In 1906, in China, a British anthropologist discovers a frozen prehistoric creature and must transport it to Europe by train.
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00:00:00THE END
00:02:30The following report to the Royal Geological Society by the undersigned Alexander Saxton
00:02:38is a true and faithful account of events that befell the Society's expedition in Manchuria.
00:02:45As the leader of the expedition, I must accept responsibility for its ending in disaster,
00:02:55but I will leave to the judgment of the honorable members the decision as to where the blame
00:03:02for the catastrophe lies.
00:05:19I'm sorry.
00:05:20There is the seat left.
00:05:23My name is Saxton Alexander Saxton, if you will check, you will find a
00:05:29telegram.
00:05:30I sent you three weeks ago instructing you to reserve accommodation
00:05:33for me. There's nothing I can do. Hello? Yes. Yes. Well, well, look who's here. Professor
00:05:46Saxon, are you still? Dr. Wells. And what are you doing in Shanghai? I've asked you
00:05:51the same thing. Oh, I'm just collecting a few specimens. Miss Jones, let me introduce
00:05:56Professor Alexander Saxon. He dabbles in fossils and bones. Glad to meet you, Professor.
00:06:02Miss Jones has been assisting me. Bacteriology, excellent technician. For a woman, he means.
00:06:32Excuse me. Two private compartments to Moscow, if you please. Two, you say? Will that be all?
00:06:39And three crates of animals. Impossible. I know I'm asking you to perform miracles, Professor.
00:06:46Can I help you?
00:06:47Can I help you?
00:06:48Excuse me. Two private compartments to Moscow, if you please. Two, you say? Will that be
00:06:57all? And three crates of animals. Impossible. I know I'm asking you to perform miracles, Professor.
00:07:04Can I help?
00:07:05Can I help you?
00:07:06Can I help you?
00:07:07Can I help you?
00:07:35It's called squeeze in China.
00:07:37The American people know how.
00:07:39And in Britain, we call it bribery and corruption.
00:07:43Now, sir.
00:07:44Excuse me.
00:07:50You.
00:07:56Get out!
00:07:58Sir Alexander Saxton.
00:08:02Yes.
00:08:04Captain O'Higgins, sir.
00:08:06General Wang told me to find you and to make myself useful.
00:08:11Now I remember.
00:08:13I do have Your Excellency's ticket.
00:08:17Your ticket.
00:08:18Right here.
00:08:33And the Lord had mercy on his soul.
00:08:36Not that he deserves it, the dirty thief.
00:08:40You have his things?
00:08:41You knew him?
00:08:44Krasinski, the locksmith, he could open any trunk with a hairpin.
00:08:48A thief?
00:08:57But he was blind.
00:08:59Blind?
00:09:00He could spot a policeman a mile away.
00:09:07I'll be damned.
00:09:08The work of the devil.
00:09:15The work of the devil.
00:09:26Can I be of any assistance, father?
00:09:28The work of the devil.
00:09:29I'll be damned.
00:09:29I'll be damned.
00:09:30I'll be damned.
00:09:31This is yours.
00:09:32It is, but I demand an explanation.
00:09:36Whatever you have here is unholy.
00:09:39It must be destroyed.
00:09:40Inspector Mirov, what is in there, Your Excellency?
00:09:55Fossils.
00:09:55What is a fossil?
00:09:59A stone.
00:10:02Stones.
00:10:04There wouldn't be something valuable in there, like gold.
00:10:07Gold?
00:10:08It's a laboratory specimen.
00:10:11No value to a thief.
00:10:13Where there is God, there is always a place for the cross.
00:10:19Even on this stone floor, just so.
00:10:26But Satan is evil.
00:10:28And where evil is, there is no place for the cross.
00:10:49Rubbish.
00:10:50A conjurer's trick.
00:10:52Captain.
00:10:53Yes, sir.
00:10:53You get your men to put the crate on a train.
00:10:58Ready?
00:11:07Lift it up.
00:11:09Off you go.
00:11:28Leave.
00:11:30Can your feet wait a minute.
00:11:33Where is crate's seat?
00:11:36One to be careful with this one.
00:11:37Oh, thank you.
00:11:38Captain.
00:11:39Time to fight.
00:11:39Follow me.
00:12:09Follow me.
00:12:39Follow me.
00:13:09Follow me.
00:13:20Follow me.
00:13:26Follow me.
00:13:32Follow me.
00:13:43What are you going to astound the scientific world with this time?
00:13:46You'll read about it in the Society's annual report.
00:13:49A remarkable fossil.
00:13:50A fossil?
