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Main Manto Nahi Hoon is a bold, compelling drama, starring Humayun Saeed, Sajal Aly, Sanam Saeed, and Azaan Sami Khan & Others.
It follows a man inspired by Manto, writing his own truth — and a woman who commands without raising her voice.
Humayun Saeed as Manto
Manto, only son of Waqar Manto, is a quiet yet intense professor who questions norms and writes with fearless honesty. Inspired by truth, he forges his own path, carrying the legacy but not the rules.
Sajal Aly as Mehmal
Mehmal is Siraj’s only daughter and the most cherished member of the family. She is a student of Manto. She doesn’t raise her voice to be heard and stands firmly between old traditions and a new way of thinking.
Cast:
Humayun Saeed as Manto,
Sajal Aly as Mehmal,
Azan Sami Khan as Farhad,
Sanam Saeed as Maria,
Asif Raza Mir as Siraj,
Saba Hamid as Zulekha,
Saba Faisal as Naseeba,
Saima Noor as Suraiya,
Babar Ali as Bin Yameen
Usman Peerzada,
Musadiq Malik & others.
Writer: Khalil ur Rehman Qamar
Directed by: Nadeem Baig
MAIN MANTO NAHI HOON Every Fri-Sat at 8:00 PM, only on ARY Digital.
"Watch the latest Pakistani drama now, and make sure to subscribe for all the updates!"
➡ https://bit.ly/arydigitalyt.
Pakistani Drama Industry's biggest Platform, ARY Digital, is the Hub of exceptional and uninterrupted entertainment. You can watch quality dramas with relatable stories, Original Sound Tracks, Telefilms, and a lot more impressive content in HD. Subscribe to the YouTube channel of ARY Digital to be entertained by the content you always wanted to watch.
#mainmantonahihoon #humayunsaeed #sajalaly #arydigital #azansamikhan #sanamsaeed
#drama #pakistanidrama
It follows a man inspired by Manto, writing his own truth — and a woman who commands without raising her voice.
Humayun Saeed as Manto
Manto, only son of Waqar Manto, is a quiet yet intense professor who questions norms and writes with fearless honesty. Inspired by truth, he forges his own path, carrying the legacy but not the rules.
Sajal Aly as Mehmal
Mehmal is Siraj’s only daughter and the most cherished member of the family. She is a student of Manto. She doesn’t raise her voice to be heard and stands firmly between old traditions and a new way of thinking.
Cast:
Humayun Saeed as Manto,
Sajal Aly as Mehmal,
Azan Sami Khan as Farhad,
Sanam Saeed as Maria,
Asif Raza Mir as Siraj,
Saba Hamid as Zulekha,
Saba Faisal as Naseeba,
Saima Noor as Suraiya,
Babar Ali as Bin Yameen
Usman Peerzada,
Musadiq Malik & others.
Writer: Khalil ur Rehman Qamar
Directed by: Nadeem Baig
MAIN MANTO NAHI HOON Every Fri-Sat at 8:00 PM, only on ARY Digital.
"Watch the latest Pakistani drama now, and make sure to subscribe for all the updates!"
➡ https://bit.ly/arydigitalyt.
Pakistani Drama Industry's biggest Platform, ARY Digital, is the Hub of exceptional and uninterrupted entertainment. You can watch quality dramas with relatable stories, Original Sound Tracks, Telefilms, and a lot more impressive content in HD. Subscribe to the YouTube channel of ARY Digital to be entertained by the content you always wanted to watch.
#mainmantonahihoon #humayunsaeed #sajalaly #arydigital #azansamikhan #sanamsaeed
#drama #pakistanidrama
Category
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FunTranscript
00:00Yes, I am not the one you thought about me
00:30What is it that I didn't drink tea?
00:35You were saying that you didn't drink tea?
00:38No, no, actually something is different
00:41I was asking you to help
00:44to request
00:46Okay, okay, tell me
00:50You won't do that?
00:53Of course not
00:55Can you tell me?
01:00I'm going to meet you tomorrow
01:02Yes, I'm going to go there
01:07I love you, sir
01:10I can't live without you
01:13I'm sorry, that's the water
01:29I've heard that if you're going to drink tea
01:34then you'll get the water
01:35then you'll get the water
01:36then you'll get the water
01:37then you'll get the water
01:39then you'll get the water
01:44Oh, yeah.
