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00:00।
00:01।
00:30Venus King
00:34I myself
00:39I am with you
00:40I am with you
00:41I am with you
00:42I am with you
00:44But
00:45You all
00:46My children
00:46I have been disappointed
00:48It's a complete
00:51Complete
00:51Disgrace
00:52I want to ask
00:54From this
00:56This
00:57The last
00:58The last
00:59foreign
01:27This college has been made for the future of studies, so that I could have been able to do this for the future of studies, so that I could have been able to do this for the future of college.
01:46Okay, what was going on was going on.
01:49I would like to know that I would like you to see this young man Mr. Shazil can see this.
02:00Which I have to give to Mr. Shazil to college.
02:05Mr. Kamal, let me see this!
02:16Mr. Kamal, let me see this.
02:24Mr. Kamal is your friend, I'm your host, your friend.
02:27Mr. Kamal, let me see this!
02:31Mr. Kamal is your friend, Mr. Kamal, let me see you next time.
02:38Mr. Kamal is your friend, Mr. Kamal.
02:44Sorry, sir. Please, forgive us. We have understood your judgment.
03:00Yes, sir. We are really, really sorry.
03:04Sir, please, forgive us. Please, sir.
03:08No, no, no, no. No, boys and girls. No, no, no, no. Don't be so apologetic.
03:13If it becomes a mafia, then it becomes only Ms. Huram's side.
03:21And that's also directly to Mr. Shazir.
03:25What?
03:27I'm sorry.
03:30Excuse me, sir.
03:32Ms. Huram.
03:34I will tell you that if you will get a mafia from me, you will come up.
03:39Ms. Huram, come up, please.
03:43Oram, oram, oram .
03:46Oram, oram, oram .
04:03شفر
04:16مجھأ
04:18مجھأ
04:21صحر
04:21مجھأ
04:24بعد الزائ włos
04:25ہماری تین شرت يجب
04:27في بعد
04:29اس قرارتنا
04:30Then how will our story become?
04:35Which story?
04:36What kind of story?
04:37Your body is lost.
04:39If I don't want to meet you,
04:40I don't want to give you this word,
04:41why don't you listen to me?
04:42Why don't you leave me alone?
04:43Because no one doesn't give me so much in trouble.
04:47And no one doesn't give me so much
04:49because of my life,
04:50it will hurt him or hurt him.
04:51That's not that.
04:53You are absolutely wrong.
04:55Why don't you leave me alone?
04:58I don't have any feelings for you.
05:03Your chapter is closed.
05:06Okay.
05:07Then why don't you leave me alone
05:09while you don't leave me alone?
05:12Because you're scared.
05:15You don't do it in front of me.
05:17That's why you're running away from my love.
05:20That's not it, Mr. Chassir.
05:22Why don't you leave me alone?
05:24Why don't you leave me alone?
05:25Why don't you leave me alone?
05:29Okay.
05:31Then you go to college.
05:34What's your problem?
05:35What's your problem?
05:37I know.
05:39At this point,
05:40there's a war in my heart.
05:42You don't want to see your love.
05:44You don't want to see your love.
05:47And I can't see it in any way.
05:50You don't want to see it.
05:53Do you know?
05:56I never thought that I would say it to you.
06:01But I have to say it now.
06:04I hated you.
06:11I hated you.
06:12I hate you.
06:14If you say hate, what do you think?
06:15Justify it?
06:17Never!
06:42Short.
06:43Short.
06:44Short.
06:45Justify it.
06:47Short.
06:48Short.
06:49Justify it.
06:52Short.
06:54And you didn't.
06:56You don't want to answer your love.
06:57I can't be alone.
06:59Don't get away.
07:00Why not?
07:01You don't want to see it.
07:03I don't want to see you.
07:04That's why I am running my love.
07:06It's a bit of a song.
07:36I don't love you, Shasr.
07:40Listen to me.
07:42He's not so much.
07:46I hate you, Shasr.
07:49I really hate you.
08:06We will miss you,
08:11And we will see you again.
08:17When we break apart,
08:20Your heart will go to your city.
08:26We will never come back,
08:31Call us the most you have forgotten.
08:36Let me meet you
08:39Let me meet you
08:55What's up? What's the matter?
08:57You have to go to the show
08:58I don't know what's going on
09:01My preparations are going through the roof
09:03Relax, relax
09:06Nothing happened
09:07No, nothing happened, nothing happened
09:10You called me at home
09:11Why would you...
09:12Off the record, there's no one thing
09:15Tell me, tell me
09:16What happened?
