- 2 days ago
- #realityshowusa
#RealityShowUSA
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FunTranscript
00:00Nothing can just be mine, can it?
00:02Not even finding my daughter.
00:06I want to be more involved.
00:07We need another capable pair of hands.
00:09I would really like for us to work together.
00:11I just wanted you to be you, whatever you turned out to be.
00:14Can we not talk about the cancer?
00:16I just want to enjoy my time with you.
00:18Take care.
00:19I was gonna keep it, but give it to Maria.
00:21It's worth more than I are.
00:22I'm worried you have a short memory.
00:24You promised to cut me in on something big.
00:26What are you doing?
00:28I haven't got cancer. Faked it.
00:30Is there anything else I need to know?
00:32Nothing.
00:33Brown is on her.
00:58You finden in clean.
01:01What are you doing?
01:02Come when you bend away so we breathe down.
01:04Come when baby and bring outside.
01:05Come when babe in Beijing.
01:07Move ay oh!
01:09Come when baggage on.
01:11Road Harbor caminho.
01:13Back fare��.
01:14Because I tell you for jobs.
01:16Back let's go home.
01:18Fleailing like glasses.
01:19I saw money here
01:20When gambling является
01:25otoo the most.
01:26You okay?
01:37Do you want me to come and see the doctor with you?
01:40No, fine.
01:56Oh, I forget my hat.
02:18Cheers.
02:19Hey.
02:26Hi.
02:33Um, so, spontaneous remission, you know, where the cancer just kind of disappears.
02:38You ever heard of that?
02:40No.
02:42I'm just gonna...
02:52Maria!
02:53How do I look out at my prison duds?
02:56Why keep this up?
03:01You're out now.
03:02No one thinks you're a threat.
03:04I had to keep someone invested.
03:07Like, you don't understand.
03:08She's my oldest friend.
03:11I had to get her to want to spend some time with me.
03:13The less I know about what you do on the outside, the better.
03:20I do need paying.
03:22What?
03:22You've been paid?
03:23From Blas, I gave him a watch to give you.
03:27What watch?
03:28There's been no watch.
03:29There's a lot of men, I don't know.
03:29I don't know.
03:31I don't know.
03:31I don't know.
04:01Yes.
04:04We've got a big problem.
04:06Yeah.
04:14That's going to be crawling with security.
04:16Have you seen this?
04:17All right, next door to the master beer.
04:18Just focus, okay?
04:19Come on, this is impossible.
04:21So what do we actually know?
04:22Well, that the place is in total lockdown and half of Spain's press are camped outside.
04:27That'll only be the case for a couple of days.
04:29When the Mona Lisa were nicked in 1911, people came to stare at the space at the wall.
04:33They'd never had so many visitors.
04:36Right, let's deal with the facts.
04:38We know that due to the size of the painting...
04:40It's bloody massive.
04:41Yeah, so it won't be removed and it'll be restored in situ.
04:44Yeah, and most of the work will be done at night.
04:46With a restoration team in there around the clock and increased security, that rules us out going in at night.
04:50There's no way we can go unnoticed.
04:52I mean, we'd just be seen.
04:53So what, we push the job?
04:55No, we can't.
04:56Celine's given us a deadline.
04:58What then?
04:59We go in during the day and steal a painting in front of all those people.
05:03That's impossible.
05:04Yeah, we're not going to do anything that puts you in any danger.
05:07Here, we come up with a plan and we execute it.
05:12Craig, do fuck off.
05:15Why did you do that?
05:17He needs to leave you alone.
05:18Jackie, you need to come up with a plan to get the painting in and out during the day.
05:23Yeah, I'm all ready on it.
05:24You don't have to worry about me.
05:26Can you two guarantee that you're not going to go rogue?
05:29Nobody's going rogue.
05:31Get some rest.
05:32Tomorrow will be a big day.
05:43Do you really think we can pull this off in a crowded gallery?
05:48The security guard.
05:51The prison.
05:52Yeah?
05:53I sort of kept in touch with him.
05:55I didn't say anything because obviously I didn't see it going anywhere.