02:02You were saying, but you know that she's a son of Siraj Amrath Sarai.
02:09And you're your favorite teacher.
02:11That's why you have two.
02:12You have our 70-year-old old people with me and my husband's marriage.
02:24How is that?
02:25She didn't have to take a look at it.
02:26Take my foot.
02:28When she will fall, she will fall.
02:35The thing is okay.
02:36Do you have to do it, General?
02:38I mean, how can I do it?
02:42I'm sorry.
02:44Put it in my heart, sir.
02:47Explain it to him.
02:49If our marriage didn't happen,
02:52then it will go to great people.
02:55You should understand, sir.
02:57The dirt should be finished.
02:59Now, look.
03:01There were 222 people in 70 years.
03:05Hmm.
03:07223.
03:09I've heard of it.
03:13I'm talking about the two of them.
03:19Hmm. You're right.
03:25You're right.
03:27You're right.
03:29Do you speak about the two of them?
03:31No.
03:33You speak about the two of them, sir.
03:37You're wrong.
03:39Of course not.
03:41I'm on the right side.
03:43I don't know you.
03:45I don't know so much about love.
03:49But I don't know so much.
03:51I don't know so much.
03:53I can't put it in someone's heart.
03:55Listen to me.
03:57And then it will happen.
03:59And then it will happen.
04:01And then you will kill me.
04:03You will kill me.
04:05Or you will kill me.
04:07No, no.
04:09You are scared.
04:11No, you said you will kill me.
04:13I understand this.
04:15If I don't do it, you will kill me.
04:17Then you will kill me.
04:19Then it will happen again.
04:21You will kill me.
04:23You will kill me.
04:25I will kill you.
04:27It will kill me.
04:29And then it will kill you.
04:31You will kill me.
04:33Yes.
04:35You can do it.
04:37See.
04:39You are.
04:41Please.
04:42What do you mean?
04:43I saw a girl and I killed her.
04:45You will kill me and kill me.
04:48So you call yourself.
04:51Sometimes it seems to me.
04:54It's good to die from living with a girl.
04:58You don't feel scared.
05:00It's not.
05:02Who doesn't feel scared from going to go?
05:05I have only two options.
05:08Then I'll die with you.
05:11From Miss Maria's teeth.
05:14I think I should take the first option.
05:18Okay.
05:20If one or two are going to die, then I'll be ready.
05:23Why?
05:25To tell you,
05:28that a teacher has to be responsible for the poor people in the city.
05:32Understand Mehmel.
05:34They can't stop us both.
05:46You don't drink tea?
05:50The next time I'll come.
05:52The next time I'll come.
05:54The next time I'll come.
05:57The next time I'll come.
05:59I'll make tea.
06:01The next time I'll come.
06:04I'll come.
06:05The next time I'll came.
06:07Half aão.
06:09The next time I'll come.
06:10He was responsible.
06:11The next time I'll come.
06:12We'll come.
06:13Coming.
06:14Come on.
06:15이곳 Levini water aí.
06:16With a warm tea tea.
06:17You may.
06:18I'll come.
06:19You may.
06:20He's prepared.
06:22When I'm ready.
06:24He's ready?
06:25I'm ready.
06:26He's ready for sure.
06:28You may.
06:29How will you go?
06:48Your mother sent me.
06:50Go and look at her.
06:52What are you doing?
06:54Do you want to go off your own mangraders?
06:59Don't you?
07:07You were right.
07:08Who was it?
07:09Who was that?
07:13Mangeetha.
07:15The tea was not warm.
07:28It was made for him.
07:30He gave you the drink.
07:32It was cold.
07:33He was telling him to drink.
07:35It was warm.
07:37Why did he come here?
07:39Mr. Decent down to earth?
07:41He was not decent.
07:42He was down to earth.
07:44It was a number.
07:46How did he know this?
07:49No.
07:51It was the whole story.
07:53I told him,
07:55I'll kill you.
07:57But I won't die.
07:59Why did he say it?
08:01He left it.
08:02Look at me.
08:04I'm scared.
