After the Divorce, the Heiress Takes It All - DRAMA SHORT
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Short filmTranscript
00:00¡Suscríbete al canal!
00:30¡Suscríbete al canal!
01:00¡Suscríbete al canal!
01:02¡Suscríbete al canal!
01:04¿Qué?
01:06¡Suscríbete al canal!
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01:48¡Suscríbete al canal!
01:50Aquí para celebrar el cumpleaños de los cumpleaños, seguro que no estaría feliz de vernos como esto.
01:53Todos sabemos que si no fuera de ella,
01:56tú estaría maravillado a Drake,
01:57instead de ser mi abuelo de la abuelita.
01:59¡Eli!
02:00Lo que sucedió entre me y Drake es todo en el pasado.
02:04Además, estoy carryingo Nick's baby.
02:10¡Es el momento perfecto.
02:14¡Oh, Dios!
02:16¡Dorosa just pute Stephanie en la bolsa!
02:18¿Qué?
02:20¡Oh, Dios mío!
02:25¡Quick, save Stephanie!
02:26¡She's carrying Nick's baby!
02:30¡Quick, get in there!
02:45¡He chose Stephanie over me!
02:47¡My baby!
02:52¡My baby is gone!
02:53¡Why would you do this to me?
02:57¡How dare you!
02:58You pushed Stephanie into the pool to try and kill her and her unborn baby.
03:03Are you happy now that Stephanie's baby's gone?
03:05I didn't do it.
03:06I know you don't want me here.
03:08I told you whatever happened between me and Drake is in the past.
03:11You can hate me however you want to,
03:13but how could you be so cruel as to kill my unborn child?
03:16He didn't do it.
03:17You know me, I would never do that to Stephanie.
03:20Just apologize to Stephanie.
03:21I'm not going to apologize for something I didn't do.
03:25Apologize to Stephanie right now or I will divorce you.
03:35Divorce.
03:35If you apologize right now,
03:39then I'm willing to give you another chance.
03:45It's been three years, Drake.
03:48I gave up everything to be your wife.
03:51You've always kept to the shadows, Dorothy.
03:53I already have a life.
03:55And right now I just want to focus on being
03:57on my marriage or Drake.
04:01I thought you would always be by my side,
04:04but I was wrong.
04:06The only reason you're allowed to stay by Drake's side
04:08is because you're nothing more than a free maid.
04:11Since you got married, has he ever even touched you?
04:13He doesn't even want to look at you.
04:18Fine.
04:20Let's get a divorce.
04:23There's nothing left in my heart.
04:31Drake's nothing without me.
04:34My ring!
04:37My ring is gone!
04:39Well, you must have taken it.
04:41Why would I take her ring?
04:43Well, look how quickly you packed your suitcase.
04:44You're probably seeing someone else.
04:47Dorothy.
04:49Yes?
04:50We were married for three years.
04:51Were you seeing someone else?
04:53Of course she was.
04:54Probably been cheating on you for a really long time.
04:57Couldn't wait for the divorce.
04:59So what if I was, huh?
05:01And what about you?
05:02Still hung up on your so-called sister-in-law?
05:05What gives you the right to talk about me?
05:07I only look after Stephanie because she's my brother's widow.
05:11Yeah.
05:12But you were actually seeing someone else.
05:14Who is he?
05:14Big talk!
05:16Don't bring me down to your level.
05:19I'm not like you.
05:21Since your sister-in-law lost her ring,
05:23why don't you take...
05:27This one.
05:36You've been waiting for this for a long time, haven't you?
05:43Bye.
05:43And so I left.
05:54This is ridiculous!
05:57We, the Bennett family, are one of the four major production companies in the world.
06:01I let him marry my daughter and even invested in his business.
06:05How dare that Drake do this to my daughter?
06:09Look, it's actually good for my dad.
06:13Now we know who he really is and he has no idea who I am.
06:17Still, you're my daughter.
06:19I can't let him do this to you.
06:21If it weren't for you, I would not have considered investing in his company.
06:24We're going to pull our investment immediately.
06:26Yes.
06:27It's time to cut him off.
06:29He doesn't deserve you.
06:31I'm over Drake.
06:32If we withdraw the plans now,
06:35it's going to hurt the family business.
06:37He's not worth it.
06:40Honey,
06:42why don't you just take a vacation?
06:45Just put all this aside and take some time out for yourself.
06:49Yeah.
06:52No.
06:56I've wasted too much time with Drake
06:58over the three years.
06:59You know, now I want to focus on something
07:02that actually matters.
