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Short filmTranscript
00:00Previously on Project Runway.
00:02Top five.
00:04You'll be making a look for women and men who struggle with eczema.
00:08It should be comfortable on their skin and it needs to produce a jaw-dropping reveal.
00:13This is going to be bananas.
00:16Everybody here has won a challenge.
00:18I haven't won.
00:19You're going to win.
00:19I've been this close.
00:20I'm like, this is my challenge.
00:22I don't know about the silver.
00:23It's a bit effeminate.
00:25I really like the design.
00:26Antonio and Vijay, you made our two favorite looks on the runway.
00:32Antonio, congratulations.
00:34You're the winner.
00:35You had our favorite look this week.
00:37I finally win.
00:40I think you being in the top is ludicrous.
00:43You didn't even have a reveal at all.
00:45What the f***?
00:46Alania, Jesus, both of your looks failed as a reveal.
00:50And even worse, you failed your client.
00:53You're both out.
00:56Wow.
00:57Whoa, whoa, whoa, whoa, whoa, whoa, whoa, whoa.
00:59What the f***?
01:03A stake for the winner is $200,000, a spread in Elle magazine, and a life-changing mentorship
01:10with the CFDA.
01:12This is Project Runway.
01:14Tonight, you're both out.
01:28I'm in shock.
01:29Me and Jesus, we're the two that got two wins.
01:33This is out of control.
01:34I'm literally in lots of words.
01:39I've performed so well in this competition.
01:41I think I also delivered something nice on the runway, and I had a reveal.
01:46So I'm so confused as of why Vijay is not sitting in my spot right now.
01:51I'm sorry.
01:52But that is until someone convinced us otherwise.
02:07What?
02:08The f***?
02:09Hello.
02:10I think you're both really talented and worked really hard.
02:15I know you did, right?
02:17I convinced the judges that you both should stay.
02:22If it wasn't for Christian, you both would be getting my affidavit in today.
02:40I don't think we should get rid of either of them.
02:42Really?
02:43They both won challenges.
02:44They're both talented.
02:45And then only three to the finale.
02:47I think it's a great idea.
02:50No, you can't pick me up.
02:52I'm not going to pick you up.
02:54This is so fun.
02:55I'm so excited that my dream is still alive, and I have never been more motivated to make
03:01to the finale than I am right now.
03:03Good luck.
03:03Thank you so much.
03:04Good luck.
03:06This is great work.
03:09Is this going on?
03:10Oh, my God.
03:13I don't know.
03:15Bitch, I'm also in.
03:16Christian said that he wants to see both of us in because we've made great work.
03:30So we're both safe.
03:32Are you kidding me?
03:33I want Jesus to go home.
03:35Christian, what are you doing?
03:38Shut up.
03:39The bitch is back, and I'm not going home.
03:42It's on.
03:43Get out of my way.
03:49Tots, Tots, Mama.
03:51Wow.
03:53Hello, designers.
03:54Hi, Heidi.
03:55The final five.
03:57Wow.
03:59I feel like I've said that before.
04:01Deja Vu.
04:02It's top five.
04:03We're all still here.
04:04I'm coming up a win.
04:05Wow.
04:07Let me take a deep breath.
04:08This feeling is good.
04:12I am more confident as a solo designer than I've ever been.
04:16And the finish line is really, really, really close.
04:19There's five of you, but unfortunately, only three of you will make it to the big finale.
04:26This is the most important challenge of this competition.
04:30This is the challenge before the finale, and knowing the two of us are going home, I can't
04:36mess this up.
04:37I just can't.
04:39Because this challenge determines who is going to the finale, we had to do something very,
04:44very special.
04:45Take a look.
04:47Roll the clip.
04:49Oh, hi, Heidi.
04:50And hello, designers.
04:54It's Ozu's most popular witches.
04:55Wow.
04:56Ah, Cynthia.
04:58Ariana.
04:58We hear the season of Project Runway has more twists and turns than the yellow brick
05:03road.
05:03And we're certain the experience has changed you for good.
05:06We wish we could be there in person, but you are in amazing and talented hands.
05:10We're pleased to welcome to the runway the most swankified man in Oz.
05:13Oscar-winning costume designer of Wicked.
05:15And the upcoming Wicked for Good, Paul Tazewell.
05:18Good luck, designers.
05:19Wow.
05:20Wow.
05:23Hey, Coyne.
05:25Designers.
05:26Wow.
05:26It is such an honor to have you here.
05:29It's so great to be here.
05:32Paul Tazewell is the first African-American man to win an Oscar for best costume design.
05:40On top of like all his other accolades, because he's been really running these costume design
05:44on Broadway streets since the 90s.