00:13:52But you've got something live in there. I heard it.
00:13:54You're mistaken.
00:13:56You won't need to feed it, then.
00:13:58The occupant hasn't eaten in two million years.
00:14:01That's one way to economise on food bills.
00:14:07Baggage man.
00:14:12Malinka, what's the matter with you?
00:14:14Yes, Countess?
00:14:15You have a safe for valuables?
00:14:17Yes, Countess. I shall make out a receipt.
00:14:22Excuse me.
00:14:28Malinka's afraid of something.
00:14:33What do you have in that crate?
00:14:35Oh, nothing that would interest Malinka, madame.
00:14:41Normally she likes Englishmen.
00:14:43All we Poles do.
00:14:45I am honoured, madame.
00:14:48Oh, yes. England.
00:14:50Queen Victoria.
00:14:51Crumpets.
00:14:52Shakespeare.
00:14:54I admire Poland, madame.
00:14:57I believe that there is a bond between our countries.
00:15:00My husband, the Count Petrovsky, says that in the 15th century, your King Henry betrayed us to the Russians.
00:15:09Hmm.
00:15:10I hope that you and your husband, madame, will accept my profoundest apologies.
00:15:15She's really afraid.
00:15:17I wonder what it is.
00:15:22May I escort you back to your carriage, madame?
00:15:45Sure.
00:15:46What?
00:15:47Yours?
00:15:48Oh, thank you.
00:15:59Excuse me.
00:16:00Yes.
00:16:01I was on the platform before, when that mad monk was carrying on.
00:16:03Yes.
00:16:05I'm an engineer.
00:16:07A scientist.
00:16:10I'm an engineer, a scientist.
00:16:16And this is ordinary chalk.
00:16:20How do you explain it's not writing on that crate?
00:16:24Hypnosis, yoga.
00:16:26These mystics can be very convincing.
00:16:29They can even hypnotize themselves.
00:16:40The fresh food we will pick up. Who will pay for it, sir?
00:16:46Oh, just keep an account of how much you spend.
00:16:51If someone were to drill a little hole in this crate during the night
00:16:56and take a look at what's inside,
00:17:01I'd be very grateful.
00:17:10Let's you know, though.
00:17:26Help me.
00:17:30In what way, madam?
00:17:37Is this number eight?
00:17:38That's number eight.
00:17:39That's next door, Wells' confinement.
00:17:43There, there. Don't cry.
00:17:47Everything will be all right.
00:17:51Excuse me.
00:17:54Sorry, dear fellow. I'm afraid you're in the wrong pew.
00:17:57Here. Number eight. Do you see?
00:18:01Eight A. Lower birth.
00:18:04Eight B. Upper birth.
00:18:06Don't worry.
00:18:08Look here.
00:18:09I was supposed to have this compartment to myself.
00:18:11If you don't mind.
00:18:12I'm sorry if I'm in your way.
00:18:13Excuse me.
00:18:14I have no ticket and I have to get out to Shanghai.
00:18:17I'm sure I can make it worth your while.
00:18:19The young lady's in trouble.
00:18:21Well, what do you suggest we do about it?
00:18:23Couldn't you, couldn't you double up with somebody else?
00:18:26Miss Jones?
00:18:27Steady.
00:18:28I'm sure we can all get along very well together.
00:18:32amed together.
00:18:37Steady.
00:18:38Yes.
00:18:39Yes.
00:18:40Yes yes.
00:18:42We go ahead.
00:18:43Yes and yes yes, gentlemen.
00:18:46Yes yes.
00:18:49And yes yes yes yes yes.
00:18:52What is that?
00:18:54Yes yes!
00:18:55Yes yes.
00:18:56ToFF ça.
00:18:58Let's go.
00:19:28Let's go.
00:19:58Let's go.
00:20:28Let's go.
00:20:58Let's go.
00:21:28Let's go.
00:21:58Let's go.
00:22:28Let's go.
00:22:58My concern for the spiritual welfare of the Countess, I forgot myself.
00:23:04I will pray for humility.
00:23:06Pray hard, but you'll find yourself praying for a job, too.
00:23:14May her father of the Lord must.
00:23:16Oh, it's a piece I was playing.
00:23:35I wonder who it is.
00:24:05Do you wish to see us?
00:24:22I thought one of you might know what happened to the baggage man.
00:24:25I haven't the remotest idea.
00:24:27What about you?
00:24:29Perhaps it had something to do with what's inside that crate.
00:24:34I agree with you.
00:24:36He was trying to open it when something happened.
00:24:38What?
00:24:46Fortunately, he was interrupted.
