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00:02:28All right, now, go into the stacks, get me two more class 3.
00:02:33Class 3, yes, sir, right away.
00:02:53Yes, sir, no, yeah.
00:02:56Yes.
00:02:58No, yeah.
00:03:01Down there.
00:03:04Hey.
00:03:09No, no, no.
00:03:12No, yeah.
00:03:13No, no, no, no, no.
00:03:26¿Qué?
00:03:28¿Bercovich?
00:03:36¿Qué?
00:03:39¿No lo que?
00:03:40¿Quién?
00:03:41¿Quién fue?
00:03:42Uno de los especies de la clase 4, creo.
00:03:46Sí.
00:03:48Pensamos que entendamos.
00:03:51¿Por qué?
00:03:53¿Bercovich?
00:03:54¿Individuals, minds, souls?
00:03:57¿Every brain is a living record of a life?
00:04:00A journey taken.
00:04:01Who knows what journey they're on now?
00:04:05Now, who fell?
00:04:09Montag.
00:04:10Montag.
00:04:13Philip Montag.
00:04:15That's parietal paralysis.
00:04:17I think we're fairly well covered on that area, but still.
00:04:20The place just won't be the same without him.
00:04:26Gather up what you can.
00:04:28Prepare a new bottle.
00:04:29Eighty percent more gelatin.
00:04:30And we'll see if we can keep the old boy together.
00:04:32Yes, sir.
00:04:40Morning.
00:04:43Mr. Huffenkamp.
00:04:44How's every little floating thing?
00:04:49Oh, yeah?
00:04:50You don't say.
00:04:52Feeling a little suspicious.
00:04:56Persecuted?
00:04:57I see.
00:04:58Like somebody studying you or observing you.
00:05:02Right.
00:05:02Well, that's correct.
00:05:04Just remember, Hal,
00:05:06that just because you're paranoid
00:05:07doesn't mean they aren't out to get you.
00:05:09Are you all right, Dr. Martin?
00:05:23Oh.
00:05:25Nothing that a little brain surgery couldn't cure.
00:05:29Now, where was I?
00:05:32Um, all that we suffer.
00:05:34Right, or enjoy
00:05:36comes from the brain and its condition,
00:05:39whether it's hot, cold, moist, dry.
00:05:42Madness,
00:05:43in particular,
00:05:45stems from its moistness.
00:05:47Hippocrates.
00:05:49Fourth century B.C.
00:05:51I'll take this up.
00:05:53Thanks.
00:05:54The universe is just a wet dream.
00:06:07By the perception of illusion,
00:06:10we experience reality.
00:06:12The inscrutable Professor Aang.
00:06:15Ah, see?
00:06:16The liberal arts course pays off after all.
00:06:20Have you been drinking?
00:06:21You always get cryptic after you've been drinking.
00:06:24It's the only way I can keep my lunch down.
00:06:29I just spent the last hour and a half
00:06:31being grilled by the chairman
00:06:33over a plate of calamari fungi.
00:06:35He says I'm not people-oriented.
00:06:37Now, what the hell is that supposed to mean?
00:06:39I don't know.
00:06:40I'm brain-oriented,
00:06:41and that doesn't seem to have anything to do with people.
00:06:44Exactly.
00:06:44How would you know?
00:06:46You're your own boss.
00:06:47You do your own work.
00:06:48You married the smartest,
00:06:50prettiest girl in our class.
00:06:51It was me or you,
00:06:52and you lost.
00:06:54But that's about the only thing you ever lost.
00:07:00No.
00:07:02I lost Halsey.
00:07:04I lost the numbers.
00:07:06Shit, I'm probably gonna lose my job.
00:07:08What are you talking about?
00:07:10Do you know Lakeside?
00:07:11Yeah, it's a mental institution.
00:07:15Correct.
00:07:16We own it.
00:07:17Oh, you own it, huh?
00:07:18Well, the corporation has very diversified interests.
00:07:22From the tritium that feeds the rockets
00:07:24to the powdered milk that feeds the babies,
00:07:26we're Eunice.
00:07:27All right, but what about Lakeside?
00:07:31There's a patient there,
00:07:33a former employee,
00:07:35the name of Halsey.
00:07:37The man was a genius, but he lost it.
00:07:39Butchered his family and pled insanity.
00:07:42But some of the board members feel he might be
00:07:44dissembling.
00:07:46Well, why would he fake it?
00:07:48Halsey wasn't exactly happy
00:07:50with some of the applications
00:07:51his work might be put to.
00:07:54Look, baby, he's just trying to get out of it.
00:07:56The point is, he's nuts.
00:07:58He's not responsible, but I am responsible.
00:08:00You see, Halsey was my baby.
00:08:05So now I'm in shit city with the board
00:08:08and he's in a rubber room totally paranoid.
00:08:12Oh, paranoid.
00:08:17So, this is what it's all about, huh?
00:08:26Jim, I didn't know who else I could turn to.
00:08:29I mean, nobody knows more about paranoia than you.
00:08:32You're the brain man, for Christ's sakes.
00:08:34I don't do corporate science.
00:08:36I told you that.
00:08:37Oh, come on.
00:08:38It's a favor to me.
00:08:39Would you go to Lakeside,
00:08:41visit Ward 8, ask for Halsey?
00:08:43I'm not a psychiatrist.
00:08:45Then run a few tests.
00:08:47See what you think.
00:08:50Besides,
00:08:52aren't you getting a little tired
00:08:53of bottled brains?
00:08:55Here's one you can have fresh.
00:08:59Oh, look at me, look at me, look at me.
00:09:15Oh, I love me.
00:09:17I love me, I love me, I love me.
00:09:19¡Suscríbete al canal!
00:09:49¡Suscríbete al canal!
00:10:19No, nor from your wife.
00:10:21My wife? What's she to you?
00:10:23How long have you known her? Where do you meet? Sit down.
00:10:25Thank you.
00:10:26I'm Halsey. I've been expecting you. Let's go somewhere where we can talk.
00:10:34You didn't trust me.
00:10:43I didn't trust her.
00:10:47And she didn't trust him.
00:10:53You see?
00:10:54Yes, go on.
