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The Narrow Road to the Deep North Season 1 Episode 5 - FULL
Transcript
00:00Transcription by CastingWords
00:30Transcription by CastingWords
01:00Lieutenant Cornell, the camp by Three Pagodas has lost many men.
01:05He requires more.
01:07Cornell orders a hundred men to go.
01:10Three Pagodas passes over a hundred kilometers away.
01:13I will send men to会見.
01:15I'm not concerned with them finding their way.
01:18Major, these men are too sick to make that journey.
01:21Work is throwing by the border!
01:24This cannot happen!
01:27Major, Major.
01:29I don't have one hundred men to give you.
01:31These men are too sick.
01:32Australian should wash like Japanese.
01:34Okay, then give me soap.
01:35Give me water and I will clean them myself.
01:37but do not send these men to their death.
01:39I'm not.
01:40You are at this head.
01:41you are at this head.
01:47You are at this head.
01:47I'm not.
01:55You got this.
01:58The men go now take only what they wear.
02:14Everything else is octopus!
02:28The men go now take a look!
02:33They are perfect.
02:36The men go now take a look!
02:44The running off is up.
02:52Major orders a hundred men march to Three Pagodas Pass.
03:05It is safest for all men with boots to go.
03:22Three Pagodas Pass.
03:28Four Pagodas Pass.
03:29One's the one you made.
03:42Four Pagodas Pass.
03:47Four Pagodas Pass.
03:52I'm gonna go.
03:54Hey.
03:55I'm gonna go.
03:56That's how you're doing.
03:57Come on, you guys.
03:58Hey, what's up?
04:00Bye.
04:01Bye.
04:02Bye.
04:03Bye.
04:04Bye.
04:05Bye.
04:06Bye.
04:07Bye.
04:08Bye.
04:09Bye.
04:10Bye.
04:11Bye.
04:12Bye.
04:13Bye.
04:14Bye.
04:15Bye.
04:16Bye.
04:17Bye.
04:18Bye.
04:19Bye.
04:20Bye.
04:22Let's go, let's go, let's go, let's go.
04:52Come on, come on!
05:22Thank you, sir.
05:28We'll have to catch up in Hobart for a beer sometime.
05:31I'd like that, John.
05:52Thanks, sir.
05:55For everything.
06:08Thank you, sir.
07:23You kept saying his name over and over in your sleep last night as if you were talking to someone.
07:30A boy I once knew.
07:34Why was this particular boy's name in your head?
07:36I don't know.
07:40He died in the war.
07:45Did I take you to breakfast?
07:46I'm here to say goodbye.
08:00This was always going to have an end date, wasn't it?
08:09You and I.
08:10It's just...
08:12I'm just a distraction for whatever is going on in your head.
08:18That's not true.
08:19I've seen enough of your nightmares to know that whatever you've been through has left a deep mark.
08:34And I just don't know if I can take care of you.
08:43I appreciate your concern in it.
08:51But, uh...
08:54You should come.
08:57I'll get off.
09:11Have a good night.
09:12Get up.
09:13Come on, get up.
09:14Get up!
09:15You're so quick!
09:17Rawr.
09:18Take it.
09:19Go!
09:20Good boy!
09:21Good boy.
09:22Come on.
09:23Come on.
09:24Get up.
09:25Come on.
09:26Come on.
09:27Come on.
09:28Bring it.
09:30Come on.
09:31Come on.
09:32Stand
09:34up.
09:35Come on.
09:36Come on.
09:37Come on.
09:39Let's go.
10:09Therefore, we must not be able to support the military.
10:14We must be独立.
10:17For the future of Japan and the陛下,
10:22永遠!
10:24Thelium National Symphony Cases!
10:39Castads!
10:41Castads!
10:45Castходs!
10:49Castходs!
10:53Let's go!
11:23I don't know.
11:53How are you today Mr Evans?
12:11You tell me.
12:12Am I still a surgeon?
12:15We do have information regarding your malpractice investigation.
12:20The council has found you not to be culpable and for there not to have been any unsatisfactory
12:25conduct in the surgery of Mrs Davis.
12:27So what does that mean for me?
12:30It means that there'll be no further action going forward and you're free to continue
12:34practicing.
12:35Daddy?
12:36Yes.
12:37Would you care to know how he came to our decision?
12:42No.
