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Nebojsa Petrovic
  • 5 weeks ago
Dokumentarni film o grupi Lexington, rad u studiju, intervjui, koncerti.
Režiser: Miloš Popović Zahar
Snimatelj: Miloš Popović Zahar
Montažer: Nebojša Petrović

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Transcript
00:00You
00:30Good day!
00:35Good day!
00:50Good day!
00:52Good day!
00:58Good day!
01:00Good day!
01:02Good day!
01:04Good day!
01:06This is the beginning of a phenomenal story.
01:10Can I tell you?
01:12What is it?
01:14What is it?
01:16Good day!
01:18Good day!
01:20Good day!
01:22I've realized that this is the most important moment in our career.
01:26The most important moment in our career.
01:28Even what I mean.
01:30That's how I feel.
01:32That's why I used this work.
01:34The most important moment in our career was,
01:38if we're going to watch that moment when the song was released,
01:42that it wasn't something more evil.
01:44That was the most important moment when I was singing,
01:46it was about 15 minutes.
01:48And when we all realized that we had something in the hands of us.
01:52I'm waiting for a long, mega, mega, SEGA,
01:56a great spectacle.
01:58I'm waiting for us to break the arena.
02:00We're going to go a little more now.
02:02It was the most important moment in our life.
02:04We're going to go!
02:06It was the most important moment in our lives!
02:08I'll go!
02:10I'll go!
02:42Let's go to the studio, let's go.
02:52I can't play with these guys anymore.
02:57It's a very interesting idea to come to this big studio in Slovenia.
03:04They say that this studio is the only one in this size in Europe.
03:11We believe and believe that we have experienced this sound, this song that we filmed here.
03:17It will be a bit different, but in a positive sense.
03:21It will be a different sound.
03:23But we are staying in our direction and the zone.
03:27There will be something different from the fact that we are a little innovative.
03:31Maybe you don't need every tone to play.
03:33We have achieved a good energy, a new positive energy,
03:37and a good experience.
03:39In this studio, there were many global faces,
03:41who were grateful for them.
03:42Maybe they will be grateful for us.
03:44I hope you'll be happy.
03:56It's been a little bit faster than we thought.
03:59It's been a long time for 10 years of work.
04:01It's a way of life that daily lives each of us.
04:05I'm Miloš Foksanović, guitarist of the group Lexington.
04:14You are known as Vuxa.
04:16Not Vuxa, Vuxa.
04:23I waited for a moment to start shooting an album in this fantastic studio.
04:28First of all, I thought that I made a sound like I filmed the first song in the studio.
04:34Then I thought that I made a dream so that we completed the first concert.
04:39There was a concert on the 20th of June 2015,
04:42where there were 20,000 people at our studio.
04:48And this is the moment for me to say,
04:51the same realization of a part of a dream.
04:57From Vuxa and Aspo,
04:59we were together in the whole story.
05:01We were together.
05:02We were together.
05:04We were together.
05:05We were together.
05:06We were together.
05:07We were together.
05:08And we were together.
05:09It was an exceptional combination.
05:11So that's how we started this journey.
05:13We were activated more in the sense of the composition.
05:17We did some beautiful melodies.
05:19We were together.
05:20We were together.
05:21We were together.
05:22We were together.
05:23We were together.
05:24We were together.
05:30I am Bojan Imanovski.
05:31I am a guitar professor.
05:32I play guitar.
05:33And I often play guitar.
05:35And very often,
05:36I am on the projects of Aleksandr's band,
05:38the bigger concerts.
05:39But this shooting is very rewarding.
05:42I am really happy,
05:43because I didn't want to play them in a great studio.
06:05Boki is definitely one of the best athletic members of Lexington Band.
06:13Can we do it again?
06:17How did you do it?
06:35I'm Dejan Krstić, the youngest member of the band.
06:38I'm a stupid guy.
06:42What about the music style?
06:44They were looking for it.
06:45The first album was looking for it.
06:47Some wishes that they had,
06:49children's dreams,
06:50what they would like to work,
06:51what music they would like to play.
06:53The most important thing is,
06:55they felt that they would need to do it
06:57and do all the different styles.
06:59Buksa is,
07:01what about the job,
07:03an ambition for mom.