00:10:55Smiling Ed pays me in cash, right?
00:10:57Always has. Son, Coughlin pays cash.
00:11:01Checks are for bankers and grifters.
00:11:03But when I look, I don't see Ben Franklin.
00:11:05No siree.
00:11:06I see Coughlin's greasy face smiling up at me.
00:11:09It was his way of spying on me.
00:11:11With his little face in my pocket.
00:11:13And worse.
00:11:14Much worse.
00:11:15What?
00:11:18He fucked my wife.
00:11:19Right there in the factory on the perfect sleeper.
00:11:22And that man, he's the troublemaker.
00:11:26He's even followed me in here.
00:11:27He's in the hospital.
00:11:29Dr. Martin, he wants to kill me.
00:11:32Mr. Halsey.
00:11:35Have you ever heard of Eunice Corporation?
00:11:38Eunice?
00:11:40That's my wife's name.
00:11:42No, this is a corporation.
00:11:44Maybe you did some mathematical work for them or something.
00:11:47I work with numbers, sure.
00:11:48But I work for Conklin.
00:11:50Conklin mattresses.
00:11:53I'm an accountant.
00:11:54Neat little rows and columns.
00:11:56No equations.
00:11:57Equations are too messy.
00:11:59You get a few numbers left over and boom.
00:12:03End of the world as we know it.
00:12:06No.
00:12:07I stick to accounts.
00:12:10It's safer.
00:12:12Safer.
00:12:13Are you familiar with the Hippocratic oath?
00:12:16Doctors take it.
00:12:17Right.
00:12:18But maybe everybody should.
00:12:20At least do no harm.
00:12:23I think that's a fine rule.
00:12:26We can't all do good.
00:12:29But at least do no harm.
00:12:33Mr. Halsey.
00:12:34Would you mind if I ran a few tests on you?
00:12:37Just make a few maps.
00:12:39All simple.
00:12:40All completely painless.
00:12:42Would that be alright?
00:12:43Would that be alright?
00:12:44Does it pay cash money?
00:12:46No.
00:12:47I'll take it.
00:12:49I'll take it.
00:12:49I'll take it.
00:12:51No, no, no, no.
00:13:21No, no, no, no.
00:13:51Abnormality.
00:13:52That's the fly in the ointment, if you will.
00:13:55Now, here's Woolsey.
00:13:58See that?
00:14:00Same thing.
00:14:01Fantastic.
00:14:03How soon can you operate?
00:14:06Operate?
00:14:06Oh.
00:14:07No, no, this is all theoretical work.
00:14:10I need maybe two more years of lab work, and then two years of animal research, and then
00:14:15I think we might just chance opening somebody else.
00:14:17I haven't got four years.
00:14:19I haven't even got four weeks.
00:14:22Why not just cut it out?
00:14:23Oh.
00:14:24No, no, no, no, no.
00:14:26You open that door, and you step off a cliff.
00:14:30It's awfully risky, especially for Halsey.
00:14:35Halsey was working on something big.
00:14:38Cornerstone technology.
00:14:39Now, that's all I can tell you.
00:14:42It's classified shit.
00:14:44When Halsey lost his marbles, he destroyed his results.
00:14:48We need those numbers, or we need to make sure that nobody else will ever get them.
00:14:55Jim.
00:15:04You want him brain dead.
00:15:05Who said anything about brain dead?
00:15:09Don't you believe your own theories?
00:15:13Afraid to put him to the test?
00:15:15No.
00:15:16Come on, you can't stand there and tell me you haven't dreamed of an opportunity like this.
00:15:21A living brain.
00:15:24Think of it.
00:15:25I just wouldn't feel right about it.
00:15:31Sorry, Jim.
00:15:33I'd rather not.
00:15:35Oh, for Christ's sakes.
00:15:36Would you quit thinking about Halsey for a second and think about yourself?
00:15:44You see, in a sense, you already work for Eunice.
00:15:51Eunice?
00:15:52Don't be so naive.
00:15:54Who's research isn't corporate funded these days?
00:15:58I mean, it's either us or the Department of Defense.
00:16:02That doesn't mean that you own me.
00:16:06Don't you want to change the world and get rich?
00:16:09What if Halsey refuses?
00:16:11Well, Halsey's really not in a position to choose.
00:16:16And nor am I.
00:16:17Oh, don't be ridiculous.
00:16:20Look at it.
00:16:21Look at it this way.
00:16:21Look at it this way.
00:16:21It could be worse.
00:16:23You could be the patient.
00:16:25And Halsey could be the doctor.
00:16:27He's got my brain.
00:16:31He's got my...
00:16:45He's got my...
00:16:47My brain.
00:16:48Fuck shit, my brain.
00:16:50That's my fucking brain.
00:16:51That's my fucking brain.
00:16:52That's my fucking brain.
00:16:53That's my fucking brain.
00:16:54That's my fucking brain.
00:16:56That's my fucking brain.
00:16:57That's my fucking brain.
00:16:58That's it.
00:16:59My brain.
00:17:00Fuck shit, my brain.
00:17:01That's my fucking brain.
00:17:02That's my fucking brain.
00:17:05No.
00:17:06Yes.
00:17:07My fucking brain.
00:17:08No.
00:17:09That's my brain.
00:17:10Sir, there must be some...
00:17:11There's no mistake.
00:17:12That's my brain.
00:17:14My brain.
00:17:14That's my brain.
00:17:17My brain.
00:17:18No, you have your own brain.
00:17:19My fucking brain.
00:17:20My fucking brain.
00:17:21I'm afraid that it is not...
00:17:22Oh...
00:17:24Fuck.
00:17:26¡Gracias!
00:17:56¡Gracias!
00:18:26Let's put the cages over here and the, uh, freezers along this wall over here.
00:18:44Oh, Martin. How embarrassing.
00:18:48Alice.
00:18:49Sorry to hear about your grant. I think it's outrageous.
00:18:52I mean, whatever happened to academic freedom.
00:18:59Bastards own us.
00:19:01Brax, lock, stock and barrel.
00:19:02You've got guts.
00:19:03I'll say that for you, not me.
00:19:05Do I question why the U.S. Army is interested in endocrine secretion?