00:24:48Yes.
00:24:49By whom?
00:24:52Why are you so worried about it being opened?
00:24:55It may be my fault.
00:24:56I asked the baggage man to take a look.
00:24:58I was curious.
00:25:00It was no concern of yours.
00:25:03All of yours.
00:25:07Good night.
00:25:10One man dead, another missing.
00:25:12It's time we open this box.
00:25:14You will do no such thing.
00:25:17Give me the key.
00:25:35Konev, see if you can open the crate with that.
00:25:38Go ahead.
00:25:40Go ahead.
00:26:08Go ahead.
00:26:10Go ahead.
00:26:11Go ahead.
00:26:12Go ahead.
00:26:13My God.
00:26:15It's the baggage man.
00:26:16What was in there?
00:26:17My God, it's the baggage man.
00:26:28What was in there?
00:26:30I told you, a fossil, part ape, part man.
00:26:32It lived two million years ago.
00:26:34Are you telling me that an ape that lived two million years ago
00:26:38got out of that crate, killed the baggage man and put him in there,
00:26:41then locked everything up neat and tidy and got away?
00:26:44Yes, I am.
00:26:45It's alive, it must be.
00:26:47Lock him up.
00:26:48We'll search the train and find it, whatever it is, and destroy it.
00:26:52But if it's alive...
00:26:53I want his kept quiet.
00:26:55I don't want to panic the passengers.
00:27:15I don't want to panic the passengers.
00:27:17I don't want to panic the passengers.
00:27:26I don't want to panic the passengers.
00:27:31Oh, my God.
00:28:01Oh, my God.
00:28:31Oh, my God.
00:29:01Oh, my God.
00:29:31Oh, my God.
00:30:01My glass is empty.
00:30:16Oh, forgive me.
00:30:19My mind was elsewhere.
00:30:21What is it?
00:30:22I'm sorry. I can't tell you.
00:30:31Good evening.
00:30:33Good evening.
00:30:34Good evening.
00:30:38Haven't we met?
00:30:41I don't believe so.
00:30:43Yes, at the governor's palace, General Weinert.
00:30:47You're mistaken.
00:30:52Of course, I beg your pardon. It was somebody else.
00:31:09What's the matter?
00:31:11The eye of that fish.
00:31:14It's white.
00:31:17Naturally, it's boiled.
00:31:19Boiled.
00:31:22Yes.
00:31:29Is it true you're a doctor?
00:31:32Ask me when I finish my dinner.
00:31:34It's urgent.
00:31:36What are the symptoms?
00:31:37He's dead. You saw him.
00:31:39Oh, that one.
00:31:41There's nothing I can do for him.
00:31:43Now there's one more dead.
00:31:45One of my soldiers.
00:31:46The same white eyes.
00:31:47I want to know the cause of death.
00:31:49Who's dead?
00:31:50Keep your nose out of it.
00:31:51You didn't hear anything.
00:31:54Excuse me.
00:31:58Is Professor Saxon's fossil still at large?
00:32:01I think the fossil, or whatever it is, escaped.
00:32:03Jumped off the train.
00:32:05Miss Jones, I shall need your assistance.
00:32:11Yes, well, at your age, I'm not surprised.
00:32:18With an autopsy?
00:32:19Oh, well, that's different.
00:32:21Very curious.
00:32:36A genetic defect, obviously.
00:32:41Scoffle?
00:32:46Uh-huh.
00:32:50Can you keep that still?
00:32:51Uh-huh.
00:32:57What is he doing?
00:32:58Tree pen.
00:33:11Don't get up, please.
00:33:21I see you have decided to die in alone, Sir Alexander.
00:33:26I've eaten in worse circumstances and in worse company.
00:33:35Burn some.
00:33:37Here you are, Doctor.
00:33:41You're in bad humour because you've lost your box of bones.
00:33:56That box of bones, madame, could have solved many of the riddles of science.
00:34:02If the theory of evolution is confirmed, if the science of biology is revolutionised,
00:34:08if the very origin of man is determined...
00:34:10I've heard of evolution.
00:34:12It's...
00:34:13It's immoral.
00:34:14It's a fact.
00:34:15And there's no morality in a fact.
00:34:25And what about the baggage man?
00:34:27And that poor thief at the station?
00:34:29What about them?
00:34:32They are dead.
00:34:36Was your creature responsible for that?
00:34:40Probably.
00:34:43And you don't care?
00:34:47A baggage man and a thief?
00:34:48You're right, madame.
00:34:49I don't care as much as I should.
00:35:03Can you tell me how he died?
