Experience the thrilling mystery of A Scream in the Night (1935), a classic crime film starring Lon Chaney Jr.. Follow the suspenseful story of a detective who goes undercover to solve a jewel theft at a bustling harbor. This vintage public domain movie is perfect for fans of classic cinema, mystery, and crime stories.
Created, mixed, and mastered by Rizal Indra Putra. Video footage sourced from public domain and free resources.
#ClassicMovie #Mystery #PublicDomain #LonChaneyJr #CrimeFilm #VintageCinema #OldMovies #1930sFilm #Thriller #ClassicMystery
Created, mixed, and mastered by Rizal Indra Putra. Video footage sourced from public domain and free resources.
#ClassicMovie #Mystery #PublicDomain #LonChaneyJr #CrimeFilm #VintageCinema #OldMovies #1930sFilm #Thriller #ClassicMystery
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Short filmTranscript
00:00The End
00:30Let's go, let's go!
01:00Satsang with Mooji
01:30It certainly is a beauty.
01:34The tear of Buddha is one of the finest rubies in the world, Mr. Bentley.
01:37How come this Buddha sheds red tears?
01:40Just to be more exclusive, I suppose?
01:43It is part of an ancient legend.
01:45Well, my firm's going to shed tears when they find out what I paid for it.
01:50I, uh, I think you'll find that about right.
01:55Is that correct?
01:57Quite.
01:58Thank you for your courtesy, Mr. Bentley.
02:00You're welcome.
02:02Oh, uh, just a moment, Namor.
02:07You haven't, uh, mentioned this transaction to anyone else, have you?
02:12I assure you, no one knows of it except ourselves and my client.
02:17Then keep it under your hat.
02:20I should say, under your turban.
02:24Naturally. We'll be discreet, Mr. Bentley.
02:27Good afternoon.
02:29So long.
02:31Come on.
03:01Come on.
03:31Come on.
04:01Well, Edith, what do you have, hmm?
04:04I think I'll have a claret punch.
04:06Claret punch and I'll have a brand-new soda.
04:10Yes, sir.
04:10Well, Chief, it looks as though you're going to have to pay off on our bet after all.
04:23Listen, the bet was that you're going to capture the public nuisance.
04:26You don't think I'm going to pay off if Wu Ting does all the work?
04:29Well, King, eh?
04:31Say, Wu Ting, how about taking me on one of your snooping expeditions?
04:35I'm very sorry, but it would not be wise.
04:38Your presence would create suspicion.
04:41But I'll communicate with you the moment I have definite information.
04:44Edith, are you trying to flush that young man?
04:59Uncle, have you got a pencil?
05:00Yes, sir.
05:04Yes, I am, yes.
05:05Now, my dear, let me...
05:07Do you know that I haven't seen my wife and kids for a year?
05:12Yeah.
05:13When you get home, your youngsters will ask your wife,
05:15who's that strange-looking man?
05:17Well, I wouldn't be a bit surprised.
05:23Peter, will you give this card to that man over there?
05:27The one on the right, too.
05:28With pleasure, madam.
05:33Excuse, please.
05:34Young lady, I'll send you this card.
05:38Where?
05:39Over there.
05:42I see it.
05:43Oh, you'll pardon me, huh?
05:45Go ahead.
05:49Edith, gosh, I'm glad to see you.
05:51Hello, Jack.
05:51How are you?
05:52Oh, what in the world are you doing in this jumping-off place?
05:55Well, my uncle had to come down here in business,
05:57and he brought me with him.
05:58This is my uncle, Mr. Bentley, Mr. Wilson.
06:00Mr. Wilson, how do you do, sir?
06:01Glad to know you.
06:02Would you join us?
06:04What do you have to drink?
06:05Uh, scotch and soda, please, scotch and soda.
06:07Yes, sir.
06:09Hey, this is great.
06:11Are you staying long?
06:13No.
06:14Well, we have to leave the day after tomorrow.
06:16No, I beg your pardon, but I have some letters I'd like to get off.
06:19I hope you two can struggle along without me.
06:22Glad to meet you, guys.
06:23We'll do the best we can, aren't we?
06:25Bye-bye.
06:26Bye, darling.
06:28Now, tell me all about yourself.
06:30How long have you been here?
06:31What are you doing?
06:32Right now, I'm looking at you.
06:34Do you mind?
06:36Stop being a fool.
