- 4 months ago
Unlock the chilling power of fate with The Monkey’s Paw (1948). This supernatural classic explores greed, destiny, and the terrifying cost of wishes granted. Watch the full restored movie now! Classic British horror.
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Short filmTranscript
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00:03:061196 it comms horoscope foretold a career of blood and it came true never
00:03:14mind about that what's this hey it's funny looking object
00:03:19that it's a monkey's paw what's it preserved in there for just a curio you
00:03:27wouldn't be interested in that all right I've got customers interested in all
00:03:32sorts maybe one that'd be interested in my beauty over here eh that monstrosity
00:03:37I wouldn't give you a fourpence for you let's have a look at the paw oh you can
00:03:45have a look but I'm not selling not selling no now that lovely thing over
00:03:53there why aren't you selling it it's a talisman oh one of them lucky Jones it's
00:03:59not so lucky maybe oh really but a bad reputation eh well the folk around here
00:04:05don't like it and I'd go a lot by what they say no I haven't had an offer for it
00:04:09in ten years oh where you come from India originally I bought it from the
00:04:14executors of an Irish estate ah what about that no yeah what do you want for it I'm
00:04:23I'm not selling I don't want to lose a customer now let me interstune my
00:04:28beautiful Buddha I'll tell you I'm not interested well if you buy that you'll
00:04:33regret it yeah I'll give you ten pounds for the lot if you chuck this in no you
00:04:41give me the paw and I'll find you a customer for the jolly Chinaman over there but
00:04:46you'll never find a buyer for that thing around here all right he won't be a
00:04:50Cornishman is that a deal what if you have bad luck don't blame me keep the
00:04:58glass case there you are good luck bad luck
00:05:02hooey just coincidence I'd say who can say when you come to my age you begin to
00:05:12wonder we don't all think alike about these things goodbye and good luck now
00:05:24you know something about superstition my beauty is it fate is it tradition or as
00:05:34our good friend says merely coincidence my beauty
00:06:04Robert dear it's late Kelly's whistling oh drack banana it's very late the alarm didn't go off
00:06:19you know Kelly oh yes I know Kelly mr. chillard mr. chillard wake up it's a lovely moment
00:06:42all right all right you want to wake the village what are they
00:07:07good baby no you want to not the poor man's door down thank God for another morning I always see mr. chillard as long as the sun comes up and the sun goes down there's always hope in the world
00:07:24it's the little things which make the world go around if you know what I mean I don't know what you mean you blarning foreigner
00:07:35things might be worse mr. chillard things couldn't be worse sure man you're always grumbling you should be contented you've got a good home and a loving wife and here's me a poor weather man with not two pennies to speak together and still a song in his heart
00:07:51well I haven't got a song in my heart that horse of yours was third yesterday you and your damn system
00:07:58oh sure no man it's a lot of averages your luck will change
00:08:03hasn't changed in six weeks yeah you know how much I owe Morgan my bookmaker
00:08:10she's no man she wants the good lady to hear you
00:08:17Tom it's time to get up Tom we're all behind hand this morning
00:08:23oh your father isn't in a very good mood so you better not be late
00:08:28you're a superstitious old fool Kelly
00:08:52from the Cornishman Mr. Trillorne that's the party calling the kettle black
00:08:59will there be anything more no thank you Mr. Lorne good morning good morning
00:09:04goodbye now come on come on now
00:09:07ah me darling how are you this lovely morning none the better for seeing you
00:09:13and when you deliver my order keep out of the chicken house
00:09:17me that's a fowling simulation
00:09:20oh none of your corny pun I'm a cockney woman not one of your grumpy country types
00:09:26you know I resent that coming from a foreigner
00:09:28ah you know me ducks I'm always kidding
00:09:32here here here what's this twelve eggs
00:09:35yes and some salt to go with them
00:09:38oh salt
00:09:40it's over there on the shelf would you mind getting it
00:09:43I know
00:09:44I know
00:09:46I know
00:09:47it's bad luck to pass this
00:09:49and they call you a superstitious
00:09:52superstitions Mr. Trillorne a lot of nonsense I call it
00:09:56nonsense is it
00:09:58tell me though would you walk under a ladder Mrs. Gurney
00:10:01that's different anyway I think superstitions a lot of old Tommy Rod
00:10:06spare us our superstitions Mrs. Gurney
00:10:08hello Tom
00:10:10did you know that if a cow moves in the night somebody's going to have triplets
00:10:13the cow may be
00:10:15it's bad luck to hear a donkey bray when you're drowning in the litter
00:10:20Ha ha ha ha ha ha ha ha ha ha ha ha ha ha.
00:10:30She is a rare beauty, Mother.
00:10:32Look.
00:10:33Nasty, noisy things.
00:10:34Hydraulic forks, an overhead job with twin camshafts.
00:10:40And is she fast?
00:10:42I hope you're not talking about me.
00:10:44Good morning, Verale.
