- 3 months ago
A writer plans to use a seemingly deserted castle as the location for his horror novel. The castle is inhabited by a former actor who takes on the identity of the Crimson Executioner to terrorise the group in his castle's torture chamber.
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Short filmTranscript
00:00:00On this fifth day of December in the year of our Lord 1648, by virtue of the power vested
00:00:12in us by our noble sovereign, this tribunal of justice hereby sentences you, the crimson
00:00:18executioner, to death.
00:00:20You will die by one of the very instruments you devised to torture and kill your innocent
00:00:25victims.
00:00:26You dared to take into your own hands the laws of both God and man.
00:00:33You set yourself up as both judge and executioner.
00:00:37You caused inhuman suffering and took life not from any sense of justice, but from hatred
00:00:42and self-gratification.
00:00:44You showed no mercy to your victims, and no mercy will be shown to you.
00:00:57You'll never kill me.
00:00:59Move along.
00:01:01I'll return and be avenged.
00:01:04Turn around.
00:01:06There, you fools.
00:01:08All of you.
00:01:09I am the crimson executioner.
00:01:20This day shall be written in blood.
00:01:23No man can judge me.
00:01:25I am the supreme law.
00:01:27I shall have my revenge.
00:01:29No man can judge me.
00:01:50There, no man can judge me.
00:01:53Do not judge me.
00:01:54Ah!
00:02:24I don't know.
00:02:54The seal of this tribunal will entomb forever both your body and your evil soul.
00:03:01Let no man dare to break the seal.
00:03:05You are accursed, eternally damned, as are these dungeons,
00:03:10as is this castle that has witnessed such indescribable horrors.
00:03:15Your castle will stand throughout the centuries
00:03:22as a reminder of the barbarism and cruelty committed within its walls.
00:03:26May the dust of time not erase from the memory of man
00:03:30the infamy of the Crimson Executioner.
00:03:33The Crimson Executioner.
00:03:40The Crimson Executioner.
00:03:47The Crimson Executioner.
00:03:52The Crimson Executioner.
00:06:55From here, it looks great.
00:06:56Just what we need.
00:06:58I think we should be able to wrap up our work here in a day.
00:07:00This will look good.
00:07:04Come on, Nancy.
00:07:05Oh, gosh, I'm stiff from that long ride.
00:07:10It's made to order.
00:07:12Yeah.
00:07:12Hmm, what of you?
00:07:24Hmm, what of you?
00:07:39Hey, we don't want to lose you.
00:07:40Hey, we don't want to lose you.
00:07:40Hmm, sure looks gloomy.
00:07:43How would you girls like to have a castle this old to live in?
00:07:45You'd have to be a creep to live in a place like this.
00:07:48I'd love to have a house like this all for myself.
00:07:52Imagine the peace and beauty of living all alone.
00:07:55Hmm, hmm, you're a funny one, you're a funny one, all right.
00:07:57All right, girls.
00:08:00I wonder what it looks like inside.
00:08:03What's wrong?
00:08:05Are you tired?
00:08:06I don't know what it is, Perry.
00:08:07I just feel very uneasy.
00:08:09No.
00:08:11Susie.
00:08:11Let me alone, Raul.
00:08:12Don't be like that, baby.
00:08:14Everybody will see us.
00:08:15Have it your way.
00:08:16Are you all dead?
00:08:19Lay you any odds you want, our dear publisher will wind up saying,
00:08:22this place isn't suitable after all.
00:08:24Let's go home.
00:08:26Hello, is everybody out?
00:08:28If they're all out, how can anyone be in the house?
00:08:31Oh, the brain has spelled it out.
00:08:34I'm not just a dumb blonde, you know.
00:08:36Who says you're a blonde?
00:08:37Must be in the...
00:08:37Hello, why doesn't anybody answer?
00:08:40Maybe nobody lives here.
00:08:42What a nuisance.
00:08:44Someone should have told me the castle's empty.
00:08:46We might as well try to get in anyway.
00:08:50Maybe one of the boys could scale that wall.
00:08:53That's a job for Tarzan.
00:08:55Who's going to volunteer to climb the wall?
00:08:58Okay, okay.
00:08:59Here comes Uncle Perry, the greatest acrobat in the world.
00:09:07Watch this.
00:09:15He's a good boy.
00:09:17I bet he gets us inside.
00:09:19Yeah, you're right.
00:09:20Three years for unlawful breaking and entering.
00:09:23Take care, Perry.
00:09:39Max!
00:09:52You owe me a bonus for this little stunt.
00:09:54A double whiskey.
00:09:57What about that?
00:09:59I still think you're playing with fire.
00:10:00You should know me by now.
00:10:02I'm not the kind of man to let obstacles get in my way.
00:10:04I'm a man of action.
00:10:05Well, what do we do now?