07:05You know, Christopher has been saying
07:07that many people want to buy the movie rights to Liar's Game.
07:11Universal, Paramount,
07:13every major studio wants this.
07:18Liar's Game.
07:19Your story on the big screen.
07:21If you're in,
07:22I'd be happy to be the one headlining it.
07:24Ah.
07:25So that's why they're making it.
07:27Because of you.
07:28I'm sorry, Christopher Santoro.
07:30See?
07:31They're not funding the film.
07:33They're funding you.
07:34Oh.
07:36They're funding the story.
07:37It's more than good.
07:39It's phenomenal.
07:42Christopher is right.
07:44I'm taking my life back.
07:46I'm going to adapt it myself.
07:51You are?
07:54Yes.
07:55I will.
07:57Good for you.
07:59I won't tell anyone I'm asking you.
08:10Congratulations to Aria Wong
08:12for winning the best director.
08:13This is my close friend from college.
08:21Aria, I need your help.
08:23I want to adapt the Liar's Game myself.
08:25And I want you to direct it.
08:28Of course.
08:30All right.
08:31Okay.
08:32There's just one thing.
08:33I want to keep my identity as the writer a secret.
08:37I don't want anyone to know.
08:40Especially not the team.
08:41SQ.
08:42Are you sure?
08:43But why keep it a secret?
08:45I just want people to focus on the story itself.
08:49Got it.
08:49Your secret's safe with me.
08:53Oh my God.
08:57Jeff.
08:58It's a bit weird.
08:59Ever since news got out about our movie,
09:03my phone has not stopped ringing.
09:05Really?
09:12It's Stephanie.
09:16Yeah, just take it.
09:21Hello?
09:22Hello, Miss Wong.
09:24I've heard Liar's Game is being made into a movie.
09:26I'm interested in playing the lead.
09:27Can we arrange an audition?
09:32I'll speak to the writer and I'll let you know.
09:35Thank you, Miss Wong.
09:38What do you think?
09:41Anyone can audition, right?
09:43As long as they're right for the role.
09:46What happened between me and Stephanie is not important here, so...
09:49Okay.
09:52I'll call her back and let her know.
09:54Mm-hmm.
09:57What about me?
10:07Can I be your hero?
10:13Oh, you mean, uh...
10:15A film, right?
10:17I've...
10:18I've never considered anyone else.
10:20I have to take this.
10:25Hi.
10:30You know, I'm not just talking about the film, Dorothy.
10:35It's okay.
10:37I can wait.
10:40I've waited this long.
10:41Well, well, well, look who it is.
10:51Why are you here?
10:53Oh, I see.
10:54You're the production assistant.
10:57Well, do your job.
10:59Get me a water.
11:02Stephanie.
11:02Get your own water.
11:05I'm not your PA.
11:07Look.
11:08It's my first day on set,
11:10and I want to buy coffee for the crew.
11:12Why don't you be a doll
11:14and mark down everyone's order?
11:16Are you deaf?
11:17I'm not a PA.
11:20Here's your tip.
11:22Go on.
11:23Show some respect, Stephanie.
11:25Do you know who she is?
11:27What were you doing?
11:31Oh, no.
11:32She can't know I'm askew.
11:37I want to keep my identity as the writer a secret.
11:40I don't want anyone to know,
11:42especially not the team.
11:47What do you mean?
11:49Who is she?
11:52No one but a lower PA, I'm sure.
11:57Isn't that right?
11:59Well, actually, she's...
12:01She's just a PA.
12:05You're right.
12:08So why don't you show me a lower PA?
12:11Your acting skills.
12:13Maybe I'll be impressed even by who the girl is myself.
12:16Watch this.
12:22I loved you once.
12:25Or so I thought.
12:27But now I see that it was all just a lie.
12:31A beautiful...
12:34Painful lie.
12:40You took everything from me.
12:43My dreams.
12:46My future.
12:50See?
12:51There's no soul.
12:53That's not acting.
12:54It's just...
12:55reciting lines.
12:58Why don't you show her how it's done?
12:59What?
13:01Go on.
13:05Go on.
13:06Go on.
13:06I loved you once.
13:28So I thought.
13:29So I thought.
13:33But now I can see.
13:35It was all a lie.
13:37A beautiful, painful lie.
13:40You took everything from me.
13:41You took everything from me.
13:47My heart.
13:49My dreams.
13:51My future.
13:54And for what?
13:56For your own personal gains.
13:59How is that possible?
14:12Dorothy.
14:13That was perfect.
14:15The role is yours if you want it.
14:18No!
14:20This role is mine!
14:21Behind the wall with the investment.
