BAMM! EP 523: Chand Nawab se Mehrunisa Tak
Concept, Narrator & Director: Kamran Jawaid Aziz
Featuring: Chand Nawab (ARY) & Mehrunisa (BBN)
Producer: BAMM! Digital Television
Research: Karachi International Advertising Festival
Location: Hotel Mehran, Karachi & Ravi River, Lahore
Synopsis:
Chand Nawab se Mehrunisa Tak is a compelling documentary that explores the raw, unfiltered world of street journalism. From the iconic story of Chand Nawab, whose candid reporting style in Pakistan unexpectedly turned him into a viral sensation, to the unusual rise of Mehrunisa, an anchor once associated with a satirical outlet calling itself “fake BBC Urdu,” later rebranded as BBN, the film captures how unconventional platforms shape public narratives.
The documentary highlights how such grassroots storytellers challenge traditional media by presenting reality in a language people instantly connect with. Alongside these real-life examples, the film investigates the emerging role of AI reporters—virtual anchors and automated news creators—who are now delivering content with speed, precision, and a touch of human-like relatability. It examines whether AI-driven journalism enhances credibility or risks authenticity, while showing how audiences perceive and respond to machine-created narratives.
Ultimately, the documentary underscores the evolving nature of journalism: a space where ordinary individuals, parody newsrooms, and artificial intelligence intersect to redefine truth, trust, and impact in the digital era.
#chandnawab #bbcurdu #journalism #bammtvpk #kamranjawaid #rjkamranjawaidaziz
@bammtvpk @kamranjawaidaziz @arslan_chand_nawab_acn @arynewstv
Concept, Narrator & Director: Kamran Jawaid Aziz
Featuring: Chand Nawab (ARY) & Mehrunisa (BBN)
Producer: BAMM! Digital Television
Research: Karachi International Advertising Festival
Location: Hotel Mehran, Karachi & Ravi River, Lahore
Synopsis:
Chand Nawab se Mehrunisa Tak is a compelling documentary that explores the raw, unfiltered world of street journalism. From the iconic story of Chand Nawab, whose candid reporting style in Pakistan unexpectedly turned him into a viral sensation, to the unusual rise of Mehrunisa, an anchor once associated with a satirical outlet calling itself “fake BBC Urdu,” later rebranded as BBN, the film captures how unconventional platforms shape public narratives.
The documentary highlights how such grassroots storytellers challenge traditional media by presenting reality in a language people instantly connect with. Alongside these real-life examples, the film investigates the emerging role of AI reporters—virtual anchors and automated news creators—who are now delivering content with speed, precision, and a touch of human-like relatability. It examines whether AI-driven journalism enhances credibility or risks authenticity, while showing how audiences perceive and respond to machine-created narratives.
Ultimately, the documentary underscores the evolving nature of journalism: a space where ordinary individuals, parody newsrooms, and artificial intelligence intersect to redefine truth, trust, and impact in the digital era.
#chandnawab #bbcurdu #journalism #bammtvpk #kamranjawaid #rjkamranjawaidaziz
@bammtvpk @kamranjawaidaziz @arslan_chand_nawab_acn @arynewstv
Category
📚
LearningTranscript
00:00Hello, are you coming to me?
00:03I am going to research on this topic of new VLOG.
00:08Let's start with you.
00:12But in today's conversation, I am going to make a VLOG.
00:17I am going to talk about GOTV's new serial case number 9.
00:23Good morning, Faisal Qureshi.
00:26Assalamu alaikum Ji, this is Faisal Qureshi. Don't forget to watch BAT.
00:31Hi everyone, this is Sabha Kamar. You are watching BAT.
00:35In this conversation, this is what you have done.
00:38In this conversation, this is Faisal Qureshi.
00:40In this conversation, this is Faisal Qureshi.
00:42He understood that there was a mistake.
00:44And now you have to take your life.
00:45This is not very strong.
00:46There should have been a trigger warning.
00:48That's the only thing I felt.
00:50There should have been a trigger warning when the rape scenes were unraveling.
