FULL MOVIES ENGLISH SUB
#drama #cdrama #romantic
#drama #cdrama #romantic #love #movie #shortdrama
#drama #cdrama #romantic
#drama #cdrama #romantic #love #movie #shortdrama
Category
🎥
Short filmTranscript
00:00Previously on Project Runway.
00:02Top five.
00:04You'll be making a look for women and men who struggle with eczema.
00:08It should be comfortable on their skin and it needs to produce a jaw-dropping reveal.
00:13This is going to be bananas.
00:16Everybody here has won a challenge.
00:18I haven't won.
00:19I've been this close.
00:20I'm like, this is my challenge.
00:22I don't know about the silver.
00:23It's a bit effeminate.
00:25I really like the design.
00:26Antonio and Vijay, you made our two favorite looks on the runway.
00:32Antonio, congratulations.
00:34You're the winner.
00:35You had our favorite look this week.
00:37I finally win!
00:39I think you being in the top is ludicrous.
00:43You didn't even have a reveal at all.
00:45What the f***?
00:46Polania, Jesus, both of your looks failed as a reveal.
00:50And even worse, you failed your client.
00:53You're both out.
00:56Wow.
00:57Whoa, whoa, whoa, whoa, whoa, whoa, whoa, whoa, whoa.
00:59What the f***?
01:03A stake for the winner is $200,000, a spread in Elle magazine, and a life-changing mentorship
01:10with the CFDA.
01:12This is Project Runway.
01:14Tonight, you're both out.
01:28I'm in shock.
01:29Me and Jesus, we're the two that got two wins.
01:33This is out of control.
01:36I'm literally in lots of words.
01:38I've performed so well in this competition.
01:41I think I also delivered something nice on the runway, and I had a reveal.
01:46So I'm so confused as of why BJ is not sitting in my spot right now.
01:51I'm sorry.
01:59But that is until someone convinced us otherwise.
02:03What the f***?
02:09Hello.
02:11I think you're both really talented and worked really hard.
02:15I know you did, right?
02:17I convinced the judges that you both should stay.
02:22Oh, baby.
02:30Oh, I'm not going home.
02:33Ah, yes.
02:35If it wasn't for Christian, you both would be getting my FB does in today.
02:40I don't think we should get rid of either of them.
02:42Really?
02:43They both won challenges.
02:44They're both talented.
02:45And then only three to the finale.
02:47I think it's a great idea.
02:48Woo!
02:50No, you can't pick me up.
02:52I'm not going to pick you up.
02:54This is so fun.
02:55I'm so excited that my dream is still alive, and I have never been more motivated to make
03:01to the finale than I am right now.
03:03Good luck.
03:03Thank you so much.
03:04Good luck.
03:06This is great.
03:09Has this been on?
03:10Oh, my God.
03:13I don't know.
03:15Bitch, I'm also in.
03:16Ah!
03:20No, but wait, how?
03:21Christian said that he wants to see both of us in because we've made great work.
03:30So we're both safe.
03:32Are you kidding me?
03:33I want Jesus to go home.
03:35Christian, what are you doing?
03:38Shut up.
03:39The bitch is back, and I'm not going home.
03:42It's on.
03:43Get out of my way.
03:49Tots, tots, mama.
03:51Wow!
03:53Hello, designers.
03:54Hi, Heidi.
03:56The final five.
03:57Oh!
03:59I feel like I've sucked up before.
04:00I know.
04:01Deja vu.
04:02It's top five.
04:03We're all still here.
04:04I'm coming up a win.
04:05Wow.
04:07Let me take a deep breath.
04:08This feeling is good.
04:12I am more confident as a solo designer than I've ever been, and the finish line is really,
04:18really, really close.
04:19There's five of you, but unfortunately, only three of you will make it to the big finale.
04:26This is the most important challenge of this competition.
04:30This is the challenge before the finale, and knowing the two of us are going home, I can't
04:36mess this up.
04:37I just can't.
04:39Because this challenge determines who is going to the finale, we had to do something very,
04:44very special.
04:45Take a look.
04:47Roll the clip!
04:49Oh, hi, Heidi.
04:50Oh!
04:52And hello, designers.
04:54It's Ozu's most popular witches.
04:55Wow.
04:56Ah!
04:57Cynthia!
04:58Ariana!
04:59We hear this season of Project Runway has more twists and turns than the yellow brick
05:03road.
05:03And we're certain the experience has changed you for good.
05:06We wish we could be there in person, but you are in amazing and talented hands.
05:10We're pleased to welcome to the runway the most swankified man in Oz.
05:13Oscar-winning costume designer of Wicked.
05:15And the upcoming Wicked for Good, Paul Tazewell.
05:18Good luck, designers.
05:19Wow.
05:20Wow.
05:21Wow.
05:23Hey, it's fine.
05:25Designers.
05:26Wow.
05:27It is such an honor to have you here.
05:29It's so great to be here.
05:32Paul Tazewell is the first African-American man to win an Oscar for Best Costume Design.
05:40On top of, like, all his other accolades, because he's been really running these costume design
05:44Broadway streets since the 90s.
05:46So, you know, just in the presence of an icon, no big deal.
05:49You will be creating an avant-garde look based on the themes of the upcoming movie, Wicked for Good.
