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Sister Boniface Mysteries (2022) Season 4 Episode 8- And Then There Were Nun
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00:00Five hundred years, enduring perennial, this be the time of our quincentennial.
00:24Husband, wife, son, and daughter, pray silence for the story of this great slaughter.
00:41No, no, no, Dottie. Music needs to flow around my words like a river.
00:47Dottie, do remember, your queue is the Reverend Mother symbolically handing over the key.
00:56So sorry, I was worried I'd miss it.
00:58No, fear not, Miss Thimble, that will be near impossible.
01:01So the sisters wanted to be involved?
01:03Reverend Mother's idea, out with their heads held high.
01:07But I agree with you, it seems an odd time to celebrate staring down the barrel of St Vincent's being sold off.
01:12Apologies, Lord Sedgwick.
01:13No, no, you're right. Their courage and enthusiasm is inspiring.
01:20Hip, hip, hooray.
01:22Inspector, Mr. Pannasar here apparently has a model of the proposed development which will need to be brought on stage for the speeches.
01:33Right you are. Where is it? Somewhere very safe.
01:38Ruth?
01:39Hello, Sam.
01:44Ruth Penny.
01:45In the flesh, or flash, as it were.
01:47How lovely.
01:49You know each other?
01:50We do.
01:51Hello, Felix.
01:52Hello, Ruth.
01:53Sister.
01:54But how? Why?
01:56Well, don't get excited, Sam.
01:57Things are wonderful with Kingsley.
01:59I'm working.
02:00A story on how the St Vincent's development could be rolled out nationwide.
02:04I'll explain everything in my speech tomorrow.
02:06Tomorrow is about great slaughter, Mr. Pannasar, not world domination.
02:12Lynn Goodwin.
02:13As our town's council leader, I shall be doing the unveiling.
02:19I give you Lord Adam Sedgwick Towers.
02:27Oh, my.
02:27Yes, I thought you'd be impressed, sister.
02:31Progress.
02:32Like a shark.
02:33We keep moving forward or we die.
02:35We keep moving forward.
03:05Our last day before we're all separated.
03:08Let's try to enjoy it.
03:11At this rate, I'll be enjoying a hernia.
03:14No reward should be in heaven, sisters.
03:16One briefcase bomb.
03:18I remember that one.
03:19Thought I was a goner.
03:21One ritual dagger.
03:23From the secret covenant of witches.
03:24And one brassiere.
03:30Are you blushing, Sam?
03:32That was a lethal murder weapon.
03:34We had some fun, didn't we?
03:37Our little family's breaking up.
03:40There, there, Peggy.
03:42To everything, there is a season.
03:44The time to laugh.
03:46Don't you want to take care of me, young man?
03:47The time to...
03:48What do you think you are?
03:49I am the person kicking you out.
03:50Shout.
03:51You stubborn penguin.
03:52The new owner.
03:53Makes no odds to me who you are, dear.
03:58It is a matter of simple physics.
04:00If you want me moved, you are going to have to physically pick me up.
04:05Oh, my.
04:05It's really her.
04:06For goodness sake, woman.
04:08My builder needs to take sight measurements.
04:10All right.
04:11We're all emotional.
04:12This is hard for every one of us.
04:14Oh, Lord Matthew Sedgwick.
04:17Upon whose land we stand.
04:18The fact that I oppose this Frankenstein's monster of a development is irrelevant.
04:25Oh, you.
04:27Horrible old battle axe.
04:30What on the earth is going on?
04:34This is a place of prayer.
04:36Not to wash a woman's back fence.
04:38Reverend Mother Adrienne, may I introduce Sister Helena, esteemed archaeologist and, well,
04:44something of a hero.
04:46We are acquainted.
04:48Helena.
04:50Reverend Mother, I have written permission from the diocese to photograph and document
04:56this glorious ancient chapel before it is butchered.
05:02Yes, and I try to tell her I need...
05:05Young man, you do not own this land.
05:07Not yet.
05:08So until tomorrow, when contracts are exchanged,
05:12Sister Helena stays.
05:13Sorry for raising my voice earlier.
05:28Council elections are upon us and I boarded at a convent school.
05:33Life was a living hell.
05:36Hated nuns ever since.
05:37No offence.
05:37None taken.
05:41Yes.
05:43Cryptic as ever, Helena.
05:45We'll talk at dinner.
05:46Yes, Sister?
05:57Boniface.
05:58I've read all your papers.
06:00Egypt, Maju Picchu, Ephesus.
06:02Just extraordinary.