05:46So, you know, just in the presence of an icon, no big deal.
05:50You will be creating an avant-garde look based on the themes of the upcoming movie, Wicked for Good.
05:58To help inspire you, you are getting a sneak peek.
06:01Stop.
06:02Stop.
06:03Stop.
06:07You're the only friend I ever had.
06:13But there's no going back.
06:19They're coming for you.
06:25Think of what we can do.
06:27Together.
06:28I can relate to this so much because Antonio and I have such a strong brotherhood.
06:43And Glenda and Elphaba have such a strong sisterhood.
06:46So, like, wow, this is such a beautiful challenge for Antonio and I.
06:50Wicked focuses on the power of friendship, marginalization of people that are different,
06:57and also self-empowerment.
06:59So, it's on you, hopefully, to take that inspiration and create it in your own way
07:04and reimagine the idea of Oz.
07:07And what if I told you you might have not only one day, but you know, two days!
07:14Oh, my God!
07:18Finally!
07:19Girl, I'm about to cry.
07:21A lot of emotions.
07:22I got saved.
07:23Paul Taswell.
07:24Wicked.
07:25Avant-garde.
07:26Damn it!
07:28Paul and Christian will meet you guys in the workroom,
07:30where there will be some other surprises.
07:32So, enjoy.
07:33Good luck to all of you.
07:35For sure.
07:37Look at you.
07:38Go.
07:39Yeah.
07:41Oh, my God!
07:42Hi, designers.
07:44So fragile, so expensive, so designer.
07:47Is this for Rio?
07:49So, not only did you get a special look at the film,
07:53you also get this fabulous special look at the costumes from the film,
07:56which is incredible.
07:57And you're going to get to talk directly with the man who made it all come to life.
08:01What you see before you is Elphaba and Glinda.
08:05For Elphaba, I leaned into all that was organic.
08:09I was influenced by mycelia, bark, the underside of mushrooms.
08:15Speechless.
08:15With Glinda, it's all that is artificial, all that is sparkly and beautiful.
08:21I then wanted to really establish that idea of the iridescent bubble,
08:26swirls, and those things that are whimsical.
08:28And pink and green define what the world of Wicked is.
08:32Think about this idea, taking the inspiration of Wicked for good,
08:35but still avant-garde.
08:37And whatever that means to you and your brand and your work,
08:39still needs to be fashion.
08:41It's still a runway.
08:42Push it.
08:43Really hard.
08:44You guys go sketch and we'll come around.
08:47Ah!
08:47This is my challenge.
08:52I'm good at avant-garde.
08:54Good luck to the designers.
08:55Good luck.
08:56Hi, I'm Glinda.
08:58Obviously.
08:59I'm thinking about doing a head-to-toe pink beaded bodysuit with gloves
09:04and do a beautiful cape of Arganza.
09:08Amazing.
09:09Well, make sure that you're also thinking about avant-garde,
09:11like something you've never seen before.
09:12Because, like, a pink bodysuit is fabulous,
09:15but, like, Jennifer Lopez literally wears that every single night.
09:17And a flower cape, Valentino's made for, like, 20 years.
09:21So push it more.
09:23I'm not worried at all.
09:24I hope my win last week can carry me through this challenge
09:28and into the finale.
09:29My biggest competition is my brother,
09:30and I feel like I finally catch up to him.
09:34The judges really are going to see what Antonio Estrada is capable of.
09:38I wanted to tap more into the nature side,
09:40so I thought about a beautiful tree.
09:42Nature has no linear lines.
09:44Absolutely.
09:45But remember, you know, still want that fashion moment.
09:48I'm trying to use the design style that I discovered for myself,
09:53sophisticated streetwear, and push it to avant-garde.
09:57The pressure is turned up to 5,000,
10:01and I really, really, really want to make it to the finale,
10:05so I'm determined to deliver.
10:07Wicked For Good is a movie about friendship being torn apart.
10:11And I kind of want to create a fabric that's kind of, like, peeling off or being torn apart.
10:17I really want it to be crazy, but in a good way.
10:20I mean, what I'm seeing is really exciting.
10:22Huge fan of texture.
10:23Also, like, your work is, you know, very quiet sometimes.
10:26I think this has to be the fantasy.
10:28Yes.
10:29Right?
10:29I really agree with Krishan.
10:31My work, it's very quiet because I think that there is beauty in simplicity.
10:38But avant-garde should not be quiet.
10:41I love to play with restraint.
10:43A lot of Elphaba's journey, she's restraining herself because of her skin.
10:49Growing up, I was a little queer kid, and I didn't know really how to express myself.
