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00:00:00Oh
00:00:30You're fine, right?
00:00:33Thank you, sir.
00:00:37As soon as I go down,
00:00:39my leg fell down.
00:00:43You're the director of Suzuki, right?
00:00:45I'm from the second planning department of Rena Isaka.
00:00:49Yes, I'm Suzuki.
00:00:53Thank you for saving me.
00:00:55It's probably because of my leg,
00:01:01my leg fell down.
00:01:15Nisa.
00:01:18Good morning.
00:01:19Good morning.
00:01:20Today, you're completely different.
00:01:22After the makeover, you're very good.
00:01:25Okay, let me tell you.
00:01:26It's not too much, right?
00:01:27No, no.
00:01:28It's not too much.
00:01:29It's good.
00:01:30You said the bright colors are good for you.
00:01:31Don't ask your hair.
00:01:32How did you cut your hair today?
00:01:33Why did you cut your hair today?
00:01:34Why did you cut your hair?
00:01:35Stop.
00:01:36I'm asking something.
00:01:45Is Mrs. Isaka not here yet?
00:01:47Did you talk about her?
00:01:52Sumiyoshi,
00:01:57Misa here?
00:01:58Yes.
00:01:59What are all these things?
00:02:03What are all these things?
00:02:07Who will approve such a presentation meeting?
00:02:13But sir, what is the problem?
00:02:14Tell me.
00:02:15There's no such product.
00:02:16There's no such product.
00:02:17There's no such product.
00:02:20But there's no such problem.
00:02:22Tell me.
00:02:23I'll tell you.
00:02:24I'll tell you this too.
00:02:26I'll tell you a little.
00:02:27You can't touch your mind.
00:02:29Or you'll eat and eat.
00:02:31Huh?
00:02:33You always find a mistake of saving your life.
00:02:36I'm very sorry, sir.
00:02:37But if you tell us, we'll...
00:02:39This proposal is a problem.
00:02:40Don't put it again.
00:02:42Don't put it again.
00:02:44Oh, you too.
00:02:46You too.
00:02:47This office is not your house.
00:02:48Don't put your money here.
00:02:49Don't put your money here.
00:02:58The meeting is this week, right?
00:03:00Yeah.
00:03:01I was submitted the proposal.
00:03:03So, if you don't have to change anything,
00:03:05we'll get the time for that.
00:03:08This manager always does this.
00:03:10What?
00:03:12Nothing.
00:03:14Good morning.
00:03:15Good morning, sir.
00:03:16Excuse me.
00:03:17I've been waiting for a while.
00:03:18You're not okay yet.
00:03:20How long am I calling?
00:03:22Thank you, sir.
00:03:23My leg is dead.
00:03:25So, I have to go to the hospital.
00:03:27The leg is dead?
00:03:28You're very angry.
00:03:30Don't put it on your leg.
00:03:31Don't put it on your leg.
00:03:32Don't put it on your leg.
00:03:33No.
00:03:34Good job.
00:03:35Come here.
00:03:36Come here.
00:03:37Come here.
00:03:38Come here.
00:03:39I'm sorry.
00:03:40Don't worry.
00:03:41Come here.
00:03:42Come here.
00:03:43Thank you, sir.
00:03:44Wait.
00:03:45I might have compressed.
00:03:46I'll take it.
00:03:47I'll take it.
00:03:48Okay.
00:03:49Listen.
00:03:50Yes.
00:03:51There's a phone from Lantra De Cafe.
00:03:53Lantra De Cafe?
00:03:54Yes.
00:03:58Hello sir.
00:03:59I'm speaking in front of you.
00:04:00Huh?
00:04:02In keys?
00:04:03Come here.
00:04:21Okay.
00:04:22Okay.
00:04:23Now we gotta go.
00:04:24How are you, Misa?
00:04:33These are our famous dish here.
00:04:36This is very tasty.
00:04:37Let's finish it again.
00:04:43Did you not work at lunch time?
00:04:45No, there are a lot of people to use.
00:04:47And then you are also a special customer.
00:04:51Then we start eating.
00:04:53Yes, please.
00:05:00Oh, this is very tasty.
00:05:02So you are both the owner and the chef here?
00:05:05It's amazing.
00:05:06I thought you would become a director or an actor here.
00:05:10Yes, I'm right.
00:05:11But the theatre was only until the university.
00:05:14If you didn't make a part-time job, you would make a full-time job.
00:05:17I probably wrote this.
00:05:20Your cafe is very good.
00:05:22La Interacte.
00:05:24In French, it means to be a place.
00:05:27I wanted to make a place where busy people can take a little break.
00:05:31Okay.
00:05:32With a break.
00:05:33With a break.
00:05:34With a break.
00:05:35With a break.
00:05:36With a break.
00:05:37With a break.
00:05:38With a break.
00:05:39With a break.
00:05:40With a break.
00:05:41I did not want to call you in the company.
00:05:42No.
00:05:43No.
00:05:43I had to talk with you.
00:05:45Ah, you sent me the message that I was sent to you.
00:05:49If you say it, I didn't give up.
00:05:51No, no.
00:05:52Or how do we meet again?
00:06:00Okay.
00:06:01Meeta and other people also wanted to meet you.
00:06:05Maybe you will connect to social media.
00:06:07I use social media very rarely.
00:06:10If you use it, all the time will go in.
00:06:30But I will use it.
00:06:32Huh?
00:06:33It seems like I should be active on social media.
00:06:38So, you will be active?
00:06:40Hmm.
00:06:41Ah.
00:06:42First, follow me on my page.
00:06:44Follow?
00:06:45Hmm.
00:06:53Do it.
00:06:54Really?
00:06:55Hmm.
00:06:56Oh, photos are so good.
00:07:06Sorry, I just went like this.
00:07:10What can I sit?
00:07:11I was thinking about Yotou talking about Yotou.
00:07:23But it's good that you got to meet.
