- 4 months ago
- #realityfocusamerica
#RealityFocusAmerica
Category
😹
FunTranscript
00:01According to Belmonte, for the brave, fear is always a constant companion.
00:07Do you feel fear?
00:08No. Bullfighting, I don't.
00:10But before, I do. The day before. The night before.
00:15As I'm entering the ring in the paseo, yes, there, I am afraid.
00:20We always leave the lights on.
00:22Cause that way, when we're done with the fight, we have to come back and turn them off again.
00:27How's he doing?
00:29A little bit weak, but he's able to speak.
00:31So you're saying you're always afraid unless you're bullfighting?
00:34Well, yeah. During the season, yes.
00:37The headliners, for the bullfighting event, they called to confirm.
00:46So, let's measure.
00:59Uh-huh.
01:04Oh, my God.
01:34Oh, my God.
02:04Oh, my God.
02:34My town, my people.
02:36After many years of entertaining the possibility of a tribute, and thanks to the political generosity of our governing partners,
02:44a local government that is open and accepting of all, no matter your race or gender or orientation, we have done it.
02:52So finally, after much anticipation, we've come full circle and we're joined by this figure here, from this town certainly, the most esteemed.
03:01He has always represented this place, its idiosyncrasies, and its flag, and has brought it acclaimed nationally and internationally.
03:08This art piece is the work of another local artist, Jose Manuel Huertas.
03:14Let's unveil it.
03:24Thank you very much.
03:26You want to see it up close?
03:36Come on.
03:37I got you.
03:38Daddy, it's you!
03:40Yes.
03:40Want to play with your cousins?
03:44Please.
03:45Want to play with your cousins?
04:16Let's go.
04:22Uh, where?
04:23What do you think? To the tailors to get the suit.
04:26Uh, to Malaga?
04:28No, to Milan. Yes, where else?
04:30What's with you and Malaga?
04:32Uh, nothing, just my parents are there.
04:34What's with you and your parents?
04:35Hey, whenever you're ready, yeah?
04:37Malaga's fucking huge.
04:38And they say we end illusions like to exaggerate.
04:46We're on a couple more of each, okay?
04:53A couple of each, right?
04:56Come on, let's go.
04:58Yes, finally, I'm starving.
04:59Oh, those look so good.
05:01Coming up, the freshest of the fresh.
05:02Sardines, everyone.
05:03Waiter, I'll give you a couple. For me, thanks.
05:06A couple? All yours.
05:09Here they are.
05:10Wonderful.
05:14Well, this is glorious.
05:16Shame it has to end.
05:17Honestly, it's a pity you have to leave.
05:20Now that it's finally calming down.
05:22You should live here.
05:23I wish.
05:24I couldn't live here all year round.
05:25Come on, you know I couldn't.
05:27But this is the best time of the year.
05:28There's no way he'd retire and leave the taxi.
05:31Of course I'll retire, Issa, huh?
05:33But you know, when the time comes.
05:35I'd like to see that, hon.
05:36This guy is married to his taxi.
05:38He actually put one of those GPS things on it to keep track of where it is.
05:42How does that work?
05:43You don't know?
05:44No?
05:44Oh, it's amazing.
05:45Let me show you.
05:46Look.
05:46Jose Antonio, come on.
05:48Let's see.
05:48She doesn't let me pull it up the whole time.
05:49It can't be all about work.
05:51Here, you open up the app, huh?
05:53And then you have to connect it, and right away it tells you where the taxi is.
05:57The exact location.
05:58Look.
05:59That's amazing.
06:01Wait, wait, wait.
06:03He's telling me it's right around the corner.
06:04They must be the service.
06:06Yeah, must be.
06:07Can't be.
06:07Yeah.
06:20We have the suit.
06:24It's beautiful.
06:26The waist sash was given more room.
06:29Mm-hmm.
06:30And the missing tassel was sewn on as well.
06:33Perfection.
06:34Well then, if it's all good, then problem solved.
06:38I would like to get the maestro in for a fitting, to be certain.
06:44Yeah.
06:44The problem, Antonio, is that my brother is currently missing.
06:53What is it?
07:23What is it?
07:53Hey!
07:55Get out of my taxi!
07:59Oh shit, Jose Antonio.
08:03Hello, good afternoon.
08:09Good afternoon.
08:11Hi there, how you doing?
08:15Good afternoon.
08:21Come on, Jose Antonio.
08:27Okay.
