53:53That is, if you really want to help.
00:53:55Well, what can I do?
00:53:56Tell me.
00:53:57Keep going.
00:53:58Keep going.
00:53:59Keep going.
00:54:00Keep going.
00:54:01Keep going.
00:54:02Keep going.
00:54:03Keep going.
00:54:04Well, what can I do?
00:54:05Tell me.
00:54:06Keep Jace out of sight.
00:54:07He'll be back here.
00:54:08And if Shane finds him...
00:54:09He won't.
00:54:10How do you know?
00:54:11Well, he was in here right after Jace left.
00:54:13And I got rid of him.
00:54:15Oh, thanks.
00:54:16Thanks terribly.
00:54:18That looked like the girl?
00:54:20Yes.
00:54:21That's her, all right.
00:54:22You know, I figured she was Helen Carlson when Shane came into the room.
00:54:25I'll take care of her right away.
00:54:27Now, wait a minute.
00:54:28I think this Carlson girl would jump at some real money.
00:54:30Let me try it first, huh?
00:54:32All right.
00:54:34But work fast.
00:54:35And look out for Shane.
00:54:36He's no fool.
00:54:37Right.
00:54:42It's funny I never met anybody like Jace before.
00:54:45First, I was kind of amused at him.
00:54:48After a while, I...
00:54:50I got to understand him.
00:54:52I really like him.
00:54:55He seems to think I'm okay, too.
00:54:58He wants me to go to South America with him.
00:55:02Well, why don't you?
00:55:05Well, do you think it'll be all right?
00:55:08Oh, why not?
00:55:09I couldn't find a doctor.
00:55:11Oh, it's all right, Jace.
00:55:13This is Kay Bentley.
00:55:15She knows all about everything.
00:55:17I told her.
00:55:18Who is it?
00:55:19Tom.
00:55:20Okay.
00:55:21I've got to talk to that girl.
00:55:22You can't, Tom.
00:55:23Not now.
00:55:24But you've got to let me speak to her, Kay.
00:55:25It's important.
00:55:26Everything depends on it.
00:55:27Everything?
00:55:28Yes, everything.
00:55:29Believe me.
00:55:30My career.
00:55:31Our future.
00:55:32You can leave me out of it.
00:55:33What?
00:55:34Tom, why did you fake that story of a friend telling you about Helen Carlson?
00:55:39Oh, I had to find out where the girl was.
00:55:40Then why didn't you come to me on the level?
00:55:41Now, wait a minute, Kay.
00:55:42You were willing to use my friendship with Michael Shane.
00:55:43Be reasonable, will you?
00:55:44Here.
00:55:45This should be good for a down payment on your next romance.
00:55:47But Kay.
00:55:48Oh, I'm sorry.
00:55:49I'm sorry.
00:55:50I'm sorry.
00:55:51I'm sorry.
00:55:52I'm sorry.
00:55:53I'm sorry.
00:55:54I'm sorry.
00:55:55I'm sorry.
00:55:56I'm sorry.
00:55:57I'm sorry.
00:55:58I'm sorry.
00:55:59I'm sorry.
00:56:00I'm sorry.
00:56:01I'm sorry.
00:56:02I'm sorry.
00:56:03I'm sorry.
00:56:08Who was that?
00:56:09Huh?
00:56:10Oh, just the guy who was and isn't anymore.
00:56:14Say, are you catching your boat out of San Francisco?
00:56:17Yes.
00:56:18Something tells me it isn't healthy for you to hang around here.
00:56:20I'm going out and find a way to get you there.
00:56:23Jace, I don't want you to get mixed up in this.
00:56:25I'll get my things.
00:56:26Be right back.
00:56:27But, Jace.
00:56:28I'll lock the door.
00:56:32Mr. Travai.
00:56:33Mr. Travai.
00:56:34Mr. Travai.
00:56:35What's the matter?
00:56:36That man you were looking for, that investor.
00:56:37I saw him go into this compartment.
00:56:38Are you sure?
00:56:39What do you think I am?
00:56:40Is he illiterate?