14:24Without me, there's no funding for this movie.
14:26Your investment?
14:27Do you even know who she is?
14:30Who is she?
14:36Who is she?
14:37As you know, no one but a PA.
14:41Dorothy.
14:42This movie is important to Stephanie.
14:44I mean, why are you here?
14:45You're not a real actress.
14:46What are you doing?
14:47You're trying to ruin her career.
14:48You're trying to get back at me by ruining her career.
14:50I'm not ruining anything.
14:52If she can't handle the role, that's on her, not me.
14:56You can't blame this on anyone else.
14:58You embarrassed her in front of everyone.
15:00I mean, I know what you're doing.
15:02You're the one pulling all the strings here.
15:04You're trying to make her fail so you can take her place.
15:06She's using this whole thing to get to you, Drake.
15:09She's been jealous from the start.
15:10Trying to ruin my chances to get back to you.
15:13Okay, no.
15:14I don't want to fight anymore.
15:15Well, I'll just take a look at the script
15:16and maybe we can work something out.
15:20And you are just so damn selfish.
15:23You only care about yourself.
15:25Just give Stephanie her role back.
15:27You know what?
15:30I didn't want to do this.
15:32But I will.
15:33I'll take the role.
15:35I'll play the lead.
15:39I'll play the lead.
15:41No way.
15:41You can't be serious.
15:42She's not even a real actress.
15:47Dorothy's performance was far stronger than yours.
15:49Because everyone in the room can see it.
15:54I'm so glad you've agreed to do the role.
15:58Right.
15:58It's settled then.
16:00The lead roles go to Christopher and Dorothy.
16:04I will double my investment
16:06if you give Stephanie a role.
16:09You two are just such...
16:18Okay, look.
16:34If the money's on the table,
16:37there's no reason to turn it down.
16:38Let's just give her a part.
16:41We have nothing to lose.
16:42I guess that'll be fine.
16:45I'll talk to SQ.
16:47You're father's production company
16:54is already the biggest investor in your movie.
16:56So why take Drake's money?
16:57You don't...
16:58You don't still have feelings for Drake, do you?
17:01No.
17:02He's an asshole.
17:05Come on.
17:05I've got an idea.
17:09Why don't we just give her a character
17:11that'll make her miserable?
17:15Wow, Mr. Sontaro.
17:17I feel bad now.
17:18I only wish you didn't have feelings for Drake anymore.
17:29How did she land herself the role?
17:31She's practically a nobody.
17:33The fan base, the real experience.
17:35Just one good scene.
17:37It doesn't make sense.
17:41Find out everything you can about Dorothy.
17:43I want all the dirt.
17:48Director, there must be a mistake.
17:54I'm only a side character
17:55and not even in the main scene.
17:57You wanted a role, we gave you a role.
18:00I came in with an investment.
18:04You're more than welcome
18:05to take it back and leave the set.
18:09Even a small role in SQ's film
18:11is going to do great things for your career.
18:12Now is not the time for you to be messing around.
18:17Fine.
18:18Two, take one.
18:25Action.
18:27Lily, you are my best friend.
18:28How could you do this to me?
18:29I'm sorry, but this is...
18:31What the hell are you doing?
18:35It's part of the scene!
18:41Okay, take it again from the slap.
18:43Action.
18:44Oh!
18:49Cut!
18:50Stephanie, why aren't you saying your lines?
18:53You have to keep going in the scene.
18:54I think you've had enough for today.
18:58We'll just try again tomorrow.
18:59Did you see her face?
19:09Absolute gold.
19:11I mean, she got what she wanted.
19:12She asks for a role and that's what we gave her, so...
19:15Seriously, her performance is all over the place.
19:19Maybe we should just...
19:20cut down on her screen time.
19:22And we all know the film's better without her slowing us down.
19:27You're right.
19:29I'm not going to let anyone ruin your story.
19:31So, if you can just give me something that's a bit more...
19:40What's going on with my scenes?
19:49Why have so many of them been cut?
19:52It's a collective decision.
19:55Fuck that.
19:56Let me talk to the writer.
19:58The writer is SQ and as you know, they never show their face, so their decision is final.
20:05I'll see you on set in five.
20:10Oh!
20:11Now it all makes sense.
20:27Now it all makes sense.
20:29That's the head of the production company.
20:32No wonder she got the role.
20:34Let's see how John's wife feels about that.
20:41Everyone, I have an announcement to make.
20:49Today will be Stephanie's last day on set.
20:56You really think I don't see through your little games?
20:59Somebody will be walking out that door today.
21:01But it won't be me.
