"Main Manto Nahi Hoon" is a daring and thought-provoking drama that brings together powerhouse talents including Humayun Saeed, Sajal Aly, Sanam Saeed, Azaan Sami Khan, and more.
The story centers around a man shaped by the spirit of Manto — driven to pen his own truth — and a woman whose influence lies not in volume, but in quiet strength.
Humayun Saeed as Manto
The only son of Waqar Manto, this Manto is a reserved yet passionate professor who challenges societal expectations. Motivated by truth and guided by conviction, he chooses to honor his lineage without being bound by it.
Sajal Aly as Mehmal
Mehmal, the beloved daughter of Siraj, is Manto’s student. Calm yet commanding, she navigates the tension between inherited tradition and emerging modern ideals, making her presence felt without ever needing to shout.
Cast:
Humayun Saeed as Manto,
Sajal Aly as Mehmal,
Azan Sami Khan as Farhad,
Sanam Saeed as Maria,
Asif Raza Mir as Siraj,
Saba Hamid as Zulekha,
Saba Faisal as Naseeba,
Saima Noor as Suraiya,
Babar Ali as Bin
Yameen Usman Peerzada,
Musadiq Malik & others.
Writer: Khalil ur Rehman Qamar
Directed by: Nadeem Baig
MainMantoNahiHoon, #MMNHDrama, #BoldPakistaniDrama, #TruthTakesCourage, #DramaWithDepth, #VoiceOfManto, #QuietPower, #BreakingNorms, #PakistaniDrama2025, #FearlessStorytelling, #HumayunSaeed, #SajalAly, #SanamSaeed, #AzaanSamiKhan, #AsifRazaMir, #SabaHamid, #SabaFaisal, #SaimaNoor, #BabarAli, #UsmanPeerzada, #KhalilUrRehmanQamar, #NadeemBaig, #PakistaniWriters, #DirectedByNadeemBaig, #KRQDialogues, #PakDramaWriters #Episode21 #Dramas2025 #2025
The story centers around a man shaped by the spirit of Manto — driven to pen his own truth — and a woman whose influence lies not in volume, but in quiet strength.
Humayun Saeed as Manto
The only son of Waqar Manto, this Manto is a reserved yet passionate professor who challenges societal expectations. Motivated by truth and guided by conviction, he chooses to honor his lineage without being bound by it.
Sajal Aly as Mehmal
Mehmal, the beloved daughter of Siraj, is Manto’s student. Calm yet commanding, she navigates the tension between inherited tradition and emerging modern ideals, making her presence felt without ever needing to shout.
Cast:
Humayun Saeed as Manto,
Sajal Aly as Mehmal,
Azan Sami Khan as Farhad,
Sanam Saeed as Maria,
Asif Raza Mir as Siraj,
Saba Hamid as Zulekha,
Saba Faisal as Naseeba,
Saima Noor as Suraiya,
Babar Ali as Bin
Yameen Usman Peerzada,
Musadiq Malik & others.
Writer: Khalil ur Rehman Qamar
Directed by: Nadeem Baig
MainMantoNahiHoon, #MMNHDrama, #BoldPakistaniDrama, #TruthTakesCourage, #DramaWithDepth, #VoiceOfManto, #QuietPower, #BreakingNorms, #PakistaniDrama2025, #FearlessStorytelling, #HumayunSaeed, #SajalAly, #SanamSaeed, #AzaanSamiKhan, #AsifRazaMir, #SabaHamid, #SabaFaisal, #SaimaNoor, #BabarAli, #UsmanPeerzada, #KhalilUrRehmanQamar, #NadeemBaig, #PakistaniWriters, #DirectedByNadeemBaig, #KRQDialogues, #PakDramaWriters #Episode21 #Dramas2025 #2025
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TVTranscript
00:00સાારામ સોઓ સિંડ સારામ.
00:04સારામ સામવજેંદ સેંદ સો સેંજામ સામજેં સોંજેંદ સોંડ સોંજનેં.
00:12He's dead.
00:26Mangani is dead now, right?
00:28What will he have to be dead?
00:31If a girl gets a friend,
00:32he's dead with the mangani.
00:35Hear the story.
00:39He's called my boss's office.
00:40What kind of boss's office?
00:42Do you want to ask one more question?
00:49Sure.
00:51Why don't you change the murder of Abba's father?
00:54We don't change it.
00:57Where Abba will die,
01:00he will die.
01:03We will see less in the film.
