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Transcript
00:00Congratulations to Dorothy for winning the Best Original Screenplay at the Rising Stars Movie Awards.
00:17You did it.
00:19Three years ago, I was the most sought after screenwriter.
00:23Three years later, I fell in love with Drake,
00:28giving my identity a secret for the sake of his pride.
00:32I thought we were happy until...
00:38Hi.
00:45Where the hell have you been?
00:47I told you that Stephanie was coming to help set up for my brother's birthday,
00:50and instead of helping us, he just disappeared.
00:53What, did you bail so you could go and laze around or something?
00:56You know, people say that the only reason you're allowed to stay by Drake's side
01:00is because you're nothing more than a free maid.
01:03Otherwise, why would someone like you be allowed to marry my brother?
01:07What?
01:08A maid?
01:09I just hid my identity for the sake of this marriage.
01:13Well, I think Drake's idea is great, and it could be really good for us.
01:17But the risk is way too high.
01:22Dad.
01:23Please.
01:26Okay.
01:27And I'm sure you don't want him to know the real reason why I'm a person.
01:35Think about it, Dorothy.
01:36Since you got married, has he ever even touched you?
01:39How often does he actually come home?
01:41He doesn't even want to look at you.
01:44Let alone sleep with you.
01:46That's enough, Ellie.
01:47We're all here to celebrate Drake's birthday.
01:49I'm sure he wouldn't be happy to see us like this.
01:52Everybody knows that if it weren't for her, you would be married to Drake
01:55instead of being my late brother's widow.
01:58Ellie!
01:59Whatever happened between me and Drake is all in the past.
02:01Besides, I'm carrying Nick's baby.
02:08It's the perfect time.
02:12Oh, my God! Oh, my God!
02:14Dorothy just pushed Stephanie into the pool!
02:16What?
02:23Quick, save Stephanie!
02:24She's carrying Nick's baby!
02:29Quick, get in there!
02:31He chose Stephanie over me.
02:36My baby! My baby is gone!
02:39Why would you do this to me?
02:41Help! Help!
02:43He chose Stephanie over me.
02:48My baby! My baby is gone!
02:52Why would you do this to me?
02:55How dare you!
02:57You push Stephanie into the pool to try and kill her and her unborn baby.
03:00Are you happy now that Stephanie's baby's gone?
03:03I didn't do it!
03:04I know you don't want me here!
03:06I told you whatever happened between me and Drake is in the past!
03:09You can hate me however you want to, but how could you be so cruel as to kill my unborn child?
03:14He didn't do it! You know me, I would never do that to Stephanie!
03:16Just apologize to Stephanie!
03:18Just apologize to Stephanie!
03:20I'm not going to apologize for something I didn't do!
03:23Apologize to Stephanie right now or I will divorce you!
03:25I will divorce you!
03:32Divorce?
03:34If you apologize right now, then I'm willing to give you another chance!
03:38It's been three years, Drake. I gave up everything to be your wife.
03:48I've always kept to the shadows, Dorothy.
03:51I already have a life.
03:53And right now I just want to focus on being on my marriage of Drake.
03:56I thought you would always be by my side, but I was wrong.
04:03The only reason you're allowed to stay by Drake's side is because you're nothing more than a free maid.
04:08Since you got married, has he ever even touched you?
04:11He doesn't even want to look at you!
04:15Fine!
04:17Let's get a divorce!
04:26There's nothing left in my heart. Drake's nothing without me.
04:32My ring!
04:34My ring is gone!
04:36Well, you must have taken it.
04:38Why would I take her ring?
04:40Look how quickly you packed your suitcase.
04:42You're probably seeing someone else.
04:44Dorothy.
04:46Yes?
04:48We were married for three years. Were you seeing someone else?
04:50Of course she was.
04:51Probably been cheating on you for a really long time.
04:54Couldn't wait for the divorce.
04:56So what if I was, huh?
04:58And what about you? Still hung up on your so-called sister-in-law?
05:02What gives you the right to talk about me?
05:04I only look after Stephanie because she's my brother's widow.
05:08Yeah.
05:09But you actually seeing someone else? Who is he?
05:11Big talk!
05:13Don't bring me down to your level.
05:15I'm not like you.
05:17Since your sister-in-law lost her ring,
05:22why don't you take...
05:26this one?
05:29This one.
05:32You've been waiting for this for a long time, haven't you?
05:39Bye.
05:40And so I left.
05:47This is ridiculous!
05:52We, the Bennett family, are one of the four major production companies in the world.
05:56I let him marry my daughter and even invested in his business.
06:01How dare that Drake do this to my daughter!