21:04You really think you can get away with this?
21:07Sleeping your way up?
21:11John's wife is on her way.
21:14Let's see how you talk your way out of this one.
21:16Slut.
21:21That's enough!
21:25So were you the one who was stalking and secretly taking photos?
21:29What?
21:30Scared the truth is going to come out?
21:32Someone had to expose her for who she really is.
21:35So you admitted.
21:37You did it.
21:38Damn right I did.
21:39And I'd do it again if I had to.
21:43You don't know who you just crossed!
21:45Oh I know.
21:47Just some rich old bastard throwing a tantrum.
21:50I sent those photos to your wife too.
21:52And now your mistress is about to be exposed.
21:56Yeah.
21:57Security.
21:59Stephanie is banned from the studio.
22:01Make sure she never sets foot here again.
22:03You can't just do that.
22:05Oh this is insane.
22:06Well I have rights.
22:07I would only tell you the truth.
22:09She is a mistress.
22:10A loose woman.
22:11A lady of the night.
22:12Is it true that Dorothea is John's sugar baby?
22:23Otherwise why would he come onto the set and get me banned from the movie?
22:26That's unbelievable.
22:28And he humiliated me.
22:30He had me dragged off the set like a criminal.
22:32You should have seen it.
22:33I'm not going to let her just ruin her reputation like this.
22:38I mean this whole mess is making us look like fools.
22:42Dorothy's always been trouble.
22:44I mean first she goes off with a married man and now this.
22:48I don't know how you put up with her for three years.
22:51You should have got a divorce earlier.
22:55Stephanie are you 100% sure that Dorothy is John's sugar baby?
22:59It's the only explanation.
23:01She's clearly nothing but a slut.
23:05Drake.
23:06Stephanie is your sister-in-law.
23:09Now you need to take care of her and forget about Dorothy.
23:13Can't you see she's the one behind all of this?
23:15She was sleeping her way to the top.
23:19Killing Stephanie's unborn child.
23:22And John dragging her off the set.
23:24You should be sticking up for Stephanie.
23:29I'm not going to let her do this to you.
23:46Do you think you can just walk away from what you did like nothing happened?
23:49I didn't walk away from anything.
23:51You did.
23:52You chose Stephanie over me.
23:54Remember this one?
23:55She's my sister-in-law.
23:56I'm so sick of hearing this.
23:59You have feelings for her and I'm just tired of it.
24:02You're out of your mind if you think I'm going to let you get away with this.
24:06You do what you want to do.
24:08For now, get out.
24:11Why?
24:17We were married for three years.
24:19We never...
24:20Oh, you damn fucking might let go of it.
24:22No wonder you want me to go.
24:35Just look at yourself.
24:37You're not half the man Christopher is.
24:40Get out.
24:42Or I won't call the cops.
24:44Just...
24:44Just go!
24:54Are you okay?
25:00Dorothy?
25:01Yeah?
25:02Remember, safety first.
25:05The lifeguard's right there if you need him.
25:07Okay.
25:07Okay.
25:07Anything you need, let the AD know.
25:12Okay.
25:12Got it.
25:13Got it.
25:14Yeah?
25:22Here's a coffee for you.
25:23Thank you.
25:24It's still early before the shoot.
25:26Take your time.
25:26Take your time.
25:27Take your time.
25:28Take your time.
25:28Take your time.
25:29Take your time.
25:29Take your time.
25:29Take your time.
25:30Take your time.
25:30Take your time.
25:31Take your time.
25:32Take your time.
25:32Take your time.
25:33Take your time.
25:33Take your time.
25:33Take your time.
25:34Take your time.
25:35Take your time.
25:36Take your time.
25:37Take your time.
25:38Take your time.
25:39Take your time.
25:40Take your time.
25:41Take your time.
25:42Take your time.
25:43Take your time.
25:44Take your time.
25:45Take your time.
25:46Take your time.
25:47Take your time.
25:48Take your time.
25:49Take your time.
25:51Take your time.
25:52Take your time.
25:53Take your time.
25:54Take your time.
25:55Take your time.
25:56¡Suscríbete al canal!
26:26¡Suscríbete al canal!
26:56¡Suscríbete al canal!
27:26¿Por qué hiciste eso?
27:37¿Puedo hacer nada para ti, Dorothy?
27:43Cristopher ha ido todo sin hesitario.
27:46¿Cómo podría haber sido tan blindado?
27:56¿Por qué?
28:26No, no, no, no, no, no.
28:56Whatever happened between us is in the past, but I have no one now.
29:01No husband. No baby.
29:05I have left a slew.