01:05Hmm.
01:07Hmm.
01:11After the first semester, you'll get married.
01:14But after that, you'll be able to study.
01:17Who will stop you?
01:23A good man.
01:32What are you seeing?
01:33You always give a challenge.
01:36He's telling you.
01:37I'm telling you.
01:38I don't even know about men's hearts.
01:41Met means...
01:43Black Mom has come.
01:45Hmm.
01:46Have you said this to your boss's office?
01:48No.
01:49I've also tried to understand something.
01:51Wow.
01:52Are you still out there?
01:58So...
01:59I'll explain it again?
02:01No.
02:02No.
02:03I'll be happy with you.
02:05I'll be married.
02:06No.
02:07Until you don't love me,
02:08you'll be married.
02:09Hmm.
02:10Hmm.
02:11Hmm.
02:12Hmm.
02:13Hmm.
02:18When I study at university,
02:19I mean, I'm a teacher.
02:24I'm trying to become a teacher.
02:26I'm trying to become a teacher.
02:27I said...
02:28I said...
02:29...
02:30...
02:31...
02:32...
02:33...
02:34...
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07:35...
07:36...
07:37If you have a good time, you can stay with me.
07:41That's okay.
07:43You can stay with me.
07:46This can be possible.
07:49But I want to keep my father's death.
07:52We'll keep it.
07:55My father's death is our responsibility.
07:58It can be my responsibility.
08:00I can't leave my father.
08:03If I have a responsibility,
08:06...and I'll keep my life on myself.
08:08Don't do these tasks.
08:10I'm not.
08:12Then my father was my friend.
08:15He was my uncle.
08:17But his son's responsibility is more than a friend.
08:21Right?
08:27Did he say something?
08:29No, he didn't.
08:31He said, if you want to marry him, do it.
08:36But I'll tell you,
08:39that until he doesn't get rid of me,
08:41he'll get rid of me.
08:43Don't be afraid of me.
08:45But he's too afraid of me.
08:48But you don't think about it.
08:51I don't talk about it.
08:53You're bad.
09:03He's bad.
09:05You just do the same.
09:06You're bad.
09:07You just do the same.
09:08You just do the same.
09:09Check out,
09:10our work is done.
09:13We will do that.
09:14You know,
09:16your father's knowledge is gone.
09:17But your father's has taken it.
09:19You've done it.
09:20So it's a good meaning that we'll have to pay attention to it.
09:26Okay.
09:28Just like you...
09:30But...
09:31But...
09:32When it's okay, but it's not a shame.
09:39Chai, drink.
09:41Okay.
09:43Tell her, we'll come to our side.
09:50What do I do?
09:52Let's go.
09:54Let's meet her.
09:57And tell her that we'll have a marriage.
10:00Yes.
10:13Why won't you tell her this?
10:18Dr. Shoulders feel nice when we've talked to each other.
10:32Listen.
10:33What came as question?
10:35Where have you been talking to me?
10:38I know it's story.
10:40They hear it's story and I hear it.
10:42And what did she say?
10:46She told me that I want to tell you about it.
10:52That next month is our marriage.
10:55And that you are going to meet.
10:58Without you.
11:12You are not happy to hear the marriage.
11:16Yes, right?
11:18This month is a very long time.
11:22I understood that people are saying a click.
11:28No.
11:30I'll wait for a month.
11:42I'll wait for a minute.
12:02One more question.
12:04Why did you change the murder of God?
12:07No, we don't.
12:09Where the father will die,
12:11there is also a shame that the father will die.
12:13We will see less in the film.
12:21After the first semester,
12:23you will get married.
12:24But after that,
12:25you will be able to study.
12:35Hello.
12:36Hi, bro.
12:39Who are you?
12:40Farhad.
12:41You remember your name?
12:43Hey,
12:45I'm thinking of you now.
12:47You're a long age.
12:49You're a long age.
12:51You're a long age.
12:52You're a long age.
12:53You're a long age.
12:54Because you don't remember here.
12:56What do I do, man?
12:58I don't have to say anything.
13:00I want you to live.
13:01You're not deciding.
13:03How do you tell?
13:05You're a long age.
13:06You're a long age.
13:07You're a long age.
13:08You're a long age.
13:09do you have any problems?
13:11No, you don't have a problem.
13:13If you don't have a problem,
13:15you'll have to live your whole life.
13:17You'll also die, Hazrat.
13:19You'll die.
13:21Who will always live?