00:10:09We follow the leader.
00:10:10What else?
00:10:16Ladies and gentlemen, welcome to the old family castle.
00:10:19Let's go.
00:10:35Let's go.
00:10:58Let's go.
00:10:58Let's go.
00:10:59hey what a funny place this is looks like a frankenstein film sale
00:11:29so
00:11:43Harry, there's something evil about this castle. I'm sure of it.
00:12:00You Hawaiians are far too impressionable, Kinuio.
00:12:10Raoul!
00:12:13Raoul?
00:12:19Raoul?
00:12:27You idiot!
00:12:32Why must you play these childish jokes all the time?
00:12:35Raoul?
00:12:37Raoul?
00:12:39Raoul?
00:12:41Take off that silly costume!
00:12:43Raoul?
00:12:45Raoul?
00:12:47Raoul?
00:12:49Raoul?
00:12:51Raoul?
00:12:53Raoul?
00:12:55Raoul?
00:12:57Raoul?
00:12:59Raoul?
00:13:01Raoul?
00:13:03Raoul?
00:13:05Raoul?
00:13:07Raoul?
00:13:08Raoul?
00:13:09Raoul?
00:13:10Raoul?
00:13:11Raoul?
00:13:12Raoul?
00:13:13Raoul?
00:13:14Raoul?
00:13:15Raoul?
00:13:16Raoul?
00:13:17Raoul?
00:13:18Raoul?
00:13:19Raoul?
00:13:20Raoul?
00:13:21Raoul?
00:13:22Raoul?
00:13:23Raoul?
00:13:24Raoul?
00:13:25Raoul?
00:13:26Raoul?
00:13:27Raoul?
00:13:28Raoul?
00:13:29Raoul?
00:13:30Raoul?
00:13:31Raoul?
00:13:34Raoul?
00:13:35Raoul?
00:13:36Raoul?
00:13:37Raoul?
00:13:44Raoul?
00:13:46Raoul?
00:13:47Raoul?
00:13:48Raoul?
00:13:50Raoul?
00:13:51Raoul?
00:13:52Raoul?
00:13:53Raoul?
00:13:54So are you hurt your pasa?
00:13:55Yes!
00:13:56Carol?
00:13:57That's all right.
00:13:59that's all it's no excuse for trespassing i don't like having my privacy disturbed i'm sorry sir
00:14:07you're quite right my name is parks i'd like to explain we've been scouting for suitable locations
00:14:13to photograph material for book jackets i'm a publisher that's no concern of mine look here
00:14:19i'd like to show you one of my books i'm preparing an anthology of he told you to stay where you were
00:14:24we took the liberty of coming in here only because no one answered our knocking at the door
00:14:31i don't like intrusion i insist that you leave my castle immediately
00:14:35could you make just one exception we've been on the road for several days everybody's so tired
00:14:42i don't want any visitors here i'd be only too glad to pay of course pay now you're beginning
00:14:48to annoy me mr parks i know my friend didn't mean to offend you and we ask you to forgive us
00:14:59you and your practical jokes
00:15:15bro
00:15:27your feet everybody you've been told to shove off the master of the house
00:15:55you've been told to shove off the master of the house doesn't like having visitors around
00:15:59what again oh no not after all i went through to get you in here so we're right back where we started
00:16:06one castle's too modern one's too old why don't we build our own and get it over with
00:16:11susie but wouldn't it cost an awful lot of money to build one huh oh can't you change his mind we're all
00:16:18tired well i'm tired well i'm tired too but we have no choice we've been told to go and that's it
00:16:26let's get moving quickly huh
00:16:27edus wait
00:16:34perhaps i was a little too hasty mr parks i'm not usually so inhospitable i realize you must all be
00:16:41very tired you see i don't usually receive people you can stay here overnight but i'll have to ask you to
00:16:48leave first thing in the morning thank you sir we really do appreciate your kind hospitality do you
00:16:54mind if we take a few pictures all right but please remember i don't like to be disturbed
00:17:02my servants will show you the chambers where you can do your work perfect let's get to work girls we
00:17:09mustn't waste any time go and change quickly dermot you'd better check out the setting we need edith
00:17:13you go along with him good girl come on you don't go near the dungeons they're absolutely out of bounds
00:17:18for everybody okay we won't get moving we're in a hurry i'll bet max will flip over this one can you
00:17:39imagine finding a thing like this here wasn't it lucky i'll take credit for that i found it yeah food for
00:17:45everybody hey max i want a bonus for finding this thing all right we'll see about the bonuses now
00:17:50it'll be perfect for the skeletrix series hey that looks great but now let's get to work i'll take the
00:17:57food to the girls right no i'll take care of that myself what a picture this will make
00:18:15so
00:18:20so
00:18:28oh max why don't you ever knock oh come on now what's all this nonsense i'm just like a father
00:18:53to you girls turn around we have to get into our costumes okay have your little games but hurry
00:19:00up we haven't any time to fool around we've got work to do you can turn around now if you want
00:19:09edith bring the girls downstairs we can't afford to waste any time all right
00:19:24how's the food terrible as usual
00:19:29nah bottle of wine they call it it tastes like water yeah it's awful isn't it but i know where
00:19:34we can find real wine i discovered where the cellar is come on i'll show you see you come on
00:19:53you know perry
00:20:20i wouldn't mind being the owner of this castle you can have it it gives me the creeps skeletons
00:20:27don't have nerves what do you mean it gives you the creeps
00:20:40so
00:20:54Shhh, you'll wake up the ghosts.