00:07:25You should talk about Yotou.
00:07:27I was thinking about Yotou.
00:07:30I'm sorry.
00:07:31I'm sorry.
00:07:32I'm sorry.
00:07:33Hmm.
00:07:38Then I was also a child like everyone.
00:07:40I got to be angry at that.
00:07:42I thought that my love would have to throw me from Yotou, Yotou.
00:07:48I was like, you're my ugly friend.
00:07:50Don't throw my love away.
00:07:52I was living in this anger.
00:07:54I remember that you were all your friends in school, right?
00:07:58They were just the ones who showed me.
00:08:01My true friend was just a friend of mine.
00:08:05I didn't get the wrong thing, but I couldn't tell you.
00:08:09I couldn't tell you the truth, but I couldn't be able to tell you.
00:08:13I was living with this pachetava.
00:08:17If it was a pachetava, I wouldn't call me in a reunion.
00:08:20I didn't call you, but I wanted to call you.
00:08:23Maybe I wouldn't be able to tell you.
00:08:25But I just want to tell you so much.
00:08:29Don't you understand me.
00:08:31You're my friend of mine.
00:08:34I can't think that in my dreams.
00:08:45Reena, do it too.
00:08:50I need to tell you something else.
00:08:53I'm sure you are well aware of yourself.
00:08:55You're my friend.
00:08:57I'm not sure you are.
00:08:59You're not sure you have any tension on your dreams.
00:09:01I thought you will end your friendship. I didn't get tired from this fear.
00:09:18I would never forgive you. You and Yuto are really great.
00:09:24I'm telling you, I don't like my friendship.
00:09:30How are you now?
00:09:33Yes, I'm scared of going.
00:09:46Meisa always loves to say something.
00:09:51I think that I have a reward for my sins.
00:09:56One day, a girl had a message.
00:09:59She said that she is dating her.
00:10:02She is playing a game for three years.
00:10:07If it's like that, then you can take a break up with her.
00:10:10Yes, she did.
00:10:12When did it?
00:10:14In the morning.
00:10:16What is this story about Twist?
00:10:18I don't want to stay with you.
00:10:22Now, let's go.
00:10:23I don't want to stay with you.
00:10:25When a girl did not get a break up with her, she was a lot of fun.
00:10:29And she was doing a break up with her first.
00:10:31Then, how is this break up early?
00:10:33So then, how did this break up happen quickly?
00:10:37But I found someone else.
00:10:40Who is he?
00:10:42Tell me, he's hurting me. How can I tell you?
00:10:44Sometimes it happens that we haven't thought about it.
00:10:48We just love him.
00:10:49So much love so quickly?
00:10:51Jomoya!
00:11:29When you stopped me, it was like that.
00:11:32Like my whole pain never had.
00:11:35It just happened once again.
00:11:40What's happening? I don't understand.
00:11:42I know Rene's old boyfriend.
00:11:44In the past life, he didn't give him to his director Suzuki.
00:11:48So how did this happen?
00:11:50Stop!
00:11:54How did he become the director Suzuki's life?
00:11:58And Rene's heart, how did he come to her feelings?
00:12:01If it was true, then...
00:12:03I shouldn't have to be in front of them.
00:12:11What's happening all this?
00:12:16I'm sorry, sir.
00:12:18I'm sorry, sir.
00:12:19I'm sorry, sir.
00:12:20Please, I'm sorry.
00:12:21I'm sorry.
00:12:22That's right.
00:12:23I'm sorry.
00:12:24I'm sorry.
00:12:25You're not at that place.
00:12:26Please, don't do this.
00:12:27Why is he so angry?
00:12:28Please, don't do this.
00:12:29Why is he so angry?
00:12:30Why are you so angry?
00:12:46What do you do? There's no time.
00:12:54Shine Musk's proposal for Tenggur today.
00:13:00So, you're making a proposal again?
00:13:04Miss Misa, if you're going to take care of yourself, it's better.
00:13:09But her proposal was perfect.
00:13:17I need to help.
00:13:19But it's a lot of time.
00:13:21Yes, let's do it.
00:13:23Let's start. Let's go.
00:13:30This is the job.
00:13:32It's the job.
00:13:33So, we're going to have to deal with you.
00:13:37Yes, and now we're going to have to do it.
00:13:38Let's have a drink of water. What do you want to eat?
00:13:43What do you want to eat?
00:13:44Let's have a drink of water.
00:13:50We stay in the night.
00:13:52We don't have to wait for one minute.
00:13:56No, make a drink.
00:13:58There is a mess.
00:13:59There is a mess.
00:14:00There is a mess.
00:14:01Let's make a drink.
00:14:08Let's make a proposal forever.
00:14:13And that's why?
00:14:38To the house, I will try to leave you.
00:14:44Can I tell you about your daughter.
00:14:47She fell in the name of his 손.
00:14:49Her eyes fell in the name of her.
00:14:51She fell in the name of her.
00:14:52As soon as he fell in the name of her father,
00:14:54She fell in the name of her.
00:14:55Don't forget to tell you.
00:14:56Her daughter is fine.
00:14:57She had fallen to the ground.
00:14:58Her belly is red.
00:15:00Her fingers are broken.
00:15:02With her fingers,
00:15:03her fingers are blown.
00:15:05Okay, tell me this. You sent Sir to your new proposal in the morning, right?
00:15:20It's wrong. I sent Sir to the first proposal.
00:15:25Sumiyoshi, Misa.
00:15:28Look, tell me this.
00:15:34Sorry Sir, I'm wrong.
00:15:36Look at the result of my proposal.
00:15:38This time's proposal is quite good.
00:15:41I'll call a meeting.
00:15:58Dear Misa.
00:16:03We need it.
00:16:04What?
00:16:07After a while, we should do a loss to our sleep.
00:16:12He wrote a proposal.
00:16:14Otherwise he needs a new proposal.
00:16:17It would be just to go to the meeting.