06:05Look, it's actually good from Dad.
06:09Now we know who he really is and he has no idea who I am.
06:12Still, you're my daughter. I can't let him do this to you.
06:15If it weren't for you, I would not have considered investing in his company.
06:20We're gonna pull our investment immediately.
06:22Yes. It's time to cut him off.
06:24He doesn't deserve you.
06:26I'm over Drake.
06:28If we withdraw the plans now,
06:31it's going to hurt the family business.
06:33He's not worth it.
06:35Honey.
06:36Why don't you just take a vacation?
06:40Or just put all this aside and take some time out for yourself?
06:44Yeah.
06:47No.
06:51I've wasted too much time with Drake over the three years.
06:55You know, now I want to focus on something that actually matters.
07:00You know, Christopher has been saying
07:02that many people want to buy the movie rights to lie is gay.
07:06Universal.
07:07Paramount.
07:08Every major studio wants this.
07:13Liar's Game.
07:14Your story on the big screen.
07:16If you're in, I'd be happy to be the one headlining you.
07:19Oh.
07:20So that's why they're making it.
07:21Because of you.
07:22I'm sorry, Christopher Santoro.
07:25See?
07:26They're not funding the film.
07:28They're funding you.
07:29Wrong.
07:31They're funding the story.
07:32It's more than good.
07:34It's phenomenal.
07:36Christopher is right.
07:38I'm taking my life back.
07:44I'm going to adapt to myself.
07:46You are?
07:48Yes.
07:49I will.
07:51Good for you.
07:52I won't tell anyone to ask you.
07:53I won't tell anyone to ask you.
08:04Congratulations to Aria Wong for winning the best director.
08:07This is my close friend from college.
08:08Aria.
08:09I need your help.
08:10I want to adapt the Liar's Game myself.
08:11And I want you to direct it.
08:12Of course.
08:13All right.
08:14Okay.
08:15There's just one thing.
08:16I want to keep my identity as the writer a secret.
08:18I don't want anyone to know.
08:20Especially not the team.
08:21SQ.
08:22Are you sure?
08:23But why keep it a secret?
08:24I just want people to focus on the story itself.
08:27Got it.
08:28Your secret's safe with me.
08:29Hey.
08:30Oh my god.
08:31Jeff.
08:32It's a bit weird.
08:34Ever since news got out about our movie, my phone has not stopped ringing.
08:40Really?
08:41I know.
08:42Yes, no, no.
08:43I know.
08:44Especially not the team.
08:45SQ.
08:46Are you sure?
08:47But why keep it a secret?
08:48I just want people to focus on the story itself.
08:49Got it.
08:50Your secret's safe with me.
08:52Oh my god.
08:53Jeff.
08:54It's a bit weird.
08:56Ever since news got out about our movie, my phone has not stopped ringing.
08:58Really?
09:03It's Stephanie.
09:10Yeah, just take it.
09:15Hello?
09:16Hello, Miss Wong.
09:17I've heard Liar's Game is being made into a movie.
09:19I'm interested in playing the lead.
09:21Can we arrange an audition?
09:25I'll speak to the writer and I'll let you know.
09:28Thank you, Miss Wong.
09:31What do you think?
09:34Anyone can audition, right?
09:36As long as they're right for the role.
09:39What happened between me and Stephanie is not important here, so...
09:43Okay.
09:45I'll call her back and let her know.
09:47Mm-hmm.
09:57What about me?
09:59Can I be your hero?
10:05Oh, you mean, uh...
10:07A film, right?
10:09I...
10:10I've never considered anyone else.
10:15I have to take this.
10:17Hi?
10:18You know, I'm not just talking about the film, Dorothy.
10:27It's okay.
10:29I can wait.
10:32I've waited this long.
10:33Well, well, well.
10:34Look who it is.
10:35Why are you here?
10:36Oh, I see.
10:37You're the production assistant.
10:38Well, do your job.
10:39Get me a water.
10:40Stephanie.
10:41Get your own water.
10:42I'm not your PA.
10:43Look.
10:44It's my first day on set, and I want to buy coffee for the crew.
10:49Why don't you be a doll and mark down everyone's order?
10:50Are you deaf?
10:51I'm not a PA.
10:52Here's a tip.
10:53Go on.
10:54Show some respect, Stephanie.
10:55Do you know who she is?
10:57What are you doing?
10:58Oh.
10:59She can't know I'm ESCUE.
11:00She now can't know her.
11:05What are you doing?
11:06Oh, no.
11:07She can't know him.
11:08I'm not one of the people in a room.
11:09What?
11:10What is that?
11:11What is that?
11:12She can't know him.