00:21:19Come on, this way.
00:21:24Come on, this way.
00:21:54Now, don't breathe perfect like that.
00:22:12All right, hold the pose.
00:22:21I want to take another shot.
00:22:22Edith, hand me the other camera, will you?
00:22:26Thanks.
00:22:27Now, don't move, darling.
00:22:30Hold it.
00:22:31You make a beautiful corpse, you do.
00:22:33Just keep it.
00:22:34That's right.
00:22:39Perfect.
00:22:42It's no fun being dead.
00:22:44Nobody ever said it was.
00:22:45You mean it?
00:22:45You were very convincing.
00:22:46Okay, Dad, come on, let's get ready for the next one.
00:22:48That's what Annie will say when he sees this photo.
00:22:50Go and change now.
00:22:51Yeah.
00:22:53Okay, Susie, it's your turn now.
00:22:57Sure, here I am.
00:22:57But where's Perry?
00:22:58He's in it, too.
00:22:59Here I am.
00:23:00Your personal skeleton, always ready to die at the hands of a beautiful woman.
00:23:05No, I'm going to change Annie's first.
00:23:07That's fine with me.
00:23:09You're never around when you're needed.
00:23:10Right, but look what I dug up for you.
00:23:12Oh.
00:23:14I'll go.
00:23:14That'll work.
00:23:18Rick, can I have your knife a minute?
00:23:22Thanks.
00:23:22Thanks.
00:23:22What is it?
00:23:35Just a little homesick, I guess.
00:23:45Are you all asleep over there?
00:23:47Get behind that camera, Dermot.
00:23:49Here's the pistol, Dermot.
00:23:52Whoop, whoop, whoop, whoop, whoop.
00:24:05Come on now.
00:24:07No, it's too heavy anyway.
00:24:10Look, Annie, let's try with a long sword, huh?
00:24:12It's as light as a feather, sweetheart.
00:24:13Let me show you.
00:24:21What's wrong with it?
00:24:23I can't unsheathe it.
00:24:25It must be rusty.
00:24:30Don't just stand there looking.
00:24:31Help me.
00:24:32Let's pull together.
00:24:33Attica.
00:24:34Pull.
00:24:35Pull.
00:24:35Pull.
00:24:36Forget it.
00:24:36We don't need it.
00:24:37Okay, I want you to hold it aloft menacingly.
00:24:39It's not heavy.
00:24:40You can lift it without much effort at all.
00:24:42Watch.
00:24:44Like this.
00:24:45Give me a hand, will you?
00:25:01Well, you do it, Annie.
00:25:03You've got the general idea anyway, aren't you?
00:25:05Ready?
00:25:07Hold it.
00:25:38Come on, sweetie.
00:26:08Come on, sweetie.
00:26:38Let me see what we can do here.
00:26:50Yeah, that's a possibility.
00:27:00Put your head down.
00:27:04Lower.
00:27:05Right on the block.
00:27:06What, haven't you ever been beheaded before?
00:27:08What?
00:27:10These actors.
00:27:11Put your arms down.
00:27:14That's more like it.
00:27:16Right?
00:27:17That's cool.
00:27:18Stay there.
00:27:20Now then, give me the axe.
00:27:21Really, these actors.
00:27:42Hold it.
00:27:43Now, Nancy, honey, give me the feeling of a cat.
00:27:48You know what I mean.
00:27:49Meow.
00:27:50Meow.
00:27:52Pshh.
00:27:53Meow.
00:27:53Pshh.
00:27:55No, Nancy, that's too domesticated.
00:27:57I want you to think wild, fierce.
00:27:59Meow.
00:28:01Meow.
00:28:02Meow.
00:28:02Can't you think like an alley cat?
00:28:05For instance, you're about to fight another cat for a fish head or something.
00:28:09Meow.
00:28:10No, no, Nancy.
00:28:11That's the intellectual approach.
00:28:12You'll never be an alley cat.
00:28:13Let's try something else.
00:28:15I've got an idea.
00:28:16There.
00:28:17Now, raise your leg up.
00:28:19Up.
00:28:19Up.
00:28:20Up.
