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Transcript

00:00I don't think I deserve all those actions.

00:09Also, I am a chemist, not a businesswoman.

00:13Besides, I haven't left anything for Mrs. Dignan.

00:19He only left this letter to Mrs. Dignan.

00:24Of course, you weren't paying any attention to me.

00:26That has nothing to do with it.

00:27I don't believe anything that comes out of your mouth anymore.

00:30Gabriel de la Reina.

00:31I've decided I'm going to step away from the factory for a while.

00:34I think you're letting yourself get too carried away by melancholy.

00:37Do you know what surprises me most about this story?

00:39That you seduced that woman with a false name.

00:42He told me the key to your freedom.

00:44The signed confession of your nephew Jesus.

00:47He left me a lifetime salary of nine thousand pesetas a month until I die, Aunt.

00:53Jesus.

00:53Jesus, my nephew, was alive that day when I left that office.

00:57Your brother let him bleed to death.

01:01It's terrible.

01:03I don't want to leave.

01:06I want to continue being here with you as I have always done.

01:08See you never.

01:13Pedro Carpena.

01:15Emma, hold the image of hidden passion.

01:17Yeah.

01:18It occurred to Gemma.

01:19Well, for Gemma and I it was a side thing.

01:21You can rest easy.

01:23He died in peace after having confessed his highs.

01:27And that inheritance, that money, also belonged to my father.

01:32I'm going to call the queen's people.

01:34And I'm going to tell you everything.

01:36Because I may hate them, but right now I hate you more.

01:39Dreams of freedom, living differently.

01:56Wings to fly, wherever the soul wants.

02:00Dreams of freedom, the heart does not wait.

02:04He's asking for another chance.

02:09Dreams of freedom, even if the past hurts.

02:13Start over, love whoever I want.

02:18Shout my truth to them, live without fear and without looking back.

02:34Dreams of freedom, dreams of freedom.

02:58Tell Damian everything.

03:00I've lied to you enough that you can't trust me.

03:07But I want you to know

03:08that I was planning to tell you the truth once my plan had worked.

03:17I think a little, Isabel, think a little.

03:19If I really just wanted to be with you out of interest,

03:25Why did I stay in touch?

03:27Why didn't I disappear?

03:27Only you can know the reasons.

03:33What I know is that I have put my life in your hands,

03:35telling you the whole truth.

03:38If Damian finds out,

03:40will do everything possible to ensure that he ends up in jail.

03:45Damian de la Reina, tell me.

03:51Hello.

03:53Who is it?

03:56Hello.

03:57Look, if this is a joke, it's not funny at all.

04:12What are you doing?

04:15I didn't want to know the truth.

04:17The whole truth.

04:17My plan was to bankrupt the Queen's perfumeries.

04:22so that Brossard could buy it below its market value.

04:29Do you work for Brossard?

04:30No no.

04:32I work for myself.

04:34But let's say that Mr. Brossard and I have the same interests.

04:38But what you're doing is very dangerous.

04:40I know.

04:41But it's worth it.

04:44And if I've taken a long time to answer you,

04:46It's because Damian asked me to move in with them.

04:50And what should have been a couple of weeks plan,

04:53it has gone on too long.

04:54So you stopped staying here?

05:00Yeah.

05:01And I fell into my own trap.

05:05And I thought our love would be enough to keep believing in a future together.

05:12But if Damian knows, he'll do everything he can to crush me.

05:17Your lies hurt me.

05:26A lot.

05:27But I don't want anything bad to happen to you.

05:30And less so because of those bastards.

05:33I want them to sink too.

05:36Isabel, you don't know how worried I was all afternoon thinking I'd lost you.

05:42But now that I've told you the whole truth,

05:44I feel relieved

05:47and with strength

05:49to carry out my revenge,

05:52because I know I'll have you by my side.

05:55You will have yourself by your side.

06:05Isabel.

06:14I don't know what to do with this house.

06:35And so?

06:36Well, because it's too big.

06:39Why do I want four bedrooms when I'm alone?

06:41I don't know.

06:43I'm thinking of selling it.

06:46I don't think it will be difficult for you to sell it.

06:48This house is spotless.

06:49And also just a stone's throw from the center.

06:51Yeah.

06:51Yes, yes.

06:52I think the same too.

06:59Cristina.

07:02Hey...

07:03I'm thinking that you can come live here with me.

07:06I?

07:10Yeah, well, it just occurred to me, huh?

07:12I know it might be crazy,

07:14that you don't feel like it

07:15and we have only known each other for a very short time.

07:17No, no, no, no.

07:18No, Irene.

07:19It's not that I don't want to live with you.

07:22The thing is...

07:24That?

07:26Well, I've been thinking about it for a couple of days.

07:29if I should stay in Toledo.

07:31Are you thinking about leaving here?

07:34Cristina.

07:39What's happening?

07:43That?

07:45That I have fallen in love

07:46by Luis Merino.

07:50And I think I shouldn't continue working alongside him.

07:56I know it.

07:57I know he's a married man, but...

08:00And he must think I'm a capricious young woman.

08:02and in love, but it's just that...

08:05I can't help but feel this way.

08:08And that's why I think it's better for me to leave the factory.

08:12I understand you.

08:14I really understand you.

08:17But you must think that you are now a shareholder in the company.

08:22And you have a responsibility to the Queen's Perfumeries.

08:25Then I'll sell the shares.

08:27To do what?

08:30Do you think you can find a better job than this one?

08:32If you find it.

08:35Remember that we can't choose, Cristina.

08:38No, that's why I haven't quit yet.

08:40Already.

08:41I just don't know.

08:42I think I need to call my mom,

08:44tell him what's happening and we'll see...

08:46I mean, let's see what she thinks.

08:51Forgive me.

08:51No, nothing happens.

08:54I understand.

08:57Well.

08:59I'm going up to the bedroom

09:00Let's see if I can find something related.

09:01with the disappearance of José.

09:03Are you OK?

09:05Yeah.

09:10Yes, a dozen.

09:11Reds.

09:13And I put a note.

09:14The best thing about my life is being in yours.

09:16I'll make it up to you for these two nights.

09:18Ah, yes, good idea, yes.

09:22Put, I love you.

09:24Perfect.

09:25Can you confirm that you will receive it today?

09:28Thank you so much.

09:32Who were you talking to?

09:34With room service.

09:38Why are you looking at me like that?

09:41I was surprised you ordered breakfast.

09:44I thought you'd want to return to Toledo as soon as possible.

09:47No.