29:09Don't you see through Dorothy yet?
29:11She's nothing but a slump, sleeping her way to the top.
29:13You don't know that.
29:16You know I'm right!
29:18What else would John come onto the set and stand up for her?
29:21Not just John, but Christopher too!
29:23She's sleeping around with anyone she can find.
29:25She's a whore!
29:26You want war?
29:39I'll give you war.
29:43Do it.
29:45And make sure Dorothy feels every bit.
29:49Breaking news.
29:54Unknown actress seduces Hollywood heartthrob.
29:57Rising star or opportunist?
29:59Actress Dorothy's shocking affair with Christopher.
30:02Christopher's new flame for a heartless gold digger.
30:05Dorothy!
30:06Liar!
30:07Hey, bitch!
30:08This is getting out of hand.
30:13Maybe we should just reveal her real identity.
30:16Let everyone know she's not just some random actress.
30:22Christopher, no.
30:24Dorothy, once we tell them who you are, there's no reason for them to attack you.
30:27There's someone behind this.
30:29And whoever they are, I'll make them hate you.
30:38Fuck off.
30:39This can't be right.
30:51I die in the second scene.
30:54This must be Dorothy and John forcing S.Q. to cut me out.
30:58They won't get away with this.
30:59Trey, can you believe this?
31:07They've completely written me out of the script.
31:09Do you remember when Nick was lying in that hospital bed?
31:13You promised him you'd look after me.
31:15I've already lost my husband and my baby.
31:17I can't lose my career too.
31:19Don't worry.
31:21I'll get you your character back.
31:29There's a tape of a documentary that apparently S.Q. has always wanted.
31:43So, we win this bid and we gift it to them.
31:46Should be able to get you your rollback.
31:51Up next, a rare gem.
31:54The original film documentary chronicling the creative journey
31:58of none other than herself, legendary screenwriter Margaret Lane.
32:03$50,000.
32:05What's she doing here?
32:08I don't know.
32:10I'm not going to let her win this.
32:12$60,000.
32:17$70,000.
32:21$100,000.
32:25This is my grandmother's documentary.
32:26It's her legacy.
32:29She's the one who inspired me to become a screenwriter.
32:32I can't let her fall into the wrong hands.
32:36$500,000.
32:46$500,000.
32:50I'm trying to get you your rollback.
32:52Don't worry.
32:53I've got it covered.
32:54Ladies and gentlemen,
32:57we are down to the final bid.
32:59Standing at a whopping $500,000.
33:02$500,000 going once.
33:06$500,000 going twice.
33:09Salt.
33:10To the lady in the blue dress.
33:11I can't believe this.
33:21You have no right to take that film reel with you.
33:28You have no right to take that film reel with you.
33:34What's going on?
33:35Ladies and gentlemen,
33:42I've just been informed.
33:44Miss Dorothy is in fact not an invited guest.
33:48Therefore,
33:48as per our rules,
33:51this documentary reel will not be released to Miss Dorothy.
33:54This is ridiculous.
33:56I was invited.
33:57Well,
33:57in that case,
33:58may I see your invitation?
34:01I did have it.
34:07I swear.
34:07I'm sorry,
34:08Miss Dorothy.
34:09If you do not have the invitation at hand,
34:11the documentary reel has to go to the second highest bidder.
34:14This is the protocol.
34:15I don't understand.
34:16I'm sorry.
34:17I'm sorry.
34:37These are the rules.
34:38The documentary reel will go to the honourable couple.
34:41I'm sorry.
34:43I'm sorry.
34:47Thank you.
35:00Stephanie,
35:01wait.
35:02Just sell it to me.
35:05Name your price.
35:06I'll pay you anything you want.
35:07It's really important to me,
35:08please.
35:09Why are you doing this?
35:11Are you just trying to get my attention
35:13by going after something that Stephanie wants?
35:16No,
35:16you don't understand.
35:17Just let me buy this.
35:20Whatever it takes.
35:23Dorothy.
35:24You think this is about money?
35:26Please.
35:27This isn't something you can just buy.
35:30Dorothy,
35:31what the hell are you doing?
35:33Why do you always have to go against her like that?
35:34This reel is important to Stephanie.
35:36She can use this to help her career.
35:39Her career?
35:41Is this about your role being cut from the head?
35:45Is that why you're doing this?
35:47I'm the writer.
35:49I'm going to fix this.
35:52Then you write the story and bring your character back.
35:54Just...
35:55Just let me have the real place.
35:58You're the writer.
36:00Are you telling me that you're SQ?
36:02You.
36:03The writer SQ.