05:58To help inspire you, you are getting a sneak peek.
06:02Stop.
06:03Stop.
06:03You're the only friend I ever had.
06:09Because I knew you.
06:13But there's no going back.
06:14Because I knew you.
06:19They're coming for you.
06:21I have been shared.
06:25Think of what we could do.
06:27Together.
06:28I can relate to this so much because Antonio and I have such a strong brotherhood.
06:43And Linda and Elphaba have such a strong sisterhood.
06:46So, like, wow, this is such a beautiful challenge for Antonio and I.
06:50Wicked focuses on the power of friendship, marginalization of people that are different,
06:57and also self-empowerment.
06:59So, it's on you, hopefully, to take that inspiration and create it in your own way
07:04and reimagine the idea of Oz.
07:07And what if I told you you might have not only one day, but, you know, two days!
07:17Oh, my God.
07:18Finally!
07:18Girl, I'm about to cry.
07:21A lot of emotions.
07:22I got saved.
07:23Paul Taswell.
07:24Wicked.
07:25Avant-garde.
07:26Damn it!
07:28Paul and Christian will meet you guys in the workroom, where there will be some other surprises.
07:32So, enjoy.
07:33Good luck to all of you.
07:40Oh, my God!
07:43Hi, designers.
07:44So fragile.
07:45So expensive.
07:46So designer.
07:47Is this for real?
07:48So not only did you get a special look at the film, you also get this fabulous special look
07:54at the costumes from the film, which is incredible.
07:57And you're going to get to talk directly with the man who made it all come to life.
08:01What you see before you is Elphaba and Glinda.
08:05For Elphaba, I leaned into all that was organic.
08:08I was influenced by mycelia, bark, the underside of mushrooms.
08:15Speechless.
08:15With Glinda, it's all that is artificial, all that is sparkly and beautiful.
08:20I then wanted to really establish that idea of the iridescent bubble, swirls and those things
08:28that are whimsical.
08:28And pink and green define what the world of Wicked is.
08:32Think about this idea, taking the inspiration of Wicked for Good, but still avant-garde and whatever
08:37that means to you and your brand and your work.
08:39It still needs to be fashion.
08:41It's still a runway.
08:42Push it really hard.
08:44You guys go sketch and we'll come around.
08:46Ah!
08:49This is my challenge.
08:51I'm good at avant-garde.
08:53Good luck at the designers.
08:55Good luck.
08:56Hi, I'm Glinda.
08:57Obviously.
08:59I'm thinking about doing a head-to-toe pink beaded bodysuit with gloves and do a beautiful
09:06cape of Arganza.
09:07Amazing.
09:08Well, make sure that you're also thinking about avant-garde, like something you've never seen
09:12before.
09:13It's like a pink bodysuit is fabulous, but like Jennifer Lopez literally wear that every
09:17single night.
09:18And a flower cape, Valentino's made for like 20 years, so push it more.
09:23I'm not worried at all.
09:24I hope my win last week can carry me through this challenge and into the finale.
09:29My biggest competition is my brother, and I feel like I finally catch up to him.
09:34The judges really are going to see what Antonio Estrada is capable of.
09:38I wanted to tap more into the nature side, so I thought about a beautiful tree.
09:42It has no linear lines.
09:44Absolutely.
09:45But remember, you know, still want that fashion moment.
09:48I'm trying to use the design style that I discovered for myself, sophisticated streetwear, and push
09:55it to avant-garde.
09:57The pressure is turned up to 5,000, and I really, really, really want to make it to the finale,
10:04so I'm determined to deliver.
10:07Wicked For Good is a movie about friendship being torn apart, and I kind of want to create
10:13a fabric that's kind of like peeling off or being torn apart.
10:17I really want it to be crazy, but in a good way.
10:20I mean, what I'm seeing is really exciting.
10:22Huge fan of texture.
10:23Also, like, your work is, you know, very quiet sometimes.
10:26I think this has to be the fantasy.
10:28Yes.
10:29Right?
10:30I really agree with Christian.
10:31My work, it's very quiet because I think that there is beauty in simplicity.
10:37But avant-garde should not be quiet.
10:41I love to play with restraint.
10:43A lot of Elphaba's journey, she's restraining herself because of her skin.
10:49Growing up, I was a little queer kid, and I didn't know really how to express myself,
10:54and so when I saw Wicked, it did help me, like, feel comfortable in my own skin, and,
10:59yeah, it really means a lot to me.
11:01Ugh.
11:02I'm obsessed.
11:03So I want to play with this beautiful crystal overlay off the shoulders, just it flowing
11:10down into just beautiful fabric.
11:13You did do the first challenge where you had a glove through your giant wind cape, and that
11:20standing still might not be enough.
11:22This needs to be incredible, which you, above all people, can do.
11:29Mm.
11:30Avant-garde is my bread and butter.
11:32I think that I could do a hybrid of what I've done before, but these decisions are the
11:35ones that are going to push me into the finale, so I've got to make the right decisions.
11:40It's a lot of pressure.
11:41I have a really strong connection with Elphaba.
11:45I want to create this really amazing avant-garde coat dress with really huge hips.