00:56:41No, no.
00:56:42We've got to be careful.
00:56:43You watch that end of the car.
00:56:44I'll stay here.
00:56:45If he tries to get off your end, stop him.
00:56:47Understand?
00:56:48Yes, sir.
00:56:49All right.
00:56:50Get up there.
00:56:55Look, I tell you, this is a matter of life and death to me.
00:56:58I've got to be in Ogden before tomorrow morning.
00:57:00I'll make it worth your wine.
00:57:02Ogden?
00:57:03Why, that's over 200 miles.
00:57:04What's the matter?
00:57:05Can't your car make it?
00:57:06Make it?
00:57:07Why, she's as good as the day I bought her.
00:57:08I've nursed her along like a baby for 10 years.
00:57:11Why, I just put in new rings last year and ground the valves.
00:57:14How much?
00:57:1540 horsepower.
00:57:16And she runs...
00:57:17No, no, no.
00:57:18I don't mean that.
00:57:19How much for a fast run to Ogden?
00:57:20Well, let's see.
00:57:21There's the gas.
00:57:22That'd be about...
00:57:23And tires.
00:57:24Them tires is the best six ply.
00:57:26$60.
00:57:27Make it 80?
00:57:29I'll split the difference with you.
00:57:30All right, mister.
00:57:31Okay, here's $20.
00:57:32I'll give you the other 50 when we get to Ogden.
00:57:35All right, but first I gotta drive to my place and get some gas.
00:57:38Oh, wait a minute.
00:57:39Can't you get it around here?
00:57:40Mister, it's after midnight.
00:57:42Well, all right, but hurry it up, will ya?
00:57:44And look, I'll meet you right next to that clump of trees over there.
00:57:47Go on, beat it.
00:57:48Stop him!
00:57:49Stop him!
00:57:50Stop him!
00:57:51Hey, what is that?
00:57:52I thought you could get away with him.
00:57:53I'm taking advantage of a wreck.
00:57:54What's the matter, lady?
00:57:55This man's a thief.
00:57:56Let go of him.
00:57:57Now, wait a minute, buddy.
00:57:58All right.
00:57:59This crook stole my diamond pen.
00:58:00Are you sure?
00:58:01Sure, I'm sure.
00:58:02I just caught him trying to make a getaway.
00:58:03Go on, search him.
00:58:04All right, sure.
00:58:05Go ahead, search me.
00:58:06I got nothing to hide.
00:58:07I don't know what your game is, but I'll find out.
00:58:08That's yours.
00:58:09Oh.
00:58:10Is this it?
00:58:11Yes, that's it, all right.
00:58:12All right.
00:58:13Well, that's a fine thing.
00:58:14And you've got such an honest face, too.
00:58:16Say, now, look.
00:58:17This dame is wacky.
00:58:18She planted that pin in my pocket herself.
00:58:19That's a fine story.
00:58:20My name is Michael Shane.
00:58:21Here.
00:58:22Here's my credentials.
00:58:23I'm a private detective.
00:58:24Sure, sure.
00:58:25I'm the Lone Ranger.
00:58:26Oh, very funny, yeah.
00:58:27Well, you better come along with me, mister,
00:58:28so we can check up on you.
00:58:29Well, I tell you, I'm Michael Shane.
00:58:30I'm a detective.
00:58:31Oh, yeah?
00:58:32Let's go search his luggage.
00:58:33He's probably got a lot of money.
00:58:34Well, you better come along with me, mister,
00:58:35so we can check up on you.
00:58:36Well, I tell you, I'm Michael Shane.
00:58:37I'm a detective.
00:58:43I've got a hat full of stuff.
00:58:44Well, you and I are going to get along.
00:58:45I can see you.
00:58:49Is that you, Jase?
00:58:50Yes.
00:58:55Who are you?
00:58:57What do you want?
00:58:59Now, let's not get excited.
00:59:01I got $5,000 that belongs to you.
00:59:03What do you mean?
00:59:04Well, all you have to do is get off this train.
00:59:07With me.
00:59:08Get out of here.