09:47Today you and I are going to delight ourselves

09:50with a fabulous breakfast

09:51and then I'll accompany you to the airport.

09:53Oh yeah?

09:54Yeah.

09:55Are you going to take me?

09:58I want to spend as much time with you as possible.

10:01until you catch the plane.

10:04But, father,

10:05when you want to show up at the factory

10:06it will be time to eat.

10:07AND?

10:08Maybe your lateness will catch Damian's attention.

10:12Damian trusts me.

10:13I'll know how to come up with some excuse.

10:17That?

10:21It's going to be very hard for me to return to Paris without you.

10:25Because I don't know when we'll see each other again.

10:29Much sooner than you imagine.

10:31What if I stay here with you and...?

10:35And if?

10:36You know that's not possible.

10:38Destination.

10:49Destination.

10:51Look, I found this.

10:52in one of its drawers.

10:55It's the bank's book

10:56that I had with Inés,

10:58his late wife.

10:59My brother is taking out money

11:02on this account

11:02until very recently.

11:05Does this number sound familiar to you?

11:06Yeah.

11:07Yes, yes, of course it sounds familiar.

11:08This is the figure I received from Pepe.

11:10Exact.

11:11But there are more movements here.

11:13You have continued to withdraw

11:14six thousand pesetas every week.

11:16Yeah.

11:18But why?

11:18Don't know.

11:21I guess to give it to someone.

11:24And in this envelope

11:25There are another six thousand pesetas.

11:31I guess these are the last ones

11:32six thousand pesetas that I take out

11:33before dying.

11:35Let's see.

11:37The address on this envelope

11:38It is from a section

11:39Toledo post office.

11:41There are too many pieces

11:42without fitting in, Cristina.

11:43We're going to need help.

11:44I'll call Angel Ruiz.

11:45Let's see if you can help us today.

11:47Come on, very well.

11:48Come on, go on.

11:55Understand me.

11:57Queen's Perfumeries

11:58they stagger.

11:58Only the final blow is missing

12:00so that shareholders

12:01have to sell Broussard.

12:03And then...

12:04You will return to France.

12:06No.

12:07You will come to Toledo

12:08to help me run the factory.

12:13Are you serious, right?

12:16So you can get even

12:17of everything they did to you

12:18with these wretches.

12:20They will regret it

12:20of having humiliated me.

12:23I want to be part of it

12:24of your plan.

12:25I can help you

12:26from here.

12:26I'm more useful, close.

12:28You know I'm efficient

12:29and we could see each other

12:30in this hotel.

12:31Isabel.

12:31Can...

12:32I can call Selina,

12:33my boss.

12:34Tell him I say goodbye

12:35and I stay here with you.

12:36You can't do that.

12:38How are you going to do that?

12:39Doing it.

12:41Isabel,

12:41we can't risk it

12:43that the plan is achieved.

12:45And why would that happen?

12:48Because if I know

12:49that you are in Madrid

12:49I would like to see you

12:50very often

12:52and I will not be able to justify

12:53those absences

12:53before my family.

12:54It wouldn't be necessary either.

12:55that we saw each other

12:56every day.

12:57Only from time to time.

12:58Could you settle?

12:59with a sporadic encounter?

13:02Why not me?

13:05The temptation.

13:07Better to keep her away.

13:09I guess you're right.

13:11That is two or three months

13:12and we can dream

13:13with a life together.

13:17Alright.

13:19But I want news from you.

13:20every week.

13:22You're not going to disappear,

13:24I'm not going to let you get away.

13:25If you don't do it,

13:26I take a flight

13:28and I show up with the suitcases

13:29at the gate of the colony.

13:31I'm serious.

13:32Every week.

13:34I promise you.

13:43Yes, from now on

13:44you're going to have to talk to me

13:45because Carmen

13:45she has been promoted.

13:47Yes, he did deserve it.

13:50And of course, of course,

13:51I'll tell him from you.

13:54Yes, that's it, that's it.

13:55This very afternoon

13:56I'll send you the order

13:56and in a couple of days

13:57you have it in the store.

13:59Exact.

13:59No, thanks to you, Jacinto.

14:01Bye bye.

14:02Goodbye, goodbye.

14:05Memories from Barcelona

14:06from Jacinto.

14:08Oh, Jacinto.

14:09How are you doing?

14:10Well attacked.

14:12Yeah, nothing more.

14:13Well, don't let yourself

14:14drag on your nerve, huh?

14:15You, calm down.

14:16Well, calm down,

14:17relatively calm.

14:18Because he is absolutely right.

14:19of the world

14:20with all the complaints

14:21from shortages

14:22of soap

14:22and it has not been

14:23the only one

14:23who has complained.

14:25Was there then

14:25many complaints?

14:26Yes, almost all of them

14:27the store managers

14:29they have complained

14:29of the same.

14:30Already.

14:31Well,

14:32it's a matter of time

14:33that it is solved.

14:34Yes, but how much, Carmen?

14:36Exactly

14:36I can't tell you.

14:38But wow,

14:38that Tassion has said

14:39that this very morning

14:40the first batches are released

14:41from Rosamari soaps.

14:43Oh, thank goodness.

14:44Yeah.

14:44It is true that they are going to

14:45to give priority

14:46to the commissaries

14:46of the American bases

14:47but wow,

14:48that you understand

14:49It will be a question

14:49two days

14:50that they arrive.

14:50Well, well,

14:51let's see if normality returns

14:52we got it back soon.

14:54Well, normality

14:55until it reopens

14:56our plant

14:57I only see

14:57a mirage.

14:59And I wanted to miss it.

15:02And how calm

15:03that must be

15:04Mrs. Marta

15:04without having to deal

15:05with all these problems.

15:07Well,

15:08Mrs. Marta

15:09already has its thing too.

15:11Let's see,

15:11so a priori

15:12the thing about exercising

15:12of the governor's wife

15:14I don't see it either

15:14very difficult.

15:16I just know

15:17that if she were here

15:18your experience

15:19and his wisdom

15:20would not be of much help.

15:23Yes indeed.

15:27Hello.

15:28Hello.

15:32How are you feeling?

15:34Better.

15:35Better.

15:36Why don't you leave me?

15:37take a look at you?

15:38You told me this morning

15:39that Julia

15:41has stayed

15:41at home sick.

15:43No, but Julia's thing

15:44have been, well,

15:45a few tenths.

15:46I think he caught a cold

15:46yesterday.

15:47Mine is a simple gastritis

15:49and I suffer from it

15:50since I was little.

15:51With a chamomile

15:51it passes me by.