00:10:45No, I was just saying-
00:10:46Your young man was talking about one of them horrible motorcycles.
00:10:49A proper beauty. It'd cost me two hundred quid if I wasn't trading in me old one.
00:10:54And just how much is this little deal costing you?
00:10:57That's the whole point. I get a hundred and twenty-five off from me old one
00:11:01and my gratuity will cover the rest. So I save a hundred and twenty-five.
00:11:05Me?
00:11:06I see. And what about my engagement ring?
00:11:10Oh, I couldn't trade the old bike for a ring, darling.
00:11:12But I'll make it up to you when Alice brings home the bacon.
00:11:16Alice?
00:11:17I'm gonna name her after Mother.
00:11:19Oh, are you? And am I noisy and smelly?
00:11:22You wait till you see her. You'll be proud.
00:11:25Tea, Beryl, please.
00:11:27And I suppose since you'll have spent all your money on Alice,
00:11:30we sleep in the shed with the bike when we're married.
00:11:33Alice is going to provide the duckiest home ever.
00:11:36And how, may I ask?
00:11:38I'm going to ride professionally.
00:11:41What?
00:11:42Oh, you know our Tom, Beryl, full of wild schemes for making money.
00:11:46But have you ever known one of them make a profit yet?
00:11:48Oh, really, Tom? When will you grow up?
00:11:50But that's the whole idea. I'm going to win lots of races. You see.
00:11:55Why, maybe I'll ride on the London tracks one day.
00:11:58Butch Trelawne the Demon Flyer.
00:12:00Ah, how'd you like that?
00:12:02If he thinks, Mrs. Trelawne, I'm going into a competition with a motorcycle, he's mistaken.
00:12:07I'd sooner be a golf widow.
00:12:09Well, at least golfers come home at night.
00:12:11Oh!
00:12:12Father calling back to the daily grind.
00:12:15How about the pictures tonight, my sweet?
00:12:17Can she have a meal with us first, Mum?
00:12:19Of course. I'll make it an early one. Now go along.
00:12:22Did you settle with Morgan the bookie?
00:12:24Where would I get 200 pounds?
00:12:28No, I was thinking.
00:12:30Your tea is ready, Dad.
00:12:32Thank you, son.
00:12:36Oh, there you are, Beryl.
00:12:39Here's my tea, Mum.
00:12:39Yes.
00:12:40And how are you this morning, darling Mrs. Trelawne?
00:12:44What do you want, you scoundrel?
00:12:46Sure, I would have came to warm me hands.
00:12:49Your stomach, you mean. Here you are.
00:12:53Did you find anything on your back doorstep this lovely morning?
00:12:57I did.
00:12:59Some poacher must have left it there, and I don't approve of poachers.
00:13:02Neither do I.
00:13:05What is it, Mother?
00:13:06A pheasant.
00:13:06Oh, lovely.
00:13:08Lovely it is. And she's the best cook out of Ireland.
00:13:11You can take it out of here.
00:13:12Ah, sure, no. I just happened to trip over it.
00:13:16Sure, and he did.
00:13:17And then he'll come and help us eat it.
00:13:20Father, where are your morals?
00:13:22He can just take it right out of here.
00:13:26I'm jolly glad Kelly didn't take you at your word, Mum.
00:13:29Oh, he's a talker body into anything, my dear.
00:13:31Best pheasant I ever tasted, Mum.
00:13:33Yes.
00:13:33You're sure there's a wonderful cook you are, Mrs. Trelawne.
00:13:37You think Bob married me for my looks?
00:13:39Are you going poaching? I mean roaming again tonight, Kelly.
00:13:42Now, is cat nice?
00:13:44If it happens to be the will of God, if a pheasant passes me gun just as it goes off,
00:13:49you can hurt a thing like that.
00:13:51Of course not.
00:13:52Might happen to anybody.
00:13:57Who's that?
00:14:03Police after Kelly.
00:14:05See who it is, Bob.
00:14:14This boat's stuck by the concerto of oil.
00:14:25Yes?
00:14:27Mr. Trelawne?
00:14:28Yes.
00:14:29My name's Freeman.
00:14:31I'm a dealer.
00:14:33Can I have a word with you?
00:14:34Yes, better come in.
00:14:40I heard you got a picture you might want to sell.
00:14:42A picture?
00:14:44Oh, yes.
00:14:45I suppose you mean Mother's picture.
00:14:47It's in the shop.
00:14:48How'd you come and hear about it?
00:14:51A young artist told me about it.
00:14:54Said Mrs. Trelawne shared it to him one day.
00:14:56That's right.
00:14:57I remember.
00:14:58He was on a walking tour.
00:15:00But I told him it wasn't for sale.
00:15:03It's a grand picture, isn't it?
00:15:05Look at the frame.
00:15:06It's like real gold, ain't it, Mother?
00:15:08I don't know.
00:15:10Yeah, well, we dealers don't judge pictures by the frames.
00:15:14Oh, don't you?
00:15:16No.