00:59:09Oh, I know.
00:59:10I have too much trouble getting in here.
00:59:12All right.
00:59:14Now, listen if I were you.
00:59:15I'm not listening to anybody.
00:59:16Get out!
00:59:17Now, get this straight.
00:59:18It's up to you.
00:59:19Either you take the dough and come with me or...
00:59:25What happened?
00:59:26Who is he?
00:59:27I don't know.
00:59:28He came in here and threatened me.
00:59:29We better get out of here.
00:59:34This way.
00:59:35Hey, wait a minute.
00:59:36Did you get a car?
00:59:37Yes.
00:59:38We'd better go around the train.
00:59:39There are too many people on this side.
00:59:42Mr. Tronwine.
00:59:50Mr. Tronwine, tell them Dodgers go off on that side of the train, he's headed this way.
00:59:56Why didn't you stop him?
00:59:58Not me.
01:00:00Hey, you!
01:00:02Stop!
01:00:04Stop!
01:00:06Stop!
01:00:07Stop!
01:00:08Stop!
01:00:09Stop!
01:00:10Stop!
01:00:11Stop!
01:00:12Stop!
01:00:13Stop!
01:00:14Stop!
01:00:15Stop!
01:00:16Stop!
01:00:17Stop!
01:00:18Stop!
01:00:19Stop!
01:00:20Stop or I'll shoot!
01:00:28What was that?
01:00:29Sounded like a shot.
01:00:30Oh, no, you don't, buddy.
01:00:32Yes, I do, buddy.
01:00:38What happened?
01:00:39This man's an embezzler.
01:00:40I hollered for him to stop.
01:00:41He wouldn't.
01:00:49I'm your new customer, mister.
01:00:50Well, I don't get it.
01:00:51The man can't make it.
01:00:52We're gonna go to Ogden instead.
01:00:53Come on, hop in.
01:00:54Oh, but he was gonna pay me 70 bucks.
01:00:55He still owes me 50.
01:00:56I'll make it 60.
01:00:57Come on, hurry.
01:00:58Will you hurry up?
01:00:59Wait a minute!
01:01:00Hey, Jay!
01:01:01Jay!
01:01:02Jay!
01:01:03Jay!
01:01:04Jay!
01:01:05Jay!
01:01:06But he must be an embezzler.
01:01:07What else would they have sent me for?
01:01:08Oh, I forgot.
01:01:09Here's a telegram for you.
01:01:10Well, it's about time.
01:01:11If I hadn't taken things into my own hands,
01:01:12this guy would have been out of the country by now.
01:01:16Well, it seems as if that had been a mistake somewhere.
01:01:44It's like a terrible day.
01:01:45It's not bad.
01:01:46It's not bad.
01:01:47It's not bad.
01:01:48It's good.
01:01:49I think I'd rather have to go to Ogden.
01:01:51I don't think I'd rather have to go to Ogden.
01:01:54I think we have to go to Ogden.
01:01:55Why?
01:01:56Well, I thought maybe you and me could look around,
01:01:58see the sights and go to some nice place to eat.
01:02:01That'd be just dandy.
01:02:02I know a place where you can get a table to hold a dinner
01:02:04with a choice of three vegetables and your fortune toll
01:02:06for $0.35.
01:02:07I bet the floor show is terrible.
01:02:09Say, how are you holding out back there?
01:02:11Fine.
01:02:12Fine.
01:02:16What's that?
01:02:17Don't know.
01:02:18Just getting her second wind, I guess.
01:02:28I can't imagine what the trouble is.
01:02:31She never acted this way before.
01:02:35At least not lately.
01:02:37Ain't that a beautiful set of pipes?
01:02:42Yes, yes, beautiful.
01:02:44But go on and fix it.
01:02:46Well, now, let's see.
01:02:47That could be the carburetor.
01:02:49Then again, it might be the ignition or the water pump.
01:02:53Well, pick out a good one, but let's get going.
01:02:59Look, I'm going to go on up to that farmhouse.
01:03:01What for?