00:19:10Chemical regulators of human behavior.
00:19:13You can bet your bottom dollar I don't.
00:19:16What do you want?
00:19:17I know it's terrible of me to barge in here so soon,
00:19:22but, well, I have to be in Washington all next week.
00:19:26I'm sorry, I thought they told you.
00:19:29My grant has been doubled.
00:19:32We need more space.
00:19:34And, you know, I love all this shelf space.
00:19:37By the way, what are you going to do with all of these?
00:19:40I don't know.
00:19:41Tell you what, I can probably use most of them.
00:19:44Of course, all I really need are the endocrine receptors,
00:19:48but I'll pay you by the pound.
00:19:49Charge as much as you want.
00:19:51Our, uh, Uncle Sam is picking up the tab on his own.
00:19:56Get out of here.
00:19:58What?
00:20:01You heard me.
00:20:03Get out of here.
00:20:04Both of you.
00:20:05No need to be nasty, Rex.
00:20:07I'm just trying to do you a favor.
00:20:08They're individuals.
00:20:10They're special.
00:20:12They're unique.
00:20:13You're not going to grind them up
00:20:15into your brain-shake smears.
00:20:17Get out.
00:20:18All right.
00:20:19No problem, Rex.
00:20:21Just make sure that you and
00:20:23all of your friends are out by the end of the week.
00:20:28Let's go, Bixby.
00:20:31Oh, it's a minute.
00:20:31Oh!
00:20:32Oh!
00:20:32Bad dream?
00:20:40Oh, it's so vivid.
00:20:55It must be an aftershock of the accident.
00:21:00Accident? What accident?
00:21:02Oh, I had a little accident this afternoon.
00:21:07I think.
00:21:10What was that part of my dream?
00:21:12Jim said you seemed a little tense this afternoon.
00:21:15When did you see Jim?
00:21:17Since when do you and Jim get together to talk about me?
00:21:20Relax. He called me. He's my friend, too.
00:21:23Oh, great.
00:21:25You and Jim, huh?
00:21:26We should both get together and decide.
00:21:29What's the matter?
00:21:30I don't know why you're so upset. I think you'd be excited.
00:21:34Oh, I don't know.
00:21:37I guess I'm a little afraid.
00:21:40I don't want to rush into anything.
00:21:46You've been poking around in people's brains as long as I've known you.
00:21:49What makes this one so different?
00:21:51Halsey. Halsey makes it different.
00:21:53He was a full fellow at the Institute for Advanced Studies when he was 14.
00:21:58I was still reading Tom Swift, voice scientist.
00:22:02So what happened to him?
00:22:03Tom Swift?
00:22:04No, silly Halsey.
00:22:06Oh, well, they said he went nuts. He killed his wife, two kids, and three research assistants.
00:22:14Genius, maybe, but definitely not a nice guy.
00:22:17No, quite to the contrary. He's a very sweet man.
00:22:20I met him today. He likes me.
00:22:23I'm so glad you're making new friends.
00:22:25Would you buy me a pack of cigarettes, please?
00:22:35Oh, uh, my, my money's no good here.
00:22:45Well, here's a couple of bucks.
00:22:47No, no. Give me your wallet.
00:22:48Oh.
00:22:49You think I want every Joe in the joint to know who's buying me my cigarette?
00:22:53Oh, my.
00:22:55All right.
00:22:57Try home, honey.
00:23:01All right.
00:23:03Here.
00:23:12Old man R.J. was nobody's fool.
00:23:15You can learn a thing or two from this beast's back.
00:23:19Look real close.
00:23:21You can see a man there.
00:23:23He's pissing, see?
00:23:26It's Franklin Roosevelt.
00:23:29And there, that's his willy.
00:23:31Actually, it's Rosenfeld.
00:23:33It's true.
00:23:35He changed his name.
00:23:36I read it in a book.
00:23:37Uh, and there, in the lion,
00:23:41you can see a giant bald eagle
00:23:44mounting a naked woman
00:23:47from behind.
00:23:48Palsy, I need your help.
00:23:51You do?
00:23:52Yes.
00:23:53Here, let me help you with that.
00:23:56In fact, I think you're probably the only one who can help me.
00:24:01Me?
00:24:02Why me?
00:24:04You and I, we have something in common.
00:24:07What's that?
00:24:08Well, for one thing,
00:24:10we both have the same employer.
00:24:12Son of a bitch!
00:24:14Palsy?
00:24:15You work for Conklin?
00:24:17No, I don't work for Conklin.
00:24:17I knew it!
00:24:19Goddamn rotten spy!
00:24:20No, I'm not a spy.
00:24:22I don't work for Conklin.
00:24:24Let me explain it to you this way.
00:24:26We both know that pure science exists above all this.
00:24:30Do you trust me?
00:24:38I do.
00:24:43I need to open you up.
00:24:46I need to examine your brain.
00:24:49My brain?
00:24:51You have a special brain.
00:24:53A very special brain.
00:24:54That's why we did all those tests.
00:24:56But tests aren't enough for them now.
00:24:58I need to show them.
00:25:00My brain.
00:25:10I know you feel like I've railroaded you.
00:25:13Try blackmailed.
00:25:14I'm just helping you be you.
00:25:16You know you want to do this.
00:25:19And believe me,
00:25:21someday, when you're rich and famous,
00:25:24and you're the head of Eunice's neuroscience division,
00:25:26you'll thank me.
00:25:30Mark my words.
00:25:32You'll thank me for what I did.
00:25:35Good luck.
00:25:35Good luck.
00:25:43Good luck.
00:26:04Good luck.
00:26:05Good luck.
00:26:05Gracias por ver el video.
00:26:35Gracias por ver el video.
00:27:05¿Puedo llamar la kinder, gentler lobotomy?
00:27:08Vamos a ver el punto, ¿sabes?
00:27:11¿Qué de Halsey?
00:27:13¿Pheo?
00:27:14¿Puedo llamar?
00:27:16¿Puedo llamar?
00:27:20¿Puedo llamar?
00:27:24¿Puedo llamar?
00:27:25¿Puedo llamar?
00:27:26¿Puedo llamar?
00:27:27¿Puedo llamar?