06:03If you'll forgive.
06:05You are one of the reasons I felt called to the Sisterhood.
06:09And just to know that you're a sister here yourself.
06:11All right, all right.
06:12That's enough bootlicking.
06:13If you must know, I've admired your work from afar, too.
06:21Your forensic deductions, your eye for detail.
06:26Golly.
06:27Well, um, one detail from your writings.
06:32You already examined this chapel a number of years ago.
06:35Did you miss something?
06:37The Lord works in mysterious ways, Sister.
06:41Sister, we shall speak further.
06:46Yes.
06:50And another just like that?
06:57It's lovely.
06:59Religious.
07:01Oh.
07:02You have a journalist's eye, Ruth Penny.
07:04Seek from my mum.
07:06Well, she must be so proud.
07:10Actually, I don't know.
07:12Is she no longer with us?
07:14No, she...
07:16She got mixed up with some religious types.
07:21Left me with my dad.
07:26Are we done?
07:27Oh, yes.
07:35Good Lord.
08:04No, no.
08:05Just his helper wrestling this tiny batch of forensic records.
08:09Well, lucky you found a good Samaritan.
08:11Lord Sedgwick, I presume.
08:13Matthew, please.
08:14I could hardly leave Sister Boniface to shift all these on her own.
08:17I'm already making her homeless.
08:20Well, perhaps we could assage some of that guilt with an interview.
08:24Ruth Penny, journalist.
08:25I noticed they're naming the development after your father.
08:29My only request.
08:32He loved St. Vincent's so dearly.
08:35I just wish there was another way.
08:41Sister Peter, please.
08:43Run.
08:43Sister Peter, breathe.
08:45What is it?
08:50This is Sister Helena's writing.
08:52Return post haste, vitally important.
08:55I can drive.
08:57Oh, yes.
08:58Yes.
08:58Sister Helena.
09:07Oh, goodness.
09:09There's no two ways about it.
09:16She's really, truly dead.
09:21What in the name of all the same's happened?
09:24Blunt force bopped to the back of the skull.
09:27I'm afraid it's murder.
09:29Another one?
09:31Here?
09:33Now, listen to me, Inspector.
09:35I am not having the Sisterhood's parting legacy be a brutal, unsolved killing.
09:42Understood.
09:43Sister Boniface?
09:44No bruising, no broken nails, all signs of a struggle.
09:49I think she was struck from behind, unaware.
09:52Sister.
09:53Sister.
09:54What are these flecks that are on her habits?
09:57Oh, yes.
09:58Ivory-coloured lipophilic compound.
10:02Wax.
10:05From its hue and pigmentation,
10:08it's the sort utilised in...
10:11a traditional Catholic pillar candle.
10:14I believe we have our killer candlestick.
10:24Oh, no, no, touch.
10:26So, it was opportunistic, grabbed in the moment.
10:30But why?
10:32Why, indeed.
10:34Did Sister Helena say anything else at all when she gave you the note?
10:37No.
10:40Actually, yes.
10:43She was walking around, nervous,
10:46and whispered, I should tell you,
10:50in suchello,
10:52in conspectu.
10:55That in...
10:57in the chapel,
10:58in plain sight.
11:01It's curious.
11:01It does suggest she'd either
11:04seen or found something.
11:08Her camera might contain a clue,
11:09if we can still use your darkroom.
11:12Expose the lead.
11:13Yes.
11:14Ingenious idea, Peggy.
11:16Let's get this all to the lab.
11:18One last time.
11:24The chapel was out of bounds
11:26because of the model
11:27for everyone aside from the nuns,
11:28Sister Helena,
11:29and you two.
11:31You think one of us did this?
11:32Well, we did see you argue with her.
11:34Yes.
11:35Over getting started on building work.
11:38Why would we complicate things?
11:39What does this mean for the quincentennial?
11:41Do I need to cancel?
11:42Just keep calm and carry on.
11:44But let us do our job.
11:46And this chapel is now closed to everyone.
11:50Journalists included.
11:52Oh, come on, Sam.
11:54Don't be such a killjoy.
11:55Sister gets her last case.
11:57Why can't I play too?
11:59Oh, the old team together one last time.
12:01If we're going to do this,
12:03we do it properly.
12:04No games.
12:05Maybe you could check the bugle,
12:06see if there's anything on Sister Helena's past.
12:08Inspector Gillespie,
12:10you are on.
12:17The film's drying.
12:19I'm off to see Reverend Mother about her records.
12:24I know someone's been brutally murdered,
12:26but I'm really going to miss doing this.
