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Transcript
00:00I think your father had a good idea inviting you to work with him on the campaign.
00:03Oh, Beatriz.
00:04Beto, you understand me like no one else there can, and you have the sensitivity to understand the world.
00:09I think it's because I didn't take my medicine today.
00:12I'm feeling better.
00:13It was Celia's advice.
00:14How much does the blessed ring cost?
00:16Only 13 thousand, a mere trifle.
00:19I'm going to get a cup.
00:22Oh, Beatriz, do you mind opening that window for me?
00:30Mrs. María Estela Alencar, I came to make you a proposal.
00:33What if we join forces to separate her from Beto?
00:37And what will you gain, besides the maiden's heart?
00:42The amount of 50 thousand.
00:44So, we closed the deal.
00:53Excuse me, madame, but I am not a mechanic.
00:55Are you sure the car owner isn't going to show up?
00:57I don't want to see the sun behind bars.
01:00This car belongs to the company, I already told you.
01:02Just pretend you're fixing the engine.
01:04In the meantime, tell me what you can offer.
01:08I understand.
01:09The madame doesn't want to be seen talking to a poor man.
01:14It is better for our common goal that it be this way.
01:18Also, your motivations are still not very clear.
01:24Speak now.
01:26I like it, Beatriz.
01:28We grew up together.
01:29And I know that Roberto is not the man for her.
01:32He deserves someone better.
01:34You?
01:35Clear.
01:38It's fitting to see a young boy fight for the great love of his life.
01:43Even more so when it comes with a good amount of money.
01:47But we are not going to mix garlic with onions.
01:52Exactly.
01:53And it's because of the onions that I still don't know if I can trust you, young man.
01:57But if it's a matter of trust, I can give you whatever proof you want.
02:00Well, I have a mission for you.
02:06Come on, come on.
02:33Give me everything now, quickly.
02:34For the love of God, calm down, young man.
02:37All I wear is fake jewelry, worthless I swear.
02:40Don't say anything.
02:40Come on, give me the bracelet and ring now.
02:45Absolute rest.
02:47As a mummy, a sphinx, a park statue.
02:51With the medications I prescribed, plenty of rest, a little luck, and a good diet,
02:57Maybe in a week she will be recovered.
02:59One week this house will look like a pigsty, for God's sake, what will become of us?
03:04No, no, I doubt you, my love, don't worry.
03:05I, I promise I'm not going to make a mess.
03:08Doctor, you can't really move a muscle now, can you?
03:10The more you rest, Yadira, the faster you'll get better.
03:13What's happening?
03:18Yadira, are you crying? Does it hurt?
03:22I'm excited.
03:24I've never rested like this, not even when I was on vacation.
03:27If you could get me a glass of water.
03:30Sure, sure.
03:31Crying keeps you hydrated, right, doctor?
03:33A glass of water and a straw for you.
03:35Thank you, Teresa, thank you very much.
03:37Here you go.
03:37Oh, Mr. Alfredo.
03:39Timi?
03:39My toe is really itchy, if I could scratch it.
03:44Oh, where? On the finger? This finger?
03:47Oh no, further to the right.
03:49Here?
03:49Oh, no, no, no, come down a little more. There, there, there, there.
03:51Oh, oh, oh, that hit the nail on the head.
03:52Oh, Mr. Alfredo, you got it right.
03:53Oh, I already scratched you.
03:54Oh, scratch, scratch.
03:56I have, don't I? The best patterns in the world, doctor.
03:59Good.
04:01It feels like a little wing.
04:01Well, I could be here scratching your toe...
04:03...basketball player's foot, but...
04:07...I have to work, she will say, in order to be able to...
04:10...pay your salary and keep this house.
04:12Come on, doctor.
04:13Come on.
04:14Teresa, take care of her for me.
04:17Come on.
04:18I'm going to have to scratch Yadira's finger.
04:22No need, Teresa. It's better now. It's over.
04:25Now I could brush my hair.
04:27I, who feel a knot here in my neck, if I could give myself a brush.
04:31Did your father insist on this matter of working for him?
04:48This time with the support of Mr. Julián and Beatriz herself.
04:51She told me a sentence.
04:55In the presence of the enemy, cotton blooms.
04:59It is an African proverb.
05:01Beto, who knows if, given the difficulty of dealing with your father...
05:05...don't you two end up understanding each other better?
05:09But that doesn't even make me think about whether or not I should accept the invitation, Ulysses.
05:13It is an opportunity to change a campaign that is uncomfortable for you.
05:17Help her?
05:18Do you still blame yourself for giving Mr. Julian the idea of returning the girl to image?
05:25A bit.
05:28I threw Beatrice to the lions, Ulysses.
05:31I feel it is my duty to be close.
05:33Protect her.
05:40My dear Yenoka.
05:43Only you can find me in the High Tower.
05:45I want to tell you my dreams, my joys.
05:50I want to fill your world.
05:52For the more I dream in the sky, the higher I fly.
05:57I want to see you next Saturday, at two in the afternoon.
06:01See you at Chafariz Park.
06:04I will bring a lily with a heart full of hope.
06:08Olivia.
06:10Just a minute!
06:12Calm down, it's me, Celeste.