00:28:20Up.
00:28:21That's it.
00:28:22That's it.
00:28:23Now, imagine you're floating in the air like a thistle blown by the wind.
00:28:28That's it.
00:28:29Beautiful.
00:28:29No.
00:28:30No, not like that.
00:28:31You've got to go up.
00:28:33Gently.
00:28:34That's right, baby.
00:28:35Now, hold it.
00:28:36No.
00:28:36No.
00:28:37Can't you keep that arm over your head?
00:28:38Now, everything's in place.
00:28:39Arm, leg, head, everything.
00:28:43Now, don't move.
00:28:46Come on, Nancy.
00:28:47Get that lovely foot of yours up like a feather, like a thistle blown by the wind.
00:28:51No.
00:28:52No, I can't, Dirk.
00:28:54It's too heavy.
00:28:55I can't.
00:28:56Oh, do it for me, baby.
00:28:57Let's fly together, hold it.
00:29:08What are you writing?
00:29:11Oh, just started another one of the usual murder mysteries my readers love.
00:29:22This is one of yours, too?
00:29:24Yes, of course.
00:29:27Rick, I could fall in love with a man like you.
00:29:54You're a swell guy.
00:30:00I could.
00:30:00I really mean it.
00:30:02Nothing.
00:30:04You're a sweet girl, Nancy, but you deserve something better than a man like me.
00:30:13May I have this, Rick?
00:30:14Sure, why not?
00:30:15Go ahead, Edith.
00:30:16Go ahead without me.
00:30:18There's something I want to look into.
00:30:21Okay, Edith.
00:30:22We'll set up the next shot in the meantime.
00:30:25Camera about here.
00:30:33There.
00:30:34Dermot, can we take a break for a few minutes?
00:30:36No, no, no.
00:30:37We've got to be finished before morning.
00:30:39Put the spots over there.
00:30:40Okay.
00:30:49What are you doing here?
00:30:51I'd like to see the owner of the house.
00:30:52It's not possible.
00:30:53My master doesn't want to be disturbed.
00:30:54But tell him...
00:30:55I said it's impossible.
00:30:56Your master has a right to his privacy, but that's no way to speak to a lady.
00:31:02Rick.
00:31:07You met the owner of the house.
00:31:09What's he like?
00:31:10It's difficult to say, really.
00:31:11He was half hidden behind a table.
00:31:14Have you noticed the windows?
00:31:16They're all barred.
00:31:18What a strange place.
00:31:20If I was still a reporter, I bet I could discover a lot of interesting facts about this castle.
00:31:27Rick, but why are you wasting your time on horror stories?
00:31:31You should be doing the kind of work you were cut out for.
00:31:34Reporting.
00:31:35I guess you're right, but I'm a little lazy.
00:31:37I've been taking the easy way out by doing this.
00:31:39I started out with the usual dreams and found out there's more money than writing this kind of commercial book.
00:31:45Edith, I realize I'm being indiscreet, but why did you want to speak to the owner of the castle?
00:31:51Just curiosity.
00:31:53Nothing more than that.
00:31:59Everything's ready, Dermot.
00:31:59Can I go?
00:32:00Well, not more than a few minutes, though.
00:32:02Time's running short.
00:32:02You bet.
00:32:03Come on, Susie.
00:32:04Don't pull me like that.
00:32:05Then come on.
00:32:06But where?
00:32:06Oh, come on.
00:32:08Okay, I'm all set.
00:32:09Everybody out of the way.
00:32:11That's right.
00:32:12Hold that pose, Perry.
00:32:14Don't move.
00:32:15I'll be done in a minute.
00:32:17Now, here we go.
00:32:21Perry!
00:32:21Oh, my God.
00:32:33Oh, my God.
00:32:33I seem to know as soon as we arrived, this was a place of evil.
00:32:49And Perry laughed and said that I was being emotional.
00:32:58Roe, didn't you hear that yell?
00:33:00I didn't hear anything at all.
00:33:02Come along.
00:33:02Where are you taking it?
00:33:03You'll find out.
00:33:09Look at that.
00:33:11What is it?
00:33:12I don't know.
00:33:13Maybe it was an old torture cell.
00:33:15You know, these old castles.
00:33:19Nothing in it.
00:33:21Let me alone, Raul.
00:33:23I'm scared.
00:33:25Susie.
00:33:28Susie.
00:33:28Oh, Raul.
00:33:39Oh, Raul.
00:33:39Oh, Raul.
00:33:39Oh, Raul.
00:33:40Oh, Raul.
00:33:41Oh, Raul.
00:33:42Oh, Raul.
00:33:43Oh, Raul.
00:33:45Come, Canullo.
00:33:59Staying here won't help any.
00:34:02Come with me.
00:34:05There's no point in disturbing my master.
00:34:08He's been informed already of what has happened down here.