13:23But if you want to think about it,
13:25you'll never die.
13:27Think about it.
13:29Tell me about it.
13:31I'll tell you.
13:33You've read it.
13:35I've done a master's in business administration.
13:38Wow.
13:40So, do you leave your death?
13:44Or I'll leave you?
13:46Oh, wow.
13:53How do you eat the chicken?
13:56Do you eat the chicken?
13:58Oh, my god.
14:00Oh, my god.
14:02Is this the chicken?
14:04Oh, my god.
14:06Oh, my god, I'm not talking about it.
14:08Oh, I'm the chicken.
14:10I have to say that I love my students.
14:17I love my students.
14:19And I love my feelings.
14:22How do you feel about it?
14:25I mean...
14:28I love my students.
14:31And I love my feelings.
14:34How do you feel?
14:37I mean...
14:39What do you feel like?
14:42I love you.
14:44I love you.
14:46I love you.
14:48I love you.
14:50I should have to say that.
14:53Oh, you are.
14:56You have to say that there are many feelings for you.
15:00Because you have to say the courage.
15:04Or you have to say that.
15:08You have to say that.
15:10You are philosophical.
15:12No.
15:13Too simple.
15:15Take me for example.
15:17But...
15:18I thought...
15:19I love you.
15:21I love you.
15:22But I haven't told you.
15:26Why?
15:27You have to say that.
15:30Why?
15:31You don't say the girl's first.
15:33You say it, then you die.
15:36You die.
15:38Very intelligent.
15:40Is it right?
15:42I'm just joking with you.
15:46Is it right?
15:55I feel like I'll never change.
15:58You've changed.
16:00You've changed.
16:02You've changed.
16:04You've changed.
16:06You've changed.
16:07You've changed.
16:09You've changed.
16:11You've changed.
16:13You've changed.
16:15You've changed.
16:17You've changed.
16:19But not because of her.
16:21I thought that I'm lying.
16:25I don't need anyone.
16:27No.
16:29You've changed.
16:31You've changed.
16:33You've changed.
16:35I feel like I'll put a word for your student.
16:39Then that's a bad thing.
16:41Not for the student.
16:43It's for her love.
16:45And for that you've changed.
16:47You've changed two words for her.
16:49Okay.
16:51I'll see you.
16:53No, no.
16:55I'll see you later.
16:57I'll see you later.
16:59I'm sorry.
17:01Maybe.
17:03I'll see you later.
17:05I'm sorry.
17:07I'll see you later.
17:09I don't have a house in my house.
17:39You have to keep her in the house.
17:42She will leave her for her.
17:45She will be in the house for 15 days.
17:50Madhya,
17:53let go.
17:55Let go.
17:58She will kill someone.
18:01Or will she die?
18:05If she will die, she will go to her brother.
18:09Let go.
18:14Madhya,
18:16you are sleeping now.
18:18If she is gone, she will be asleep all night.
18:20Let go.
18:31I sent her to her.
18:34I said to her,
18:35go.
18:37Take her to her.
18:38Or give her to her.
18:41She also told her,
18:42who is the murder of murder?
18:45Ha ha.
18:49Your father killed her.
18:51Oh, brother.
18:53Don't kill her.
18:54Don't do the work.
18:55We'll try.
18:56Please...
18:58Okay.
19:00Bye.
19:01Throw her.
19:03No problem.
19:04So...
19:06Come.
19:08You're nothing,
19:10come.
19:12How could you do that?
19:14The fear no doubt.
19:16Make me.
19:18Yeah.
19:49What?
19:50I have texted Mikaal and asked if I reached the house.
19:53I said I will reach Manto.
19:56What?
19:57Why did he go there?
19:59Why did you ask him to ask him?
20:02I asked him.
20:04But he didn't answer.
20:06He will say to him,
20:09that he is going to be married.
20:11Why?
20:12Why did he say to him?
20:14He has never said anything.
20:16He has never said anything.
20:21It is not a good thing.
20:23It is not a good thing.
20:24It is a good thing.
20:26It is a good thing.
20:28I read it.
20:32I will tell you how big a world will be
20:35who has loved you.
20:37I will tell you.
20:43I will tell you.
20:47Yes, no.
20:50I will tell you a message.
20:53I will tell you that you will love me.
21:23I thought Binyamin will not come.
21:26And then his son, what's his name?
21:28Farhad.
21:30Yes, that's it.
21:32You were saying that you are not afraid.