06:13Oh, Ronaldo, what a scare.
06:16My heart almost stopped.
06:18I thought it was dad.
06:19Imagine.
06:20I just wrote my reply to Yenoka.
06:25Are you going to send the letter yourself?
06:27Sure, I promised.
06:29I'll send it today and when he responds I'll bring the answer.
06:33I just need the number and key to the PO box Vera opened for you.
06:37Yenoka doesn't usually take long to respond.
06:41Here it is.
06:42Yeah.
06:44Thanks, brother.
06:45Thank you.
06:46Be careful with your hair.
06:48Alright.
06:51Go on, go.
06:52Go.
06:52Honey, is your migraine back?
07:07I was a fool to believe that the pain had gone away because I hadn't taken the medicine.
07:12Will I never get better?
07:14Of course.
07:15Migraine attacks pass, you'll see.
07:17They pass, but they always come back.
07:19I was teaching Beatriz a class and tried to continue, but it was impossible.
07:26For God's sake, Julian.
07:27This pain paralyzes my life.
07:30I am a woman without memory and a hostage to absurd suffering.
07:35Oh.
07:37I sincerely swear to you, I swear it's not a complaint.
07:41It just hurts too much.
07:43Too much.
07:44It's good that you came home early.
07:45Did you take your medication?
07:47Yes, I took it.
07:48I already took it, already.
07:50You're right.
07:51It's going to happen.
07:54Thank you for taking such good care of me for so many years.
08:04Here it is.
08:06The test that the madame asked me for.
08:07I like it that way.
08:12Fast, like a bullet.
08:15Very fast.
08:16And without using bullets.
08:18My cunning is my best weapon and it didn't let the tram pass.
08:20Well, very well.
08:24I think I can trust you.
08:27What is the plan to separate Beto from Beatriz?
08:30I have no shortage of ideas.
08:32I know Beatriz like the back of my hand, but I still need to discover the weak spot of that Roberto.
08:37That's easy.
08:45Lidia.
08:45Lidia.
08:45And my grandmother always says that in the presence of the enemy, cotton blooms.
08:58In the presence of the enemy, cotton blooms.
09:07In the presence...
09:08Son.
09:10Talking to yourself?
09:11Thinking out loud.
09:15I didn't like the way you abruptly left the agency today.
09:21Sorry.
09:22He was upset.
09:24Your proposal caught me off guard.
09:26I always said I wanted you with me at the agency.
09:29You are the one who never listens to me.
09:30It's true.
09:31But now it makes more sense to me.
09:34And even more so for Beatriz.
09:37Are you telling me?
09:40What do you accept?
09:43I thought a lot, Dad.
09:46And yes, I'm going to work with you on the Rio perfumery campaign.
09:51Are you going to work with me?
09:53My oldest son?
09:54My firstborn, you're finally taking an interest in the family business.
09:59Give me a hug.
10:02Oh, Dad, I know you're happy, but I won't give up journalism.
10:06I took a leave of absence from work while I help them with that new campaign for the Rio perfumery.
10:10But as soon as Beatriz is satisfied, I'll return to my old job.
10:15But I bet you won't come back.
10:17The advertising bug is going to bite you, son.
10:21You'll never want to spend your days writing about how Yuselino is spending millions to build a city in the middle of the weeds again.
10:30Nor waste your time interviewing the new BD of the moment.
10:33Dad, don't underestimate the work of a journalist.
10:36We play a crucial role in preserving democracy and protecting individual rights and freedoms.
10:42But go now, giving speeches.
10:45Well, by creating creative and efficient campaigns, promoting products, companies, brands.
10:51Thus, propaganda also plays a crucial role in driving the country's economy.
10:57Not to mention it's a lot more fun.
11:00Dad, this isn't a competition.
11:02No, that's not it.
11:03Let's stop talking and celebrate.
11:05Here's to this moment.
11:06My dream, come true.
11:08Roberto, finally at the agency.
11:11Pinch me to see if I'm not dreaming.
11:12Dad, that's enough.
11:14You're very happy, but my concern is with...
11:16With what?
11:17With Ronaldo.
11:18What are you going to think about this?
11:19You don't have to think anything, son. You just have to accept.
11:22But don't worry. As soon as he gets home, I'll tell him the news.
11:28That is the letter that Celeste wrote to this Yenoca agreeing to a meeting with him.
11:32Are you going to meet the guy in a tower?
11:35I didn't understand anything that was written.
11:37If you hadn't skipped literature classes in school, would you understand?
11:40Ronaldo, I'm a cartoonist.
11:41I didn't go very deep into that poetry, romance, novel thing.
11:45If this is an encrypted message, I need a subtitle, maybe.
11:48Celeste loves literature. She lives with a book in her hands.
11:52Yeah?
11:53Yes, that's why it's spelled Yenoca like that.
11:56I read the letters the guy sent her. They write the same way.
12:00Equal?
12:00Yeah.
12:01That's effeminate, isn't it?
12:03And what are we going to do about it?
12:06The plan is as follows.
12:07I'm going to write a letter to the subject, as if it were Celeste, to prevent him from seeing her.
12:12Meanwhile, you will go to that meeting pretending to be that guy.
12:16Yeah.