36:07Can you give us a break?
36:09Look.
36:10This reel is important to Stephanie.
36:13End it.
36:14Don't make this harder than it has to be.
36:17You've been with Dorothy for so long
36:19and you don't even know her.
36:20Oh, and you do.
36:21A hell of a lot more than you.
36:23Who the fuck do you think you are?
36:24Both of you, calm down.
36:25Scratched all over.
36:40It's ruined.
36:41Not even fit to be a gift anymore.
36:43I can fix this.
36:45Stephanie, I know someone who can restore it.
36:47Just sell it to me, please.
36:48Just name your price.
36:49Even if I had no use for it,
36:54I'd never give it to you.
36:55No!
36:58No!
36:58I want to be a writer like you, Grandma.
37:25I want to make movies like you do.
37:29This reel has more than pictures and sound on it.
37:34Really?
37:35An entire world I've captured.
37:38But it's just one way of seeing things.
37:41The magic is creating it yourself.
37:44Someday you will.
37:56Dorothy.
37:58I need you to go apologize to Stephanie
38:00and give her her rollback.
38:03Apologize?
38:04To her?
38:05She destroyed the reel.
38:06She wouldn't have done that
38:07if you hadn't pushed her.
38:13So go apologize or I'm pulling my funding.
38:15Look, Dorothy.
38:18Let's be real here.
38:21Without Stephanie,
38:22Barry's gonna invest.
38:24Even the production company will call out
38:26if they hear that she's not involved anymore.
38:27Her name carries weight.
38:29Let's not pretend that your reputation
38:31is exactly stellar right now.
38:32Christopher's fans hate you.
38:35Stephanie's fans hate you.
38:37Even if you actually make this film,
38:39no one's gonna support you.
38:41You will be buried.
38:42If you apologize to Stephanie even now,
38:46I can help you.
38:49I can control the press.
38:52I can control the narrative.
38:54I can actually give you a chance.
38:55What's so funny?
39:01What's so funny?
39:03Pull your funding.
39:05Do it.
39:06You'll see it does nothing for the movie.
39:08Okay.
39:10So what if I tell the production head
39:11to pull his funding too?
39:13Didn't I tell you that I know Mr. Bennett?
39:15Oh.
39:17Go ahead.
39:18Quiet.
39:19You want me to call?
39:21Mm-hmm.
39:22Fine.
39:25Hi, Mr. Bennett.
39:28It's Drake.
39:29Drake Mossbatcher.
39:31Yeah, I'm pulling my funding from Liars Game
39:32and I suggest that you do the same thing.
39:34I've seen it and it's a sinking ship.
39:38You're pulling up?
39:39Great.
39:40I'll take full control of the investment.
39:42Not a problem.
39:49So you slept with him.
39:53That's why he's supporting you, isn't it?
39:55Is this how you see me?
39:59The type of woman who would use her body
40:00to get what she wants?
40:01What other explanation do you have?
40:04You know nothing about Dorothy.
40:10Apologize to Stephanie,
40:11cut ties with Mr. Bennett,
40:12and end this.
40:13Dorothy, come back to me.
40:14Whatever he's offering you,
40:15I'll match it.
40:16I'll double it.
40:17You must be out of your fucking mind.
40:20What makes you think
40:21I would ever go back
40:23to that living hell?
40:24Living hell.
40:25You heard me.
40:26Being married to you
40:27was a fucking nightmare.
40:30You made me believe
40:31you loved me.
40:33And then you had me waiting in vain
40:35for three years, Drake.
40:37You said you'd always protect me,
40:39but then when I needed you the most,
40:42you just turned your back on me.
40:44You chose your sister-in-law
40:45over your wife.
40:50I've had enough, Drake.
40:51You were my prison.
40:53So just go back
40:54to your precious Stephanie.
41:00Let's just go.
41:01Why are you hurt?
41:12Are you okay?
41:19What are you doing?
41:20What are you doing?
41:21Well, you want me, don't you?
41:22Just kiss me.
41:23I'm all yours.
41:24Steph!
41:25You're Nick's wife.
41:26I've always thought of you
41:27like a sister.
41:29Sister?
41:31Funny.
41:32Don't you remember
41:33when you came to me
41:33the night Nick and I got married?
41:35Don't you remember
41:35what you said?
41:38Remember this?
41:39Yeah.
41:40Why not marry Stephanie?
41:42God.
41:43You were practically
41:43begging me not to marry Nick.
41:45No, I shouldn't have said that.
41:46I shouldn't have said that.
41:47I don't see that.
41:50What's that?