11:53I don't know if avant-garde is in Jesus' wheelhouse, because he makes a lot of beautiful dresses,
11:59but a beautiful dress is not avant-garde.
12:01Then I want to mold the collar into around the neck and into a hat.
12:07I mean, the silhouette of the dress is something that we've seen before.
12:11It's literally exactly the same.
12:13I don't know what he's thinking.
12:14This challenge might be Jesus' downfall.
12:17I got this.
12:18And we're back.
12:23This is probably the most important shop of the season.
12:26Five of you left.
12:27Two of you go home on this challenge.
12:29Fabric is so important.
12:3030 minutes.
12:31$1,000 a shot.
12:32I love money.
12:33And I love spending other people's money.
12:35Ready, go.
12:36On your broomstick.
12:37I have been eyeing this crystal fabric, and I find this beautiful green satin.
12:51My original plan was in silver because of Glinda's shoes, but that crystal fabric is more of a green
12:57tone, so, like, green is just a natural choice.
13:01Vijay, all this red is for you.
13:03A lot of your budgets go into this one fabric.
13:06Setting myself apart from other designers is a strategy that I've used for the entire competition
13:12because you need to have a unique point of view.
13:15All gonna be red.
13:16Yes.
13:17The whole thing.
13:18Yes.
13:19Very powerful.
13:20It's a risk to use red because I know that this is not the usual colors that you can associate with a movie,
13:25but no risk, no reward.
13:28Can you see your sketch, Vijay?
13:29No.
13:30See?
13:31I don't know yet what I'm making.
13:32Well, I just wanna see what you sketched.
13:34I don't know yet what I'm making.
13:35You don't have to show him.
13:36I like that she doesn't show anybody.
13:38No.
13:39Like, you can't get it at her.
13:40She's trying to win.
13:41I like it.
13:42All right, designers, one minute left.
13:45Anxiety.
13:46What color are you using?
13:48Green.
13:49Oh, my God.
13:50You and Ethan are both using green.
13:53So it's a battle between who has the best green look.
13:56Bitch, I'm not worried.
13:58He was not supposed to do green.
14:00He was supposed to do silver.
14:02I'm his biggest threat.
14:06Can you see?
14:07It's inside.
14:08Bitch, you never wanna show me your sketch.
14:09Oh, there's black.
14:10You wanna see my fabric?
14:11Vijay is a silent killer.
14:13I'll see it later.
14:14She never wants to show anybody's her sketch.
14:16When you show me your sketch, I'll show you my fabric.
14:18I'm not showing you my sketch.
14:19This bitch.
14:20Game is on, Vijay.
14:21Gimme, gimme, gimme more.
14:23And you better not step me more.
14:25I want more.
14:26Na, na, na, na, na.
14:27Let's make some magic happen.
14:29Gimme, gimme more.
14:34You guys really bought expensive fabrics.
14:36How much is it a yard?
14:37This is $750 a yard.
14:39Wow.
14:40He's so sad you copied his color.
14:46Get it straight, bitch.
14:47I don't want you to, like, start tea.
14:48Yeah.
14:49But I never said that he was copying me.
14:50Don't put words to my mouth.
14:52You just accused me of saying that he copied me and I didn't say that.
14:55No.
14:56Let me just clear the air.
14:57I wanna clear it because you're starting tea.
14:59I'm just, like, asking why both of you are using green.
15:02You're initially going for silver.
15:04No, the original plan was that Ethan was gonna use silver.
15:07I was gonna do the green.
15:08And Antonio was gonna do...
15:09Pink.
15:10Pink.
15:11Because we're hoping that we're on the top three.
15:13Period.
15:14Whoa.
15:15Whoa.
15:16Damn.
15:17What?
15:18Bitch.
15:19But I never said that he was copying me.
15:21Don't put words to my mouth.
15:22He said that you change it to green.
15:24Actually, my original thought was green.
15:27But then I thought, oh, what if I switch it to silver for the shoes?
15:31I'm not copying nobody.
15:32I'm just doing the correct branding.
15:34No one here owns green.
15:36She's gotta go home.
15:39I know it's like when I'm...
15:40This is, like, the moment that I'm like, bitch, it's on.
15:43Jesus is fuming.
15:45I can already feel his heat coming down from his pores.
15:48I have my popcorn ready.
15:50Y'all are spicy.
15:52This is just getting me more fuel to send you home.
15:58Jesus can go from zero to 200%.
16:01And I am the opposite.
16:03I'm not taking it in a very personal level.
16:05But I think Jesus cannot do that.
16:08So there's gonna be chaos and war.
16:11The sea witch bitch was home.
16:13It's like, I'm done with it.
16:14I don't want that.
16:15She really is a shit starter.
16:17She's a shit starter.
16:18Uh-uh.
16:19I don't hear shit.
16:20I don't know shit.
16:21Nope.
16:22It's very serious.
16:23And I don't like it.
16:24You don't with the Gemini.
16:25Oh my God.
16:27I've gotten nowhere with my garment.
16:30I don't have time for this, y'all.
16:32Get out.
16:34I'm gonna change mine into a gown.
16:37The fabric is too beautiful not to do a gown.
16:40I have a question with both of you.
16:42Like, this is like a random question.
16:45Uh-oh.