06:37Why, I've always been a fool about you.
06:40Gee, do you remember the grand times we used to have?
06:43I certainly do.
06:45Remember the Halloween party that you went dressed as Juliet?
06:48Oh, yes, and you went dressed as...
06:50Say, what did you go dressed as?
06:52Now, you don't mean to tell me that you can't remember.
06:54No, no, no, no, no, no.
07:22Oh, fuck.
07:24Now you haven't told me what you're doing down here.
07:27Well, if you must know, I'm on a secret mission.
07:29Really?
07:30Yes.
07:31I'm on the trail of the Lost Chord.
07:33You have it?
07:34Say.
07:36That's rather good.
07:38Hear it?
07:40Doesn't seem very funny to me.
07:42Oh.
07:47Honey?
07:50Uncle Joe?
07:54Uncle Joe!
07:56What happened to your key?
07:58Ma'am.
08:03Here, open it.
08:13What happened to Joe?
08:15What's happened to him?
08:17Oh.
08:21It's all right. He's still breathing.
08:23Oh.
08:28Hello. Hello, operator.
08:29Send the house physician up to Mr. Bentley Sweet immediately.
08:33Yes, that's right.
08:35Oh.
08:36Oh, wait a minute.
08:38And if Inspector Green is here, send him up also.
08:41If not, get in touch with him.
08:44Oh, talk to me, Uncle Joe.
08:45Tell me what happened.
08:46Oh.
08:47Oh.
08:48Poor Don.
08:49Oh.
08:50Oh.
08:51Poor Don.
08:59So.
09:00You think Johnny Fly pulled this job, huh?
09:02Unless some other crook is imitating his technique.
09:06You know, we found one of those lavaliers or the mark of it around every victim's neck.
09:10That's right.
09:11And to think that I was standing on the other side of that door.
09:14What else did he get?
09:15Well, according to Mr. Bentley, about 200 pounds in money and some unset diamonds.
09:25Diamonds?
09:26Sure.
09:27Mr. Bentley is a representative of a large firm of jewelers in New York.
09:31The pawn shops will probably give us a lead.
09:35How is he, Doctor?
09:36He is conscious.
09:37You may question him if you like, but please make it as brief as possible.
09:42We will.
09:45I'm sorry to trouble you right now, sir, but I'm afraid it's necessary.
09:49This is my chief, Inspector Green.
09:51I need you, sir.
09:53Did you get a look at this man?
09:56No, he jumped me from behind.
10:00I have an idea that he's the fellow that Wilson and I have chased across the Orient.
10:04He's a mighty smooth customer, but this time we've got him cornered.
10:10Now, if you give me a description of those diamonds...
10:15My niece will give you a list.
10:18I'm not so much concerned about the present loss as I am about what the thief did not find.
10:26I have an idea that the thief was not after the jewels, Inspector.
10:31Let me explain.
10:32You see, this afternoon my uncle bought a very valuable stone.
10:36A ruby.
10:37Perhaps you've heard of it.
10:38It's called the Tear of Buddha.
10:40You mean that stone that belongs to some broken-down Roger?
10:43Why, that thing must be worth $200,000.
10:48No wonder Johnny Fly was on the job.
10:51And, of course, it was too late to take it to the bank.
10:53And Uncle thought someone might possibly know of his little business transaction,
10:56so he thought it would be better if I kept it.
10:58Do you mean to tell me you've been carrying that valuable stone around on your person all day?
11:02Mm-hmm.
11:03A gentleman, I have never reason to believe that the thief is after the ruby.
11:08And that he will make a second attempt.
11:11Perhaps you better put it in the hotel safe until morning.
11:15Inspector, have you ever taken a good look at that hotel safe?
11:18Why, if anyone even sneezed in this immediate vicinity, it would collapse.
11:21She's right, Chief.
11:23We'd better post a guard around this suite,
11:25in case Johnny Fly decides to play a return date.
11:28They won't trouble you anymore tonight.
11:32Jack.
11:35You better stay here till the men arrive.
11:37Right.
11:38Ver executed when we hit the country.
11:39Long.
11:40Long.
11:41Long.
11:42Cause someone wants to look peaceful in this journey.
11:44Wow!
11:46Long.
11:52Long.
11:54Long.
11:56Long.
11:57Long.
11:59Long.
12:01Long.
12:03Oh, that one.
