Yo Soy Perú Programa 47 Full Movie HD
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FunTranscript
00:00:00Good evening, welcome to what will be a difficult, complicated day,
00:00:15Because it's a night of elimination, a night we didn't want to come, but it has come, Diana.
00:00:21Three contestants will be eliminated, and tonight there are only seven on stage.
00:00:28It's going to be painful.
00:00:29It's a tough decision for the jury, but the final is getting closer.
00:00:35That's how it is.
00:00:35And it is necessary to go through this process of elimination.
00:00:39Of course, the jury is more demanding than ever, it's become very strict, and tonight they will go through your vision, your critique, your judgment, Daddy Yankee.
00:00:50First of all, gentlemen, a round of applause for him, please.
00:00:53Come on, we have to give all our energy to the participants.
00:00:56Ivan Cruz is also on stage.
00:00:59Rubén Blades will also be with us.
00:01:03Camilo Testo.
00:01:06Emanuel Noir.
00:01:09Pedro Infante.
00:01:11And to close out this fearsome night of elimination, where there will be three contestants, Paul McCartney will also be here on the Yo Soy stage.
00:01:22So let's get going, Diana.
00:01:25If you allow me, let me move forward.
00:01:26Talking to the first contestant, a big round of applause for Diana Sánchez as well, who will be chatting with each of the contestants who will face this formidable jury today.
00:01:40Why not say it, yes.
00:01:42A jury that has demonstrated great acuity and intelligence, and today they will have to decide on three, eliminate three from the competition forever.
00:01:54And I greet you.
00:01:55Yeli Reategui, good night.
00:01:57Good night, good night.
00:01:58Good night everyone.
00:02:01Thanks to the people who are watching us at home.
00:02:03Thanks to the crowd that came today, it was packed.
00:02:08And the best for all participants, may they give it their all.
00:02:11I love that you're starting off so happy.
00:02:14There we are.
00:02:14This is going to be tough for you guys, I wouldn't want to be in your shoes.
00:02:18Cachín Alcántara, how are you?
00:02:19Hello, hello everyone.
00:02:22Thank you.
00:02:23How lovely it is to be here and share with all the people who come and take the time to join us, and with the people who are at home as well.
00:02:30Thank you, Franco, for those kind words you always have for everyone who comes here.
00:02:35Today we will be relentless.
00:02:37We'll do our best to be fair as always, but three are leaving today.
00:02:41So good luck to everyone.
00:02:43Thank you for your work and the attention you give to each of the presentations.
00:02:51And I close with our jury, perhaps stricter, perhaps sharper, perhaps more acidic, but also with its heart.
00:02:58And I'm sure he'll suffer today with the departure of the three participants.
00:03:03Mr. Ricardo Morán, please give him a round of applause too.
00:03:05Good evening, Franco, Diana, Cachín, and Yeli. Thanks as always.
00:03:11Thanks to the audience who are with us tonight.
00:03:14Cachín said it, Franco said it, Yeli said it, Diana said it too.
00:03:18We don't take it lightly that you're here, that you came, that you queued, that you came into the studio, that you waited.
00:03:26Many, many thanks to each and every one of you.
00:03:29And to the people who are also at home and supporting each of these participants.
00:03:35I can make it easy for you, we can eliminate them all right now, for example.
00:03:39But no, we're going to let them fight each other and only three will be eliminated at the end of the night.
00:03:45Thank you, Ricardo, for your generosity in ensuring that not all participants leave.
00:03:50We really appreciate it.
00:03:51The audience at home also thanks you.
00:03:53And to them I say, tonight is going to get spicy, spicy.
00:03:59You surely have your favorite.
00:04:01And perhaps, by the jury's decision, he will have to go.
00:04:05But everything is demonstrated here, on the stage of Yo Soy.
00:04:09Now we go backstage with Diana, who is already with the first contestant.
00:04:11Go ahead, Diana.
00:04:12Franquito, tonight three of these seven participants are leaving the competition.
00:04:19They're going to give it their all to continue and reach 20,000.
00:04:24Daddy Yankee opens the dance floor with reggaeton.
00:04:29Let's go up, let's go up.
00:04:31Tonight we're going to leave it all on stage.
00:04:33So let's give all my people here a lot of fire, okay?
00:04:37Listen to me, people have come to support you.
00:04:39I see some of your followers in the audience.
00:04:41By the time you've come to the competition, you already have a fan club.
00:04:44They see you and say, you're the original.
00:04:47Today, without glasses, you look more like Daddy Yankee than ever.
00:04:50So I invite you to step center stage.
00:04:52You look amazing, give it your all.
00:04:55Because Daddy Yankee, apparently, just learned this song.
00:04:59Let's see their essays.
00:05:01Did he learn the lyrics?
00:05:02Let's see it.
00:05:08Game!
00:05:11I confess that this is the first time I've sung this song in my life.
00:05:16That is, I didn't practice them.
00:05:19The one I was in, exactly, yes.
00:05:22Problems today?
00:05:24New song.
00:05:25I don't know it.
00:05:27I haven't studied well yet.
00:05:28I have to seal it well.
00:05:30But I'm going to try to give it 100%.
00:05:35Really yes.
00:05:36That is, it was new to me in the sense that I hadn't heard it that much.
00:05:39But it was a very, very X song like that.
00:05:42But it was the one that was chosen.
00:05:45And it's time to give it to him.
00:05:46And take out.
00:05:47And take out.
00:05:47Is it just trust?
00:05:49All that remains is to trust.
00:05:50Very good.
00:05:55Let it be as he himself has said.
00:05:57We want fire on stage.
00:05:59Sing the rhythm.
00:06:00He doesn't forgive.
00:06:01Daddy Yankee!
00:06:02Daddy Yankee!
00:06:02Daddy Yankee!
00:06:10Is it just trust?
00:06:11Daddy!
00:06:11Come on, baby!
00:06:12I am the big boss of the Yankee, me.
00:06:19What do I hit you with?
00:06:20What do I hit you with?
00:06:21What do I hit you with?
00:06:23What do I hit you with?
00:06:24What do I hit you with?
00:06:25What do I hit you with?
00:06:26What do I hit you with?
00:06:28What did I hit you with?
00:06:30Yes, there.
00:06:31Oh, and there.
00:06:32There like that
00:06:33Keep it up
00:06:35Play along
00:06:36Up, up, up, up
00:06:39Chase it, chase it
00:06:40Chase him here in the area
00:06:42Chase it, chase it
00:06:43Playfully chase him
00:06:44Chase it, chase it
00:06:46That the rhythm forgives us
00:06:47He forgives us
00:06:48He forgives us
00:06:50Put it low and let the drums hit
00:06:52Beastly rhythm that makes you feel good
00:06:55The rhythm sounds
00:06:56Your body shampooing
00:06:59See the soul
00:07:01Because the roof is on fire
00:07:03Because it doesn't jicotea
00:07:04So that everyone can see it
00:07:05The beauty of the Caribbean
00:07:06More than you dodge
00:07:08The whole world is in the tone it lives
00:07:10Hang it up
00:07:13Hang it up
00:07:16Hang it up
00:07:18Hang it up
00:07:21Give it a go
00:07:22Doctor Daddy, you are not the cure
00:07:25If you want me to put you in, what else?
00:07:27Give it a go
00:07:27I
00:07:28To work with you is pique
00:07:30And you are simple and do not complicate things
00:07:31Chase him, that's the area
00:07:34Chase it, chase it
00:07:35Playfully chase him
00:07:37Chase it, chase it
00:07:38That the rhythm forgives us
00:07:39That?
00:07:40He forgives us
00:07:41That?
00:07:42That?
00:07:42Demo 24-7
00:07:44Respite
00:07:45These less alive and from the streets inspire me
00:07:47We continue to see
00:07:48At the top hesitating
00:07:50Subilo
00:07:52The girls are in the world, we are
00:07:54NASA called me reporting
00:07:57That there is a contagious rhythm
00:07:59Super dangerous
00:08:00Let them put the cat strong
00:08:01And to the rabid dogs
00:08:03Sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell, sell
00:08:33That forgives me
00:08:34Daddy Yankee, you know that improvising
00:08:37Look at the people enjoying themselves
00:08:39Hey, baby, what's next?
00:08:42Give it more with the mixer
00:08:44Hit the mixer, mommy, hit the mixer
00:08:47Hit the mixer, mommy, hit the mixer
00:08:50Hit the mixer, mommy, hit the mixer
00:08:52Flow, flow, flow, flow, flow, flow
00:08:55Game!
00:08:57Game!
00:09:00Danny Yankee!
00:09:03Danny, congratulations!
00:09:05The phrase comes out, the incarnation of Daddy Yankee comes out
00:09:08To hear the jury's opinion
00:09:10Gosh!
00:09:11These are the moments I applaud when I see a singer.
00:09:14That's what I've always said before.
00:09:17He has race and you need these difficulties
00:09:19To get ahead
00:09:21And you still keep saying that you have learned this recent song
00:09:25And that you had never sung it
00:09:27First time I sing it tonight
00:09:30And I wanted to give myself in body and give myself
00:09:32Because the public deserves the best
00:09:33Of my talent, right?
00:09:35Well
00:09:35I learned it now and now I've mastered it.
00:09:37I hope that...
00:09:38What I have seen is total control of everything.
00:09:41And applause for you
00:09:42And applause for the dance corps too
00:09:44They've done you a great...
00:09:45Extraordinary
00:09:46A great performance
00:09:47Congratulations
00:09:47Thanks, Cachín
00:09:48I now turn the floor over to the great Jelly React
00:09:53Gandhi
00:09:54Congratulations on your presentation
00:09:56What happened today is a big challenge.
00:10:00It's a song you didn't know.
00:10:02However, you have taken it on in a very brave way.
00:10:05Singing without glasses
00:10:06The eyes sometimes show terror, fear and doubts.
00:10:12And I actually applaud that you sang this song without glasses.
00:10:15Despite being a new song
00:10:17Anyway
00:10:20You have to keep taking care of your timing
00:10:24You go ahead
00:10:25You're still ahead of yourself
00:10:26And the most melodic parts
00:10:29I've felt you...
00:10:30I feel that you have taken the indication that we have given you.
00:10:32To breathe them a little more and not make them so anxious
00:10:35Obviously there has been a problem of
00:10:37I don't know this letter for the first time.
00:10:39There are the fears of facing a new letter
00:10:42Which also has very difficult parts
00:10:46Fast, what do I know?
00:10:48And with speed you are doing well
00:10:50What you have to do is rest him more.
00:10:51But anyway, congratulations
00:10:53To continue improving
00:10:54Thanks Jelly
00:10:55Ricardo Morán
00:10:56Gandhi
00:10:58Let's see
00:10:59We are now, I think, almost in the third week of competition.
00:11:04So now we are getting to know the participants a little bit.
00:11:07And I can give you a diagnosis.
00:11:10When you are insecure
00:11:12Two things happen to you
00:11:13You run and scream
00:11:15And today you have been
00:11:17Not as shouted as the other time
00:11:19Yes, it was like I took off my hearing aid.
00:11:21Because it was like too much
00:11:22But you've been yelling
00:11:23And you've been running
00:11:25When your strong
00:11:26It's not the melodic, the tuned
00:11:29But rap
00:11:30The rapped part is your strong point
00:11:32That's your mountain to hold on to.