00:15:17You judge coffee by the label on the tin?
00:15:21No.
00:15:22My customers do.
00:15:27Yeah, well, they don't like the frame and they can't see the picture.
00:15:29Oh, well, hold it a minute and I'll get the lamp.
00:15:32I wouldn't dream of selling it.
00:15:38Why not?
00:15:39Mother's a bit superstitious.
00:15:41Superstitious?
00:15:42You're not a Cornishman, sir.
00:15:43You wouldn't be surprised.
00:15:45It was left me in a will.
00:15:47It's ill luck to sell anything left you in a will.
00:15:51Yeah, well, I'll worry about that when it happens.
00:15:53How much would it be worth, mister?
00:15:58Offhand, I should say, very little.
00:16:00I sure know.
00:16:03Anyone can see it's a bargain.
00:16:06If Seamus Kelly's the judge, it's what, every penny here, 200 pounds.
00:16:12Oh, if it's worth anything, it's worth that.
00:16:15Maybe more.
00:16:16What do you know about it, mister?
00:16:18I remember once a bit of an old, dirty, teeny night, half a span of freeing,
00:16:22touching a whole fortune over in Dublin, and a likeness of Parnel, a taff.
00:16:28Yeah, what do the Irish know about art?
00:16:29Plenty is the one-armed painting Claire, who draws with his teeth.
00:16:39Grandfather always said it was a Vermeer, isn't it?
00:16:42If that's a Vermeer, I'm a Dutchman, too.
00:16:44Well, the frame life must be worth something.
00:16:46It must be worth something.
00:16:47Every penny at 200, so see I.
00:16:50Oh, I don't mind taking a small gamble on it.
00:16:52I've told, won't sell it at any price.
00:16:54No, no, mother.
00:16:55Don't now, now, mother me.
00:16:57I won't take money for it.
00:16:59Help with the table, Kelly.
00:17:00Right.
00:17:01Mr. Freeman, you said you weren't superstitious.
00:17:03Well, I'm not.
00:17:04Yet you told us you'd take a gamble.
00:17:07Well, what's that got to do with it?
00:17:08But a gambler's a superstitious man.
00:17:10He believes in good luck or bad luck.
00:17:13Do me a favor, will you?
00:17:14You, uh, you said something about making me an alpha.
00:17:20Well, I thought we might do a swap.
00:17:24Maybe I can find you some nice pieces of copper
00:17:26for that fireplace over there.
00:17:28Oh.
00:17:29Then you don't honestly think it's worth much.
00:17:31Honestly?
00:17:37All right, Tom.
00:17:38Chug it back in the shop.
00:17:40All right, Dad.
00:17:42Well, how's be going?
00:17:45It's Colonel Richmond's place near here.
00:17:46There you do.
00:17:47It's way up in the hill it is.
00:17:48Colonel Richmond's place.
00:17:50You'll find all the antiques and curios you want up there
00:17:52if that's what you're after.
00:17:53Ah?
00:17:55Do you think he'd be interested in this?
00:17:59Oh, it's the terrible monkey's paw.
00:18:02It's an evil thing so it is.
00:18:03Take the way out of here.
00:18:05It's got a curse me so it has.
00:18:07It's the terrible monkey's paw.
00:18:10What do you know about it?
00:18:11It's more than nothing I know about it.
00:18:13It's thought in my own eyes.
00:18:15Death and destruction and the curse of hell.
00:18:20Doesn't look as if a little thing like this could do much harm.
00:18:22I thought in my own eyes up at Annescott Manor.
00:18:25Where's that?
00:18:25The Wexford way across.
00:18:26I was doing a little job.
00:18:29It was before they thought they ever would reason.
00:18:32Things were terrible bad.
00:18:36I was doing a little job.
00:18:38Hey, what are you doing there?
00:18:55Stop for you.
00:18:55Stop.
00:18:57What are you doing there?
00:18:57I was just hiding.
00:19:01From what?
00:19:01The Interfering Palace.
00:19:04Must you blind the fella.
00:19:06Mia, stop.
00:19:08What is your name?
00:19:09Kelly.
00:19:10She was Kelly from away over there.
00:19:12And what are you skulking about here for?
00:19:14Have you never been in love?
00:19:17No, no, no.
00:19:18What's that to do with it?
00:19:19There's a girl who works them in there.
00:19:21Has promised to play Romeo and Juliet with me this night.
00:19:23But I was about to jump over and whistle at her window.
00:19:27A girl, eh?
00:19:29Or would you be after something else?
00:19:31You're talking like a policeman now.
00:19:34What girl may I ask?
00:19:36The man who lives in there is a bachelor.
00:19:37So I'm told.
00:19:38It's Mary the housekeeper.
00:19:40Rare exciting piece she is.
00:19:42It's so cool, John.
00:19:44You've got here smashing.
00:19:45Aye.
00:19:46It gets a bit nippy at times.
00:19:48Peek us up.
00:19:48I'll take your lamp for it.
00:19:52So it's Mary you're cool to.