11:13I'm sorry.
11:14What's that?
11:15Don't stop we're in a room.
11:16That's a lot.
11:17What are you doing?
11:18Can't I see you?
11:19Why are you doing it?
11:21It's okay.
11:22You've got nothing.
11:23I don't know.
11:24I'm two.
11:25ask you. I want to keep my identity as the writer a secret. I don't want anyone to know,
11:33especially not the team. What do you mean? Who is she? No one but a lower PA, I'm sure.
11:49Isn't that right? Well, actually, she's...
11:55She's just a PA. You're right. So why don't you show me a lower PA, your acting skills? Maybe I'll be
12:04impressed even by who the coffee's myself. Watch this.
12:13I loved you once. Or so I thought. But now I see that it was all just a lie. A beautiful...
12:25Painful lie.
12:31You took everything from me.
12:33My dreams.
12:35My future.
12:41See? There's no soul. That's not acting, it's just reciting lines.
12:46Why don't you show her how it's done.
12:48What?!
12:50Go on.
12:54Go on.
12:56I loved you once. Or so I thought. But now I can see. It was all a love for you.
13:02I loved you once. Or so I thought. But now I can see. It was all a love for you.
13:06I loved you once. Or so I thought. But now I can see. It was all a lie. A beautiful, painful lie. You took everything from me.
13:34My heart. My dreams. My future. And for what? For your own personal gains.
13:48How is that possible?
13:50Dorothy. That was perfect. The role is yours if you want it.
14:06No! This role is mine!
14:10I'm the one with the investment. Without me, there's no funding for this movie.
14:14Your investment? Do you even know who she is?
14:18Who is she?
14:24Who is she?
14:26As you know, no one. But a PA.
14:30Dorothy. This movie is important to Stephanie. I mean, why are you here? You're not a real actress. What are you doing? You're trying to ruin her career. You're trying to get back at me by ruining her career.
14:38I'm not ruining anything. If she can't handle the role, that's on her, not me. You can't blame this on anyone else.
14:46You embarrassed her in front of everyone. I mean, I know what you're doing. You're the one pulling all the strings here. You're trying to make her fail so you can take her place.
14:54She's using this whole thing to get to you, Drake. She's been jealous from the start, trying to ruin my chances to get back to you.
15:01Okay, no. I don't want to fight anymore. Well, let's just take a look at the script and maybe we can work something out.
15:07And you were just so damn selfish! You only care about yourself! Just give Stephanie her role back!
15:15You know what? I didn't want to do this. But I will. I'll take the role. I'll play the role.
15:23I'll play the lead. I'll play the lead.
15:29No way! You can't be serious! She's not even a real actress!
15:35Dorothy's performance was far stronger than yours. Everyone in the room can see it.
15:42I'm so glad you've agreed to do the role.
15:46Right, it's settled then. The lead roles go to Christopher and Dorothy.
15:50I will double my investment if you give Stephanie a role.
16:01I never thought I'd see the day my ex-husband would go this far for his sister-in-law.
16:07I can always count on you, right?
16:09I will double my investment if you give a role to Stephanie.
16:17You two are just such...
16:21Okay, look. If the money's on the table, there's no reason to turn it down.
16:26Let's just leave her apart. We have nothing to lose.
16:29I guess that'll be fine. I'll talk to SQ.
16:39Your father's production company is already the biggest investor in your movie.
16:42So why take Drake's money? You don't...
16:46You don't still have feelings for Drake, do you?
16:49No! He's an asshole!
16:52Come on.
16:54I've got an idea.
16:57Why don't we just give her a character that'll make her miserable?
17:00Wow, Mr. Santaro. I feel bad now.
17:10I only wish you didn't have feelings for Drake anymore.
17:14How did she learn herself the role?
17:18She's practically a nobody. No fan base, no real experience.
17:22Just one good scene. It doesn't make sense.
17:26Find out everything you can about Dorothy.
17:31I want all the dirt.
17:38Director, there must be a mistake.
17:41I'm only a side character and not even in the main scene.
17:44You wanted a role, we gave you a role.
17:47I came in with an investment.
17:50Well, you're more than welcome to take it back and leave the set.
17:53Even a small role in Eskew's film is going to do great things for your career.
17:59Now is not the time for you to be messing around.
18:03Fine.
18:10Two take one.
18:12Action.
18:14Lily, you are my best friend. How could you do this to me?
18:16I'm sorry, but this is...
18:17Oh!
18:20What the hell are you doing?
18:22It's part of the scene!
18:27Okay, take it again from the slap.
18:30Action!
18:35Cut!
18:37Stephanie, why aren't you saying your lines?