10:54And so when I saw Wicked, it did help me, like, feel comfortable on my own skin.
10:59And, yeah, it really means a lot to me.
11:00Ugh, I'm obsessed.
11:02And so I want to play with this beautiful crystal overlay off the shoulders, just it's flowing down into just beautiful fabric.
11:13You did do the first challenge, where you had a glove through your giant wind cape, and that standing still might not be enough.
11:22This needs to be incredible, which you, above all people, can do.
11:30Avant-garde is my bread and butter.
11:31I think that I could do a hybrid of what I've done before, but these decisions are the ones that are going to push me into the finale, so I've got to make the right decisions.
11:39It's a lot of pressure.
11:42I have a really strong connection with Elphaba.
11:45I want to create this really amazing avant-garde coat dress with really huge hips.
11:53I don't know if avant-garde is in Jesus' wheelhouse because he makes a lot of beautiful dresses.
11:59But a beautiful dress is not avant-garde.
12:01Then I want to mold the collar into around the neck and into a hat.
12:06I mean, the silhouette of the dress is something that we've seen before.
12:10It's literally exactly the same.
12:13I don't know what he's thinking.
12:14This challenge might be Jesus' downfall.
12:18I got this.
12:18And we're back.
12:24This is probably the most important shop of the season.
12:26Five of you left.
12:27Two of you go home on this challenge.
12:29Fabric is so important.
12:3130 minutes.
12:32$1,000 a shop.
12:33I love money.
12:34And I love spending other people's money.
12:36Ready, go.
12:37On your broomsticks.
12:38I have been eyeing this crystal fabric, and I find this beautiful green satin.
12:51My ritual plan was in silver because of Glinda's shoes, but that crystal fabric is more of a green tone.
12:58So, like, green is just a natural choice.
13:01Vijay, all this red is for you.
13:04A lot of your budgets go into this one fabric.
13:06Setting myself apart from other designers is a strategy that I've used for the entire competition
13:12because you need to have a unique point of view.
13:16All going to be red.
13:17Yes.
13:17The whole thing.
13:18Yes.
13:18Very powerful.
13:19It's a risk to use red because I know that this is not the usual colors that you can associate with a movie,
13:26but no risk, no reward.
13:29Can you see your sketch, BJ?
13:30No.
13:30I don't know yet what I'm making.
13:33I just want to see what you sketch.
13:35I don't know yet what I'm making.
13:36You don't have to show him.
13:37I like that she doesn't show anybody.
13:39No.
13:39Like, you can't get it at her.
13:41She's trying to win.
13:42I like it.
13:43All right, designers, one minute left.
13:45Ah, anxiety.
13:47What color are you using?
13:49Green.
13:50Oh, my God.
13:51You and Ethan are both using green.
13:53So, it's a battle between who has the best green look.
13:57Bitch, I'm not worried.
13:59He was not supposed to do green.
14:01He was supposed to do silver.
14:02I'm his biggest threat.
14:03Can you see what's inside of that?
14:08Bitch, you never want to show me your sketch.
14:10Oh, there's black.
14:10You want to see my fabric?
14:12BJ is a silent killer.
14:13I'll see it later.
14:14She never wants to show anybody's her sketch.
14:16When you show me your sketch, I'll show you my fabric.
14:19I'm not showing you my sketch.
14:20Game is on, BJ.
14:21Give me, give me, give me more.
14:24And you have to like, give me more.
14:26I want more.
14:26Na, na, na, na, na.
14:28Let's make some magic happen.
14:30Give me, give me more.
14:34You guys really bought expensive fabrics.
14:36How much is it a yard?
14:38This is $750 a yard.
14:40Wow.
14:41Jesus said you copied his color.
14:46Get it straight, bitch.
14:47I don't want you to like start tea.
14:49But I never said that he was copying me.
14:51Don't put words to my mouth.
14:52You just accused me of saying that he copied me and I didn't say that.
14:56Let me just clear the air.
14:57I want to clear it because you're starting tea.
14:59I'm just like asking why both of you are using green.
15:03You're initially going for silver.
15:05No, the original plan was that Ethan was going to use silver.
15:08I was going to do the green.
15:09And Antonio was going to do pink.
15:10Pink.
15:11Okay.
15:11Because we're hoping that we're on the top three.
15:13Period.
15:14Whoa, whoa, damn, what, bitch?
15:19But I never said that he was copying me.
15:22Don't put words in my mouth.
15:23He said that you change it to green.
15:25Actually, my original thought was green.
15:28But then I thought, oh, what if I switch it to silver for the shoes?
15:32I'm not copying nobody.
15:33I'm just doing the correct branding.
15:35No one here owns green.