16:46For example, just let's say, of course, ideally both of you want to be in the finale.
16:51But let's say there's only one.
16:53Have you guys talked about who do you think deserve it more?
16:57This is just like an honest.
16:59I think Antonia started in the bottom and then you started in the top.
17:03And then during the entire competitions, kind of like, he's on the top, on the top, on the top.
17:09And then like...
17:11What are you talking about?
17:13Honey, I'm just going up.
17:14I'm not saying you're going down.
17:15No, listen to me.
17:16I'm just going up.
17:19Security!
17:21Security!
17:22We need security on set.
17:24You never know.
17:25Like, last challenge, it was a shock to me that I was in the bottom.
17:30You should have gone home.
17:31Period.
17:34I mean, I like my look.
17:35When I ask questions, I'm just trying to know you and to get to know you.
17:39But I get in trouble sometimes because I'm always very honest.
17:43And sometimes I lose friends because of that.
17:46It might come across offensive.
17:48You missed the challenge, honey.
17:50Why did I miss it?
17:51Because there was no reveal.
17:53There was a reveal?
17:54The Christmas sweater?
17:56I'd rather wear a Christmas sweater rather than dancing with the stars that looks like a magician.
18:02My coat was stronger than all your three pieces if you really want to go there.
18:06Wow.
18:07My job this week is to tenir raison.
18:13You're a feisty bitch.
18:14Oh, my God.
18:15Starting trouble.
18:16Jesus, now what the with me?
18:18This is very loud.
18:20I'm not really trying to create drama.
18:30She looks at me and I'm like, bye.
18:36More comment.
18:37Jesus and I fight a lot.
18:39But for me, it's coming from competition.
18:43You put two competitive people in one group.
18:47So what would you expect?
18:48You know, we're not going to hug each other.
18:50We're going to stop each other because we want to win and it's normal.
18:53She said, I'm going to start and do star drama.
18:56I'm like, yeah, but you did.
18:57She is drama.
18:58You don't have a DNA, honey.
19:00All your looks look from different designers.
19:02VG has always seen us as frenemies, but she's pushed me way too far.
19:08I don't know if it's her strategy to make it to the top because I truly have no idea why she's still in this competition.
19:16You really want me to go there?
19:17Ready, set, go.
19:19Hi, everybody.
19:20There's not that much done.
19:26I was going to do a jumpsuit.
19:28I kind of had a nightmare that J-Lo sent me home, so I changed my mind.
19:32I'm not doing a cave.
19:33It's almost like a shawl, but I want to make it big and I want to make my own flowers.
19:37It has to be huge.
19:39Focus on this wow moment piece.
19:41You need a flower cocoon.
19:43Flower cocoon bubble.
19:45Let me write that down.
19:47How do you spell cocoon?
19:48Cocoon.
19:49I don't know.
19:50C-A-C-O-O-N?
19:58This is one of Alphaba's friends from the forest.
20:00Tree creature.
20:02Yes.
20:03This is really cool.
20:04It was really hard to find texture and the right color of tree creature.
20:06The right color of trees and moss.
20:08I don't think you should go too costume-esque.
20:13Right.
20:14Like a tree.
20:15What's going to make you stand out?
20:16Knowing that I could have gone home in the last challenge is shaking my confidence.
20:21I'm worried about my look not standing out in the room full of glitter, sparkle, and 3D definition.
20:30I'm concerned.
20:31Who is she?
20:33Lady Godiva.
20:34So you're sticking with your plan.
20:36Like you're not going to see the body at all.
20:38Yeah.
20:39Like you're covering her up in green.
20:40Even if it was just a small amount into a V or something.
20:44You know, I could plunge this down and really get it close to the body.
20:49I think so.
20:50I don't want them to be like, this just isn't enough.
20:53Throughout this competition, I have had to tone it down because, you know, my sentiments for fashion is really loud and bananas.
21:01But this challenge is my opportunity to really turn what I'm good at up to 100.
21:08This is that one challenge you could push it even just a little bit more.
21:11Okay.
21:14I don't want it to kind of look like what I did for Unconventional, you know, the count.
21:18I want to make her a little more sexy.
21:19I think you can do all this.
21:21Or just let me.
21:22I know, but that's a lot of work.
21:24I can handle it.
21:26I need to send her home.
21:27You really?
21:28Guess what did you just say?
21:29BJ just killed the vibe not too long ago.
21:32She, she's one of those.
21:35I am sad because there's a lot of assumptions that I am steering the pot.
21:39One of the things that I learned in this competition is that you got to be very careful because people just really create drama out of nothing.
21:48BJ, the room is very frazzled about you today.
21:50I know.
21:51I really don't know why.
21:53It just feels so weird because they, they thought that I should, that I should got eliminated last challenge.
22:00I don't know.
22:02Alphaba is a person that kind of like being rejected for who she is.
22:06And you know, it's like, yeah, it's like, you know, it's like I felt rejection so many times and it's not that easy.
22:13It's kind of like, I kind of relate to that character as a trans woman being rejected, being said no a lot of times.
22:20But it's like, no matter how hard it is.
22:26I understand.
22:27Yeah.
22:28Trust me, I was an out little gay boy when I was on this.
22:30Yeah.