00:27:29¿Puedo llamar?
00:27:30¿Puedo llamar?
00:27:32¿Puedo llamar?
00:27:33¿Puedo llamar?
00:27:36¿Can you cure him?
00:27:37Restore his mathematical genius.
00:27:38Stimulate his memory. At least get the numbers.
00:27:41In the best possible case, he may completely recover.
00:27:45If so, he'll probably remember the numbers you want
00:27:48or be able to recalculate them,
00:27:50if and only if he believes it's appropriate.
00:27:53And in the worst case?
00:27:57Tabula rasa.
00:27:59The clean slate.
00:28:01It could completely wipe his brain.
00:28:03Please proceed, Dr. Martin.
00:28:06You have our undivided attention.
00:28:33Mr. Halsey?
00:28:53Are you still with us?
00:28:58Why are you at Lakeside?
00:29:12I don't know.
00:29:14Oh, yes, you do.
00:29:16What about your family?
00:29:18They're dead.
00:29:19Oh, I'm so sorry.
00:29:24What happened to them?
00:29:27They were murdered.
00:29:29Really.
00:29:30Oh, I'm so sorry.
00:29:34Mr. Halsey?
00:29:37Yes.
00:29:38Who killed them, Mr. Halsey?
00:29:53Conklin.
00:29:55Black and white and red all over.
00:29:58Shocking.
00:30:00You didn't kill them yourself.
00:30:02But what about the number?
00:30:08I'm just an accountant.
00:30:10Bullshit.
00:30:13Just give us those numbers, Halsey.
00:30:15Gentlemen, please.
00:30:19The delicate procedure.
00:30:24Mr. Halsey.
00:30:26Can you hear me, Mr. Halsey?
00:30:28Huh?
00:30:29Yeah.
00:30:30Mr. Halsey?
00:30:34Yes.
00:30:35Is the man who followed you, the man who killed your family, this Conklin, is he here?
00:30:42Yes.
00:30:45Do you see him?
00:30:46No.
00:30:47How do you know that?
00:30:48He follows me every woman.
00:30:50Black, white, red, all over.
00:30:53Well, I can't see him, Mr. Halsey.
00:30:56Why don't you take a look around, just to put your mind at rest?
00:31:00Oh, yes.
00:31:06Ah, ah, ah, ah, ha, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah.
00:31:18Now I want you to just relax.
00:31:20¿Quién es el hombre en blanco?
00:31:50¿Quién es el hombre en blanco?
00:32:20¿Quién es el hombre en blanco?
00:32:50¿Quién es el hombre en blanco?
00:32:52¿Quién es el hombre en blanco?
00:32:53¿Quién es el hombre?
00:32:55¿Quién es el hombre en blanco?
00:32:57¿Quién es el hombre en blanco?
00:32:59¿Quién es el hombre en blanco?
00:33:01¿Quién es el hombre en blanco?
00:33:03¿Quién es el hombre en blanco?
00:33:05¿Quién es el hombre en blanco?
00:33:07¿Quién es el hombre en blanco?
00:33:09¿Quién es el hombre en blanco?
00:33:11¿Quién es el hombre en blanco?
00:33:13¿Quién es el hombre en blanco?
00:33:15¿Quién es el hombre en blanco?
00:33:17¿Quién es el hombre en blanco?
00:33:19¿Quién es el hombre en blanco?
00:33:21¿Quién es el hombre en blanco?
00:33:22¿Quién es el hombre en blanco?
00:33:23¿Quién es el hombre en blanco?
00:33:25¿Quién es el hombre?
00:33:27¿Quién es el hombre?
00:33:28¿Quién es el hombre lo que ofrede?
00:33:34¿Quién es el hombre en blanco?
00:33:40¿Nahlo y Dana?
00:33:43¿Cuál es el hombre en blanco?
00:33:48Bien, eh.
00:33:49Espere aquí.
00:33:51¿Aa la cámara?
00:33:52Gracias.
00:34:22Gracias.
00:34:52Gracias.
00:35:22Gracias.
00:35:25Gracias.
00:35:26Get off my tail.
00:35:48It's not funny anymore.
00:35:51It's not funny anymore.
00:36:15Hey, who the hell are you?
00:36:17What do you want?
00:36:19i'll take manhattan but i'll settle for dinner
00:36:22oh what's the matter
00:36:25how long have you been behind me i don't know a couple blocks
00:36:32didn't you hear me huh no i didn't but i thought that somebody was following me
00:36:37i guess not i'm sorry my mistake
00:36:41come on
00:36:43rex
00:36:53come on
00:36:58okay
00:37:09thank you
00:37:13do you really think you should drink oh absolutely now don't get mad but when you start a
00:37:18sentence like that it signals my brain that something is coming that i absolutely will
00:37:22get mad at and before i know it ugly pheromones are rocketing through my system mind ready to kill
00:37:28did you have a nice day all right rex what's going on what's wrong
00:37:32i guess i'm a little tired i don't mean just tonight you've changed sometimes i feel like i hardly know you
00:37:40well dana i just
00:37:48hey
00:37:52hey watch it buddy oh i'm sorry i'm i'm terribly sorry it's my fault it's my fault
00:38:02no harm done
00:38:13go back quite a ways you're actually roommates in college
00:38:27you're gonna go back quite a ways you're actually roommates in college
00:38:30go back
00:38:31rx
00:38:33excuse me rax
00:38:38rax
00:38:39i'm back
00:38:41rax
00:38:41rx
00:38:42excuse me
00:38:43we're over here
00:38:44uh
00:38:45do i know you
00:38:47rx
00:38:49rx honey
00:38:49Oh, me need a drink.
00:38:51Of course.
00:38:52Excuse me.
00:38:53I don't believe the two of you have been formally introduced.
00:38:56Rex, I'd like you to meet Cyril Vance, chairman of Eunice.
00:39:00It's an honor and a pleasure, Dr. Martin.
00:39:02You're a moron at your leisure, Mr. Vance.
00:39:05Don't mind my husband, Mr. Vance.
00:39:07It's cocktail hour, and I think he's channeling the voice of Oscar Wilde.
00:39:12Oh, here we go.
00:39:14A toast.