09:17What happened to me?
09:21What happened to me?
09:26Look, if I want this
09:29I could do this with my uncle
09:30I could do this with my own
09:33But I could say it to my uncle
09:37I'm not comfortable with my uncle
09:39I could do this with my uncle
09:40I could do this with my uncle
09:42I could do this with my uncle
09:42What happened to me?
09:44I could do this with my uncle
09:45I could do this with my uncle
09:46What happened to me?
09:46What happened to me?
09:47Tell me, tell me
09:48Tell me, you're getting attention
09:49I want to do this with my uncle
09:50I want to do this with my uncle
09:51I want to do this with my uncle
09:52I want to do this with my uncle
09:53I want to do this with my uncle
09:54I want to do this with my uncle
09:55I want to do this with my uncle
09:56I want to do this with my uncle
09:57I want to do this with my uncle
09:58And then I want to do this with my uncle
09:59I want to do this with my uncle
10:00I want to do this with my uncle
10:01Thank you
10:02Thank you
10:14Come on
10:14Thank you
10:21Thank you
10:22Thank you
10:23Thank you
10:23Thank you
10:23Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you.
10:31Thank you. Thank you.
10:32Thank you. Thank you very much.
10:34Tell me, when did you decide on date?
10:36Today, after three weeks, on 24th.
10:39Oh, brother.
10:42Did you start a degree? And did you start a job?
10:45No job. But I have kept it in the job.
10:50I'm the boss.
10:51Oh, my God. That means,
10:53our brother-in-law,
10:55with a lot of work?
10:57Don't worry.
10:59Like,
11:00he's not looking at our new student.
11:03He's always looking at it.
11:04Why?
11:05He didn't want to forgive him.
11:08Yes.
11:09Just understand.
11:11You should do it, right?
11:13After all, he's our principal's favorite student.
11:16I'm going to do it now.
11:20Of course.
11:21Okay.
11:22Zip.
11:23Mr. Shazit.
11:24Oh, no.
11:25I'm not looking at him,
11:30It seems that after listening to the news, the painting is forgotten, Mr. Shazid.
11:56I know you have to know that you have to make this look for me.
12:00Why are you standing so far?
12:03You?
12:05I can also see that your hands are so hard
12:08that you can play with me.
12:19What?
12:21You too?
12:23I've forgotten you.
12:25I've forgotten your special feature.
12:27I've forgotten you too.
12:29How do you treat people like you?
12:34Well, this is a good thing.
12:38With your memory, there will be many memories in your memory.
12:41Yes.
12:42That's why you're happy to lose your memories.
12:47I've taken these memories.
12:49Look, there's a chum-chum,
12:52rascola,
12:54burfi
12:55and this is a muntani halwa too.
12:57What do you eat?
12:59Wow.
13:01How do you feel so good?
13:03Yes.
13:04But your personality has changed.
13:07180 degree.
13:10Your character has changed.
13:12I'm 360 degree.
13:14What do you want to do?
13:18I can go to any degree for you.
13:20Do not behave.
13:22That's white.
13:23Do not behave with a spirit.
13:24You feel good at it.
13:25That's right.
13:26You are a lucky one every night.
13:27Go away.
13:29What do you do?
13:30No.
13:31Does not bother you dú furnish me?
13:33Don't keep celie hui dee.
13:35To speak out of your spirit.
13:36What's your��요ِ exercise?
13:37You do not feel...
13:38They are loving- restaurants,
13:39you do not feel good.
13:40Who can go clean...
13:41and she can open?
13:42Here's the place.
13:43All that is—
13:44That is the news that she gave thuys to concern
13:45Thank you very much.
14:15Thank you very much.
14:45When are you going, sir?
14:47You're not invited.
14:48No.
14:50I'm going to be a winner of any sort, any sort, in any sort of state.
14:54Mm-hmm.
14:55How?
14:56What kind of speed?
14:58Or you'll be able to change me?
15:00What kind of speed is that you're going to be able to change me?
18:15Thank You.
18:16without you.
18:17That's why I keep your love, love and love
18:21because you need a lot of life
18:23and you need a body of your body
18:25and a body of your body.
18:27Who is this fool?
18:29He's coming back to the scene.
18:31He's going to disturb us.
18:32Who is this fool?
18:33He doesn't know how much he was passing.
18:35He didn't have to speak the dialogue.
18:36Sir, passing in the talent
18:38goes so far and I don't want to die.
18:41No, no, no, no.
18:43Who is this fool?