21:35You are not afraid of anyone.
21:38You are not afraid.
21:40That's why I am saying.
21:42I know that they will come.
21:44They will kill you or they will kill you.
21:46But I don't care.
21:48I don't believe that you are not afraid.
21:52You are saying this?
21:55No, no.
21:57I am saying this.
21:59I am aware of it.
22:00What?
22:02You will not give away money.
22:05What?
22:07You are not afraid of me.
22:09I will give away money.
22:11I will give away money.
22:13And I will give away money.
22:15For money?
22:17I am sorry but you are not afraid of me.
22:20I am sorry but but your response is like a bad one.
22:24If you didn't feel bad about me.
22:25It felt bad?
22:26It felt bad?
22:28I thought you were decent.
22:30But you are not.
22:32No.
22:33I think that I don't want to be decent.
22:36That's why I have to tell you something wrong.
22:38You will forgive me.
22:39I am so surprised that you have to understand what you are doing.
22:45Why are you doing this?
22:46Because you are not doing this.
22:50You have to tell me that you are loving it.
22:54You are so blinding yourself.
22:56You are blinding yourself.
22:58And you are blinding yourself.
23:03If you are blinding your mind, you are blinding yourself.
23:09Go.
23:10Say that I love you, Mamel.
23:13If you are blinding yourself, you will be blinding your mind.
23:21I am sorry.
23:24I told you to tell you to forgive me.
23:29I need to go now.
23:31Bye.
23:39Bye-bye.
23:40If you do your mind, you can go around the door with your door.
23:44I can find the door open.
23:46I'm sorry.
23:47I am sorry.
23:49I am sorry.
23:51I have no relationship with your neighbor.
23:53I am sorry.
23:55I am sorry.
23:57I have lost sight of your neighbor.
23:59This I am sorry.
24:01I am sorry.
24:03I am sorry.
24:04Wow, wow, wow, wow, wow. What a sight.
24:21I don't know how to say good luck.
24:24Good luck and good luck.
24:27Party is going.
24:29I'm thinking that you're a good man inside.
24:34But now I know that you're both a son and a son.
24:39Oh, wow. You're saying that you're a good man.
24:42You're scared.
24:44Oh, she's standing with me.
24:47She's looking at her.
24:50It's time to die.
24:54Tell her to tell.
24:56Look, today we are living with you.
25:01You go inside, Mantos.
25:06If anyone will go, we will go.
25:08How do you think?
25:11Who will go to you?
25:14Oh, my God.
25:16You will stop me.
25:18Oh, without fighting,
25:20without fighting,
25:21it will become a man with a man.
25:24You, madam,
25:26go inside
25:27and fight for love.
25:28There's no case of murder.
25:33What will happen to you?
25:34But no one else.
25:35Who will kill her?
25:37Who will kill her?
25:39Who will kill her?
25:41Who will kill her with a gun?
25:43Don't stop.
25:48Don't stop.
25:51Don't stop.
25:52Or, if you kill her.
25:53Or, if you kill her.
25:55Go on!
25:56BANG!
26:26BANG!
26:28What do you think about them?
26:31Neighbor colleagues, friends, it's enough, right?
26:36What do you think?
26:39They don't do the love of the father's death.
26:43Do you arrange a vodka?
26:45Yes.
26:56Are you alive?
27:02I don't know.
27:03The Prophet said they're serious.
27:05You're alive, right?
27:07No, I don't know.
27:09They all say like this.
27:12The Prophet is okay, right?
27:14Yes.
27:22Why are you staying?
27:26It's true.
27:28It's true.
27:29You're not able to keep them alive.
27:31You are alive.
27:32You have to understand it.
27:33You understand it.
27:34You have to go.
27:36Go.
27:38Go.
27:39Go.
27:41Go.
27:42Go.
27:43Go.
27:45Go.
27:46You have to go.
27:47Go.
27:48Go.
27:49Go.
27:50Go.
27:51Go.
27:52Go.
27:53Go.
27:54I love you so much.
28:18I'm going to the hospital. Why?
28:20Sir Manto has hit the bullets.
28:25So let him go to Abba.
28:27Tell him. Go with him.
28:29Sir Manto is my teacher.
28:31No teacher of Abba.
28:40If you come from this way, you can change the mood.
28:44Dear Manto, God bless you.
29:01You observe?
29:02Yes, sir.
29:04Don't worry.
29:05But sometimes it's a long time.
29:07So let's pray for them.