00:35:06Smooth as a baby's bottom.
00:35:07You saw this man today and he was normal?
00:35:08Absolutely.
00:35:09It must be a mutation, a freak of nature.
00:35:10What's so special about this brain?
00:35:11Learning and memory are engraved on the normal brain, leaving a wrinkled surface.
00:35:14This brain has been drained.
00:35:15The memory has been removed, like chalk erased from a blackboard.
00:35:21Like chalk erased from a blackboard.
00:35:51I don't care as much as I want.
00:35:52I'm not scared.
00:35:53I don't care.
00:35:54You're alone.
00:35:55I don't care.
00:35:56It's all I can feel like.
00:35:58I don't care.
00:36:00You need to know.
00:36:01I don't care.
00:36:02It's all I can feel like.
00:36:03I'm feeling she wants.
00:36:05I don't care.
00:36:06So, we'll be able to do this.
00:36:08Yeah.
00:36:09I don't care.
00:36:10This is all I can feel like.
00:36:11The thing is all I have to do.
00:36:13You know, I don't care.
00:36:15It's all I?
00:36:16This is all I have to do.
00:36:17I've been a laughter.
00:36:19Come in.
00:36:36It's all yours.
00:36:39I won't be long.
00:36:49I won't be long.
00:37:19I won't be long.
00:37:49I won't be long.
00:38:19I won't be long.
00:38:49I won't be long.
00:39:19It's Dr. Wells.
00:39:24Miss, are you all right?
00:39:49Miss, are you there?
00:40:07Oh, come on.
00:40:13Oh, come on.
00:40:14I won't be long.
00:40:15Oh, come on.
00:40:16Oh, my God.
00:40:46Oh, my God.
00:41:16Oh, my God.
00:41:46Oh, my God.
00:42:16The engineer, you know, the chess player.
00:42:19He told me that she was an international spy.
00:42:23Yes, I know.
00:42:25Oh, you do?
00:42:26Well, could that fact have had anything to do with her death?
00:42:30What do you think?
00:42:33Dr. Wells and I performed an autopsy on her.
00:42:37Her brain was completely smooth, just like the baggage man's.
00:42:40Everything had been erased.
00:42:42Now, I have a theory about this.
00:42:43I'm only a policeman, Professor.
00:42:45I don't have much education.
00:42:49Well, I'd make it simple.
00:42:51Supposing that creature, the one you killed,
00:42:55was capable of taking ideas directly from other people's brains
00:42:58and transferring them to its own.
00:43:00You mean it sucked other people's brains?
00:43:04Absorbed through the eyes.
00:43:09That was our first clue, the eyes going white.
00:43:13Then, if the beast had absorbed your brains,
00:43:17all of your education would have gone into its brain.
00:43:21It would have been as clever as you.
00:43:24Much more so, because what it had taken from me
00:43:28would have been added to the learning that it already had.
00:43:31Professor, spy, baggage man, thief.
00:43:36What was the creature looking for?
00:43:40That we'll never know, now that it's dead.
00:43:42And yet...
00:43:44What?
00:43:46A creature like that.
00:43:50How would it ever die?
00:43:51Inspector?
00:43:54What is it?
00:43:55I found this.
00:43:56The animal had it.
00:43:58The animal had it?
00:43:59Give it to me.
00:44:02It belonged to Count Petrovsky.
00:44:04How do you know?
00:44:06I saw him put it in the safe.
00:44:19Steel.
00:44:20Harder than a diamond.
00:44:21That's why the spies are after it.
00:44:24French, German, English.
00:44:27But they're wasting their time.
00:44:30What really matters is the formula.
00:44:33And that gentleman is safe.
00:44:36Up here.
00:44:42What happened to the girl?
00:44:43The spy?
00:44:45She's dead.
00:44:46The fossil, or whatever it was, killed her.
00:44:49But there's no more danger, Countess.
00:44:51Beast is not dead.
00:44:52I put four bullets into him.
00:44:57You think evil can be killed with bullets?
00:44:59Satan leaves.
00:45:00The unholy one is among us.
00:45:04The unholy one is among us.
00:45:08Oh, Shemal, Shemal, Shemal, Shemal, Shemal.
00:45:13There's no more rangers.
00:45:14Oh, Shemal…
00:45:41Specimen jar.
00:45:50What do you expect to find in the eye fluid?
00:45:52I don't know.
00:46:11Why, this is incredible.
00:46:24What?
00:46:30Why, it's the last thing the creature saw.
00:46:35The police, Inspector.
00:46:37The image has been retained in the fluid.
00:46:40Exactly.