18:39You have to keep going in the scene.
18:41I think you've had enough for today.
18:44We'll just try again tomorrow.
18:52Did you see her face?
18:55Absolute gold!
18:57I mean, she got what she wanted.
18:59She asked for a role and that's what we gave her, so...
19:02Seriously, her performance is all over the place.
19:05Maybe we should just...
19:07Cut down on her screen time.
19:09And we all know the film's better without her slowing us down.
19:12You're right.
19:14I'm not gonna let anyone ruin your story.
19:21So if you can just give me something that's a bit more...
19:25Something about her job.
19:26Something about her job.
19:34What's going on with my scenes?
19:36Why have so many of them been cut?
19:38It's a collective decision.
19:40Fuck that!
19:42Let me talk to the writer.
19:44The writer is SQ and as you know, they never show their face,
19:47so their decision is final.
19:51I'll see you on set in five.
19:56Oh!
20:05Now it all makes sense.
20:12Now it all makes sense.
20:14That's the head of the production company.
20:17No wonder she got the role.
20:19Let's see how John's wife feels about that.
20:21Everyone, I have an announcement to make.
20:33Today will be Stephanie's last day on set.
20:37You really think I don't see through your little gaze?
20:41Somebody will be walking out that door today.
20:46But it won't be me.
20:48You really think you can get away with this?
20:51Sleeping your way up?
20:53John's wife is on her way.
20:57Let's see how you talk your way out of this one.
21:00Slut.
21:02That's enough!
21:06So were you the one who was stalking and secretly taking photos?
21:13What?
21:15Scared the truth is going to come out?
21:17Someone had to expose her for who she really is.
21:20So you admitted.
21:22You did it.
21:23And I'd do it again if I had to.
21:27You don't know who you just crossed!
21:29Oh, I know.
21:31Just some rich old bastard throwing a tantrum.
21:34I sent those photos to your wife too.
21:36And now your mistress is about to be exposed.
21:40Yeah, security.
21:42Stephanie is banned from the studio.
21:45Make sure she never sets foot here again.
21:47You can't just do that!
21:49Oh, this is insane!
21:50What?
21:51I have rights!
21:52I was only telling you the truth!
21:53She is a mistress!
21:54A loose woman!
21:55A lady of the night!
22:04Is it true that Dorothy is John's sugar baby?
22:07Otherwise, why would he come onto the set and get me banned from the movie?
22:10That's unbelievable.
22:12And he humiliated me.
22:13He had me dragged off the set like a criminal.
22:15You should have seen it!
22:17I'm not gonna let her just ruin her reputation like this.
22:21I mean, this whole mess is just making us look like fools.
22:25Dorothy's always been trouble.
22:27I mean, first she goes off with a married man and now this.
22:30I don't know how you put up with her for three years.
22:34You should have got a divorce earlier.
22:38Stephanie, are you 100% sure that Dorothy is John's sugar baby?
22:42It's the only explanation!
22:44She's clearly nothing but a slut!
22:46Oh!
22:48Drake, Stephanie is your sister-in-law.
22:52Now you need to take care of her and forget about Dorothy.
22:56Can't you see she's the one behind all of this?
22:59She was sleeping her way to the top, killing Stephanie's unborn child.
23:03And John dragging her off the set.
23:07You should be sticking up for Stephanie.
23:12I'm not gonna let her do this to you.
23:28Do you think you can just walk away from what you did like nothing happened?
23:31I didn't walk away from anything.
23:34You did.
23:35You chose Stephanie over me.
23:36Remember this one?
23:37Well, she's my sister-in-law.
23:39I'm so sick of hearing this.
23:41You have feelings for her and I'm just tired of it.
23:45You're out of your mind if you think I'm gonna let you get away with this.
23:48You do what you want to do.
23:51For now, get out!
23:53Why?
23:54No!
23:59We were married for three years.
24:01And we never...
24:02Oh, your dear fuck!
24:03You might let go of it!
24:13No wonder you want me to go.
24:16Shh!
24:17Just look at yourself.
24:19You're not half the man Christopher is.
24:22Get out.
24:24Or I will call the cops.
24:27Just go!
24:28Are you okay?
24:42Dorothy?
24:44Yeah?
24:45Remember, safety first.
24:46The lifeguard's right there if you need him.
24:48Okay.
24:52Anything you need, let the AD know.
24:53Okay.
24:54Got it.
24:55Got it.
24:56Yeah?
25:04Here's a coffee for you.
25:06It's still early before the shoot.
25:07Take your time.
25:24Or something to come.
25:25I could.
25:26I can't wait until you think I was a good one.