00:16:20What?
00:16:22I don't want anything to do with boss's work.
00:16:29We'll submit this proposal every time.
00:16:32Just the font, the layout and the order of the proposal.
00:16:35What?
00:16:36But if we're gone, then what?
00:16:38I'll submit it alone.
00:16:39This week we'll leave home for the time.
00:16:42I don't need any trouble.
00:16:44You have to take your daughter to school.
00:16:46She's a child, she's enjoying it.
00:16:48And if someone's upset with her, then...
00:16:51I'm sorry.
00:16:53She's going to be a child for a poor man.
00:16:56But she doesn't want anything to do with her.
00:17:07So, Amita, she's a very big man.
00:17:10She wants to go like this.
00:17:14It's all the same plan.
00:17:16I didn't know that she was so powerful.
00:17:19It's all the same.
00:17:21It's all the same.
00:17:22It's all the same.
00:17:32Sumiyoshi, Misa...
00:17:34You both have understood me without a doubt.
00:17:39What?
00:17:40I was asking you to ask you guys from the beginning of the proposal.
00:17:45Look at the results of my opinion.
00:17:48The proposal is pretty good.
00:17:50Okay.
00:17:51I'll call a meeting.
00:17:53Okay.
00:17:54I'll call a meeting.
00:17:55Okay.
00:17:56I'll call a meeting.
00:17:57Okay.
00:17:58I'll call a meeting.
00:17:59I'll call a meeting.
00:18:00I'll call a meeting.
00:18:01Do you want to try this, why don't you eat it?
00:18:15Mom, my dad has especially sent you butter to you.
00:18:18Oh!
00:18:19The food you like.
00:18:20Very good.
00:18:21Thanks.
00:18:22So, today's party is my way.
00:18:24Oh!
00:18:25We'll eat again.
00:18:26We'll eat again.
00:18:28Come.
00:18:30Let me tell you, the manager didn't come too much.
00:18:34No, it didn't come too much.
00:18:36But, he had two fingers on his hands.
00:18:38And he had two fingers.
00:18:47Karma is a reward.
00:18:50What?
00:18:51What?
00:18:55Miss Misa,
00:18:56Yes.
00:18:57Because of you, the first time I'm feeling that I'm not being angry.
00:19:04Lona.
00:19:06I and Sumiyoshi were like the one.
00:19:10We were all in the sand of the sea that were all in the sea.
00:19:15We were all in the sand that were all in the sand.
00:19:16We were all in the sand that, maybe,
00:19:18we'll get the best of our sins of our sins.
00:19:20But we didn't show our sins.
00:19:21We were all in the sand.
00:19:22We didn't see our sins.
00:19:25And people are taking advantage of us.
00:19:32Shine must get approval of the project.
00:19:35And the work will start soon.
00:19:39This is for you.
00:19:52Our ideas have been working.
00:20:00And the sales came from the sky.
00:20:02And that product has become our knowledge.
00:20:05But the manager and Reina,
00:20:10took all of us.
00:20:13When the project was done,
00:20:16then the project was put on it.
00:20:18And we both had the hard work.
00:20:21He took all the credit.
00:20:28You rest and get good.
00:20:31Okay?
00:20:32Go, go, go.
00:20:33Sumiyoshi, ma'am,
00:20:35left the company wrong.
00:20:47I never thought that my post
00:20:50will find anyone else.
00:21:02We will not be able to make the bullies.
00:21:04What happened?
00:21:05You didn't like the mutton?
00:21:06We will not be able to make the bullies.
00:21:07We will not be able to make the bullies.
00:21:09We will not be able to make the bullies.
00:21:11We will not be able to make the bullies.
00:21:12We will not be able to make the bullies.
00:21:15Let's go.
00:21:16Let's go eat.
00:21:17Yes.
00:21:20This is ready.
00:21:25Oh!
00:21:26It's a good taste.
00:21:32Look at how good it is.
00:21:34It's been fun.
00:21:52You don't have to wait a lot?
00:21:54No, no.
00:21:55Before, Misa was a good friend.
00:21:57But today, we went to drink with them.
00:22:00Yes.
00:22:01And she didn't ask me too.
00:22:03Today, Misa didn't keep anything new to me.
00:22:07Yes.
00:22:09Yes.
00:22:11Don't ask me how much I'm wrong.
00:22:15I'm not getting any idea.
00:22:17You should keep a little attention.
00:22:20What do you want to keep a little attention?
00:22:23Yes.
00:22:24Once you get married,
00:22:25then some girls are surprised
00:22:27that the person who is the one who is the one who is the one who is the one who is the one who is the one who is the one.
00:22:31No, no, no.
00:22:32Misa is not a girl like this.
00:22:34Excuse me, one highball.
00:22:36Yes, sir.
00:22:37Do you know who the director of the strategy department?
00:22:41Yes.
00:22:42That's a noble son.
00:22:43How do you feel that he is ?
00:22:44There are two sons who are killed and who are.
00:22:46Of course, they are not the one who is the only person who is married.
00:22:49Yes, I've never listened.
00:22:50Yes, let me tell you something else.
00:22:53What a matter of it.
00:22:55When did you get interested in that?
00:22:58I'm not asking for it, my friend is a dumbass in it.
00:23:03I saw the plants in the university.
00:23:07Maybe it's a vineyard.
00:23:09What do you know, never in the heart of a girl?
00:23:11It's possible.
00:23:13He's always angry at the work.
00:23:17I'm more popular in the girls than that.
00:23:20I need to talk to people.
00:23:22He's such an Amir Ghandan, such a big name.
00:23:25He doesn't run behind the girls.
00:23:27I don't want to go with this girl.
00:23:31I need your order.
00:23:35Let's go, my drink is also coming.
00:23:36Cheers.
00:23:44And I won't be able to do this for you.
00:23:57They think that they understand us with what we will tell us about it.
00:24:02He will have to think about our rights to it before.