07:05Mom, who will be able to make a great career.
07:07One is the main role in Bini,
07:09and the other is the main role in Bini,
07:12and the other is the main role in all the other things
07:14that are very important for any success.
07:16They are a great team.
07:18and the other is the main role in Bini.
07:2040 years of his work at the stage,
07:22and 70 years of his work at the stage,
07:23and 70 years of his work at the stage,
07:25he can really learn everything from that age.
07:28he should do it for a while again.
07:35That song, that song should have,
07:36that song, that song.
07:39I love deke,
07:40he's the oldest band,
07:42he's the most precious experience in life,
07:44and he can listen to him a lot.
07:45There are other great things,
07:46I've learned.
07:47It's great to be with them, I'm with their energy,
08:14They are spiritual, they are fun, and I enjoy a new new beauty.
08:35I am Dragiljev Štejević, bassista group Lexington, and my task is thinking about the stage of the band.
08:44Some of them call me Jones Nežni.
09:00I rarely have to judge the whole story to get 500-600 km into a studio, to shoot, to sound quality,
09:08and that's what we really want, more quality.
09:14He is a good bassist, attractive bassist, intelligent, educated, and very well. That's the most important thing.
09:31He has a community energy.
09:32Gagi is fantastic. I will tell you, not only Gagi, but we are a team who, when it hits the beat,
09:48the beat, you can feel that energy, and we work like that.
09:52Like that.
10:04Let's do the refrain. What is the refrain? The refrain has this part.
10:07Let's do it. We will shoot it in the mountains.
10:09Let's do it in the mountains.
10:10Let's do it in the mountains.
10:11Let's do it in the mountains.
10:12Let's do it in the mountains.
10:13Let's do it in the mountains.
10:18I am Dulé Alegich, a musician producer, composer, everything of that is similar from Biograd.
10:31A long-year-old author on the album of Lexington Band.
10:50For this album we thought about a fusion,
10:53that the modern music is programmed for clubs,
10:57and that the music is playing live.
11:00It's not a professional music,
11:02it's a good music for people,
11:04for soul, commercial songs,
11:06but it needs to be a little bit of music.
11:10In most songs, it's a lot of live instruments
11:12and a lot of programming.
11:14I have that voice of a woman,
11:16I don't know if you remember.
11:18It's necessary to have a voice of a woman.
11:22I don't need to have a voice of a woman.
11:24I know a band for a long time.
11:26We've been working for over 10 years.
11:28And they've always been the same,
11:30and the same as now.
11:32I don't know if you've heard that you've been 9 years old,
11:34and I work with you 10 years old.
11:36I work with you 10 years old.
11:38I work with you 10 years old.
11:40I work with you 10 years old.
11:42I work with you 10 years old.
11:44I work with you 10 years old.
11:46I work with you 10 years old.
11:48I work with you 10 years old.
11:50Do you want to go to the same place
11:52and continue to work with you?
11:54I don't know if you've heard that you've been 9 years old.
11:56I work with you 10 years old.
11:58I work with you 10 years old.
12:04Din vino veritas.
12:06He's against thetır.
12:16He starts playing in his cybercrime.
12:18And doesn't he tell me a musical perdition.
12:24He killed Poločinke Usov.
12:40I'm Alek Leksov,
12:42a percent
12:44and a fan of Lexington Group.
12:46This is the moment I'm looking at Hotel California.
12:48No, no, no.
12:49That's the refrain that enters the modulation.
12:51Just press the end to hear the end.
12:56The first one.
12:57The second one is higher,
12:58and the first one is lower.
12:59Profesors,
13:00I'm so excited about that.
13:04That's it.
13:08I'm looking for the most modern music
13:11that comes from the West,
13:13from the East.
13:14I think we've come back to something new.
13:18Did we shoot or shoot?
13:19I shoot.
13:20Yeah, yeah.
13:21Cool.
13:22That's it!
13:23That's it!
13:24That's it!
13:25That's it!
13:26That's it!
13:27That's it!
13:28Ana Quadrat,
13:29Alagic and Aleksov.
13:30Two brilliant producers
13:31who work with us
13:32for a long, long, long,
13:33for a long time.