00:34:10And he hopes that you will all remain calm.
00:34:15The rope was badly worn, Rick.
00:34:17We overlooked that, I'm afraid.
00:34:19Well, what are you going to do now?
00:34:22I don't know.
00:34:26We'll see.
00:34:31Remember, Rick, even the master of the house suggested that we keep calm.
00:34:34Tomorrow we notify the police.
00:34:35What do you mean, tomorrow?
00:34:36What do you mean, tomorrow?
00:34:36Listen.
00:34:37After all, it was only an accident.
00:34:39A tragic one.
00:34:40But an accident.
00:34:42And besides, it's too late now.
00:34:44Look, Max, this double talk leaves me cold.
00:34:46What do you really mean?
00:34:48Well, I'm an editor.
00:34:53You've got to see my point.
00:34:54I have a deadline to meet.
00:35:17I know exactly how you feel, girls.
00:35:20But we must finish our work before daybreak.
00:35:22With poor Perry lying dead?
00:35:24Oh, it's a big tragedy.
00:35:25You know, Perry was like a son to me.
00:35:27Don't you think I have a heart like the rest of you?
00:35:30How do I know?
00:35:32I never had a chance to see it.
00:35:34Perry would have known what I meant.
00:35:36Yeah, but he's dead.
00:35:38And I want to go on living.
00:35:42I'll double your salary.
00:35:43My life's worth more than that.
00:35:46Triple it.
00:35:47Okay, it's a deal.
00:35:48Me too.
00:35:49Then let's get back to work.
00:35:51Where's Susie?
00:35:52I think she went off with Raul.
00:35:54It's just like her.
00:35:55They always disappear at the wrong moment.
00:35:58We'll worry about her later.
00:35:59Let's go back to work now.
00:36:01Well, I thought I'd seen just about everything.
00:36:04But this kind of bargaining is really more than I can stand.
00:36:07Rick, look at this.
00:36:09What is it?
00:36:10It's the negative of the photograph I took right when the accident occurred.
00:36:19Poor Perry.
00:36:21What a terrible thing.
00:36:24What's this?
00:36:26What's that strange shadow near the frame of the door?
00:36:28It almost looks like a man's head.
00:36:33Yes, it does.
00:36:36That's exactly what I thought.
00:36:38But it just can't be.
00:36:41Still, it does look like a man's head with a hood on.
00:36:44No!
00:37:00No!
00:37:02No!
00:37:03No!
00:37:04No!
00:37:05No!
00:37:07No!
00:37:08No!
00:37:09No!
00:37:10No!
00:37:34No!
00:37:35No!
00:37:40No!
00:37:41No!
00:37:59Will it show up more clearly on the print?
00:38:01It should.
00:38:04We'll see in a minute.
00:38:05I've done the best I could.
00:38:09Of course, it's only a small detail.
00:38:16There.
00:38:18This is the maximum enlargement I can make here.
00:38:22Of course, it's still not very clear.
00:38:25Hmm.
00:38:27This doesn't help us very much, I'm afraid.
00:38:30It's hardly at all visible.
00:38:32Do you think the negative could have been defective?
00:38:34No, it was perfect.
00:38:35May I see that photograph?
00:38:38I heard about the accident that took place tonight.
00:38:49A most appalling accident.
00:38:53Unfortunately, it's blurred.
00:38:55Yeah, it was out of focus.
00:38:57Perhaps this will sound strange.
00:39:00But I've something to tell you.
00:39:03Let me provide an explanation of the shadow in your photograph.
00:39:07Have you ever heard of the Crimson Executioner?
00:39:11Who did you say?
00:39:14The Crimson Executioner?
00:39:15He was a maniac and a killer who was put to death for his crime centuries ago.
00:39:20He was buried in his own castle.
00:39:22What you don't know is that this is the castle where the Crimson Executioner lived and died.
00:39:26When I came here, the castle had been uninhabited for centuries.
00:39:30For me, it was ideal because I desired solitude.
00:39:35Everybody else feared the curse that had been placed on it.
00:39:39When they sealed up his tomb, the Crimson Executioner swore that he would avenge himself.
00:39:44He was a man of extraordinary physical strength.
00:39:49Obsessed by an ideal of purity.
00:39:52For centuries, he was entombed.
00:39:54They are in the dungeons.
00:39:56And only a seal has protected mankind from his supernatural powers.
00:40:02If the shadow in the photograph is the Crimson Executioner, I fear anything might happen.
00:40:08I had to tell you.
00:40:09I can see you two already know each other.
00:40:26I've never had the pleasure.
00:40:28This is the first time I've seen this lady.
00:40:30I must retire now.
00:40:38I'm a creature of habit.
00:40:41I hope you will sleep well.
00:40:45Good night.
00:40:46Edith, I know the acts that upset you.