22:31In 2008.
22:32Yeah.
22:33It was rough.
22:34It wasn't fun.
22:35Yeah.
22:36But you're here and there's so many allies in the world and people are going to be so inspired by you.
22:39There are things about me that people don't understand.
22:43As an immigrant woman, as a trans woman, and as a fierce competitor.
22:48But those are the things that I like about me.
22:51I see my uniqueness as a special power.
22:54And I want to channel all of that into this design.
22:58You get to create and show people what you can do.
23:01Yeah.
23:02So be proud of yourself.
23:09Modo, baby!
23:11A little trepidatious about them being like, it's too similar to the first one.
23:22But it's a totally different, like, headpiece.
23:25Totally different.
23:26Yeah.
23:27There's not a lot of time to pivot.
23:29And pivoting last week hurt a lot.
23:32But I'm hoping that I kill it.
23:35One stumble could let me fall out of this competition.
23:38Oh no!
23:39I think I could be in trouble.
23:48Hello, designers!
23:50Hi!
23:51Hello!
23:52Wow, what an honor.
23:53Ah, it's fun!
23:54Oh my god.
23:55The Oscar winner.
23:56I have never had an opportunity to have my work critiqued by an Oscar winner.
24:02How are you?
24:03It's a pleasure.
24:04So this is, this is it.
24:07Definitely avant-garde.
24:09And it would be great to understand direction so that it doesn't feel random.
24:16Okay, I'll do that.
24:17It needs to be intentional.
24:18Yeah.
24:19My worry is that, are they gonna get it?
24:22Are they gonna see wicked?
24:23The face of your model is open.
24:25And how does it relate to the green skin?
24:29I think it could be kind of cool if all of her face was covered too.
24:33Well, that's what I was wondering as well.
24:35And I think that it would also push the avant-garde.
24:37It's a good idea.
24:38I'm excited to see that.
24:40Antonio.
24:41Hello, your majesty.
24:47Tell me about your design.
24:48So, originally when we spoke, I wanted to do a catsuit.
24:52I remember Christian was like, oh, J-Lo's done that.
24:54And I'm like, you know what?
24:55Right, right, right.
24:56I'm gonna do the most beautiful evening gown I've ever made.
24:59Okay.
25:00And I'm adding the green heart because it's a special place for my Alphaba, which is my twin brother.
25:06Mm-hmm.
25:07Okay.
25:08We've seen many evening dresses.
25:11How is this an avant-garde statement?
25:14Because this poppy flower that's on the floor, it's gonna be her flower cocoon.
25:20Mm-hmm.
25:21Kind of like wings.
25:24Pushing your silhouette is the direction that I would suggest.
25:28Yeah.
25:29Really make it something we've never seen before.
25:30Yeah.
25:31I mean, that was fueling almost all of my decisions when I was designing Wicked.
25:34So, how can you take us to that next level?
25:37This is my interpretation of her hat.
25:40Mm-hmm.
25:41Right?
25:42So, I want the point to be dramatic, like avant-garde.
25:44And I wanted to do a 3D heart because, you know, my brother's doing green and I mixed the pink in it.
25:51The twins obviously are helping each other, but they're not helping each other editing the look.
25:59If I'm Jesus, I will tell Antonio right now to get rid of that ugly flower.
26:05It represents the love that she will forever in her life have for Glinda.
26:11Wonderful.
26:12It touches my heart.
26:14There may be strengths in what you have already, but if you focus on that and make that really beautiful, then you really won't lead to anything else.
26:20Where I'm at in my process is getting the moss effect full throttle going.
26:25What I see currently are silhouettes that in and themselves are interesting.
26:32Mm-hmm.
26:33It's how do you keep all of it talking to each other.
26:36Talking to each other.
26:37Mm.
26:38I like Belaunius, but it doesn't read avant-garde.
26:42It reads street wear.
26:43There's a lot at stake because two people are going to go.
26:47So, girl, go big.
26:49Push yourself beyond your comfort zone.
26:51That's what avant-garde is all about.
26:53Everybody, I'm hugely impressed.
26:56So, win or lose, let's rejoice-ify.
26:59Yeah!
27:01Bye.
27:02Bye.
27:03Oh, I hope it works.
27:04Tomorrow, two of you go home and get to watch me in the finale.
27:10Hey!
27:20Guys, this is it.
27:21I woke up feeling like a wicked bitch.
27:27Oh, you're looking pretty much so much better alive.
27:29I agree.
27:30I like this more.
27:31Hi, everybody.
27:32Hi, Christian.
27:33Hello.
27:34You have an hour and a half left.
27:35That's it?
27:36Oh, my God.
27:37Uh-huh.
27:38It's a moment.
27:39What if you cut it off just, like, leave this, but cut this off so it can...
27:43It can bellow.
27:44This is making it heavy.
27:46Wow.
27:47She's very Victoria's Secret Angel.
27:49Uh-huh.
27:50All right, models to hair and makeup.
27:52Let's go.
27:55Ah!
27:56Perfect.
27:57Gorgeous.
27:58The lighter shade, so her eyes could pop, maybe, like, from the corner out.
28:00Nude lip and lashes.
28:04You should fix the inside of this garment because that's going to get you home.