12:17But it's better if you prepare a little beforehand.
12:18Yes, I'm going to get ready.
12:19I'm going to buy roses and chocolates.
12:21No, Mauro, it's not just that.
12:22Eau de Cologne?
12:23No, you need to read.
12:25Read, Ronaldo?
12:26Yeah.
12:28Poems, other romances.
12:30Or you're not going to convince my sister that you're that guy who thinks he's Shakespeare.
12:34Ronaldo, looks like I'm going back to school.
12:36And how are you going to write that letter, given that your handwriting is very different from Celeste's?
12:42Did you forget that I used to forge our report cards so our parents wouldn't scold us?
12:47I'm going to use Celeste's letter as a base.
12:50But instead of Chafariz Park, I'm going to change it to Paris Park.
12:56Only that last word will be different from the original letter.
12:58It will be very similar.
13:00That yenoca is going to fall flat.
13:01And there, the two little doves, unfortunately...
13:06Too bad!
13:08Too bad!
13:09That yenoca!
13:09Come on, I don't want to!
13:10Stop wanting me!
13:11I'd rather be home crying than here pretending to smile!
13:14No no!
13:15No, doggy, a friend of mine is left isolated in a cave like a bat!
13:18No!
13:31Look, he's not looking at me.
13:34I shouldn't have come.
13:35Stay, Eugenia.
13:36Stay.
13:37Yes, stay, Eugenia.
13:39Don't be silly.
13:40Enough!
13:41I don't want to!
13:41I'm going now!
13:41Stay!
13:48Look at what an ugly thing!
13:51Did you switch arms with the coconut?
13:52Take back what you said now!
14:07Stop, stop, stop, stop, stop!
14:09Enough!
14:09What is this?
14:10What is this?
14:10What do they do?
14:11Hey?
14:12Why are you fighting in my establishment?
14:14I was just making a joke and this guy came at me.
14:17You humiliated Eugenia!
14:18Calm down, calm down, calm down!
14:19Guto, Guto!
14:20Guto!
14:20That's not how things get resolved.
14:22Forelock out!
14:23You are not welcome in my establishment today.
14:25Go away!
14:26I?
14:27I started it all and I'm kicked out?
14:29Go away!
14:30Go away!
14:33This is a bitter pill to swallow, isn't it?
14:39The show's over, folks.
14:41Go back to your own thing.
14:46Thank you for standing up for me.
14:52Thank you for standing up for me.
15:05I never thought someone would do that for me.
15:07I would do the same thing if we didn't go out.
15:09We wouldn't have gone out.
15:14I think that...
15:15I think we can go back.
15:17If you still want to, of course.
15:21Better not.
15:22Your parents won't accept it and...
15:24I don't want any more problems.
15:25What matters is what we feel.
15:28And if we love each other,
15:30That is the love to which we owe obedience.
15:34Let's go back secretly until things calm down.
15:37And then we thought of a plan
15:38so that my parents forgive you.
15:41Do you accept?
15:53What is it?
15:54I bought it for you at the gallery, Menescal.
15:56It's something that stays with you.
15:59What a nice gift.
16:00It wasn't necessary.
16:01Yes, it was necessary.
16:02Even more so now that you're telling me
16:04that you are going to help your father
16:06in the campaign where I'm going to be.
16:08And how did he react?
16:10He became euphoric.
16:11Euphoric?
16:11Euphoric.
16:12But I told him it was temporary.
16:14Just until you're comfortable
16:16and that we manage to run a good campaign.
16:19It will be amazing, my love.
16:21Thank you so much.
16:24Will Roberto work at the agency?
16:26You're just joking, aren't you?
16:27Don't raise your voice to me, I'm your father.
16:30Respect me!
16:34Not that! That's fair!
16:36Roberto is living a great moment
16:38and all that I strive for
16:39wins it on a silver platter.
16:41He has the women he wants
16:42the job I didn't even want.
16:43Enough, Ronaldo.
16:45I raised my three children
16:46with the same dedication.
16:47I will not admit
16:48a jealousy crisis
16:49nonsense like this.
16:51Your brother was always behind
16:53of what he wanted.
16:54He is dedicated.
16:54You can take a look at it
16:55renewing the company.
16:57It will be good for everyone.
16:58Clear.
16:59Dedicated,
17:00innovative,
17:01I should have gotten used to it by now.
17:03Accustomed to which son?
17:06May Roberto be your favorite son, Dad.
17:10Your dedication to me
17:12and with Celeste
17:13could have been the same.
17:16But love, no.
17:18Do you think I don't notice?
17:19How do you talk about Roberto?
17:21with pride?
17:23I always endured everything.
17:25But you put my brother
17:26in my place, at work,
17:27is to abuse.
17:29He steals everything from me.
17:30Lidia is not stolen
17:31because nobody wants it.
17:34With Beto in the creation
17:35and Beatriz from Chica Imagen,
17:37for God's sake,
17:38That campaign is going to be a marvel.
17:39And now I'm going to have
17:40to study a lot
17:41to do that campaign.
17:42This is my debut in advertising.
17:44And mine too, my love.
17:46I'm going to make rosettes
17:47for us to celebrate.
17:49But with what corn?