00:46:41The creature's visual memory is located not in its brain,
00:46:45but in the eye itself.
00:46:46The object of the creature is discovered not in its brain.
00:46:52The object of the creature is detected in the eye fluid.
00:46:55Oh, my God.
00:47:25Can you identify anything?
00:47:31It's a brontosaurus.
00:47:35A pterodactyl.
00:47:55Incredible.
00:48:11This is not a map.
00:48:13It can only be the Earth they've seen from space.
00:48:19I hope I'm not intruding.
00:48:22People on the train are becoming afraid, Professor.
00:48:25People on long journeys become bored, Madame.
00:48:28They crave excitement.
00:48:31Then there's no more danger.
00:48:33It's all finished.
00:48:34And what about your science?
00:48:38The evolution you were talking about?
00:48:42Look for yourself.
00:48:43Come here, Pujadov.
00:49:01There's something I want to show you.
00:49:08Look.
00:49:09It is the Holy Wreath.
00:49:28On the second day, he created the Earth.
00:49:39Where did you get it?
00:49:42There.
00:49:43From the creature's eye.
00:49:49The eye of Satan.
00:49:52Nonsense.
00:49:53There's a scientific explanation.
00:49:54You know it.
00:50:00No.
00:50:02Not yet.
00:50:07Before the fall.
00:50:09Before Satan was banished from the throne of God.
00:50:13The evil one looked down from heaven and did see.
00:50:18Rubbish.
00:50:18Bujardov.
00:50:43Bujardov.
00:50:44Where is he?
00:50:46I don't know.
00:50:47No.
00:50:47I don't know.
00:50:48He's gone mad.
00:50:55I'll look in the baggage car.
00:50:56Right.
00:51:18I'll get you.
00:51:25OK, I'll get you.
00:51:29OK.
00:51:30OK, I'll get you.
00:51:35OK.
00:51:36OK.
00:51:38OK.
00:51:40OK, I'm going to get you.
00:51:44OK, I'm going to go.
00:51:45Looking for the thief, Miss Jones?
00:52:05You know about it.
00:52:07What's all the fuss?
00:52:08You get back that eye, and there's a thousand rubles in it for you.
00:52:19A thousand rubles for an eye?
00:52:23There's something in it.
00:52:26Pictures.
00:52:28Pictures of what?
00:52:31Pictures of the earth in prehistoric times.
00:52:35Pictures of the earth seen from space.
00:52:38Who else has seen such pictures?
00:52:41Dr. Wells, Professor Saxton, and that pretty countess.
00:52:47I see.
00:52:48I see.
00:53:07I see.
00:53:18I see.
00:53:18so
00:53:48Have pity, have pity.
00:54:01Are you going to kill me?
00:54:06Fool, there's nothing in your head of any use.
00:54:09Another killing.
00:54:26Stop the train!
00:54:27I have no right.
00:54:28I want to get off.
00:54:29There's no law.
00:54:30Quiet.
00:54:32There's been talk about getting off the train.
00:54:34Well, you can forget it.
00:54:36I'll complain to the authorities.
00:54:37I'm not one of your musics.
00:54:39If necessary, I'll shoot anyone who tries to stop the train.
00:54:42Shoot!
00:54:43Shoot, you stupid Russian!
00:55:01Who else has seen such pictures?
00:55:03Dr. Wells.
00:55:07Professor Saxton.
00:55:10And they're pretty Countess.
00:55:12Wells.
00:55:13Saxton Countess.
00:55:14Wells.
00:55:15Saxton Countess.
00:55:16Wells.
00:55:17Saxton Countess.
00:55:18Wells.
00:55:19Saxton Countess.
00:55:25Wells.
00:55:26Is this creature dead or not?
00:55:29Or not.
00:55:30If it is, who killed Miss Jones?
00:55:37Do you have any idea?
00:55:40No, Inspector, I haven't.
00:55:41But I've asked the conductor to wire ahead to stop the train at the next station.
00:55:44Yes.
00:55:58What's the idea?
00:55:59Tell me who you are.
00:56:00Tell me who you are.
00:56:01Tell me who you are.
00:56:18Tell me.
00:56:19I will serve you.
00:56:20Tell me.
00:56:21I will serve you.
00:56:22Tell me.
00:56:23Tell me who you are.
00:56:34Tell me.
00:56:35I will serve you.
00:56:50I want to help you.
00:56:54It's like some contagious disease.
00:56:57Well, if there's a disease, there must be symptoms.
00:57:00Fever?
00:57:01You could take everyone's temperature.