08:06I asked him what he said.
08:11I'm talking about him.
08:14I was telling him,
08:23that he would put my love in his heart.
08:27I was thinking.
08:29It's a great man with a gun with a gun with a gun with a gun.
08:33We're scared of our bodies and we're scared of our bodies.
08:38We're scared of our bodies.
08:46I am well.
08:54Hello.
08:55Good evening, sir.
08:57Good evening.
08:58Why did he come to us?
09:00How did he know?
09:02I told you.
09:04He just came to us.
09:08He's going to do it.
09:10If you're going to do it,
09:12then I will be so grateful
09:14that you don't have to love.
09:16Don't be rude.
09:20He's not a decent guy.
09:24He's not a decent guy.
09:26He's not a decent guy.
09:28But I'm not scared.
09:30I told him to kill him.
09:32That's why you don't have to love me.
09:36Or if you don't have to love me.
09:38Why did he come to us?
09:44The one who told me is enough.
09:46Tell me, sir.
09:48Why?
09:50The one who told me is enough.
09:52Why would he tell you?
09:54That's enough.
09:56That's enough.
09:58That's enough.
10:00That's enough.
10:02That's enough.
10:04That's enough.
10:06That's enough.
10:08That's enough.
10:10That's enough.
10:12It's enough.
10:14I'll take a smile on that one.
10:16Which one?
10:17I heard that one.
10:19That's enough.
10:21He's not listening to you.
10:23He won't tell you.
10:25Okay.
10:26I'll ask Miss Mariya.
10:30You're very upset, right?
10:32Yes.
10:34So, that means that he's very upset.
10:37Tomorrow I'll send security for you.
10:39And now I'll send you back.
10:41No.
10:43Last time I went to the university with security.
10:46So, all my jokes were out there.
10:50Now I feel like I don't have to die.
10:55Before I die.
10:59Now relax.
11:02Bye.
11:03Bye.
11:13Bye.
11:14Bye.
11:16Bye.
11:18I'm going to go to the house.
11:49You won't tell me anything.
11:52Farhad Binya Meen went to his house.
11:56Whose house?
11:57Sir, the house of Manto.
11:58He went to the hospital but he didn't know what he said.
12:01He said, I'll eat a bowl but he won't tell.
12:04So, what will you do in the house?
12:12Can I talk to you?
12:14Talk to you with your father.
12:16Your mind is missing your mother.
12:18What are you talking about?
12:20No one knows why he came and what he said.
12:24Miss Mariah knows.
12:46I'm Amal again.
13:02Hi.
13:04Hi.
13:05Hi.
13:07Five minutes later.
13:09No.
13:11You know, I'm making food.
13:13And when I was in front of Binya Meen,
13:15I felt tired.
13:18Tell me first.
13:20Why did he come here?
13:21What did he say?
13:22He told me to you.
13:23good to see you.
13:24Good to see you guys.
13:25Good to see you on the speed of your heart.
13:26Bye.
13:27Bye.
13:29Bye.
13:31Bye.
13:33Bye.
13:34Bye.
13:36Bye.
13:39Bye.
13:42Bye.
13:44Bye.
13:47Bye.
13:49Bye.
13:50It's a special thing for today. Why is it gone?
14:07That's what I'm thinking too.
14:09Before, it's never gone to Etwar.
14:12Will she stay in jail?
14:19Why is it my whole life?
14:24How much will I live?
14:28If I'm tired, I'll eat my whole life.
14:32Don't worry.
14:34The son of Benjamin is also in Australia.
14:36He can't come back.
14:38Come on, Suraj.
14:40I need my life.
14:44Stay calm.
14:46Suriya's two daughters will not be able to take care of the two daughters without the course.
14:49Will she leave us for the two daughters?
14:51You don't have the two daughters, Suraj.
14:54Don't say a half.
14:56You don't give us the same women.
15:00Today, you're talking to me.
15:03I need my daughters, Suraj.
15:05And I'm not able to take care of the two daughters.
15:15I've been in jail for two years.