41:52Oh, it's nothing.
41:53What is that?
41:53No, Drake, no.
41:54Please.
41:56You lied about this.
42:02You lied about this.
42:06You said that Dorothy
42:07pushed you into the water,
42:08but this shows you
42:09shoving her in.
42:11It's a glitch.
42:12A glitch.
42:14So, do you actually
42:15expect me to believe that?
42:17What's this?
42:20Buying pills off
42:20the black market.
42:23Terminate your pregnancy.
42:25It's me.
42:26This time when you blamed Dorothy
42:27like some sort of scapegoat
42:29and she was innocent
42:29the whole time.
42:31Please, no.
42:31You have to believe me.
42:33I didn't...
42:33Do you know what?
42:34I've always thought of you
42:35like a sister.
42:36I've always taken care of you.
42:38I even thought that I loved you once,
42:39but that was before
42:39you were Nick's wife.
42:43You changed.
42:47You changed.
42:48You're not the person
42:50I thought you were.
42:53I only looked after you
42:54because I thought it was my duty
42:55as Nick's brother
42:56to look after his widow.
42:59I guess there's no need
43:00to look after you anymore, eh?
43:02What does that mean?
43:04You're just going to
43:05throw me away?
43:06I'm not going to throw you away,
43:07but this is my house.
43:11Oh, no, back.
43:12I hope you'll be gone.
43:13But you can't just
43:15walk away from me like that.
43:16I've said everything
43:17that I need to say.
43:18Now I'm going to go find
43:19the person that I actually
43:20care about.
43:25Oh, no, right.
43:26This is all your fault.
43:32Let's take this bitch down.
43:43Don't I say please?
43:51No.
43:53I was wrong.
43:56I misunderstood everything
43:58about you and about us.
44:03Can you please just hear me out?
44:05You think you can just
44:06come here and apologise?
44:09After everything?
44:10I didn't mean to hurt you.
44:13Look, I understand
44:14what I did,
44:14but it was just because
44:15it was definitely
44:15an anyone.
44:17Can you please just forgive me?
44:20I don't need
44:20your apology, Drake.
44:22You let me down.
44:24You abandoned me.
44:26And I needed you the most.
44:29You used me.
44:31Manipulated me.
44:31And now you beg
44:33for my forgiveness?
44:34Oh, God, please
44:35just don't show me out.
44:37I can fix this.
44:38I can fix it.
44:39I can do anything
44:40or anything, please.
44:42No.
44:43You were never
44:45the person
44:45I thought you were.
44:47And I'm not either.
44:49I've moved on.
44:52I don't need you.
44:57Not like I used to.
44:59Just stay back.
45:01After everything.
45:02Yeah, that's it.
45:03I just have better than this.
45:17Before you all celebrate this movie,
45:45there's something you should know.
45:48Dorothy is nothing but a homewrecker.
45:51What's going on?
45:53A glorified mistress
45:54who's been playing the part
45:55of a wonderful actress
45:56when all she's really done
45:58is ruin lives.
45:59This is true, Dorothy.
46:03Are you involved with a married man?
46:04What's your response
46:05to Stephanie's claim?
46:09This is ridiculous.
46:11Let's talk about
46:12how she got here.
46:14Shall we?
46:15She didn't get here
46:16off her talent.
46:17Oh, no.
46:18She got here
46:18by clinging
46:19to powerful men.
46:21No real experience.
46:23No skill.
46:24Just a man's name
46:25and a man's money.
46:27Security!
46:28Get her out of here.
46:29Wait.
46:30If she has something to say,
46:32let's hear it.
46:33Dorothy,
46:34it's a trap.
46:35I'm not afraid of the truth.
46:37Let's see what she's got.
46:42What's going on?
46:44So tell us, Dorothy.
46:46How did you get here?
46:48Did you use your relationship
46:49with John Bennett
46:50to land the part?
46:51A homework, are you saying?
47:09Is there something wrong
47:10with me appearing
47:11with my own dad?
47:13You're the one
47:13who sent me this photo, right?
47:15How about you take another one?
47:17This time,
47:17of my lovely family of three.
47:20Dorothy, Dorothy, Dorothy.
47:21Are you really
47:22John Bennett's daughter?
47:23Yes.
47:24I bet you never ask
47:25for a last name.
47:26It's Bennett,
47:27either way.
47:29So, Dorothy
47:30is the producer's daughter.
47:33Dorothy,
47:34so,
47:34did you use your father
47:35to get the part?
47:36Ha!
47:37So, it's just nepotism,
47:39then.