00:57:04The eyes. Why do their eyes go white?
00:57:23Do you think it's true what they say about those horrible white eyes?
00:57:31Oh, that part is true enough.
00:57:37Ah, Inspector. It's only you now.
00:57:40What about me?
00:57:41Your eyes. We must examine your eyes, too.
00:57:47Certainly.
00:57:48Perhaps you should test for radiation or other invisible rays.
00:58:00X-rays?
00:58:02Well, it's a thought, but on this train, how would we go about it?
00:58:06Are you a scientist?
00:58:08An engineer, but I try to keep up with things.
00:58:11That's to be admired.
00:58:14Inspector, I suggest you tell all these people to stay together in groups or in pairs,
00:58:19so that if anything does happen to anybody, then somebody can raise the alarm.
00:58:24On no account must anybody be left alone.
00:58:26On no account must be left alone.
00:58:56At the end of the day.
00:58:57No, I just watched it.
00:58:58I will wait to see you later.
00:58:59Tchaikata!
00:59:00That's right.
00:59:01I can see you after it!
00:59:02That's all!
00:59:03I can hear it.
00:59:04You're extremely nostalgic.
00:59:05Arf!
00:59:06You're so smart!
00:59:07You're so smart!
00:59:08You're so smart.
00:59:09You're so smart!
00:59:11You're so smart!
00:59:12He's so smart!
00:59:13You're so smart!
00:59:15Isn't that necessary?
00:59:16What you're smart!
00:59:18You're so smart!
00:59:19You're smart!
00:59:22You're so smart!
00:59:23You're so smart!
00:59:25Use of the train.
00:59:46The train will be here in exactly 14 minutes.
00:59:5314 minutes.
00:59:56Yes, Your Honor. That's what it says here.
01:00:00It doesn't say it in words, Your Honor, but in code. It's like another language.
01:00:10I know about telegraphs, little papa. I know about trains. I know about electrical currents.
01:00:17On your feet, everybody. Outside, full pack.
01:00:26Even though I still believe in God, I don't like to be made a fool of.
01:00:29No, Your Honor. I wouldn't do that.
01:00:36Tell me, little father. Do you believe in the devil?
01:00:47Yes, Your Honor.
01:00:48Oh, good. Send a telegram.
01:00:55Tell him that Captain Kazan...
01:00:57He knows that a horse has four legs.
01:01:00He knows that a murderer has two arms.
01:01:03But still, the devil must be afraid of one honest Cossack.
01:01:12the devil must be afraid of one honest Cossack,
01:01:13but it doesn't seem like that.
01:01:14I don't know about that.
01:01:15If you don't have a friend, you will be afraid of one.
01:01:16But it is a really difficult thing.
01:01:17I'm afraid of one.
01:01:18I'm afraid of one.
01:01:19I'm afraid of one.
01:01:20I'm afraid of two.
01:01:21I'm afraid of two.
01:01:22I'm afraid of two.
01:01:23I'm afraid of two.
01:01:24I'm afraid of two.
01:01:25earth gravity you know how to measure it how to measure gravity what i would like to know is
01:01:43can gravity be overcome
01:01:45if you mean can man get beyond the gravitational field of the earth into space not yet but any
01:01:53day now someday there is a mathematics professor his name is chokovsky he has ideas about rockets
01:02:01machines that can fly free of the earth's gravity you know him
01:02:07chokovsky was one of my teachers he was like a father to me but why would a man like you be
01:02:19interested
01:02:49what do you think is behind all this excellency
01:02:53look at this that's what we saw under the microscope shows the earth as it might look from space
01:03:02what does it mean
01:03:03it means that millions of years ago something some form of intelligence came to the earth from
01:03:10another planet the atmosphere of the earth was new to it different but it learned how to survive how
01:03:17how by entering into the body and brain of an earth creature the fossil that i found and brought with
01:03:26me and this thing from another planet survived the fossil then came to life again exactly go on professor
01:03:32exactly go on the animal that you shot was only the host and when that animal died the alien intelligence
01:03:45transferred somehow to another host
01:03:51it's alive
01:03:54in someone on this train
01:03:56you're a very good detective
01:03:58you've discovered everything except
01:04:00who is now the host
01:04:02that's our next step
01:04:04thought this might come in handy
01:04:06oh good idea
01:04:07two of you together
01:04:08that's fine
01:04:09what if one of you is the monster
01:04:12monster
01:04:13monster
01:04:14they're british you know
01:04:15but you must have seen something
01:04:27i told you i was asleep
01:04:29he knew about the white eyes he told me
01:04:34when you fell asleep the lights were on
01:04:38and when you woke up
01:04:39they were off
01:04:40they were off
01:04:41are you sure
01:04:42positive
01:04:43it was dark
01:04:44i put the lights on
01:04:46and that's when i found him beside me
01:04:49when we did the test the lights were on
01:04:52master
01:04:57master
01:05:27inspector
01:05:34this steel at high temperatures
01:05:38what happens to it
01:05:40it gets stronger
01:05:44what temperatures for example
01:05:46ten or twelve thousand degrees
01:05:49where on earth would you get such temperatures
01:05:52nowhere on earth
01:05:54but
01:05:56the
01:06:01the
01:06:18the
01:06:20The Tsar will hear of this. I'll have you sent to Siberia.