15:17And I'm telling her mother,
15:19I'm telling her,
15:21I'm telling her,
15:22I'm telling her,
15:23I'm telling her,
15:24I'm telling her,
15:26I'm telling her,
15:27and in advance of the past,
15:28I'm telling her,
15:29I'm telling her,
15:30I'm telling her,
15:31I'll kill her,
15:32I'll kill her.
15:33I'll kill her.
15:35Oh!
15:37Ah!
15:40Ah!
15:43Ah!
15:44Ah!
15:46Ah!
15:47Ah!
15:48Ah!
15:49Ah!
15:51Ah!
15:52Ah!
15:53Ah!
15:54Ah!
15:55Do you want to pray today?
16:00That's what I'm thinking, Pupo.
16:04If you want to pray, then what do you want to pray?
16:07She's not going to ask her.
16:10If you want to ask her, you don't have to ask her.
16:14What?
16:16Do you know that?
16:25I'm going to pray.
16:33Come on, today is Sunday.
16:40I will do a Sunday.
16:45I will do a Sunday.
16:49Come on, today is Sunday.
16:52I will do a Sunday.
16:55I will do a Sunday.
17:03Do you know that Miss Mariah's mother,
17:05Miss Mariah's mother,
17:06you will also do a miss treat.
17:08Do you?
17:10Do you think you don't mind?
17:14Come on.
17:17Come on.
17:19Come on.
17:23Oh, see.
17:26How are you doing this?
17:28Yes, sir.
17:30What happened?
17:32Huh?
17:34No, no, no.
17:37I can't take this outside.
17:39You guys are busy.
17:41You will eat, drink and go away one day.
17:46Miss Maria.
17:47Must parents,
17:48I've lived to die.
17:49I will be on my side.
17:50Like a orphan.
17:51What?
17:52Here, come on.
17:53I'm just going away from me.
17:56Oh, baby.
17:57What?
17:58Oh, baby?
17:59What are you doing?
18:00Come on.
18:01Go on.
18:02Come here.
18:03Come on here.
18:04Come on.
18:06Come on.
18:07Come on.
18:08Come on.
18:09Come on.
18:10Come on.
18:11Do you know what I have called my name?
18:13Ms.Maria.
18:17What?
18:21What did you say?
18:23Did you keep his brother's name Ms.Maria?
18:26I was joking.
18:30He is a very peaceful and loving man,
18:34so why did he get out of my head?
18:37Do you know what he is?
18:39I know you have a name of a bad man.
18:42You are a...
18:47...Jobi.
18:48Ms.Maria.
18:53You should be ashamed of them.
18:55If you are sitting on a wall,
18:57you are watching, right?
19:01Tell me right.
19:04You always say so.
19:06What?
19:12I know.
19:16I am an idiot.
19:18I am an idiot.
19:19I am an idiot.
19:21I am an idiot.
19:23I am an idiot.
19:24I am an idiot.
19:25I am an idiot.
19:26I am an idiot.
19:27I am an idiot.
19:28I am an idiot.
19:29I am an idiot.
19:30I am an idiot.
19:31I am an idiot.
19:32I am an idiot.
19:33I am an idiot.
19:34I am an idiot.
19:35I am an idiot.
19:36I am an idiot.
19:38I am an idiot.
19:39I am an idiot.
19:40I am an idiot.
19:41I am an idiot.
19:42I am an idiot.
19:43I am an idiot.
19:44I am an idiot.
19:45I am an idiot.
19:46I am an idiot.
19:47I am an idiot.
19:48I am an idiot.
19:49I am an idiot.
19:50I am an idiot.
19:51I am an idiot.
19:52I am an idiot.
19:53I am an idiot.
19:54I am an idiot.
19:55And I am an idiot.
20:00I am an idiot.
20:02But you الب not in your own head.
20:05Its not your head.
20:06I have punished my head by on your head.
20:08I will take it to the ground.
20:12I will also protect my head by trying to blame.
20:16Don't you give me risks?
20:18Siraj .
20:21I'm afraid of it.
20:24Give this kind of power.
20:27I see the eyes of the eyes of the eyes of the eyes.
20:32You are living with me, Lord.
20:35That's why I don't hate you.
20:39Lord, Lord, I broke my hands on my knees.
20:43I saw my father and his wife
20:45as a victim of death.
20:51If you look at me, I feel like I'm dying.