00:24:04Yes, that's true.
00:24:05We'll have to increase our strength and increase our ability.
00:24:07We'll have to create friends outside the department.
00:24:09That's right.
00:24:10We've made a good deal for this project.
00:24:12And when we were going to be able to do this project, we've made a whole project.
00:24:15You're taking a lot of tension on the business.
00:24:17You've not got approval for proposal now.
00:24:20It doesn't look like a jungle building is fighting.
00:24:23Forgive me.
00:24:24No, no. There are customers.
00:24:26Oh, I remember Shaheen Maskhat Sanggur from Nagano and Chino's Bagheche.
00:24:31Yes, he's very famous.
00:24:32Really?
00:24:33Yes.
00:24:34In the past few years, they gained a lot of names from high quality.
00:24:37But before, they have so much demand that they don't need a new contract.
00:24:40I don't think they don't need a contract.
00:24:43Someone told me to leave the knowledge and knowledge there.
00:24:46But when I called them...
00:24:48Which year is this?
00:24:492015.
00:24:51I'm going to talk to them now.
00:24:53I'm going to talk to them now.
00:24:54I'm going to talk to them now.
00:24:56They have called the next part to help.
00:24:58Let's go?
00:24:59Let's go!
00:25:02So, okay.
00:25:02Let's start the work on the Shaheen Maskhat Project.
00:25:05You start all of the best.
00:25:07First, we'll contract them with them.
00:25:09Then, we'll have a promotional campaign on social media.
00:25:11And if we increase the speed, we'll have a gift market.
00:25:13We'll also tuck the players.
00:25:14We're still going back to them.
00:25:16Nothing. I was talking to you.
00:25:19I'm starting to start the promotion of social media.
00:25:22We'll make the reels.
00:25:24What does this mean?
00:25:26No, nothing.
00:25:27We'll put it in love.
00:25:29In 2015, I didn't know anyone.
00:25:37I'll take a lot of support for my colleagues.
00:25:42Who's the other?
00:25:44I'll take a lot of support.
00:25:45I'll take a lot of support.
00:25:47I'll take a lot of support.
00:25:48Who else is that?
00:25:49It's an arkana.
00:26:19I'm sorry, I'm sorry, I'm sorry, but I'm sorry.
00:26:49I want my ring.
00:26:50Last time I stopped your house, so I forgot in the bathroom.
00:26:53So you can message me, right?
00:26:55I stopped at home?
00:26:56You can also read my message.
00:27:00Here, here.
00:27:03You're happy to have your heart.
00:27:05This is my favorite ring.
00:27:07When someone gives something, they keep attention.
00:27:10Now, when you get the next time, you'll have to ask.
00:27:13And I don't have to ask?
00:27:15Then, there's no need to come.
00:27:17Hey!
00:27:18You can't talk about love.
00:27:20Why did I give you my house?
00:27:22Now, leave me.
00:27:23Let me go.
00:27:38What are you doing here?
00:27:40Thank you so much.
00:27:41Come on.
00:27:42Come on.
00:27:43Come on.
00:27:44Come on.
00:27:45Come on.
00:27:46Thank you so much.
00:27:47Come on.
00:27:48Come on.
00:27:49Come on.
00:27:50Come on.
00:27:52This proposal is pretty good.
00:27:55The demand has been increased in some years.
00:27:58And the good thing is that it has been increased.
00:28:01In the past five years, the demand will increase.
00:28:02I think the demand will increase in the coming time.
00:28:03You still have to take advantage of this moment.
00:28:04I know who has taken advantage of this moment.
00:28:05Who has taken advantage of this moment?
00:28:06I know who has taken advantage of this moment.
00:28:07I know who has taken advantage of this moment.
00:28:08In the past five years, the demand will increase in the coming time.
00:28:09I think the demand will increase in the coming time.
00:28:10You still have to take advantage of this moment.
00:28:11I know who has taken advantage of this moment.
00:28:12Who has taken advantage of this moment?
00:28:13You still have to take advantage of this moment.
00:28:15You still have to take advantage of this moment.
00:28:16You also know who has taken advantage of this moment?
00:28:21You have to take advantage of this moment.
00:28:22You still have to take advantage of the last ten years old.
00:28:24You are too smart.
00:28:27One minute.
00:28:28Is this your boyfriend?
00:28:29No.
00:28:30But seeing.
00:28:31I don't feel like that.
00:28:32I have no idea.
00:28:33If I'm going to go home, I'm going to the house.
00:28:35I was going to the house.
00:28:36Why did they become unknowing?
00:28:37You are afraid of them.
00:28:39Was that a mess of this moment?
00:28:41Some couples are excited for new people.
00:28:45I didn't understand that much.
00:28:48Miss Kambi?
00:28:50I'm a senior, but you also know that I'm from the other department.
00:28:55I don't think I'm going to take a look at it.
00:28:59Sir, I know that I'm going to take a look at rules.
00:29:02I don't have any advice.
00:29:04What?
00:29:11I'm going to take a look at it.
00:29:13I'll discuss it with the department.
00:29:16No, no, no.
00:29:17Bye, sir.
00:29:19Listen.
00:29:21Thank you so much.
00:29:22You keep this in mind.
00:29:24Stop, stop, stop.
00:29:27Just listen to me.
00:29:28Listen to me.
00:29:29Bye, sir.
00:29:32Listen.
00:29:34Thank you so much.
00:29:35You keep this in mind.
00:29:37Stop, stop.
00:29:38Stop.
00:29:40Listen to me.
00:29:45What do you understand?
00:29:46What a fool of a human being.
00:29:48Every other girl is behind her.
00:29:53Stop.
00:29:54Listen to me.
00:29:59What do you do?
00:30:00What do you do?
00:30:01What do you do?
00:30:20When you hurt me, I felt like my pain was gone.
00:30:24My pain was gone.
00:30:29And now on my back.
00:30:36No, you.
00:30:40No.