12:33Oh, it does too bad.
12:35Why don't you make it this way?
12:36Come on, never let's go.
12:37Bring him up, Johnny.
12:38There you go.
12:39Ah, that one.
12:41Here we go.
12:42Are you ready?
12:43Back me up, big boy.
12:44Yeah, yeah, yeah.
12:55Oh, atta boy.
12:58Get him.
12:58Do as good as mine.
13:03There you go.
13:13Oh,bed história!
13:18Oh, use your night.
13:20Use your night!
13:21That a boy!
13:28That a boy!
13:29Moment about it.
13:32Come on now, get your eye right. You can do it. I know it.
13:47Mr. Bush, I knew you were going to win. And you, some man.
14:02Oh, Johnny, they are so creepy.
14:22They are nothing. You can have them.
14:26Oh, Johnny, you're so sweet to me.
14:32Johnny's pretty good to you, huh?
15:00you couldn't find one a little bit smaller maybe I will sometime
15:30car
15:33car
15:36car
15:42car
15:45car
15:47car
15:50car
15:54car
15:56you know that's what i always say is that the customer is always right give them the right
16:13change no crooked stuff and no rough stuff never hey what do you have to drink
16:25you don't speak english thank you
16:32what do you have whiskey john cream whiskey very nice very cheap
16:39very good sir oh me that is solid excuse please
16:49what do you want oh me just money blink you can do please
16:54sure can do what kind of drink you want whiskey please
17:01uh you bossy man here yeah that's right oh maybe you do me honor have link with me
17:11that's all right police at hotel try and find out what the plans are go on
17:24police police everywhere outside the door of their suite beneath their window sleeping with them for
17:35all i know good johnny what do you wouldn't think of a way you know you're the smartest crook in all
17:44the world you have told me so yourself
17:48the crook yes but a magician
17:56no
17:57no
18:06no
18:06oh sugar i am so sorry really
18:11no
18:13oh really stupid
18:18c'est toujours la même histoire j'en suis fatigué
18:20premier mois c'est les diamants après ça c'est l'argent mais qu'est-ce que c'est que c'est
18:23that
18:40A stranger.
18:42He just entered dressed like a peddler.
18:46Maybe it is the police.
18:50All right. Go back to your post.
18:53About him. About him.
18:56Maybe they follow you here, hmm, Johnny?
19:00Maybe. But I don't think so.
19:03Maybe they are watching every place in town.
19:06Wait here.
19:22Hey!
19:23Why did I never see you around here before?
19:27Oh, me come to the boat yesterday.
19:36Oh, no wonder you're thirsty. Hey! Leave the whiskey here.
19:42No.
19:43No.
19:44No.
19:45No.
19:46No.
19:47No.
19:48No.
19:49No.
19:50No.
19:51No.
19:52No.
19:53No.
19:54No.
19:55No.
19:56No.
19:57No.
19:58No.
19:59No.
20:00No.
20:01No.
20:02No.
20:03No.
20:04No.
20:05No.
20:06No.
20:11No.
20:13No.
20:15No.
20:16No.
20:17No.
20:18No.
20:19ונה.
20:27No.
20:29No.
20:30No.
20:31No.
20:32room. It's safe for you to wait here for him. Come on. Sit down. Sit down. You're not afraid of Johnny, I hope. No, I ain't afraid of nobody.
21:02Hello, Johnny. I was just... Someday, my friend, I might have to make you a present of the necktie, huh? No, no, no, Johnny. You got me wrong. Why, I didn't mean nothing. I was just gonna... Getting a cinder of rye, I suppose. Yeah, yeah, sure. That's it. Did I get it? Very thoughtful. Very.
21:24Oh, now, listen, Johnny. Just a minute. How about that hotel job? Any luck? No. What, I'm talking downstairs about this guy being robbed? Are you suggesting that I'm holding out on you? Oh, no, Johnny. But how about my cut? Well, this is all I got, understand?
21:42How about the ruby? How do I know? Maybe he swallowed it. Maybe... Yeah. The girl. I wouldn't be surprised. What girl? Never mind what girl. Didn't I tell you to let me know if any strangers are dropped in? Sure. There ain't any. That's just a regular crowd down there. Yeah? What about the Chinese peddler?