08:29I think it looks great.
08:31And you have the same build as the maestro, so it won't crease in the back.
08:41Oh my god.
08:45Dad.
08:47What is going on?
08:49Montana.
08:50Shh.
08:51You won't believe.
08:52Shh.
08:53Jose Antonio?
08:55What if the police stop you?
08:57They'll think you're taking passengers, David.
08:59Yeah, yeah, yeah.
09:00I know, Dad.
09:01Believe me.
09:02Okay, okay.
09:03But nothing's gonna happen.
09:04It's just like driving the taxi, but traveling and making better money.
09:05Money?
09:06Yeah, money.
09:07Huh?
09:08What do you need it for?
09:09Maybe so I can move out, for example.
09:13What?
09:15That's news.
09:17I'm almost 30 years old.
09:18Come on.
09:19Then focus on passing your exams.
09:20And stop messing around.
09:21I'm not messing around.
09:22I'm studying, okay?
09:23Studying?
09:24Yeah, I'm studying.
09:25I can see you're studying.
09:26Yeah.
09:27Can't have your cake and eat it, too.
09:28Want me to recite the chapter, Dad?
09:30If I fail, it won't be because of this.
09:33Tomorrow's the last day I take him to the bullring.
09:35No, not in my taxi.
09:36Yes, in your taxi.
09:37It has to be.
09:38What?
09:39That's not happening.
09:40It has to be in your taxi, Dad.
09:41But why?
09:42Because it brings them luck.
09:43They think it's lucky.
09:44I do my job and they pay me well.
09:45What's the problem?
09:46Tell me.
09:47But why haven't you told us?
09:48What?
09:49No, I don't know.
09:50I don't know.
09:51No, I don't know.
09:52I don't know.
09:53I don't know.
09:54I don't know.
09:55I don't know.
09:56I don't know.
09:57I don't know.
09:58I don't know.
09:59I don't know.
10:00I don't know.
10:01I don't know.
10:02I don't know.
10:07I've married a dwarf so lively and spry just to laugh till the tears fill my eye.
10:12There might be a dwarf, but I could whoop your ass, dickhead.
10:15You know I love you, Haro.
10:16My tiny little friend.
10:17You love me, huh?
10:21And one day I'll tell you about the goddess.
10:23See you later.
10:23With a dwarf?
10:24Get out of here.
10:31See you.
10:32See you.
10:34Jose Antonio, a pleasure meeting you.
10:36This taxi is blessed, Jose Antonio.
10:38And enjoy Malaga.
10:40I'm friggin' starving, man.
10:42Hang on a second, Goro.
10:43Pass the wine, Margena.
10:44Lemon of water for you at Bird's Flat.
10:46Need help?
10:46No.
10:47Please, sit, sit.
10:49And the maestro?
10:51Go ahead and start without him.
10:53Because, well, you know.
10:54Yellow, back me in the plane of cheese, please!
10:58What the hell is wrong with your mouth?
11:00It's called hypocosis.
11:02This is how deaf people talk.
11:03Come on, hon.
11:03Dinner time.
11:03Come sit.
11:04I finally got it.
11:05Great.
11:05I did some volunteer work in the slammer.
11:06Margena, please.
11:07What's the slammer, Margena?
11:10Uh, it's like a time-out for adults.
11:12Volunteer?
11:12You?
11:13Of what?
11:14With a non-profit to shorten a sentence.
11:16Margena, that's great.
11:17That you helped people.
11:18And the deaf women were real cakey.
11:20Guys, too.
11:21Martina.
11:24You gonna leave something for the rest of us?
11:26What?
11:26You're a fucking vacuum.
11:28Language.
11:28Sorry, sorry.
11:29Don't you have someone's hair to do?
11:30Eat some tomato.
11:31I don't want tomato, man.
11:32I lost five pounds already.
11:33Here.
11:33I have to tell the maestro.
11:34By the way, does he need a ride tomorrow?
11:35Article 490, Section 3, anyone that commits slander or libel against the king or queen or any of their ascendants or descendents, the queen consort or the consort of the queen, the regent,
11:46shall be punished with a prison sentence for six months to...
12:05Go, come easy.
12:24No!
12:25No!
12:25No!
12:34No!
13:05How you doing, boy?
13:28Dang.
13:35Hey.
13:55You remember?
14:06Yeah.
14:07I know you do.
14:09The damn charges you gave me as an offering.
14:14Hey.