12:30You and me both, Peggy dear.
12:33I mean, what are we going to do without you, your sister?
12:36It's hardly like we can replace you, is it?
12:43Felix, Peggy, it's murder.
12:46You know what to do.
12:49Mind the camera!
12:50What on earth is this?
13:02Sister?
13:03Sister?
13:05What is it?
13:06A fingerprint?
13:07Uh, no, no.
13:09It seems our killer had presents of mine to wipe those away.
13:12However, their waxy weapon remains illuminating.
13:16Have a look at this.
13:16They left their mark in the wax?
13:20An indentation containing form and detail,
13:23hitherto invisible to the human eye.
13:25Deduction, it was made as the killer gripped
13:28the candlestick holder to deliver the fatal blow.
13:31So it was something that they wore?
13:34Presumably on their wrist?
13:36Yes, precisely.
13:37Find that object,
13:38and I'll catch our candlestick killer wax-handed.
13:41Ruth, me have something.
13:42Oh, that was quick.
13:43Well, Norman was already putting together materials
13:45on Lynn and Ronnie.
13:47He was willing to share for a favour.
13:49Oh, you may owe him a date, Peggy.
13:52Oh, thanks a bunch.
13:55So, what we know.
13:57Sister Helena used to be a resident at St Vincent's.
14:00What we didn't know,
14:01she used to teach at a local Catholic school
14:03called St Peter's.
14:05Sister's success at St Peter's pupil
14:08wins national essay competition.
14:10And she was scary even back then.
14:12Look at the girl.
14:16Wait, is that...?
14:18Oh, no.
14:20Sister Helena was the teacher
14:21who made your life a living hell.
14:24Well, I saw her this morning,
14:26just...
14:28standing there.
14:30It all came flooding back to me.
14:33The humiliating, goading,
14:37demanding things of me
14:38I could never deliver.
14:39Did you speak to her, Lorne?
14:44It's too late for lies, Lynn.
14:47I wanted her to know
14:48what she'd done to me.
14:50I felt this urge.
14:54When I did, it was so odd.
14:55I wondered when you might muster the courage to speak.
15:06That's right, Lynn.
15:08I remember you.
15:10You have...
15:12no idea
15:14how unhappy you made me.
15:17No idea.
15:18I'm afraid it was a habit of mine.
15:21I was always hardest
15:23on my favourites.
15:25Those girls who
15:26I could imagine achieving
15:28great things.
15:30Going to the world
15:31with just the right amount of push.
15:34Look at you now.
15:35Leader of the council.
15:36Holding your own in a man's world.
15:39Shaping your community.
15:40We may not agree on how
15:43but I have to say
15:44I'm proud of you.
15:47I always wondered
15:52where I'd got my resilience from.
15:54Maybe it was her all along.
15:57After that
15:58I walked around outside
16:00a bit dazed.
16:02I did hear raised voices
16:03but I couldn't tell you who.
16:08The war of roses
16:10did good times bring.
16:13There was Henry VII
16:14our new Tudor king.
16:17And a theatre
16:18and a poetry
16:20to prick a tear
16:22courtesy of our bard
16:24Mr. William Shakespeare.
16:28I'm so sorry.
16:29Not at all, Your Highness.
16:32It's terribly heavy.
16:34For goodness sake
16:35could you just keep going?
16:37Am I still sparkle, larkle?
16:39Of course you're still dead, Tom.
16:41You've got an arrow
16:41through your head.
16:43Sister Peter
16:44could you please
16:44stop wielding that broadsword?
16:46And you...
16:48Well, Mrs. Clam
16:49where on earth
16:51do you think you are going?
16:53I am going
16:54to divest myself
16:55of this ridiculous costume.
16:57It's extremely cumbersome.
17:00And besides,
17:00I have to be back
17:01at the office
17:02for the last post.
17:03No, you do not.
17:06People, please, please, people,
17:09can we just get the last stanza right?
17:13The symbolic passing of the key.
17:16Are you ready, Reverend Mother?
17:18I would hope so.
17:20No longer a convent,
17:23but what?
17:24Ha, ha, ha, ha.
17:25We shall see.
17:27It is time for the sisters
17:29to pass on the key.
17:40Reverend Mother.
17:42To pass on the key.
17:46Let go.
17:50Perhaps we should leave
17:53this bit for tomorrow.
17:55Hello.
18:04Sister,
18:05Lynn Goodwin's bracelet.
18:07Aunt,
18:08no one witnessed
18:08our walking outside yesterday.