22:12That was standing at the bar a few minutes ago. Oh, that cheek's all right. Is that so? Sure, he told me so. Tell me. Have you ever been shot in the head? No. I... I've been knifed, though. Oh. I thought possibly somebody had blown your brains out. Wait a minute. Listen, you ape. Your harmless Chinese peddler was having tea this afternoon at the hotel with the two American detectives.
22:40Oh. So the dirty little rat lied to me then, huh? Well, I suppose you know what to do with liars. Sure I do. Get busy. It'll be a pleasure.
22:54All right. All right. All right. Break it up.
23:14It's Wu-Ting.
23:15Never mind. Never mind. Never mind.
23:43What is it? I don't know. The Wu-Ting was trying to tell us something.
24:13Come in.
24:21Good morning.
24:23Good morning, darling.
24:26How do you feel?
24:26All right.
24:28In fact, I think I'll get out of here a little while.
24:30No, you're not going to get out.
24:31You're going to stay right here till I get back.
24:33I won't be very long.
24:34Huh?
24:35Is Jack going to the bank with you today?
24:37No.
24:37No, he couldn't come.
24:39He sent over a very nice young man to play bodyguard.
24:42Oh, I see.
24:44You'll be careful now, now.
24:45Won't you?
24:46Of course I will, darling.
24:47Now, don't you worry.
24:48I'll be back in about half an hour.
24:49All right.
24:50Well, you run along.
24:51Come on.
24:52There.
24:53I'll be good.
24:55In.
24:55I'm sorry to keep you waiting.
25:04He's quite all right, Miss Bentley.
25:05I'm sorry.
25:35I'll be back in about half an hour.
26:05I'll be back in about half an hour.
26:35I don't know what you're going to do, but I don't know what you're going to do.
27:05You think she is more beautiful than I?
27:14Sure. How did you guess it, my little Moura?
27:18Well, I fixed that. When I get through with her, she will not be so beautiful.
27:24Stop it! Let me go! Let me go! Let me go, I said!
27:30What's up?
27:34Moura and I were just discussing art.
27:39You... you think I'm more beautiful than this one? Don't you, Butch?
27:45Sure! But I ain't had a good look at her yet.
27:50Restrains your effort to make me jealous, my doll. We have business to attend to.
27:59Tell Lindsey to have the junk ready. I'm sailing tonight.
28:04He'll get the rest after we have cleared the harbor.
28:07He gone alone?
28:09No.
28:10What about me?
28:12Don't worry. You'll be taken care of.
28:17I'd better be!
28:19On your way back, stop at Jala's shop.
28:25Who, the moneylender?
28:27Yeah. Tell him I'm ready to talk business. Tell him to come after dark and be sure he hasn't followed.
28:32All right. Okay.
28:33I've got it. It's an eye. A human eye. It's a description of someone.
28:47Johnny Fly.
28:49Johnny Fly.
28:50Well, maybe. But I don't think so.
28:53Wu-Ting was trying to tell us something.
28:56He got a look at the man who knifed him.
28:59Hello. Yes, speaking.
29:05It's Bentley.
29:07What?
29:08Yes, she's been gone nearly two hours.
29:11Yes, and she only went to the bank. It's only ten minutes' ride.
29:20Yes, I suspected that. We'll get on right away. I'll let you know. The girl's gone.
29:29What? What happened?
29:33I don't know exactly. We got separated. Another rickshaw blocked mine.
29:37I find him laying in the alley.
29:40When I clear the crowd, the lady, she disappear. Her rickshaw empty.
29:59Now that you're awake, perhaps you would like some refreshments.
30:23Who are you?
30:24My friend called me Johnny. I trust that you will also.
30:28How'd I get here?
30:30In the basket. Not very roomy, but excellent for the conveyance of, shall we say, contraband?
30:37Let me out of here.
30:39By the way, would you like a cup of tea?
30:42Oh. More, remember. You're the waiter at the hotel.
30:46I feel very flattered. Few people ever notice her waiters. Her faces.
30:52Nobody could ever forget your face.
30:58Is there a vlog?
30:59Why are you talking to her?
31:00I don't know.
31:01Lisa, the lady.
31:02I'm watching her.
31:03If she is the governor.
31:08She is the governor.
31:09I am watching her look and the shots.
31:10That was.
31:11This was a beautiful movie.
31:12She's the governor.
31:13It's the governor.
31:14It's the governor.
31:15Get out of here.
31:16Don't stop.
31:17Come on.