00:40:57You're terribly tired.
00:40:59What happened was a very bad shock for you.
00:41:02Stop crying now.
00:41:04Go to Canoeio, hmm?
00:41:09She's been through more than the rest of us.
00:41:11Hmm?
00:41:12She's been through more than the rest of us.
00:41:13Hmm?
00:41:14She's been through more than the rest of us.
00:41:15Hmm?
00:41:16She's been through more than the rest of us.
00:41:18She's been through more than the rest of us.
00:41:21Do you think it's too daring?
00:41:43No.
00:41:44I bet Max will like it.
00:41:46He always does.
00:41:47Hi, girls.
00:41:51Has Susie come back yet?
00:41:52No.
00:41:53Maybe we should go on without her.
00:41:54She'll be along.
00:41:58You'll make a big hit in that costume, Annie.
00:42:01Won't I, too?
00:42:03What?
00:42:03Oh, no.
00:42:04What's gotten into you?
00:42:05You mustn't hide those beautiful legs of yours.
00:42:17They desecrated your world of beauty.
00:42:22With their sordidness, the day of the Crimson Executioner has now come.
00:42:30I've been wondering about the owner of this castle.
00:42:33Well, if you want my opinion, I think he's slightly off his neck.
00:42:35You would be, too.
00:42:36If you lived isolated in this place, you'd end up the same way he is.
00:42:41Hey, Dermot.
00:42:42Yeah?
00:42:43Look at this.
00:42:45This must be where the executioner was killed, if the legend is true.
00:42:48What is it?
00:42:50It looks like a coffin.
00:42:51No, it was a medieval instrument of torture.
00:42:53The infamous iron melee.
00:42:55Susie!
00:43:04What?
00:43:19No one can dare say that this was an accident.
00:43:25Just as I thought, the rope wasn't worn.
00:43:52It was cut.
00:43:55At this point, there's only one explanation.
00:43:58Deliberate murder.
00:44:01Deliberate murder?
00:44:03But why, Rick?
00:44:05It doesn't make any sense.
00:44:06That's what we've got to find out.
00:44:08Any idea where Raul is?
00:44:10Raul?
00:44:11No, no.
00:44:12I don't mean he had anything to do with this.
00:44:14But perhaps he saw who did it.
00:44:17He was near Susie all the time.
00:44:20Here.
00:44:20Take this.
00:44:21My car is the fastest we have.
00:44:23Go to the nearest police station and try and get help.
00:44:26Okay, Rick.
00:44:26I will.
00:44:27But how about you?
00:44:29What are you going to do?
00:44:31Stay here?
00:44:32With a murderer at large, you're all in danger.
00:44:34I know, but it's impossible to leave with things as they are.
00:44:37And we've got to find Raul.
00:44:38He might have some evidence.
00:44:38I'll be as fast as I can.
00:44:59How much longer do we have to wait now?
00:45:02We get paid.
00:45:03Why should you care?
00:45:04Yeah, you get prettier by the minute, girls.
00:45:12Take a look at this, Max.
00:45:13I have a new idea.
00:45:15I don't want the girls to know this yet.
00:45:17Susie's been murdered.
00:45:18What's that?
00:45:19So you like the idea?
00:45:20Oh, sure.
00:45:21It's great.
00:45:22You'd better watch out.
00:45:23Dermot's already on his way to the police station.
00:45:25Don't tell the girls.
00:45:26They'd only get panicky.
00:45:27But then Perry was killed, too.
00:45:28We completely agree, then.
00:45:29Well, what do we do now?
00:45:31I'll have a look around.
00:45:33You'd better stay with the girls.
00:45:34See you later.
00:45:35See you later.
00:46:04What are you doing here?
00:46:09I want to see your master right away.
00:46:10No, he doesn't want to see anybody.
00:46:11It's urgent that I see him no matter what.
00:46:13Understand?
00:46:13I said you can't see him.
00:46:14Edith, what are you doing here?
00:46:28I want you to see what I found.
00:46:29I'm sure you recognize her.
00:46:36Edith, what's your portrait doing in this castle?
00:46:39Then you do know the owner.
00:46:40Yes, Travis and I were engaged.
00:46:43Travis Anderson.
00:46:44Isn't he the actor who disappeared several years ago?
00:46:47Yes, he used to be a muscle man in costume films.
00:46:50It all happened so suddenly, so unexpectedly.
00:46:53He left without a word.
00:46:56He just vanished.
00:46:58He's always been a little strange.
00:47:01Even with me, he seemed so cold.
00:47:04Yet I'm certain that he really loved me.
00:47:07In all this time, I haven't stopped wondering why he ever disappeared like that.
00:47:12Now I found him here in this castle.
00:47:15I thought I recognized his voice, and now that I've found this, I know it's Travis.
00:47:19I must try to speak to him.