00:30:41Ah!
00:30:42Good morning, gentlemen.
00:30:45What a bad dream was.
00:30:46What?
00:30:47You?
00:30:48You do not even see me here.
00:30:51Please, if you tell me not.
00:30:54How did she give us when we go up?
00:30:56Let's go and get out of here.
00:31:03Did you tell me that I'm busy with the Shain Musket Anggur project?
00:31:06Yes. And I'm in charge of her sales.
00:31:11You were also in charge of sales.
00:31:14You're going to go to Anggur's fields, right?
00:31:16Who told you?
00:31:17Who told you?
00:31:18Who told you?
00:31:20Who told you?
00:31:22I'll go with you too.
00:31:24You can't go.
00:31:25We're just going to research.
00:31:27Yes, but I'm also in charge of the team.
00:31:30And, listen, that Nobleson is also coming on the trip.
00:31:33Director Suzuki will also go.
00:31:35Yes, Raina has also called him on the trip.
00:31:40I didn't call him.
00:31:41I thought that the girl's mind of Sir's thought is gone.
00:31:43We won't be able to do this with Tomoya.
00:31:47Tomoya?
00:31:50Let's go shopping.
00:31:52I don't know.
00:31:53You have a big deal in the roof.
00:31:54I'm going to go shopping.
00:31:55You're going to go shopping in the morning.
00:31:56I think it's all about the time.
00:31:57What is the need to go to the church?
00:31:58I think you'll have to go to the house in the house.
00:32:00We will see you later.
00:32:01But the rest of the girls will be going to me.
00:32:02Yes.
00:32:03You have to pay attention to the girls.
00:32:04You need to pay attention to the girls.
00:32:05You're not even less.
00:32:06You have to burn a lot of girls.
00:32:09You don't have to do any harm in this situation.
00:32:22It's going to make it so that Reyna will get hurt.
00:32:26Wow!
00:32:36Wow, what a story!
00:32:44There is no benefit. The other guy is with complete preparation.
00:32:49No one will be able to take it in front of him.
00:32:52What will I do?
00:32:59I'm so excited.
00:33:01I'm so excited.
00:33:10Huh? Director Suzuki?
00:33:12He's also started his life.
00:33:14Tomoya?
00:33:16Huh?
00:33:17We're going to go somewhere else.
00:33:24Look at this, Missa.
00:33:26Hey, what was you laughing at?
00:33:30Missa?
00:33:36Missa, look at this.
00:33:44Missa, see.
00:33:46Yes, this is okay.
00:33:47Yes, this is okay.
00:33:48You're just saying it without seeing.
00:33:53Okay, listen.
00:33:54Tomorrow, you'll wear this.
00:34:02Today evening, I'll be with you.
00:34:04What?
00:34:05Then tomorrow, we'll go work together.
00:34:08We'll go somewhere else.
00:34:09Where do we go?
00:34:10There's no plan for the evening.
00:34:11It's not a plan.
00:34:12If you don't want to go somewhere else.
00:34:13Where do we go?
00:34:14There's no plan for the evening.
00:34:15What?
00:34:16There's no plan for the evening.
00:34:17There's no plan for you.
00:34:19There's no plan for it.
00:34:20There's no plan for you, but you can't run with it.
00:34:25What?
00:34:26You can't tell me this?
00:34:29Can you tell me?
00:34:30This is a very strange thing.
00:34:32When did we keep going from one another?
00:34:35We have to go along with our entire life,
00:34:38but you don't have to trust me.
00:34:40You said you have to go shopping,
00:34:42so I left the rest of my work, Misa.
00:34:44And now, how can you do something else to leave me?
00:34:47Is it not my fault?
00:34:49You always think about yourself.
00:34:50And what do you feel like?
00:34:52I don't understand anything.
00:34:54Now go.
00:34:59Leave your hands.
00:35:09I can also have some plans.
00:35:11And my life is just...
00:35:13You don't have to go back to me.
00:35:24Thank you for today.
00:35:28Rena,
00:35:30I didn't want to forgive my heart.
00:35:33But it's true that I have always loved you.
00:35:36Remember this is the last time.
00:35:41This is the last time.
00:35:42The last time?
00:35:43Yes.
00:35:44Don't worry about my company, my family,
00:35:45or my girlfriend's family.
00:35:46It was just my fault.
00:35:47Don't give them all.
00:35:48Don't give them all.
00:35:49Don't give them all.
00:35:50The first time,
00:35:52I've seen someone cry and ask you
00:35:54to ask you to ask you
00:36:08.
00:36:18Now,
00:36:19the truth is worse.
00:36:20I can say you say you own.
00:36:22You get to go.
00:36:23There's already a mistake.
00:36:24You get to go.
00:36:25Yeah.
00:36:26You get to go.
00:36:27You have to go.
00:36:28I have to go.
00:36:29I have to go.
00:36:32Oh
00:36:44I'm sure you say he's got a problem
00:36:46I'm
00:37:02foreign
00:37:08foreign
00:37:16foreign
00:37:22foreign
00:37:30I think that I'm happy to have all of a sudden.
00:37:56What was the last thing I was afraid of?
00:37:59Don't be afraid to kill me and kill me.
00:38:03I've also given up in this place once again.
00:38:29Hi, sit down.
00:38:43No, come back.
00:38:44No, sit down.
00:38:59No, sit down.
00:39:29No, sit down.
00:39:51How much love is this place?
00:39:57Did you talk about Miku?
00:39:59I said, but she said, she will go.
00:40:21Finally, we've reached.
00:40:31How did I tell you to come from the train?
00:40:33Whenever I came from the train, why would I come from the train?
00:40:36If anyone knows, then…
00:40:37I won't say anything.
00:40:39I'll tell you.
00:40:40You go first.
00:40:41I'll come from the train.
00:40:43I'll tell you.
00:40:45I'll tell you.
00:40:49I'll tell you.