31:18Johnny sent me over to tell you he's ready to talk business.
31:19Johnny sent me over to tell you he's ready to talk business.
31:26When you close up shop, come over to my place by the back way.
31:30And the...
31:32Are you the proprietor?
31:39I'm sorry, but we'll have to check over your stock.
31:42We're looking for some stolen gems.
31:43The city is most welcome to search my place.
31:52Wait a minute.
31:54What's your name?
31:57Frank Curtin.
31:58What are you doing here?
32:01Oh, I just came over to hock my watch.
32:05I see.
32:07What's your business?
32:09I run a grog shop.
32:11Respectable joint, too.
32:12No rough stuff.
32:13I'm sure of that.
32:16How's business, by the way?
32:17Pretty good?
32:19Well, I can't complain.
32:23But you said that you came here to hock your watch.
32:26Strange.
32:33You better come along with me to headquarters.
32:35What for?
32:37Oh, just to continue our little discussion on economics.
32:40Okay.
32:41Take him down to headquarters.
32:45Take him down to headquarters.
32:45Why did you murder Wu Ting?
33:04I tell you, I didn't do it.
33:06You're acting under Johnny Ply's orders, weren't you?
33:09I never heard of him.
33:13I tell you, I didn't have nobody.
33:16Oh.
33:17What makes you think that Wu Ting was knifed?
33:20I didn't mention it.
33:24Smart guy, ain't ya?
33:26Listen, Carton.
33:28Things might go easier with you if you tell me what you know about Johnny Ply.
33:38That's exactly nothing.
33:42Oh, all right.
33:44Take off your clothes.
33:46What's the idea?
33:46Yeah.
33:46Don't worry.
33:55You won't need him.
33:56You're not going anyplace.
33:59Oh, you guys, let me alone.
34:00I ain't done nothing.
34:01Ah!
34:02Ah!
34:02Here is some food.
34:14I hope you choke on it.
34:16But why?
34:18Well, I haven't done anything to you.
34:19Why?
34:21Because you have tried to take my Johnny from me.
34:24That's why.
34:25I don't want your Johnny.
34:27All I want to do is get away from here.
34:29You'll help me, won't you?
34:31Help you?
34:32Oh, before I help you, I...
34:35I tear you in a million pieces.
34:38Like this!
34:40Damn it, you little fool!
34:41Damn it!
34:42Oh, you stop it, boy.
34:44Keep my...
34:45Let go of her.
34:48No.
34:48Let go!
34:50Come on, get out of here.
34:51Get out!
34:57He's still in front of me.
34:59He can't even.
35:00He's a good boy.
35:01He's a good girl.
35:02Please, Miss Bentley.
35:04Forgive this breach of hospitality.
35:06I assure you it won't happen again.
35:09The child is a little jealous.
35:13Go on and talk.
35:15What for?
35:16Oh, I hear your voice.
35:18What do I talk about?
35:21The weather?
35:24No.
35:25Recite me on nursery rhymes, stupid.
35:28I don't know any.
35:31Well, then tell me about Johnny Fly.
35:34Or maybe you know him by another name.
35:37Maybe.
35:37Maybe.
35:38What's he look like?
35:39Listen, Carton.
35:43Quit stalling.
35:45You're going to tell me and you're going to do it now.
35:49No.
35:50Now I remember.
35:54Johnny Fly.
35:57Sure.
35:58I ran into a book by that name once.
36:01He was tall.
36:04He had blonde hair.
36:07And a beard.
36:09And a peg leg, too.
36:11And a scar on his right cheek.
36:14Yeah, that's right.
36:16Thanks.
36:17You helped a lot.
36:19That's all, boys.
36:22You mean I'm free?
36:26Hardly.
36:27It might be sort of confusing for two of us to be in circulation.
36:32Lock him up.
36:36You dirty rat!
36:39Great work, Jack.
36:40You done a swell job.
36:42I suppose you realize, though, that you're playing with dynamite.
36:45Don't worry, boss.
36:47I've been in tough spots before.
36:48Did Curtin give you any leads?
36:51Yeah.
36:52He told me what Johnny Fly doesn't look like.
36:58He isn't blonde.
37:00He ain't got a beard.
37:03And he ain't got no peg leg.
37:06I hope you realize that my uncle will have a whole piece for us searching for me by now.
37:11Yes.
37:12I've been informed of such activities.