00:39:16To madness.
00:39:17Madness is merely moisture on the brain.
00:39:20Here's proof.
00:39:26I think he started celebrating before us.
00:39:28Cy, the possibilities of this thing are unlimited.
00:39:32I mean, this is going to have a revolutionary impact up and down our service and product lines.
00:39:36Well, I love your idea for clinics within the communities.
00:39:40Have you a name for them?
00:39:41I've got the boys in marketing revving up their engines.
00:39:44How about attitude adjustment centers?
00:39:47How does that grab you?
00:39:48Awful.
00:39:52There's no harmony to that.
00:39:53It's not user-friendly.
00:39:57You're absolutely right, sir.
00:40:00How about...
00:40:02I've got it.
00:40:06The new you.
00:40:08From Eunice.
00:40:09The new you from Eunice.
00:40:19The new you from Eunice.
00:40:23I love it.
00:40:24I love it.
00:40:26I love it.
00:40:27I love it.
00:40:28Why not?
00:40:28Why not?
00:40:29Why not?
00:40:30A duck in the box on each corner.
00:40:32Slogans.
00:40:32Come on in for a jiffy spinal tap.
00:40:351995 for a quick lube and lobotomy.
00:40:39Bang!
00:40:39Drive-in service.
00:40:40You could even do it to yourself.
00:40:43Suffer.
00:40:46I don't know if anybody's told you about me, but I'm a purple people.
00:40:50No.
00:40:51I'm a person pimple.
00:40:54A people person.
00:40:55There we go.
00:40:56People like me, generally.
00:40:57When they meet me...
00:40:59Greg, excuse me.
00:41:00Sorry, wait.
00:41:01Please, I can explain.
00:41:02He's been under a terrible strain these last couple of weeks.
00:41:05People are in it.
00:41:06And, uh...
00:41:07I, uh...
00:41:09I like people.
00:41:19Have another drink, you dumb son of a bitch.
00:41:22You're finished.
00:41:31Fine, fire me.
00:41:32Take my wife.
00:41:33Take my life.
00:41:33That's why I'm here.
00:41:34Rex, calm down.
00:41:35You're not well.
00:41:36You're not well.
00:42:06You're not well.
00:42:36I'm glad to be back.
00:43:04Let's go.
00:43:06Let's go.
00:43:07Let's go.
00:43:09Let's go.
00:43:10Let's go.
00:43:12Let's go.
00:43:15¡Suscríbete al canal!
00:43:45¡Gracias!
00:44:15¡Gracias!
00:44:45¡Suscríbete al canal!
00:45:15¡Gracias!
00:45:17¡Suscríbete al canal!
00:45:21¡Suscríbete al canal!
00:45:23¡Suscríbete al canal!
00:45:27¡Suscríbete al canal!
00:45:29¡Suscríbete al canal!
00:45:31¡Suscríbete al canal!
00:45:33¡Suscríbete al canal!
00:45:35¡Suscríbete al canal!
00:45:37¡Suscríbete al canal!
00:45:39¡Suscríbete al canal!
00:45:41¡Suscríbete al canal!
00:45:43¡Suscríbete al canal!
00:45:45¡Suscríbete al canal!
00:45:47¡Suscríbete al canal!
00:45:51¡Suscríbete al canal!
00:45:53¡Suscríbete al canal!
00:45:55¡Suscríbete al canal!
00:45:57¡Suscríbete al canal!
00:45:59¡Suscríbete al canal!
00:46:01¡Suscríbete al canal!
00:46:03¡Suscríbete al canal!
00:46:05¡Suscríbete al canal!
00:46:07¡Suscríbete al canal!
00:46:09¡Suscríbete al canal!
00:46:11¡Suscríbete al canal!
00:46:13¡Suscríbete al canal!
00:46:15¡Suscríbete al canal!
00:46:17¡Suscríbete al canal!
00:46:19¡Suscríbete al canal!
00:46:21¡Suscríbete al canal!
00:46:23¡Suscríbete al canal!
00:46:25¡Suscríbete al canal!
00:46:27¡Suscríbete al canal!
00:46:29¡Suscríbete al canal!
00:46:31Sometimes we have thoughts that are so frightening
00:46:33we can't even admit to ourselves that we have them.
00:46:37The only way we can deal with those thoughts
00:46:39is to believe that somebody else has them.
00:46:44Don't do that.
00:46:45It's not reality yet, but it's progress.
00:46:50Now, may I have your arm?
00:46:52Oh, no, no, no, no, no, you don't.
00:46:54No, you don't get into any of this.
00:46:56No, Mr. Martin.
00:46:58Dr. Martin.
00:46:59All right.
00:47:01Dr. Martin?
00:47:03No, no.
00:47:05Get away from me.
00:47:08You don't want me to call Fred and Dewey, do you?
00:47:10I don't care who you call.
00:47:12Now, this has gone far enough.
00:47:14Now, I demand that you return my clothes
00:47:17and tell me what's going on here.
00:47:18And I warn you,
00:47:19my wife is a top attorney.
00:47:23Fred, Dewey.
00:47:24All right.
00:47:26All right, this can hurt.
00:47:27This can hurt.
00:47:29Hear that?
00:47:30I'm going to sue you.
00:47:43I'll sue all of you.
00:47:44There.
00:47:45It wasn't bad, was it?
00:47:48Thank you, gentlemen.
00:47:49Wait at the nurse's station.
00:47:51I'll call you if I need to.
00:47:51I wish that you would stop treating me like...
00:47:59What?
00:48:01Like you're what, Mr. Martin?
00:48:04Whoa.
00:48:06I'm starting to feel a little racy.
00:48:10Something, uh...
00:48:11That was no sedative you gave me.
00:48:17You are the man who's following me.
00:48:19I know that.
00:48:20That's right.
00:48:21In my best white suit.
00:48:23Stained with blood.
00:48:25You killed Jim and Dana.
00:48:26It's possible to be distracted by too much detail.
00:48:31For instance, your dream could be very simple.
00:48:35You create yourself as that which you have always wanted to be.
00:48:38But some part of you, or some part of your mind, is not very comfortable with that.
00:48:43So you fragment into another part called Halsey.