18:10But we've still no idea
18:11who the raised voices belong to.
18:13Hmm.
18:14Well,
18:14I have a feeling
18:15my little putty pattern
18:16might get us close.
18:20Now,
18:21I wouldn't bet
18:21the convent on it,
18:22but I think
18:23this has the appearance
18:25of Guramuki's script.
18:26Possibly Sikh.
18:27That could make sense.
18:29We found something
18:30in the convent records.
18:31Remember how
18:32Ronnie Panassar
18:32said his mum
18:33was taken from him?
18:34That's right.
18:35Seduced by weird
18:36religious type.
18:37Right, well,
18:38look at this.
18:39A file on a young woman
18:40who was brought
18:41into St. Vincent's
18:42boy sister,
18:44Helena.
18:44And her name
18:45was Rand Panassar.
18:47Excellent word,
18:48Barton.
18:49Right,
18:49I'm going to go
18:49and talk to Ronnie.
18:50Inspector,
18:51given that I remember
18:53the specifics
18:54of the case,
18:55it might be wise
18:56if I join you.
18:57Follow me!
18:59Right.
19:00Sister.
19:03Moving to England.
19:05A mixed-race family.
19:07Took its toll on mum.
19:09And you lot
19:10took advantage of her.
19:12So this is about
19:14revenge against
19:15Sister Helena.
19:16Revenge?
19:17I just wanted to turn
19:19that stain of a convent
19:20into something
19:21that helps families,
19:22not tear them apart.
19:23Mr Panassar,
19:25I was here
19:27when they brought
19:28your mother in.
19:29I can't imagine
19:30how hard it was for you.
19:32No?
19:34Then let me tell you,
19:35I woke up to a mum
19:37just gone.
19:39No contact allowed,
19:40no letters allowed.
19:42I'm afraid that's not true.
19:44No,
19:45my dad told me.
19:46You cut us off.
19:47Sister Helena
19:49brought your mother
19:50to St. Vincent's
19:51because she had been
19:52hospitalised.
19:53Hospital?
19:55Who by?
19:56Your father, dear.
20:00I'm so sorry,
20:02but
20:02the marriage
20:04was a violent one.
20:07Your mother
20:08was terrified.
20:09She tried
20:10to take you
20:11with her,
20:11but
20:12he threatened her.
20:16All St. Vincent's
20:17did
20:18was give her refuge
20:19until she could
20:21get back to family
20:22in India.
20:23She said she was
20:24up north,
20:25that she wouldn't
20:26speak to us.
20:28I need to cross-check,
20:30but the match
20:30is far from perfect.
20:32When did you realise
20:34that it was
20:34Sister Helena
20:35that took her in?
20:36I didn't,
20:37not until now.
20:38Then
20:39what was the argument
20:40about?
20:41Lynn Goodwin
20:42said she heard
20:42raised voices.
20:44Whoever those
20:44voices were,
20:46they were nothing
20:46to do with me.
20:49Another dead end.
20:50Did Sister Helena's
20:51photographs give us
20:52anything else to work
20:53with?
20:53They're mostly
20:54just shots of the
20:54altar.
20:55She took rather
20:56a shine to this
20:57bronze plaque.
20:58This inscription,
21:00St. Vincent's
21:01convent,
21:01doors always open
21:02to those in need.
21:04Here there is
21:04goodness.
21:04Here there is
21:05goodness,
21:06in plain sight.
21:12Can the
21:13ransacking of this
21:14hallowed place
21:15not wait until
21:15tomorrow?
21:16The rivets were
21:17already loose.
21:18Sister Helena was
21:19hunting for something,
21:20and I dare say
21:22she found it.
21:31Wax seal,
21:33recently broken.
21:35Sister Helena
21:36took what was
21:37inside?
21:37Or a killer.
21:40This jar was hastily
21:42replaced after the
21:42murder,
21:43so lady logic implies
21:45whatever was inside
21:46was relevant.
21:46How long has the
21:48plaque been there?
21:49It was put up in
21:50memory of the late
21:51earl by his family
21:52when he passed on
21:53some six months ago.
21:55You're sure?
21:56Certain.
21:56Poor man.
21:57We hadn't seen him
21:58for weeks.
21:58He was very ill.
21:59Could this be something
22:00that affects the
22:01building development?
22:02Possibly.
22:03It still implicates
22:04both suspects.
22:05Lim would lose her
22:06entire career and
22:07Ronnie his
22:08investments.
22:08Of course.