15:37She's got to go home.
15:40I know it's like when I'm, this is like the moment that I'm like, bitch, it's on.
15:45Jesus is fuming.
15:46I can already feel his heat coming out from his pores.
15:49I have my popcorn ready.
15:52Y'all are spicy.
15:53This is just getting me more fuel to send you home.
15:58Jesus can go from zero to 200%.
16:02And I am the opposite.
16:03I'm not taking it in a very personal level.
16:06But I think Jesus cannot do that.
16:08So there's going to be chaos and war.
16:12The sea witch bitch goes home.
16:13It's like, I'm done with it.
16:15I don't want that.
16:16She really is a shit starter.
16:18She's a shit starter.
16:19Uh-huh.
16:20I don't hear shit.
16:21I don't know shit.
16:21Nope.
16:22It's very serious.
16:23And I don't like it.
16:25You don't with the Gemini.
16:26Oh, my God.
16:27I've gotten nowhere with my garment.
16:31I don't have time for this, y'all.
16:35I'm going to change mine into a gown.
16:37The fabric is too beautiful not to do a gown.
16:40I have a question with both of you.
16:43This is like a random question.
16:45Uh-oh.
16:46For example, just let's say, of course, ideally, both of you want to be in the finale.
16:51But let's say there's only one.
16:53Have you guys talked about who do you think deserve it more?
16:59This is just like an honest.
17:00I think Antonio started in the bottom and then you started in the top.
17:04And then during the entire competition, it's kind of like he's on the top, on the top, on the top.
17:10And then like...
17:10Rich.
17:11What are you talking about?
17:13Honey, I'm just going...
17:14I'm not saying you're going down.
17:15Listen to me.
17:16I'm just going up.
17:19Security!
17:21Security!
17:22We need security on set.
17:25You never know.
17:25Like, last challenge, it was a shock to me that I was in the bottom.
17:30You should have gone home.
17:32Period.
17:34I mean, I like my look.
17:36When I ask questions, I'm just trying to know you and to get to know you.
17:40But I get in trouble sometimes because I'm always very honest.
17:43And sometimes I lose friends because of that.
17:47It might come across offensive.
17:49You missed the challenge, honey.
17:51Why did I miss it?
17:52Because there was no reveal.
17:53There was a reveal?
17:54The Christmas sweater?
17:55I'd rather wear a Christmas sweater rather than dancing with the stars that looks like a magician.
18:02My coat was stronger than all your three pieces if you really want to go there.
18:07Wow.
18:09My God, this week is to thin your ass off.
18:13You're a five-pitch.
18:15Oh, my God.
18:16Starting trouble.
18:17She does not want to be with me.
18:19This is very loud.
18:20I'm not really trying to create drama.
18:31She looks at me and I'm like, bye.
18:36More comment.
18:38Jesus and I fight a lot.
18:40But for me, it's coming from competition.
18:44You put two competitive people in one group.
18:48So what would you expect?
18:49You know, we're not going to hug each other.
18:51We're going to stop each other because we want to win and it's normal.
18:55She said, I'm not starting to start drama.
18:57I'm like, yeah, but you did.
18:57She is drama.
18:59You don't have a DNA, honey.
19:01All your looks look from different designers.
19:03VG has always seen us as frenemies, but she's pushed me way too far.
19:08I don't know if it's her strategy to make it to the top because I truly have no idea why
19:15she's still in this competition.
19:16Do you really want me to go there?
19:18Ready, set, go.
19:20Hi, everybody.
19:20Question.
19:22There's not that much done.
19:26I was going to do a jumpsuit.
19:28I kind of had a nightmare that J-Lo sent me home, so I changed my mind.
19:33I'm not doing a cape.
19:34It's almost like a shawl, but I want to make it big and I want to make my own flowers.
19:38If it's big, it has to be huge.
19:40Focus on this wow moment piece.
19:42You need a flower cocoon.
19:44Flower cocoon bubble.
19:46Let me write that down.
19:48How do you spell cocoon?
19:48Cocoon.
19:50I don't know.
19:51C-A-C-O-O-N?
19:58This is one of Alphaba's friends from the forest.
20:01Tree creature.
20:03Yes.
20:03This is really cool.
20:05It was really hard to find texture and the right color of trees
20:08and moss.
20:08I don't think you should go too costume-esque, like a tree.
20:15What's going to make you stand out?
20:17Knowing that I could have gone home in the last challenge is shaking my confidence.
20:21I'm worried about my look not standing out in the room full of glitter, sparkle, and 3D definition.
20:31I'm concerned.
20:33Who is she?
20:34Lady Godiva.
20:36So you're sticking with your plan.