00:11:35This song allowed you to show off your rap.
00:11:38And although you have overcome the obstacle
00:11:41I'm not going to deny it
00:11:42I have come out ahead
00:11:43There have been several moments when I felt
00:11:45That you were going to run away
00:11:47And that you were going to get ahead of the beat
00:11:48And you were going to leave time
00:11:49And that made it difficult to listen to.
00:11:52If you didn't know the lyrics entirely
00:11:55I'm sure the public could have forgiven
00:11:57A sentence here and a sentence there
00:11:58I don't want to remember Eminem's example 14 years ago.
00:12:01That he invented the entire lyrics of a song
00:12:03When a night of elimination happened very quickly
00:12:07But before doing that
00:12:09I would prefer you to breathe
00:12:12And that you really lived the same atmosphere with the public
00:12:16In terms of rhythm
00:12:17And in terms of volume
00:12:19So you don't look tense on stage
00:12:21I feel like you've gotten out of the hole.
00:12:24But it's not your best presentation.
00:12:25Many thanks to the jury
00:12:28Thank you Gandhi please
00:12:29To your location
00:12:30And to take very seriously
00:12:32Our jury's advice
00:12:35If you move on to the next phase
00:12:36Let's go backstage with Diana
00:12:38Franquito
00:12:39Here I am
00:12:40While our great Iván Cruz
00:12:42She gets her final hair touch-ups
00:12:45Let me tell you, sir.
00:12:47On this night of judgment
00:12:49All the little diets
00:12:51Sending you the best vibes
00:12:53For your presentation
00:12:54I see it as very elegant.
00:12:55And ready to go out and sing
00:12:58I would like to wish you something
00:13:01I don't know
00:13:01Tell people
00:13:02What follows him
00:13:02Any message
00:13:04Well, I think so.
00:13:05Thanking
00:13:06To all that family
00:13:07That today has been made present
00:13:09Here
00:13:10And I am
00:13:11That Ivan Cruz
00:13:12There for a while
00:13:13Very good
00:13:14That's how I like Iván Cruz
00:13:16Great Manuel
00:13:17Manuelito
00:13:18So
00:13:18Ivan Cruz prepares
00:13:20To make this great presentation
00:13:22I love
00:13:23Let us maintain this strength
00:13:25Because on a night of sentencing
00:13:27It's complicated
00:13:28What yes
00:13:29Let's remember
00:13:30To the great
00:13:30Ivan Cruz
00:13:31And before presenting
00:13:45To Iván Cruz
00:13:46Let me remind you
00:13:47That for the first time
00:13:47In Peru
00:13:48Arrives
00:13:49I am the show
00:13:50An interactive musical show
00:13:52Two hours
00:13:53With the inviters
00:13:54Most loved ones on the show
00:13:55And a staging
00:13:56Dazzling
00:13:57In this show
00:13:58You will be able to sing
00:13:59Your favorite songs
00:14:00Choose what you want to listen to
00:14:02Experience a live casting
00:14:02And enjoy unique surprises
00:14:04Even
00:14:05Discover the secrets
00:14:06Best kept
00:14:07From I am
00:14:08We are waiting for you in the center
00:14:09Of conventions
00:14:10Leguía
00:14:10Arequipa Avenue
00:14:11834 Lima
00:14:13Buy your tickets
00:14:13At ticketmaster.pe
00:14:15And take advantage
00:14:1610%
00:14:17Discount
00:14:18In presale
00:14:1812 unique
00:14:19Functions
00:14:20In October
00:14:21I am the show
00:14:22From TV
00:14:23To the official show
00:14:24Live
00:14:25And now yes
00:14:27Sings
00:14:28You tell me
00:14:29That you're leaving
00:14:30Ivan Cruz
00:14:32I am
00:14:40Ivan Cruz
00:14:43Yeah
00:14:48You tell me
00:15:12That you're leaving
00:15:13That I am no longer
00:15:14Your life
00:15:15You tell me
00:15:17That you're leaving
00:15:18He is dead
00:15:18Love
00:15:19That for me
00:15:20Essence
00:15:20You tell me
00:15:22That you're leaving
00:15:23I say
00:15:24That is a lie
00:15:25I have not given a reason
00:15:28For this farewell
00:15:30My mind is transported
00:15:31If you don't leave it for a while
00:15:32You tell me
00:15:33You tell me
00:15:33You tell me
00:15:33You tell me
00:15:33That you're leaving
00:15:34That I am no longer
00:15:36Your life
00:15:37You tell me
00:15:38That he is dead
00:15:40Love
00:15:41That for me
00:15:42Essence
00:15:42You tell me
00:15:43That you're leaving
00:15:45I say
00:15:45That is a lie
00:15:47I have not given a reason
00:15:49For this farewell
00:15:52My mind
00:15:55It transports you
00:15:57If you don't leave it for a while
00:15:59Where you told me
00:16:01That I would never forget
00:16:03Where you told me
00:16:06That without you I wouldn't live
00:16:08That I would always be
00:16:10Love
00:16:11Of your whole life
00:16:13I couldn't imagine
00:16:15That would arrive
00:16:17This day
00:16:18Where with your farewell
00:16:20Your eye on me
00:16:21I would truncate it
00:16:23No
00:16:23I couldn't imagine
00:16:25That one day
00:16:26You would leave
00:16:28That you always told me
00:16:30That without you I wouldn't live
00:16:32My mind
00:17:00It is transported
00:17:02If you don't leave it for a while
00:17:04Where you told me
00:17:06That I would never forget
00:17:08Where you told me
00:17:11That without you I wouldn't live
00:17:13That I would always be
00:17:15Love
00:17:16Of your whole life
00:17:18I couldn't imagine
00:17:21That would arrive
00:17:22This day
00:17:23Where with your farewell
00:17:25All in me
00:17:26I would truncate it
00:17:27No
00:17:28I couldn't imagine
00:17:30And someday
00:17:31You would leave
00:17:33Well, you always told me
00:17:34That without you I wouldn't live
00:17:37You tell me you're leaving
00:17:40I say it's a lie
00:17:43I have not given a reason
00:17:44For this farewell
00:17:50For this farewell
00:17:54Very Brave
00:17:59Spectacular
00:18:03Teacher
00:18:07I bring you
00:18:09Some gifts
00:18:11Thanks to this presentation
00:18:16What has given us
00:18:17One more time
00:18:18Play for a moment
00:18:21Important
00:18:21What is
00:18:23The return
00:18:24From the jury
00:18:25But that will be
00:18:26After the commercial break
00:18:28Don't move.
00:18:29This is I Am
00:18:30Very good
00:18:37We are ready
00:18:38To receive
00:18:38The opinion
00:18:39From our jury
00:18:40Around this presentation
00:18:42What has he given us?
00:18:43Ivan Cruz
00:18:43Cachín
00:18:44Don Manuel
00:18:45I want to congratulate you
00:18:47Because I still remember
00:18:48The first time
00:18:49That I saw him appear
00:18:50There in Chiclayo
00:18:51When we were there
00:18:52Casting
00:18:53And the evolution
00:18:55That you have had
00:18:55Until now
00:18:56It's magnificent
00:18:58I want you yourself
00:18:59I checked it
00:19:00And watch that video
00:19:01From the beginning
00:19:02And watch this last video
00:19:03How he sings
00:19:04How to maintain it
00:19:05With a control
00:19:07Although now
00:19:08We told him to be
00:19:10Without glasses
00:19:10He was able to move
00:19:11Don't worry
00:19:12I got a little nervous
00:19:13Because he left a little bit
00:19:14For the edge
00:19:14We had to send someone
00:19:15To let him know
00:19:16Because I know what it is
00:19:17Being without glasses too
00:19:18And sometimes I don't know
00:19:19It doesn't measure well
00:19:20Where is the end?
00:19:21From the road
00:19:22But it seems to me
00:19:23What I'm still missing
00:19:26The bell
00:19:27By Iván Cruz
00:19:28You sing very well
00:19:29You move
00:19:31When he sings
00:19:32But I'm missing
00:19:33A feature
00:19:34That always had
00:19:35Ivan Cruz
00:19:35What was he?
00:19:36What was playing?
00:19:38With the throat
00:19:40I don't know if it was the throat
00:19:41But
00:19:41That ending
00:19:43I was missing
00:19:44That moment
00:19:45And I didn't have it
00:19:45That's why
00:19:47I can't tell you
00:19:48What I liked
00:19:49Completely
00:19:49Imitation
00:19:50Very good
00:19:52Thanks Cachín
00:19:52Yeli Reategui
00:19:54Manuel
00:19:55Congratulations
00:19:56For your presentation
00:19:57I insist
00:19:59And I repeat again
00:20:00What I said
00:20:01In the last evaluation
00:20:02As part
00:20:04As a member
00:20:05From the club
00:20:06Of the grandchildren
00:20:07I love
00:20:10Listen to you
00:20:11I love
00:20:11Because you have
00:20:12A very great charisma
00:20:13That escapes you
00:20:14In a way
00:20:15Unconscious too
00:20:16Because sometimes
00:20:17You have incorporated
00:20:18The darkness
00:20:19That I also mentioned to you
00:20:21But your energy
00:20:22It is more powerful
00:20:23And I insist
00:20:25The day that
00:20:26Decide to do concerts
00:20:28And make a career
00:20:29Like Manuel Vallejos
00:20:30It's going to go very well for you
00:20:31And really
00:20:32I wish it for you
00:20:32Imitation
00:20:34I haven't heard
00:20:35A nearby doorbell
00:20:36He has been out of tune
00:20:37And there is something
00:20:38Which is also important
00:20:39We have said it
00:20:40Also in this program
00:20:41This season
00:20:42Well I just
00:20:43I'm getting into it
00:20:44This season
00:20:45Also
00:20:46But
00:20:47There are details
00:20:48Very important
00:20:49How to send greetings
00:20:50To his son
00:20:51To Manuel's son
00:20:53No to Ivan's
00:20:54What remains
00:20:56Lot
00:20:57To the interpretation
00:20:57Because it's not the character
00:20:58Talking
00:20:59It's Manuel
00:21:00What is
00:21:01Who have I seen?
00:21:02Tonight
00:21:03Anyway
00:21:04I congratulate you
00:21:05For his dedication
00:21:06For his charisma
00:21:06And for the beautiful
00:21:07Who sings and performs
00:21:08Thanks a lot
00:21:10Yeli
00:21:10Important to remind you
00:21:11To the public
00:21:11What grandchildren!
00:21:13It is up to a certain age
00:21:14Then they come
00:21:15Little nephews
00:21:15Little cousins
00:21:16Promotion
00:21:17But I am still
00:21:18Until what age
00:21:19You are in range
00:21:21Ricardo Morán
00:21:23Let's not talk about the subject
00:21:23Please Ricardo
00:21:24Leave it there
00:21:24I don't know why
00:21:25I have felt singled out
00:21:27Franco Cabrera
00:21:28Grandson too
00:21:29Applause for another
00:21:30Grandson
00:21:30No
00:21:31No
00:21:32But I would be delighted
00:21:33If it is a promotion too
00:21:34Above all
00:21:35Reaching the age
00:21:36Mr. Manuel Vallejos
00:21:37Singing like he sings
00:21:38Yeah
00:21:39As is
00:21:39Mister
00:21:41He sang well
00:21:42He sang well
00:21:43At times
00:21:44Has incorporated
00:21:45Darkness in the doorbell
00:21:46And scraped
00:21:47What have we asked for?