00:40:50I'm sorry.
00:40:51There are a lot of people.
00:41:08Ouch!
00:41:09Rena, you're okay, right?
00:41:10I'm sorry.
00:41:12Go sit with us somewhere.
00:41:14Yes, I want to sit a little bit.
00:41:21Hello, Rena.
00:41:24Let's drink energy.
00:41:25Do you drink tea, sir?
00:41:26No, okay.
00:41:27I don't drink it.
00:41:31This is not the same way you are.
00:41:33It was a little bit of pressure.
00:41:36What are you tired?
00:41:38No.
00:41:39The people who are sitting in the office are happy.
00:41:43If you look like this, who will not be happy?
00:41:46Do you remember?
00:41:48When we went to Gajal's house in high school,
00:41:51we liked each other,
00:41:54but we didn't get to meet.
00:41:56But now we got to meet again at the reunion.
00:41:59Both are looking forward to them.
00:42:03They're looking down again.
00:42:05They're looking down again.
00:42:06All our clothes are gone.
00:42:07Do you have to take care of yourself?
00:42:08No, I haven't come.
00:42:10You'll never have to eat already.
00:42:11From now on,
00:42:13you're getting to eat different eggs and you love them.
00:42:15You all have to eat them.
00:42:16I'm sorry to eat them.
00:42:17You're getting to eat them for some of your food.
00:42:19If you like the food,
00:42:20you'll always get to know that.
00:42:22Yes, it is.
00:42:24Come and relax.
00:42:25Today I'm going to eat it as a food.
00:42:26That you will eat your fingers.
00:42:27You may are going to use your fingers.
00:42:28Yes, it will be delicious.
00:42:30Bring it right.
00:42:31Oh, what a mess!
00:42:38I'll take it.
00:42:43I'll take it.
00:42:51I'll take it.
00:42:57I'll cut you.
00:43:00Thank you so much.
00:43:11Then, she's making her impression.
00:43:20I think she's trying to teach Rina.
00:43:22Lisa, why are you here? Let's go.
00:43:24Let's make a meat.
00:43:27Let's make a meat first.
00:43:29Is this meat okay?
00:43:31Yes, I'll show you.
00:43:33It's very light.
00:43:43So, let's go.
00:43:45Will you start?
00:43:46No.
00:43:47I'll do it, Sumiyoshi.
00:43:49Our trip and shine musket project is named.
00:43:53Cheers!
00:43:54Cheers!
00:43:56Cheers!
00:43:58And a cheers!
00:43:59Misa and Tomoya's married and the name of the life of Misa and Tomoya.
00:44:04What's your mind?
00:44:05What's your mind?
00:44:06Oh, no.
00:44:08I didn't know anyone.
00:44:10What?
00:44:11What?
00:44:12What?
00:44:13What?
00:44:14What?
00:44:15What?
00:44:16What?
00:44:17What's your mind?
00:44:18What?
00:44:19What?
00:44:20What?
00:44:21What?
00:44:22He is my best friend.
00:44:26That's why I always keep thinking of him.
00:44:29Misa is a very good person.
00:44:31But I don't know why he didn't get angry with him.
00:44:36But now, I'm happy that someone like Tomoya has gotten.
00:44:40You have opened our door.
00:44:43Please, don't get in front of everyone in the office.
00:44:45This is a very good news.
00:44:47Congratulations to you both.
00:44:49Thank you all.
00:44:51Come on.
00:44:54For the perfect world.
00:44:57Cheers!
00:44:58Cheers!
00:45:00Cheers!
00:45:01Thank you very much, friends.
00:45:03Cheers!
00:45:04Misa, cheers!
00:45:08Sit down.
00:45:09I'll give you my favorite meat.
00:45:11What's it?
00:45:14This is only for you.
00:45:17Let's see.
00:45:18Let's eat some food too.
00:45:20What happened?
00:45:21Let's see.
00:45:22Let's eat some food too.
00:45:23What happened?
00:45:24Let's see.
00:45:25Let's see.
00:45:26Let's see.
00:45:27Let's see.
00:45:28Let's see.
00:45:29Let's see.
00:45:30I've seen water coming.
00:45:35Right?
00:45:36I'll keep it here.
00:45:37I will see all these things.
00:45:43You will eat your food.
00:45:46No, no.
00:45:50I will see them.
00:45:53I will see them.
00:45:55You will eat your food.
00:45:57No, no.
00:46:00I will see them.
00:46:03I will see them, sir.
00:46:07No, no.
00:46:14Sir, what do you need to come to the trip?
00:46:18What do you want to say?
00:46:20I was bored.
00:46:22Why did I get bored?
00:46:24And why is your mood bad?
00:46:26Tell me, sir.
00:46:28My mood is okay.
00:46:30I see a lot of anger and anger.
00:46:36Can I know you?
00:46:38Why would I get bored now?
00:46:40I think that your mood is bad.
00:46:43You are so bad.
00:46:45You are so bad.
00:46:47If you don't want to say anything,
00:46:49tell me.
00:46:50Do you really love Tomoya?
00:46:53Sir.
00:46:54Yes, tell me.
00:46:55Look.
00:46:56Yes.
00:46:57I don't have to talk about this time.
00:46:59This is a personal matter.
00:47:00I will see myself.
00:47:01This is a personal matter.
00:47:02I will see myself.
00:47:03In other people's lives,
00:47:04you are so bad, sir.
00:47:05Yes, tell me.
00:47:06Look.
00:47:07Yes.
00:47:08I don't have to talk about this time.
00:47:09This is a personal matter.
00:47:10I will see myself.
00:47:11I will see myself.
00:47:12In other people's lives,
00:47:14close to their lives,
00:47:16and give your favorite Miku.
00:47:18Miku?
00:47:19Miku?
00:47:20I don't know.
00:47:22What are you doing after both of them?
00:47:25Yes?
00:47:26Yes.
00:47:27You need to blame yourself.