00:53If that child is writing that story, then what will happen to you?
00:56What will happen to you?
00:57What will happen to you?
00:58What will happen to you?
00:59We are also bold.
01:00We are also educating.
01:01We are also learning a lot.
01:02We are also learning a lot.
01:03And some people are asking that this is a very bad idea.
01:05A lot of the things I am saying feel like a public service announcement as well.
01:09Because we are equipping our lives.
01:13We are helping to create a movie with people's eyes.
01:15We are helping to create a movie with our dreams.
01:16We could have aУ-scalation.
01:17We could also have a group of horror movies.
01:18And keep the music around as well.
01:20We could see what movies are most of our movies.
01:22We can do that by the movies.
01:23If there is a book, I'll be a priest.
01:24So I can do that by the movies.
01:25We can do that by the movies.
01:26And I can do that by the movies.
01:27We should make a movie.
01:28We have a movie.
01:30But we have to put a movie on our heads.
01:32We have to make a movie.
01:34ik raazul se perda u'thaya he ek nai awareness di hai
01:38or pakistan ki drama industry ne ek nai tarikh datam si hai
01:43lakin pishle gino case number nine ke kilaaf
01:46ek shodhi criticism ke sama nha hua
01:49aur kuchhohukla hazrat ne
01:52iske bari me joh e
01:53protesting statements jar hai gi
01:57disin ce pahle te ho hem chalte hai
01:58unhukla hazrat ke baas
02:00ke ho jantte hai ki wukia kehana chara hai
02:03I have a channel on a drama called Case Nine.
02:08It's about the case of rape.
02:11That's what is happening.
02:13If I'm telling you, if I'm telling you,
02:16it's not a case of rape.
02:20If I'm telling you, it's not a case of rape.
02:24This thing has been made.
02:28And in the past, in the past, what do you mean?
02:33Do you know what you mean?
02:35These drama are made by our young generation,
02:39what are the consequences of our young generation?
02:41What do you mean by the lesson?
02:43Do you have a drama case 9?
02:45My opinion is that this is sexual education for drama
02:49or scene that has been filmed.
02:51If it is sexual education for them,
02:54then sexual education is also the same.
02:57..
03:10..
03:11..
03:16..
03:18..
03:22foreign
03:36foreign
03:42foreign
03:44foreign
03:50In the drama, there is no scene that is wrong with a very critical way
03:58that is a bold topic.
04:02This is an artistic way
04:07in which there is no sense of boldness or skin showing scene.
04:13This is an extreme way of being a victim.
04:20There is no sense of being a victim.
04:24There is no sense of being a victim.
04:30This is not a wrong statement.
04:35foreign
05:05uh, saboot ke hawaala se evidences ke hawaala se
05:08joh drama ma shayad same portrait na kiya gya ho
05:11tuh mein drama ki joh maker hain case number 9 ki joh maker hain
05:14unse mein request karo ga ke aap chahe scene ko dhubara se reshoot karne
05:19ya script me thodi tbdil hi karne
05:22taak ki wrong information na jaye
05:23aur agar aap loog ye kehti hain
05:25johan case number 9 ki wo ye kehti hain
05:28jih aga ye drama bulkul sayhi hai, script musta bulkul thik hai
05:32sazab khan sada sabi kehti hain ki joh researche bulkul thik hai
05:36ta phir mein kahunga ki wukla hazrat ka joh ye protest hain
05:39woh bebennaat hai
05:40to khayro abo krisya nikla hai
05:42toh ye drama kafi critical ye claimed ho raha hai
05:45aur iso wakt mokhtaril qisam ke joh
05:47aap kya nahe ke jih hamare critics hain
05:50woha padi bari appreciating raya dehne
05:53aur in critics mein joh hai
05:55maliha rahman
05:57toh inki short clips dekhte hain
06:00asa koreshi is always brilliant on tv