05:58But now we've got a requirement for an inside man at the museum.
06:01And you trust him?
06:03Trust is a relative concept.
06:05But there's never been a man that between us we couldn't handle.
06:08Well, let's go see him.
06:13You know that Caitlin's part of the team.
06:15She doesn't need special treatment.
06:16I'll be the judge of how I treat Caitlin.
06:19You know that Caitlin's part of the team.
06:46Buenas.
06:46Buenos días.
06:47Mira, quería saber el precio de esto, por curiosidad.
06:49A ver.
06:58¿De dónde has sacado esto?
07:03Oiga.
07:05Oiga, vuelva.
07:07Vuelva.
07:07Sí, policía.
07:19I'm in contact with a journalist who's reporting at the museum.
07:22Convince him I'm an editor at El Mundo.
07:23Promise him an exclusive.
07:24He can feed me the details of what's going on on the ground.
07:27Oh, great.
07:27I'm worried.
07:33Police, that's the last thing I want.
07:34Part of the job is rolling with the punches.
07:36No, I'm worried about you.
07:38And Bert.
07:39It's just...
07:40When you're together, it's just this thing with the two of you.
07:44Well, we were best friends for years.
07:46We're about to do a massive job.
07:48I can't end up in prison like Bert did.
07:51You won't.
07:51How can you know that?
07:52Because I'm in charge and I wasn't when she was arrested.
07:57What actually happened?
08:02There was this job.
08:05Taking something from a safe or a client.
08:08And it caused a whole load of trouble.
08:11Two guys who'd happily worked the same area,
08:14started a turf war, but ended up on the wrong side.
08:16It was a mess.
08:18People got hurt.
08:20A turf war.
08:22You were involved in this job?
08:28Look, we were both arrested, Bert.
08:30Bert kept me in the dark on a lot of it.
08:33She took the rap because it was her rap to take.
08:36That can't happen this time.
08:37It won't.
08:38Whatever happens, you can trust me.
08:41I'm running this, I'm managing Bert,
08:43and we're rebuilding the plan.
08:46You have to understand, I will always have your back.
08:49Look, I'm in charge this time,
08:52and you are my priority.
08:54And that means a lot.
08:55And I have no idea.
09:05I never have a liberating...
09:05I don't understand.
09:05I have no idea.
09:05I've ever been reaction this morning,
09:07I have more and more information than you do.
09:08The robbery of the Spines is related to the robbery of a high value stealer that had happened that day.
09:13I don't have any idea, I don't know.
09:16I don't have any idea of who he was.
09:17I believe in the palabra of you.
09:22Hello.
09:23Inspector, Pérez here.
09:25What's the cure in the TV saying that he doesn't know anything?
09:28He's lying, sure.
09:29Something is hiding.
09:31And enterate of what it is.
09:38Bert.
09:39Mm-hmm.
09:53What the...?
09:58What are you looking at?
10:00I'm not sure.
10:04You think that car's following us?
10:06I don't know.
10:09Well, let's not find out.
10:18Can you lose him?
10:19No.
10:25Who is this?
10:26Who is that?
10:28I don't know.
10:32Fuck this.
10:38No.
10:39No.
10:40No.
10:41I don't know.
10:42No.
10:43No.
10:44No.
10:45No.
10:46No.
10:47No.
10:48No.
10:49No.
10:50No.
10:51No.
10:52No.
10:53Oh, shit.
11:04Guernica.
11:05The minute you heard about that, I should have had a phone call,
11:09telling me you know there's a spanner in the works,
11:11but you are moving hell and high water to sort it.
11:13Yeah, we are.
11:14We didn't want to come to you with a half-baked idea.
11:17Well, thank fuck for that.
11:18You got a backup plan?
11:20Yep.
11:23Do I need one?
11:25Because the buyer is breathing up my arse and I am holding her off.
11:28But she is not to be messed with.
11:30The buyer?
11:31That's not you.
11:32No, that's fucking not me.
11:35But I am the one with all the exposure if this goes tit to kimbo.
11:39So don't be slacking off.
11:41We've got a lot at stake.