28:08Click your heels, but I don't think you want to go there.
28:10How much time do we have left?
28:12Ten minutes.
28:13Oh!
28:16This is it.
28:17Only three out of five are going to the finale.
28:19I want it.
28:20That's it.
28:21Time to head to the runway.
28:22Ah!
28:23Runway!
28:24That's it, baby.
28:26Yeah!
28:28Hello.
28:29Hi.
28:30Welcome to the runway.
28:31The final five.
28:32Yes!
28:34As you know, in fashion, one day you're in, and the next day you're out.
28:37But tonight, two, unfortunately, will be out.
28:41For this challenge, you had to create an avant-garde look based on the themes from the new film,
28:46Wicked For Good.
28:48And please tell me, what was it like having Paul's input and looking at your designs?
28:52Oh, my God.
28:53It was extremely magical.
28:55He's also right over there.
28:57Hi, Paul.
28:58You're here.
29:00Thank you so much, Paul, for all the guidance that you've given the designers.
29:04Absolutely.
29:05My pleasure.
29:06Let's meet the judges.
29:07CFDA award-winning stylist and image architect, La Roche.
29:12Yes, La.
29:13Hello.
29:14Editor of Elle Magazine, Nina Garcia.
29:16And my friend, supermodel, actress, producer, fashion diva, and wicked fan, Tyra Banks.
29:28Ah!
29:29Let's start the show.
29:30I love my look.
29:43She was morphing into the dress, and the dress is morphing into the hat.
29:48It's gorge.
29:49Stunning.
29:50My vision has come to life to perfection.
29:53Such an iconic moment.
29:55Oh, my God.
29:56I've accomplished everything I wanted to accomplish for this look.
30:08She looks so, so elegant and so avant-garde.
30:14It's making me feel so proud of myself.
30:18I'm happy seeing this green goddess walk down.
30:24The runway.
30:25My look does not have sparkle.
30:28It does not have that much volume.
30:30But it's me.
30:31Definitely me.
30:32And I'm obsessed.
30:33I am hopeful that it's still enough to get me to the finale.
30:42Seeing my look walk on the runway, I feel the spiral detail is so beautiful.
30:48And the movement, it's so powerful.
30:51I mean, the color is so dramatic.
30:54And I'm really, really happy with the outcome of the dress.
30:58This is all so magical.
31:07To be able to see my look just fly down the runway.
31:11It's sparkling under the light.
31:13The lines are gorgeous.
31:14It looks expensive.
31:15It looks unique.
31:16It looks so avant-garde.
31:20And I think that I did myself so proud today.
31:22It looks so good.
31:23Yeah.
31:24This is going to be so hard today.
31:25Oh, my gosh.
31:26Designers, please step onto the runway.
31:28We've scored your designs.
31:29And we want to talk to all of you.
31:30Jesus, we're going to start with you and your model.
31:31I really wanted to just create something very powerful.
31:35I wanted to do a heart to incorporate the pink of Antonio's fabric because to me, it represents
31:42the love that Elphaba has for Glinda.
31:44But for me, it's the love that I have for my twin brother.
31:48Avant-garde means being innovative, being experimental.
31:55And that all came through.
31:58It really is pushing the boundaries.
32:02Well done.
32:17I'm done.
32:18Aw, Jesus.
32:20It's okay to be emotional.
32:22I think it's really, really, really beautiful.
32:25Now, the shoes came off really draggy to me.
32:28But you know what?
32:29This is a runway look.
32:31This is the avant-garde moment when you can be outrageous.
32:35Gonna hit Nina first.
32:37She's gonna photograph it.
32:38No, it's gonna hit me first.
32:39Cause I'm gonna get it right off the red carpet.
32:40Oh, you're gonna fight.
32:41Oh, no.
32:42We're gonna get it.
32:43Oh, no, no, no, no.
32:44We get it first.
32:45I get it first, man.
32:46It depends on your celebrity.
32:47Sorry.
32:48And we know who my celebrity is.
32:49All right.
32:50Ow!
32:51Mina came back feisty tonight.
32:52Yes, ma'am.
32:53I know.
32:54That's what you say every time I come here.
32:55Whatever.
32:56Jesus?
32:57Kyra.
32:58I don't see two days.
32:59I see two months.
33:00Yes.
33:01I did love the look.
33:02It came out and I was like, wow.
33:04The sparkles, how you place them all.
33:06I don't know.
33:07It just gives it this kind of texture in a way.
33:10It's divine.
33:11Thank you so much.
33:13Okay, Antonio, let's get your model out.
33:16I knew that I was gonna do a pink dress inspired by Glinda.
33:20Mm-hmm.
33:21And what really came to my mind is the poppy flower in the movie.
33:24I love the dress.
33:25I think the dress is beautiful.
33:27Does it read to me immediately wicked?
33:30No.
33:31I'm seeing a little bit more Vegas.
33:33The construction on the actual dress is really beautiful.
33:36Let's talk about the back because that's what I'm most troubled with.
33:40That's a disaster.
33:42And it is not defying gravity.
33:44It's bad.
33:46Tell the truth.
33:47Shame the devil.
33:48It's, it's, it's, it's a, it's like a bad pinata.
33:52I know that deep inside you know this is catastrophic.