00:48:47And in your dream, Halsey becomes your patient.
00:48:51As in actuality, you are my patient.
00:48:54But in real life, Mr. Martin, there is no Halsey.
00:49:02You are Halsey.
00:49:24Now, do you think you can behave yourself?
00:49:35I should think so.
00:49:38All right.
00:49:39You can unbuckle it.
00:49:47Easy, easy.
00:49:50All right?
00:49:51Yes.
00:49:52Okay.
00:49:54Tony.
00:50:05Tony.
00:50:08Tony, it's you.
00:50:10Of course, sir.
00:50:11I'm here as always.
00:50:13See?
00:50:14She knows me.
00:50:17But...
00:50:18What is this?
00:50:22How did we get in my office?
00:50:24Make yourself comfortable, Mr. Martin.
00:50:30My office is your office.
00:50:35You can sit in my chair if you like, but I think you'll be more comfortable over here.
00:50:39Then I can close the door and we can start our session.
00:50:42I don't even know what you're talking about.
00:50:44What, Mr. Martin?
00:50:47It's Francis Martin, born December 7, 1956, Pearl Harbor Day in Chicago.
00:50:54The oldest of three children.
00:50:55My mother's name was Willoughby, and that's a lithograph, 1548.
00:51:01I graduated from the University of Chicago,
00:51:04and I have my M.D. and Ph.D. in neuroscience from the Miskatonic University.
00:51:09Got married, Dana and I, in 1979.
00:51:12She was the lucky catch.
00:51:14We got married outdoors, in a garden, barefooted.
00:51:19See, I drive a Volvo with 30,000 miles.
00:51:21My shirt size is 1735.
00:51:24I have no scars, I have no birthmarks,
00:51:27and I know where the waste paper basket is.
00:51:31Boom.
00:51:33My office is in the Beaumont building, 8th floor,
00:51:36and this is my office.
00:51:40Now, will you kindly tell me who you are,
00:51:44why you are here in my office,
00:51:46and generally, what is the meaning of this?
00:51:49Those are very reasonable questions.
00:51:51Very reasonable questions, of course.
00:51:53Thank you.
00:51:54But before I do that, I'd like you to have a look at a few things.
00:51:56Oh.
00:51:57You say your office is in the Beaumont building.
00:52:00You know very well it is.
00:52:01The 8th floor?
00:52:01Yes.
00:52:02This is my office.
00:52:02It would be a city view.
00:52:03This is my office.
00:52:04A city view, yes?
00:52:04I don't know how we got here.
00:52:05Would you take a look out that window and just tell me what you see?
00:52:08No, it can't be.
00:52:24I'm fine.
00:52:24I know.
00:52:25I know it's fine.
00:52:25It's all right.
00:52:26I just...
00:52:27Over here.
00:52:29Just look, please.
00:52:38I can't believe it.
00:52:39I'm sorry.
00:52:40I can't believe it.
00:52:40You think you're being a hoaxed?
00:52:44Yes.
00:52:44I think there is a very real possibility.
00:52:47It's a very remote possibility, surely.
00:52:49Why don't you sit down?
00:52:50You say you're a man of science.
00:52:55Can you think about this scientifically?
00:52:58Excuse me, Dr. Ramson?
00:53:01Jim.
00:53:03Jim, thank God.
00:53:04Get me out of here.
00:53:05That's a crazy mix-up here.
00:53:07You remember Jim, our accountant?
00:53:08Accountant?
00:53:09No, Jim's a trained administrator.
00:53:11He runs the whole heart and tea department.
00:53:13Maybe someday, Mr. Martin.
00:53:16Dr. Ramson, it's Mr. Martin's account I came to see you about.
00:53:19You see, Mr. Conklin is way behind on his payments.
00:53:23Conklin?
00:53:23Who's...
00:53:24Who's Conklin?
00:53:25What's he got to do with my account?
00:53:27You were his prize accountant.
00:53:28I don't see how the mattress business survives without you.
00:53:31I don't think we need to discuss this anymore in front of...
00:53:33For...
00:53:49You've really been busy.
00:54:15You must be very satisfying.
00:54:21Keep up the good work.
00:54:26Henry!
00:54:28No, no, just...
00:54:30Don't get up.
00:54:32Are you lost?
00:54:33They sometimes send the lost ones here to me.
00:54:37This is a lost and found.
00:54:38Well, it was my idea in the first place.
00:54:40Oh, it's very good.
00:54:42I'll take you.
00:54:44I know where to go.
00:54:46Without me, you'll never choose the right door.
00:54:48Then you could be eaten by a tiger.
00:54:51Don't take this.
00:54:54This is a closet here.
00:54:56No, it's not.
00:54:57It's my office.
00:54:58This is a closet.
00:54:59These are clothes here, and I'd like to get out, please.
00:55:02No, it's my office, and you're my client, and you can't...
00:55:05If there's some mistake, you can get away from the door.
00:55:08No, no, no, no!
00:55:09Brady is mine!
00:55:10Come in!
00:55:11Come in!
00:55:11No, no, no!
00:55:12Come in!
00:55:13He's coming!
00:55:31Okay.
00:57:17Just a light, buddy.
00:57:47Halsey, what are you doing here?
00:57:51They keep all the psycho killers on the same floor.
00:57:55Then it wasn't a dream.
00:57:57No, they just don't want to upset you.
00:58:00But I didn't do it.
00:58:01You don't need to tell me that.
00:58:03I know who did it.
00:58:04You've seen him.
00:58:06Who?
00:58:07You know who, and he's here.
00:58:10In the hospital.
00:58:12Halsey, you're crazy.
00:58:14Hey, residents of glass structures
00:58:17ought not hurl projectiles.
00:58:21Listen, Hal.
00:58:24You be whoever they want you to be.
00:58:26You understand it's the only way.
00:58:28The more you resist, the crazier they think you are.
00:58:32And if they don't see any real progress,
00:58:35they're likely to take extreme measures
00:58:38in whatever you do.
00:58:44Don't let them take you into surgery.
00:58:50Shit, it's them.
00:58:52I'll go hide in the closet.
00:58:54Okay.
00:59:08Halsey, come out.