20:56I'll become a man.
20:58I'll give up my children's love.
21:02And if you look at me,
21:05I'll ask you without saying that I'm going to ask you.
21:10Besides, I don't have any question.
21:16Today I'll come.
21:19Today I'll come.
21:22You go.
21:24Please forgive me to break the burden.
21:49Please forgive me.
21:52Please forgive me.
21:54Please forgive me to break the burden.
22:13Why do you think I'm not smiles at all?
22:16I feel like I'm scared of my children.
22:33Raja.
22:46Okay.
22:55Let's meet Manto.
22:57Why did I say that I wouldn't meet you?
23:00I'll call.
23:04Come on here.
23:14Hi.
23:16Good morning, Miss Maria.
23:18Good morning.
23:20I remember your time.
23:24So I thought I would like to dance with you.
23:27Sit down.
23:35You deserve your dance.
23:37Today you have opened your Miss Maria's hands.
23:42So now you can eat something from Miss Maria's house.
23:46What are you going to do?
23:48I was joking.
23:50That's it.
23:52Now it's not a serious story with dogs and pets, right?
23:57Yes.
23:58That day my momo said to me.
24:01Today I'm going to miss Maria.
24:03That means we're going to take care of ourselves.
24:07Wow.
24:09Anyway, what are you going to eat?
24:12No.
24:13No.
24:14No.
24:15No.
24:16Now until you don't say it's okay, I won't eat anything.
24:20Although I'm very hungry.
24:28What did you keep your name?
24:30No, no.
24:31His name is the one that his father has kept.
24:33My name is Maria.
24:35I'm sorry, my dad.
24:36It's wrong.
24:37Listen.
24:38Listen.
24:39Put the tea in there.
24:41Put the tea in there.
24:42My name is Maria.
24:43No.
24:44No, he's not going to eat anything.
24:45You want to eat anything with the food?
24:46No.
24:47No.
24:48No.
24:49No.
24:50No.
24:51No.
24:52No.
24:53No.
24:54No.
24:55No.
24:56No.
24:57No.
24:58No.
24:59No.
25:00No, no.
25:01No.
25:02No.
25:03No.
25:04No.
25:05No.
25:06No.
25:07No.
25:08I'm a man.
25:21Waalaikum salam.
25:23How are you, son?
25:25I'm fine, Papaji.
25:28Mashallah.
25:31Thank you, Papaji.
25:34You come here too?
25:37I'm here.
25:39I'm here first.
25:40Just as you've heard, you both have come.
25:42I'm running away.
25:43Oh?
25:44Don't worry too?
25:46Don't worry?
25:47Don't worry?
25:48I'm going to die.
25:50I'm going to die.
25:55If anyone doesn't say anything about me,
25:56he'll be happy.
26:01I love it.
26:03He's a love with his soul.
26:06He's a man.
26:07He's a man.
26:08You're a man.
26:09You're a man.
26:10You've come here.
26:11You've come here.
26:13You've come here.
26:14He's a man.
26:15He's a man.
26:16You're a man.
26:17You've got to die.
26:19Give him a little.
26:20I'm standing by the security.
26:23I'm standing by the door.
26:24And he told me that Papaji is my knowledge.
26:26He's a man.
26:27He's a man.
26:28He's a man.
26:29He's a man.
26:30He's a man.
26:32He's a man.
26:33He's a man.
26:34He's a man.
26:36He's a man.
26:38They're in love.
26:39And see him.
26:40He's a man.
26:41He's a man.
26:42And look at him and look at him, he's coming to die with me.
26:58Monir, let go of the cars.
27:05Yes, I am happy to meet you with your friends.
27:12Can I understand my family?
27:14Yes.
27:15Go and tell my mother.
27:18She was saying,
27:20Your father is still a night,
27:22I am his wife.
27:29Go, my baby.
27:31Tell me,
27:32Tell me.
27:37Thank you, Papa.
27:39Let's go.
27:41Let's go.
27:42Let's go.
27:43Let's go.
27:44Let's go.
27:46Let's go.
27:47Let's go.
27:48Let's go.
27:49Let's go to one kilo of water.
27:56Yes, let's do it, Shadi.
28:01I don't know, when will you come back?