12:50Yes.
12:57Yes.
13:00Yes.
13:01Yes.
13:04Yes.
13:10Are you nervous?
13:35No.
13:37Are you?
13:40Yes.
13:44Don't be.
13:48Tell us we'll be alright.
13:51Please welcome Mr and Mrs Evans!
13:55Five years, six months and three days.
14:13That is how long we were apart.
14:19Now look at us.
14:22The thing that kept me going throughout that time was thinking about today, was thinking
14:27about seeing all of your beautiful faces.
14:30And most importantly, it was seeing Dori's face at the end of the aisle, waiting for me.
14:36So, thank you again.
14:40And Dori did promise me a dance, so miracles do happen.
14:45Thank you even for your part.
15:06I'll get them out here, I'll get them out here, come on, come on, come on, come on.
15:36Hey, fish, people said how unhappy they look.
15:55Now they look unhappy to you.
15:57They don't fucking swallow.
15:59What's wrong?
16:06I'll get them out here.
16:15I'll get them out here.
16:22I'll get them out here.
16:47I'll get them out here.
16:48Free, you little bastard.
16:54There you go, Frank.
17:13I'll get them out here.
17:23Choi Sang Min, you have been found guilty of having participated in the
17:53murder of Sergeant Frank Gardner. This ruling classifies you as a Class B war criminal
18:00and as such you shall be executed by hanging at Cheng Prison tomorrow morning at 0700 hours.
18:07I'll fill a sandbag to your weight and hang it on the rope overnight to stretch it.
18:12That'll take away any bounce in your rope. With no bounce it'll be all over quick.
18:23Is there anything you wish to say?
18:41There is nothing you wish to say?
18:43No one is not going to die
18:45don't think you are?
18:47I don't know.
19:17I don't know.
19:47I don't know.
20:17I don't know.
20:47I don't know.
20:49I don't know.
20:51I don't know.
20:53I don't know.
20:55I don't know.
20:57I don't know.
20:59I don't know.
21:01I don't know.
21:03I don't know.
21:05I don't know.
21:07I don't know.
21:09I don't know.
21:11I don't know.
21:13I don't know.
21:15I don't know.
21:17I don't know.
21:19I don't know.
21:21I don't know.
21:23I don't know.
21:25I don't know.
21:27I don't know.
21:29I don't know.
21:31I don't know.
21:33I don't know.
21:35I don't know.
21:37I don't know.
21:39I don't know.
21:41I don't know.
21:43I don't know.
21:45I don't know.
21:47I don't know.
21:49I don't know.
21:51I don't know.
21:53I don't know.
21:55that's why I'm shooting people in the war.
22:01I'm not a fan of those people.
22:03They're囚人.
22:08Those囚人 are...
22:12They're fighting for a fair fight and a fight for a fair fight.
22:16I was like,
22:19I'm in the middle of my name.
22:25I have been able to be here for the last time,
22:28and I have been here for the last time.
22:33I have been here for the last time.
22:38We should be able to be the hero.
22:41That's what I'm saying.
22:48You're like an idiot.
22:52You've been murdered.
22:59And why did you come here?
23:02I'm sorry, I'm sure you're right.
23:13I'm not a mess anymore, I'm not a mess anymore.
23:17I'm not a mess anymore, I'm not a mess anymore.
23:22It's okay.
23:26You're a soldier, and you're a man.
23:30You're a man.
23:32How do you do it?
23:38There will be a crime in the middle of the country.
23:43Let's take a look at長崎-Hiroshima.
23:49There were thousands of people who died.
23:54Compared to that...
23:58Why do we have to fight the war?
24:04Why do we have to fight the war?
24:24I want to bring you these.
24:54How old are you there?
24:56Nineteen. Married in Nykaa. Honeymooned in Hobart.
25:04Where are the kids now?
25:07At my mother's. Preferred they weren't here for your visit. No offence.
25:13I'm taken.
25:16Thank God for the three of them. They can't bear to be alone.
25:22Are you married?
25:25Yeah. So you believe in love then?
25:28What's your wife's name? Ella.
25:31Is Ella your note or your room?
25:36My friend's a piano teacher. She says that every room has its own note.
25:40You just have to find it.
25:42She sang up and down this house one day.
25:45The note bounced off the wall right back to her.
25:48The most perfect hum. It was beautiful.