25:27Now I'm going to find a possibility.
25:28And go to find a dog.
25:29Good.
25:31You're good, aren't you?
25:33You're good.
25:34I can't wait.
25:35I gotta go.
25:36I'm so sorry.
25:37But it is still early.
25:39I could wait until you think the police is over.
25:41I'll go.
25:42I'm so sorry.
25:43I was waiting.
25:46I'm so sorry.
25:47I'm so sorry.
25:49I'll go.
25:50Oh, my God!
25:52Oh, my God!
25:53Something's wrong.
26:05That's not acting.
26:07She's in trouble.
26:13Where's the lifeguard?
26:18Where's the lifeguard?
26:23Where the fuck is the lifeguard?
26:50Come on, Dorothy.
26:53Why did you do that?
27:17I'll do anything for you, Dorothy.
27:19Christopher risked everything without hesitation.
27:26How could I have been so blind?
27:28I wasn't expecting that.
27:52Where were you?
28:01I'm sorry.
28:01Dorothy could have drowned.
28:02I'm sorry.
28:03I had a stomachache.
28:04I had to look at her back.
28:05Make sure it doesn't happen again.
28:11Do you think that I should call Dorothy just to make sure she's okay?
28:14Are you still hung up on her?
28:20It's not like that.
28:21I'm just trying to be helpful.
28:22Don't you remember, Drake?
28:25She's the one who had me kicked out of the movie.
28:27She's the one who killed my baby.
28:30Not just my baby, but Nick's baby.
28:32I know I'm just her sister-in-law.
28:35Whatever happened between us is in the past.
28:37But I have no one now.
28:40No husband.
28:42No baby.
28:44I have left as you.
28:48Can you see through Dorothy yet?
28:50She's nothing but a slut sleeping away to the top.
28:52You don't know that.
28:55You know I'm right.
28:57Why else would John come onto the set and stand up for her?
29:00Not just John, but Christopher too.
29:02She's sleeping around with anyone she can find.
29:04She's a whore.
29:04Shut up!
29:05You want war?
29:17I'll give you war.
29:22Do it.
29:24And make sure Dorothy feels every bit of it.
29:31Breaking news.
29:32Unknown actress seduces Hollywood heartthrob.
29:35Rising star or opportunist.
29:38Actress Dorothy's shocking affair with Christopher.
29:41Christopher's new flame for a heartless gold digger.
29:43Dorothy!
29:45Liar!
29:46Hey, bitch!
29:46This is getting out of hand.
29:51Maybe we should just reveal her real identity.
29:54Let everyone know she's not just some random actress.
30:00Percival, no.
30:02Dorothy, once we tell them who you are, there's no reason for them to attack you.
30:05There's someone behind us.
30:08And whoever they are, I'll make them hang.
30:10Fuck off.
30:17Fuck off.
30:24This can't be right.
30:29I die in the second scene.
30:31This must be Dorothy and John forcing S.Q. to cut me out.
30:36They won't get away with this.
30:42Trey, can you believe this?
30:44They've completely written me out of the script.
30:47Do you remember when Nick was lying in that hospital bed?
30:50You promised him you'd look after me.
30:53I've already lost my husband and my baby.
30:55I can't lose my career too.
30:56I'll get you your character back.
31:16There's a tape of a documentary that apparently S.Q. has always wanted.
31:20So, we win this bid and we gift it to them.
31:23Should be able to get you your robot.
31:26Up next, a rare gem.
31:31The original film documentary chronicling the creative journey of none other than herself.
31:37Legendary screenwriter, Margaret Lane.
31:4050,000.
31:42What's she doing here?
31:45I don't know.
31:47I'm not going to let her win this.
31:4960,000.
31:5470,000.
31:56100,000.
32:01This is my grandmother's documentary.
32:04It's her legacy.
32:05She's the one who inspired me to become a screenwriter.
32:09I can't let it fall into the wrong hands.
32:13500,000.
32:14I'm trying to get you your role.
32:28Don't worry.
32:30I've got it covered.
32:30Ladies and gentlemen, we are down to the final bid.
32:35Standing at a whopping 500,000.
32:39500,000 going once.
32:42500,000 going twice.
32:45Salt.
32:46To the lady in the blue dress.
32:47I can't believe this.
32:57You have no right to take that film reel with you.
33:04You have no right to take that film reel with you.
33:07What's going on?
33:15Ahem.
33:16Ahem.
33:16Ahem.
33:17Ladies and gentlemen, I've just been informed that Miss Dorothy is in fact not an invited
33:23guest.
33:24Therefore, as per our rules, this documentary reel will not be released to Miss Dorothy.