18:44Don't look at me, sir.
18:46Don't look at me.
18:47I'm talking to you, sir.
18:48Member?
18:49Sir, sir, I'm talking to you.
18:50Sir, I'm talking to you, sir.
18:51I'm talking to you, sir.
18:52Listen to me, sir.
18:53Listen to me, sir.
18:54Listen to me, sir.
18:55I'm talking to you.
18:56I'm talking to you.
18:57I'm a superstar.
19:00Cool.
19:03I don't know who you left.
19:05I'll see you guys in Oscars.
19:15Hello.
19:16Yes, sir.
19:17How are you?
19:18How are you?
19:19What do you say, boss?
19:20They're just acting in the love of acting.
19:23Can you tell me?
19:24I think it's going to be something like this.
19:26No, no.
19:27I don't have a lot of talent in my mind.
19:30Oh, man.
19:31Oh, man.
19:32That's a good thing.
19:33I think there will be a new performance for me.
19:37Yes.
19:38That's right.
19:39There's a small character.
19:41I'll explain to you in my way.
19:43Okay, boss.
19:44Okay.
19:47Somebody stop me!
20:03My wife is my marriage.
20:07My wife is my marriage.
20:12My wife is my marriage.
20:14My wife is my marriage.
20:15My wife is my marriage.
20:17My wife is my marriage.
20:19My wife is my marriage.
20:21My wife is my marriage.
20:23My wife is my marriage.
20:25My wife is my marriage.
20:28My wife is my marriage.
20:32My wife is my marriage.
20:35Oh
21:05It's a lot of MTS. Family photos.
21:08I'm working.
21:10Take this wallet.
21:12Please, please, your wallet.
21:14Now you're my wallet.
21:16Get a mobile.
21:18How can I get a mobile?
21:20Take a bag.
21:21Take a bag in this bag.
21:23Leave the mobile.
21:25You don't feel me.
21:26Leave it.
21:28Hey!
21:30Don't be shy, kids.
21:32Otherwise, I'll empty the bag.
21:35Come on, get back.
21:37Get back, get back.
21:39Get back, get back.
21:40Get back, now.
21:41It was just your role.
21:50Shazir.
21:52Thank you, thank you, thank you.
21:55You've come to a really good time, man.
21:57You've come to a really good time.
21:59Okay, okay, relax.
22:01Let's go.
22:02Don't come here.
22:03Don't come here.
22:04Don't come here.
22:05Don't come here.
22:06Don't come here.
22:07Don't come here.
22:08Bro, you have to stay with me, man.
22:09You have to.
22:10Please.
22:11Hold on.
22:12I'm with you.
22:13Do a job.
22:14You're back.
22:15I'm coming back.
22:16Don't come here.
22:17Don't come here.
22:19Let's go.
22:31Let's go.
22:32I had to meet Shazil from Shazil.
22:33He's madly in love with that girl.
22:34He's madly in love with that girl.
22:39But he's not the blame for that guy.
22:43that girl or is pewkoop lardki go up qader in
22:46or
22:48a
22:50lardki bhi shayad mush per ghi he
22:53mujhe bhi toh tumhari qader hone mein kittin
22:55dheer lagdi
22:58wagher dekho, aajmaa kittina khush ho
23:01thank you, Sufyan
23:04tum fikar mat kero
23:09dunia jahe kuchh bhi kar le
23:12us lardki se shazal ko milne se koi nye rop sukta
23:20jadashi tiyar hujou, nore ko bhair leker jana hain
23:23ben lobhi pe wade kar hain
23:42kya musibat hai, itna raasta pada jahad ho kya chale jau
23:44kya musibat hai, itna raasta pada jahad ho kya chale jau
23:48kya musibat hai, itna raasta pada jahad ho kya chale jau
23:50kya musibat hai, itna raasta pada jahad ho kya chale jau
23:52kya musibat hai, itna raasta pada jahad ho kya chale jau
23:54kya musibat hai, itna raasta pada jahad ho kya chale jau
23:56kya musibat hai, itna raasta pada jahad ho kya, chale jau
24:00ai
24:26Oh!
24:44Oh!
24:45What happened?
24:46And you.
24:47You're doing something very nice to me.
24:52I'll probably be able to make you as you.
24:56Let's go, idiot.
25:14Look at this, there is no doubt that a human mind
25:17is more than a human mind.
25:20It's really very complicated.
25:23And that's why, maybe, all of the big artists
25:26over the history of all of them,
25:28after seeing all of them,
25:29we are looking at a distance from our
25:30so-and-so,
25:33I'll show you a example.