00:47:28You're looking behind the girls of the office.
00:47:30I'm a third.
00:47:31Then there's another one.
00:47:32After that, there's another one.
00:47:33I don't know how long the list is.
00:47:34Good luck.
00:47:35After the girls of the girls,
00:47:36close to your work.
00:47:37Take care of yourself.
00:47:38I call the girls like one number.
00:47:41Why did you do this?
00:47:45I didn't do anything.
00:47:47You did it.
00:47:48You don't do anything.
00:47:50You don't do anything.
00:47:51You've got your girlfriend with your girlfriend.
00:47:53Then you're making someone else.
00:47:55I'm not a thief.
00:47:57I'm not a thief.
00:47:58I'm all right.
00:47:59She's my daughter.
00:48:00Miku is talking about her.
00:48:01She's my daughter.
00:48:02Miku's name is your daughter.
00:48:03Miku's name is your daughter, right?
00:48:05Miku, Suzuki.
00:48:11We've been hiding this relationship
00:48:14because the company doesn't know her CEO's daughter.
00:48:17I'm not a thief.
00:48:18We're not a thief.
00:48:19I'm not a thief.
00:48:20I'm not a thief.
00:48:21We're not a thief.
00:48:22I'm not a thief.
00:48:27That's why, I'm not a thief.
00:48:29I'm not a thief.
00:48:30For this, another thing you need to know?
00:48:39So would you like your date on the date with Reena on your date?
00:48:45That date?
00:48:46He put the photo on social media.
00:48:49Do you think I was of proof?
00:48:52Because yesterday I went to Taiwan for the work of the office.
00:48:57If you want, I can show proof that I can also show proof.
00:49:05Miss Kambe,
00:49:07if I'm not wrong,
00:49:10then you're saying a mistake.
00:49:14Why? I was right, right?
00:49:15Say Miss Kambe.
00:49:19I'm asking you something.
00:49:21You want to say something in your office?
00:49:23Excuse me, it's a mistake.
00:49:30Let's go, thank you.
00:49:33You don't have to blame me.
00:49:36No sir.
00:49:37Excuse me, I don't know what happened to me.
00:49:43Five minutes.
00:49:45You can give me five minutes.
00:49:51I can tell it's a hard time to know.
00:49:52Sorry, I'm not sure what I'm doing.
00:49:53I'm not sure what I'm doing.
00:49:54You know I'm not the right one.
00:49:56I'm sure I'm not lost.
00:49:57You've already lost.
00:49:58It was his waste.
00:50:12You know that I was having a family.
00:50:14I don't know if you get the first portion of Gucsha from the upper part, from here.
00:50:23The amount of gucsha to the upper part, the lower part, the lower part.
00:50:26I'm working on this project, but I didn't know all of this.
00:50:30That's why we eat from the upper part.
00:50:34In the beginning, it's very soft.
00:50:36But slowly, the lower part of Gucsha becomes less.
00:50:40If you look at it, it's like this in love.
00:50:46So then, we need to start learning from the lower part of Gucsha from the upper part.
00:50:57In the beginning, it will feel good.
00:50:59But as soon as you're going to go, it will increase slowly and slowly.
00:51:04I think that this will be necessary to be such love.
00:51:09The life is very long.
00:51:19Do you want to eat it once again?
00:51:30It's very sweet.
00:51:32You're right.
00:51:33You're right.
00:51:34This time...
00:51:35I'll eat it once again.
00:51:36I'll eat it once again.
00:51:37Huh?
00:51:38You must also eat it once again.
00:51:39Huh?
00:51:40You're right.
00:51:41You're right.
00:51:42You're right.
00:51:43You're right.
00:51:44I'm really tired.
00:51:45I'm so tired.
00:51:46I'm enjoying it.
00:51:47This is too much more than the first one.
00:51:53Anna?
00:51:54What a matter.
00:51:56It's very tasty.
00:51:58I'm enjoying it.
00:52:05Let's go now.
00:52:10Your mood is okay.
00:52:17I'll see you next time.
00:52:47Did you eat this too, sir?
00:53:03Okay, okay.
00:53:05It's very tasty.
00:53:08Yes, very tasty.
00:53:10Which taste you the best?
00:53:12It's very tasty.
00:53:18It's very tasty.
00:53:21I'm telling you.
00:53:23I've never eaten so sweet.
00:53:25Thank you for calling us.
00:53:27Thank you for coming here.
00:53:29We all have a great deal.
00:53:32Thank you so much.
00:53:34We'll come to the office and contact you.
00:53:36I'll come tomorrow too.
00:53:38I'll meet you in the cafe.
00:53:40Thank you so much.
00:53:43Thank you so much.
00:53:44Thank you so much.
00:53:45Thank you so much.
00:53:46We'll meet again.
00:53:47Miku, come here.
00:53:48Yes, come here too.
00:53:49Let's go, let's go.
00:53:50Yes.
00:53:51What happened to you again?
00:53:53Why are you still hanging out again?
00:53:54Sir.
00:53:57Can I go to your car?
00:54:00I didn't have to talk to you.
00:54:02I didn't have to talk to you.
00:54:03Let's go, let's keep it in your car.
00:54:08Let's go.
00:54:09You are right now.
00:54:10You are right here.
00:54:11It's a big deal.
00:54:12You are right there.
00:54:14Do you think so much?
00:54:15Yes, dosage every day.
00:54:16You know how much work.
00:54:18I don't know.
00:54:19You're right there.
00:54:20I don't know.
00:54:21I don't know what the hell is going on, what?
00:54:26Misa, what are you thinking?
00:54:33I don't know, I feel a little strange.
00:54:37I'm getting tired, but I'm feeling calm.
00:54:42I'm feeling something like that for years.
00:54:44I don't know what the hell is going on.
00:54:46I'm not going back, nor am I going back.
00:54:49I just want to keep you, Misa.
00:54:53Let's go.