00:19:54Ah, the sweet angel of a girl.
00:19:58Tell me.
00:20:00What would a nice girl like that be doing with a runty cove like yourself?
00:20:03Love moves in mysterious ways, me boy.
00:20:07He, he could suffer.
00:20:09Ah, away with you.
00:20:10What would the policeman know about love and such like?
00:20:15I'm married and I have six children.
00:20:17That's not love, that's duty.
00:20:21Will you be giving me a leg up over the wall?
00:20:24Why don't you try the back end?
00:20:26They keep it locked.
00:20:27Locked?
00:20:29Why?
00:20:29They don't trust the police.
00:20:33Will you be giving me a leg up over the wall?
00:20:36I will not.
00:20:38No.
00:20:41Thanks, Sergeant.
00:21:05What?
00:21:06The 警察
00:21:13Asset
00:21:15Asset
00:21:18Asset
00:21:21Asset
00:21:22Asset
00:21:23Asset
00:21:24Asset
00:21:26Ang
00:21:26Why do you keep this room open?
00:21:56Very neat and tidy.
00:21:58What's the mystery?
00:22:00Or is it just a poem?
00:22:02Lonely bachelor with big secret, known only to himself and his housekeeper.
00:22:06You would dramatize it.
00:22:08It must be very lonely here for you.
00:22:10Why don't you...
00:22:12No, it's none of my business.
00:22:14I'm used to living alone.
00:22:16You know, there's a lot to be said for it.
00:22:18Oh, freedom, once thy flame is fled,
00:22:20it's not my fault.
00:22:22Oh, freedom, once thy flame is fled, it never lights again.
00:22:27I forget who wrote that.
00:22:29They say no human being is as free as a fish.
00:22:31Who the hell wants to be a fish?
00:22:33I was meaning...
00:22:35Oh, head doesn't matter.
00:22:38Nothing you say ever does matter, my dear.
00:22:41Must you be so offensive every time you drink?
00:22:43Ah, come now, we were going to look at some of my treasures.
00:22:48Now, how do you like that Chippendale piece?
00:22:52Oh, it's lovely.
00:22:54Really lovely.
00:22:56Aren't you afraid of being robbed, living here all alone?
00:22:59Ah, not in the least.
00:23:01Ah, you're cold.
00:23:03Let me light the fire for you.
00:23:08We haven't had a case of burglary since, er...
00:23:11Oh, let me see.
00:23:13Ah, yes.
00:23:14Farmer Burke lost a pig last Christmas.
00:23:17He suspected a rogue called Kelly.
00:23:21Rabbit's foot.
00:23:22Where's the rabbit's foot?
00:23:24Rabbit's feet are lucky.
00:23:26Any actor will tell you that.
00:23:28Eh, doll?
00:23:30I don't understand.
00:23:32Oh, he's just getting at me.
00:23:34And don't call me Doc.
00:23:36Charles, my wife has a friend who acts.
00:23:40Oh, that's what he meant.
00:23:42A friend.
00:23:44That's what she calls him.
00:23:46You were going to show us the money.
00:23:48Yes, of course.
00:23:49Well, for heaven's sake, see the damn thing.
00:23:53That's a decent fire.
00:23:54I need something to warm me up.
00:23:56Well, let's have some more light on the subject.
00:24:00Here it is.
00:24:05Well, that's...
00:24:06Not very frightening, is it?
00:24:19No.
00:24:20Rather pathetic, though.
00:24:22What is this history?
00:24:25It came from the Indus Valley.
00:24:28The Fakir is said to put a curse on it.
00:24:31Don't believe it.
00:24:32I don't believe it.
00:24:34He wanted to prove that man's destiny is ruled by fate.
00:24:39And man interferes with it at his own peril.
00:24:43Rots.
00:24:44Oh, do go on.
00:24:45What did he do?
00:24:46Endowed it with magic properties.
00:24:49Three wishes.
00:24:50Three wishes.
00:24:51Rots.
00:24:52Three wishes, is it?
00:24:53Yes.
00:24:54Anyone who holds the poor in his hand and begins by saying, I wish, either aloud or inwardly,
00:25:08and have three wishes granted.
00:25:09That's all.
00:25:10Rots.
00:25:11How wonderful.
00:25:12Could it be true?
00:25:13Oh, it's true, all right.
00:25:18But after each wish, tragedy always seems to follow.
00:25:22A warning, I suppose, that one mustn't interfere with fate.
00:25:27It couldn't be a sort of wishful hypnotism, could it?
00:25:31Could be.
00:25:32People believe that this thing is a sort of magic wand and, well, they imagine the results.
00:25:39The results have been only too real.
00:25:42Of course, there's always coincidence.
00:25:47But it's hardly likely to go on repeating itself.
00:25:51Have you ever wished yourself?
00:25:54Yes.
00:25:55And your wish was granted?
00:26:00It was.
00:26:03You'd rather not talk about it.