17:50You spend your time complaining
17:52that no one gives him support,
17:53but this time
17:54is going to eat the corn
17:55that I buy.
17:56But I'm going to need
17:57of their butter.
17:58Alright?
17:59Do you know something?
17:59I'm going to prepare
18:00those rosettes with you.
18:01Because if not,
18:02we are going to eat stale bread.
18:04Come on, come on.
18:16Gloria,
18:17Can you tell me?
18:18If that Basilio
18:19passed by here today?
18:20I don't want Beatriz
18:21think I want to control her
18:23or what are jealousy.
18:24I swear it's nothing like that.
18:26No, not yet.
18:27But you also had
18:28a concern with his arrival.
18:30Clear.
18:31Between us, Glorita?
18:33I distrust kindness
18:34about that guy with Beatriz.
18:36Did you leave everything in Petrópolis?
18:37to try a life
18:38here out of nowhere?
18:40There's a cat in a bag in that.
18:41Yes there is.
18:42Your mom
18:47it is a success
18:48overwhelming.
18:50Everyone,
18:51everyone
18:51He only talks about her.
18:52They say,
18:53Teresa,
18:53Teresa is clean.
18:55I even have a little bit
18:56of jealousy,
18:57I swear.
18:58I'm still dying
18:58of shame.
19:00I'm not setting foot again
19:01on TV
19:01or the others.
19:02Don't say that.
19:02Not even when he returns
19:03ocean tsunami.
19:04Don't say that.
19:05You should be proud
19:06that you now have
19:06a famous father and mother.
19:08There is more than one celebrity
19:09in the family.
19:12Good.
19:13I'm happy,
19:14but for another reason.
19:15Oh yeah?
19:16Attention,
19:17dinner is served.
19:20Ah,
19:21I just don't know
19:21if it is tasty.
19:22I don't know if it's tasty.
19:23Of course it's tasty.
19:24Take the spoon,
19:25Please, daughter.
19:25Serve your father rice.
19:26The house is celebrating.
19:27Oh, how nice.
19:28This house was never there
19:29partying.
19:30Thanks my love.
19:31I'm sure
19:32that we are going to taste it
19:33and it will be a delight.
19:35Do you want to see?
19:36Let's try it.
19:38What do you say, my love?
19:44This is meat,
19:45chicken or rag.
19:47Just to understand
19:48the type of food
19:49what are you.
19:51It's worse
19:52what hospital food.
19:53The rice is good.
19:55Did you season the meat?
19:56It was better.
19:57Did I disinfect it?
20:00Teresa!
20:01No,
20:01nobody touch that food.
20:03Don't touch the food.
20:04Don't touch the food.
20:04Do you want to kill us?
20:05Do you want to kill your family?
20:06Why didn't you ask him for help?
20:08to Yadira?
20:08She is paralyzed,
20:09but she is not mute.
20:10After it was paralyzed,
20:11his tongue even became looser.
20:13Teresa!
20:13Why did you do that?
20:14Sorry.
20:15I was so worried
20:16with hygiene
20:16of food
20:17that I didn't remember
20:18Yadira's.
20:20Don't feel guilty, Mom.
20:22You tried.
20:23Why don't we go?
20:24to a restaurant?
20:25I think it's going to be
20:27the best now.
20:28I...
20:29The dessert too
20:30went bankrupt.
20:30I look at it and I can't
20:32define if it is
20:33mousse, pudding
20:33or rag.
20:36Come on,
20:37to the restaurant.
20:38Before you arrived,
20:39she was happy.
20:40Now you want to go
20:41to the restaurant
20:41living your juice
20:42half smiling.
20:43What's up, daughter?
20:44Nothing.
20:45Any news, daughter?
20:47Nothing else.
20:47I just took out
20:49a 10 in science.
20:50That's all.
20:51Come on,
20:52I'm starving.
20:52What time is this?
21:03to arrive?
21:05Were you with your friends?
21:06until now?
21:07Don't bother,
21:08Julian.
21:09It even seems like I'm giving you
21:10the right
21:11to regulate my schedules.
21:12Not even your wife
21:13you manage to control
21:15as it should be.
21:16Oh,
21:17do me a favor.
21:17And speaking of Clarice,
21:19I don't know exactly
21:20what you did,
21:21but she came back
21:21to take the medicine.
21:23Great.
21:24One less problem.
21:25The one that worries me
21:26It's Celia.
21:27She doesn't know
21:28everything we did,
21:31but he knows that we are
21:31hiding something.
21:33This time he only demanded
21:34a jewel,
21:35but it won't stop there.
21:36I solved that problem
21:37also.
21:39I gave him a good lesson
21:40to that blackmailer
21:41of little importance.
21:46Those are
21:47Celia's jewels.
21:49How did you get them?
21:51I got it
21:52a new ally
21:53who also wants
21:54separate
21:55to Roberto
21:55from Beatriz.
21:57Recover the jewels
21:58was his test.
21:59Passed
22:00with praise.
22:01And who is that guy?
22:03Where did it come from?
22:05How are you going to do it?
22:05to separate
22:06both of them?
22:07When?
22:07Oh, you ask,
22:08more questions,
22:09more questions.