00:21:47To get closer
00:21:48To the character
00:21:49At times
00:21:49No
00:21:50It was Manuel's voice
00:21:51In particular
00:21:52I want to point out
00:21:53Two things
00:21:53One that he already pointed out to you
00:21:54Yeli
00:21:55What is that?
00:21:56If you are going to send him
00:21:58Greetings to your son
00:21:59And he will do it
00:22:01Before going on stage
00:22:02Suddenly
00:22:03Where Diana
00:22:03Or now
00:22:04When it's over
00:22:05To sing
00:22:05Everything is cool
00:22:07No?
00:22:08I would like to too
00:22:08Greetings from here
00:22:09To Emiliano and Catalina
00:22:10That I love you
00:22:10The now
00:22:10I love you
00:22:11I miss them
00:22:11This
00:22:13When we are recording
00:22:14Until so late
00:22:14But
00:22:16Since you say
00:22:17I am
00:22:17And cross that door
00:22:19Until the song ends
00:22:20You are Iván Cruz
00:22:21And can't break
00:22:23With the character
00:22:23It's like I buy
00:22:24An entry
00:22:25To go see Hamlet
00:22:26And in the middle of
00:22:27Zero
00:22:28Not zero
00:22:28Greetings to my mom
00:22:29That is in the public
00:22:30It never happens
00:22:31So
00:22:32That makes
00:22:33Then
00:22:33You are no longer Iván Cruz
00:22:34And unfortunately
00:22:36You harm yourself
00:22:38No harm is done
00:22:39In the contest
00:22:40Rather do things
00:22:40Support him
00:22:41To continue growing
00:22:42There are a lot of people
00:22:43That he feels like
00:22:43From continuing to see it
00:22:44No?
00:22:45So I don't know
00:22:46He doesn't get involved
00:22:46You fit
00:22:47And well
00:22:48The last note
00:22:49He left us
00:22:49There were several out-of-tune sounds
00:22:50But the last note
00:22:51It was clearly
00:22:52Out of tune
00:22:53And I want to thank
00:22:54To all the people
00:22:55That after that
00:22:56I made the observation
00:22:57That I didn't have
00:22:58A clear reference
00:22:59By Iván Cruz
00:22:59Singing with glasses
00:23:00They sent me
00:23:0180 videos
00:23:02By Iván Cruz
00:23:03Singing with glasses
00:23:05So don't worry
00:23:06For your next presentation
00:23:07If there was
00:23:08Sing with your lens
00:23:09No more
00:23:09Because Ivan Cruz
00:23:10He also sings with glasses
00:23:11He also sang with glasses
00:23:12Thanks Ricardo
00:23:13Thanks to the jury
00:23:14And thanks to the people
00:23:14What does he command us?
00:23:15Always photos and information
00:23:16Let's go backstage
00:23:18With Diana
00:23:18Diana forward
00:23:19Franquito
00:23:21We are
00:23:22With Ruben
00:23:24Vlade
00:23:24That today
00:23:26Without glasses
00:23:26But with a hat
00:23:27He comes to give it his all
00:23:30Because tonight
00:23:31From sentence
00:23:31Always take out
00:23:32The best
00:23:33From each one of you
00:23:34And I think you're going to impress.
00:23:35I hope so
00:23:36I hope so
00:23:37Above all
00:23:38To Ricardo
00:23:40To Ricardo
00:23:40I hope you like it
00:23:43My presentation
00:23:43I'm almost sure
00:23:45Yes
00:23:46AND
00:23:46People too
00:23:48Ruben's fans
00:23:50They want to see you now
00:23:51On stage
00:23:52So I wish you
00:23:52Best of luck
00:23:53I think you're going to do it
00:23:54Incredible
00:23:54I heard you
00:23:55Practice here
00:23:55With the maraca
00:23:56It was being done
00:23:56An essay
00:23:57And I wanted to
00:23:58Start dancing
00:23:59Let's see
00:24:00How he reacted
00:24:01Before his sentence
00:24:03Rubén Vlade
00:24:03I think this is it
00:24:05The presentation
00:24:06In which less
00:24:07I have seen Ruben Vlade
00:24:08I think that
00:24:09They haven't seen the videos
00:24:10What have they given me?
00:24:12Regarding me
00:24:12They have me
00:24:14Criticized
00:24:15The dance
00:24:16What I did
00:24:16And that dance
00:24:17It is as is
00:24:18As Ruben has done
00:24:19In the video
00:24:19I see you now
00:24:20Singing
00:24:21I say
00:24:22Hey
00:24:22This guy sings so well
00:24:24It has a similar timbre
00:24:25To Rubén Vlade
00:24:25But I don't see
00:24:26To Rubén Vlade
00:24:26Physically
00:24:27It seems that I had not seen
00:24:29The reference video
00:24:30Or have you seen another video?
00:24:31I don't know
00:24:31I combed my hair like him
00:24:34To the young
00:24:35I cut myself more
00:24:36The bar
00:24:37Did you look like you were going to be sentenced?
00:24:39I don't think so
00:24:40And now yes
00:24:45And now yes
00:24:45Sings
00:24:46Desire
00:24:47Rubén Vlade
00:24:49I am
00:24:58Rubén Vlade
00:24:59You belong to another man
00:25:26I belong to another woman
00:25:30But you have me in your mood
00:25:32And I have them for you too.
00:25:34But you have me in your mood
00:25:36And I have them for you too.
00:25:38When I meet you on the street
00:25:49I feel your gaze searching for me
00:25:52And you have me in your heart
00:25:54And you can't deny it to me.
00:25:57It's that you have a crush on me
00:25:59And you can't deny it to me.
00:26:01Let's not waste any more time
00:26:09Our feeling
00:26:11Calls for unity
00:26:14Although he calls us in sin
00:26:17You have shown me
00:26:20What do you want my love?
00:26:22Break the chain of pain
00:26:26That your absence gives my heart
00:26:30Although you belong to another man
00:26:34And I belong to another woman
00:26:38But you have me in your mood
00:26:40And I have them for you too.
00:26:42But you have me in your mood
00:26:44And I have them for you too.
00:26:47And I have them for you too.
00:26:51You have me in your hair
00:26:51Oh, oh, oh, oh, oh
00:26:53I want to portray myself in you
00:26:55Do you want to, do you feel like it?
00:26:56Dad, don't let me forget you.
00:26:59Do you want to, do you feel like it?
00:27:01In your cold and I in your coat
00:27:03Do you want to, do you feel like it?
00:27:04I just want to be, I just want to be
00:27:06I just want to be with you
00:27:07Do you want to, do you feel like it?
00:27:09I tell you without shame
00:27:11Do you want to, do you feel like it?
00:27:13If you can see it on your face
00:27:15Come, come, you feel like it
00:27:17Come and come and tell me to play
00:27:19Come, come, you feel like it
00:27:21I tell you without shame
00:27:24Come, come, you feel like it
00:27:25You want something with me
00:27:28Oops!
00:27:38What a refuge for you!
00:27:43It's that you have a crush on me
00:28:01Me, me, me, me, me, me
00:28:03I want to be your friend
00:28:04It's that you have a crush on me
00:28:06Oh, I tell you confidentially.
00:28:09It's that you have a crush on me
00:28:11You want something with me
00:28:13Me, who has a crush on me
00:28:15And what I want is forbidden
00:28:17Me, who has a crush on me
00:28:19If you can see it on your face
00:28:21It's that you have a crush on me
00:28:23Come there and tell me what it is
00:28:25Oops!
00:28:26Oops!
00:28:26Music
00:28:56It's that you have a crush on me
00:29:00I know you, little mask.
00:29:03It's that you have a crush on me
00:29:04Even if you play dumb
00:29:07It's that you have a crush on me
00:29:08Where it says that I have sinned
00:29:11It's that you have a crush on me
00:29:12Heart goes to the market
00:29:15It's that you have a crush on me
00:29:16They don't give you what you want
00:29:19It's that you have a crush on me
00:29:21That's why you die for me
00:29:23Alelelele
00:29:28Sabraza
00:29:39Rubén Plaguez
00:29:44Great knight
00:29:45Come here
00:29:45To the front
00:29:46What a good topic
00:29:47Great song
00:29:50Desire
00:29:50They know what I'm in the mood for
00:29:51Going to the commercial break
00:29:53Quickly
00:29:54Cut and we come
00:29:55We're back
00:30:04Dear friends
00:30:05Friends
00:30:05And let's listen now
00:30:06Our jury's opinion
00:30:08Yeli Reategui
00:30:08Oh sorry
00:30:10Miguel
00:30:11Darling
00:30:11Congratulations on your presentation
00:30:13I've seen you enjoy
00:30:15Something I was missing
00:30:17Mouthful of enjoyment
00:30:18And that you feel comfortable
00:30:21In order to flow
00:30:23And have fun
00:30:24Really
00:30:25The maraca
00:30:26I know we told you
00:30:28Oh my gosh
00:30:28Sorry
00:30:28I know we told you
00:30:30In the last return
00:30:31What had to be found
00:30:32Something to keep
00:30:34The key to salsa
00:30:35I think the maracas
00:30:36They were an element
00:30:38Intelligent
00:30:39To incorporate
00:30:40But at times
00:30:41If I left
00:30:42Because it was heard
00:30:43A lot
00:30:43Very strong
00:30:44AND
00:30:45Sometimes I was precise
00:30:48And sometimes not
00:30:49So you have to be careful there.
00:30:50Because at times
00:30:52It distracted me
00:30:52Good with energy
00:30:54But something happens
00:30:56When you get nervous
00:30:57It's that you run a lot
00:30:58You go ahead
00:30:59AND
00:31:00I'm missing
00:31:01The forcefulness
00:31:02And the timing
00:31:03What does Rubén Blades have?
00:31:04When singing
00:31:05What is timing?
00:31:05Very
00:31:06Very precise
00:31:07If you work
00:31:09In that precision
00:31:10You're going to have
00:31:11Best presentations
00:31:12But I liked this one
00:31:13More than the previous one
00:31:14I have felt you more present
00:31:15Thanks Yeli
00:31:16Cachín
00:31:17Miguel
00:31:19I agree with Yeli
00:31:20AND
00:31:21I want to tell you something
00:31:22That
00:31:23I have it saved there.
00:31:24And I don't want to keep it to myself.
00:31:25Because I think you need it
00:31:27What is it that we
00:31:28As a jury
00:31:29Apart from judging
00:31:30And say if it is right or wrong
00:31:32We have the best intentions
00:31:33So that they grow
00:31:35Our participants
00:31:36No
00:31:37I don't think it's necessary
00:31:38Hey
00:31:39Guide ourselves with a reference
00:31:41From a video
00:31:42Or two videos
00:31:43But
00:31:43Of the character
00:31:45What we know
00:31:45And what we investigate
00:31:46And we do our homework
00:31:47So
00:31:48If that way
00:31:49You didn't feel comfortable
00:31:50With a comment
00:31:51And that you were clear
00:31:53The reference
00:31:53Ok
00:31:54But it is not
00:31:55That's not the problem
00:31:57The problem
00:31:58I feel
00:31:58That you have a bell
00:32:00At times
00:32:01Very similar
00:32:02That's why you convinced us
00:32:04And you convince us
00:32:05In many moments
00:32:05To Rubén Blades
00:32:07And there are other moments
00:32:08In which you leave
00:32:09I don't know if it's because of nerves
00:32:12And it goes away too
00:32:13The tuning
00:32:14In the first
00:32:15Scoundrel
00:32:16I'm telling you
00:32:17That is complicated
00:32:19The way it is written
00:32:20You left completely
00:32:21About tuning
00:32:22In the second
00:32:22Improved
00:32:23The maracas
00:32:24I agree with Jelly.