00:26:08Talking of strange tales, I've rather an interesting first edition of Edgar Allan Poe's Tales of Mystery and Imagination.
00:26:19Has anyone else ever wished?
00:26:21Oh, that's good, dear.
00:26:23Oh, yes.
00:26:24Oh, yes.
00:26:25I'm here on this table somewhere.
00:26:27I said, has anyone else ever wished?
00:26:30What?
00:26:31Oh, yes, yes.
00:26:32I can't remember now what his first two wishes were about.
00:26:35But his third wish was for death.
00:26:38And it happened?
00:26:41Yes.
00:26:42I see.
00:26:43And you keep it just as a cure.
00:26:46Well, after his previous history, it's bound to be worth quite a lot of money to a certain type of curio collector.
00:26:52The, uh, less frightening type of course.
00:26:56I shall leave instructions for it to be destroyed after my death.
00:27:00Why?
00:27:01Oh, coincidence, wishful imagining, whatever you may call it.
00:27:07It's bound to save a lot of tragedy.
00:27:09Oh, Phil.
00:27:11Why don't you destroy it?
00:27:13My dear, Dorothy, I only wish on you.
00:27:17But if it works, let's wish for a good stiff drink.
00:27:24Seems the only way we're likely to get one.
00:27:27Sorry, Noel.
00:27:28I'm afraid we've been boring you.
00:27:29Come on.
00:27:30You shall have your drink.
00:27:31Ah!
00:27:32It suddenly turned in my hand.
00:27:35Then you must have wished.
00:27:36I...
00:27:37You must have done.
00:27:38That's what it always does when anyone wishes.
00:27:40It turns and twists in your hand like a, like a live snake.
00:27:44It frightened me.
00:27:45Oh, I do wish you hadn't done this, Dorothy.
00:27:48What do you wish for, eh?
00:27:50That's my secret.
00:27:51Nothing to my benefit, I bet.
00:27:54Ah, well, let's get out of here.
00:28:01We'll all be seeing pink leprechauns in a minute.
00:28:05You are a silly child.
00:28:08It seemed my last chance.
00:28:10Come on, bluster.
00:28:15My dear.
00:28:18Didn't you wish for...
00:28:20Oh, freedom won thy flame as fled.
00:28:23Remember.
00:28:28You tokens.
00:28:29I didn't guess what you wished for.
00:28:31That's my own affair.
00:28:32Affair?
00:28:34That's the word, you double-crossing little...
00:28:37Oh, come on, old man.
00:28:38You've had rather more than enough tonight.
00:28:40Oh, so that's it, is it?
00:28:42I must cover up my wife's indiscretions, even from you.
00:28:46Yes, if the housekeeper can hear every word you say.
00:28:48To hell with you, housekeeper.
00:28:50She knows all about her and her adoring lover.
00:28:53The only person who doesn't know is me.
00:28:57I'm not as blind as all you people seem to think.
00:29:00I've known about your rotten little actor friend for weeks.
00:29:03Oh, for God's sake, Noah.
00:29:04Don't you know me, you?
00:29:05Who but a mad woman would live with you?
00:29:07Drunk all the time, sullen and suspicious.
00:29:09Breathing alcohol and your foul accusations all over me.
00:29:11Aren't I entitled to a little happiness?
00:29:13Must I be settled with you for the rest of my life?
00:29:15So you admit it.
00:29:16You admit he's your lover?
00:29:18Yes.
00:29:19Yes, if you must know, I do.
00:29:20Anything, anything would be better than this.
00:29:21Come on, old man.
00:29:23Oh, go, hell with God.
00:29:26Oh, come on.
00:29:31Come on, old man.
00:29:32Oh, come on.
00:29:35Come on, Gold.
00:29:36Oh, come on.
00:29:38He's a moment.
00:29:41Yes, oh.
00:29:42Oh, come on.
00:29:43Now, perhaps you realize why I always keep this room locked.
00:30:43It's about to be worth quite a lot of money.
00:31:13To a certain type of curio collector.
00:31:43So, you're both in league with one another, eh?
00:31:50No.
00:31:51I'm sorry, Charles.
00:31:54We've been heading for this for some time.
00:31:56I won't drive back with him.
00:31:58He'll drive like a lunatic.
00:32:00Could you possibly put me up for the night?
00:32:02Yes, of course.
00:32:03You wish to be free.
00:32:05All right.
00:32:07Your wish will be granted.
00:32:10Don't kill him!
00:32:12At today's inquest on the dead husband, the coroner said...
00:32:29We can't accept your opinion, Mr. Monaghan.
00:32:31That this tragedy was caused by this monkey's paw.
00:32:35Or whatever it was.
00:32:37This court is concerned only with facts.
00:32:41I tell you, that this cursed monkey's paw was entirely responsible.
00:32:47Reola says here he offers a big reward and no quest asked.
00:32:52That's luck.
00:32:53God helps him as helped himself, say I.
00:32:55You're right, you're right.
00:32:56Now, away with you.