33:58The back of the dress looks really unfinished.
34:00I see all your seam works.
34:01It is a bit messy from the back.
34:02But I do love the volume.
34:03This brought me back, I feel like to the beginning.
34:05So even though I was rising to the top, I feel like I'm back to square one.
34:08So I'm shutting down.
34:11Um, I think the dress is beautiful and I actually like the flower.
34:16I want it.
34:17You can have it Tyra.
34:18Thank you Antonio.
34:19Hi Vijay.
34:20Hi Heidi.
34:21Let's bring out your model.
34:22Hi.
34:23Wicked for good, I just am sure how do my hair and hair is really good.
34:24I want to have you better like the color.
34:25Like how do you want to wear it?
34:26And I want to wear it.
34:27I want to wear it.
34:28And I've just got to wear it.
34:29I want to wear it .
34:30I want to wear some jeans.
34:31Let's wear it.
34:32I don't wear it right now.
34:33I know that's used to wear it.
34:34I'm the color.
34:35I'm going to wear it.
34:36I like your hair outside.
34:37I like my hair.
34:38I'm wearing my hair at the jacket.
34:39Wicked for Good is about friendship being torn apart.
34:44So I bought red silk and I literally shredded it apart.
34:49And Paul mentioned that one of the most important design elements for Wicked is the spiral.
34:56The deconstruction of wrapping that boning and making it look shredded looks fantastic.
35:03The shoe is spectacular.
35:07Kind of took my breath away.
35:08There was a lot of creativity to it.
35:11I really loved it.
35:12I think it's beautiful.
35:13I think it's avant-garde.
35:14And then the shoe looks clunky.
35:16Does it read Wicked to me?
35:18No.
35:19The red totally threw me off.
35:20Had this been in green or black, you could have told the same story and it would have made more sense for the movie.
35:29But I do think that you did make something really interesting.
35:32I used to teach branding.
35:33And there are certain things with branding that are non-negotiables.
35:36And one of those is color.
35:39So for me, that's like a big miss.
35:41Like a huge miss.
35:43Thank you, Vijay.
35:44Thank you so much.
35:45Okay, Ethan.
35:46Let's bring out your model.
35:48This could have easily been a $50,000 couture dress and you ruined it with those underwear.
35:54That is one of my biggest pet peeves on the red carpet when it's the wrong underwear.
36:00But it's fab.
36:02I love the addition of the ostrich feathers.
36:05It also is Elphaba with the cape.
36:07And the end of the first movie when Glenda threw that cloak around her and she flew off.
36:12I think you did an incredible job.
36:14It's gorge.
36:14I mean, you definitely took a risk by hiding her face because it could have been like they either hate it or love it.
36:20I happen to love it.
36:21You know, it's like, ah.
36:24What I like the most about your work is when you play with these opposites, right?
36:29So here is a sense of modesty, but at the same time of sexiness.
36:35I was just blown away.
36:37I think it's very stunning.
36:38This is unique.
36:39This is special.
36:41Thank you, Ethan.
36:42Thank you all so much.
36:44You can leave the runway.
36:45Thank you, baby.
36:46Okay, Bologna, let's bring out your avant-garde look.
36:49Paul was explaining his inspiration.
36:52He went to nature to see all the textures and the colors.
36:56And I was inspired deeply because I'm a plant person, but since this is avant-garde, I had to go a little bit bigger.
37:02I'm so torn here.
37:04I love the gouches.
37:06However, I don't know about that tail.
37:08It's giving me a little crocodile tail.
37:10And it's not even even.
37:12So there's a...
37:13Well, yeah, that speaks to nature and the unevenness in nature.
37:16It's supposed to be representative of moss.
37:18But does it give you a little crocodile alligator tail?
37:20To me, personally, no, it doesn't.
37:22I love it.
37:23I think there's different levels of avant-garde.
37:26Right.
37:26There's avant-garde couture, and there's avant-garde street fashion.
37:31I think it's absolutely stunning.
37:33My issue is everybody else took a chance, and I think this was pretty safe.
37:38In your opinion, what you've seen so far?
37:40That's not helping you, babe.
37:43Really?
37:44You don't take this as you?
37:45I think this is you.
37:46I'm uncomfortable putting this on the rack.
37:47I love it, but this is, to me, this is, like, big.
37:49Well, you're going to have to be uncomfortable a lot in this business.
37:54That's the name of the game.
37:55Fashion is all about the new.
37:58It's safe.
37:59Delania, be quiet.
38:01I have never yelled at a girl like this before.
38:04I was rooted for you.
38:05We were all rooted for you.
38:07God.
38:08Is it that serious?
38:09Bitch, it is.
38:11That was iconic.
38:12Now, let me critique you seriously.
38:14I actually agree with Tyra.
38:16Rick Owens is considered to be one of the greatest avant-garde designers of our generation.
38:21And for me, this is what that feels like.
38:23I do think it's avant-garde, and I do think it's really beautiful.
38:26It's the thing of not being able to take the critiques that loses me with you every single time.
38:33Because if I didn't care, I wouldn't say anything.
38:35I always say, like, cuss us out in your head.
38:38Right.
38:38I'm sorry.
38:40I'm not trying to be disrespectful.