01:03:02Well, I think I'd better phone my mother.
01:03:04She may have heard about the wreck and she'd be worried.
01:03:06I'll be right back.
01:03:07I'll go with you.
01:03:08No, no.
01:03:09You stay there with Helen.
01:03:11Doggone.
01:03:12Can I help you with that?
01:03:13I don't think so.
01:03:16Looks like the gas line's clogged.
01:03:18Ain't no gas coming through.
01:03:22Is that you, Lulu?
01:03:24What is it this time?
01:03:25Chickenpox or measles?
01:03:27It's not Lulu.
01:03:28It's me.
01:03:29Who?
01:03:30I'm sorry to break in so late at night, but our car broke down.
01:03:34We're on our way to Ogden.
01:03:36I was wondering if I could use your phone.
01:03:38Well, sure.
01:03:39Wait a minute.
01:03:39I come right down.
01:03:43Honey, you're shivering.
01:03:44Here, take my coat.
01:03:45Oh, no, please, Jas.
01:03:46Maybe we can wait in that farmhouse.
01:03:49Good idea.
01:03:50Blow your horn when it's fixed, will you?
01:03:52Okay, mister.
01:03:57Come right in.
01:04:00I'm awfully sorry to disturb you so late at night.
01:04:02Oh, you don't disturb me.
01:04:05I thought you are my half-sister.
01:04:07She lives down a piece.
01:04:08And one of the kids always manages this time the night to develop something.
01:04:16Oh, didn't I tell you?
01:04:18No.
01:04:21Oh.
01:04:22What's the matter?
01:04:23They're gone.
01:04:24It'll take an hour to fix.
01:04:25We thought maybe we could warm up inside.
01:04:27Oh, sure.
01:04:28Come right in.
01:04:29Oh, fine.
01:04:30I am tickled to death to have called us.
01:04:32I rarely see anybody except the neighbors.
01:04:35And they are mostly my relatives, some kind or other.
01:04:38But you must be frozen.
01:04:40Going out this time the night with no coat or anything.
01:04:45Well, you see, very loping.
01:04:49Eloping?
01:04:50Oh, how romantic.
01:04:53It takes me back to the time when I wanted Hiram to elope with me.
01:04:58But he wouldn't.
01:05:00He was afraid of my pa.
01:05:02You better come in the dining room.
01:05:04It's very much bothered.
01:05:05Oh, excuse me.
01:05:06Where's the telephone?
01:05:07Over there.
01:05:08Oh, and I left a little fire last night.
01:05:10So we put a little wood on it.
01:05:12Now, you see how warm it is?
01:05:14If I'm going to fix that fire.
01:05:20Hello.
01:05:21Hello, operator.
01:05:22Give me long distance, please.
01:05:23I'm going to make you some nice fresh tea.
01:05:25Oh, please don't bother.
01:05:26Oh, it's no trouble at all.
01:05:28It will take me only a minute.
01:05:30Make yourself at home.
01:05:31You see, I will be right back.
01:05:32It won't take so long to make some tea.
01:05:37Hello, long distance.
01:05:38I want to put in a call to the Denver Tribune.
01:05:41Yes, in Denver.
01:05:42That's right.
01:05:43Thanks a lot, Chief.
01:05:46Hey, where'd they go?
01:05:47Oh, it's you.
01:05:48You see, it was this way, mister.
01:05:49I was waiting there for you.
01:05:50Then that girl came along.
01:05:51Oh, never mind about that.
01:05:52Where did they go?
01:05:53Oh, in that farmhouse.
01:05:54Hey, wait a minute.
01:05:55I owe you $20.
01:05:56A lunatic.
01:05:57No, I tell you, I have Helen Carlson with me right now.
01:05:59Yes, yes, that's right.
01:06:00I'm taking her to San Francisco as a surprise witness
01:06:02on the Callahan case.
01:06:03I practically lifted her from under the snoot of a dumb dick.
01:06:06Yeah.
01:06:07The story's a trip's body and soul.
01:06:08Hey, and wait a minute.
01:06:09Tell that hatchet puss Mitchell I want a bonus.