37:14But we will be beyond reach by midnight.
37:18What are you going to do with me?
37:19I trust you enjoy ocean travel.
37:22Well, you can't get away with this.
37:23Oh, take it easy, please.
37:25Sit down.
37:27Let me explain.
37:36Look.
37:37Look.
37:37Oh, boy.
38:03Oh, boy.
38:03How are you?
38:05I love you.
38:06Hello, Mr. Butch.
38:08Where have you been?
38:09I've been busy.
38:11I don't know if I've been looking to you and I'm anxious to see you.
38:14Yeah?
38:15Come on, John.
38:16Sit on the night.
38:16You know, John.
38:28Oh, it seems like it's greener, don't it?
38:29Well, you're going to give me a chance to get even tonight?
38:32What do you mean, get even?
38:36I mean, you know what I mean, get even.
38:38Come on, John.
38:39Bring out those docks, sir.
38:40Be right there.
38:44Bank roll here.
38:46If you want to cover that, play it one game.
38:51You mean you want to blow that?
38:52Certainly.
38:53You want more than that from me.
38:54You ain't shorty, Mr. Butch.
39:01Yeah, I am.
39:01Well, I got some money here.
39:03Really money.
39:05And it's all yours.
39:07Lucky, too.
39:15All right.
39:16All right, go ahead.
39:17You shoot first.
39:18One game.
39:24Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
39:54Hey, butch! Butch, what a cheese or nice!
40:14That'll get it! That'll get it!
40:18What a man!
40:24Buy everybody in the house a drink!
40:26Yes, sir!
40:27And keep the change for yourselves!
40:29Thank you, sir! Everybody have a drink on their hose!
40:54What a man! What a man! What a man!
40:59What a man! What a man!
41:01We got one of them all!
41:03Oh, Butch.
41:04You're gone so long, I'm afraid something has happened to you.
41:11Would it have made any difference to you?
41:13But of course it would!
41:15You know I like you very much, Butch!
41:18And Johnny, he is so mean to me!
41:20He beat me!
41:21He hurt me!
41:22He made me black and blue!
41:23What did you do?
41:24Oh, nothing!
41:25I...
41:26I tried kill this white girl!
41:29White girl!
41:36Why?
41:37Why not?
41:38We have to get rid of her anyway!
41:41Come!
41:42He's waiting!
41:59Butch is here!
42:00Where have you been?
42:01In jail!
42:02What happened?
42:03They picked me up in the pawn shop!
42:06Was y'all arrested too?
42:07No!
42:08They just searched the joint!
42:09Did you have a chance to give me my message?
42:10No!
42:11No!
42:12No!
42:13No!
42:14No!
42:15No!
42:16No!
42:17No!
42:18No!
42:19No!
42:20No!
42:21No!
42:22No!
42:23No!
42:24No!
42:25No!
42:26No!
42:27No!
42:28No!
42:29Would you either me have a chance to give you my message?
42:30Yeah!
42:31Sure!
42:32I gave him your message!
42:34Oh!
42:35He don't want to be here in a minute then!
42:38Go to the back door and let him in!
42:40I'll tell you!
42:41I'll come!
42:43I'll come!
42:58What did the police want with you?
43:08They asked me a lot of questions about that chink detective.
43:14I wonder what made them connect you with that unfortunate affair.
43:19Maybe the chink tipped him off if he was coming here.
43:22Listen, rat.
43:24Did you squeal about me?
43:26Ah, of course not.
43:29Hmm.
43:30Still, I think I'll take leave of your hospitality as soon as possible.
43:38Listen, we'll leave as soon as I finish my business with Java.
43:42Wait for me downstairs.
43:47And keep your eyes open for unwelcome strangers.
43:51Go on.
43:51Yeah, I'll be home.
43:52And I'll be home.
43:53Let's go.
44:01We'll be back.
44:31Salam, Sahih.
44:57Salam.
45:01It was kind of you to comply with my request, Jala.
45:04I was most happy, sir, to do so.
45:07Under the circumstances, I felt it unwise for me to come to your place of business.
45:12Very unwise.
45:14And now, speaking of business.
45:17Yes, yes, of course.
45:19Will you do me the honor to step this way?
45:21My sleeping quarters will afford more privacy.
45:29Sorry.
45:31So, he thinks he didn't get you to me so easy.
45:56Well, we shall see about that.