15:53And with rest.

15:54So pick up your things

15:55and come.

15:55Home to rest.

15:56No, no way, Luz.

15:58It's just that I'm much better here.

15:59without thinking about whether it hurts

16:00or it doesn't hurt me.

16:01That which you have brought

16:01It is rosehip oil.

16:03Yeah.

16:03Luis had enough

16:04stocks in the laboratory.

16:07By the way,

16:08has seen you

16:08that you have put the soak

16:09in aloe vera.

16:10In a few hours

16:13will be removed

16:14aloin

16:14and so we can

16:15continue manufacturing

16:16our ointment

16:16so that workers

16:18with skin conditions

16:19can finish

16:20your treatment.

16:23Mrs. Aregoña,

16:24are for you.

16:25Oh,

16:26thank you.

16:27Wait a second, Pablo.

16:28Good morning,

16:29Dr. Borrell.

16:30Good morning, Pablo.

16:34There you go.

16:35Thank you so much.

16:36Thank you.

16:41What a wonderful bouquet, isn't it?

16:45Yes, they are...

16:47They're very pretty, aren't they?

16:57Are you looking for forgiveness for something?

17:01Why do you think that?

17:02For the lack of enthusiasm

17:05what have you put, woman.

17:07I sensed that yesterday

17:08you had an argument

17:09and he's apologizing to you.

17:11Well,

17:11it wasn't exactly

17:11an argument,

17:13but I've been here for a few days

17:14very strange.

17:16Strange?

17:16In what sense?

17:18Seafood,

17:19distant.

17:21I can hardly imagine it.

17:23Yeah,

17:23Well, if you see

17:24as he assumed yesterday with Julia,

17:25how he answered her

17:26when he asked him

17:26go to the hill

17:27to see some nests.

17:28It's not to justify him,

17:29but with the situation

17:30what's in the factory

17:31everyone is nervous.

17:33Yes, yes,

17:33I already know

17:33and that's why I wanted to take the iron out of it

17:34to the matter,

17:35but then...

17:37But then what?

17:40Who later accused me

17:41to control him.

17:42What did he tell you?

17:44Yeah.

17:45And he already acted

17:46in a similar way

17:46when I asked him

17:47for his family

17:48that time.

17:49Oh.

17:49On both occasions

17:52has reacted the same.

17:53First run away,

17:54then backs down

17:54and then apologizes.

17:57The least you can do, right?

17:59Already,

17:59but to me these changes

18:00of love

18:00because they confuse me.

18:03Some people

18:03we showed ourselves hostile

18:05when we feel vulnerable.

18:07Yeah,

18:08It could be that, yes.

18:11The important thing

18:11is that he has realized

18:12that he has done wrong

18:13and he's asking for your forgiveness.

18:17A lime one

18:17and one of sand.

18:23But of these poor

18:24it's not his fault.

18:32Queen's Perfumeries

18:33the store serves you

18:34Who can I help you with?

18:36I'm in Magobantes.

18:37Is Carmen there?

18:40Uh, yeah,

18:41yes, yes, yes,

18:41it's right here

18:42right next to me.

18:43Right now

18:43I'll pass it on to you.

18:45It has been a pleasure

18:46talk to you.

18:48The Magobantes

18:49wants to talk to you.

18:56Very good,

18:57Miss Magobantes.

18:58But let yourself

18:59of formalities

18:59with me, Carmen.

19:01What I thought

19:02that he was not going to remember

19:03of me.

19:04That you treat me like a child,

19:05I'm telling you, silly.

19:06How could I forget?

19:07that you lent me

19:08your lipstick

19:08before the test

19:09of camera?

19:10I assure you

19:11that these things

19:12they are not seen

19:12in this world.

19:14Oh, by the way,

19:15thanks for the gift.

19:16Ah, has it arrived yet?

19:17the basket of products?

19:18Yes, I'll finish it.

19:19to bring my representative.

19:21And while I speak with you,

19:23I'm smearing myself

19:24the legs

19:24with that cream

19:25of thyme.

19:26Oh, how wonderful.

19:27Oh, what joy.

19:28Well, I'm very glad.

19:29that you like,

19:31that an artist

19:31your size

19:32take our products.

19:34Well, they are a delight.

19:35And my favorite

19:36It's that perfume,

19:37Hidden Passion.

19:41Hidden Passion?

19:42Of course not.

19:42It's that Hidden Passion

19:43it's a marvel.

19:44In fact,

19:44has been our latest release.

19:46And since you mention it,

19:47Well, I...

19:47I'm going, I'm going, I'm going.

19:49Carmen,

19:49I'm going to have you

19:50to interrupt.

19:50They are demanding me

19:51in filming.

19:52Sure, sure,

19:52Yes, it's okay,

19:53Don't worry,

19:54It's more.

19:54But put on the phone

19:55from my house

19:55so that we can continue

19:56chatting at another time.

19:59Sure, sure.

20:00Just a moment.

20:01Tell me.

20:03Five, seven.

20:04Five, seven.

20:05Five, two.

20:06Five, two.

20:08One, one.

20:09One, one.

20:11See you soon.

20:12Very good,

20:13See you later, Esma.

20:13A pleasure

20:14talk to you again.

20:16Goodbye, goodbye.

20:18God, God.

20:19Esma Gobantes

20:19just saw you

20:20your home phone.

20:22And it remains

20:22the same as always.

20:23Very nice

20:24and very handy.

20:24Come on,

20:25I'll tell you what

20:25that will not have

20:26no problem

20:26in that image of the perfume.

20:28Come on,

20:29that it was her

20:29the one who told me

20:30that he loves

20:30hidden passion.

20:32But what a marvel.

20:33Yeah.

20:34Well,

20:35now only

20:35we still have to know

20:36how much he charges us.

20:38Already.

20:39And how about it be accepted.

20:40Phew.

20:51Taking a break?

20:52Yeah.

20:53And taking advantage

20:54to eat something.

20:56You coming in now?

20:58Yeah,

20:58I'm late,

20:59but I had to fix it

21:00some matters

21:01that I had pending.

21:03From inheritance?

21:05No,

21:05precisely.

21:07I've been helping

21:08to Irene

21:08to pick up

21:08some of the belongings

21:10from Don Pedro.

21:12Oh,

21:13what a bitter pill to swallow.

21:15It has not been easy,

21:16the truth.

21:17Me too

21:18I had a really bad time

21:19when I had to save

21:20Matthew's things.

21:22I still have things

21:23in the room

21:23that I was not able

21:24to save.