22:10It will be next Saturday
22:11here at home
22:12a dinner
22:13in tribute
22:14to the village girl
22:16spoiled.
22:24Oh!
22:25Holy Mother!
22:28That ring
22:29is it mine?
22:30That bracelet
22:31also,
22:32Maria Estela?
22:32How are you,
22:34Celia?
22:35You
22:35he sent a guy
22:37to assault me?
22:39No,
22:39it wasn't robbery.
22:41I just sent
22:42to recover
22:42what is mine,
22:44my love.
22:44But, but, but...
22:46And not even half a but.
22:48You are
22:49just
22:50a small insect
22:51unimportant
22:52that in case
22:53that it bothers me
22:54I wouldn't have
22:54the minimum modesty
22:55in ordering to fumigate.
22:57Shh!
22:58Therefore,
22:59My dear Celia,
23:01put yourself in your place.
23:03Thank you
23:03everything you conquered
23:05thanks to me
23:05and try not to bother
23:07more to my son
23:08with your blackmail
23:09and threats.
23:11Or you're going to feel
23:12nostalgia
23:13of the times
23:13in which your biggest problem
23:15checks will go
23:16from the Rio perfumery
23:17that you forged.
23:20Understood?
23:23Understood.
23:25Great.
23:27Have a good time.
23:28See you later.
23:29See you later,
23:30Dear.
23:30Damned traitor,
23:36what awaits you
23:36is saved.
23:38Beauty.
23:41Ah, Beatriz!
23:43Excellent
23:43that you arrived!
23:45Is everything all right?
23:46All good thanks.
23:48Luckily,
23:48It was already ready
23:49when you called me
23:50asking for it to arrive
23:51earlier.
23:51But why the rush?
23:53I was curious.
23:54Because today
23:55we are going to put
23:56in practice
23:57what you learned
23:58in class
23:59of table set.
24:00Let's have lunch
24:01out
24:02in a restaurant
24:04high-class.
24:05Restaurant?
24:05Yeah.
24:06No,
24:07I don't believe
24:07that it is a good idea,
24:08Mrs. Clarice.
24:09I'm Clarice.
24:11And of course
24:12which is a good idea.
24:13No.
24:14Hey,
24:14so we take advantage
24:16and we take
24:17a delicious
24:18snack too.
24:20Are you hungry?
24:21I do.
24:22If you believe
24:23what is necessary?
24:23Not only is it necessary,
24:25It is also urgent.
24:27Julian
24:28organized
24:29a dinner
24:30Saturday
24:30at home
24:31and you will be
24:32our guest
24:33of honor.
24:33A dinner
24:34in my honor?
24:35Yeah.
24:35No,
24:36I don't,
24:37I don't know
24:38Yes, I'm ready
24:39for those formalities
24:40still.
24:41Don't worry.
24:42Don't worry,
24:43Beatriz.
24:45Today?
24:46Let's practice.
24:48And at home
24:49I will be by your side
24:50all the time.
24:53Take someone
24:53of your family.
24:54From my family?
24:55Yeah.
24:55I have no one
24:56from my family here.
24:58The truth,
24:59I have Basilio.
25:00Basilio and I
25:01we were raised together
25:02in the orphanage.
25:03And he's like a brother
25:05for me.
25:05Ready.
25:06Then Basilio
25:07you are invited.
25:08It will be good.
25:09And you're going to feel safe.
25:10Anyone else?
25:11Well,
25:11This Gloria.
25:13I don't know Glorita
25:14for a long time,
25:15but she is like
25:15a sister to me.
25:17Perfect.
25:18Basilio and Glorita
25:19they dine with us
25:20and you will show him
25:22to everyone
25:23how you know how to behave
25:25like a real one
25:26society lady.
25:27Come on?
25:30Come on.
25:36Lidia.
25:37Maria Estela.
25:40Maria Estela.
25:40What a surprise.
25:41How are you?
25:42I came to invite you.
25:44On Saturday,
25:44Julian is going to give a dinner party
25:46in honor of Beatriz,
25:48the new girl,
25:49image of Rio de Janeiro perfumery.
25:51Ah, Beto's girlfriend.
25:52Yeah,
25:52herself.
25:54I wanted you to sing
25:56at the party.
25:58You will be very well paid
26:00that's why.
26:01You know that always
26:02I'm looking for an opportunity
26:03to be close
26:04of my children,
26:05but I don't think so
26:07that Beto
26:07likes to see me
26:08at that dinner.
26:09But you never go
26:10to achieve reconciliation
26:12with your son
26:12if you continue hiding here.
26:16You're right.
26:18So,
26:19I accept.
26:25That lady
26:26it's not real
26:27charming?
26:30What a woman.
26:34It will be a piece of cake.
26:38Don't you think we deserve
26:45a toast?
26:53You have a natural class.
26:55Did you know?
26:56Really.
26:57I will only do
26:58a small adjustment here.
27:00Little finger,
27:01discreet,
27:02that.
27:03Now yes,
27:03perfect,
27:04very elegant.
27:05A sweetie.
27:07Thank you.
27:08Have you seen?
27:12I don't feel
27:13comfortable with it.
27:14But how unpleasant.