01:06:12I want a bonus.
01:06:17Oh, my God.
01:06:19Oh, my God.
01:06:20Oh, my God.
01:06:21Oh, my God.
01:06:22Oh, my God.
01:06:23Oh, my God.
01:06:24Oh, my God.
01:06:25Oh, my God.
01:06:26Oh, my God.
01:06:28I guess I could make it all up.
01:06:29Oh, my God.
01:06:33Hello, Tots.
01:06:34Well, what are you doing here?
01:06:36I'm the pest control man.
01:06:37Where's that girl?
01:06:39Crazy.
01:06:40What girl?
01:06:42Don't you see?
01:06:43We've got a chance to get something out of line.
01:06:45Shane.
01:06:47Hey, what's he got to do with all this?
01:06:49He's got nothing to do with it.
01:06:50I just met him on the train.
01:06:53All right, then, you better tell him goodbye.
01:06:55Come on, we're going.
01:06:56She's not going with you.
01:06:59Did you tell him why I'm taking you to San Francisco?
01:07:02Yes.
01:07:03Why don't you give her a break, Mike?
01:07:05All right, now, you just stay out of it.
01:07:06You're a big lug, tossing that poor kid around.
01:07:09She's down, and you're going to give her the last kick,
01:07:11smearing her name across the headlines, and all for a big fee
01:07:14from a small town hoodlum.
01:07:16And just what were your plans?
01:07:18I'm going to help them.
01:07:20Oh, big hearted Hannah.
01:07:22That's the truth.
01:07:24Baby, I've seen you pull some fast ones in your day,
01:07:27but this is the best yet.
01:07:28Do you know who this campfire girl really is?
01:07:31All I know is she's been on the level with us.
01:07:33She helped us off the train and got a car.
01:07:35Well, maybe you should have done a little research work
01:07:38before you became so friendly.
01:07:39She's a reporter on the Denver Tribune.
01:07:41He's crazy.
01:07:42All you are is hot copy to her, sure.
01:07:44Dollars, headlines, circulation.
01:07:47I don't believe it.
01:07:47All right, call up the long distance operator
01:07:50if you want to find out for yourself.
01:07:51I call my mother.
01:07:53Since when is your mother the night editor
01:07:55on the Denver Tribune?
01:08:04Well, you ready to go now?
01:08:08I said she's not going with you.
01:08:10Why should she risk everything for some ex-convict who's probably
01:08:13getting just what's coming to him?
01:08:15I don't think Helen told you everything.
01:08:18What do you mean?
01:08:19That someone else deserves a break just as much as she does.
01:08:22Callahan.
01:08:24I know, he was in the pen once for robbery
01:08:25because I put him there.
01:08:27But he served this time.
01:08:29Since he got out, things have been pretty tough.
01:08:31But he's been going straight, that I know.
01:08:34There won't be any smart lawyers to defend him
01:08:36because he hasn't a dime.
01:08:39I got into this thing on account of his wife and kids.
01:08:42I want to see them get a break.
01:08:49Nothing you say is going to stop us.
01:08:53Come on, Helen.
01:08:53Now, wait a minute, but-
01:08:55Get out of my way.
01:08:56No, I'm sorry, but she's not going to leave-
01:08:59I said get out of my way.
01:09:02And if put that thing down, you don't realize
01:09:03what you're getting into.
01:09:04I mean it, Shane.
01:09:06Come on, give me that gun.
01:09:08Jase, he's right.
01:09:10I've got to go back and clear Callahan.
01:09:12I've tried to run away from trouble lots of times,
01:09:13but I never could make it.
01:09:15No matter where I'd go, it'd always be after me.
01:09:18And I'd be dragging you along.
01:09:20You'd be worried and not happy, not really happy.
01:09:23Oh, yes, I would.
01:09:24Listen, honey, I want you to go back to Avondale.
01:09:27Helen.
01:09:28I mean it, Jase.
01:09:29Oh, it'll always be part of you.
01:09:31Go back to your comfort and security.