00:47:21Edith, we have no time for that.
00:47:23You've got to trust me.
00:47:24What is it?
00:47:25I'll tell you later.
00:47:27Where's Canoio?
00:47:28I left her downstairs when I went to find Travis.
00:47:30There's not a moment to lose.
00:47:31We must find her.
00:47:33What's happened, Rick?
00:47:34Don't ask any questions.
00:47:35Hurry.
00:47:38We've got to reach the others.
00:47:39It's important that we all stay together.
00:47:41Well, what's going on?
00:47:42I don't understand.
00:47:45Canoio.
00:47:57Canoio.
00:48:00Canoio.
00:48:02Watch out, Rick.
00:48:08Don't try to get any closer to me or you'll get killed.
00:48:11There's no escape for me.
00:48:12I know it.
00:48:13You must save yourselves while there's still a chance.
00:48:17Don't you see?
00:48:18It's a diabolical trap.
00:48:21It's impossible for anyone to reach me.
00:48:23These wires are connected to the bows on the walls.
00:48:27The slightest touch will release the arrows in every direction and anyone nearby will be killed.
00:48:33Nobody can stop the mechanism that operates.
00:48:36The spider.
00:48:38It has poison in its claws.
00:48:40I'll be killed the moment it reaches me.
00:48:43Now it's hopeless.
00:48:48Watch out, Rick.
00:48:53Don't do it, Rick.
00:48:56You'll be killed.
00:48:57I tell you, it's hopeless.
00:49:16Don't do it, Rick.
00:49:17Leave me.
00:49:18It's no use.
00:49:19Please don't come any closer.
00:49:32Your magic is too alive like this.
00:49:34You'll be killed in your way.
00:49:36You're scared.
00:49:36Yes.
00:49:37You're scared.
00:49:38Last time, Rick, you got lost help.
00:49:39Oh, my God.
00:50:09Rick!
00:50:39Rick, your jacket's caught!
00:50:53Rick, your jacket's caught!
00:51:23It's all over for me.
00:51:30It's the end for all of us.
00:51:32Give up, Rick.
00:51:41It's no use.
00:51:55It's too late.
00:51:56Rick!
00:51:59Rick!
00:51:59Rick!
00:52:01Rick!
00:52:06Rick!
00:52:08Rick!
00:52:09Rick!
00:52:10Rick!
00:52:11Rick!
00:52:13Rick!
00:52:15Rick!
00:52:16Rick!
00:52:25Rick!
00:52:26Rick!
00:52:27Rick!
00:52:28Rick!
00:52:29Canoio!
00:52:31Canoio!
00:52:33Canoio!
00:52:37Oh, Canoio.
00:52:39Horrible death. I've got to get her down from here.
00:52:43Edith, go find the others. Hurry up.
00:52:45You've got to get out of the castle at once, at once.
00:52:49No, no, Rick, no. Not without you.
00:52:51What would I tell you?
00:52:55Go away, Edith, go away.
00:52:57Don't worry about me.
00:52:59Derbert will be back here soon with the police.
00:53:27Let us out! Let us out!
00:53:29Let us out!
00:53:31It's no use. We've been locked in.
00:53:33No! What do we do?
00:53:35Max! Max, what's happening?
00:53:37Where are the others?
00:53:39I don't know, but don't lose your heads.
00:53:41Just come on down here. Go and tell Rick that we need him.
00:53:43All right.
00:53:45We have to get out of here.
00:53:47Rick! Rick! Rick! Rick! All the doors are locked. We can't get out.
00:53:49Keep calm, Edith. We'll make it somehow. Just a minute.
00:53:51Just a minute.
00:53:53I don't know, but don't lose your heads.
00:53:55No! What do we do?
00:53:57Max! Max, what's happening? Where are the others?
00:53:59I don't know, but don't lose your heads.
00:54:01Just come on down here. Go and tell Rick that we need him.
00:54:03All right.
00:54:05We need to get out of here.
00:54:07Rick! Rick!
00:54:09Rick, all the doors are locked. We can't get out.
00:54:11Keep calm, Edith. We'll make it somehow.
00:54:13Just a minute.
00:54:33Edith!
00:54:35Edith!
00:54:37Edith!
00:55:06Adam!
00:55:07Edith!
00:55:08Greg!
00:55:09Travis!
00:55:11Don't come any nearer. Or from we?
00:55:15You are the murderer.
00:55:17Now I know it, Travis.
00:55:20How could you?
00:55:23You're a monster, a monster!
00:55:25Oh, no!
00:55:29You.
00:55:31You no longer mean anything to me.
00:55:34Even though I missed you when I abandoned the world.
00:55:43I was forced to retreat to this castle.
00:55:48Mankind is made up of inferior creatures.
00:55:52Spiritually and physically deformed.