00:32:25I particularly
00:32:27I would have you
00:32:28Recommended that you use them
00:32:29But without seed
00:32:31Because?
00:32:32Because I'm telling you so
00:32:33When you sing
00:32:34If you touch them at the same time
00:32:35There's something there
00:32:36That does not match
00:32:37And you don't know
00:32:38Because you are a musician
00:32:39I listened to the maracas
00:32:41Here in the hearing aid
00:32:42And it was
00:32:42Oh no
00:32:43Let it not sound
00:32:44And when
00:32:45Wait for it
00:32:46Let me finish
00:32:47And when you touched them
00:32:49Without singing
00:32:49When you don't have to sing
00:32:50There you hooked
00:32:51With your classmates
00:32:53That apart from making the feint
00:32:54They were also playing
00:32:55Up to here it was heard
00:32:56The little bell
00:32:56And that serves you
00:32:58As a salsa singer
00:33:00But don't get involved.
00:33:01The next one
00:33:03Suddenly
00:33:04Seedless
00:33:05And now
00:33:07What is the sentence?
00:33:08Well now it's the elimination
00:33:09Sorry
00:33:10We have to be clear
00:33:11With what we are going to take
00:33:12As a final decision
00:33:13Okay?
00:33:14Thank you very much Cachín
00:33:15There is a doubt
00:33:17On the face
00:33:18By Ricardo Morán
00:33:19I think it has to do with
00:33:20With the seed
00:33:21Ricardo
00:33:21Memories of the past
00:33:25Listen to me
00:33:25I think the timbre has improved.
00:33:28When you started the song
00:33:29I think short sentences
00:33:30They help you
00:33:31Because
00:33:32There is a doorbell
00:33:34A little more nasal
00:33:35And a little brighter
00:33:36What do you do?
00:33:37That brings you very close
00:33:38To the character
00:33:38And there we were fine
00:33:40Also a little bit
00:33:41Towards the end
00:33:41But unfortunately
00:33:43And I have to point this out.
00:33:44The zoning
00:33:45They have been
00:33:47But anywhere
00:33:48So all the good
00:33:49What did you build?
00:33:50The beginning
00:33:50What I said
00:33:51Hey, I didn't expect it.
00:33:51That that was
00:33:52That there would be improvement
00:33:54Excellent
00:33:54Congratulations
00:33:55And suddenly
00:33:55Oh the zoning
00:33:56We didn't go
00:33:57But for any side
00:33:59But I hope the other thing
00:34:01Serve as a guide
00:34:02To continue improving
00:34:03This imitation
00:34:04Thank you so much
00:34:05Thanks to the jury
00:34:06Thanks to Ruben
00:34:07Blades
00:34:08Diana
00:34:08You are in Backstakes
00:34:10Who do you have?
00:34:11The jury is demanding
00:34:13On this night
00:34:13Of elimination
00:34:15Camilo Sexto
00:34:17It's an important night
00:34:18It's a night
00:34:19What could it be?
00:34:20Your last night
00:34:21Like many
00:34:22From your colleagues
00:34:23I think that
00:34:24All of you
00:34:25They are doing
00:34:26All
00:34:27All
00:34:27In order to get out
00:34:28From sentence
00:34:29And continue
00:34:30For those 20 thousand
00:34:31Tell me
00:34:31How are you feeling today?
00:34:34Happy
00:34:35Today I feel happy
00:34:37That's all
00:34:38I feel happy
00:34:39Do you think so?
00:34:41Or is there something that
00:34:42Maybe around there
00:34:44Do you want to tell us?
00:34:45Has something happened?
00:34:46Do you see a sparkle in your eyes?
00:34:48It's not that being here
00:34:48It has been a dream
00:34:49Too big for me
00:34:50And well
00:34:52And I am grateful for this.
00:34:52Also to everyone
00:34:53To production
00:34:54To I Am
00:34:55That always
00:34:55May they always continue
00:34:56And don't stop going
00:34:57Don't stop
00:34:59Never leave this program
00:35:00Because there are many talents
00:35:01In Peru
00:35:01How nice!
00:35:02Very good Camilo
00:35:03I love Camilo
00:35:04I invite you
00:35:05Center stage
00:35:07Just like you
00:35:07And all your companions
00:35:09The truth
00:35:10That they are living
00:35:11Your dreams
00:35:11On stage
00:35:12Imitating his artist
00:35:14Favorite
00:35:15And each one of them
00:35:16With a story
00:35:17Today
00:35:17Let's get to know
00:35:18The story behind
00:35:20By Camilo VI
00:35:21Hello
00:35:26How are you?
00:35:26My name is Paul Torres
00:35:27Imitator of Camilo Sexto
00:35:29Of the season
00:35:30From I Am 2025
00:35:31And today I'm going to tell you
00:35:33A little about my life
00:35:34Artistic
00:35:35And personal
00:35:36I have been here for many years
00:35:40Imitating Camilo Sexto
00:35:42And for a long time
00:35:43I have tried
00:35:44Enter the program
00:35:45I am
00:35:46And this year
00:35:47I was given the opportunity
00:35:48To fulfill my dream
00:35:50I never imagined
00:35:51That being elected
00:35:52Among the 24 participants
00:35:54At two o'clock
00:35:55They were giving me the news
00:35:57That my son
00:35:57I was born
00:35:58I'll tell you
00:35:59That his name is Camilo
00:36:01Because precisely
00:36:02I named him Camilo Sexto
00:36:04That is my idol
00:36:05And Jackson too
00:36:07Because he is one of the singers
00:36:08That I admire
00:36:09That's like Michael Jackson
00:36:10And Lee too
00:36:12For his grandfather
00:36:13What do you like to look at?
00:36:14The movies
00:36:15From Bruce Lee
00:36:15And my biggest dream
00:36:17It's that these videos
00:36:19Let them be recorded
00:36:20So that when my son grows up
00:36:21I can see what his father did
00:36:23Within the program
00:36:24And he feels proud of me
00:36:26So very soon
00:36:27Sonny
00:36:27You will grow
00:36:28And together
00:36:29We will be on stage
00:36:31Look at the name
00:36:35Incredible
00:36:36Camilo Jackson Lee
00:36:37Paul Marta's son
00:36:38Great name
00:36:40Great name
00:36:40The truth
00:36:40That all this experience
00:36:42In I Am
00:36:42He has left you
00:36:43These names
00:36:44Of artists
00:36:45I'll stick with that advice.
00:36:47What did he give you?
00:36:47To production
00:36:48And to those in charge
00:36:50From this program
00:36:51To the leaders
00:36:52From this program
00:36:52May it never end
00:36:53Really
00:36:54Look at all the beautiful people
00:36:55That works
00:36:55For I Am
00:36:56Really
00:36:57I want to always be there
00:36:57Next to you
00:36:58Boys and girls
00:36:59Now yes
00:37:02He is ready
00:37:03But first
00:37:04Let's remember
00:37:05To the original
00:37:06Camilo Sexto
00:37:07Let's go then
00:37:19With the following presentation
00:37:20Sings
00:37:21Living like this
00:37:22It is to die of love
00:37:23Camilo Sexto
00:37:27I am
00:37:34Camilo Sexto
00:37:36He always betrays me
00:37:49The reason
00:37:50And it dominates me
00:37:52The heart
00:37:52I don't know how to fight
00:37:56Against love
00:37:57I will always fall in love
00:38:02Whose of me
00:38:03He doesn't fall in love
00:38:05And that's why
00:38:07That my soul cries
00:38:09And I can't take it anymore
00:38:12And I can't take it anymore
00:38:15And it always repeats itself
00:38:17The same story
00:38:19And I can't take it anymore
00:38:22And I can't take it anymore
00:38:24I'm tired of rolling
00:38:26I'm tired of rolling
00:38:26Like a doria
00:38:28To live like this is to die
00:38:33To live like this is to die
00:38:35Of love
00:38:36For love
00:38:38My soul is wounded
00:38:40For love
00:38:43I don't want any more life
00:38:45That his life
00:38:47Melancholia
00:38:48Melancholia
00:38:49To live like this is to die
00:38:56Of love
00:38:57I am a beggar
00:38:59From his kisses
00:39:02I am your friend
00:39:04And I want to be something more than that
00:39:08Melancholia
00:39:11It always takes over
00:39:13It always takes over
00:39:14Of my being
00:39:15My serenity
00:39:16It becomes madness
00:39:18And it fills me
00:39:20And it fills me with bitterness
00:39:22I will always fall in love
00:39:26Whose of me
00:39:27He doesn't fall in love
00:39:29And that's why
00:39:32That my soul cries
00:39:34And I can't take it anymore
00:39:37And I can't take it anymore
00:39:39It always repeats itself
00:39:41The same story
00:39:44And I can't take it anymore
00:39:46And I can't take it anymore
00:39:49I'm tired of rolling
00:39:51Like a doria
00:39:53To live like this is to die
00:40:00Of love
00:40:01For love
00:40:03My soul is wounded
00:40:05For love
00:40:08I don't want any more life
00:40:10That his life
00:40:12Melancholia
00:40:14Tremendous!
00:40:27Tremendous!
00:40:31Wow!
00:40:33Camilo, about this
00:40:35The public acclaims you
00:40:37He gives you
00:40:39All these screams
00:40:40This hubbub
00:40:41This joy
00:40:42For the tremendous presentation
00:40:43What has he given them?
00:40:45But now it's time
00:40:45Listen to the opinion
00:40:46From our jury
00:40:47What is it?
00:40:49Debating
00:40:50Polemicizing
00:40:52Chatting
00:40:53Dialoguing
00:40:54Around
00:40:55From this trial
00:40:58That they have to issue
00:40:59At the moment
00:41:00I'm going to start
00:41:01With Yeli
00:41:02While Ricardo
00:41:03And Cachín
00:41:04They keep crossing
00:41:04Words
00:41:05Yeli
00:41:06Dear Paul
00:41:07Congratulations
00:41:07For your presentation
00:41:08Something I liked
00:41:11I rescue the positive
00:41:12There has been
00:41:13A lot of dedication
00:41:14Much enjoyment
00:41:16That was something
00:41:17What I was missing
00:41:18That we saw it
00:41:20In your first casting
00:41:21And what do I understand?