11:42We need this to work as much as you do.
11:44Okay, so we're in agreement.
11:46But just because some yoghurt knitter lobs paint around a museum,
11:50we are not going to let anything slip.
11:52And by we, I mean you.
11:53Your delivery date remains the same.
11:55We just need to redesign the acquisition.
11:57Okay.
11:58Or you come back to me with a nailed-on plan of what you're going to do.
12:01Okay.
12:04Right.
12:06You're done.
12:06Get the fuck out.
12:07Unless you're in any way handy with a bucket of star drops.
12:10You'd be amazed the amount of piss you have to deal with in this place.
12:13Oh, for fuck's sake.
12:19We just told a lunatic we have a plan.
12:21Yep.
12:22And our gang thinks we have a plan.
12:24Yeah.
12:25We need a plan, don't we?
12:28We've got to stop seeing the crowds as a problem and start seeing them as a solution.
12:34Oh, that's all I've got.
12:35Sorry.
12:37Beautiful.
12:37Just a bit on edge.
12:59Didn't mean to start all you.
13:01Are you okay?
13:02Yeah.
13:03Thanks.
13:04Yeah, I'll put those on there.
13:06Just come and grab this for me.
13:10Pinch it.
13:12Very good.
13:15We might be missing a trick, you know.
13:18I was just thinking about how does a woman get in and out of somewhere without getting noticed.
13:24Lake?
13:25Well, you're an older woman.
13:30No one takes a blind bit of notice.
13:32You could take the crown jewels off the king's head and the courtiers would be like,
13:36Ooh, is there a breeze?
13:38And we can use that invisibility to our advantage.
13:44Your husband?
13:46I've done the same thing for 30 years.
13:49I'm not going back to it.
13:52That bad?
13:53Yeah.
13:56What did you mean about Sam and Bert going rogue?
13:59Well, when it's good, they're the best in the world.
14:05But when it's not, it's...
14:07What?
14:09It's toxic.
14:10I know you want a relationship with your mum, Cale.
14:19And you can have that.
14:21But you can't get in between them.
14:24Because it's a game.
14:26They don't think it is.
14:29But it is.
14:29I just really need this.
14:38Me too, darling.
14:43Cheers.
14:44You're welcome.
14:45You're welcome.
14:48Presioné al cura un poco más.
14:50Resulta que la vergüenza es una gran motivadora.
14:52De repente se acordó.
14:54Dos mujeres de cuarenta y tantos años, ojos marrones, iban vestidas de monjas.
14:59Hay una alta posibilidad de que no fueran monjas.
15:08La corona de espinas.
15:10Robada y luego devuelta.
15:12A la vez que un gran robo de joyas.
15:14El traje de torero.
15:16También robado y luego devuelto.
15:18No entiendo por qué alguien robaría algo para luego devolverlo.
15:22Bueno, supongo que...
15:24Miedo a la ira de nuestro señor.
15:27Una vez igual, pero dos.
15:28Vamos a mirar a ver si tenemos a alguien registrado.
15:36Tenemos que investigar a cualquiera con un historial de este tipo de robos.
15:39Algún estafador con antecedentes o alguno recién salido que necesite dinero rápido.
15:44Si alguien te llama la atención, empieza a hacer llamadas.
15:48Perfecto.
15:57¡Hey!
15:58Pleased to meet you.
16:00Martha Samuels.
16:01Sam to my friends.
16:02You're late.
16:08Yeah, I know, we're really sorry.
16:09We had something important to attend to.
16:11We had something important to attend to.
16:12No.
16:13Not a hospital thing.
16:15No.
16:15I'll make us a little money thing.
16:23Look, we've said we're sorry for being late.
16:26Come on, please.
16:28Stay.
16:28We'll get you another drink.
16:29Yeah, please, stay.
16:32Look, we need you.
16:37I'm going to need an advance.
16:39We can get you $5,000 before the end of the week.
16:43The rest is payable when the job's finished.
16:47Doesn't work for me.
16:50You know, I'll bet she still hasn't told you.
16:52About Isabella, her cellmate.
17:00What, the person she got the idea for the job from?