27:16Yeah,
27:16one came
27:17to have dinner
27:18peaceful.
27:19We are eating.
27:20How can they
27:21allow it?
27:22How did they say
27:23that would come in?
27:24I should know
27:25what is your place.
27:26Hey,
27:27have you seen?
27:28It's indecent.
27:29Oh,
27:30it went away from me
27:30the appetite.
27:32Don't look at him
27:32in the eyes.
27:33I'm not coming back
27:34to come to this place.
27:35It will be better
27:36take something else.
27:37Now I understand
27:43why you didn't want to
27:43come here.
27:46Sometimes
27:47you must see it
27:47by yourself
27:48to understand,
27:49No?
27:54Call.
27:55It's Mr. Julian.
27:56Hey!
27:56Julian
27:57for Roberto?
27:58Why not for me?
27:59Do you see what results?
28:00for bringing Beto
28:00to the agency?
28:01It's already taking
28:02your position too.
28:03Mrs. Susana,
28:03transfer the call
28:04to the office
28:05from my father,
28:05please.
28:06Mrs. Susana,
28:07pass it to my office,
28:08please.
28:19Hello?
28:20A dinner
28:21on Saturday?
28:21It's a small thing.
28:23It is a tribute
28:23to Beatriz.
28:25My mother
28:26feels
28:28very guilty
28:28for having offered him
28:29money
28:30and wants to redeem himself.
28:32At the moment,
28:32inclusive,
28:33Clarice must already
28:34be inviting
28:35to Beatriz.
28:37Can
28:37count on your presence?
28:39Yes Beatriz
28:40agrees,
28:41we will be there.
28:41What did he say?
28:45What dinner is that?
28:46Did he invite me?
28:47No.
28:49It is a tribute
28:49for Beatriz.
28:51He said it's a small thing.
28:53Very sorry,
28:54Beatriz.
28:56Lot.
28:58I don't know how
28:58I hadn't realized
28:59before.
29:01Come
29:01to this restaurant
29:03years ago.
29:04It's horrible to say this,
29:05but not even
29:06the waiters are black.
29:07There are places
29:08that they do not accept
29:08to people like me
29:09nor to serve.
29:10Since I can remember
29:11always
29:11I lived with people
29:12similar to me.
29:16I think only
29:16I realized now
29:17because it's the first time
29:19that I'm with someone
29:19different from you.
29:23It's like holding
29:24the glass of wine
29:25correctly
29:26for the first time.
29:28No?
29:28If that
29:29street
29:30If that
29:31street
29:31Fose
29:32mine
29:34I
29:35commanded
29:37I
29:37commanded
29:38Brickyard
29:40Compadrillas
29:42Compadrillas
29:43Compadrillas
29:45of brilliants
29:47Arrest
29:49honey
29:49Paro mel
29:51At this time
29:51I remember my grandmother
29:52and my first day
29:54at school
29:55normal
29:56I was so nervous
29:59with so much fear
30:01I felt suffocated
30:07in that place
30:08She told me
30:09that I saw the window
30:10The world is bigger
30:17that any space
30:18that oppresses us
30:18How cute it is
30:21If you have any difficulties
30:41to use the cutlery
30:42just imitate me
30:43That
30:57Very good
30:59my little star
31:00You were perfect
31:02my love
31:03You were born to be
31:04a princess
31:05Beatriz
31:06Beatriz
31:08Beatriz
31:10Beatriz
31:12Is everything all right?
31:16Yeah
31:16Can
31:18It's that suddenly
31:20I remembered home
31:21It must be
31:23very difficult
31:25adapt
31:26to all this
31:27What can I do?
31:29to help
31:30to change things?
31:32You are the second person
31:33who asks me
31:34that since
31:34I arrived in the city
31:35Let me guess
31:38The first was
31:40Beto
31:40It was Beto
31:41And what did you say?
31:43I told him he should
31:44look at yourself
31:45That from that
31:48I was going to discover
31:49how to promote change
31:51You're right
31:51I have a school
31:55There is no better place
31:58to begin
31:59to change the world
32:00that there
32:00My mother lives
32:09in another world
32:09Gloria
32:10What do you say?
32:14Tell me
32:14What happened?
32:18She took me
32:19to lunch
32:20to a restaurant
32:21fine
32:21and
32:23getting there
32:25everyone
32:25he was watching me
32:26was the only one
32:27black woman from the living room
32:28To my surprise
32:29realized
32:30and I ask
32:32How could it be?
32:35to change
32:37things?
32:41At that time
32:42it gave me a pain
32:43You know, Glorita?
32:46I was there
32:47in that place
32:48with that woman
32:48that is my mom
32:50She's my mom!
32:53She doesn't have
32:54idea
32:54whose I am
32:55I remembered
32:57her
32:57teaching me
32:57to eat
32:59when I was
33:01small
33:01I didn't want to
33:03explain to her
33:05how to do
33:06to change
33:06things
33:07I wanted
33:08I wanted to jump
33:11to his arms
33:11I wanted
33:12I wanted to feel
33:16less alone
33:17I wanted to feel
33:19less alone
33:20Gloria
33:21Why don't you tell him?
33:24the truth already?