25:51It made me think of Guy.
25:54And of love.
25:57That one note that finds you even if you don't want it to.
26:01Guy was my note.
26:06And I was his room.
26:09And now everything's silent.
26:21Well, I like the kids around.
26:26Perhaps you can stay until they come back.
26:30Of course.
26:31You know, there's this place.
26:40This little island just south where I grew up.
26:43There's not a soul there.
26:46No houses.
26:47No cars.
26:48No buildings.
26:49Just a big old lighthouse.
26:51Just a big old lighthouse.
26:52You know, there's this place.
26:53You know, there's this place.
26:54You know, there's this place.
26:55This little island just south where I grew up.
26:58There's not a soul there.
27:01There's no houses.
27:02No houses.
27:03No cars.
27:04No buildings.
27:05Just a big old lighthouse.
27:06Can we go there?
27:07Can we go there?
27:30Yep!
27:36What do you want, Ella?
28:06What I want, I lost a long time ago to a war I never fought in and a woman I never knew.
28:28I thought I saw her once, you know.
28:33When?
28:35Soon after we moved to Sydney, but it couldn't have been.
28:42Don't hate me.
28:45I don't hate you.
28:48I think of the loneliest man I've ever known.
28:55You know, Rick said to me, we all played a part.
28:58The things we did and didn't do.
29:00And you've done nothing wrong now.
29:02And you're the reason we have all this.
29:05You made it happen.
29:07Yeah, but no matter how hard I tried, you were never here.
29:12I mean, I waited for you, I waited for you.
29:14Through the war, through marriage, through the children, through your love affairs, your career, I waited for you.
29:26I'm sorry.
29:27So am I.
29:28I am, I'm sorry.
29:33So who do you think that might be?
29:40Young you.
29:41You think so?
29:42Well done.
29:43What made you think it was me?
29:47I can see it in the eyes.
29:48Really?
29:49Hello, darling.
29:50Hi.
29:51Why don't you go and see the family?
29:52Did you finish your speech?
29:53No.
29:54No.
29:55No.
29:56No.
29:57No.
29:58No.
29:59No.
30:00No.
30:01No.
30:02No.
30:03No.
30:04No.
30:05No.
30:06No.
30:07No.
30:08No.
30:09No.
30:10No.
30:11No.
30:12No.
30:13No.
30:14No.
30:15No.
30:17No.
30:18Were you truthful?
30:21Accurate.
30:23As much as I could be.
30:25You looked lovely.
30:32As do you.
30:45It was Lord Tennyson who wrote,
30:49I am part of all that I have meant.
30:53And I thought of this as I turned the pages of my friend Guy Hendricks' book.
31:01But we all left part of ourselves in that jungle,
31:06in that mud, within each other.
31:10However, as accurate as this book is, it is just a book.
31:22Horror can be contained within a book, given form and meaning.
31:30But in life, horror has no more form than it does meaning.
31:37It just is.
31:38And Guy was convinced that no matter what happened to him,
31:45his pictures would survive.
31:48And he was right.
31:52Here we are.
31:55A life's work on these walls.
32:00Rabbit's life.
32:03So many men's lives taken forward.
32:06A railway.
32:11Of which now, little remains.
32:15Sleepers covered in weeds.
32:20Tracks.
32:21Bent.
32:23And walk.
32:24Our memory is the only true justice.
32:45It's our only defense against repeating the misery of history.
32:54And without nights like tonight, and, uh, work.
33:01Like rabbits.
33:04No one but those who lived it
33:06will remember the immense suffering.
33:12The, uh,
33:12constant
33:14sorrow.
33:16The pointlessness of a law.
33:18The pointlessness of a law.
33:27Without memory,
33:28it will be as,
33:34well, history's greatest crimes
33:36never happened.
33:41It will happen.
33:41It will happen.
33:41Together.
33:50The, uh,
33:50the, uh,
33:50it will happen to us now.
33:51Thank you so much.
33:54Thank you so much.
33:56You all right?
34:23Yeah.
34:25Fine.
34:26You should go home.
34:30Yeah.
34:39She came to visit once.
34:45Amy came to see you but found your wife and child instead.
34:50I should have told you before this.
35:01It doesn't matter, no.
35:04Perhaps not.
35:05Now you know.
35:14No.
35:19No.
35:23OK.
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