21:25Already.

21:27Oh well,

21:27How is Mrs. Irene?

21:30Getting the idea.

21:32Already.

21:33The poor thing has to be

21:34hard for her.

21:35Above all

21:36live alone

21:36in that big house.

21:37He asked me

21:39to go live with her.

21:41What do you say?

21:42And what are you going to tell him?

21:43No.

21:44I don't keep thinking

21:45that the best

21:46is that I go

21:46of the colony.

21:48Let's see, Cristina,

21:49that I understand

21:50why you want to do it.

21:51But you'll have to think

21:52if what you earn

21:53it's more than what you lose.

21:55Well, I'll gain peace of mind.

21:56Already,

21:56and you will lose your whole life here.

21:58Cristina,

21:59no,

21:59that your thing with Luis

22:00it's not going anywhere.

22:01But I'm afraid

22:01that if I'm still here

22:02I'm going to finish

22:03making his life difficult

22:04and making things difficult for me too.

22:05No,

22:06you'll see

22:06how you miss it, Cristina.

22:07Listen to me.

22:09That I have the heart

22:09shattered,

22:10I know what it is.

22:11And I know what it is to live

22:12with a heart full of band-aid.

22:14AND...

22:15And yet I am grateful, Cristina,

22:18because life has given me

22:20another beautiful love story.

22:22After all you've been through

22:23It even makes me feel ashamed

22:25that you compare the situation.

22:28But I know myself, Claudia.

22:30And if I have to see it

22:32every day,

22:32in the end it's going to finish me off

22:33taking its toll.

22:35It is best to put it at a distance.

22:37Well, woman,

22:38but don't even think about it

22:39sell the shares, huh?

22:40That you won't have to see Luina

22:42more than in some meeting or...

22:44And what do I know?

22:44on actions and meetings

22:45besides nothing?

22:47Well,

22:47Well, your vision

22:48of a young person

22:49and of woman

22:50I think they are

22:51very important

22:52for the company.

22:53No, Claudia,

22:53that I would not bear

22:55see him every day,

22:56look at her face,

22:57act as if nothing happened.

22:58What I want

22:59is to avoid a greater evil.

23:00Yes, Cristina.

23:00Besides,

23:01What if I sell my share?

23:03from the factory

23:03I can earn money

23:05and go to Gras

23:06to continue training

23:07as a perfumer.

23:09Very far

23:10by Luis Merino.

23:11Well, nothing.

23:13I know I can't

23:14tell you anything.

23:14I think it has

23:15the decision, Tomá.

23:17First thing in the morning

23:22have started

23:23the works

23:23in this area.

23:24The construction manager

23:25thinks he'll be able to put on

23:26with the roof

23:27and ventilation

23:28in a couple of days.

23:29So little time?

23:30Yeah,

23:31has a good

23:32number of men

23:32because they know

23:33the importance

23:33determine

23:34the agreed deadlines.

23:35I am interjudgment

23:36of quality

23:36and security.

23:38I'm sorry, son,

23:39that it has touched you

23:40do a job

23:40so ungrateful.

23:42Well,

23:43you know that I love it

23:43and someone has to do it.

23:47Good.

23:47By the way,

23:50What do you know about Gabriel?

23:53Apparently

23:54has called

23:54to say

23:55that was arriving

23:55after eating.

23:58Oh yeah?

23:58And that's it?

23:58And he didn't say anything else?

23:59Don't give it another thought, son.

24:01We'll find out.

24:02with whom he has been negotiating.

24:03What worries me

24:04It is no longer whether he has negotiated

24:05or not with someone.

24:06So what?

24:08Father of Buña

24:08and he has

24:09started a relationship

24:10and that's it

24:11very,

24:12very excited.

24:15You wouldn't like it

24:15that you take

24:15in an exception

24:16with Gabriel.

24:16For the love of God,

24:18Andrew,

24:19do with zeal.

24:20Father,

24:20it's not jealousy.

24:20I just care

24:21for her.

24:22Sleep for two days

24:23away from home

24:24Well, what do you want?

24:24to tell him

24:24it is not normal.

24:26I'm sure

24:27that you are wrong.

24:29All more

24:29let's wait

24:30let's see what happens.

24:32Maybe he's right.

24:34Enough

24:35bad has happened

24:35that men

24:36as for

24:37meet again

24:37with this.

24:38Hello aunt.

25:05Miss,

25:06what were you doing

25:07in the kitchen?

25:08Isn't it supposed to

25:09that you were

25:09sick?

25:11Well,

25:11I have come

25:12for a glass

25:12milk

25:12and now I find myself

25:13better.

25:15Won't it be?

25:15that someone

25:15has approached

25:16the thermometer

25:16this morning

25:17to the light bulb

25:17to go to school?

25:19No,

25:20I swear.

25:22Come on,

25:23take a glass.

25:24Hey, aunt,

25:34What do you think?

25:34If today taking advantage

25:36that I'm home

25:36do we do something together?

25:38My mother told me

25:39that you won't go today

25:40to work.

25:41It is that today also

25:42I feel myself

25:42a little sick.

25:45Well,

25:45we can do

25:46a dessert

25:46for today.

25:48No,

25:49Julia.

25:50Please,

25:51please.

25:52aunt,

25:54please.

25:56Well,

25:57what do you want to do?

25:58Look,

25:59we can do

25:59a lemon cake

26:01that he loves

26:01to Uncle Andrew.

26:03I don't get them

26:03very good desserts.

26:05I have a hand

26:05with the Swiss.

26:06So we do

26:07some Swiss

26:07that come out

26:08wonderful.

26:10Come on,

26:10take things out

26:11let's see if there's everything.

26:13Sugar.

26:15If you don't require me

26:16for nothing else,

26:17I'm going down

26:17the loading dock

26:18to supervise

26:18that the deliveries

26:19by Rosamare

26:19arrive on time.

26:20OK.

26:22Aspar.

26:28I came to talk

26:28with his father,

26:29but what if it is

26:29very busy

26:30I'll be back

26:30at another time.

26:31No,

26:31happens,

26:32Aspar.

26:32You don't walk

26:33with squeamishness.

26:35Thank you.

26:36See you later.

26:37Bye bye,

26:37son.

26:40Precisely

26:40thought

26:41go this afternoon

26:42through the canteen

26:43to have a drink

26:44with you

26:44before you left.

26:47Well, that's right.

26:47I came to talk

26:48with you

26:48about that.

26:49Sit down,

26:50please.

26:50wherever you want.

26:55I wanted to let you know

26:56that finally

26:57I'm not leaving.