33:30This is ridiculous.
33:31I was invited.
33:33Well, in that case, may I see your invitation?
33:42I did have it, I swear.
33:43I'm sorry, Miss Dorothy.
33:45If you do not have the invitation at hand, the documentary reel has to go to the second
33:49highest bidder.
33:49This is the protocol.
33:51Oh, you don't understand.
33:52I'm sorry.
34:00These are the rules.
34:14The documentary reel will go to the honourable couple.
34:30Stephanie, wait.
34:37Just sell it to me.
34:40Name your price.
34:41I'll pay you anything you want.
34:42It's really important to me, please.
34:44Why are you doing this?
34:46Are you just trying to get my attention by going after something that Stephanie wants?
34:50No, you don't understand.
34:53Just let me buy this.
34:55Whatever it takes.
34:57Dorothy.
34:58You think this is about money?
35:01Please.
35:02This isn't something you can just buy.
35:04Dorothy.
35:05What the hell are you doing?
35:07Why do you always have to go against her like that?
35:09This reel is important to Stephanie.
35:11She can use this to help her career.
35:13Her career?
35:15Is this about your role being cut from the tail?
35:19Is that why you're doing this?
35:23I'm the writer.
35:24I'm going to fix this.
35:25I'm going to write the story and bring your character back.
35:29Just let me have to realize this.
35:32You're the writer.
35:34Are you telling me that you're SQ?
35:39You, the writer SQ.
35:42Can you give us a break?
35:43Look, this reel is important to Stephanie.
35:46End it.
35:48Don't make this harder than it has to be.
35:51You've been with Dorothy for so long, and you don't even know her.
35:54Oh, and you do.
35:55A hell of a lot more than you.
35:57Who the fuck do you think you are?
35:58Both of you, calm down.
35:59Don't...
35:59Scratched all over.
36:14It's ruined.
36:15Not even fit to be a gift anymore.
36:17I can fix this.
36:19Stephanie, I know someone who can restore it.
36:21Just sell it to me.
36:22Please, just name your price.
36:23Even if I had no use for it, I'd never give it to you.
36:29I want to be a writer like you, Grandma.
36:59I want to make movies like you do.
37:02This reel has more than pictures and sound on it.
37:07Really?
37:08An entire world I've captured.
37:11But it's just one way of seeing things.
37:14The magic is creating it yourself.
37:17Someday you will.
37:29Dorothy.
37:29Dorothy.
37:31I need you to go apologize to Stephanie and give her her rollback.
37:36Apologize?
37:37To her?
37:38She destroyed the reel.
37:39Yeah, she wouldn't have done that if you hadn't pushed her.
37:46So go apologize or I'm pulling my funding.
37:48Look, Dorothy.
37:51Let's be real here.
37:53Without Stephanie, Barry's going to invest.
37:57Even the production company will call out if they hear that she's not involved anymore.
38:00Her name carries weight.
38:02Let's not pretend that your reputation is exactly stellar right now.
38:06Christopher's fans hate you.
38:07Stephanie's fans hate you.
38:09Even if you actually make this film,
38:12no one's going to support you.
38:13You will be Barry.
38:14If you apologize to Stephanie now,
38:20I can help you.
38:22I can control the press.
38:24I can control the narrative.
38:26I can actually give you a chance.
38:30What's so funny?
38:33What's so funny?
38:35Pull your funding.
38:37Do it.
38:39You'll see it does nothing for the movie.
38:41Okay.
38:42So what if I tell the production head to pull his funding?
38:44I do.
38:46Didn't I tell you that I know Mr. Bennett?
38:48No.
38:49Go ahead.
38:50Quiet.
38:52You want me to call?
38:53Mm-hmm.
38:54Fine.
38:59Hi, Mr. Bennett.
39:00It's Drake.
39:01Drake Mossbacher.
39:03Yeah, I'm pulling my funding from Liars Game,
39:04and I suggest that you do the same thing.
39:06I've seen it,
39:06and it's a sinking ship.
39:07Ha, ha, ha, ha, ha, ha, ha, ha.
39:10You're pulling out?
39:11Great.
39:12I'll take full control of the investment.
39:14Not a problem.
39:21So you sat with him?
39:25That's why he's supporting you, isn't it?
39:26Is this how you see me?
39:31The type of woman who would use her body to get what she wants?
39:33What other explanation do you have?
39:36You know nothing about Dorothy.
39:41Apologize to Stephanie,
39:42cut ties with Mr. Bennett,
39:43and end this.
39:45Dorothy, come back to me.
39:46Whatever he's offering you,
39:47I'll match it.
39:47I'll double it.