00:41:24That as they go by
00:41:25The presentations
00:41:26This scenario
00:41:26It's quite intimidating
00:41:27And sometimes it eats you
00:41:28And nerves win
00:41:29And one tends to
00:41:30To give it more density
00:41:32Of what you need
00:41:33Actually
00:41:34Because this is for enjoying
00:41:35It is not for
00:41:35It is not for
00:41:36Densear
00:41:36And I've seen you enjoying yourself
00:41:38And that's what it seemed to me
00:41:40Very pretty
00:41:40However
00:41:45Also
00:41:45There are also things
00:41:47That continue improving
00:41:48The Spanish accent
00:41:50Needs more work
00:41:51It's not there yet
00:41:51Well detailed
00:41:52The use of S
00:41:53And the Z's
00:41:54It is not placed correctly
00:41:56It is intermittent
00:41:58It is not so precise
00:42:00There are problems
00:42:02Also with pronunciation
00:42:03In other words
00:42:03Like the T
00:42:04I insist
00:42:05In other words
00:42:07From other letters
00:42:09Sorry
00:42:09From other consonants
00:42:10And it seemed to me
00:42:12Also that I enjoy it so much
00:42:14He took me
00:42:15Toward
00:42:15Toward
00:42:16Other side
00:42:17Like an overacting
00:42:19That should be regulated
00:42:20Also
00:42:20But
00:42:21Thank you for your dedication
00:42:23We needed
00:42:24We needed to see that
00:42:26In this presentation
00:42:27Thank you
00:42:28As is
00:42:29I subscribe
00:42:30Ricardo Morán
00:42:31Sorry
00:42:36Cachín Alcántara
00:42:37Cachín Alcántara
00:42:39Moran
00:42:39There is familiarity
00:42:42Yeah
00:42:42I'm going to do like Morán
00:42:46Let's see
00:42:47No
00:42:48No no
00:42:49It's a good start
00:42:52No, no, no
00:42:53There is only one Morán
00:42:53I just want to tell you
00:42:55No, everything is fine.
00:42:57All good
00:42:59I don't want to go to sentencing
00:43:00Please
00:43:00Please pull me closer
00:43:02To this gentleman here
00:43:03That makes me nervous
00:43:04Because I feel that too
00:43:05He's going to send me to sentencing.
00:43:06No, I want to be totally practical with you.
00:43:10And I believe that
00:43:11Your story
00:43:13She's cute too
00:43:15I remember when you arrived
00:43:17And you surprised us
00:43:18At the casting
00:43:19And I believe that
00:43:20That day
00:43:21It's your first memorable day
00:43:22What you have to remember
00:43:24Your children
00:43:25You have to make them remember
00:43:27That day
00:43:28You convinced us
00:43:29And you passed
00:43:30And from there onwards
00:43:31When you became
00:43:32One of the 24
00:43:33That's your other memorable day
00:43:35And from then on
00:43:36Your story
00:43:37It will be until the day
00:43:38What if it is today?
00:43:39Or in the next one
00:43:40Or in the next one
00:43:41Or suddenly
00:43:42Until the final
00:43:43That's going to be your story.
00:43:44You don't have to tell him more
00:43:46To the boys
00:43:46But simply
00:43:47May they feel happy
00:43:48That his dad
00:43:49He was on Peruvian television
00:43:50Doing the best he could
00:43:53That said
00:43:54I feel that
00:43:56Camilo Sexto
00:43:57He is a character
00:43:58Difficult to imitate
00:43:59Difficult to imitate
00:44:00Because he who is
00:44:01Almost entirely
00:44:02Perfect
00:44:03Tune
00:44:03And it has some notes
00:44:05Highs
00:44:06So hard to reach
00:44:07That you
00:44:08Today
00:44:08You have tried
00:44:10And I can tell you
00:44:10That you arrived
00:44:11You arrived
00:44:13You got to where
00:44:16You had to arrive
00:44:17Because that's what
00:44:18It has made a difference
00:44:19Between your previous
00:44:20Presentation
00:44:20Where do we send you?
00:44:21To sentence
00:44:22Because?
00:44:23Because you threw away the note
00:44:24Backward
00:44:25And Camilo Sexto
00:44:26You throw everything forward
00:44:27He has no fear
00:44:28To command
00:44:29The note outwards
00:44:30Today you sent the note
00:44:32Outward
00:44:32Hence it is
00:44:34Almost in its entirety
00:44:36Tune
00:44:37At times
00:44:39You grabbed
00:44:40And at times
00:44:41No
00:44:41That's the difference
00:44:43Equal
00:44:45Congratulations
00:44:45Thanks a lot
00:44:47Very good
00:44:48Now yes
00:44:48Cachín Alcántara
00:44:50Moran
00:44:51Moran
00:44:51Ricardo Alcántara
00:44:52Ricardo Morán
00:44:55Alcántara
00:44:55And there he goes
00:44:57There he goes
00:44:57There is familiarity
00:44:58Didn't I tell them?
00:45:01Very good here
00:45:02Except
00:45:02What was that?
00:45:04Except the days
00:45:05In which unfortunately
00:45:07We have everyone
00:45:08These imitators
00:45:09That with greater or lesser
00:45:10Success they have strived for
00:45:11A lot
00:45:12And what have they left?
00:45:12Many things
00:45:13They have left their family
00:45:14They have left their cities
00:45:15To be here
00:45:16And fight for a dream
00:45:17But as I told you
00:45:18To everyone on the first day
00:45:19Then
00:45:20That is not recorded
00:45:20In which I speak
00:45:21With the participants
00:45:22Only one
00:45:23Or a win
00:45:24Everyone else
00:45:25Try to take advantage
00:45:26The weather
00:45:26What has been given to them
00:45:27In the best possible way
00:45:28In this scenario
00:45:29Because Peru
00:45:29He will continue to love them
00:45:31And he will always continue to look for them.
00:45:32Regardless of what happens
00:45:33With everyone
00:45:34With all who are here
00:45:35Today
00:45:36Let's talk
00:45:36In particular
00:45:37From the case
00:45:38By Camilo Sesto
00:45:40It seems to me that
00:45:41You have entered the stage
00:45:42With much better energy
00:45:44What other days
00:45:45And it's something I want
00:45:46That you recognize
00:45:46And that you register
00:45:47Because you have had
00:45:49A couple of tense presentations
00:45:50And that has affected you
00:45:52It has affected your performance
00:45:53It has failed to excite
00:45:54It has given you technical problems
00:45:56Today
00:45:57The energy has been good
00:45:58What has not been right
00:46:00Unfortunately
00:46:01And that's not your problem.
00:46:03Is
00:46:04Is
00:46:04Is
00:46:04It's the size
00:46:07Of talent
00:46:08And the technique
00:46:09By Camilo Sesto
00:46:10That drives
00:46:11A record
00:46:12And a tessitura
00:46:13Very wide
00:46:14With ease
00:46:15That makes it look like
00:46:16Magic
00:46:17What do you see the video?
00:46:18And you can't believe it
00:46:19You listen to the song
00:46:20And you can't believe it
00:46:21Let it go up
00:46:22And I went down
00:46:22And it goes up
00:46:23And I went down
00:46:23And you
00:46:24Unfortunately
00:46:25This song
00:46:26Technically
00:46:26It's too big for you
00:46:28You have made a great effort
00:46:29You have come with very good energy
00:46:31But when it was time to go up
00:46:33You came as if holding on
00:46:34At the edge of the pool
00:46:35Happily
00:46:36It has not been noticed
00:46:37In your face
00:46:38It has not been noticed
00:46:39In your performance
00:46:40It has not been noticed
00:46:41In your stage performance
00:46:42But it has been noticed
00:46:43In the audio
00:46:44You don't have
00:46:45Nor the rank
00:46:46Nor the tessitura
00:46:46Neither the technique
00:46:47To get them today
00:46:48I have no doubt that one day
00:46:50You can get it
00:46:51Let's see
00:46:52If in the competition
00:46:53It gives you time
00:46:53To achieve this
00:46:54But you have pointed out
00:46:55Of all
00:46:56I dare say
00:46:57It's the one you pointed out
00:46:58To the target
00:46:59Bigger
00:47:00From this competition
00:47:02And that's why
00:47:03You already deserve it
00:47:03Our admiration
00:47:04I hope you succeed
00:47:05Difficult challenge
00:47:06What does it have?
00:47:07Paul
00:47:07But congratulations
00:47:09Anyway
00:47:10I'm going to Bacte
00:47:10Ixtiana
00:47:11Who are you with now?
00:47:13We are here
00:47:14With Emanuel
00:47:14Don't go
00:47:15Because the night
00:47:16Go on
00:47:17With great presentations
00:47:19Hey
00:47:20Hey
00:47:21Hey
00:47:22You have to let go
00:47:22I know we are in sentencing
00:47:23But
00:47:24Let's loosen up a little bit
00:47:26All participants
00:47:27They are tense
00:47:28But
00:47:28I think it's time
00:47:30To give it all
00:47:30To demonstrate
00:47:31Why are you here?
00:47:33And in the case
00:47:34From your story
00:47:36You told us
00:47:38That if they won
00:47:39The competition
00:47:40Would you like?
00:47:41Do something
00:47:42With those 20 thousand
00:47:43Can you give me
00:47:44Can
00:47:45Share a little more
00:47:46About that?
00:47:48Hey
00:47:48Yeah
00:47:49Is
00:47:49It is to build it
00:47:50A space
00:47:52He called me
00:47:52A little house
00:47:53And well
00:47:54Hey
00:47:55About insurance
00:47:56Result
00:47:56It was given
00:47:56I don't know
00:47:57Equal
00:47:57Hey
00:47:58I
00:47:59I'm going to
00:47:59Yes or yes
00:48:00I'm going to do it
00:48:01I'm going to work hard
00:48:02So mom
00:48:03So don't worry
00:48:04That your little house
00:48:05You're going to have it
00:48:06You're going to have it
00:48:06Very good
00:48:08Now yes
00:48:09We breathe deeply
00:48:10We went out for mommy
00:48:13To make a presentation
00:48:14Incredible
00:48:15Emanuel Noir
00:48:16Let's remember
00:48:17To the original
00:48:18And now
00:48:19We start dancing
00:48:20Emanuel Noir
00:48:21Like the flower
00:48:24With so much love
00:48:26You tell me
00:48:29And be a macho
00:48:31Sings
00:48:32Like the flower
00:48:34For the delight
00:48:35Of all and all
00:48:36Emanuel Noir
00:48:38I am
00:48:47Emanuel Noir
00:48:48Like the flower
00:48:59With so much love
00:49:04You tell me
00:49:10Be a macho
00:49:13Noir
00:49:17I'm leaving
00:49:19Today
00:49:21I know how to lose
00:49:25But
00:49:31Oh
00:49:32How it hurts me
00:49:38Above
00:49:39For him
00:49:42I know
00:49:55What do you have
00:49:57A good love
00:49:58However
00:50:00I want you
00:50:02All
00:50:03If in me
00:50:06You didn't find
00:50:07Happiness
00:50:09Maybe
00:50:11Someone else
00:50:13He will give it to you
00:50:14Like the flower
00:50:16With so much love
00:50:19Come
00:50:21From your
00:50:22From your
00:50:22It withered
00:50:24No
00:50:25I'm leaving
00:50:26Today
00:50:28I know how to lose
00:50:29But
00:50:31Oh
00:50:32How it hurts me
00:50:35Oh
00:50:37How it hurts me
00:50:40Listen
00:50:40Chick
00:50:41If you want
00:50:43How it hurts
00:50:44As
00:50:44Going to God
00:50:48You take
00:50:49My heart
00:50:51I don't know
00:50:53If it were
00:50:54Return to bad
00:50:57Because I gave you
00:50:58All the love
00:51:00What could I give?