26:59You're not leaving,

27:00No?

27:01But that is

27:02excellent news,

27:04Aspar.

27:04Thank you so much,

27:05pattern.

27:06And can I ask you?

27:07what is the reason

27:08of that change of mind?

27:09Well, because I realized

27:10because you were right

27:12in something.

27:13I?

27:14Yeah.

27:15Yeah,

27:15This factory

27:15it's my house

27:17and my companions

27:18They are my family

27:19and one is

27:20does not abandon

27:20to his own.

27:22You don't know

27:23pride

27:23that produces me

27:24hearing you talk like that,

27:25know that

27:26for you

27:27This company

27:27is your home.

27:29Well yes,

27:29Don Damian.

27:31I doubt very much

27:31that I would have found

27:32elsewhere

27:33what I have found here.

27:35If you knew

27:36how I have felt

27:38of dear

27:38these days

27:39for my colleagues.

27:40They are just giving you

27:42what they have received

27:42of you.

27:43No no.

27:45Much more so.

27:47They me

27:47they have made me feel

27:49that I matter

27:50and that is that

27:51It is priceless.

27:53Especially Tassio.

27:56Tassio?

27:56Yeah.

27:57Yeah,

27:58he was really

27:59who opened my eyes

28:00and

28:00prevented

28:02that he committed

28:03the one who was going to be

28:03the biggest mistake

28:04of my life.

28:07I see that he appreciates you very much.

28:09And I to him,

28:10Yeah.

28:10He's almost a brother

28:11for me.

28:12He's a bit stubborn,

28:14but it is very noble

28:16and very sincere.

28:19In the end,

28:20I don't love him

28:21entertain more.

28:22I'm going to leave.

28:28Thank you so much.

28:31You don't know

28:31the pleasure

28:32that produces me

28:33to be able to tell you

28:34see you,

28:35Gaspar.

28:37Thank you so much.

28:38And we are going to throw

28:49a little bit of milk

28:49while I give it to him

28:51back to the mix?

28:52Just a little bit.

28:54Come on.

28:57Aunt,

28:57How did you learn?

28:58to make them?

28:59To my mother

29:00he loved it

29:00make desserts

29:01and always

29:02became Swiss

29:03for birthdays.

29:04Yeah,

29:06some of that

29:06my father told me

29:07and that had

29:08a secret ingredient

29:09to make them

29:10very sweet.

29:13Orange blossom water.

29:22That love

29:23It is also giving in

29:25and that's what I

29:28I want to do it with you.

29:29But I don't want to

29:30that you are wrong.

29:31No, not you.

29:33I have enough

29:34with the rest of the world.

29:35But I'm not wrong,

29:37I'm fine.

29:39I'm like

29:39in a cloud of facts.

29:40Marten,

29:59you and I can

30:00yet,

30:01yet,

30:02all,

30:02do you know?

30:04Yet,

30:04all,

30:05all,

30:05all.

30:08Aunt,

30:08what's the matter?

30:10Nothing,

30:13the thing is

30:13is that I have put myself

30:16a little sad.

30:17When remembering

30:18to Grandma Catalina?

30:20You see,

30:21to my mother

30:21has done it

30:21much is missing.

30:23But right now

30:24I was thinking

30:25in

30:25in a friend

30:27that has left

30:28from Toledo

30:29and

30:29has made him

30:31much less.

30:32Man,

30:33if you were very good friends

30:34It's normal.

30:35The truth

30:36is that it is

30:36to the possibility.

30:36Because

30:40aren't you going to visit her?

30:43Because it is not possible,

30:44dear.

30:50Don't cry,

30:51aunt.

30:52I am here

30:52with you.

30:53Thank you,

30:58dear.

31:03Let's see,

31:04that I understand well.

31:06Do you want

31:06hire

31:06to an actress

31:07so that it may be

31:07the image

31:08of hidden passion?

31:10Exact.

31:11And we want

31:11fill the country

31:12of posters

31:13with his face

31:13and the perfume.

31:14And a slogan

31:14ringing at all hours

31:15on the radio.

31:16Of these very catchy ones

31:17of which

31:17it sticks to you right away.

31:18That's it, that's it.

31:19And on television

31:19an advertisement

31:20that would already be

31:21the icing on the cake.

31:22Have you drunk?

31:24this morning

31:24the canteen

31:25or something together

31:26or what's wrong with you?

31:28There is no money.

31:29Carmen,

31:29you know it perfectly well

31:30and you come to me

31:30with this proposal

31:31that we are all

31:32making a huge effort

31:33to start

31:33with the works

31:33remodeling

31:34in the factory.

31:35Apart from that,

31:35Well,

31:36I mean...

31:37How good that I gave.

31:39Well, it's a terrible idea.

31:42Take it,

31:42without mincing words,

31:43of course.

31:44What do you want me to say?

31:45Yes I think it can

31:46harm the factory

31:47I'm not going to stay silent.

31:48Harm is not why?

31:49Let's see, Carmen,

31:50hidden passion

31:51It's not that I have

31:51a great name,

31:52neither.

31:53And on top of that

31:53is not being sold.

31:54And now you want

31:55hire an actress

31:55with fame

31:56that actresses have

31:57of libertines.

31:58Mother of God.

31:59Come on,

31:59my soul

31:59that you are covering yourself

32:00of glory,

32:00you too.

32:01Tassio,

32:02that's a cliché

32:02absurd.

32:03And from somewhere

32:04the clichés will come

32:04absurd,

32:05my love?

32:08Well, look,

32:08Gemma and I

32:09we are not going to give up.

32:10Besides, we already have

32:10to the perfect actress.

32:13It's Magobantes.

32:16The one from the movie

32:17of the nun.

32:18Exact,

32:18you said it,

32:19the nun.

32:20Tassio,

32:20everyone

32:21knows her,

32:21the public

32:22he adores her

32:22and has not given

32:23no scandal

32:24not even inside

32:24nor outside

32:25from the screens

32:25decide.

32:26And also

32:26She is a friend of mine.

32:28And also

32:29I can imagine

32:29because,

32:30No?

32:31Well yes,

32:32Tassio,

32:32Yeah,

32:32of the test

32:33what I did

32:33for the movie

32:34of the lodge

32:35Brigid.

32:35Of which

32:36we don't have

32:36not a single one

32:37good memory,

32:38look.

32:39Why's that?

32:41Well,

32:42because sometimes

32:43you run into people

32:44that shouldn't.