22:10There is one other
22:11person who might have
22:12known about this.
22:15She's right.
22:16Well, I do believe
22:17it's cocktail hour.
22:20So you knew there
22:22was a capsule behind
22:23the plaque?
22:24Absolutely.
22:25I was the one who
22:25had it put there.
22:27Father's dying wish.
22:29And you can tell us
22:30what was inside?
22:32You're lucky I can
22:33speak at all after
22:34these riskies.
22:34He said it was a
22:38photograph of him
22:38as a boy on the day
22:41of his confirmation
22:41at the chapel.
22:43So he would remain
22:44part of St. Vincent's.
22:47But the jar was
22:49already sealed so I
22:50never saw inside.
22:53Are you thinking
22:54it's something that
22:55could help us?
22:56I'm thinking how
22:59desperately you need
23:00this sale to go
23:01through.
23:04Miss Penny, I can't
23:07deny enjoying your
23:08company, but your
23:09subtext leaves
23:10something to be
23:10desired.
23:11Your father left
23:11you with debt.
23:13Yet my editor in
23:15London tells me that
23:15after he died, you
23:17were quite the man
23:17about town.
23:21The circumstances
23:21change.
23:23Is that what your
23:24argument with Sister
23:25Helena was about?
23:26Lynn Goodwin heard
23:27raised voices.
23:31It was you.
23:34I didn't want
23:36everyone to know.
23:41It was after we
23:41locked horns that
23:42morning I went to
23:43smooth things over.
23:46Miss Goodwin and
23:47Mr. Panassar are
23:48only trying to keep
23:49things on track.
23:50They both have much
23:52to lose.
23:53You wish to talk of
23:54loss whilst casting
23:56the sisters asunder.
23:58What?
23:59Do you think I want
24:00this?
24:01Do you think I somehow
24:02enjoy it?
24:02My father left me
24:05crushed under
24:06impossible debt with
24:07no choices.
24:08None.
24:09I didn't even get a
24:10chance to grieve
24:11because right away I
24:12was forced to be the
24:13villain or become the
24:14Earl who brought down
24:16his family.
24:17I knew your father.
24:20In his last
24:20correspondence to me,
24:22he told me he'd made
24:23provision to avoid
24:24this.
24:26And I know that the
24:28Sedgwick family estate
24:29was in fine fettle
24:31until your father
24:32died.
24:33It took one Lord
24:34Matthew Sedgwick to
24:36bring us all to this.
24:39Is this true?
24:41My father was no J.P.
24:43Morgan, but he was a
24:44man of faith and he
24:45balanced his books.
24:49I can claim neither.
24:50I, uh, lost
24:54everything on the
24:56stock exchange.
25:01What did Sister
25:02Helena mean when she
25:03said your father made
25:04provisions?
25:07I don't know.
25:10But if there's some
25:10secret pot of money
25:11somewhere, I am all
25:13bloody ears.
25:14Yes.
25:20Hi.
25:29You don't have to
25:30wait your dinner off
25:30it.
25:32Yes.
25:33I just, I wanted to
25:35leave it clean.
25:40Silly, but I just
25:43keep thinking I don't
25:45quite know what I'm
25:45going to do without
25:46you next door every
25:48night.
25:50They have snoring up
25:52in Grimsby too.
25:57Here.
26:02I know I'm all the
26:03way down in Hastings,
26:05but we can write.
26:09I wish I was like
26:11you.
26:12Nothing gets to you.
26:15You may be right.
26:18When he was young,
26:20me and Alfie learned
26:21a lesson.
26:23If you act tough,
26:25you feel tough.
26:28So I'm trying.
26:33Right now,
26:34I don't feel too
26:35tough today.
26:36good morning, Reverend
26:51Mother.
26:57You've met our
26:58solicitors.
27:00It brings little
27:02pleasure to confirm
27:03we exchange contracts
27:05at midday.
27:08Directly after
27:09speeches.
27:17I just wanted to,
27:19well,
27:21thank you
27:22for what you did
27:25for my mother.
27:25and, er,
27:28I suppose I
27:30wondered if...
27:31her address.
27:33sister?
27:38Yes, Lord?
27:39Oh, no, sorry.
27:55Oh, gosh,
27:55I must have dozed off.
27:56I was just, um,
27:58attempting to
27:59replicate the, um,
28:02the wax imprint
28:03with our two objects
28:04collected from the
28:04suspects.
28:06Alas,
28:07no much.
28:08Maybe it was
28:09something else
28:09that one of the
28:10suspects was wearing
28:11or holding.