17:03You're not worried about her finding out.
17:05No, she won't find out, will she?
17:06Go on.
17:12Tell me more.
17:19Hola.
17:20Hola.
17:21Soy el inspector.
17:22Estoy buscando a Roberta Mancini, que la queremos registrar aquí.
17:25Está muy enferma, con cáncer.
17:28Ahora mismo está en el hospital porque tiene cita.
17:30Pero, ¿le puedo decir qué te has pasado?
17:31Es un control rutinario.
17:33Siento haberla molestado.
17:34No, por favor, muchas gracias.
17:35A usted.
17:36Wait.
17:40Are the police, are the police onto me?
17:43Are they onto us?
17:44This is getting out of hand.
17:45It's too disky.
17:45I'm done.
17:46Calm down.
17:46You need to go inside and finish the painting.
17:49And then you can go home.
17:51Okay?
17:51You just need to trust them.
17:53Oh, they can't even trust each other.
17:55I saw them, battling each other in the pool.
17:57Proper fist fight.
17:59Bloody wild animals, they're part of them.
18:03Okay.
18:03Just breathe through your nose, okay?
18:09Yeah.
18:11Keep breathing.
18:13Look, we're looking for someone who works in security, with an unblemished record, can get a job at the municipio, and feed us information about their new security.
18:22She's cute, right?
18:27Oh, yeah, she's cute.
18:28But if you keep trying her, she'll pull your arm off and shove it up your ass.
18:32Oh.
18:32Here's the deal.
18:39I'll pay you 100,000 euros on completion of the job.
18:43And what it is exactly you're taking from her Reina Sofia?
18:50Muy bien.
18:51300.
18:54200?
18:55Are you in or are you out?
18:56I'm in.
19:05I'm in.
19:17Everything okay?
19:19Mm-mm.
19:20Your painter is having a meltdown.
19:23What?
19:24A policeman came round earlier.
19:31To talk to me?
19:33No, to talk to Bert.
19:34I got rid of him.
19:36What did he say?
19:37He said it was a routine check, and I told him that Bert was very sick, and she had a hospital appointment to attend to.
19:45Okay, good.
19:45Let's not bother her with this.
19:52Don't take the piss, Bilal.
19:54We did a full kidnapping rescue on you.
19:58So how about you finish the job I've employed you to do?
20:01Now you take your balls, get back to that easel, crack on.
20:05All right?
20:09Cheer up.
20:16Blas?
20:19All right.
20:19Thanks for letting me know.
20:21He's got an interview tomorrow at the museum.
20:23He'll talk his way into that.
20:25They're desperate, and he's absolutely bubbling.
20:27Great.
20:28When he's in, let's get to Madrid.
20:31We'll assess the crowds, be in the space.
20:34I'll come too.
20:34No.
20:35You stay here.
20:37Yeah, it's far more useful if you stay here and keep your eye on Bilal and Jackie.
20:57She needs us.
20:58We don't know how long she has.
21:01You hold the fort here.
21:02We can have all the time in the world together when this is done.
21:06So, we need a new plan, and the night is completely out.
21:21That means we have to go in during the day and use the crowd to our advantage.
21:24The good news is the paintings on track have been finished in a week,
21:28which gives us ample time for any last-minute adjustments.
21:32Jackie's designing a rig to get the fake in, ready for the swap,
21:35working on making it as fast as possible.
21:36Using disruptors to block the magnetic locks.
21:40What we don't have is a diversion.
21:42How do we control the crowd?
21:44We don't know that yet, but hopefully our inside plan will give us access to security
21:47and the museum cameras.
21:50We still need an exit strategy, but Caitlin's nicked a van.
21:55We'll get access to the loading bay, and we'll go in as service workers.
21:59So, that's half a plan.
22:01What do you think?
22:05I'd say we're getting there.
22:06Got a lot to work out.
22:10Buckle up, buttercup, and pat your knackers.
22:13We are off to Madrid.
22:14I know the score at the back of my hand.
22:31Them or the boys, I don't give a damn.
22:36They kiss on the ring.