32:47Oh well,

32:47the question

32:48that I have already spoken

32:48with Emma

32:49and you don't know

32:50what perfume

32:51drives her crazy.

32:53Hidden passion?

32:54What a coincidence.

32:55I haven't told him

32:56nothing about the campaign

32:56nor anything yet,

32:58but from what I have spoken

32:59With her I'll tell you

33:00that will not have

33:00no problem

33:01in the image

33:01of the perfume.

33:03Tassio,

33:03that we do not lose

33:03nothing for trying,

33:04don't you think?

33:15Tassio,

33:15Are you going to have us?

33:16like this all morning?

33:20Alright,

33:22meet her

33:23and see what you think.

33:24Yes indeed,

33:24remember that it is not

33:25This company

33:25right now

33:25we are canine.

33:26Yeah,

33:26Don't worry.

33:27Besides,

33:27being my friend

33:28surely

33:28that makes us

33:29good price.

33:30Well,

33:30but you don't commit yourself

33:31with no amount.

33:32No.

33:32And forget about the subject

33:33from television.

33:36And before you go

33:37you have to know

33:37that this is ours

33:38last chance.

33:40If the goba before

33:40says no

33:41and the perfume

33:42still not sold,

33:43I'll have to withdraw it

33:43of all the stores.

33:44No,

33:45that's not going to happen.

33:46Do you want me to tell him?

33:47let him come tomorrow

33:48to talk to you?

33:49If she wants,

33:50can,

33:50clear.

33:50Yeah,

33:51let him come tomorrow,

33:51the sooner the better.

33:52Very good.

33:55Now,

33:56If you'll excuse me,

33:57I have to keep working.

33:58Yeah,

33:58clear.

34:01With your permission,

34:01direct sir.

34:10I have to admit

34:11that with me

34:11has always been

34:12very friendly.

34:14Already.

34:15And now why

34:15he's very busy,

34:16but years ago

34:17he went down to eat

34:18here to the canteen.

34:19Hey,

34:19and that dipped the bread

34:21in the egg yolk

34:22like your neighbor's son.

34:23Let yourself go.

34:25Glad to hear it

34:26to continue having

34:27to Don Damián

34:28as a pattern

34:28many more years.

34:29I shit my pants.

34:30What happens now?

34:31He suffers a spectacular

34:32accident,

34:33Freedman Sanchez.

34:34No,

34:34but that's not it.

34:35He is the pilot

34:36to which the Strings

34:36and I fixed it

34:37the car the other day.

34:38But you mean

34:39that what you have done to him

34:40in the car

34:41has caused...

34:41No,

34:42it was with your car

34:42particular.

34:43It has come out

34:43from the road.

34:44Ah,

34:44Well.

34:46Ah,

34:46thank goodness,

34:46No?

34:47Well,

34:49that has been

34:50the matter is very serious.

34:52Well, according to

34:52put here

34:53fractures of the tibia and fibula.

34:55So I think

34:55that will have

34:56to give up

34:57to the fight

34:57for the championship.

34:58It must hurt

34:59more that

35:00what to have

35:00the leg in pieces.

35:01Good morning,

35:02give me a little coffee,

35:03Gaspar.

35:04Who has become

35:05the leg horn?

35:07Well, the pilot

35:08to which Raúl

35:08he improved the car.

35:10I'm not surprised,

35:11Gaspar,

35:11if I'm not surprised.

35:12What I don't know

35:13is how it doesn't explode

35:13the head over there

35:14with the curves

35:14that they have

35:15those circuits,

35:16come on,

35:16is that they don't think

35:17nor in their families,

35:18nor in their mothers,

35:19nor in their children,

35:20nor in anyone.

35:20No no,

35:20but if you haven't gone

35:21with the car.

35:22It was with a puddle

35:23that was in the pits

35:23of oil.

35:25It has been reshod.

35:26Less beatings

35:27It has happened, yes.

35:28Ah.

35:29Good luck.

35:30Well yes,

35:31that's having bad luck.

35:34Poor thing,

35:34Well, let's see if it improves.

35:37Then I'll bring you

35:37the third.

35:38Whenever you can.

35:43Can you tell now?

35:44why did you lie to him

35:45like a nick?

35:46And what do you think,

35:47Gaspar?

35:50It's true,

35:50my mother.

35:52Sergio,

35:52everything you have

35:53what to do with speed,

35:54with cars and accidents,

35:55Well, there it is.

35:56very painful memories.

35:58Let's see, Raúl,

35:59I understand

35:59that you love him

36:00save suffering,

36:00but it seems to me

36:01that lie

36:02is not the option,

36:03man.

36:04What's going to happen?

36:04when he finds out

36:05of the truth

36:05on the other hand?

36:07Well,

36:07you don't worry,

36:08Gaspar,

36:08that Claudia

36:09it's not going to be put on

36:09to read the section

36:10sports

36:10from the newspaper.

36:13Here you are.

36:14I have brought him

36:14some biscuits.

36:16With tea

36:17will be enough,

36:17Manuela.

36:18Lady,

36:19has to eat.

36:20But,

36:20I do something else,

36:21really.

36:24Have you noticed anything?

36:28No,

36:28of course not,

36:29that I'm going to notice.

36:31Leave me at least

36:31let's see if...

36:32There's no need,

36:33Manuela,

36:33please.

36:41Gabriel,

36:43will you accompany me?

36:44while I finish

36:45tea?

36:46Clear.

36:48Excuse me.

36:54What happened?

36:59I have thrown myself

37:00hot tea

37:01above.

37:02Manuela almost discovered me.

37:09I told you

37:09that you were careful.

37:10Yeah,

37:10I know.

37:12I know

37:12I'm not going

37:12to be able to sustain

37:13that situation

37:14much longer.

37:18And you?

37:20Are you coming from Madrid?

37:21Yeah.

37:24Have you become

37:25to win

37:25to that secretary?

37:26Yeah.

37:28It has become

37:28to France

37:28calm and confident.

37:30But I have had

37:31what to tell him

37:31more than what

37:32I would have liked it.

37:34Now you know

37:34that if I am in Toledo

37:35it is to boycott

37:36the factory

37:36from within.

37:38That?

37:40But how?

37:40can you think of?

37:42I remember you

37:42that it was you

37:43who told me

37:44that using hate

37:45that we both feel

37:45towards this family

37:46to put it on

37:47on my side.

37:48No,

37:48what I told you

37:49is that you told him

37:50that you loved her,

37:51that you would win her back.

37:52She is very clever.

37:53She is very clever.

37:54Already.

37:54I had to tell him.