13:34Modern Aleksov
13:35and a really fantastic Aleksov.
13:37that's it!
13:38That's it!
13:39That's it!
13:40That's it!
13:49Lexington is a long time.
13:50They have their own lines.
13:51They are now watching it.
13:52They play songs in clubs not only when they play,
13:56but also other singers.
13:57It's a good song to be a
14:00full-electro,
14:01full-live sound.
14:08They are very successful teams
14:10and I don't have any place here
14:12to play.
14:13It's a good song.
14:30There are some thrillers
14:32that don't play!
14:34I am Jovanović Darko, Klavijaturista Grupa Lexington, Nadijemak mi je Blajadinev Leksović i
14:59I am excited for harmonious and the vibe of the band.
15:04The music of Lexington Band is for me, before I entered the band, a rich and rich.
15:11The arrangement of Lexington Band is full of pianistic instruments.
15:16In my music sensibility, it is great for me and I enjoy playing the piano in this band.
15:29But I am also keeping the music, the music of Lexington Band is formed by Jaylen.
15:38I am a musician.
15:42We change the music.
15:43We change the music?
15:45I am a musician, I am a musician, so you can change the music.
15:52They are not all producers, they are all performers, composers.
15:56I was like a face, it was a great feeling.
16:03They are people who have something special in themselves.
16:05They have some special energy.
16:07They are not there, they are not there.
16:10They are the biggest music faces.
16:13Maybe one of the best in our country and region.
16:20Let's go and play, we finished the game.
16:23I was recognized by Lexington.
16:29They are very ambitious and ready to achieve what they are.
16:34I am a composer and composer of Lexington Bend.
16:38A lot of people connected me with Lexington Bend.
16:41They thought that I am a fan.
16:43The success of Lexington is in the community,
16:46the energy and the talent of Bokijev.
16:50When I came to BANET, the idea is less or less.
16:53The idea is less or less.
16:55Then we do something that comes to us, Bokijev, the whole band,
17:02our parents, our friends and our audience.
17:06I am a musician.
17:09I am a musician.
17:10I am a musician.
17:12Wait.
17:14Some of the best songs I wrote, I believe,
17:18are in their own own.
17:20So when I am a musician, I definitely have an identification.
17:24And that's the good thing.
17:26When you start living in the past, don't be a person, you want me to do it.
17:33Let your paths don't leave you any red line.
17:38He was in his songs and gave his own passion.
17:42So we are doing everything that is good, we don't need to change.
17:48I am very confident because many songs are like me.
18:04They are very strong, the lyrics are great, the melodies are great.
18:09God has a specific charm and Sarajevo.
18:18That Sarajevo school has a special energy.
18:23These days, everything is bad.
18:26Not to stop, not to go.
18:30These days, you fall here.
18:34I don't want to remember.
18:37I feel that my heart is burning.
18:41My heart is burning when I sing a good song.
18:45These days, I live in my life.
18:49Who I love, I lose for a day.
18:52You are my memory, that I never open.
18:59Where is my memory?
19:04Is this a melody line or a good emotional part of the text?
19:09It is something that is a good choice to choose in the song.
19:13He sings nice and feels good.
19:18That's the most important thing.
19:20He brings himself into what he works.
19:21He has an incredible energy and an incredible feeling.
19:25When I write my emotions in a song, in the best way, I have a great chance to be a hit.
19:42Not only a hit, but just to be honest, from all of us.
19:47And I just want to sing it to the music.
19:50It's like we sing it to the song.
19:52I'm going to sing it to the song.
19:54In general, when you're doing this job, it's not enough to be a good producer, you have to be a producer of the whole story.
20:24You're wrong again!
20:31Let's try it a little bit.
20:34Let's go, don't let's go, we have to speak a little bit.
20:37Let's go.
20:39That's the thing for that teenage shit.
20:45That's the thing for you.
20:47Rokaj, Rokaj, Rokaj, Rokaj, Rokaj, Rokaj, Rokaj, Rokaj, Rokaj, Rokaj, Rokaj, Rokaj, Rokaj.
20:52I think they are a lot of themselves.
20:59The producers are working with composers, and I think we're getting to something new.