22:37I carry the crown.
22:40Nothing can break, nothing can break me down.
22:44Don't you know if I, I got a plan.
22:49I know the direction, the lay of the land.
22:53I know the score at the back of my hand.
22:58Nothing, nothing can break, nothing can break me down.
23:01I'm the man.
23:04Come around and
23:06nothing, nothing, nothing can break.
23:09You can't break me down.
23:12I got gas in the tank.
23:14I got money in the bank.
23:16I got news for you, baby.
23:18You're looking at the man.
23:19Masturbator is on the list of paintings
23:22which have been given 24-7, one-to-one security.
23:26Government's orders.
23:27As the Guernica room is closed,
23:29the masturbator has the most footfall.
23:31Well, I'll be honest.
23:32If I had a masturbator room,
23:34I'd get a lot of footfall and all.
23:37Maximum numbers.
23:39Nothing official,
23:40but if it feels like it's getting crowded,
23:42we can stop people entering.
23:45It doesn't help that the Guernica is in the same space.
23:47The rooms are interconnected
23:48and there are a lot more visitors.
23:50This is all sounding pretty hard to get around.
23:53No, no, no.
23:53We can use some of this to our advantage.
23:56If something else gets disturbed,
23:58we can use the chaos that ensues
23:59to pull focus away from us.
24:02True, but you don't want to end up
24:04in a lockdown gallery.
24:05Good point.
24:07Pluses and minuses.
24:09Minus.
24:11A lot more security.
24:13Plus.
24:14A lot of them are new.
24:16Minus.
24:17Everyone's on high alert.
24:19Plus, when people are on high alert,
24:22they get easily distracted and spooked.
24:24Especially with the restoration.
24:26Are all the exhibits alarmed?
24:27Everything in the permanent collection,
24:29the temporary collection,
24:30no.
24:31They're just stacked.
24:31So that's a weak spot.
24:36Let's see if it could be useful.
24:39We'll need a distraction to move the crowds.
24:43Something big enough to get people away
24:45from the master bit of room.
24:46It's just beautiful, that's all.
25:08Want to play a game?
25:17What?
25:20Oh my God, your waters!
25:22Oh my God!
25:22Well, help!
25:24It's my waters!
25:25I'm pregnant!
25:26I'm...
25:27I don't...
25:27I don't speak.
25:29Um...
25:29Yeah, maybe call my doctor.
25:31Come on, hurry up.
25:38Why did you leave?
25:39I had to style it out
25:41and say I'd just piss myself.
25:42Just trying to prove a concept.
25:44Huh?
25:46I wanted to see what we could achieve
25:47when no one is paying attention.
25:49What?
25:50Turn around.
25:50For you.
26:08Can we go somewhere on the way home?
26:10Hang on!
26:30What do you want, Craig?
26:44Old dog, new trick.
26:48How'd have you taken up
26:49with heart in your menopause?
26:58Damn.
27:00What do you want, Craigie?
27:04For you to give your head a shake
27:06and come on.
27:08No, I can't.
27:10Can't?
27:13I won't, actually.
27:17Not this time.
27:21All I've ever done
27:23is look out for you, Jackie.
27:27No one will ever love you like me.
27:28Comet.
27:31Craig.
27:32She's a kid.
27:35And you're a show.
27:49You owe me, Jackie.
27:51I don't owe you anything
27:52and I don't want anything.
27:55Who brought you to Spain?
27:57Me?
27:59I brought me to Spain.
28:00Oh, you've got a short memory.
28:02I've got a long one, unfortunately.
28:05I made the great Diablo, Craig.
28:07Not you.
28:08Do you really believe that?
28:10Put a wooden beneath my wings,
28:11is that what you think?
28:12I mean, if you want to put it in like that.
28:15Don't let your head get a turn now.
28:18Do you believe that you're bigger than this?
28:23Think yourself lucky that you're here at all?
28:26Why do you have to make me feel so sane?
28:32I can't make you feel anything, Jack.
28:37You're just responding to what I say
28:39because it's true.