37:57But,

37:57would never have been believed

37:58what job

37:58for the family

37:59what I hate most

37:59in the world.

38:00Well I hope so.

38:01that in addition to being a list

38:02be discreet.

38:03It will be.

38:05Peaceful.

38:06She is in love

38:07of me.

38:08He will do what I tell him.

38:10I hope you know

38:11what you do

38:11and have it

38:12everything under control

38:13because here

38:13they start asking questions.

38:15What are you talking about?

38:16Begoña has told him

38:18to Andrés and Damián

38:19that it is the second time

38:20consecutive

38:21that you meet

38:21with a client

38:22at night.

38:25Have they said anything?

38:26My uncle,

38:27my cousin,

38:27have they said anything?

38:28They haven't given it to him

38:28very important

38:29but they're going to ask you.

38:31So you can now

38:32find yourself a good excuse

38:33if you don't want to

38:33raise suspicions.

38:34The one that is going to begin

38:35to raise suspicions

38:36it's you

38:36if it keeps falling

38:37the teilo.

38:37You worry

38:38for yours

38:39and start solving

38:41all this.

38:41Do you think I don't know?

38:44Rosar demands results.

38:46It's running out

38:46patience.

38:47Well, don't let it run out.

38:49I don't want to

38:49let them discover us, Gabriel.

38:56He doesn't remember,

38:57let me think about it.

38:59Man,

38:59because it is not a thing

39:00that can be decided

39:00right off the bat,

39:01No?

39:03Look,

39:04me between today and tomorrow

39:05I'll tell you something

39:05so I can look for you

39:06someone without a man.

39:08Don't start, okay?

39:11Come on,

39:12talk later.

39:15What were you talking about?

39:19with your friend

39:20the mechanic?

39:21Yeah.

39:23Do you know anything else?

39:24of the accident victim?

39:25He won't be able to run.

39:27At least during

39:27a few weeks,

39:28at least.

39:29But I guess

39:29that the stable

39:30has to be looking for

39:31to someone

39:31to replace it, right?

39:32Yes, Gaspar.

39:33And the strings

39:34just asked me

39:34to help him

39:35with the training.

39:36How to help?

39:38You?

39:40I mean,

39:40are you driving?

39:42Are you going to run?

39:43instead of Heriberto Sánchez?

39:45Well,

39:46It would be in the tests,

39:47Yeah.

39:49What's happening?

39:49Don't you see me capable?

39:50Or what?

39:50Man,

39:51Raul,

39:51you are not a professional,

39:52Hey?

39:53Yeah,

39:53but I know a lot more

39:54of that car

39:54that the pilot,

39:55that is where it is

39:56because the pair

39:57and they finance it at whim,

39:58don't forget.

39:58No no,

39:59sorry,

39:59but it is not the same.

40:00That you can know

40:01a lot of cars,

40:02but a very different thing

40:03is being able to control them

40:04at that speed,

40:05man.

40:06Don't worry,

40:06that I know how to stop,

40:07Hey, Gaspar?

40:08It's not so much how,

40:09but when to do it

40:10not to,

40:10so as not to crash into you,

40:11man,

40:11that I have to explain to you

40:12what you already know.

40:16I mean,

40:17What are you thinking about?

40:18No?

40:19It's a good opportunity.

40:21Yeah,

40:21to get you into trouble,

40:23especially with Claudia,

40:24but,

40:24remember

40:25of what he told me

40:25a while ago.

40:29Well,

40:29It's that if I'm honest with you

40:30I was excited

40:31that I proposed it.

40:34And if I'm thinking about it now,

40:35Well, it's not because of me,

40:36It's for Claudia.

40:38It is true that if I took

40:40to happen something...

40:41It's that I don't know

40:42if that poor girl

40:43could bear

40:44another tragedy,

40:44Hey?

40:48That's why I believe

40:49that the best

40:49is to let it go,

40:50No?

40:52Well, then you'll remember me.

40:53and I tell him no.

40:57A great decision.

41:00Already.

41:00Yeah?

41:14What are you here for?

41:17I needed to be alone.

41:22Are you still mad at me?

41:23For God's sake, Andrés.

41:29How am I going to be?

41:30angry with you?

41:32Don't pay any attention to me

41:33at those times.

41:35Marten,

41:36I understand that you didn't want to

41:36work,

41:37but you have to do

41:38Anything else

41:39not to think

41:40in the same.

41:42It's very easy to say.

41:45I'll go see

41:45how Julia was

41:46and he told me

41:47what has happened.

41:48and Marta,

41:51it kills me

41:51seeing you so defeated.

41:55I swear to you

41:56that I make a huge effort

41:57for not seeing me below.

41:59I try to smile

42:00and to feel happy.

42:04I can't do it.

42:07I will find her.

42:09Are you in tune?

42:10Yeah.

42:11I will search

42:11under the stones

42:12if necessary

42:12to find her.

42:13It will be in a hotel.

42:16I will have to be

42:16somewhere.

42:18Pelayo has already hired

42:19to a detective

42:19and they lost track of him

42:20on the border with France.

42:22I don't care.

42:24I'll find her.

42:25I will convince her

42:26that he is not in danger.

42:28And I will bring her to you,

42:28Marten.

42:29See you later.

42:30He's not coming back.

42:31Don't you understand?

42:32If you tell him about Santiago,

42:34that guy has to be

42:35a thousand kilometers from here.

42:37Leave it.

42:38He won't be back.

42:40And I don't think you're interested.

42:41in chasing Fina.

42:43Leave it.

42:44Fina is not coming back

42:44for what we did to him

42:45to Santiago.

42:48Marta, what's wrong?

42:49Hey, hey...

42:50Marta, Marta, calm down.

42:54Doctor.

42:55Hey, hey.

43:03Cristina.

43:04I'm here now.

43:05What's happening?

43:06Who just called me

43:07to the laboratory

43:08the detective,

43:09Angel Ruiz.

43:10Please,

43:11tell me what you know

43:12where is Jose.

43:12Please tell me.

43:13No, although he has told me

43:14that the address

43:16that appeared

43:16in the envelope with money

43:17corresponds to a section

43:19of mail

43:19of a certain Pablo Zabalza,

43:22who is a sergeant

43:22from the Beremérita.

43:24He told me that he believes

43:25that money

43:25it was for him

43:26and that surely

43:27all withdrawals

43:28of weekly effective.

43:31So my brother

43:32appealed

43:32to a civil guard

43:33corrupt

43:34to get rid of

43:34of Joseph.

43:35The thing is...