25:35The Lady of Charlotte.
25:37Let me clear you one thing.
25:39This is not an original painting.
25:41This is only a replica.
25:45Yeah.
25:48And Ms. Horam,
25:49can you please tell us something about this painting?
25:52What do you see about this painting?
25:56Sir,
25:57maybe
25:59I can describe this painting
26:02but
26:03as I understand
26:04the work of John William Waterhouse
26:05I can understand his work
26:07a little bit.
26:08It looks like an illusion.
26:11If you take the Aphiria
26:12or the Magic Circle
26:14in all of them,
26:16you can see one of them.
26:19But the world is visible.
26:22Oh, wow.
26:23Very good to describe
26:25what you have.
26:26Where are you?
26:28Hi.
26:29I've come here.
26:30Who are you?
26:31Sir, my name is Shazil.
26:33I've already had an ambition
26:34a few days before
26:35in this college.
26:36Maybe you don't know me.
26:37Yeah, I remember.
26:39The protest boy.
26:40So why are you so late?
26:42Why are you so late?
26:43Sir,
26:44he actually pranked me with someone.
26:46He gave me my brother
26:48and said
26:49if I can fly,
26:50then I'll take it.
26:51Silence, please.
26:56I don't like the professor.
26:58I'm sure you don't like the professor.
27:00Hmm.
27:01That's right.
27:02But it's very sad.
27:04So,
27:05you don't know the character
27:06of Chavis.
27:07Of course, sir.
27:09How can I say that?
27:12So, who is it?
27:15Who is it?
27:16Sir,
27:17it was actually
27:18my grandfather.
27:19If you keep someone in the world,
27:21then...
27:26I'm sorry.
27:31Very well said.
27:32Come on.
27:33Come on.
27:41Yes, Mr. Shazil.
27:42What do you see in this painting?
27:44Sir,
27:45I'm just looking at a door
27:46in my heart.
27:51What rubbish!
27:52I said
27:53I didn't have a painter.
27:55I didn't have a painter.
27:57Sir,
27:58I'm absolutely right.
27:59In my opinion,
28:00any other thing's importance
28:01is to be beautiful,
28:02or to be beautiful,
28:03or to be beautiful,
28:04or to be beautiful,
28:05or to be beautiful.
28:06In this world,
28:07there's a heart
28:10very necessary.
28:11That's why
28:12I always call my eyes
28:14to my eyes.
28:15When the heart is
28:17the city of soul,
28:18the city of soul.
28:20Now,
28:21we come back to the painting.
28:22This painting
28:23I'm looking forward to
28:25that I've been sitting
28:26in my eyes.
28:27But
28:28I don't know
28:29where to go
28:30or who to go.
28:31And
28:32this decision
28:33is not possible.
28:36Very good.
28:37Very good.
28:38So,
28:39students,
28:40there's a very important
28:41announcement for you.
28:42But,
28:43sir,
28:44it was my hobby.
28:45The job is made
28:46my job.
28:47Turn on my foot.
28:48Good.
28:49So,
28:50students,
28:51there's a very important announcement
28:53for you.
28:54You know
28:55that we're going to
28:56inter-college
28:57painting competition.
28:58And
28:59whatever you're interested
29:00in the street,
29:01I want to say
29:02for the next week,
29:03he's going to submit
29:04his painting.
29:05And you,
29:06Mr. Shahzeel,
29:07I need your best.
29:09You'll get it, right?
29:10Ten or ten, sir.
29:12That's desperate, boy.
29:14So,
29:15see you.
29:16We'll get it,
29:17then.
29:18I'll get it.
29:19I'll get it.
29:20I'll get it.
29:21I'll get it.
29:22I'll get it.
29:23I'll get it.
29:24I'll get it.
29:25I'll get it.
29:26Thank you,
29:27Horam.
29:28You've got a laugh.
29:29You've forgotten your laugh.
29:30You've forgotten your laugh.
29:31You're right,
29:32I'm not saying it.
29:33Don't say it.
29:34One time,
29:35the truth of the truth
29:36will come in front of me,
29:37I'll be like that.
29:38But,
29:39Horam,
29:40if he's made a real painting,
29:42then...
29:43Not possible.
29:45You'll trust
29:46or not.
29:47But,
29:48he's not a painter.
29:49We're just making all of them
29:50people.
29:51But,
29:52why will he do that?
29:53He's saying that...
29:54You don't understand.