06:02but joh bajahat hussein, faisal qureshi, abdullah qadwani, asad qureshi ki combo hai
06:07it is a really strong one
06:10i think itinne achey actor ko e kiasa director ki zarurat hai
06:13joh uski performance ko elevate kare
06:16aur sahi jagahon pere uski character me sense ho, samaj jahe
06:20toh joh kameran hai, joh eek rapist hai
06:22woh samaj jahe ki bas eek galti ho ggay
06:24ar abage zindagi ko leke chalo, ye seher toh badehi teez nikali
06:27you say, woh sharmindagi hi nahi hori hain abhi tak joh seh mehsous honi chahi
06:32aur amna isani ki endorsing statement ke hainwale seh
06:37fantastic
06:37fantastic
06:38two episodes
06:40i feel that these first two episodes were flawless
06:43barring the fact that i feel and i'm just going to get it out of the way right at the get go
06:48there should have been a trigger warning
06:49that's the only thing i felt
06:51there should have been a trigger warning when the
06:53rape scenes were unraveling
06:54and there should have been a trigger warning when they showed needles
06:57or the forensic story
06:58other than that
06:59oh my god
07:00the first half of the first episode
07:03it was so
07:04it was so intense ke you couldn't look away
07:06uski ek ek detail uski ek ek music ki detail
07:09performances the build up
07:10it was it was mind blowing
07:12operator lubna maa amari ahwalay seh about this number nine
07:16this drama mujhe bokht acha lakka
07:18jaysayam kehtae hain
07:19casting ghalat ki umar tjada college bheja
07:22university bheja
07:23ek lardka do lardka hai do lardka
07:25ek lardka saas bahur na
07:27isme isstara ka kuchh nahi hain
07:29itni different ka aniho
07:31isme oya aix is or different
07:33isko ek generalist nai lkha
07:35shazeeb khan zada
07:35abek wo bachya aga likh raha
07:37us kehani ko to uspe kitna hooga
07:39ke topic lere raha ho
07:40itna hassaat
07:41research vq kaji sada
07:42they love you so much
07:44faysal or sabah
07:45dono is pai kiada ka raha
07:47aur phir
07:48ah sath mein
07:50nadia khan
07:51drama likhne wale writers
07:53hain ya novel likhne wale
07:54loog hain wou bhi nia
07:55isme isme june ke writer
07:57is renowned anchor person journalist
07:59shazeeb khan zada
08:00shazeeb khan zada
08:01toh yeh uski
08:02eek bohat ek uski
08:03asha or us uski
08:03wajah se kew age
08:04hasil ee
08:05aur aapko eek different
08:05kew lag raha
08:06kewke dekha
08:06moh khud renown journalist
08:08hai
08:08aur hamarie
08:08coort room dramas
08:09hain ya crime
08:10investigation wale
08:11bade wik ho
08:12te normali kem
08:13kewke dekha
08:15chad sahab
08:15tum bolo bici
08:15mein yeh bode raya
08:16woh bode raya
08:16ronne lagge
08:17behoosh ho gaya
08:18yeh bhoat hi
08:19hakikat ke kareeb
08:20hai bode bhi
08:21hai
08:21educate bhi
08:22kar raha
08:23hai
08:23aapko bhoat kuch
08:23sikha raha hai
08:24phir bhi kuch
08:25logon ko
08:25atiraz hai
08:25kee
08:26yeh toh bade
08:26behayai
08:27waakhi
08:28meh
08:28hamarai
08:29maashire
08:29meh
08:29ek
08:30sabse
08:30bada
08:30aliyah
08:31yeh
08:31heh
08:31peh
08:32jab
08:32sach
08:32ko
08:32dhikha
08:33jata
08:33hai
08:33toh
08:33hem
08:34riberto
08:34meh
08:34moh
08:35chupa
08:35le
08:35te
08:35hem
08:36usse
08:36bihayai
08:37ka
08:37naam
08:37de
08:37te
08:37te
08:37hem
08:38usse
08:38kehet
08:38te
08:39kye
08:39seks
08:39edukesan
08:40hain
08:40hain
08:41hain
08:41hain
08:43kye
08:43kye
08:43chisye
08:43honi
08:44chahiye
08:44kye
08:45her
08:45us
08:45aurat
08:46ko
08:46ya
08:48ilm
08:48hona
08:48chahiye
08:49kye
08:49kuda
08:49na
08:49khas
08:49kye
08:50kye
08:52kye
08:52kye
08:52kye
08:53kye
08:53aysa
08:53amal
08:53hotea hai tuu ku kya step nene pade ni?
