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  • 12 hours ago
Transcript
00:00I usually think that each artist has this one story that they're just telling over and over again,
00:07that basically they're telling it in different ways.
00:09One day, around 1965, I suddenly had a flash that the voice could have the same flexibility that the spine could have,
00:17that it could move like a hand.
00:25Meredith was doing things that were kind of boundary breaking.
00:29She, amongst all of us, I think was the uniquely gifted one, is the uniquely gifted one.
00:35There was no path for a woman composer, but she wasn't intimidated and she just plowed forward.
00:45She had to fight to be acknowledged in the performing arts world.
00:48The critics were really vicious to her.
00:52Self-centered exploration of her own psyche.
00:55This monk just seems unwilling to edit herself.
00:57I left early, is what I had seen.
00:59I might have even written a letter to one of these guys.
01:03Saying, I'm going to live longer than you.
01:07It's a fight to survive.
01:10And now she's an old master.
01:13Meredith Monk.
01:14Bad review, good review, what does it end up coming out to?
01:18Not anything.
01:20Maybe this whole thing is a way that I affirm that I exist.
01:27I just keep on thinking about what's meaningful in this life.
01:30And to me, doing the work is still meaningful.
01:33And all the other stuff just falls away.
01:37And all the other stuff just falls away.
01:39So I'm later.
01:49No, no.
01:53No.
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