28:12Good news.
28:13Oh,
28:15the paper have
28:16spiked my puff
28:16piece,
28:17and they want my
28:18scintillating crime
28:18story instead.
28:20Oh, well,
28:20I suppose, er,
28:22every unsolved cloud
28:23has a silver lining?
28:24Yes,
28:25the only problem
28:25is they want it
28:26for tomorrow,
28:27and they've already
28:27sent the courier
28:28to collect the prints.
28:29I don't suppose
28:29your darkroom's
28:30still operational?
28:32One final hurrah
28:34for the hydroquinone.
28:35Why not?
28:36Oh, you're a godsend.
28:41Right,
28:41I'd better be going.
28:46Sister,
28:47I just want to say,
28:49um,
28:50I'm sorry.
28:52Honestly,
28:54yesterday,
28:55I thought that this
28:55would give us a chance
28:56to,
28:58I don't know,
28:59in some way,
29:01if I could undo
29:03all of this,
29:04keep us together.
29:09I'm,
29:09I'm afraid that
29:13I've let us down.
29:17Oh, Sam.
29:22There's one thing
29:23that's certain.
29:25You could never do that.
29:29We're family.
29:33The thing about family
29:34is
29:35that even when
29:37you're far apart,
29:39you're together.
29:40the Lord
29:44has a plan.
29:48Sister,
29:49Inspector,
29:50it's,
29:51it's,
29:52it's,
29:52it's something.
29:53Just come,
29:53see?
29:54Yeah.
30:03It's like a grenade went off.
30:05This was Sister Helena's room.
30:06Yeah,
30:06we've come to pack it up.
30:07It was neat as a pin
30:09first thing this morning,
30:10I swear.
30:12They never found it.
30:14Sister?
30:15Whatever Sister Helena
30:16discovered in the chapel,
30:18we assumed that the killer
30:19took it from her,
30:20but we were wrong.
30:22I'm going to go through
30:23her notes and materials again.
30:25Right,
30:26you two,
30:26Reverend Mother
30:27will be waiting.
30:28It's showtime.
30:32A touch of
30:33stage fright,
30:35perhaps.
30:36such a simple thing.
30:41Hand it over.
30:43Hand it over.
30:47Today,
30:47I,
30:48I wanted to show people
30:49my sisters can go
30:51from strength
30:52to strength.
30:56But,
30:57now I'm here,
30:58and it's now.
30:59The story of this
31:00great slaughter.
31:02I know as well as anyone,
31:10life can
31:11take things
31:13from us.
31:14Things we'll miss
31:15every day.
31:17But,
31:18sometimes,
31:20what shows the most
31:21strength
31:22is
31:23letting go.
31:25Oh,
31:31there you all are.
31:32Come along,
31:33everybody.
31:34Places,
31:34people,
31:35places.
31:36Come along,
31:36come along.
31:37You're late.
31:38Chop,
31:38chop.
31:38500 years
31:46enduring
31:47perennial.
31:49This be
31:51the time
31:52of our
31:53quincentennial.
31:55There's a cook,
32:00don't they?
32:01The courier will be
32:02here any minute.
32:03Oh,
32:03er,
32:03well,
32:04no,
32:05ideally they'd be dry.
32:06You'll just have to have them
32:07put off the press,
32:09so to speak.
32:12Hold the front page.
32:13I think we have a new headline.
32:15Ruth,
32:15what is this?
32:16Well,
32:16it's the coat of arms
32:17on the model.
32:17Oh,
32:25and there it is.
32:29Oh,
32:30of course.
32:32Oh,
32:32it all makes total sense.
32:33Well,
32:33there what is?
32:35I need to go.
32:36What?
32:37This instant.
32:38Ah.
32:41Now the first Lord Sedgwick
32:43acquired some land,
32:45the hallowed soil
32:47upon which we stand,
32:51and with spade
32:53and shovel
32:53and saw
32:55and pick,
32:56Sedgwick Manor rose
32:58brick by brick.
33:03And after starting
33:05his lineage
33:06of Sedgwick infants,
33:09they built
33:09on the edge
33:10of their land
33:11St. Vincent's.
33:16At first,
33:17an abbey
33:18of monks
33:19and misters.
33:20It became
33:21a convent
33:22of nuns
33:24and sisters.
33:25Ooh.
33:27And around it
33:29sprouted
33:29a fledgling town
33:31that grew
33:32into a place
33:33of great renown.
33:36And 500 years
33:37of habitation
33:38saw a post office,
33:41a tea shop,
33:43a fine police station.