08:57हemare yao ye hoota hai ki agar kisi
08:59gownd hey hato me yagar kisi khaartoon ke saaf tue koi
09:02rap attempt ho jata hai, to forayy tawr pe
09:05uh paki ke naam pere us ko nihla diya jata hai
09:09gharwalay ah jaicii whu ghar pohonk kiye
09:11to gharwalay us ko foraan nihla diya ta hai
09:12ki taak ke tum paak ho jau.
09:14ah jabkhe medically joh hai
09:16us ko pehle medical hoona chahe hai, fai rega
09:18cha hoonni chaheet, sab tijos hoonni chaheet
09:20phir usko wukia jaya.
09:21so
09:47foreign
09:54foreign
10:00foreign
10:06foreign
10:12foreign
10:16In case number 9, I am pretty much playing her voice and the channel through which she
10:28navigates the justice system and also my character is, a lot of the things I am saying feel like
10:34a public service announcement as well because we are equipped with the things that we need
10:42their knowledge to increase our legal system and rape cases.
11:07Adalit Mishnmai, Vukla کی Bihs, Acero-Russook, Dabao, Social Media
11:11اور Media پر لڑائی
11:12لوگ کیا کہیں گے
11:13اور اس جیسے دیگر جملوں کی وجہ سے
11:15ہزاروں خواتین خاموش ہو جاتی ہیں
11:18جن پنپتہ ہے اور عورت انصاف سے محروم ہو جاتی ہے
11:21جیو اور سیونسکائی انڈیٹینمنٹ لا رہے ہیں
11:23باہمت خاتون کے انصاف کے حصول کی کہانی
11:25کیس نمبر نائن
11:26جسے تحریر کیا ہے جیو نیوز کے معروف انکر پرسن
11:29شانزیب خانسادہ نے
11:31ایک منفرد اور مارکتو لارا
11:33ڈراما سیریل خیز نمبر نائن
11:34ناظرین کے لیے ایک متاثر
11:37ان کہانی لے کر آ رہا ہے
11:38جس پہ ایک ماہمت اور نیڈر لڑکی
11:41سہر کے کردار کو بہت ہی
11:42منفرد انداز میں دکھایا گیا ہے
11:44یہ کردار معاشرتی بندشوں
11:47کو چیلنج کرتے ہوئے دوسروں
11:49کے لیے ہمت اور مضاہمت کی
11:50علامت بنتا جاتا ہے
11:52ڈرامے میں سہر کا کردار ادھا کرنے والی
11:54نامور ادھاکارہ سبا قمر ہیں
11:56جنہیں ایک خود اعتماد
11:58اور باصلہیت لڑکی کے روپ میں دکھایا گیا ہے
12:01جبکہ ایک اور اہم قیدار
12:02کامران ہے جو صفحے اول کے ادھاکار
12:05فیصل قریشی نے انجام دیا ہے
12:06سہر طاقتور اور
12:08انا پرست بزنسمن کے سامنے
12:10جھگنے سے انکار کرتی ہے
12:12کامران اپنی انا کے زور پر
12:14سہر کو جھکانے کی کوشش کرتا ہے
12:17ڈرامے کی کہانی سہر کی
12:18حوصلے جد و جہد اور
12:20مضاہمت کے گلد گھونتی ہے
12:22ڈرامے میں سوال اٹھایا گیا ہے کہ آیا سہر
12:24کامران کی سازشوں کا شکار ہوگی
12:26یا پھر اپنے حوصلے اور صلاحیت
12:28کے بلبوتے پر صرف رو ہوگی
12:30ڈرامے کے پیڈیوزز عبداللہ قادوانی
12:32اور حسد قریشی ہیں جبکہ
12:34ہدایتکار سید وجہت حسین ہیں
12:36منفرد ڈراما مارو صحافی
12:38اور جینیوز کے پرگرام آج
12:40شازیب خانزادہ کے مذبان
12:42شازیب خانزادہ نے تحریر کیا ہے
12:44میں نے جب ڈراما لکھا
12:45تو مجھے لگ رہا تھا کہ بڑی مشکل ہوگی
12:47اس ڈرامے کا کئی ایشو بیسڈ ڈراما ہوگا