29:56But,
29:57hats off
29:58to Professor Khushit.
29:59Look at him,
30:00it's so good
30:01that it's fun.
30:03We'll see how
30:04he's making it.
30:05One thing is,
30:06after class,
30:07he had a problem.
30:08Did you notice that?
30:10Yes.
30:11He's gone,
30:12where he has paintings.
30:14God bless him.
30:16He's making you
30:19every step up.
30:22Come on.
30:26I've never done so many paintings
30:28as much as I can make it in you.
30:31I've...
30:32I've even made my booty.
30:33Look at them,
30:34I can't...
30:35I can't move them.
30:36It's just...
30:37What do you think, Principal?
30:40Do you think this is a strange thing that you can hear me?
30:42No.
30:43But yes, Taurus can be a mistake.
30:46What do you want? It's this one?
30:48No, no, no, no.
30:50My finger is fine.
30:51How do you move your finger? Absolutely fine.
30:55And what is this, Principal?
30:57Now, let's understand your teachers.
30:59What is this so much time?
31:01I mean, there are other things to sort me.
31:05No, don't think about it.
31:08I'm not going to remove all the stones from you.
31:12Okay.
31:14Tell me, please.
31:16How's Venice?
31:18Venice?
31:19It's okay. It's nice, right?
31:21Very nice.
31:22In fact, it's playing with the Taurus.
31:25You must believe.
31:26When your girl is back,
31:28you will see her in your girl.
31:31Hey, Shayzzy.
31:34Where are you left?
31:35What do you want to take a coffee?
31:37Yes, I'm coming.
31:41Shazal, Baba.
31:42This coffee.
31:44No, I don't.
31:46Give me the principal to you.
31:48You will keep them in place.
31:51Okay, Principal?
31:53I need your best work.
31:55Don't worry.
31:56Don't worry about it.
31:57Don't worry about it.
31:58You will get the best piece of work.
32:00Of course.
32:01Otherwise, you will be rest in peace.
32:07What's going on, Shayzzy?
32:08I don't feel good.
32:09No, no.
32:10It was very good.
32:11It was like you.
32:12Of course.
32:15What's that, Principal?
32:16What's up?
32:17You are not laughing today.
32:19What's up?
32:20I can't.
32:21I can't.
32:22I can't.
32:23I can't.
32:24I can't.
32:25I can't.
32:26Ha, ha, ha.
32:32Ha, ha, ha, ha.
32:36Ha, ha, ha, ha.
32:45Hello, Zoya.
32:46How are you?
32:48I'm very good.
32:49And it's just because of your reason.
32:51Oh, what did I do like that?
32:53And listen, I don't have to do anything like that, okay?
32:58Okay, fine. I won't say that.
33:00By the way, I've fixed your meeting with Papa.
33:03Tonight at 11 pm, okay?
33:04Wow! That's great, Zoya. Thank you so much.
33:09Just remember one thing, Zoya.
33:11Don't know this about Daddy, please.
33:14Don't worry. He won't know. I promise.
33:18Thank you so much.
33:20Bye.
33:23Oh, auntie. Hello. How are you?
33:47I'm fine. How are you?
33:48I'm fine. Auntie, I got it.
33:51This is my beloved brother.
33:53Which means that the husband is alive today.
33:57Why are you shirked with me?
34:00That's the mother.
34:02I'm sorry, auntie. I've asked you to tell you.
34:03Forgive me.
34:05Forgive me.
34:05I don't want to tell you.
34:07I want to ask you to tell you, baby.
34:12You were the one who came with the principal from Burum?
34:15Yes, I was the one.
34:17Actually, that day, our principal's car broke, so I came to him with his car.
34:23Okay, so you also study in this university?
34:27Yes, of course.
34:29Well, the interior of this house is so simple. It's very autistic.
34:34If you don't mind, I can visit you at home?
34:39Mother.
34:41Okay.
34:43Yes, why not? You are your own. Go.
34:52What an artist.
34:55Look at his expression. It's a little.
34:59But, son, you need to tell me that you are watching my brother.
35:04I don't want to get some food.
35:07Why do you think about it? My brother.
35:10I'll take care of everything.
35:12I'm here.
35:16But I'm now working together.
35:23Let yourself come.
35:25See you next time.
35:27And I'll do something else.
35:29But I'm joined bycome.
35:31Your young baby.
35:33I'm there.
35:34My daughter.
35:35You're the best.
35:58Or I'm the best.
36:01You can do it.
36:16You can.
36:31I'm the best.
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