14:15Stay put.
14:16I also remember those two looks you threw at my chest.
14:21But I was there.
14:23Ready to sacrifice my life for you.
14:26I don't know.
14:32Shh.
14:35Only that saved your life.
14:44Only that.
14:45Fucking life.
15:08We're here.
15:11Get out.
15:11Hey, kid.
15:16What's up?
15:16How are you?
15:17What's up, pedo?
15:19Look at your girl, Leonore.
15:21And she's a jockey now?
15:23And she sings, too.
15:25Listen, give me a couple of watermelons.
15:27Sure thing.
15:31Give me good ones.
15:32They're for the maestro's aunt.
15:33I'm giving you the best ones I got.
15:35The woman's obsessed with watermelons.
15:37He says they're the best.
15:39Give me that.
15:43Do you have any spare tickets for today's bullfight?
15:46I've never seen the great Emilio de Justo.
15:48Seen the great Emilio de Justo?
15:50You mean the great maestro, stupid moron.
15:51Yeah, of course.
15:52Him as well.
15:52But we've seen him lots of times already.
15:54Shut your mouth or you won't get any, okay?
15:58All right.
15:58How much do I owe you?
15:59It's on the house, of course.
16:00He's like a brother and cousin.
16:02Take it.
16:02All right.
16:03Come by this afternoon and I'll give him to you.
16:06Senora, here they are.
16:08You're going to have to see him anyway.
16:10What's this guy saying?
16:11What are you saying, Jose Antonio?
16:13The maestro, I mean.
16:14He's going to see him anyway because he's going first.
16:17Well done.
16:18He knows the order.
16:20Yeah.
16:20The best go first.
16:21Like in music festivals, right?
16:24No.
16:25Here, the ones that go first are the oldest.
16:28What's she doing?
16:40Staring.
16:45God damn it, what the hell?
16:47Auntie doesn't talk much.
17:12She doesn't like to.
17:13But don't hold it against her.
17:15Auntie Anna, in a few, you're coming with me and Paloma.
17:17We're going to my sister-in-law's.
17:21My husband tells me that you've never been in the arena.
17:27No.
17:28No, no.
17:29It's just not really my thing.
17:32Not even for the last fight of the season?
17:34It's at home, no less.
17:35Testing, check, check, testing, check, check, one, two, one, two, one, two.
17:42Check, check, check, one, two.
17:45We need those chairs over there.
17:47There, everything over there.
17:48That's right.
17:49Check, check.
17:51At all.
17:51Yeah.
17:52Is the sound okay?
17:53Is the sound okay?
17:56One sec, maestro.
17:58Check, check, check, check.
18:00Sounds perfect, maestro.
18:02Check, check, one, two, one, two, one, two, one, two.
18:05Hang on, get back, get back, get back.
18:07Get back?
18:09Yeah, pull her back there.
18:10For what?
18:11Listen, we got a stop already.
18:13We should be going.
18:15Yo, I hear you, bud.
18:16You go talk to him.
18:18Is the sound okay, Ramon?
18:19I can't tell if the speakers are too close.
18:21We're too far apart from each other.
18:23You know what I mean?
18:24Want me to call Miguel to see what he can do?
18:27Yes, do that.
18:28Hey, you know you gotta kill two bulls later, right?
18:35Check.
18:36Check.
18:37Shit, you're gonna run me over.
18:39Now, step further than that.
18:40Even further?
18:41All the way.
18:42Yeah.
18:58You're all set to go, right?
19:25Yeah, uh, this you and your brother?
19:30Yeah.
19:31Martena is ready.
19:32Let's go.
19:36You guys go on to the van.
19:38I'll be there soon with my brother.
19:39Whenever your highness is ready, huh?
19:41Take your time.
19:42Don't strain yourself.
19:44Ah, he's so slow, Jose Antonio.
19:47Come on, ladies first.
19:48Go.
19:49Go.
19:50You.
19:51Come, come, come.
20:09Hey.
20:10All right.
20:33It's ready.
20:34It's ready.
20:34It's ready.
20:40Break the arena again, please.
21:05Yes, maestro.
21:21Hey.
21:23You know what I just remembered?
21:25Carlos.
21:26Flatten it a smidge.
21:27The way I like it.
21:30What's that?
21:30The time that heifer knocked you down over there.
21:39When we got home, you told mom some kids beat you up, remember?
21:42How could I forget?
21:49That's the first time I was in front of a bull.