28:41I am just a realist
28:44and I know that whatever you're up to now
28:46will just be a flash in the pan
28:48and you'll wake up
28:49and know that you need me.
28:53So let's just save us the trouble
28:54and then just
28:55do it now, eh?
29:00No.
29:02I don't want anything from you.
29:04I don't want anything to do with you.
29:11You need to get back on those days, Jackie.
29:41I can't believe it's still standing.
29:58It was so green when we came.
30:01It must have all been burnt to the ground.
30:05Don't recognise it, dear.
30:07No.
30:08Come on.
30:11Oh, my God.
30:18You can't have that, eh?
30:20Yeah, we went to that Fiesta in San Pedro.
30:22Yeah.
30:23And that Ferris wheel was completely unsafe
30:25and we screamed at the guy to let us off
30:27and he wouldn't.
30:29So when we did,
30:30we just jammed his engine
30:31so it wouldn't stop.
30:32He went nuts.
30:34And we pegged it past you on your moped.
30:36Like a hairdryer on wheels, I think.
30:41So is this where you want to?
30:53Yeah.
30:55You're right.
30:57You know, I...
31:00Like, over the years, I've been...
31:08And you were...
31:10It was a lot.
31:12And, um, it's just...
31:15Oh, I was...
31:16You were brilliant.
31:18You're mental.
31:20And you're a fucking nightmare.
31:21But you were fierce.
31:26And you were loyal.
31:29And you were just...
31:30Just the ace.
31:34And if you'd been given
31:35a bit of love
31:37and opportunity,
31:38you could have ruled the world.
31:41Then this job, Bert, this is...
31:43Well, this is you putting it right.
31:51Yeah.
31:54You're the only friend I've ever had.
31:57Same.
31:59I'm sorry.
32:08You've got nothing to be sorry for.
32:09Nothing.
32:32Ah, yes.
32:34Yes, sir.
32:34Ah, yes.
32:35Yes, sir.
32:36Ah, yes.
32:37Ah, yes.
32:38Ah.
32:39Sam, you've been really brave.
32:59Help her with the wire.
33:06Your decision to contact us has been key to our investigation.
33:09Hey, look at me.
33:12You should be proud of yourself.
33:14You've got a clean record and you can put this behind you.
33:17You can start again.
33:39You can start again.
33:42You can start again.
33:43You can start again.
33:46You can start again.
33:47You can start again.
33:48You can start again.
33:50You can start again.
33:51You can start again.
33:52You can start again.
33:53You can start again.
33:54You can start again.
33:55You can start again.
33:56You can start again.
33:57You can start again.
33:59You can start again.
34:00You can start again.
34:01You can start again.
34:02You can start again.
34:03You can start again.
34:04You can start again.
34:05You can start again.
34:06You can start again.
34:08You can start again.
34:09You can start again.
34:10Yeah, I do.
34:11Can actually, can you go to the hardware store for me?
34:13Asking for a long stand.
34:16Is it taking longer than you thought?
34:20Getting the canvas off the wall is one thing.
34:23But stealing Adali in broad daylight is something else.
34:27If I can get the swap down to 30 seconds,
34:30I'll remember the chance.
34:32But I need to finish off this rig.
34:34Craig leaving you alone?
34:38Yeah.
34:40It's hard, though.
34:42Why?
34:43Because he does this thing
34:45where he can just convince me black as white.
34:49He's a gaslighting, narcissistic prick.
34:52And the only thing he's good for is being a magician.
34:55Not even good at that, is he?
34:58Do you remember that time
34:59that he let all those rabbits go
35:00and they were up and all over the stage?
35:02And then that woman stood up and she said,
35:04I'm not staying here, Colin.
35:05No, it's absolutely dog shit.
35:07Do you remember?
35:08Yeah.
35:09Well, I took over the reins after that.
35:11Yeah, but you still let him have his name above the door.
35:13Just saying.
35:16Right, I'm going into town.
35:18I'm going to see the comms guys
35:19because we need new earpieces.
35:22Bert.
35:22Hmm?
35:27What have you been weird for?
35:30The great Diablo.
35:31More like the great Dickhead.
35:33I'll see you later.