00:32:58Up there.
00:32:59And see that you found it.
00:33:01I will, I will.
00:33:02I'll do that now.
00:33:03And get the reward in cash, mind.
00:33:04Yes, I.
00:33:05Aye.
00:33:06Away with you.
00:33:07Sure.
00:33:08It's a finance.
00:33:09Yes, I am.
00:33:12Very interesting.
00:33:26And that's the truth of it.
00:33:28Take that terrible thing out of here, sir.
00:33:30Or it will do nothing but bad, so it will.
00:33:32Yeah, it's not curious or clear stories.
00:33:35Because I hope diamond.
00:33:37The better this story, the more some people will pay for it.
00:33:40Well, I must be going.
00:33:42Hope the old fall will start after all this rain.
00:33:44You got the fall.
00:33:46Why don't you wish for a Rolls Royce?
00:33:48Yes.
00:33:49Why not try a wish just for fun?
00:33:53Alex, I'm not tenting fate.
00:33:56Ah, then you are superstitious.
00:33:58I'm not superstitious.
00:34:00I'm just careful.
00:34:02Here, I'll show you out through the shop.
00:34:04All right, thanks.
00:34:05Good night, all.
00:34:06Good night.
00:34:07You know, I wouldn't put it past you that you made the story up yourself.
00:34:11Would I be showing you how I went there to steal before I turned respectable?
00:34:17Now, if I had that paw, I'd have a go and wish for...
00:34:20Tom Trelawne, you're as bad as your paw.
00:34:22What do you want to bother with wishes for?
00:34:24You've got your mum and dad, a good job, and me.
00:34:27What more do you want?
00:34:28Nothing.
00:34:29There are a lot of things I'd like to get for you.
00:34:31Oh, you're all I want, Tom.
00:34:33Honest.
00:34:42I've got a bit of a surprise for you.
00:34:45Look.
00:34:46There.
00:34:47It's come back.
00:34:48It's feet.
00:34:49You see what I mean?
00:34:50It's evil.
00:34:51Robert Trelawne, what a child you are.
00:34:52Wasting good money on fairytale rubbish like that.
00:34:54Why, it isn't even pretty.
00:34:55Throw it on the fire.
00:34:56I didn't waste good money.
00:34:57Well, you must have given something for it.
00:34:58Yes.
00:34:59The picture.
00:35:00What?
00:35:01You gave away my picture.
00:35:02Oh, Robert.
00:35:03Poor Mr Trelawne.
00:35:04Since you've got a wishing paw, you better wish me two pairs of hands.
00:35:05Holy smoke.
00:35:06I heard after making you wait into a seventies wonder.
00:35:07Now what do you think?
00:35:08But don't you let it go any further.
00:35:09The old fool actually.
00:35:10Gave away her vision for you.
00:35:11No.
00:35:12I didn't waste good money.
00:35:13I didn't waste good money.
00:35:14Well, you must have given something for it.
00:35:15Yes.
00:35:16The picture.
00:35:17What?
00:35:18You gave away my picture.
00:35:19Oh, Robert.
00:35:20Poor Mr Trelawne.
00:35:21Since you've got a wishing paw, you'd better wish me two pairs of hands.
00:35:22Holy smoke.
00:35:24Well, after making you wait into a seventies wonder.
00:35:26Now what do you think?
00:35:28But don't you let it go any further.
00:35:31Gave away her grandfather's picture for a...
00:35:34Monkey's tail or something.
00:35:36Now, what would anyone want with a monkey's tail?
00:35:40You're a lot of superstitious old women.
00:35:44All the same, I would like to have had just one wish.
00:36:01It's the paper star.
00:36:13Wake up, lazy bone.
00:36:17It's the paper star.
00:36:21Wake up, lazy bone.
00:36:24It's the paper star.
00:36:27Wake up, lazy bone.
00:36:31Hello, mother.
00:36:34Why the smile so early in the morning?
00:36:37I was just thinking.
00:36:41You know, all through the war I used to dream of this.
00:36:45Coming in here with your cup of tea.
00:36:47Having your home with me again.
00:36:49Go on, you sentimental old thing.
00:36:51You wait till you've been doing it for another 20 years.
00:36:54It'll suit me, son.
00:36:58Tell me about your dreams.
00:37:01I'm in trouble enough already.
00:37:02I saw him yesterday.
00:37:03He was in the rear flap.
00:37:05Once he's 200.
00:37:07Or else...
00:37:08I talk then.
00:37:10You talk to him.
00:37:12Yes.
00:37:13I said to him, I said,
00:37:14Mr. Morgan, you can't get blood out of a stool.
00:37:18He burst into tears, I suppose.
00:37:21You'll be peed, I said, if you give the man time.
00:37:24He's a friend of mine.
00:37:25And as honest as the bees long.
00:37:28What did he say to that?
00:37:32He give me a look and says,
00:37:34The bees are getting terribly short, Kelly, he says.
00:37:38Theo, that's the stock.