21:53You said you didn't want to worry her.
21:55What else could I have said?
21:56Two bullfighter sons?
22:00That would have killed her.
22:02It would have.
22:08It's like I can still see you.
22:11Here.
22:12All puny with your long hair.
22:15But with your cape in your left hand.
22:18And your chest up and out.
22:22When it got you, I got scared.
22:24And I did too.
22:26No.
22:28I got real scared.
22:35You were the one I learned from.
22:45Nah, I just taught you to swing the cape.
22:48But here...
22:51And here, you were already a bullfighter.
22:55Sun's coming out.
23:05You.
23:06You're not getting away.
23:08Not today.
23:09Not today.
23:09You're not getting away.
23:21It's good for everybody.
23:30Bye.
23:32Bye.
23:33Four ears and through the big gate.
23:48So true, the review nailed it.
23:50Come on.
23:52David, David.
23:53I can finally introduce you to my wife.
23:55Hello.
23:55This is Aruka, the most charming Japanese woman you'll ever meet.
23:59Hey, David, David, David, David.
24:01Just one thing.
24:02Cheers, bye-bye.
24:02I'm not going to kick your ass.
24:05Hey.
24:05David!
24:07Have you seen Hiddle?
24:11I'm telling you, Maestro, Abu Dhabi needs bullfighting.
24:14They need to meet the Maestro.
24:16Just imagine.
24:17The whole ring called Alain de Luz.
24:20You know that the Moors were here, like, the thousands.
24:24Well, they were here.
24:26Before, all this was Moorish.
24:27Ladies and gentlemen, and others, well, I'd like to propose a toast to the Maestro.
24:50To the Maestro.
24:52To the Maestro.
24:52Hear, hear.
24:54And this season finale sure was one for the books.
25:01You tell him, Hiddle.
25:04Come on!
25:05Come on!
25:06Bravo!
25:06Bravo!
25:06Bravo!
25:07That's it!
25:14Olé, my lovely people!
25:16You're so sweet, I can just kiss you all.
25:18I hope no one is recording this, though, okay?
25:21What happens on the ranch stays on the ranch.
25:24Okay, without further ado, I'm going to introduce you to a local artist.
25:30A legend who is bringing global recognition to our town.
25:35Juan Fuente!
25:38That's right.
25:41The stage is yours.
25:43Hola, mi amor, tengo que hablar contigo, y estoy cansado, estoy hecho un lÃo.
26:06Dime, mi amor, qué es lo que quieres de mÃ, dÃmelo ya, y no me hagas sufrir.
26:19Y ya no quiero ser tu amante, que yo no puedo serlo más.
26:25Y ya no quiero ser tu amante, que yo quiero ser algo más.
26:30Y ya no quiero ser tu amante, que yo no puedo serlo más.
26:36Y yo no quiero ser tu amante, que yo quiero ser algo más.
26:42Ladies and gentlemen, give it up for Junco.
26:46Y ya no quiero ser tu amante, que yo no puedo serlo más.
27:15Y ya no quiero ser tu amante, que yo no puedo serlo más.
27:27Y ya no quiero ser tu amante, que yo quiero ser algo más.
27:32Y ya no quiero ser tu amante, que yo no puedo serlo más.
27:37Y ya no quiero ser tu amante, que yo quiero ser algo más.
27:43Y ya no quiero ser tu amante, que yo no puedo ser lo más.
28:00Y ya no quiero ser tu amante, que yo no quiero ser algo más.
28:04Penultimate's his name.
28:12I pardoned him.
28:17What a beast.
28:22This the first bull you've seen?
28:25The second, if we count the one in Betty Doherman.
28:28Sure, sure, sure.
28:29The first retired one, for sure.
28:32Yeah.
28:36I'm also the first bullfighter you've met.
28:39And the first retired one as well.
28:41Retired?
28:58I'm retiring.
29:00I'm hanging up the cape, David.
29:01Part is knowing when it's time to give it up.
29:11In the bull ring, you also need to know when.
29:16I've only told my wife.
29:21And now you.
29:22And Ramon?
29:33Oh, Ramon doesn't need me to say anything.
29:36Ramon already knows.
29:44The speakers sound good, huh?
29:48What do you think?
29:49Sounds pretty good.
29:53Good.
30:19Good.
30:38Good.
30:43Come on.
30:44S.U.G.
30:45Ya no quiero ser tu amante
31:07Música
31:11Música
Comments