33:46and under the steadfast
33:50sedgwick wing,
33:52great slaughter
33:53began
33:54to really sing.
33:56Ah.
33:57The land
34:01The land
34:01passed down
34:02from father
34:03to son,
34:05the key
34:05to each
34:06and everyone.
34:09And today,
34:10sees an exciting
34:11new chapter start,
34:13with St. Vincent
34:14still at this town's
34:16very heart.
34:18No longer
34:19a convent,
34:21but what?
34:22we shall see,
34:27for it's time
34:29for the nuns
34:30to pass
34:31on the key.
34:43Wow.
34:44Well,
34:45that
34:45went surprisingly
34:47without calamity.
34:48Now then,
34:51to the future.
35:06As leader
35:07of the town council,
35:09it's my great pleasure
35:11to give you
35:12Lord Adam
35:13Sedgwick
35:14Towers.
35:17Oh,
35:17that's the future.
35:20Heavens above.
35:22What a
35:23hideous
35:24carbuncle.
35:26It looks like
35:26a spaceship.
35:28Does it fly?
35:30Adam Sedgwick
35:31Towers
35:31is not just
35:32a development.
35:33It's a passion
35:34project.
35:36A step
35:36into the future.
35:38In this era
35:38of prosperity
35:39and progress,
35:40our aim is to
35:41keep the spirit
35:41of St. Vincent
35:42Convent alive,
35:43while providing
35:44much-needed
35:45accommodation
35:45for the area.
35:46Impressive.
35:47Isn't it?
35:51Using your car
35:52to arrive
35:53at the police
35:53station
35:53before Sister
35:54Peter
35:55when she
35:55brought me
35:55the note
35:55made it
35:57seem almost
35:58impossible
35:59that you
35:59could have
36:00committed
36:00the murder
36:00even though
36:02you did.
36:03this is...
36:05Are you out
36:05of your mind?
36:07Our apartments
36:08are generous,
36:10modern,
36:11and aspirational.
36:13When you
36:13placed that
36:14capsule behind
36:15the plaque,
36:16you had no
36:17idea it contained
36:17something to save
36:18St. Vincent's.
36:19But with
36:20Sister Helena's
36:21remarks,
36:21you knew
36:22you'd sealed
36:23your own fate.
36:23love that
36:24represents
36:24all I knew
36:25was the nonsense
36:27she spouted
36:28when I confronted
36:28her.
36:29It took one
36:31Lord Matthew
36:31Sedgwick
36:32to bring us
36:33all to this.
36:35The man who
36:36found out
36:36that his
36:37father
36:37planned to
36:38bequeath the
36:39convent
36:40to the
36:40sisters.
36:41So he
36:42cut him
36:43off from
36:43the world.
36:45No more
36:45solicitors,
36:46no more
36:46pastoral visits,
36:47no more
36:48letters on
36:48the subject.
36:49But you
36:51failed to
36:52spot his
36:52code to
36:53me in
36:53his final
36:54correspondence.
36:56Find
36:57proof
36:58in
36:59saccello
37:00inconspecto
37:03and find
37:04it I
37:06have.
37:08What have
37:08you found?
37:08where is
37:10it?
37:11Tell me!
37:16In saccello
37:17inconspecto
37:19it's a
37:21bluff.
37:22There's
37:23nothing to
37:23find.
37:24But then
37:24why did
37:25you ransack
37:25her room
37:26this morning?
37:28You had
37:29no proof.
37:30You're
37:31trying to
37:31shame me
37:32to stop
37:33me leaving
37:33my mark.
37:34No,
37:35that's just
37:35the problem
37:35Lord.
37:36You did
37:37leave your
37:37mark.
37:38elevators.
37:39The
37:39signet ring
37:40that you
37:40usually wear
37:41on your
37:41right hand.
37:43A wax
37:43letter seal
37:44that leaves
37:44the imprint
37:45of your
37:45family crest.
37:47Photographs
37:48show you
37:48were wearing
37:48it on the
37:49day of
37:49the murder.
37:51My guess
37:51is you
37:53found remnants
37:53of wax
37:54and then
37:56removed it.
37:58A forensic
37:59confession
37:59signed
38:01and sealed.
38:03Literally.
38:05Tell me!
38:06get away
38:14from me.
38:14Stop.
38:14Lord Cedric.
38:15Lord Cedric,
38:16you wish to
38:17say a few
38:18words?
38:19There's nowhere
38:19to go.
38:20Don't make a
38:21scene.
38:21Shut up.