29:09See you.
29:10Thank you, Robert.
29:13It will come in 10 minutes.
29:15Try it.
29:18How is it?
29:20It's coming.
29:22It will come in 8 minutes.
29:24I'll tell you something.
29:25I'll tell you something.
29:32I'll tell you something.
29:33I'll tell you something.
29:34I'll tell you something.
29:36If these three balls put your son's heart from the blood of your son's heart, then leave your heart.
29:44If the three balls came out from your son's blood,
29:56then let go of my head.
29:58You're saying a lot, Siraj.
30:01Now you're not going to have a hole of my big son.
30:04You're dead.
30:06Come on in front of me.
30:09You didn't have to give up to a teacher.
30:11I was convinced of my son.
30:13But what do they do?
30:15You'll have to think about who's going to save your soul.
30:20Let's go.
30:21Let's end this game.
30:23Now you're not.
30:26Or we're not.
30:28You're not.
30:30You're not.
30:32I'm going to keep your blood on your own.
30:36Khatija, don't say it in front of me.
30:38The first time of this fight,
30:40I will also hear the stories of women.
30:42You're not.
30:43I'm going to speak to them.
30:44You've prepared to do it.
30:47You've given one son?
30:49Then you'll have one son.
30:51I'm going to take your head off.
30:53Give me a phone to the person.
30:55The person who can't take their blood on his son's blood,
30:58that's not a person.
31:00I'm going to kill the person from their son's blood.
31:02What?
31:03What?
31:04What?
31:05What?
31:06What?
31:07What?
31:08What?
31:10What?
31:11What?
31:12What?
31:15My alligator's gonna cry?
31:17I said to my mental child.
31:18Tell the child of a man.
31:19Tried her to death for a year.
31:22Th Aye.
31:23In ten months.
31:25Then he took his blood from his blood and took his blood from his blood.
31:32Then I will admit that Khadija is being angry.
31:55You are sure I was coming? Yes, I was.
32:02You are sure I was coming? Yes, I was.
32:07You are sure I was coming? Yes, I was.
32:10You are sorry, but you don't have to worry about them.
32:14They are coming, right? Now they are going to worry about them.
32:18How are you so sure that someone will be worried about them?
32:23If anyone comes, the doctors will come. Thank you.
32:32Why are you so upset?
32:36Why are you so upset?
32:39What?
32:41I love you, I trust you.
32:44You love me, but I don't trust you.
32:48Who?
32:50Why are you so upset?
32:52Coffee.
32:53Do you want to leave me alone?
32:55No, tell me.
32:56Who?
32:57From the servants.
33:02If I didn't talk about it, don't worry about it.
33:06I want to leave you alone.
33:08I want to leave you alone.
33:09I want to drink coffee.
33:11Today.
33:12I want to take a while today.
33:15How much of you have reached.
33:16You are going to leave me alone today?
33:17How much are you going to get here?
33:36You've gone to the side of the head of the head of the head, brother.
33:39Yes.
33:40If you're alive, where are you going to give them?
33:44Go and take a shower.
33:47You too, it was good for us.
33:49Our thoughts are on our own soul.
33:55Why are you not gone?
33:57I have to send you to your own own.
34:00I said to go and live.
34:02Then I came.
34:08Some children's hands have died.
34:13She has blood.
34:17Mom?
34:25Mom?
34:39Norris?
34:41What?
34:43Maka.
34:45Maka.
34:46Maka.
34:47Maka.
34:48Maka.
35:12Maka.
35:15Maka.
35:16Maka.
35:19Maka.
35:20Maka.
35:21Maka.
35:22Maka.
35:23Maka.
35:24Maka.
35:25Maka.
35:26Maka.
35:27Maka.
35:28Maka.
35:29Maka.
35:30Maka.
35:31Maka.
35:32Maka.
35:33Maka.
35:34Maka.
35:35Maka.
35:36Maka.
35:37Maka.
35:38Maka.
35:39Maka.
35:40Maka.
35:41Maka.
35:42Maka.
35:43Maka.
35:44Maka.
35:45Maka.
35:46Maka.
35:47Yeah.
35:54Mantua sir.
35:59Mantua sir.
36:05Put your hand up please.
36:06if she says something,
36:08then she will kill her, she'll be alive.
36:13You're alive.
36:15If she says something,
36:17you'll kill something,
36:19and kill her, she'll be alive.
36:22You're alive, sir.
37:06I have come to my head.
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