20:37Like, you're not going to see the body at all.
20:39Yeah.
20:39Like, you're covering her up in green.
20:41Even if it was just a small amount into a V or something.
20:46You know, I could plunge this down and really get it close to the body.
20:50I think so.
20:51I don't want them to be like, this just isn't enough.
20:54Throughout this competition, I have had to tone it down.
20:57Because, you know, my sentiments for fashion is really loud and bananas.
21:01But this challenge is my opportunity to really turn what I'm good at up to 100.
21:08This is that one challenge you could push it even just a little bit more.
21:12Okay.
21:14I don't want it to kind of look like what I did for Unconventional, you know, the gown.
21:18I want to make her a little more sexy.
21:20I think you can do all this.
21:22Or just let me.
21:23I know, but it's a lot of work.
21:24I can handle it.
21:27I need to send her home.
21:27You really, I guess, what did you just say?
21:30BJ just killed the vibe not too long ago.
21:33She, she's one of those.
21:36I am sad because there's a lot of assumptions that I am steering the pot.
21:40One of the things that I learned in this competition is that you got to be very careful
21:44because people just really create drama out of nothing.
21:48BJ, the room is very frazzled about you today.
21:51I know, I really don't know why.
21:53And it just feels so weird because they, they thought that I should, that I should got eliminated
21:59last challenge.
22:01I don't know.
22:03Alphaba is a person that kind of like being rejected for who she is.
22:07And, you know, it's like, yeah, it's like, you know, it's like, I felt rejection so many times.
22:12And it's not that easy.
22:14It's kind of like, I kind of relate to that character as a trans woman being rejected, being said no a lot of times.
22:21But it's like, no matter how hard it is.
22:25I understand.
22:27Trust me, I was an out little gay boy when I was on this in 2008.
22:32It was rough.
22:34It wasn't fun.
22:35But you're here and there's so many allies in the world and people are going to be so inspired by you.
22:39There are things about me that people don't understand as an immigrant woman, as a trans woman, and as a fierce competitor.
22:49But those are the things that I like about me.
22:51I see my uniqueness as a special power.
22:55And I want to channel all of that into this design.
22:58You get to create and show people what you can do.
23:02You get to be proud of yourself.
23:10Smart old baby!
23:11Ah!
23:11Ah!
23:12Ah!
23:12Ah!
23:13Ah!
23:13Ah!
23:14Ah!
23:14Ah!
23:15Ah!
23:15A little trepidatious about them being like, it's too similar to the first one.
23:22But it's a totally different, like, headpiece.
23:25Totally different.
23:26Yeah.
23:27There's not a lot of time to pivot.
23:30Pivoting last week hurt a lot, but I'm hoping that I kill it.
23:35One stumble could let me fall out of this competition.
23:38Oh, no!
23:40I think I could be in trouble.
23:49Hello, designers!
23:50Hi!
23:51Hello!
23:52Wow, what an honor.
23:54Hey, it's fun!
23:55Oh, my God.
23:56The Oscar winner.
23:57I have never had an opportunity to have my work critiqued by an Oscar winner.
24:03How are you?
24:04It's a pleasure.
24:05It's a pleasure.
24:06So this is, this is it.
24:08Definitely avant-garde, and it would be great to understand direction so that it doesn't
24:14feel random.
24:15Okay, I'll do that.
24:18It needs to be intentional.
24:19Yeah.
24:20My worry is that, are they gonna get it?
24:22Are they gonna see Wicked?
24:24The face of your model is open, and how does it relate to the green skin?
24:30I think it could be kind of cool if all of her face was covered, too.
24:33Well, that's what I was wondering as well.
24:35And I think that it would also push the avant-garde.
24:37It's a good idea.
24:38Yeah.
24:39I'm excited to see that.
24:41Antonio.
24:42Hello, your majesty.
24:47Tell me about your design.
24:49So, originally, when we spoke, I wanted to do a cat suit.
24:53I remember Chris was like, oh, J-Lo's done that.
24:55I'm like, you know what?
24:56I'm gonna do the most beautiful evening gown I've ever made.
25:00And I'm adding the green heart because it's a special place for my alphabet, which is
25:05my twin brother.
25:06Okay.
25:09We've seen many evening dresses.
25:12How is this an avant-garde statement?
25:15Because this poppy flower that's on the floor, it's gonna be her flower cocoon.
25:21Kind of like wings.
25:25Pushing your silhouette is the direction that I would suggest.
25:28Really make it something we've never seen before.
25:31I mean, that was fueling almost all of my decisions when I was designing Wicked.
25:35So, how can you take us to that next level?
25:38This is my interpretation of her hat, right?