45:59Oh, Poge.
46:02I think very much that Johnny tried to cheat you, huh?
46:11Cheat me?
46:12Ow.
46:13He take Jala in there so you will not know how much he'll pay for the ruby.
46:16Give it as the living flame, eh?
46:36With your permission, eh?
46:38Certainly.
46:38I think maybe we'd better play a little joke on Johnny, no?
46:50What kind of a joke?
46:52Pretty soon, he'll take this one to the boat with him.
46:55How's he going to get her there?
47:04The way he'll bring her, of course, in the basket.
47:07Oh, yeah.
47:08You do like me a little bit, don't you, Anselm?
47:13Yeah, of course.
47:14And then, I can be your girl.
47:18But before you put her in the basket,
47:23you
47:23take this.
47:27Come here.
47:38I'm fine that I cannot part with the ruby.
47:41He ain't gonna sell it.
47:42Of course I'm going to sell it.
47:44But you're going to get it back for me.
47:46How?
47:48You wait for Jala at the back door.
47:50Presumably to let him out.
47:51Instead, you are going to help him attend Paradise.
47:56The same as you did with the detective.
48:06Oh, all right.
48:16Johnny!
48:17Oh, one understands such thing.
48:21I find the Thira Buddha is genuine.
48:38Ah.
48:39Therefore, my friend,
48:41your figure will be satisfactory.
48:43Very nice.
48:51You will find, my friend.
49:02The amount is correct.
49:06Very well.
49:08Sahil.
49:09It has been a pleasure to deal with you, Sahil.
49:25I thank you, Sahil.
49:26And may you have the most pleasant journey.
49:29And may you continue to prosper.
49:31Salam.
49:32Salam.
49:32Oh.
49:59Shit.
50:00Be quiet.
50:02I'm trying to give you a break.
50:04Johnny sent me down here tonight for you.
50:07Now, if you want to live, you've got to play dead.
50:11Come on.
50:12Give me the ruby.
50:13Give it to me.
50:19Stay there and stay there quietly.
50:30Tell him I want him to watch the corner.
50:48Him I want to guard the side entrance.
51:30Well, let me have it.
51:44Something told me that wasn't exactly a friendly gesture.
51:48I thought you were a fool, Butch.
51:50But not that foolish.
51:53Come on.
51:53Let me have it.
51:56Come on.
51:56Come on.
51:57Tell Arcor and the rest will leave as soon as I finish packing.
52:04And if you try any more tricks, you'll be painting steel, not gold.
52:27And if you try any more tricks, you'll be painting steel.
52:28And if you try any more tricks, you'll be painting steel.
52:32And if you try any more tricks, you'll be painting steel.
52:33And if you try any more tricks, you'll be painting steel.
52:34And if you try any more tricks, you'll be painting steel.
52:35And if you try any more tricks, you'll be painting steel.
52:36And if you try any more tricks, you'll be painting steel.
52:37And if you try any more tricks, you'll be painting steel.
52:38And if you try any more tricks, you'll be painting steel.
52:39And if you try any more tricks, you'll be painting steel.
52:40And if you try any more tricks, you'll be painting steel.
52:41And if you try any more tricks, you'll be painting steel.
52:42And if you try any more tricks, you'll be painting steel.
52:43And if you try any more tricks, you'll be painting steel.
52:57Johnny, Johnny, you've got to listen to me.
53:05You think you are so smart.
53:07What do you mean?
53:08This boot you have come up dressed up like Pooch is not Pooch, but he's a detective dressed like Pooch.
53:13Ah.
53:14Johnny, listen, I know.
53:16I have seen these men with my own eyes.
53:25Steady, honey.
53:27It's me, Jack.
53:31Oh, Jack.
53:33Oh, Jack.
53:35Are you alone?
53:36No.
53:37Me and his men are waiting outside.
53:39So?
53:44Come on, I've got to get you out of here.
53:52I can't make it that way.
53:53I can't make it that way.
54:01I can't help and it's time to get behind.
54:04There I can.
54:04I can't make it that way.
54:17Okay.
54:17Let him go!
54:47Listen here, that's what I reported in there.
55:04Yes, sir, go right here, go right here.
55:17Yes, sir, go right here.
55:47Oh, my God.
56:17Oh
56:47No, I'm all right, honey, but I'm sure tired of wearing this
57:10Good work, Jake. There's your man
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