28:05When will you come back?
28:07I'll see you.
28:09We won't be angry.
28:11We won't be angry.
28:13I'll see you.
28:15I'll see you.
28:17We won't be angry.
28:19We'll do it.
28:21But I'll see them.
28:23Brother, what's a girl?
28:25No, it's Lahore.
28:27It's just Lahore.
28:29You don't, brother.
28:31He's doing it with a girl.
28:33He's doing it with a girl, so that he'll give me my mouth.
28:35That's it.
28:37Show him the picture.
28:39I'll meet my house tomorrow,
28:41so I'll talk about it, right?
28:43I'll see the picture too.
28:45It's nice, right?
28:46I feel like I'm going to tell you.
28:48I'll tell you.
28:50What will I tell you?
28:52He's married in Australia.
28:54Wow, wow, wow.
28:56Hey, brother.
28:58What's going on here?
29:00He kept my husband.
29:02He gave me a phone call.
29:04He told me.
29:05And he'll be happy.
29:07Let's talk later.
29:10Okay.
29:11Okay, okay.
29:12Bye, brother.
29:13God bless you.
29:14Bye.
29:15Where are you coming from?
29:18From Peer Makki.
29:20When did you go there?
29:22My sister told me that she'll come there.
29:24She didn't come here.
29:26I'll go regularly.
29:29Okay, stop.
29:31Suraya came with her.
29:33What are you talking about?
29:35What are you talking about?
29:37I received a message.
29:39I sent a message.
29:41I sent a message.
29:42And I gave them.
29:43What did you tell me about her?
29:47I sent a message.
29:48I sent a message.
29:49I just sent a message.
29:50I sent a message.
29:52I sent a message.
29:53And they sent you to your life again?
29:56I'm going to send you a message.
29:58I've sent you a message.
30:00I've also told you so much about it.
30:03I'm going to go to the house.
30:05You're dead.
30:06I'm scared of death.
30:08I'm not going to trust you.
30:10I'm not going to do anything.
30:12I've thought that my body is a pain.
30:14I'll take a shower myself.
30:20Tell me, how did it come to the dead?
30:26I don't know.
30:56I don't know.
30:58I don't know.
31:00I don't know.
31:02I don't know.
31:04I don't know.
31:06What?
31:08How did you get back to that?
31:10I don't know.
31:12What about Harith?
31:14You know what?
31:16She's now become my good friend.
31:18You don't know how to say that she's become your friend.
31:22Why?
31:24What?
31:26She was a crush.
31:28Do you know her mother?
31:30She knows her mother.
31:32We'll talk and forget about it.
31:34It's true.
31:36What a personality.
31:38When she talks about it,
31:40she hears the sound of the silencer and the fire of the silencer.
31:44Shhh.
31:46I don't know.
31:48I don't have to say that Siraj Amrit Suri has no need to hold the silencer.
31:52She kills her.
31:54She kills her.
31:56What about you, Fire?
31:57Yes.
31:58I asked her to ask her.
32:00What?
32:01She asked her?
32:02She asked her.
32:04What?
32:06She's lost her father.
32:07I told her.
32:08I told her?
32:09What?
32:10She told her.
32:12She told her.
32:13She told her our mother.
32:14She told her.
32:15She told her.
32:16Yes, sir.
32:17Yes, sir.
32:18I had to say, go and tell my mother.
32:21The path is still alive, I am sorry.
32:28I think it's going to start a war.
32:31I'll talk to you with Abba.
32:34I'll tell you that we both are in the enemy's enemy.
32:37You'll be starting a rescue operation.
32:40What is it?
32:45Are you crying?
32:50My heart has never seen it.
32:56I've never seen it.
33:00It's like a blue light.
33:04The day is in Lahore.
33:09You will be able to go away from him.
33:13Stop it, Farhad.
33:15That's the fire of fire.
33:17You will be able to get out of the fire.
33:22Let's go.
33:28What is that fire of fire, then I am?
33:31Patanaga.
33:34You will be able to get out of the hall.
34:04If that's for you, you'll be able to do so.
34:07You have to stay.
34:10Well, you might have to be able to Hassan.
34:13I haven't been able to do so, I don't know.