25:42So, I want the point to be dramatic, like avant-garde.
25:45And I wanted to do a 3D heart because, you know, my brother's doing green and I mixed the pink in it.
25:52The twins, obviously, are helping each other, but they're not helping each other editing the look.
25:59If I'm Jesus, I will tell Antonio right now to get rid of that ugly flower.
26:06It represents the love that she will forever in her life have for Glenda.
26:11Wonderful, it touches my heart.
26:14There may be strengths in what you have already, but if you focus on that and make that really beautiful,
26:19then you really won't lead to anything else.
26:21Where I'm at in my process is getting the moss effect full throttle going.
26:26What I see currently are silhouettes that in and themselves are interesting.
26:33It's how do you keep all of it talking to each other.
26:36Talking to each other.
26:38Mmm.
26:39I like Balanius, but it doesn't read avant-garde.
26:42It reads street wear.
26:44There's a lot at stake because two people are going to go.
26:47So, girl, go big.
26:49Push yourself beyond your comfort zone.
26:52That's what avant-garde is all about.
26:53Everybody.
26:54I'm hugely impressed.
26:56So, win or lose, let's rejoice-ify.
26:59Yay!
27:01Bye.
27:02Bye.
27:03Oh, I hope it works.
27:04Tomorrow, two of you go home and get to watch me in the finale.
27:18Guys, this is it.
27:21I woke up feeling like a wicked bitch.
27:23So much better.
27:24I like this more.
27:25Hi, everybody.
27:26Hi, Kristen.
27:27You have an hour and a half left.
27:28That's it?
27:29Oh, my God.
27:30Uh-huh.
27:31It's a moment.
27:32What if you cut it off?
27:33Just, like, leave this, but cut this off so it can...
27:34It can billow.
27:35This is making it heavy.
27:36Wow.
27:37She's very Victoria's Secret Angel.
27:38Uh-huh.
27:39All right, models to hair and makeup.
27:40Let's go.
27:42Perfect.
27:43Gorgeous.
27:44The lighter shades, so her eyes could pop.
27:45Maybe, like, from the corner out.
27:46Nude lip and lashes.
27:47You should fix the inside of this garment because that's gonna get you home.
27:51Click your heels.
27:52But I don't think you want to go there.
27:53How much time do we have left?
27:54Ten minutes.
27:55Oh!
27:56This is it.
27:57Only three out of five are going to the finale.
27:58I want it.
27:59That's it.
28:00I want it.
28:01I want it.
28:02I want it.
28:03I want it.
28:04I want it.
28:05That's it.
28:06Time to head to the runway.
28:11That's it, baby.
28:12Yeah.
28:13Hello.
28:14Welcome to the runway.
28:15The final five.
28:16Yes.
28:17As you know, in fashion, fashion, fashion!
28:21You can't fix the inside of this garment.
28:22You can't fix the inside of this garment because that's gonna get you home.
28:26Click your heels, but I don't think you want to go there.
28:27How much time do we have left?
28:28Ten minutes.
28:29Oh!
28:30This is it.
28:31Only three out of five are going to the finale.
28:32I want it.
28:33That's it.
28:34As you know, in fashion, one day you're in and the next day you're out.
28:38But tonight, too, unfortunately, we'll be out.
28:42For this challenge, you had to create an avant-garde look
28:45based on the themes from the new film, Wicked For Good.
28:49And please tell me, what was it like having Paul's input
28:52and looking at your designs?
28:53Oh, my God.
28:54It was extremely magical.
28:56He's also right over there.
28:58Hi, Paul.
28:59You're here.
29:01Thank you so much, Paul, for all the guidance
29:03that you've given the designers.
29:05Absolutely. My pleasure.
29:07Let's meet the judges.
29:08CFDA award-winning stylist and image architect, La Roche.
29:12Yes, La.
29:14Editor of Elle magazine, Nina Garcia.
29:18And my friend, supermodel, actress, producer, fashion diva
29:23and wicked fan, Tyra Banks.
29:25Yeah.
29:26Vee Banks herself, Miss Ty-Tyra Banks.
29:33Ah!
29:34Let's start the show.
29:42I love my look.
29:44She was morphing into the dress, and the dress is morphing into the hat.
29:48It's gorge.
29:49Stunning.
29:50My vision has come to life to perfection.
29:54Such an iconic moment.
29:56Oh, my large.
30:05I've accomplished everything I wanted to accomplish for this look.
30:10She looks so, so elegant and so avant-garde.
30:16It's making me feel so proud of myself.
30:22I'm happy seeing this green goddess walk down the runway.
30:26My look does not have sparkle.