38:22Shut up!
38:23Just come
38:23with us.
38:25Matthew,
38:25it's over.
38:27I said
38:34shut up!
38:35Sister,
38:36know-it-all.
38:38I am
38:39walking away.
38:40I am not
38:41going to prison
38:41for this.
38:42It was you!
38:43How could
38:44you kill
38:44an innocent
38:45nun?
38:45Innocent?
38:46That nosy
38:47bent nearly
38:47ruined
38:48everything.
38:49Nobody cares
38:50about St
38:50Vincent's.
38:51Nobody cares
38:52about you
38:52stupid
38:53nuns
38:53moping
38:54and mooning
38:55about in
38:55your ridiculous
38:56penguin
38:56outfits.
38:56You're a
38:57stain on
38:58this town.
38:59You hear
38:59me?
39:00Beggars
39:00squatting
39:01on my
39:02land!
39:09Lord Cedric,
39:10I'm arresting
39:11you on
39:11suspicion of
39:12the murder
39:12of Sister
39:13Helena.
39:13You do
39:14not have
39:14to say
39:14anything
39:15unless you
39:15wish to
39:15do so,
39:16but what
39:16you say
39:17may be
39:17given
39:17in
39:17evidence.
39:18Oh,
39:19yeah.
39:20Give
39:20yourselves
39:20a big
39:21hand.
39:22Like it
39:22makes a
39:23difference.
39:24The
39:24sail will
39:25go through
39:25regardless.
39:26it's
39:30true,
39:30isn't
39:31it?
39:32Won't
39:32change a
39:33ruddy
39:33thing.
39:34I don't
39:34think we
39:35can stop
39:35them
39:35exchanging
39:36contracts.
39:37They'll
39:38take
39:38ownership
39:38in five
39:40minutes.
39:41Yes.
39:42Shall
39:43we?
39:43Reverend
39:44Mother?
39:45Of
39:46course.
39:46Yes.
39:46Yes.
39:46Yes.
39:46Yes.
39:46Yes.
39:46Yes.
39:46Yes.
39:46Yes.
39:48Yes.
39:48Yes.
39:48Yes.
39:49Yes.
39:49Yes.
39:50Yes.
39:50Yes.
39:51Yes.
39:52Yes.
39:53Yes.
39:54Yes.
39:55Yes.
39:55Yes.
39:56Yes.
40:00In
40:00Sicello.
40:01In
40:02conspectu.
40:04She left
40:05me the same
40:06message, but
40:07what was she
40:07trying to tell
40:08me?
40:09In the chapel
40:10in plain sight.
40:12Should we go
40:13back to search?
40:18A different
40:18chapel.
40:19Yes.
40:21She knew that
40:21Matthew was prowling
40:22around and it
40:23wasn't safe, so
40:24she hid it in plain sight
40:39okay golly gosh the ownership of st. Vincent's convent and the landed hereby
40:45occupies you never mother what is it man's deeds which sister Helen have found
40:58transferring ownership of st. Vincent's convent to the Catholic diocese and its
41:03sisters signed by Adam Sedgwick all the great slaughter it belongs to us
41:10St. Vincent belongs to us hallelujah
41:24you cut it fine this time sister but you did it
41:35we did
41:40they're here I wanted you all to have a copy
41:50front page exclusive holy homicide by Ruth Penny
41:54congratulations are you going to be going back to writing full-time long
41:58Kingsley would miss me too much alas it's Jamaica I'm afraid
42:02does it happen to mention how it utterly derailed my investment
42:05no mention of that no only how your story has inspired the local council to
42:11build a new women's refuge and partner with a certain developer if they wish
42:19that's it sisters work those wimples straight to the laboratory
42:33you intend to carry on this forensic business then well I had thought to you good I know I know
42:47I know I haven't been the most supportive of advocates but I confess I really did think it was over for us all
42:56I'm proud of you sister
43:01oh thank you for every mother
43:06oh and um if you tell anyone I said that it's ten thousand hail Marys is that clear
43:14sister listen to this and so with the crime solved we're left with proof that a town is more than just its buildings
43:28oh that's so true
43:30come on son for 500 years great slaughter has grown around families building living and loving
43:38this place is its people and now the convent is safe for 500 years more the nuns of Saint Vincent keep their home the town keeps its heart and the family of great slaughter police keep their much loved sister so criminals beware
43:56but where
44:26there
44:28poof
44:29well
44:30well
44:32but
44:36bye
44:38well
44:42you
44:43well
44:47you
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44:48
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