00:51:02Like the flower
00:51:04With so much love
00:51:07I stop
00:51:09It withered
00:51:12I'm leaving
00:51:14Today
00:51:15I know how to lose
00:51:17But
00:51:19Oh
00:51:20How it hurts me
00:51:22Now
00:51:23Who?
00:51:24Oh
00:51:25How it hurts me
00:51:28Above
00:51:28Che
00:51:29Oh
00:51:31Oh
00:51:31The little hands
00:51:32Above
00:51:33Above
00:51:34Above
00:51:34Above
00:51:35Che
00:51:35How it hurts me
00:51:39Spectacular
00:51:44Wow
00:51:49Come here
00:51:50What shirt?
00:51:54You have changed the user
00:51:56I get the impression
00:51:56No no
00:51:57It was very hot
00:51:58And I took off my jacket
00:51:59Nothing else
00:51:59Yes, it is very tropical
00:52:00We hadn't seen the crowns yet
00:52:02Jelly Reategui
00:52:03Congratulations
00:52:06Rogelio
00:52:08For your presentation
00:52:09Congratulations too
00:52:10To Franco Cabrera
00:52:11For that shirt
00:52:12What has taken me away?
00:52:12You have to put on the shirt
00:52:13Like the art boys
00:52:14Also
00:52:15You have to be there
00:52:15Very good
00:52:16With the timpani
00:52:17Good, Franco
00:52:18Congratulations
00:52:19Thank you
00:52:19Rogelio
00:52:20Calm down, calm down
00:52:24Breathe
00:52:25It's already happened
00:52:26Rogelio
00:52:27To me, the truth
00:52:28I know you've noticed
00:52:30Your out-of-tune sounds
00:52:31But honestly
00:52:34I never go deep
00:52:35About that
00:52:36Because there are other aspects
00:52:38That to me
00:52:39They weigh more on me
00:52:41Sometimes
00:52:42As the interpretation
00:52:43That it has been very good
00:52:44Really
00:52:45Your corporality
00:52:46Your corporality
00:52:46It has been precise
00:52:47She has been delivered
00:52:48You have performed very well.
00:52:50And you've given it all the punch
00:52:52And a lot of dedication
00:52:52And that's true.
00:52:53That is very touching
00:52:55To see
00:52:56And I have enjoyed it
00:52:56Despite the discordances
00:52:58Your voice is very tired
00:52:59And it is understandable
00:53:01And to the other participants
00:53:02I also tell you
00:53:03This program
00:53:05This program
00:53:05It is quite demanding
00:53:06And they are singing
00:53:07Many hours
00:53:08Many days in a row
00:53:10The instrument
00:53:11He gets tired
00:53:11And it takes its toll
00:53:13Even so
00:53:14The delivery
00:53:15What have you had?
00:53:16Rogelio
00:53:17It has been very nice
00:53:18And here I'm going to stay
00:53:20Thanks Yeli
00:53:22Cachín Alcántara
00:53:23Rogelio
00:53:25AND
00:53:27I want you to be calm
00:53:28I also reiterate
00:53:29The same thing Yeli tells you
00:53:30Be calm
00:53:31Because
00:53:31When I look at you
00:53:33On stage
00:53:34I see Manuel Noir
00:53:36AND
00:53:39The reference
00:53:40From this video
00:53:41From this song
00:53:43What is a
00:53:44I guess so
00:53:44Several times
00:53:45I notice that he
00:53:47It's a risky thing
00:53:48Like you
00:53:49And he also decides
00:53:50Make this song
00:53:51This version
00:53:52Because it's not his
00:53:53And do it
00:53:55The beginning like this
00:53:56A cappella
00:53:56And there are some
00:53:58Two or three times
00:53:59I've seen it
00:54:00Skating too
00:54:01And his musicians
00:54:01They look at him
00:54:02But it shows
00:54:03That he
00:54:03He wants to do it like this
00:54:04That is your proposal
00:54:06And that's why
00:54:07It does not cease to be
00:54:07Emanuel Noir
00:54:08And neither do you.
00:54:09You stop being
00:54:10The singer
00:54:11And the imitator
00:54:12What are you?
00:54:12So
00:54:14Stepping aside
00:54:16That moment
00:54:17That you were smart
00:54:18You knew you weren't coming
00:54:20And you said
00:54:20I don't do it
00:54:21It doesn't matter
00:54:22The concert continued
00:54:24And you did it very well.
00:54:25That's why
00:54:26I give you
00:54:27My congratulations
00:54:28Thanks Cachín
00:54:29And the public
00:54:31Also thanks
00:54:32With this applause
00:54:32But there is still more to come
00:54:33The opinion
00:54:34By Ricardo Morán
00:54:36I feel that
00:54:37As it progresses
00:54:38The competition
00:54:39Elimination nights
00:54:40They get tougher
00:54:41For everyone
00:54:41And I would like to ask the public
00:54:44A round of applause
00:54:44Not only for
00:54:45For Emanuel Noir
00:54:46But for
00:54:47Daddy Yankee
00:54:48Ivan Cruz
00:54:48Robert Plaez
00:54:49Camilo Sesto
00:54:50And for those who still
00:54:51Still to come out
00:54:52Pedro Infante
00:54:52And Paul McCartney
00:54:53Because really
00:54:54They are holding on
00:54:56To the stage
00:54:56With nails and teeth
00:54:57Despite the obstacles
00:54:58And everyone is having
00:54:59Obstacles today
00:55:00Rogelio
00:55:02It has been quite evident
00:55:04What happened
00:55:04At the beginning
00:55:05Then it kept happening
00:55:07During the song
00:55:07Also
00:55:08It's a song
00:55:09Very high
00:55:10For you
00:55:10It's a song
00:55:11Very high
00:55:12Also for Emanuel Noir
00:55:13The reference video
00:55:14Definitely also
00:55:15He starts off by screwing up
00:55:16The note completely
00:55:17What we just finished
00:55:18To pass by right now
00:55:19But that's no excuse.
00:55:20You have to go out and do it right.
00:55:21And you have tried
00:55:23Have you tried?
00:55:24You have given everything
00:55:25You haven't hit the note
00:55:27But there are other aspects
00:55:30Which we also evaluate
00:55:31And we'll see
00:55:32How are we doing?
00:55:33For the rest of the night
00:55:34I told you
00:55:35In the program
00:55:36What did he send you?
00:55:37Elimination Night
00:55:38It's just trust
00:55:41I know that you
00:55:42You do have that ability.
00:55:43But you have a topic
00:55:45Of doubt
00:55:46And scary
00:55:46And trustworthy
00:55:47Because on that note
00:55:49Yes you can get there
00:55:50Suddenly not today
00:55:52But yes you can
00:55:53And if today ends
00:55:54Not being your night
00:55:55That we don't know
00:55:56There is always someone
00:55:57What can you do?
00:55:58Also with
00:55:59Some
00:56:00This
00:56:00With errors
00:56:02This
00:56:03Keep that
00:56:04Yes, you can.
00:56:06I mean
00:56:06Well, you've already done it.
00:56:07In this scenario
00:56:08And yes, you can do it.
00:56:09You just have to believe it.
00:56:11Thanks to the jury
00:56:13And thanks to Manuel Noir
00:56:15Let's go backstage
00:56:16With Diana
00:56:17While I change my shirt
00:56:18We're coming
00:56:18Pedro Infante
00:56:21It's ready
00:56:22Has been
00:56:23Listening
00:56:24And present
00:56:25To the presentation
00:56:26From his partner
00:56:27All
00:56:28All
00:56:29Are
00:56:29With emotions
00:56:31And the nerves
00:56:32Because it's an important night
00:56:34I feel the same way today
00:56:37Are
00:56:38Concentrating
00:56:40For this sentence
00:56:42Do not harm
00:56:43Within your competence
00:56:45How does it feel?
00:56:46Pedro Infante?
00:56:48With all the punch
00:56:50To go out and show it better
00:56:51And so this
00:56:53Learning more and more
00:56:54And we go with everything
00:56:55Well today
00:56:55Very good
00:56:56Very good
00:56:57Pedro Infante
00:56:58Then I invite you
00:56:59To get you high
00:57:00On stage
00:57:01This
00:57:02This
00:57:03Quite
00:57:04Quite
00:57:05Strong competition
00:57:06I'm nervous
00:57:07I feel nervous
00:57:08For each one of them
00:57:09Let's see
00:57:10How he reacted
00:57:11Pedro Infante
00:57:12Upon entering
00:57:12In sentence
00:57:14Don't be afraid of him
00:57:20To go deeper
00:57:20In seduction
00:57:21I feel that it has given you
00:57:22A little bit of shame
00:57:23This time
00:57:23And you have been
00:57:24A little shy
00:57:24It was much more
00:57:25Flirtatious
00:57:26And it was much more seductive
00:57:28I am very aware
00:57:29Because I was lazy
00:57:31Very weak
00:57:32Let me tell you
00:57:33That today is of the
00:57:34What I liked the least
00:57:35Since you introduced yourself
00:57:36In I Am
00:57:37I think so too
00:57:39Well, seeing
00:57:40Such artists
00:57:41No?
00:57:42To Cristian
00:57:43Man one
00:57:44That has a little
00:57:45Nervous
00:57:46But I am
00:57:47Aware of everything
00:57:48And I am grateful
00:57:49Yet
00:57:49Unlike
00:57:50From your colleagues
00:57:51That have already gone to sentencing
00:57:51Are you a little scared?
00:57:52To you?
00:57:53Does it make you laugh?
00:57:54No, not laughter
00:57:54Obviously I think that
00:57:55Nerves of everything
00:57:56At all times
00:57:57But you have to get it out
00:57:58More positive
00:57:58That the personal
00:57:59Well, it's learning.
00:58:00Learn a little more
00:58:01The nerves of the moment
00:58:02Sometimes they play against you
00:58:03And sometimes too
00:58:04We have busy days
00:58:05Low days
00:58:06And here we are
00:58:07Oh, oh, oh, oh
00:58:12Jelly
00:58:12Jelly
00:58:13I've been a little late
00:58:15There because
00:58:16We have
00:58:17Made a bet
00:58:18On stage
00:58:19Spectacular
00:58:19That now he's going to see her
00:58:20The public
00:58:21And also
00:58:22A little surprise
00:58:23Also
00:58:23A little surprise
00:58:24They don't know what's coming
00:58:26Sings
00:58:26She
00:58:27Pedro Infante
00:58:29I am
00:58:38Pedro Infante
00:58:40How sad
00:58:51I'm
00:58:52I got tired of begging him
00:59:04I got tired of telling him
00:59:09That I without her
00:59:11I'm already dying of grief
00:59:14He didn't want to listen anymore
00:59:21If her lips opened
00:59:26It was to tell me
00:59:28I don't love you anymore
00:59:30I felt that my life
00:59:34They were lost in the abyss
00:59:40Deep and black
00:59:42Like my luck
00:59:44I wanted to find oblivion
00:59:49Jalisco style
00:59:53But those mariachis
00:59:57I that the tequila
00:59:59They made me cry
01:00:02I got tired of begging
01:00:23With tears in his eyes
01:00:28I raised my glass
01:00:30And I toasted
01:00:31For her
01:00:33I could not despise
01:00:40It was the last toast
01:00:45From a poem
01:00:46With an income
01:00:49The mariachis
01:00:52They were silent
01:00:52In my hand
01:00:57Without strength
01:00:58My glass fell
01:01:00Without realizing it
01:01:02She wanted to stay
01:01:07When he saw my sadness
01:01:11But it was already written
01:01:14But it was already written
01:01:15That night
01:01:17Lose your love
01:01:25Magnificent!