43:36But don't you look like

43:38very surprised?

43:40Unfortunately not.

43:42I always suspected

43:43that my brother

43:44resolved some issues

43:45in the way

43:45as cloudy as possible,

43:47like with that mechanic.

43:49What mechanic?

43:51The poor man

43:52His name was Felipe

43:52and Pedro always

43:54held him responsible

43:55of the death of Matthew.

43:57And one day,

43:58without further ado,

43:58he appeared dead

43:59in prison.

44:00Pedro always assured me

44:01that had nothing to do with it,

44:02but seeing what we've seen...

44:04How awful!

44:05Yeah.

44:06Let's see,

44:08let's try

44:09calm down,

44:10Cristina.

44:15Cristina,

44:15that this Zabalza

44:16keep receiving

44:17the money regularly

44:18can only mean

44:19one thing.

44:20And it is that José

44:21is still alive.

44:23Irene,

44:23the death of Don Pedro

44:25has come out

44:25in all the newspapers.

44:27That sergeant

44:28you must have already found out

44:29that he will not return

44:30to receive a penny.

44:31No no,

44:32you are absolutely right

44:32in that.

44:34Angel Ruiz

44:34has to do

44:34the possible

44:35for finding it.

44:36No, Angel Ruiz

44:36he's not going to do anything,

44:37is not going to help us.

44:39What do you mean he's not going to help us?

44:39It's their job.

44:40I'll pay you whatever you want.

44:41No,

44:41it's a matter of money,

44:42Irene.

44:43It's that he doesn't want to

44:44to be involved

44:45in a matter

44:45where you are involved

44:46Sergeant Zabalza.

44:48Because?

44:49Well, because it says

44:50that he is a man

44:50very violent

44:51and very cruel.

44:52And he recommended me

44:54that we forget

44:55of the topic

44:55and that we do not confront each other

44:57him.

44:57Yes, but I can't.

44:58to stand idly by,

45:00I can't forget

45:00of the subject.

45:02The life of Joseph

45:03is in danger

45:04because Zabalza

45:05will not hesitate

45:06in getting rid of him

45:07so that nothing

45:07nor can anyone compromise it.

45:09We have to try it

45:10one way or the other,

45:11Cristina,

45:11we have to try

45:12find it.

45:12Let's see,

45:15I understand that you are afraid,

45:16dear.

45:17Can I continue alone?

45:18No,

45:19No.

45:20We will find it together.

45:23What I don't know

45:24is how we are going to deal

45:25with someone

45:25so powerful.

45:31Do you know how?

45:33Turning to someone

45:34who has more power than him.

45:40Marten,

45:40Marten.

45:41Can't.

45:41Look at me,

45:42look at me.

45:43Breathe,

45:43breathe.

45:45She is calm.

45:46Can't.

45:47No,

45:47No.

45:48Come here,

45:50come here.

45:52I'm with you here,

45:54Hey?

45:54Don't worry.

46:09I know Fino

46:10he's not coming back.

46:11because he's protecting me.

46:18When Santiago

46:18focused on the prison,

46:19came to the house

46:21from the mountains

46:21to take revenge

46:22of us.

46:27When I arrived,

46:29Fino was already tied up

46:31and with a gunwale

46:31and had a knife

46:32in the hand.

46:33What are you saying?

46:34What are you saying?

46:34I swear I tried to convince you

46:36and I told him I would give him money,

46:37but he kept repeating

46:40everything that was not going to be done

46:41to take revenge

46:42and put the razor to my face.

46:44Luckily Fina got loose

46:47then

46:48and hit him with a bottle

46:49in the head

46:50and took the knife

46:52from the ground.

46:54But he was staggering

46:55and pounced on her,

46:56He threw her to the ground.

46:57But when the two fell

46:59he stabbed himself with his own knife.

47:03Do you understand?

47:07Santiago is dead.

47:12Why didn't you say anything?

47:15And what do you think?

47:16Do you know the number of questions?

47:18what should we have answered?

47:21Why were we there?

47:22all suspicions

47:24about us?

47:27Marta, where is the body?

47:32Pelayo helped us

47:33to bury it

47:34not far from the farm.

47:39Pelayo knew that

47:40that Fina and you...

47:42Pelayo and I got married

47:44to protect ourselves

47:45each other.

47:47I mean I knew

47:48of my relationship with Fina

47:49from the beginning.

47:54He came precisely

47:55to alert us

47:56that he had escaped

47:56to Santiago.

47:59But when he arrived

48:00everything had already happened.

48:04And he insisted

48:04in which we hid

48:05the body

48:06and we would be silent.

48:12That's why I know

48:13that Fina is not coming back.

48:17Because he loves me

48:18and I thought that by abandoning me

48:21is protecting me.

48:27Do you understand?

48:31He's not coming back.

48:35Come on, come here.

48:36congratulations.

48:45No, I mean it is

49:01which is good news.

49:03now you are going to be a shareholder

49:04from this factory.

49:05Just when I was given

49:06the news

49:07I was wondering

49:08go to Gras

49:09to study perfumery.

49:10Do you already know?

49:11where are you going?

49:12Because I

49:13I have already seen myself

49:14in that situation

49:15more than once and more than twice.

49:16Go to a new place

49:17and be there

49:19like in your dragged suitcases.

49:21By the way, Tassio

49:22I wanted to tell you

49:23one thing about Isabel

49:24Jesus's former secretary.

49:25Well, Gemma saw her yesterday.

49:27hanging around the factory.

49:29Were you looking for me?

49:30Did you want something?

49:30I was looking for you at the laboratory

49:32but you weren't there

49:32and well

49:33I thought you'd be here.

49:36Look,

49:36It seems like a good opportunity

49:37and the world

49:38he is not one of the cowards.

49:39Ah, no,

49:39of course not.

49:40So I guess

49:41who must have been so brave

49:42to tell Claudia

49:43that you are going to run

49:44in that car

49:44despite your fears, right?

49:46Well,

49:46and I haven't told you either

49:47but...

49:48but I've been here for a few days

49:49of delay.

49:51But he told me

49:53that has to do hours

49:54in the workshop?

49:55No.

49:55You see?

49:57Him working overtime

49:58and I'm collecting

49:58a lifetime salary

49:59of 9,000 pesetas.

50:00I wanted to talk to you

50:01of what he has seen

50:02previously in the greenhouse.

50:03No need

50:04give me explanations.

50:05Cristina and I

50:06we have found evidence

50:07that Peter

50:08has been paying someone

50:09during the time

50:10that José has been missing.

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