01:06:41I am in Siberia.
01:06:43This is Countess Irina Petrovska.
01:06:45And I am Count Marian Petrovski.
01:06:48Oh, Your Excellencies, I'm sorry.
01:06:51Of course, the Count and Countess are exempt from our orders.
01:06:56Please, escort them to their car.
01:07:09Peasants. Peasants!
01:07:20Are you a Countess?
01:07:21I'm an American and I'm not accustomed to being bullied by foreigners.
01:07:27That man, he's the one who wouldn't let us get off the train. He's responsible.
01:07:31Your Excellency, I'm a police inspector.
01:07:40Everybody's under arrest!
01:07:43Who are the killers? Who? Who are the troublemakers?
01:07:54Who are the foreign influences?
01:07:59Don't worry. I'll smoke them out.
01:08:00What's he raving about?
01:08:04You English believe in free speech, don't you?
01:08:09Certainly.
01:08:10If instead of babbling nonsense, you'd investigate this properly.
01:08:12Oh, this is outrageous!
01:08:13Oh!
01:08:14So, you're a police inspector, huh?
01:08:15You're a police inspector, huh?
01:08:16You're a police inspector, huh?
01:08:17Yes, Captain.
01:08:18Mirov is my name.
01:08:19Mirov is my name.
01:08:20Mirov is my name.
01:08:21What?
01:08:22You, English, believe in free speech, don't you?
01:08:24You, English, believe in free speech, don't you?
01:08:29Certainly.
01:08:30If instead of babbling nonsense, you'd investigate this properly.
01:08:33This is outrageous!
01:08:35So, you're a police inspector, huh?
01:08:42Yes, Captain.
01:08:43Mirov is my name.
01:08:44Mirov?
01:08:45Oh, Mirov.
01:08:46That's a good Russian name, Mirov.
01:08:51Tell me, Mirov.
01:08:56What do you know about all the filth that's going on here, huh?
01:09:00Filth?
01:09:01Oh, come on, Inspector.
01:09:02Certainly you know what I'm doing here, don't you?
01:09:05You just point out the suspects and I promise you I'll get the truth out of them.
01:09:10You're mistaken, sir.
01:09:12Mistaken fool!
01:09:24Get back!
01:09:25Get back!
01:09:26Get back!
01:09:27Back!
01:09:28Or I will put the curse on your heads.
01:09:31He has the evil eye.
01:09:36Huh?
01:09:37Beware the wrath of Satan.
01:09:46Beware the wrath of Satan.
01:09:47Beware the wrath of Satan.
01:09:51Get back!
01:09:52Get back!
01:09:53Let's go!
01:09:54Oh, no.
01:10:08On your knees, Monk.
01:10:13We must try and stop this.
01:10:33No!
01:10:54He was trying to protect you.
01:10:57Why?
01:10:58He's mad.
01:11:02Who are you?
01:11:04I told you, a policeman.
01:11:09No!
01:11:16No!
01:11:17No!
01:11:18No!
01:11:19No!
01:11:20No!
01:11:21No!
01:11:22No!
01:11:23No!
01:11:24No!
01:11:25No!
01:11:26No!
01:11:27No!
01:11:28No!
01:11:29No!
01:11:30No!
01:11:31No!
01:11:32You saw his eyes.
01:11:33One look at them and you're dead.
01:11:38Come in to me, Satan.
01:11:39Come in to me, Satan.
01:11:40Come in to me, Satan.
01:11:41Thine is the King of the King.
01:11:45You saw his eyes. One look at them and you're dead.
01:12:05Come into me, Satan.
01:12:10Thine is the kingdom and the power and the glory.
01:12:15Thine will be done on earth as it is in hell.
01:12:23Now anything, anything that moves near that door, kill it.
01:12:29But wasn't the monkeys innocent?
01:12:31We got lots of innocent monks.