01:09:34But our plans, we can't throw them away like that.
01:09:37Sure we can, because I know it's right.
01:09:40Oh, it won't work.
01:09:42Go on back.
01:09:43It'll be much better than you think.
01:09:45Even your wife will be glad when she finds out
01:09:47you've come home to her.
01:09:49Go on, honey.
01:09:50Give her a break.
01:09:56Thanks, Ellen.
01:09:58Well, here I am.
01:10:00You see, it didn't take me very long.
01:10:02Oh, here is another one.
01:10:04Yeah.
01:10:04He was waiting in the car.
01:10:06Oh, but you shouldn't have left him.
01:10:08Well, that's what I've always told her.
01:10:11We better have tea before it gets cold.
01:10:13Oh, I'm awfully sorry, but the car's ready,
01:10:15and we really should go.
01:10:16Yeah.
01:10:16Oh, that's a shame.
01:10:18But I understand.
01:10:19You better run along.
01:10:20Well, thank you.
01:10:21Bye.
01:10:21Bye.
01:10:22Bye.
01:10:23Well, I'm sure you two will be very, very happy.
01:10:28I'm sure we will.
01:10:31Is there a bus to here to Avondale?
01:10:33Oh, yes.
01:10:33It will be along the Denver bus pretty soon.
01:10:36But you told me you are going to Ogden.
01:10:38Well, three of us are.
01:10:40Oh, I see.
01:10:41You've been so kind.
01:10:42Oh, not at all.
01:10:43Goodbye, dear.
01:10:44And come and see me.
01:10:45Let me know how you are getting along.
01:10:47No, we won't.
01:10:48Goodbye.
01:10:48God bless you all.
01:10:49It was lovely.
01:10:50Goodbye, Helen.
01:10:51Good luck.
01:10:52Goodbye, Jase.
01:10:53I know everything's going to be all right for both of us.
01:10:56I hope so.
01:10:57No regrets.
01:10:58And you won't miss the bus.
01:10:59No.
01:11:20I hope so, darling.
01:11:21Don't miss the bus.
01:11:22Hey, never mind the prices.
01:11:23Everything's good here.
01:11:25Just like old times eating in a joint like this again.
01:11:27Now I can eat what I like and how I like.
01:11:29Mm-hmm.
01:11:30And what do you like?
01:11:31Well, I think I'll have the number five, the double hamburger,
01:11:34with the relish and the hot ketchup, the ground glass and the melted cheese,
01:11:37with plenty of onions on it.
01:11:39Oh, wow.
01:11:40I can take that.
01:11:41Well, that's good.
01:11:42I can take that.
01:11:43It's good.
01:11:44I can take that.
01:11:45I can take that.
01:11:46Well, I can take that.
01:11:47I can take that.
01:11:48glass in the melted cheese with plenty of onions uh you have to have those onions certainly
01:11:54hey service service
01:11:59i'm gonna have the new england dinner and the young lady will have the number five special with all
01:12:09the trimmings and plenty of onions yes miss bentley helen hello what do you do mike you
01:12:18didn't oh i forgot to tell you that she was working here say doesn't she look great huh you look swell
01:12:24how do you like it fine i've got a place to hang my wardrobe and all i want to eat you're doing okay
01:12:29yeah getting so good i can balance 20 plates on one arm mike you deserve a gold star after your name
01:12:37for that one oh forget about it look how about you staying on here a couple of days we can lose
01:12:42ourselves in the frisco fog and just kick the town around generally oh mike i'd love to but i've got
01:12:46to get back look just give me two days and then if i don't put a ring on your finger i'll guarantee
01:12:51to put a couple under your eyes huh how about it okay i'll sign the lease that's the girl we
01:12:57oh look uh do you have to have those onions oh mike is that all you're worried about i can't help
01:13:05well i'll fix that ah it's our power helen helen helen helen would you please cancel those onions
01:13:13cancel kill them i'd much rather have garlic yeah give her
01:13:16oh
01:13:23oh
01:13:25oh
01:13:29oh
01:13:33oh
01:13:35THE END
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