00:37:39I'm sure it's the loss of memory come back again.
00:37:42Can I have a word for you, Dad?
00:37:44Well, of course, son.
00:37:45Don't get Mrs. Watson's order or she'll be off to her nursing.
00:37:48It is good as done.
00:37:49What is it, then?
00:37:52What is it, son?
00:37:56Well, I hate to ask you to answer, but...
00:37:58What is it?
00:37:59Money?
00:38:00That's it.
00:38:01I want a little surprise for Beryl.
00:38:03She's been so nice about Alice.
00:38:06Alice?
00:38:07She wasn't really upset at me spending all that money on Alice.
00:38:10A hundred and twenty-five pounds is a lot of money.
00:38:13Some girls would have been very upset, jealous even.
00:38:16But not my Beryl.
00:38:18What's this?
00:38:19Spending all that money on...
00:38:21Gee, Alice is marvellous.
00:38:23Long, clean lines, moves like a bird.
00:38:26Now, I was thinking if I could trade in that Indian shawl I brought from Bombay that Mother doesn't like,
00:38:34I could buy Beryl a Moonstone ring at Grimshaw's.
00:38:37That is, with the help of five pounds.
00:38:39Tom Trelaw.
00:38:41To think that a son of mine should go spending all that money on this...
00:38:47This Alice.
00:38:49And then expect a nice girl like Beryl to be satisfied...
00:38:52But I've explained to Beryl that when Alice wins some money on the track I'll buy her a good one.
00:38:58Money on the track?
00:38:59Of course, Alice is going to win a lot of races.
00:39:02Races?
00:39:03Yes, Dad, you know I've always wanted a good motorcycle for track racing.
00:39:07I've been telling you.
00:39:11Oh-ho!
00:39:12Then you will?
00:39:13Just a fiver?
00:39:15I'm afraid I can't, son.
00:39:17Not even a fiver, you see.
00:39:19I'm a bit broke myself.
00:39:22Oh.
00:39:23Well, that's that.
00:39:25But, uh...
00:39:29Mrs. Watson's awake in there since she left a lift on the door.
00:39:32If it wasn't for this damned Irishman, I wouldn't be broke and have all this trouble.
00:39:38What trouble, Bob?
00:39:39I didn't know you were in any trouble.
00:39:41I'm sure it's nothing, Mrs. Trelawne.
00:39:43Quiet, Seamus.
00:39:45Right, Dad.
00:39:46I've got some checking to do in the cellar.
00:39:49Thank you, my dear.
00:39:52In fact is I...
00:39:55I backed a couple of horses.
00:39:56And they lost.
00:39:58You know?
00:39:59Well, I guessed as much.
00:40:02I've been unlucky.
00:40:04I owe my bookmaker a bit of money.
00:40:06For the money.
00:40:07I suppose that's why you wanted to sell my picture.
00:40:09Really, Bob?
00:40:10And you promised me this wouldn't happen again.
00:40:13Of course, it's you, you plausible old devil.
00:40:15I don't know why I haven't got you.
00:40:17Me?
00:40:18May the Lord should give you that terrible accusation.
00:40:22And what a fine example to set, Tom.
00:40:25Have you told him all about it?
00:40:27No.
00:40:28He'll be thoroughly disgusted with you when he finds out.
00:40:34Slow horses and fast women.
00:40:37Tom!
00:40:38Oh, the fast women will come all right.
00:40:41Well, what's going to happen now?
00:40:46I've got to fine 200 pounds by tomorrow morning.
00:40:50And can you?
00:40:52No.
00:40:53Look, Dad, I've still got the money I saved up for the bike.
00:40:56No.
00:40:58You set your heart on it, you're going to have it.
00:41:01Nonsense.
00:41:02No.
00:41:03Take it, Dad.
00:41:04No!
00:41:06If only that old monkey's paw would do the trick.
00:41:10Eh?
00:41:14I'll answer it.
00:41:15Mrs. Trelawne speaking.
00:41:26Yes, Mr. Morgan.
00:41:29No.
00:41:31No, he isn't.
00:41:33No.
00:41:35He's gone to Truro.
00:41:37Yes.
00:41:39He'll be back this afternoon sometime.
00:41:41All right.
00:41:43Who's that?
00:41:45Your bookmaker friend.
00:41:47Morgan.
00:41:49Do you sound reasonable?
00:41:51He sounded sweet as a lemon.
00:41:53What about my 200, Trelawne?
00:41:55Look, Morgan.
00:41:57Just give me another week.
00:41:59I saw my lawyer this morning.
00:42:01He seems to think it's a criminal matter.
00:42:03Criminal?
00:42:04Yes.
00:42:05There are too many of these chiselers who plunge to win and won't pay when they lose.
00:42:11A man who bets when he hasn't got the money is a crook.
00:42:14Well, I place the bet on bad advice and when I lost my money I try to get it back.
00:42:17You know how it is.
00:42:18I know.
00:42:19Well, it'll be all right, I'll pay you.