39:48You must be out of your fucking mind.
39:51What makes you think
39:53I would ever go back
39:54to that living hell?
39:55Living hell?
39:56You heard me!
39:57Being married to you
39:59was a fucking nightmare.
40:01You made me believe
40:02you loved me.
40:05And then you had me waiting in vain
40:06for three years, Drake.
40:08You said you'd always protect me,
40:10but then when I need you the most,
40:13you just turned your back on me.
40:15You chose your sister-in-law
40:17over your wife.
40:21We've had enough, Drake.
40:22You were my prison.
40:24So just go back
40:25to your precious Stephanie.
40:31Let's just go.
40:41Why are you hurt?
40:43Are you okay?
40:47Steph, what are you doing?
40:52Well, you want me, don't you?
40:53Just kiss me.
40:54I'm all yours.
40:55Steph!
40:56You're Nick's wife.
40:57I've always thought of you
40:58like a sister.
40:59Sister?
41:01Funny.
41:02Don't you remember
41:03when you came to me
41:04the night Nick and I got married?
41:05Don't you remember
41:06what you said?
41:07Remember this?
41:10Yeah.
41:10Why not marry Stephanie?
41:13God.
41:13You were practically
41:14begging me not to marry Nick.
41:15No, I shouldn't have said that.
41:16I shouldn't have said that.
41:17I don't see it.
41:20What's that?
41:22Oh, it's nothing.
41:23Yeah, what is that?
41:24No, Drake, no.
41:25Please.
41:28You lied about this.
41:32You lied about this.
41:33You said that Dorothy
41:37pushed you into the water,
41:38but this shows you
41:39shoving her in.
41:41It's a glitch.
41:43A glitch.
41:44So, do you actually
41:45expect me to believe that?
41:47What's this?
41:50Buying pills
41:50off the black market?
41:53Tell her to hit your pregnancy.
41:55It's you.
41:56This time when you
41:57blamed Dorothy
41:58like some sort of scapegoat
41:59and she was innocent
42:00the whole time.
42:01Please, no,
42:01you have to believe me.
42:02I didn't...
42:03Do you know what?
42:04I've always thought
42:04of you like a sister.
42:06I've always taken care of you.
42:08I even thought
42:08that I loved you once,
42:09but that was before
42:09you were Nick's wife.
42:13You've changed.
42:16You've changed.
42:19You're not the person
42:20I thought you were.
42:23I only looked after you
42:24because I thought it was my duty
42:25as Nick's brother
42:26to look after his widow.
42:28I guess there's no
42:29need to look after you anymore, huh?
42:31But what does that mean?
42:33You're just going to
42:34throw me away?
42:36I'm not going to throw you away,
42:37but this is my house.
42:41I'm going to back.
42:42I hope you'll be gone.
42:44But you can't just walk away
42:45from me like that.
42:46I've said everything
42:46that I need to say.
42:47Now I'm going to go find
42:48the person that I actually
42:49care about.
42:50Let's take this bitch down.
43:15Dorothy, please.
43:16I was wrong.
43:25I misunderstood everything
43:27about you and about us.
43:32Can you please just hear me out?
43:34You think you can just come here
43:36and apologise?
43:38After everything?
43:39I didn't mean to hurt you.
43:42Look, I understand what I did,
43:43but it was just because
43:44this was definitely been anywhere.
43:45Could you please just forgive me?
43:48I don't need your apology, Drake.
43:51You let me down.
43:52You abandoned me
43:54when I needed you the most.
43:57You used me,
43:59manipulated me,
44:00and now you beg
44:01for my forgiveness?
44:03Oh, God, please,
44:04just don't show me out.
44:05I can fix this.
44:06I can fix it.
44:07I can do anything, Dorothy, please.
44:09It's just...
44:10No.
44:12You were never the person
44:14I thought you were.
44:16And I'm not either.
44:18I've moved on.
44:21I don't need you.
44:25Not like I used to.
44:27Just stay back.
44:29After everything.
44:30Yeah, that's it.
44:31I don't need you.
44:33I don't need you.
44:34I don't need you.
44:35I don't need you.
44:36I don't need you.
44:37I don't need you.
44:37I don't need you.
44:38I don't need you.
44:38I deserve better than this.
45:04We did it.
45:08Before you all celebrate this movie,
45:13there's something you should know.
45:16Dorothy is nothing but a homewrecker.
45:18What's going on?
45:20A glorified mistress
45:21who's been playing the part
45:22of a wonderful actress
45:24when all she's really done
45:25is ruin lives.
45:29This is true, Dorothy.
45:30You're involved with a married man.