33:25Because it seems
33:26another person
33:27She is another person
33:29I don't know
33:30to that woman
33:31I'm here
33:33defending her
33:33that woman
33:34educated
33:35and nice
33:36but she is the woman
33:37who abandoned me
33:38when I was little
33:40She abandoned me
33:42small
33:42had another daughter
33:44gave him my name
33:45her
33:46Calm down
33:51Calm down
33:52Breathe
33:52Breathe
33:53The head of a woman
33:54does
33:55a queen
33:56The head of a woman
33:58makes of it
33:59a queen
34:00That
34:01Oh, and worse
34:05and worse
34:08there will be
34:08there will be a dinner
34:11at Mr. Julian's house
34:13offering a dinner
34:14in my honor
34:15It won't be easy
34:18sit at the table
34:19with that man
34:19with his mother
34:20with his daughter
34:23Are you coming with me?
34:25Clarice said
34:26that I can take you
34:27to you and Basilio
34:28come on please
34:28Basilio, Beatriz
34:30You are going to be
34:32my window
34:33Window
34:35to know that the world
34:36it is not summarized
34:37to those people
34:38Beto will go too
34:40with you three
34:42by my side
34:42I'm going to feel
34:44safer
34:44Then I go
34:46of course I'm going
34:47Thank you friend
34:48Thank you
34:50Thank you
34:52And Beto too
34:54it has been so good
34:55with me, you know?
34:56Agree to work
34:57in the campaign
34:57from his father
34:58to help me
34:59was
34:59a test of love
35:00that not even I myself
35:01I imagined
35:02But one thing
35:03I decided
35:04As soon as it passes
35:05that dinner
35:06I'm going to tell Beto
35:08that Clarice is my mother
35:09Very good
35:20Good night
35:21Carolina, how are you?
35:22With permission
35:23Good night
35:24Good night
35:25Good night
35:28Roberto, welcome
35:29Good night
35:29Mr. Julian
35:30Beatriz
35:30Good night
35:31Welcome
35:32Thank you
35:32they are
35:34Gloria and Basilio
35:35My best friends
35:37How are you, Glorita?
35:38A pleasure
35:39Basil
35:40Good night
35:41Good night
35:42A pleasure
35:42Welcome
35:43Beatriz
35:43welcome you here
35:45at my place
35:46Roberto
35:48It's good that you came.
35:50You are very welcome
35:52Well, this meeting
35:53it is to put a stone
35:55in that little misunderstanding
35:57that was between us
35:58I already apologized to you once.
36:00I ask you again
36:02One more time
36:03I repeat that you are forgiven.
36:06Ah, Bia is inside
36:08and also wants to redeem himself with you
36:10Come, come
36:11Come
36:11With permission
36:13Yeah?
36:13They are at home
36:14Forward
36:16Lidia
36:17What a prodigious woman!
36:31She is a beautiful lady
36:34It is clear that he likes to enjoy himself.
36:36What did you say?
36:39More respect, friend
36:41She is my mother
36:43Really?
36:45My mother
36:45He doesn't seem to have a son this age.
36:47But hey
36:48Don't be offended
36:49I'm just praising the madame
36:51Yeah
36:53The Beatrizes
36:54You look so pretty
36:55Thank you
36:57You too
36:58And with a pretty dress
36:59Dalba Miranda?
37:01No
37:01I bought it in a store
37:02on Barata Street, Ribeiro
37:04Ah
37:04Tent dress
37:06Mother
37:07You need to teach him
37:08that at a party
37:09one has the dress made
37:10with a dressmaker
37:11This is how you avoid embarrassment
37:13Daughter
37:13What Bia
37:15meant
37:16is that when buying in a store
37:17you run the risk
37:18that another person
37:19wear the same clothes
37:20I wouldn't mind
37:21With permission
37:23Clear
37:24Lydia!
37:26How long?
37:27How have you been, doll?
37:29I'm fine
37:30And you?
37:30I'm fine
37:31I am very happy
37:32to be here today
37:33Although I think Beto
37:35is not feeling the same
37:37No
37:37I'm not going to give up
37:42given up today
37:43Come
37:43How are you, son?
37:52Good
37:52I just don't understand
37:55what are you doing here
37:56I came to sing
37:57María Estela invited me
37:58A pleasure, Lidia
38:00Gloria Regina
38:00Beatriz's friend
38:02Great pleasure
38:04Basilio, his servant
38:05A pleasure
38:06What time does it start?
38:10the show?
38:11It's already happening, my love
38:13Beatriz
38:16she is an exceptional student
38:18Learn very quickly
38:19This young woman
38:20The teacher is very patient
38:22But I admit that I have
38:24ease of learning
38:25new things
38:26I always knew it was going to work out
38:27And I believe, Beatriz, that even though
38:29our beginning has not been
38:31of the best
38:31I always realized that
38:33you had
38:34something
38:34a
38:35a natural elegance
38:37Good night
38:46Good night
38:46Good night, Carolina
38:47But here is a party
38:49and I wasn't invited
38:50Sister
38:52We are offering
38:53a special dinner
38:54for Beatriz
38:54Remember what I told you?
38:56You are family
38:57you don't need an invitation
38:58TRUE?