12:50ظاہر ہے وہ ایک ڈراما ہے مگر ایشو بیسڈ ہوگا
12:52مجھے تو سیونتھ اسکائی کی طرف سے
12:54بڑا اچھا رسپانس ملا
12:55وجہت حسین جنہوں نے خیال بنایا ہے
12:57امیزنگ ڈریکٹر
12:58وہ بہت ایکسائٹڈ تھے میں نے کرنا ہے
13:00مجھے لگا سبا ہاں نہیں کریں گی
13:02مجھے لگا سبا ہاں نہیں کریں گے
13:04انہوں نے فورا ہاں کی کیا ہے
13:06لوگ کام کرنا چاہتے ہیں
13:08میں تو لڑا ہوں
13:10میں نے کہا دیٹے ہاں گے کرو
13:13مجھے نہیں بتا
13:13میں سکرپ پڑے بنا ہاں نہیں کرتی
13:16میں سکرپ پڑے مجھے لگا
13:18کسی بہت سینئر رائٹر نے لکھا ہے
13:21I called my director
13:22میں نے کہا یہ شازیب
13:24میں نے کہا پہلا دراما ہے
13:25کارتے ہیں
13:26you're gonna love it
13:28اب میں آؤں گا اس طرف
13:31جس کے بارے میں
13:32جو ہے اکسر لوگ بات کر رہے ہیں
13:34کہ یہ دراما بولٹ ہے
13:35ہم فیملی کے ساتھ نہیں دیکھ سکتے
13:37اور ہر عمر کا بچہ
13:38سب بیٹا ہوتا ہے
13:39صحیح سے بات ہے
13:40یہ دراما آٹھ بجے آ رہا ہے
13:42اور آٹھ بجے کا ٹائم
13:43ٹائم ہوتا ہے
13:44اس پر پوری فیملی موجود ہوتی ہے
13:45ہر کوئی دراما دیکھ رہا ہوتا ہے
13:47پس کے دنوں کیا دراما ہے
13:48کے نام سے
13:49کوئی کونٹینٹ آتا ہے
13:50جس میں
13:50اتیکہ اوڈو میڈم
13:52مرینا خان میڈم
13:53نادیا خان میڈم
13:54یہ ہماری ساری سینئر
13:56جو ادکارہ ہیں
13:58ایز اکرٹک اس میں موجود ہوتی ہیں
13:59مکرم کرنگ جو میرے بہت سے دوستوں
14:01اس کے انکر ہیں
14:02اور
14:03ان سب نے مل کر ایک
14:04بڑی اچھی سٹیٹمنٹ دی
14:06کہ جی
14:07بولٹ ڈرامے جو ہیں
14:08خاصی میڈم
14:10اتیکہ میڈم نے کہا
14:11اتیکہ اوڈو نے
14:12کہ جی جو بولٹ ڈرامے ہیں
14:14ان کو رات کو دس بجے کے باعت
14:15نیسر کیا جائے
14:16جیسے کہ ڈائن تھا
14:18جیسے کہ
14:20منمست ملنگ تھا
14:22اس طرح کے ڈراموں کو
14:23رات کے دس بجے کے باعت
14:24جس میں کچھ رومنٹک سینز ہیں
14:26یا کچھ ایسے
14:27بولٹ قسم کے منازین ہیں
14:29چاہے وہ وائلنس کے طور پر دکھایا جایے
14:30چاہے رات کے دس بجے کے باعت
14:32انٹرنیشنلی
14:33بولٹ کی سیم کی چیزیں آتی ہیں
14:35یا پھر حورر کسم کی چیزیں آتی ہیں
14:36ایک 10 o'clock slot
14:37پلیز چینلز کو کھولنا چاہیے
14:39جہاں پہ بولٹ کانٹنٹ کے سارے
14:41درامے چلنے چاہیے
14:42اور چلنے چاہیے
14:42ابھی ریسنٹلی دو درامے
14:44ایسے چلے ہیں
14:44ٹیلیویشن پہ
14:45جو جن کی وجہ سے
14:47مجھے لگتا
14:47ایک اور سلوٹ کھولنا چاہیے
14:49ابھی ہمارے پاس
14:50سات بجے کا سلوٹ
14:51آٹ بجے کا
14:52آٹ بجے کا
14:53ٹھیک ہے
14:53فیمیلی آز
14:54ایک دس بجے کا
14:55آٹ بجے کا سلوٹ کھولنا چاہیے
14:56کیوں
14:56من مست ملنگ
14:58اور دین
14:58یہ دونوں
15:00اتنی
15:00آدرت
15:01کونٹرن میں
15:02کہ
15:03یہ
15:03میں تو حیران
15:04ایک آٹ بجے کے سلوٹ پہ چل رہے ہیں
15:05یعر
15:06because
15:06I always talk about
15:07after hours
15:08when children have gone to bed
15:08I mean
15:09the things
15:10they're showing
15:10in دین
15:10or the