00:55:55Who would have corrupted the harmony of my perfect body.
00:56:21I...
00:56:24I came to the isolation of this castle.
00:56:28To avoid the contagion of human sentiment.
00:56:30And a woman's love...
00:56:33Would have destroyed me.
00:56:36I...
00:56:38I came to the isolation of this castle.
00:56:41To avoid the contagion of human sentiment.
00:56:44And a woman's love...
00:56:50Would have destroyed me.
00:56:54It's because of that...
00:56:57Would have destroyed me.
00:57:07It's because of that...
00:57:12I abandoned you.
00:57:14Travis, you've lost your sanity.
00:57:17You're an egotist.
00:57:19Obsessed with your sick thoughts.
00:57:21You're wrong, Edith.
00:57:23Last night I had a moment of weakness because of you.
00:57:30When I first caught sight of you.
00:57:36And I said you could stay together with your friends.
00:57:40But that was a mistake.
00:57:41I know of only one who was never overcome by weakness.
00:57:53The Crimson Executioner.
00:57:55He despised your world.
00:57:59As passionately as I do.
00:58:02Look at him. Look at him.
00:58:04His magnificent body...
00:58:06Was preserved intact through all these centuries undisturbed.
00:58:11His spirit lives in me.
00:58:13And I'll continue his mission of vengeance.
00:58:15This is the sacred duty I've sworn to.
00:58:17We're alike.
00:58:18Now...
00:58:20That you have profaned his tomb.
00:58:22And broken the seal...
00:58:24That imprisoned his great spirit.
00:58:26His power has been released.
00:58:28His power has been released.
00:58:30His spirit lives in me.
00:58:32And I'll continue his mission of vengeance.
00:58:34This is the sacred duty I've sworn to.
00:58:36We're alike.
00:58:38That you have profaned his tomb.
00:58:41And broken the seal...
00:58:43That imprisoned his great spirit.
00:58:46His power has been released at last.
00:58:55And his noble crusade against sin...
00:58:57Lives again through me.
00:59:08Yes, the black fire...
00:59:11Of the long awaited vengeance is here.
00:59:16And your friends...
00:59:18Cannot escape.
00:59:23The Crimson Executioner has passed judgment.
00:59:38And now...
00:59:40At last...
00:59:43You'll witness the glory of his return.
00:59:51And you'll pay just like the others.
01:00:03Travis!
01:00:05Don't do it!
01:00:06Come back!
01:00:36Come back!
01:00:59Now you'll be punished for your lechery!
01:01:01Two!
01:01:06Two!
01:01:11The Crimson Executioner...
01:01:13Will torture you!
01:01:15Yes!
01:01:16Will torture you!
01:01:20Till death!
01:01:36No!
01:01:42No!
01:01:44No!
01:01:47No!
01:01:49No!
01:01:51No!
01:01:53No!
01:01:54Oh, my God.
01:02:24Oh, my God.
01:02:54Oh, my God.
01:03:24That's just a small portion of the torture that awaits you.
01:03:38I promise you that none will escape the wrath of the Crimson Executioner.
01:03:50As for Rick, this is how he will die.
01:04:06Why are you doing this?
01:04:10Why don't you let us go?
01:04:12What have we done to you?
01:04:14You're torturing innocent people.
01:04:23Come back to your senses.
01:04:26You're the owner of this castle.
01:04:29Not the Crimson Executioner.
01:04:30You see, I am the Crimson Executioner.
01:05:00Oh, my God.
01:05:30Oh, my God.
01:06:00Oh, my God.
01:06:30Oh, my God.
01:07:00Oh, my God.
01:07:30Oh, my God.
01:08:00Oh, my God.
01:08:30Oh, my God.
01:09:00Oh, my God.
01:09:30Oh, my God.
01:10:00Oh, my God.
01:10:30Oh, my God.
01:11:00Oh, my God.
01:11:30Oh, my God.
01:12:00Oh, my God.
01:12:30Oh, my God.
01:13:00Oh, my God.
01:13:30Oh, my God.
01:14:00Oh, my God.
01:14:30Oh, my God.
01:15:00Oh, my God.
01:15:30Oh, my God.
01:16:00Oh, my God.
01:16:30Oh, my God.
01:17:00Oh, my God.
01:17:30Oh, my God.
01:18:00Oh, my God.
01:18:30Oh, my God.
01:19:00Oh, my God.
01:19:30Oh, my God.
01:20:00Oh, my God.
01:20:30Oh, my God.
01:21:00Oh, my God.
01:21:30Oh, my God.
01:22:00Oh, my God.
01:22:30Oh, my God.
01:23:00Oh, my God.
01:23:30Oh, my God.
01:24:00Oh, my God.
01:24:30Oh, my God.
01:25:00Oh, my God.
01:25:30Oh, my God.
01:26:00Oh, my God.
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