38:45If I didn't care, I wouldn't say anything.
38:47I always say, like, cuss us out in your head.
38:50Right.
38:51I'm sorry.
38:52I'm not trying to be disrespectful.
38:54That's okay.
38:56Sorry.
38:57I gave yours a high score.
39:00I knew immediately that it was yours.
39:02I also did see Alphaba.
39:04She looks modern also.
39:06You know, this is now.
39:07Thank you, Belania.
39:10There's five of you, but unfortunately, only three of you will make it to the big finale.
39:17Antonio, should you be in the finale?
39:19Please tell us what two designers do you think should come with you?
39:23I think you should say I would love to see my brother do a collection, and I would love to see Ethan do a collection.
39:34I've been so proud of what he's been doing in the competition.
39:37Belania, who would you take with you?
39:41God.
39:43I would go with the two twins.
39:45So you'll send BJ and Ethan home?
39:49Yeah, that's what I'm saying.
39:51No, that's coming from your heart.
39:52I think it's very brave.
39:55Ethan, what about you?
39:57This is tough.
40:01The twins.
40:02Throughout the whole competition, I have volleyed so many ideas, and my work has grown so much.
40:10Like, they've been just watering the seeds the whole time.
40:14Oh, that's nice.
40:15Hey, hey, sis.
40:16I would, of course, like to see my brother be in the finale with me, because I am so proud of what he's done and what he's learned in this competition.
40:25And then, Ethan, I saw the growth in him through this competition.
40:29I would love for top four, because I think Belania found who she truly is as a designer.
40:35I truly don't know if BJ really knows what her DNA is in the competition.
40:40The strategy is they don't want me to be in the top three, because they know that if I'm in the top three, I have a strong chance of winning this.
40:51So who would you take with you?
40:54I will definitely take Ethan and Belania, because I think that these two people are kind, and I think that we need the money more than them.
41:05And I feel...
41:06What makes you think that?
41:07It's hard to say yes to speak.
41:08That is so stupid.
41:11I like to work with people who are kind and humble.
41:14Are you saying that we're not kind and humble?
41:16Oh, my God.
41:17You're the one that started all the drama in this competition, BJ.
41:20If you really want to go there, because you are not the humble person.
41:24You were starting drama between everybody in this competition, and you know that.
41:28So don't stand right here and look like you're the innocent girl.
41:32Period.
41:33Between you and your brother, who's the better designer?
41:35I'm not going to answer that law.
41:37Why not?
41:37I'm not going to answer that.
41:38You saw the hearts on the dresses.
41:40It's a competition.
41:41Please don't do that.
41:42I mean, he was always on top and I was on the bottom, so I'm proud of him.
41:45Right.
41:45So you think he's the better designer?
41:46Oh, I mean, yeah.
41:48If you want me to say.
41:49Okay, great.
41:50That's all I'm trying to get to.
41:51It's okay.
41:51He said it.
41:52I have different family values, as maybe you should one day, too.
41:55It's fine.
41:56Oh.
41:57There can only be one winner at the end of the day.
41:59Yeah.
41:59The best winner should win.
42:00Yeah.
42:01Well, let's get there.
42:02We have a lot to talk about.
42:04You can leave the runway.
42:05Thank you so much.
42:07Wow.
42:10It got heated in here.
42:12Oop.
42:13That was really wrong for you to say that.
42:15Please don't.
42:15See?
42:16That's what I'm saying.
42:17Please don't.
42:17Kind and humble, right?
42:19We are humble.
42:20Oh, my God.
42:21I don't even want to be in this room with them.
42:24They're attacking me.
42:24Let's not say that.
42:25Be kind and humble.
42:26Because you're the one with the big mouth.
42:28Let's not talk.
42:28How about that?
42:29Get her out of the room if she's not comfortable.
42:31She's saying that we're not humble?
42:32How am I not humble?
42:33They're attacking me.
42:35Oh, dear God.
42:36I'm not doing this.
42:37I'm going to go.
42:38No.
42:39Nope.
42:39I'm not going to stand there and have them humiliate me.
42:42I didn't come here for that.
42:43No, mama.
42:44Girl, calm down.
42:45Nope.
42:45And stay.
42:46I made my decision.
42:48Girl, you could.
42:49They're not going to humiliate me, especially this bitch.
42:52And catch me if you can't touch me.
42:55I'm leaving.
42:55Antonio, relax.
42:56I'm leaving.
42:58He is going to leave, and I know my brother.
43:00Because he's not going to be up there and be humiliated, okay?
43:03And that was really wrong, BJ.
43:05And you know that.
43:07What the ?
43:08Law, you really went there.
43:10How dare you try to put my brother and I against each other?
43:12I'm not going back in.
43:13And BJ is being disrespectful.
43:17I'm not going to stand there with that bitch, BJ, saying that we're not humble and that we
43:22don't need the money.
43:22She doesn't know my financials.
43:24Who the is she?
43:25I'm going home.
43:27I'm going home.
Recommended
41:37
|
Up next
56:01
1:23:26
48:02
50:13
47:52
46:37
21:38
1:38:06
51:04
43:05
44:05
57:12
1:10:57
48:21
42:33
1:24:28
52:05
Be the first to comment