21:05This song is across my mind, as it was last night, we have a atmosphere.
21:13Let's go, Rokaj, Rokaj, Rokaj, Rokaj, Rokaj.
21:20Rokaj, Rokaj, Rokaj, Rokaj, Rokaj.
21:22Svjeti se ljubavi stara, godina nježni i nevini.
21:37Svjeti se najljepših dana i kad sam ti prvi napisao stih.
21:43Svjeti se svih obećanja, nekad su zakle tve istine bile.
21:52Ja sam još tvoj, to godine nisu promijenile.
22:03Noća spjevamo ljubavi, jedna si bila moja i niči ja tako.
22:13Gdje si se od mene skrila, predvijekla do santo.
22:23Mislim da i ovog puta bravimo zajedno jednu zaista fantastičnu stvar.
22:27Ovo je najbliža muzika narodu.
22:44Ovo je muzika koja u sebi nosi veliku količinu emocija.
22:48To je ono što narod vrlo nositi.
22:49Ljubavi, jedna si bila moja i niči ja tako.
23:04Gdje si se od mene skrila, predvijekla do santo.
23:09Ljubavi, jedna si bila moja i niči ja tako.
23:18Gdje si se od mene skrila, predvijekla do santo.
23:25Predvijekla do santo.
23:27Ovo je način.
23:29Ovo je način.
23:31Ovo je način.
23:36Ovo je način.
23:37We enjoy this process until we get to the final production and later we enjoy it when we present it to the public.
23:52And the best is to present it in the living spaces where the right energy interaction exists with the public.
24:07Showtime baby!
24:21When we started, the whole trip seemed to me at some point impossible.
24:24When we reach such a level, you think that it's the top of the red flag.
24:29But with the cup pairs, you have to get a lot of energy.
24:37The concert is a great thing for us, one part of us.
24:56One part of us.
24:57That's how we will only call it.
25:00When it comes to him, you'll see the storm.
25:04When you stay in the sky, you'll be alone.
25:07You're still waiting for us.
25:10The night in the world with us.
25:15The concerts identify each performer.
25:18And it's always a great victory.
25:21And a great recognition from the public side for this work.
25:27It's always a great victory or a boy .
25:30It says to the other day, you'll still do it in the game.
25:32By Richard Scott.
25:36The concert is called the act.
25:37The act is called the act.
25:38The programme is called the men of the song being called When it comes to the stage.
25:47And that's the fate and then your cri지를acortize.
25:50The one part of us is called The practice.
25:52The heart hurt me when you hurt me
25:58But even that, when you hurt me
26:05It's not the only truth
26:09I can't help you
26:12I can't help you
26:13I can't help you
26:16I can't help you
26:19I want you to grow
26:26I will do a lot of trouble
26:28For you
26:29I want you to save you
26:31I can't help you
26:32I can't help you
26:33To be inside now
26:34I can't help you
26:35You keep living beş
26:37I can't help you
26:40You don't feel like
26:42I can't help you
26:44To be with me
26:45When I ask you
26:47I will not be able to do anything.
26:54Nothing has changed.
26:57We were happy and fulfilled.
27:01The concert and the audience that was at that concert
27:05gave us a stronger wind of the rock.
27:08We gained more satisfaction.
27:11We gained the crown to be even better and work on ourselves.
27:14We did not work on ourselves more than ever.
27:24They did not go through the work and the money.
27:27They did not work on what they wanted.
27:37We gained a bit, we grew up, we grew up, we grew up,
27:41we grew up, we played.
27:44The audience loves it, what we do.
27:49And I am the most satisfied from everything.
27:53I am the most satisfied.
27:58Every piece of it was a pleasure.
28:00Because they are shaliviji, but they have a quality.
28:04I am the most satisfied.
28:08The master is steady.
28:09The soul will feel it, all the songs will feel,
28:11so the audience will be very, very pleasant.
28:16I am the most satisfied.
28:18Now we are kind of old and we think we have the best approach to all of this.
28:34It's nice to me that we have such a team, a partner.
28:37On Slice is one aspetorica, and the team of people who I think are really a part of the Lexington Band is very wide.
28:45Thank you all and we will be together, I hope, until the end of our career.
29:32Hey!
29:37You
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