38:59I'll put another plate
39:00at the table
39:00Yes please
39:01Thank you
39:01Dear, thank you
39:02Come, come
39:03Hello, Lidia
39:04How are you?
39:04Good night
39:06Good night
39:06You
39:07Why are they laughing?
39:26Leave them
39:26That bunch of show-offs
39:28he's jealous of your strike
39:29My dress
39:32Where did this come from?
39:33It looks like fat
39:34I don't know
39:35Suddenly you got muddy
39:36of something dirty
39:37here at the bowling alley
39:37I'm going to complain to Ulysses
39:39That was a curse
39:39my mother's
39:40Get me out of here
39:42please
39:42What a shame!
39:46Calm
39:46Calm
39:47It's full of fat
39:48This shouldn't have happened
39:48Listen
39:49It is solved by soaking it
39:50I wash it in the tub
39:51for you, my love
39:52Look at that
39:53The best storyteller
39:54of stories
39:55from the neighborhood
39:56Don't...
39:59I thought you only sold soaps.
40:01but apparently
40:02your work
40:02is to dirty
40:03people first
40:04And Ana Maria
40:07Watch out, okay?
40:09Who sees fat
40:10doesn't see heart
40:11Caresses with Carlitos
40:14they were so hot
40:15that the motorcycle
40:16melted
40:16in the dress
40:17by Ana María
40:18There
40:18To dance the bamba
40:20To dance the bamba
40:21To dance the bamba
40:23is needed
40:24a little bit of fat
40:25A little bit of fat
40:26A little bit of fat
40:28what will you want
40:29For you I will be
40:30You lied that the motorcycle
40:31was yours
40:32Another of your stories
40:34When are you going to grow up, Carlitos?
40:36Become a real man
40:38Well, my mother told me
40:40that you are not worth it
40:41Calm down, woman
40:42I can explain it to you
40:42What are you going to explain,
40:44damn liar?
40:46Do you think you're going out?
40:47with some idiot, right?
40:49Well, I'll teach you a lesson.
40:50To dance the bamba
40:58To dance the bamba
41:01I need you
41:03a mouth of...
41:04What a voice he has, huh?
41:14Imagine her singing to me
41:16to the ear in the dark
41:17Why do you want to?
41:18provoke me?
41:19Respect my mother
41:21shameless
41:21She's separated, isn't she?
41:23Must be a woman
41:24that is free
41:25She must be crazy
41:26for some consolation
41:27That's not going to be
41:28sacrifice for me
41:29It will be easy, it will be easy
41:31Without affection, I bet
41:32Do you want to mess with her,
41:33damn pervert?
41:35I understood now
41:36You are jealous
41:37because you are
41:38imagining the scene
41:39She moaning
41:40in my ear
41:41And nine months from now
41:43you gain a little brother
41:44Don't talk about her like that!
41:47Don't talk like that!
41:48Why you?
41:49You have no right!
41:51What's going on?
41:52What behavior
41:53so inappropriate
41:53Is this it, Roberto?
41:54Son
41:55What happened to you?
41:56What happened?
41:57I don't know either
41:58I didn't say anything bad
42:00Beto
42:00Sorry
42:02Excuse me, excuse me, Beatriz
42:05Son
42:05Son
42:06Beto
42:08But
42:09But
42:09How temperamental?
42:10I just said that his mother
42:11he sang well
42:12Wait, Beatriz
42:14No
42:15Don't go after him
42:17I know Beto
42:18many years ago
42:19and
42:19Advice from a friend
42:20When he comes out like that
42:22It's because he wants to be alone
42:23Beatriz, Beatriz
42:26Let me go
42:27after Beto
42:27I'm going after him
42:28I'm going to try
42:28bring it here
42:29Alright
42:30Trust me
42:31Basil
42:32Trust me
42:33Beto
42:40When he is near Lidia
42:41is completely out of balance
42:43But
42:44also
42:45What an idea to call her
42:46to sing here?
42:48Whose idea was it?
42:51By María Estela
42:52There is no other way
43:04Alone in the water
43:07what a pillow this whirlwind
43:08from here inside
43:09You play dumb
43:20Playboy
43:21Give me everything
43:26Yeah?
43:28Alright
43:28They can take whatever they want
43:30No
43:30I don't want any trouble
43:31Give me the wallet now!
43:33Alright
43:51Here is what you asked for
44:00Perfect, comrade.
44:04Now come
44:08They can hit hard
44:11With great pleasure
44:12Hey!
44:13Hey!
44:13I was looking forward to meeting you, Olivia.
44:40Mauro?
44:49Sky blue
44:50Your boyfriend almost took my life
44:52Beatriz
44:52He was out of his mind
44:55Beto?
44:56No
44:56No
44:57No
44:57That's not it
44:57No
44:58That's not it
44:59It doesn't make sense
45:00Tell me that story well
45:01I went after him
45:02I went after him
45:02To apologize
45:03Because I regretted having praised his mother
45:06Only he didn't listen to me
45:08He jumped on me without mercy.
45:11Beatriz
45:12You could see the hatred in his eyes.
45:14It seemed like he wanted to kill me.
45:15No, Beatriz
45:16It's all over between us.
45:19Beatriz
45:23Beatriz
45:23Thank you!
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