01:01:32Pedro Infante!
01:01:33Pedro Infante
01:01:34It feels like Friday
01:01:38Please
01:01:39And the dance corps
01:01:41Of everything
01:01:42Dance, music
01:01:43And they also sit down to suck
01:01:44To a spectacular thing
01:01:45Incredible
01:01:46The best
01:01:47Cachín Alcántara
01:01:48Let's go with your opinion
01:01:48Jesus Zabaleta
01:01:50What are you made of?
01:01:52What are you made of?
01:01:54You enter sentencing
01:01:56For the first time
01:01:58Just a moment, please.
01:02:00And not only
01:02:02You get on stage
01:02:04Let's sing
01:02:04Characterized
01:02:05But also
01:02:06You act like a drunk
01:02:08And you do it
01:02:09From tapudrema
01:02:11I mean
01:02:13We served you
01:02:14Did you understand?
01:02:15We served you
01:02:15Leave it there
01:02:16Leave it there
01:02:17Congratulations
01:02:18I have nothing else
01:02:18What to tell you
01:02:19That you are a champion
01:02:20Thank you
01:02:21Cachín
01:02:21Jelly
01:02:23It's still costing him
01:02:24It's here
01:02:25It took me a while to understand
01:02:26I was delayed
01:02:27But I finally made it
01:02:28Each one has their own process
01:02:29Everyone has their own time
01:02:30His times
01:02:31Of course
01:02:32Your timing is also perfect
01:02:33Jelly
01:02:33Thank you
01:02:33Dear Jesus
01:02:35Congratulations
01:02:36For your presentation
01:02:38Congratulations
01:02:39For your dedication
01:02:40At your own risk
01:02:41Because we have seen
01:02:42To Pedro Infante
01:02:42More unarmed
01:02:43That was what we wanted
01:02:44Also break a little
01:02:45With the posture
01:02:47With the bearing
01:02:47With this image
01:02:48So neat
01:02:49From the hair
01:02:50Glued together
01:02:51And the bearing
01:02:52And well placed
01:02:53And we have seen you
01:02:54Now much more disjointed
01:02:56Acting
01:02:58Also very good
01:02:59Be careful
01:03:00Nothing else
01:03:01That when
01:03:02He has not been
01:03:04Has not appeared
01:03:05Only for
01:03:05A question
01:03:06To equalize it better
01:03:08The drunk
01:03:08He never wants to look drunk.
01:03:10So
01:03:10Sometimes
01:03:11We must act
01:03:12In wanting to maintain
01:03:14The control
01:03:14But the body
01:03:15I know it falls apart
01:03:16But very well
01:03:17I liked it
01:03:18I liked it
01:03:18The acting
01:03:19I liked it
01:03:20Your interpretation
01:03:21I liked it
01:03:22Not seeing you
01:03:24So armed
01:03:25AND
01:03:26Congratulations
01:03:27For the risk
01:03:28It's a presentation
01:03:29That I have enjoyed very much
01:03:30Thank you
01:03:31Yeli
01:03:32Great note
01:03:33That one you said
01:03:33About the performance
01:03:34The drunk
01:03:35He doesn't want to look drunk.
01:03:36The best drunk
01:03:37What have I seen?
01:03:37Franchela
01:03:38In the secret
01:03:38From his eyes
01:03:39It's spectacular
01:03:40The best drunk
01:03:40What have I seen?
01:03:41It's Franco Cabrera
01:03:42Sometimes it seems
01:03:44Sometimes it seems
01:03:44Unburned
01:03:45Please
01:03:46Ricardo Mora
01:03:46What things are they telling?
01:03:49Hey guys
01:03:49Listen to me
01:03:51If I talked to Cachín
01:03:53Before the presentation
01:03:54From our Pedro Infante
01:03:55About this version
01:03:56That comes from a movie
01:03:58In which
01:03:59Pedro Infante
01:03:59He is drunk
01:04:01The character is drunk
01:04:02AND
01:04:03He is heartbroken
01:04:04Yeah
01:04:05We debated
01:04:06Because I didn't want to
01:04:07Seeing him so drunk
01:04:08I hope he's not that drunk.
01:04:09Because
01:04:10Because
01:04:13I'm going here
01:04:15To reinforce a little
01:04:15What Yelly says
01:04:16In terms of direction
01:04:17Of actors
01:04:17And I think you don't have
01:04:18Actor training
01:04:19Professional
01:04:20No?
01:04:20This is your first experience
01:04:21In the performance
01:04:22Here on stage
01:04:23Ok
01:04:23Miguel Rubio
01:04:24Director of Yuashkani
01:04:26He told me once
01:04:27When I was starting out
01:04:28To be a director
01:04:29Theatrical
01:04:29Phew
01:04:30In the nineties
01:04:30A very important lesson
01:04:32And he told me
01:04:32Everyone
01:04:33Act drunk
01:04:34Like it's falling
01:04:35Exact
01:04:36When the drunk
01:04:37What he wants is to stop
01:04:38And the body
01:04:39It is not allowed
01:04:40The drunk's action
01:04:42It's like Yelly says
01:04:43Trying to cope
01:04:44The situation
01:04:45Pretending not to be drunk
01:04:46And that is very complicated.
01:04:48To act
01:04:49And I said
01:04:49Oops
01:04:49Suddenly
01:04:50He's going to get in
01:04:51He fits himself
01:04:52Acting drunk
01:04:53Without training
01:04:54And an address
01:04:55Let him bear it
01:04:56But I have to say
01:04:57How surprisingly
01:05:00This has been good
01:05:01This has been well sung
01:05:07This has been nice
01:05:08It has been felt
01:05:09If it could be
01:05:10More plausible
01:05:11The drunk
01:05:12But for that
01:05:12It would be required
01:05:13Other type of training
01:05:14And he does this thing
01:05:16From the magic act
01:05:17What I say
01:05:18The voice
01:05:18It's for the program The Voice
01:05:20This is
01:05:21Performance
01:05:22Similar
01:05:23And vocal timbre
01:05:24And when one falls
01:05:26The other comes in to replace
01:05:27And they create the magic act
01:05:29And today
01:05:29There has been magic
01:05:30Yes, I believed it.
01:05:31Very good
01:05:32Thank you
01:05:33To the jury
01:05:34Which has one more note
01:05:35Yelly React
01:05:36A little one
01:05:37Sorry
01:05:37Take advantage of this resource
01:05:39What do you have
01:05:39And this resource
01:05:40What does this artist have?
01:05:41In acting more
01:05:43In staging
01:05:44Where you can play
01:05:45And not be so
01:05:47So static
01:05:48There is something you already know how to do
01:05:51Break up with that
01:05:52Show us more stagings
01:05:54Because it is a resource
01:05:55That can play in your favor
01:05:56Thank you
01:05:57Yelly
01:05:58Look for the
01:05:59Search for the movies
01:06:01By Pedro Infante
01:06:02There's quite a bit there
01:06:03As is
01:06:04Very good
01:06:05While Pedro Infante and I
01:06:06We sat down to have a drink
01:06:07Let's go backstage with Diana
01:06:08Go ahead Diana
01:06:09Come here, buddy.
01:06:09Come
01:06:09Franc
01:06:10We are here with the last one
01:06:11Participant
01:06:13He is Paul McCartney
01:06:14I see it moving
01:06:16Across
01:06:16Clap for your colleagues
01:06:18This is a competition
01:06:19But they have all become friends
01:06:20Tonight
01:06:22You could be eliminated
01:06:24What would you like?
01:06:26That people
01:06:27Know about you
01:06:28Let him remember you
01:06:29During this competition?
01:06:31Well
01:06:31That I gave it my all
01:06:32By the artist
01:06:33That I love so much
01:06:33What is Paul McCartney?
01:06:34That was too big for me
01:06:36Studying
01:06:36And putting it in
01:06:37You win the character
01:06:38And well
01:06:39I also want to thank
01:06:40To my girlfriend
01:06:41Who has come to support me
01:06:42Just today
01:06:43This song
01:06:44It goes with a lot of love
01:06:44Very good
01:06:46Linda
01:06:46Then it comes
01:06:47With dedication
01:06:48with love
01:06:49Paul McCartney
01:06:50I invite you to place yourself
01:06:51Please
01:06:52In the center
01:06:53From the stage
01:06:54Because he closes
01:06:55Tonight
01:06:55Of elimination
01:06:56Paul McCartney
01:06:57Let us remember
01:06:58To the original
01:06:58The public is already anxious
01:07:13To listen to the next presentation
01:07:15We are going to close
01:07:17With a flourish
01:07:17Do you want good music?
01:07:18Well, let's listen to it.
01:07:20After the commercial break
01:07:22We're coming
01:07:23The night is about to end
01:07:31Elimination Night
01:07:33Three participants are leaving today
01:07:35And this is the last presentation
01:07:37Sings
01:07:40My love
01:07:42Paul McCartney
01:07:44I am Paul McCartney
01:07:54I'm gonna go away
01:08:06I know my heart
01:08:09Can stay with my love
01:08:12It's understood
01:08:15It's in the hands of my love
01:08:19My love
01:08:24Does it go
01:08:27My love
01:08:40Does it go
01:08:43My love
01:08:49Does it go
01:09:19Oh my love
01:09:21My love
01:09:23My love
01:09:24Does it go
01:09:26Oh my love
01:09:29Oh my love
01:09:31Oh my love
01:09:36Only my love
01:09:39Holds the other key
01:09:42To me
01:09:45Oh my love
01:09:47Oh my love
01:09:49Oh my love
01:09:51Oh my love
01:09:54Oh my love
01:09:55Only my love
01:09:56Does it go
01:09:57To me
01:09:59Thank you!
01:10:29Oh!
01:10:31Oh!
01:10:39My love does it good!
01:10:48Never ask me why
01:10:51I'll never say goodbye to my love
01:10:55Subscribe to the channel!
01:11:25Subscribe to the channel!
01:11:55Oh!
01:12:01Marvelous!
01:12:04Cool Pol!
01:12:06Please come with me here at the front!
01:12:08As you receive the applause of the audience, please be here to receive the opinion of the jury, Jelly Reategui.
01:12:17Sandro, dear, congratulations on your presentation.
01:12:21Difficult subject.
01:12:25I applaud, I applaud a lot when risks are taken.
01:12:32And you've taken a big risk because your strength is really in singing standing up with your bass and rocking and dancing and showing us that freshness that we're already accustomed to and that we love to see.
01:12:43And at some point we ask you to change a little, to break with what we already know so that you can show us other facets of Paul McCartney.
01:12:51And you've also decided to sing with a piano, sitting down, which is more difficult.
01:12:56And while it's true that there have been problems with pitch issues, I put that aside because on the scale of my tools, I put acting, imitation, characterization, and internalization of the character.
01:13:16And I've seen you with your gestures very well internalized.