00:54:54Your mood is okay.
00:55:00Maybe I'm not going back again.
00:55:03If you're hungry or hungry, please tell me.
00:55:13I'll open you with your hands and drink.
00:55:17No, it's not necessary.
00:55:21Okay, so you're from Toyama, right?
00:55:24Yes.
00:55:25When did you meet Misa?
00:55:28We met in the second class.
00:55:30And we're best friends.
00:55:32Missa's mom came to play with someone.
00:55:38She was really sad.
00:55:39And I was very sad to her.
00:55:40One day, I cried to her.
00:55:42And then she started our friend.
00:55:45And that year, my mother passed away.
00:55:48And I was alone.
00:55:49But she was so sad that I didn't tell her.
00:55:53It's so sad that Missa's mother passed away.
00:55:57You're also dead, sir.
00:55:59Sir, I can understand your feelings in your feelings.
00:56:03I don't have to tell my feelings in my feelings.
00:56:07I keep my feelings in my feelings.
00:56:10I don't even know my childhood friend, Misa.
00:56:15She's a very smart girl.
00:56:18Oh, okay.
00:56:21I don't know my feelings in my feelings.
00:56:25Look at me, today I was so friendly.
00:56:29Some of the girls' attention is very good.
00:56:34But I don't know.
00:56:40If you keep myself in front of Misa,
00:56:44I don't have confidence in me.
00:56:51I have given my boyfriend to someone else.
00:56:58I'm sorry, I have been told more.
00:57:04I want to do something.
00:57:08I will leave everything all over me.
00:57:17You have said that…
00:57:19You're a good friend of Misa, right?
00:57:24Uh…
00:57:25Uh…
00:57:26Yes.
00:57:27Then, what do you always try to blame her?
00:57:32I don't mean…
00:57:34I don't mean…
00:57:35I don't mean…
00:57:36I don't mean…
00:57:37Rena, you don't have to say that…
00:57:38You don't like me.
00:57:40Because you never liked me.
00:57:41Because you never liked me.
00:57:45You are a good friend of Misa…
00:57:51The people who are willing to blame others have to lose their power.
00:58:02You didn't have to go there. You want to know me.
00:58:06Today, I've known you very well.
00:58:09Your boyfriend left my boyfriend.
00:58:12I don't think that in this world,
00:58:14I don't think you can think about it.
00:58:19That day, I've known you,
00:58:24you've lost so many chocolate.
00:58:28You've lost so much chocolate.
00:58:32You've lost so much company.
00:58:45What happened?
00:58:54There's no need to show you so much.
00:58:57Do I see you as a girl?
00:59:00What do you know about me?
00:59:02I thought...
00:59:04that you were taking care of your body.
00:59:08I am using drugs and drugs.
00:59:10I'm not using drugs.
00:59:13Who is drinking drugs?
00:59:15I'm using drugs and Houli.
00:59:17I'm using drugs.
00:59:19I don't think so.
00:59:21Yes.
00:59:29No, not in the plane.
00:59:32No, not in the plane.
00:59:34No, not in the plane.
00:59:37I don't know what the hell is going on.
01:00:07For all this pain
01:00:09Or call me sane
01:00:11To cover up and say
01:00:13I'll wear a mask
01:00:17I'll wear a mask
01:00:21I'll wear a mask
01:00:23On this district
01:00:25Driving silence into my
01:00:27Lights passing like a hypnotic
01:00:29Spelling plates make up on
01:00:31It's no mistake
01:00:33Food
01:00:37You lost
01:00:38Shame on me
01:00:39La-la-la-la
01:00:40Food
01:00:41You're twice
01:00:42Oh my
01:00:43Hey, you're the big girl
01:00:44Food
01:00:45You're three times
01:00:46Then the penny freaks around
01:00:48So now
01:00:49Why's right?
01:00:50Can't choose
01:00:51Don't want to go
01:00:52You're now you're so pretty
01:00:54When I'm trying to be sincere
01:00:56You're gonna love me
01:00:58Like it, like it, trippin'
01:00:59Cause you know
01:01:01Am I the pain?
01:01:02What you decide
01:01:04These pretty lies
01:01:06We keep inside
01:01:08Am I the blame?
01:01:10For all this pain
01:01:12Or call me sane
01:01:14To cover up and say
01:01:16I'll wear a mask
01:01:20I'll wear a mask
01:01:22I wanna be
01:01:24I wanna be
01:01:25You're gonna hide it
01:01:26Everybody's falling
01:01:28Mask on a flat
01:01:30Yeah
01:01:32Oh my
01:01:33You're gonna want it
01:01:34I can see you watching
01:01:36Mask on a cover
01:01:38Yeah
01:01:39Oh my
01:01:40You're gonna hide it
01:01:42Everybody's falling
01:01:44Mask on a flat
01:01:46Yeah
01:01:47Oh my
01:01:48My
01:01:49You're gonna want it
01:01:50I can see you watching
01:01:52Mask on a cover
01:01:53Yeah
01:01:54Oh my
01:01:55My
01:01:56My
01:01:57My
01:01:58My
01:01:59My
01:02:00My
01:02:01My
01:02:02My
01:02:03My
01:02:04My
01:02:05My
01:02:06My
01:02:07My
01:02:08My
01:02:09My
01:02:10My
01:02:11My
01:02:12My
01:02:13My
01:02:14My
01:02:15My
01:02:16My
01:02:17My
01:02:18My
01:02:19My
01:02:20My
01:02:21My
01:02:22My
01:02:23My
01:02:24My
01:02:25My
01:02:26My
01:02:27My
01:02:28My
01:02:29My
01:02:30My
01:02:31My
01:02:32My
01:02:33My
01:02:34My
01:02:35My
01:02:36My
01:02:37My
01:02:38My
01:02:39My
01:02:40My
01:02:41My
01:02:42My
01:02:43My
01:02:44My
01:02:45My
01:02:46My
01:02:47You
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