45:31What's your response
45:32to Stephanie's claim?
45:33This is ridiculous.
45:38Let's talk about how she got here.
45:40Shall we?
45:41She didn't get here off her talent.
45:44Oh, no.
45:45She got here by clinging to powerful men.
45:48No real experience.
45:50No skill.
45:51Just a man's name and a man's money.
45:54Security!
45:55Get her out of here.
45:56Wait.
45:57If she has something to say,
45:58let's hear it.
45:59Dorothy, it's a trap.
46:01I'm not afraid of the truth.
46:03Let's see what she's got.
46:05What's going on?
46:08So tell us, Dorothy.
46:10How did you get here?
46:13Did you use your relationship
46:15with John Bennett to land the part?
46:17to land the part.
46:34A homework, are you saying?
46:36Is there something wrong with me appearing with my own dad?
46:39You're the one who sent me this photo, right?
46:41How about you take another one?
46:43This time, of my lovely family of three.
46:46Dorothy, Dorothy, Dorothy, are you really John Bennett's daughter?
46:49Yes, I bet you'll never ask for a last name.
46:52It's Bennett, by the way.
46:55So Dorothy is the producer's daughter?
46:59Dorothy, so did you use your father to get the part?
47:03So it's just nepotism, then.
47:09Even if she didn't fuck her way to the top,
47:11she still only got here through her connections.
47:13Whether you like it or not,
47:15my performance speaks for itself.
47:17And everyone here saw it.
47:19She was actually really good.
47:20Yeah, she handled the movies.
47:22Or are you saying that everyone here is wrong?
47:24You think you're so clever, don't you?
47:27Fine.
47:28You can act a little bit.
47:30But let's be real.
47:31You didn't land this role on your own.
47:33You just snapped your bony little fingers
47:35and let daddy give you a role.
47:36How else would a nobody like you have landed yourself the lead otherwise?
47:41Dorothy isn't just a nobody.
47:45She wrote Liar's Game.
47:48She is SQ.
47:49Dorothy is SQ.
47:53Dorothy is SQ.
47:55How can that be possible?
47:57Liar's Game is a masterpiece.
47:58There's no way you could have written it.
48:00You don't have to believe me.
48:02Just let the credits speak for itself.
48:04How can this be true?
48:08How can this be true?
48:15Dorothy Bennett, you're the daughter of the producer
48:17and the famous writer SQ.
48:19Why did you keep your identity a secret so long?
48:24Why did you keep your identity a secret so long?
48:26Stephanie Marsbecker, Linda Marsbecker and Ellie Marsbecker
48:29I'm arresting you on suspicion of defamation.
48:31No, no, no.
48:32I didn't do anything wrong.
48:33This was all Stephanie's idea.
48:34I didn't do anything.
48:42This whole time she was actually telling the truth.
48:46Dorothy's SQ.
48:49She's genius.
48:51That's why she always had a book in her hand.
48:55Always writing something on her laptop.
48:57Always lost in her thoughts.
49:01Didn't you ever see her?
49:05Guess I was blind all along.
49:08I don't deserve that.
49:24I've missed this place.
49:30Don't you remember?
49:32Of course I do.
49:34We saw so many films here.
49:36We would just stay in our seats and talk about life and everything.
49:43You just made me feel like I could face anything really.
49:47God, I used to be so nervous back then.
49:53About everything.
49:55About the future.
49:58But you just made me feel like I could face anything really.
50:02No.
50:04Someone had to be there to make sure you didn't ever think everything.
50:08I remember you used to unpick every little detail like it was a life or death situation.
50:12You know Dorothy.
50:14Life's not been the same without you.
50:16Even when we parted ways I...
50:18I always knew that we would find each other again.
50:20I don't care what we've been through.
50:21I don't care what's happened.
50:22All I know...
50:24Is that I need you now.
50:26More than ever.
50:27More than ever.
50:29You know so.
50:30You know so.
50:31How were you &
50:33How were you & things?
50:34That you've talked about, huh?
50:48I am about you.
50:50Still engaged in
50:52learning Parsons.
50:53And the award for Best Adapted Screenplay goes to Dorothy Bennett with Liar's Game.
51:06Wow. Best screenplay. What, shall I start calling you Your Majesty?
51:14I think that's a great idea. Why don't you start now?
51:18You deserve this, Your Majesty.
51:22Every bit of it.
51:25Now, since you won, I think this calls for a reward.
51:31Oh yeah? And what would that be?
51:37Me.
51:52Oh.
51:53Oh.
51:54Oh.
51:55Oh.
51:56Oh.
51:57Oh.
51:58Oh.
51:59Oh.
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