35:34You're a smart laugh with your friend, are you?
35:49What?
35:52I am your husband.
35:55And them rabbits were duds, by the way.
35:57The police came to my house looking for Bert.
36:03You promised me I'd be anonymous.
36:05You are.
36:06As long as she's not got you involved in anything.
36:08You don't need to worry about that.
36:10Well, Ferris, I need to know this has nothing to do with me.
36:12It was probably a routine house to house.
36:15But look, Sam.
36:17I will call my old partner on the force and see what they can find out.
36:20But if they seriously needed her for something,
36:23they would have stuck around.
36:25Okay?
36:25They're worrying unnecessarily.
36:27Trust me.
36:27Sam and Bert are darling painting.
36:31Theft.
36:32It's nothing.
36:34How much are you paying you?
36:35Fortune?
36:37Small fortune.
36:40Come back to me.
36:43Let's just get out of here.
36:45Let's set our sights on Vegas.
36:48Me.
36:50You.
36:50Okay.
36:55It's like that, is it?
36:58Oh, maybe I'll just phone police then.
37:10Police, please.
37:11Stop.
37:14Just stop, Frank.
37:17I'll split it with you.
37:18Split what?
37:19How much are you paying?
37:25Come back to work.
37:27Do your little side hustle.
37:28We'll sort of split it out later.
37:31Jackie.
37:32Okay.
37:35I'll come back.
37:43That's the spirit.
37:45De mi lista nadie encaja.
37:47También he llamado a la cárcel.
37:50Le han dejado salir por liberación compasiva.
37:52No le queda mucho tiempo.
37:55Pobre mujer.
37:57No me ha salido nadie más.
37:59Pero me ha entrado otra cosa.
38:03Un joyero en Madrid llamó reportando a un hombre que intentó vender el reloj de Carlos Pérez.
38:09Consiguió escapar, pero tenemos cámaras de seguridad.
38:13Todos los policías en Madrid tienen ya una foto de su cara.
38:18Puede que este tipo sepa algo.
38:19No me ha salido.
38:20No me ha salido.
38:21No.
38:21Hey, hey. Madrid good? Yeah. Yeah, it was useful. Thanks for understanding.
38:31I feel like you're keeping things from me. I'm not. I promise.
38:37Don't get me wrong. I love seeing you with her. I think she makes you feel alive.
38:41And I feel more part of it than ever when we're all together and it's really exciting.
38:46I just don't want to be on the outside. Not with you.
38:51Understood. We're in this together.
38:55Do you want me to talk you through the new plan? Yeah. Right.
39:00You reached out. Leave him.
39:30You reached out.
39:47Hey! Hey! Quiet!
39:53Hey! Hey! Quiet!
39:59Detérense!
40:01You've got to be fucking kidding me.
40:10Let's pray.
40:12You've got to be fucking kidding me.
40:32Jesus.
40:36You've reached Jackie.
40:38Leave a message.
40:42If I could ask you just to stand here, and ladies and gentlemen, I want you to keep your eyes very closely on my hands, because my hands will be in view and all the time.
41:05I saw her two hours ago.
41:07She can't have gone back to him.
41:09What does that mean for the job?
41:10We'd be fucked.
41:11Can you just get down here?
41:15We have a death-defying act.
41:18A beat like no other.
41:20We have a death-defying act.
41:31We have a death-defying act.
41:35We have a death-defying act.
41:38Jackie, are you mad?
41:56I can't.
41:58What are you doing?
41:58I'm busy.
42:00We are working up to a huge job, and you're an integral member of the team.
42:04What are you doing back here?
42:05I'm being diamond!
42:06It's fucked up, because he knows.
42:10He knows about the job.
42:12He overheard us talking.
42:13He was hiding in the workshop.
42:15He's a massive fucking weirdo.
42:17You know that that's not normal?
42:19He said he called police.
42:21If it didn't come back.
42:22Jackie Diamond.
42:24That's where you're in.
42:26Jackie!
42:28Diamond!
42:28Come on!
42:35Catabuja.
42:45Oh, shit.
42:49Jackie!