30:28It does not have that much volume.
30:31But it's me.
30:32Definitely me.
30:33And I'm obsessed.
30:34I am hopeful that it's still enough to get me to the finale.
30:37Seeing my look walk on the runway, I feel the spiral detail is so beautiful, and the movements,
30:50it's so powerful.
30:52I mean, the color is so dramatic, and I'm really, really happy with the outcome of the dress.
30:58this is all so magical to be able to see my look just fly down the runway it's sparkling
31:13under the light the lines are gorgeous looks expensive it looks unique it looks so
31:19avant-garde and i think that i did myself so proud today
31:24this is going to be so hard today oh my gosh designers please step onto the runway
31:36we've scored your designs and we want to talk to all of you jesus we're going to start with you
31:44and your model i really wanted to just create something very powerful i wanted to do a heart
31:51to incorporate the paint of antonio's fabric because to me it represents the love that
31:58elphaba has for glinda but for me is the love that i have for my twin brother avant-garde means being
32:05innovative being experimental and that all came through it really is pushing the boundaries
32:15thank you well done oh jesus it's okay to be emotional i think it's really really really
32:25beautiful now the shoes came out really draggy to me but you know what this is a runway look
32:32this is the avant-garde moment when you can be outrageous go ahead nina first
32:37and she's going to photograph it no it's going to get me first because i'm going to get it right
32:40off the red carpet oh no we're going to get it oh yes baby we get it i get it first man
32:46depends on your celebrity sorry we know who my celebrity is all right nina came back feisty
32:52tonight yes i know that's what you say every time i come here whatever hey zeus i don't see two days
33:00i see two months yes i did love the look it came out and i was like wow the sparkles how you place
33:07them all i don't know it just gives it this kind of texture in a way it's divine thank you so much
33:13thank you okay antonio let's get your model out i knew that i was going to do a pink dress inspired
33:20by glinda and what really came to my mind is the poppy flower in the movie i love the dress i think
33:26the dress is beautiful does it read to me immediately wicked no i'm seeing a little bit more
33:33vegas the construction on the actual dress is really beautiful let's talk about the back because
33:38that's what i'm most troubled with that's a disaster and it is not defying gravity
33:44it's bad tell the truth shame the devil it's it's it's it's a it's like a bad pinata
33:53i know that deep inside you know this is catastrophic
33:58antonio i know that deep inside you know this is catastrophic
34:06the back of the dress looks really unfinished i see all your seam works it is a bit messy from the
34:12back but i do love the volume this brought me back i feel like to the beginning so even though i was
34:19rising to the top i feel like i'm back square one so i'm shutting down
34:25um i think the dress is beautiful and i actually like the flower
34:31i want it you can have it tyra thank you antonio hi vj hi hivy let's bring out your model
34:39wicked for good is about friendship being torn apart so i bought red silk and i literally
34:46shredded it shredded it shredded apart and paul mentioned that one of the most important design
34:53elements for wicked is the spiral the deconstruction of wrapping that boning and making it look shredded
35:02looks fantastic the shoe is spectacular kind of took my breath away there was a lot of creativity to
35:10it i really loved it i think it's beautiful i think it's avant-garde and then the shoe looks clunky
35:16does it read wicked to me no the red totally threw me off had this been in green or black you could have
35:23told the same story and it would have made more sense for the movie but i do think that you did make
35:30something really interesting i used to teach branding and there are certain things with branding
35:35that are non-negotiables and one of those is color so for me that's like a big miss like a huge miss
35:42thank you vj thank you thank you so much okay ethan let's bring out your model this could have easily
35:48been a fifty thousand dollar couture dress and you ruined it with those underwear that is one of my
35:56biggest pet peeves on the red carpet when it's the wrong underwear but it's fab i love the addition
36:03of the ostrich feathers it also is alphaba with the cape and the end of the first movie when glinda
36:10threw that cloak around her and she flew off i think you did an incredible job it's gorge i mean
36:15you definitely took a risk by hiding her face because it could have been like they either hate
36:20it or love it i happen to love it you know it's like oh what i like the most about your work
36:26is when you play with these opposites right so here is a sense of modesty but at the same time
36:34of sexiness i was just blown away i think it's very stunning this is unique this is special
36:41thank you ethan thank you all so much you can leave the runway thank you baby okay balanya let's
36:47bring out your avant-garde look paul was explaining his inspiration he went to nature to see all the
36:54textures and the colors and i was inspired deeply because i'm a plant person but this is avant-garde i
37:01had to go a little bit bigger i'm so torn here i love the gouches however i don't know about that tail
37:08it's giving me a little crocodile tail and it's not even even so there's yeah that that speaks to nature
37:14and the unevenness in nature it's supposed to be representative but does it give you a little