01:12:33All right, let's move these peasants out of here. Quickly!
01:12:45Could see why I love you and you i imagine the word you'd be able to put it in the middle
01:12:50Especially this door.
01:12:51If you're in person, hang it as well...
01:12:54We ain't even having a meeting on clue you to talk about.
01:12:55If you're still there, you and your relatives are ready to dance.
01:12:56To be%pied up here's going on the other side of life
01:15:30There.
01:15:32He always kills in the dark.
01:15:48He can't play his little tricks in a strong light.
01:16:40We'll take care of the others.
01:17:09What about you?
01:17:10I'll be all right.
01:17:11Go on.
01:17:12Will you take this?
01:17:13Right.
01:17:16You know, in spite of everything, Pujatov had a certain affection for you.
01:17:43Yet, you humiliated him often, even in front of the Countess.
01:17:50Even in front of the Countess.
01:18:38Oh, he's dead.
01:18:45You killed him.
01:18:46If you want to kill Pujatov, it's too late.
01:18:51I see you hanged.
01:18:53The poor monk.
01:18:54He loved you more than he loved the promise of heaven.
01:19:00Over there.
01:19:07Quickly, over there.
01:19:08Irina, behind me.
01:19:09It would be a mistake to kill me.
01:19:19Who are you?
01:19:22In words, it's difficult.
01:19:24I'm a form of energy occupying this shell.
01:19:29Where do you come from?
01:19:32Another galaxy.
01:19:33I came with others like myself.
01:19:40I was left behind.
01:19:41An accident.
01:19:42I survived in proto-zones, fish, vertebrates.
01:19:48The history of your planet is part of me.
01:19:55Pull the trigger and you will end it.
01:20:02What am I to do with you?
01:20:05Let me go.
01:20:07That's not possible.
01:20:08It is possible.
01:20:13I will teach you to end disease, pain, hunger.
01:20:20Wait!
01:20:23There is something more.
01:20:53You is out, essentially.
01:20:54The hundreds of thousands homes have been sent to the
01:21:21Go!
01:21:22Let me go!
01:21:51Oh, no!
01:22:21No!
01:22:28No!
01:22:30No!
01:22:37No!
01:22:44No!
01:22:45No!
01:22:46No!
01:22:47No!
01:22:48No!
01:22:49No!
01:22:50No!
01:22:51No!
01:22:52No!
01:22:53No!
01:22:54No!
01:22:55No!
01:22:56No!
01:22:57No!
01:22:58No!
01:22:59No!
01:23:00No!
01:23:01No!
01:23:02No!
01:23:03No!
01:23:04No!
01:23:05No!
01:23:06No!
01:23:07No!
01:23:08No!
01:23:09No!
01:23:10No!
01:23:11No!
01:23:12No!
01:23:13No!
01:23:14No!
01:23:15No!
01:23:16No!
01:23:17No!
01:23:18No!
01:23:19No!
01:23:20No!
01:23:21No!
01:23:22No!
01:23:23No!
01:23:24No!
01:23:25No!
01:23:26No!
01:23:27Saxton! Thank God!
01:23:33Stand back, please. Make room.
01:23:57Moscow says to stop the express
01:24:05when it goes through the switching point.
01:24:12Nail it.
01:24:13That means killing everybody on board.
01:24:18That's what it says.
01:24:20Maybe there's a war.
01:24:24Maybe it's war.
01:24:27Maybe there's a war.
01:24:28Maybe there's a war.
01:24:29Maybe there's a war.
01:24:30Maybe there's a war.
01:24:31Maybe there's a war.
01:24:32Maybe there's a war.
01:24:33Maybe there's a war.
01:24:34Maybe there's a war.
01:24:35Maybe there's a war.
01:24:36Maybe there's a war.
01:24:37Maybe there's a war.
01:24:38Maybe there's a war.
01:24:39Maybe there's a war.
01:24:40Maybe there's a war.
01:24:41Maybe there's a war.
01:24:42Maybe there's a war.
01:24:43Maybe there's a war.
01:24:44Maybe there's a war.
01:24:45Maybe there's a war.
01:24:46Maybe there's a war.
01:24:47Maybe there's a war.
01:24:48Maybe there's a war.
01:24:49Maybe there's a war.
01:24:50Maybe there's a war.
01:24:51Maybe there's a war.
01:24:52Maybe there's a war.
01:24:53Maybe there's a war.
01:24:54Maybe there's a war.
01:24:57Let's go.
01:25:27Let's go.
01:25:57Let's go.
01:26:27Let's go.
01:26:57Let's go.
01:27:27Let's go.
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