47:44Well, even if she didn't
47:45fuck her way to the top,
47:46she still only got here
47:47through her connections.
47:48Whether you like it or not,
47:49my performance
47:50speaks for itself.
47:50And everyone here
47:52saw it.
47:53She was actually really good.
47:54Yeah, she handled the movies.
47:56Oh, are you saying
47:57that everyone here is wrong?
47:58You think you're so clever,
48:00don't you?
48:02Fine.
48:02You can act,
48:03a little bit.
48:04But let's be real,
48:06you didn't land this role
48:07on your own.
48:07You just snapped
48:08your bony little fingers
48:10and let Daddy
48:10give you a role.
48:11How else
48:12would a nobody like you
48:13have landed yourself
48:14the lead otherwise?
48:15Dorothy isn't just a nobody.
48:20She wrote Liar's Game.
48:23She is SQ.
48:28Dorothy is SQ.
48:30How can that be possible?
48:32Liar's Game is a masterpiece.
48:34There's no way
48:34you could have written it.
48:35You don't have to believe me.
48:37Just let the credits
48:38speak for itself.
48:39How can this be true?
48:46Oh, no.
48:47It's so bad.
48:50Dorothy Bennett,
48:51you're the daughter
48:51of the producer
48:52and the famous writer SQ.
48:54Why did you keep
48:54your identity a secret
48:55so long?
48:59Why did you keep
48:59your identity a secret
49:00so long?
49:01Stephanie Marsbecker,
49:02Linda Marsbecker
49:03and Ellie Marsbecker,
49:04I'm arresting you
49:05on a suspicion of defamation.
49:06No, no, no, no.
49:07I didn't do anything wrong.
49:08This is what Stephanie said.
49:09My dear, I didn't do anything.
49:17This whole time
49:18she was actually
49:19telling the truth.
49:21Dorothy's SQ.
49:24She's genius.
49:26That's why
49:27she always had a book
49:28in her hand.
49:30Always writing
49:31something on her laptop
49:33always lost in her thoughts.
49:36Didn't even see her.
49:39I guess I was blind
49:41all along.
49:43I don't deserve that.
49:45I've missed this place.
50:04Don't you remember?
50:07Of course I do.
50:10We saw so many films here.
50:12We would just
50:13stay in our seats
50:14and talk
50:16about life
50:17and everything.
50:20But you just made me feel
50:20like I could face
50:21more about anything, really.
50:27God, I used to be so nervous
50:28back then
50:29about everything
50:30about everything
50:30about the future.
50:34But you just made me feel
50:35like I could face
50:36more about anything, really.
50:39No.
50:41Someone had to be there
50:42to make sure you didn't
50:42overthink everything.
50:44I remember you used to
50:45unpick every little detail
50:47like it was a life or death
50:48situation.
50:48Oh.
50:49You know, Dorothy.
50:57Life's not been the same
50:58without you.
51:02Even when we parted ways,
51:03I...
51:03I always knew that we would
51:06find each other again.
51:10I don't care what we've
51:11been through.
51:13I don't care what's happened.
51:14All I know
51:15is that I need you now
51:18more than ever.
51:35And the award
51:36for Best Adapted Screenplay
51:38goes to
51:39Dorothy Bennett
51:41with Liar's Game.
51:44Wow.
51:47Best screenplay.
51:49What, shall I start
51:50calling you
51:50Your Majesty?
51:51I think that's a great idea.
51:54Why don't I start now?
51:56You deserve this.
51:58Your Majesty.
52:00Every bit of it.
52:02Now,
52:04since you won,
52:05I think this calls
52:06for a reward.
52:08Oh, yeah?
52:11And what would that be?
52:14Me?
52:15Me?
52:15Me?
52:15Me?
52:15Me?
52:15Me?
52:16Me?
52:16Me?
52:16Me?
52:16Me?
52:17Me?
52:17Me?
52:17Me?
52:18Me?
52:18Me?
52:19Me?
52:19Me?
52:19Me?
52:20Me?
52:20Me?
52:20Me?
52:20Me?
52:21Me?
52:21Me?
52:22Me?
52:23Me?
52:23Me?
52:24Me?
52:24Me?
52:25Me?
52:27Me?
52:27Me?
52:28Me?
52:28Me?
52:29Me?
52:29Me?
52:30Me?
52:31Me?
52:32Me?
52:32Me?
52:33Me?
52:33Me?
52:34Me?
52:35Me?
52:36Me?
52:36Me?
52:37Me?
52:38Me?
52:39Me?
52:40Me?
52:41Me?
52:42Me?
52:43Me? Me?
52:44Me? Me?
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