37:18crocodile alligator tail to me personally no it doesn't i love it i think there's different levels
37:24of avant-garde right there's avant-garde couture and there's avant-garde street fashion i think it's
37:31absolutely stunning my issue is everybody else took a chance and i think this was pretty safe in your
37:39opinion what you've seen so far but that's not helping you babe
37:42really you don't think this is you i think this is i love it but this is to me this is like
37:49big well you're gonna have to be uncomfortable a lot in this business that's the name of the game
37:55fashion is all about the new it's safe telania be quiet i have never yelled at a girl like this
38:03before i was rooted for you we were all rooted for you god is it really that serious oh bitch it is
38:10that was iconic now let me critique you seriously i actually agree with tyra rick owens is considered
38:17to be one of the greatest avant-garde designers of our generation and for me this is what that feels
38:23like i do think it's avant-garde and i do think it's really beautiful it's the thing of not being able
38:28to take the critiques that loses me with you every single time because if i didn't care i wouldn't
38:35say anything i always say like cuss us out in your head right i'm sorry i'm not trying to be disrespectful
38:42if i didn't care i wouldn't say anything i always say like cuss us out in your head right
38:50i'm sorry i'm not trying to be disrespectful thank you sorry i gave yours a high score
38:58i knew immediately that it was yours i also did see alphabet she looks modern also you know this is
39:07now thank you belania thank you there's five of you but unfortunately only three of you will make it
39:14to the big finale antonio should you be in the finale please tell us what two designers do you
39:22think should come with you oh i think you say i would love to see my brother do a collection
39:29and i would love to see ethan do a collection i've been so proud of what he's been doing in the
39:36competition belania who would you take with you god i would go with the two twins so you'll send bj
39:47and ethan home yeah that's what i'm saying no that's coming from your heart i think it's very brave
39:53ethan what about you this is tough
39:58the twins throughout the whole competition i have volleyed so many ideas and my work has
40:08grown so much like they've been just watering the seeds the whole time
40:13oh that's nice yeah hey hey sis i would of course like to see my brother be in the finale with me
40:20because i am so proud of what he's done and what he's learned in this competition
40:24and then ethan i saw the growth in him through this competition i would love for top four because
40:32i think belania found who she truly is as a designer i truly don't know if bj really knows
40:38what her dna is in the competition the strategy is they don't want me to be in the top three because
40:45they know that if i'm in the top three i have a strong chance of winning this so who would you take
40:53with you i will definitely take ethan and belania because i think that these two people
40:59are kind and i think that we need the money more than them and what makes you think that
41:06it's hard to say yes to speak that is so stupid i like to work with people who are kind and humble
41:14are you saying that we're not kind and humble oh my god you're the one that started all the drama
41:18in this competition bj if you really want to go there because you are not the humble person you
41:24were starting drama between everybody in this competition and you know that so don't stand
41:29right here and look like you're the innocent girl period between you and your brother who's the better
41:35designer i'm not gonna answer that law why not i'm not gonna answer that you saw the hearts on the
41:39dresses it's a competition please don't do that i mean he was always on top and i was on the bottom so
41:44i'm proud of him right so you think he's the better designer oh i mean yeah if you if you want me to
41:49say okay great that's all i'm trying to get to it's okay he said i have different family values as
41:54maybe you should one day too it's fine there can only be one winner at the end of the day yeah the
41:59best winner should win yeah but let's get there we have a lot to talk about you can leave the runway
42:05thank you thank you so much thank you thank you wow it got heated in here whoop that was really
42:13wrong for you to say that please don't see that's what i'm saying kind and humble right we are humble
42:20oh my god i don't even want to be in this room with them they're attacking me be kind and humble
42:26because you're the one with the big mouth let's not talk how about get her out of the room if she's
42:30not comfortable she's saying that we're not humble how am i not humble you're attacking me
42:34oh dear god i'm not doing this i'm gonna go no nope i'm not gonna stand there and have them
42:41humiliate me i didn't come here for that no mama girl calm down nope and stay i'm not i made my
42:47decision girl you you could they're not gonna humiliate me especially this bitch and catch me if
42:53you can't touch me i'm leaving i'm leaving he is gonna leave and i know my brother because he's
43:01not gonna be up there and be humiliated okay and that was really wrong vj and you know that
43:06what the law you really went there how dare you try to pull my brother and i against each other i'm
43:12not going back in and vj is being disrespectful i'm not gonna stand there with that bitch vj saying
43:20that we're not humble and that we don't need the money she doesn't know my financials who the is she
43:25i'm going home
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