15:1150 shades
15:12of danish
15:13انہوں نے
15:13من مست میں دکھا
15:14تا
15:14they're not
15:168 o'clock slot
15:16please
15:17they should be
15:17after
15:189 o'clock
15:19haں
15:19ہوں
15:19بچے جو
15:20If they go to school, go to school, go to school
15:23Because these are very very hard hitting
15:26Sexual undertones, drugs, violence, murder
15:30They should be 10 o'clock
15:31A 10 o'clock slot please this channel should be open
15:33There should be bold content of the drama
15:35And it should be open
15:36We show it in the prime time
15:38We show it with our family
15:39But we feel like this is the wrong thing
15:42So that's what happens in my channel
15:44And I say that if GEO TV is a category
15:47Then we will move on to the other channels
15:50We will move on to the other channels
15:52We will move on to the rest of the day
15:54Then we will move on to the prime time
15:56In the end of the day
15:59I will say that case number 9 is a better drama
16:02Which is a benchmark
16:04Which is a benchmark
16:07Netflix type drama
16:08Netflix type content
16:10This drama
16:12This is a benchmark
16:14It's a benchmark
16:15Netflix type of content
16:16It has to be a benchmark
16:17That is a benchmark
16:18And it's your projection
16:21It's your direction
16:23It's your description
16:24It's your and everything
16:26Each and everything
16:27is very very impressive
16:28And above all
16:29It's about coming
16:30If you look at the film
16:31If you look at the film
16:32You look at the film
16:33If you look at the film
16:35You look at the film
16:37If you look at the film
16:39...
16:46...
16:55...
16:59...
17:04foreign
17:10foreign
17:16foreign
17:22foreign
17:28foreign
17:32foreign
17:46foreign
17:54foreign
18:02Why do we kill the truth?
18:05We should face the truth.
18:07I salute the makers of the case number.
18:32I'm sorry.
18:34I'm sorry.
18:36I'm sorry.
18:38I'm sorry.
18:40I'm sorry.
18:42In such cases,
18:44the victims don't have to be a proof.
18:46They don't have to be a witness.
18:48What do they say?
18:52This one group has been warned
18:54by thousands of rape victims.
18:58It's a shortcut.
19:00Let's put a name, Ameer Ujj.
19:02Do you want to be a man in your house?
19:04Absolutely.
19:05But you don't have to be like that.
19:12If you get a word,
19:14then you get a word.
19:23Music.
19:30So, I salute to the makers of case number 9.
19:38Assalamualaikum Ji.
19:39This is Wesley Qureshi.
19:40Don't forget to watch Band.
19:42Hi, everyone.
19:43This is Sabah Kamer.
19:44You are watching Band.
19:46The
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