00:59:10Coastal is clear.
00:59:10Halsey.
00:59:34I'll go hide.
00:59:36I'll go hide.
00:59:36I'll go hide.
00:59:39Halsey!
00:59:39Oh, Halsey.
00:59:41Dr. Martin, oh boy, am I glad to see you.
00:59:43Halsey, you've got to help me. Where am I?
00:59:45I wonder if we better...
00:59:46Slow down, slow down.
00:59:47They said that you didn't exist.
00:59:49I know. They said that we're the same person.
00:59:52I know the whole stinking story.
00:59:53They told me the same thing.
00:59:55They did?
00:59:56Yes, sirree, Bob. They said you didn't exist.
00:59:59That I was a creation of your mind?
01:00:01Some sort of character in your dream?
01:00:03Bright as rain. That's what they said.
01:00:05I know I'm real.
01:00:09Oh, good. Yeah.
01:00:15Hey, have we done this before?
01:00:19Are we doing this now?
01:00:21Shit. It's them.
01:00:24I'll just duck in.
01:00:25Don't go in the closet. Trust me.
01:00:27Come on, let's go.
01:00:28Don't go in the closet.
01:00:30Stop!
01:00:38Dad.
01:00:42Wait a second.
01:00:45Oh, I'm here.
01:00:46Thanks.
01:00:50Oh, fine.
01:00:52Great.
01:00:53P.S.
01:00:56You've got brain damage.
01:01:09Oh.
01:01:12You dumb bastard.
01:01:14Why don't you have a look where you're going?
01:01:21Oh, this should be interesting.
01:01:23You smarmy son of a bitch.
01:01:31Jesus.
01:01:34Dana?
01:01:38I can't voice.
01:01:51All's easy, still in there?
01:01:54No!
01:01:57Everything's going to be all right.
01:02:01He's in the best possible land.
01:02:10Dana, I just want you to know I'm here for you.
01:02:12I always have been.
01:02:15Help me!
01:02:17I'm not dead yet!
01:02:20Did you hear that?
01:02:21That's funny.
01:02:32That's funny.
01:02:36I could have sworn I heard something.
01:02:38What's up?
01:02:40Oh!
01:02:40Oh!
01:02:41Oh!
01:02:41Oh!
01:02:44Oh!
01:02:44Oh!
01:02:44Oh!
01:02:45¡Gracias!
01:03:15¡Gracias!
01:03:45¡Gracias!
01:03:51¡Gracias!
01:03:58¡Gracias!
01:04:01¡Gracias!
01:04:03¡Gracias!
01:04:05Y we're going to keep on dumping on you until you get your ass out of here.
01:04:09What?
01:04:10You heard me, move it.
01:04:13You're scaring off my customers.
01:04:15¡Suscríbete al que estáisisis.
01:04:18¡Suscríbete al que estáisisis!
01:04:23Si quieres volver después de la fecha,
01:04:26tal vez podamos dar comida de la cocina o algo.
01:04:33Si es serio, si no estáisis de aquí,
01:04:35se va a llamar a los policías.
01:04:45¡Suscríbete al canal!
01:05:15¡Suscríbete al canal!
01:05:45¡Suscríbete al canal!
01:06:15¡Suscríbete al canal!
01:06:17¡Suscríbete al canal!
01:06:19¡Suscríbete al canal!
01:06:21¡Suscríbete al canal!
01:06:23¡Suscríbete al canal!
01:06:25¡Suscríbete al canal!
01:06:27¡Suscríbete al canal!
01:06:29¡Suscríbete al canal!
01:06:31¡Suscríbete al canal!
01:06:33¡Suscríbete al canal!
01:06:35¡Suscríbete al canal!
01:06:37¡Suscríbete al canal!
01:06:39¡Suscríbete al canal!
01:06:41¡Suscríbete al canal!
01:06:43¡Suscríbete al canal!
01:06:44Ah, Dr. Halsey. Glad to find you back in your office.
01:06:49I'm not Halsey.
01:06:51Of course not. You are in Dr. Halsey's office. You answer Dr. Halsey's private line, but you are not Dr. Halsey.
01:06:59Who is this?
01:07:01Wait right there and you'll find out.
01:07:14Halsey. Halsey. Halsey. Halsey.
01:07:24Okay. Well, hopefully it's still in there.
01:07:46Uh-uh. In fact this time, huh?
01:07:51Let's do it.
01:07:54Jack. Jack Halsey. How's the cough game? How's Mrs. Halsey and the kids?
01:08:11Haven't seen you in a while.
01:08:13It's me, Alice.
01:08:16I'm not Halsey. Repeat, Dad.
01:08:18What? Repeat it.
01:08:21You're not Halsey.
01:08:22Thank you.
01:08:27Thank you, Alice.
01:09:37Do you know me?
01:09:44Sure.
01:09:45Yeah, sure.
01:09:47Sure I do.
01:09:49Mr. John Q. Public.
01:09:52No.
01:09:53No, you know me.
01:09:55You know who I am.
01:09:57You know me.
01:09:59You know me.
01:10:00Look, I don't know you from Adam.
01:10:03I'll tell you something.
01:10:04You look like you've got Eunice rid all over you.
01:10:12Jim.
01:10:15Jim.
01:10:17Hey.
01:10:18Jim.
01:10:21Jim.
01:10:22Jim.
01:10:23Oh, thank God.
01:10:24It's you, Eunice.
01:10:26You gotta help me.
01:10:27Hop in.
01:10:28All right.
01:10:34Oh, Jim.
01:10:36I've gotten so lost.
01:10:38Everything has gotten out of hand.
01:10:40I mean, get this.
01:10:42They think that I am Halsey.
01:10:45But then I thought he killed you.
01:10:48No, I killed you.
01:10:49I killed somebody.
01:10:50And then Dana was there, too.
01:10:52Try to relax.
01:10:54It's just bad dreams.
01:10:56No, I'm not dreaming this.
01:10:58It's not a dream.
01:10:59I ruled that out.
01:11:00It's more like that I'm being dreamed by Eunice.
01:11:05You, too.
01:11:06Everybody.
01:11:07The whole thing.
01:11:07This car.
01:11:08We're all being dreamed by Eunice.