34:15Well, I don't know, but I can't I?
34:17I don't know.
34:19Well, it'll be fair and true.
34:21I have to be able to get out of the hall.
34:23Did you see that?
34:25Of course, the National Cathedral.
34:27Of course, the National Cathedral,
34:29I've come first.
34:43When I got news, you both came.
34:44I've gone and gone.
34:46You don't feel scared.
34:47You don't feel scared?
34:48If it's time to live, I'll die.
34:51If anyone's a friend or someone else,
34:53they'll come.
34:59I was standing in front of the security and told me that Pupoji, you have my knowledge too.
35:04All of my knowledge is still watching.
35:09So then I'll understand the rest of my life.
35:16Why did I get to know him?
35:18He was watching me so close to my eyes.
35:22Where did I see close to my eyes?
35:24He was watching me and watching me.
35:30And I got my love.
35:33I thought I was watching the last thing.
35:47He will go to my side.
35:51He will tell me.
35:54That Pupoji said to my mother.
36:08H.A.M.
36:24Yes, Manto's name.
36:27Sadat Hasan Manto.
36:30Yes, absolutely.
36:32His name is Sadat Hasan Manto.
36:36Yes, I understand.
36:37Yes, I understand.
36:39He will make a set of books written.
36:42He will make a set of books written.
36:44He will make a set of books written.
36:46Can you hear?
36:48Yes.
36:50He was a good writer, right?
36:52Yes, no.
36:54He was a very good writer.
36:55He was a good writer.
37:00Good, good, good.
37:02Did you get to meet him?
37:04No, no.
37:05I've come to meet you.
37:07You're talking to me very well.
37:10Where is my uncle?
37:12He told me that you are coming.
37:14If he came, how will he get to meet him?
37:16If he came, he will go with his own purpose.
37:19Then he will go and meet him.
37:21Okay, go.
37:23Get to the Pupi Sahibah.
37:25They have a promise that he will have a mother more than me.
37:29Yes.
37:30Do you want to take him to the house?
37:32Atiyah?
37:34Atiyah?
37:37Come on.
37:41And the mother's side has a rule to put on a dress
37:43and put on a dress and put on a dress.
37:48Oh, you're laughing.
37:49What do you mean?
37:51He will come to the house and put on a dress
37:53and put on a dress and put on a dress.
37:54I'm going to take him to meet him.
37:56Come on, come on.
37:57Come on, come on.
37:59What do you mean?
38:00Will you get an exemption?
38:03Oh, girl.
38:04I'm going to take you from the neck of the neck
38:06and the hair of the neck.
38:09Four days.
38:11I'm going to have a happy feeling.
38:14Oh, God.
38:15What are you saying?
38:16Do you see your hands?
38:19Are you coming?
38:20You're coming.
38:21Go, Mr. Misha.
38:23Put on a dress and put on a dress.
38:25Put on a dress and put on a dress.
38:26Oh, God.
38:27What are you talking about?
38:28What are you talking about?
38:29Come on, Mia.
38:35No, shut up.
38:36With your hand.
38:37The mouth shut.
38:38Salam, Pupo sahibah.
38:41Waalikum as-salam.
38:44Aapko bhi salam.
38:47Aapko bhi salam.
38:49Kaise ho?
38:50Waalikum as-salam.
38:52Kya aap isi tarah ati rahenge?
38:58Ache khas se padeh likhe yaa.
39:00Banda phone kar djeta hai.
39:02Phone nahi to text kar djeta hai,
39:04falaan din, falaan wakt da raha ho.
39:06Aapne to moot hai aur a gay?
39:08Fon to aap uthati nahi.
39:11Busy bhi to ho sakti.
39:13Text kar djeta hai?
39:15Text dekhiya zara.
39:18Chara messages kiya hai.
39:20Aapne to dekhe tak nahi.
39:31Maan jaa rie hon Pupo.
39:38Bethu nahi.
39:48Yeh, haa.
39:49Pictures me kohon hai dholo?
39:50No.
39:51Tuh yu me kohon e dholo.
39:52Isus me kohon e dholu.
39:53Tuh yu me kohon e dhau.
39:54Tuh yu me kohon e dholo.
39:55You
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