01:13:19I know you know this character very well and that has been seen, it is seen in your acting quality.
01:13:25I really liked it in that sense, so congratulations.
01:13:29Very nice words from Yeli Negati and now we're going to listen to Cachín Alcántara.
01:13:33Sandro, you have a very important and interesting quality, which is that, apart from knowing the character very well, you make good decisions when you're singing, when you're imitating.
01:13:47You know how to fool us.
01:13:48If I walk by here and see this thing, this concert of someone playing the piano and I don't hear it, but I see, I say even Paul McCartney playing.
01:14:00So that's what I mean when I say it's not just about being in tune, it's not just about looking and singing like the character.
01:14:09There are many things that make me lean towards saying I liked it.
01:14:14In this case you also convinced me.
01:14:16Great, thanks Cachín.
01:14:18Last opinion of the night, Ricardo Morán.
01:14:21Having heard all this, it must be emphasized that you were not in tune.
01:14:26And the tunings, while not the entire song, appeared consistently.
01:14:35It's not so much the end that I thought was going to be the hardest, it's more the beginning.
01:14:38It seems like you were warming up and getting comfortable.
01:14:41But you know so well the faces and the grimaces that McCartney makes and the inflections.
01:14:47There were also small English lessons, just in case.
01:14:49And there's a vibrato that's yours, that's not Paul McCartney's either, that you have to erase.
01:14:56But it seems that it wasn't with you.
01:14:58And you realize when you're out of tune.
01:15:00And you just carry on as if nothing had happened.
01:15:02Crossing my fingers that no one notices.
01:15:04Which is honestly a good technique.
01:15:07We are not unaware of the lack of tune.
01:15:10But I think some people in the audience might not notice.
01:15:12Basically because you continue as if nothing had happened.
01:15:15You don't look like you're own goal, nothing.
01:15:18You're still there enjoying yourself on stage.
01:15:20That's good.
01:15:21But it won't be good if you don't fix the technical stuff.
01:15:26And that's something you have to put effort into.
01:15:29It's also a song that I know and love very much.
01:15:32And that leaves your voice very bare.
01:15:34There are times when only your voice sustains.
01:15:37And that's why it's been very obvious where you've been hitting.
01:15:41And it's also a song that gives me memory.
01:15:43There are still a lot of positive aspects to your work as an actor.
01:15:50That is, imitating the character and characterization and vocal timbre make these tuning issues not the most decisive when evaluating you.
01:15:59But they cannot continue to happen.
01:16:02Many thanks to the jury and thanks to the participants.
01:16:06Don't go yet, don't go.
01:16:08Speaking of participants, tonight's participants were asked who they thought should be saved.
01:16:14And here we have the answers.
01:16:15Forward.
01:16:16Paul McCartney, who would you save from elimination?
01:16:24Pedrito Infante.
01:16:26It was just one, wasn't it?
01:16:28Only one.
01:16:29I would save Paul McCartney.
01:16:31Well, I would save Pedro Infante.
01:16:33He has a good bearing and I like his interpretation of me.
01:16:40Who would you like to see saved from elimination?
01:16:42Paul McCartney, because I've seen a lot of performance, a lot of performance, a lot of teamwork.
01:16:47I would save Daddy Yankee.
01:16:49Well, their physical resemblance is striking to me, and I also think their voice is very similar.
01:16:55I would save Emanuel Neuer from elimination.
01:16:57And not just in the voice, but also in the characterization, the tattoos and all that.
01:17:00He takes it to 100%.
01:17:01I would save Ivan Cruz.
01:17:04From there I admire him.
01:17:05He sings super.
01:17:06At his age, I don't hear many people who sing like him.
01:17:12Very well, but unfortunately, and I don't want to burst your bubble, tonight three contestants are leaving the competition forever.
01:17:24And this is the exact moment we mention them because the elimination has arrived.
01:17:29Okay, this jury we're watching on screen will decide which three contestants will leave the competition tonight.
01:17:42Each of them will write on the board the names of the artists who must leave the competition.
01:17:48But first, Diana.
01:17:48Like every night on Elimination Night, the Betson lifeguard button appears.
01:17:55The jury has the option to press the button and protect one of the participants.
01:18:03I'm going to do a five-second countdown, and you can decide.
01:18:08I just want to emphasize, Diana, that each of us has only one lifeline available to us for the entire season.
01:18:14That is, once each of us uses our life preserver, we can't play with it anymore.
01:18:25So, it's an important decision.
01:18:27Elimination Night.
01:18:29I'm going to do the five-second countdown and the audience will join me.
01:18:36Let them use it, says the public.
01:18:37Let them use it, they ask to use it.
01:18:38What do they want at home too?
01:18:40I'll do the math then, okay?
01:18:42Come on, we'll give the jury five seconds to press the button if they so choose.
01:18:49The Betson lifeguard in five.
01:18:53Three, two, one.
01:18:57Ricardo Morán, you.
01:18:59Ricardo Morán has used.
01:19:02I'm going to protect Pedro Infante.
01:19:04Pedro Infante goes straight through, is saved from this elimination, and goes to the stands to wait for his other teammates.
01:19:15But I can't continue with the happiness because I have to ask Yeli Reategui.
01:19:22Yeli, tell us, write it on that board.
01:19:26Who do you think should leave the competition tonight?
01:19:36First elimination of the night, Yeli Reategui.
01:19:39And who is it for you?
01:19:41Please write it on that board.
01:19:42Yeli, then, is...
01:19:48First of all, I really want to congratulate everyone because today they have given more than ever.
01:19:53And that is greatly appreciated.
01:19:56No matter what happens, please keep doing this, everyone is doing great.
01:20:00The jury now determines who should be eliminated from the competition.
01:20:07For each of them, Yeli has already made a decision.
01:20:11And we'll see her whenever you want, Yeli.
01:20:17Camilo Sexto is unfortunately eliminated from the competition.
01:20:25The public does not agree.
01:20:27Strong applause for Camilo Sexto.
01:20:31Great participant.
01:20:32Tonight he has given us everything, all his talent, all his art.
01:20:40And I think he also says goodbye to his colleagues with great joy and brotherhood.
01:20:48Nobody wants to leave the competition.
01:20:50Let us remember that Camilo Sexto, during these days,
01:20:55being here in Lima,
01:20:56will go directly to see his son for the first time,
01:21:03who was just born almost 25 days ago.
01:21:06So, Camilo,
01:21:08Thank you so much for this wonderful evening.
01:21:11A big round of applause for him,
01:21:13for Paul,
01:21:14the inviter of Camilo Sexto.
01:21:16And we, thanks Paul,
01:21:19We thank you
01:21:20everything you have given to this competition,
01:21:22which continues, because now
01:21:24we need to know,
01:21:26for Cachín Alcántara,
01:21:29Who should leave the competition tonight?
01:21:33Who's next to be eliminated?
01:21:35Cachín writes it on the blackboard.
01:21:38We give it the necessary time.
01:21:39What a moment, what a moment, how difficult!
01:21:44Waiting on the stage are
01:21:56Dari Yankee,
01:21:59Ivan Cruz,
01:22:01Rubén Blades,
01:22:03Emmanuel Noir,
01:22:04and Paul McCartney.
01:22:05Cachín
01:22:06I wouldn't want to be in your shoes, friend.
01:22:09Tell us
01:22:09Who's leaving the competition?
01:22:23Rubén Blades
01:22:24Abandon I Am
01:22:28With the sadness of the public
01:22:31But the jury stands and thanks him.
01:22:33Each of the galas
01:22:35Every single night
01:22:36His dedication, his professionalism
01:22:38And the good music that he brought us
01:22:42Diana
01:22:42Let me tell you, Franquito
01:22:44I converse
01:22:45While waiting to leave
01:22:47To make their presentations
01:22:48They are
01:22:50Really
01:22:52Happy to be on this stage
01:22:55And the truth
01:22:56They are artists
01:22:58They have demonstrated in this competition
01:23:00So strong, so fierce
01:23:02The level
01:23:03Imitation
01:23:06From professionals
01:23:08Thanks a lot
01:23:09To Rubén Blades
01:23:11They will be missed
01:23:12But we have to continue
01:23:14Because there is still
01:23:15One more name
01:23:16One eliminated
01:23:17The last one eliminated
01:23:18From tonight
01:23:20And this is left to you
01:23:22From Ricardo
01:23:24Ricardo tonight
01:23:27He used the button
01:23:28Life jacket
01:23:28Edson
01:23:29He protected Pedro Infante
01:23:32But at this moment
01:23:34Please
01:23:34We need you to place
01:23:36The name of the third
01:23:37Deleted
01:23:38Of the night
01:23:39That's it
01:23:40You don't want to take a little
01:23:43More time
01:23:44Ricardo
01:23:44I ask you please
01:23:49It's an important moment
01:23:52For the four inviters
01:23:54What remains
01:23:55I ask you please
01:23:57May it be the best
01:23:58Of the decisions
01:24:00Leave the competition
01:24:07Tonight
01:24:07Oh
01:24:08Oh
01:24:18My God
01:24:21Come on
01:24:22Tremendous imitators
01:24:28On stage
01:24:28The decision
01:24:30It falls into the hands
01:24:32By Ricardo Morán
01:24:33Come on Ricardo
01:24:38Ivan Cruz
01:24:44Ivan Cruz
01:24:50Ivan Cruz
01:24:51Strong clapping
01:24:54For Iván Cruz
01:24:55Manuel
01:24:56I'm going to get closer
01:24:59Forgive me
01:24:59Manuelito
01:25:02Great participant
01:25:06Wow
01:25:14Very difficult
01:25:16The participants
01:25:17What are we seeing here?
01:25:18Those who have already left
01:25:20The competition too
01:25:21They have become
01:25:22In a family
01:25:23They are like brothers
01:25:25Come to others
01:25:27Participants
01:25:28Like a father
01:25:29Like a grandfather
01:25:30Like grandchildren
01:25:30You mentioned it.
01:25:31And what is going to happen
01:25:33Of course
01:25:33In this farewell
01:25:35It's going to be not only sad
01:25:36For them
01:25:36But also sad
01:25:37For the public
01:25:38But the public
01:25:39Here in the studio
01:25:40He thanks you standing up
01:25:41To our Iván Cruz
01:25:42For the tremendous dedication
01:25:45We want him back
01:25:46Ivan Cruz
01:25:47Let's hope he comes
01:25:48One more time
01:25:48Manuel come
01:25:50Would you like to say a few last words?
01:25:52Of course
01:25:54Well
01:25:54Very happy
01:25:55Thank you so much
01:25:57To all friends
01:25:58What I have achieved
01:25:59In this program
01:26:01Lots of love
01:26:03Much love
01:26:03Me too
01:26:04I'm going back
01:26:07Very good
01:26:08I'm going back
01:26:09Why am I coming back?
01:26:09That
01:26:10Thank you
01:26:11The grandchildren ask you
01:26:12Ivan Cruz
01:26:13Thanks a lot
01:26:15And strong palms
01:26:17Great participant
01:26:19Thanks to the other participants
01:26:21And congratulations
01:26:22Congratulations to all
01:26:23We'll meet again tomorrow.
01:26:25Thank you for being there
01:26:27Thank you for tuning in.
01:26:28This was
01:26:29I am
01:26:30Bye
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