01:11:11For the universe is like a wet dream.
01:11:16By the perception of illusion, we experience reality.
01:11:19Are you experienced, Mr. Halsey?
01:11:23That's Mr. Conklin, Eunice Security.
01:11:26He's been looking all over for you.
01:11:28All right.
01:11:29I'd like to tell you that you have the wrong man.
01:11:32I'm sorry, Mr. Halsey.
01:11:34But it's important.
01:11:36We really do need that equation.
01:11:39Where are you taking me?
01:11:40Home.
01:11:41To Lakeside.
01:11:42Where you belong.
01:11:44Farmhouse.
01:11:44This is the Shepard.
01:11:45We're coming in.
01:11:46Go.
01:11:49Where should we begin?
01:11:54At the beginning, of course.
01:11:58That's it.
01:11:59Just relax, Mr. Halsey.
01:12:02What do you want?
01:12:04Just the facts.
01:12:08I don't know what you're talking about.
01:12:14But you can't do this.
01:12:16We own you, Halsey.
01:12:18You?
01:12:19Your ideas, your thoughts, your very brain.
01:12:22It's all ours.
01:12:24You, Halsey, are a wholly owned subsidiary of Eunice Corporation.
01:12:28I'm not Halsey.
01:12:30Are you sure?
01:12:31Chang Tzu wondered whether he was a man dreaming of being a butterfly or whether he was a butterfly
01:12:36dreaming of being a man.
01:12:38Are you sure you're not a butterfly?
01:12:39This doesn't seem to be working.
01:12:41I don't see what we're accomplishing here.
01:12:45He's of no use to us this way.
01:12:47Just make sure no one else will ever get it out of him.
01:12:50Tabula Rasa.
01:12:52The clean slate.
01:12:53Wait, let me try.
01:12:55Can you hear me?
01:12:57Halsey, can you hear me?
01:12:58I know who you are.
01:13:08I know who you are.
01:13:08Good.
01:13:11Now listen very carefully.
01:13:13It doesn't make any difference anymore who you are.
01:13:17When you get out of here, you can be whoever you want to be.
01:13:20We'll help you.
01:13:22Start a whole new life.
01:13:23You want to be a neurologist?
01:13:25Fine.
01:13:26You've got it.
01:13:27But you've got to work with us.
01:13:31Look, my ass is on the line too.
01:13:34I could lose my job, but you could lose much more.
01:13:38Much, much more.
01:13:41I don't know what you want.
01:13:44We want the right side of the equation.
01:13:47You erased it.
01:13:49Don't you remember?
01:13:52No.
01:13:53Well, you did.
01:13:55It was on a Monday.
01:13:57The last day you came to work.
01:14:00You'd had a tough weekend.
01:14:02Hard work killing and dismembering your family.
01:14:04I mean, that's real aerobic exercise.
01:14:07Something to get the heart pounding.
01:14:09Ring any bells?
01:14:12It was three little numbers.
01:14:14What were they?
01:14:17Tell me, you dumb son of a bitch!
01:14:20Where's my wife?
01:14:22Just burn out the core.
01:14:23And let's go.
01:14:25Let's go.
01:15:54Si miras por la escala, ¿puedo ver ella?
01:16:00¿Y quién está con ella?
01:16:06¿Chem?
01:16:07Sí, todos han sido muy bien, ¿verdad?
01:16:11Estoy listo para ir ahora y ver si puedo reparar el damage.
01:16:15¿Todo bien?
01:16:16¡Bright as rain!
01:16:18¡Dónde me llenar las manos, Doc!
01:16:21¡Dónde te daré tu fe!
01:16:22¿Qué?
01:16:23After all, es...
01:16:24... old man Conklin´s money.
01:16:26¿Nos he pe Babylon?
01:16:27Conklin´ Mattress Factory.
01:16:30They give it to Halsey.
01:16:32Halsey gives to me, I give to Ramsey.
01:16:34Just relax, Doctor.
01:16:35I'm a bit nervous myself.
01:16:37I've never operated on another brain man before.
01:16:40Just do no harm.
01:16:42What?
01:16:44No harm, Dad.
01:16:52¡Gracias!
01:17:22¡Gracias!
01:17:52¡Gracias!
01:18:22¡Gracias!
01:18:52¡Gracias!
01:18:54¡Gracias!
01:19:04¡No, doctor, me lose information except the flu and the rest of the room.
01:19:10¡Gracias!
01:19:12¡It's cranial bleeding doctor!
01:19:14¿está?
01:19:16No.
01:19:17No respetar a response.
01:19:21Flatline, doctor.
01:19:22Sí, sister.
01:19:26Party's over.
01:19:47Well, uh, at least he didn't feel any pain.
01:20:17Where am I?
01:20:31Am I dreaming?
01:20:34Or is this death?
01:20:38I'm dead.
01:20:42Great.
01:20:44I'm dead.
01:20:48I think.
01:20:50I think.
01:20:53Oh.
01:20:55This should be interesting.
01:21:04Where should we begin?
01:21:10He's got my brain.
01:21:14I'm so sorry.
01:21:22A toast.
01:21:26To madness.
01:21:28A toast.
01:21:32To madness.
01:21:34Braindead.
01:21:37Braindead.
01:21:38Braindead.
01:21:41Braindead.
01:21:44Braindead.
01:21:45Braindead.
01:21:50Try to relax.
01:21:54It's just bad dreams.
01:21:58Try to relax.
01:22:01But it wasn't a dream.
01:22:04Braindead.
01:22:05Braindead.
01:22:06Braindead.
01:22:07Braindead.
01:22:11Braindead.
01:22:15Braindead.
01:22:18What about the numbers?
01:22:22What about the numbers?
01:22:23The numbers?
01:22:24That's not so bad.
01:22:26I'm sorry Mr. Homesie.
01:22:27That it wasn't a dream.
01:22:28I'm sorry Mr. Homesie.
01:22:29That it wasn't a dream.
01:22:30That it was a dream.
01:22:32Don't you want to change the world?
01:22:37¡Suscríbete al canal!
01:23:07¡Gracias!
01:23:37¡Gracias!
01:24:07¡Gracias!
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