42:52Jackie.
42:58Jackie.
43:08You could have killed her, you prick.
43:12Everybody help!
43:14Look at me, Jackie. Jack, look at me.
43:16Come on!
43:17What?
43:18Come on.
43:19Come on.
43:20Come on.
43:21That is your fault out of your fear, ain't you?
43:23I need you to leave her alone.
43:24Shut up, you stupid cow.
43:25Please!
43:26Come on, move.
43:29You're all right.
43:30Craig!
43:31Come on.
43:32Hey, Craig.
43:33Look, now, if you go away somewhere,
43:36then when all this is done, we can sort you out some money, yeah?
43:40What?
43:41I don't want your money. I want my wife.
43:43And your wife wants to be with us because we know who she is.
43:46I don't fucking know who you are.
43:48Please.
43:49Please.
43:50All right, so you've been crying at your mates, have you, about me?
43:52Hey?
43:53You think they're gonna whisk you off to a better life than this?
43:55Shut up!
43:56You've always thought that you were something better than this, but you are nothing.
44:00She's not nothing, you bubberic.
44:03Oh, please, please.
44:04Bert!
44:05Oh, wait.
44:06Oh, wait.
44:07What have you done?
44:08He's bleeding.
44:09Sam, it's from his hair.
44:10It was wild.
44:11You always fuck things up.
44:12Not true, Sam.
44:13I'm calling an ambulance.
44:14And I am calling the police.
44:15No.
44:16Jackie.
44:17It was her.
44:18If you say it was her, they'll arrest her.
44:20And all of this will have been for nothing.
44:21He did that in front of people.
44:22He's a loose cannon.
44:23It was her.
44:24If you say it was her, they'll arrest her.
44:26He did that in front of people.
44:27He's a loose cannon.
44:28You know that.
44:29That's why you left him.
44:30She attacked him.
44:31He attacked you.
44:32He attacked you.
44:33You distracted him.
44:34You distracted him.
44:35I'm calling an ambulance.
44:36I'm calling an ambulance.
44:37And I am calling the police.
44:38No.
44:39Jackie.
44:40One ambulance, please.
44:41Sam.
44:42There's so much blood.
44:43There was an accident.
44:44He attacked you.
44:45His temper, Jackie.
44:46It was her.
44:47If you say it was her, they'll arrest her.
44:48And all of this will have been for nothing.
44:50He did that in front of people.
44:51He's a loose cannon.
44:52You know that.
44:53That's why you left him.
44:54She attacked him.
44:55He distracted him.
44:56Are you hearing yourself?
44:57Are you serious?
44:58You need to get cleaned up.
44:59Jackie.
45:00He's still breathing.
45:01You too, Bert.
45:02Here.
45:03Right.
45:04The police are going to investigate this.
45:06We need to get all evidence out of Jackie's workshop.
45:09Seriously?
45:10Is that what you think's important right now?
45:13Yes.
45:14It's what is important for all of us right now.
45:16I'm sorry.
45:17Caitlin.
45:18We need to get you out of here.
45:20Hey.
45:21Come on.
45:22Come on.
45:23Hey.
45:24You deserve that, yeah?
45:25I did the right thing.
45:26Sam.
45:27Yeah, you did.
45:28Yeah, you did.
45:29Come on.
45:30Come on.
45:31Come on.
45:32Come on.
45:33Come on.
45:34Come on.
45:35Come on.
45:36Come on.
45:37Come on.
45:38Hey.
45:39Look, you deserve that, yeah?
45:41I did the right thing.
45:42Sam.
45:43Yeah, you did.
45:44I did the right thing.
45:45You know?
45:46It's all so good.
45:47What I did, Sam?
45:48Yeah, you did.
45:49Sam.
45:50Yeah, you did.
45:51Sam.
45:52Yeah, you did.
45:53Sam.
45:54Sam.
45:55Yeah, you did.
45:58Sam.
46:00Yeah, you did.
46:03Sam.
46:04Sam.
46:05Sam.
46:07Sam.
46:08Sam.
46:09Sam.
46:10Sam.
46:11Sam.
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