00:42:20The chap always says that when he takes the money out of the till.
00:42:21I'll pay.
00:42:22But how?
00:42:23Look, give me a little more time, Morgan.
00:42:24The other bloke says that too.
00:42:26I know all the old gags, Bob.
00:42:28You've got a very good business here.
00:42:29I know.
00:42:30You've got a very good business here.
00:42:31I know.
00:42:32I know.
00:42:33I know.
00:42:34I know.
00:42:35I know.
00:42:36I know.
00:42:37I know.
00:42:38I know.
00:42:39I know.
00:42:40I know.
00:42:41I know.
00:42:42I know.
00:42:43I know.
00:42:44I know.
00:42:45I know.
00:42:46I know.
00:42:47I know.
00:42:48I know.
00:42:49I know.
00:42:50What about raising a bank loan?
00:42:52Bank loan.
00:42:53A mortgage for the roof.
00:42:55It didn't stop your betting.
00:42:57Well, I'll give you till Monday.
00:43:00But not a day longer.
00:43:02And if you're relying on a good fairy to give you three wishes,
00:43:07I hope it keeps fine for you.
00:43:20I know.
00:43:21Three wishes.
00:43:22He's going to bring the bike round tonight.
00:43:26I tell you, she's a pippin.
00:43:28Now all I've got to do is to fix the insurance,
00:43:30and then I can take Alice out on her first trip.
00:43:33How about it, Belle?
00:43:34And have my inside shaken out on a pillion, please?
00:43:37Oh, not likely.
00:43:38Oh, so you can't take it, eh?
00:43:40You need one of those tough open-air girls.
00:43:42That's what you need.
00:43:43Well?
00:43:44It'll be all right, Mother.
00:43:46Here are your apples.
00:43:47Oh, bring them over here, will you, dear?
00:43:49That's the weight of my mind.
00:43:52What is, Mother?
00:43:53Well, your father can get them all.
00:43:58But it's such a large amount.
00:44:03I wish for...
00:44:04200 pounds.
00:44:05Where's he going to get it all?
00:44:11What's the matter, dear?
00:44:13The ball.
00:44:15It turned in my hand.
00:44:18It turned like a snake.
00:44:21Again, you're scared.
00:44:23What were you doing?
00:44:24He wished.
00:44:25That's what happened to the girl.
00:44:27He wished.
00:44:28He wished for the 200 pounds.
00:44:35Well, I don't see it anywhere.
00:44:46Ah, the postman.
00:44:47Well, perhaps he's brought it.
00:44:49Well, go on, Father.
00:44:57I tell you, no good can come of it.
00:45:02Put a sock in it, Kelly.
00:45:09Well?
00:45:12Yes, sir.
00:45:14Unless you're the county...
00:45:15Ah, it's a washout.
00:45:16Like a snake.
00:45:17What did you say, dear?
00:45:31I turned in my hand.
00:45:33I felt it.
00:45:35Well, you've been brooding all day.
00:45:37Why don't you read or something?
00:45:39Like a snake, it was.
00:45:43As God's me judge.
00:45:44Oh, don't take on so.
00:45:46It's over and done with.
00:45:47We're a pair of superstitious old fools,
00:45:49and you're worse than I am.
00:45:51Forget the silly old monkeys, poor.
00:45:53Tom and Beryl will be back from the pictures soon.
00:45:55Put the kettle on.
00:45:56We'll have a cup of tea.
00:45:57All right, Mother.
00:46:01What harm could it possibly do us?
00:46:05No.
00:46:07Of course not.
00:46:13Mrs. Trelawan speaking.
00:46:15Oh, hello, Mrs. Journey.
00:46:17Thank you for the damsels, dear.
00:46:19They'll make some lovely jams.
00:46:21I suppose your husband couldn't let me have a little bit of extra sugar, could he?
00:46:24No.
00:46:25Oh, well.
00:46:26By the way, I saw your son Tom with that young lady of his in truth.
00:46:28Having a bit of a bar, he's eh, wasn't he?
00:46:29Was he?
00:46:30Well, he said he'd been asked to stand by for something or other at the motor racing track,
00:46:31and she said she wanted to go to the pictures.
00:46:32He lost his temperance, it was his big chance to ride in a race or something or other.
00:46:35And she said if he went, she'd leave him flat.
00:46:36He said a very rude thing.
00:46:37Well, I don't know.
00:46:38I don't know.
00:46:39I don't know.
00:46:40I don't know.
00:46:41I don't know.
00:46:42I don't know.
00:46:43I don't know.
00:46:44I don't know.
00:46:45I don't know.
00:46:46I don't know.
00:46:47I don't know.
00:46:48I don't know.
00:46:49I don't know.
00:46:50Well, I was looking forward to a nice cozy evening at the pictures, that's all.
00:47:09So was I.
00:47:10But I couldn't miss this chance.
00:47:12You know, I'm worried about Dad, and I thought that if I could pull off the big race tonight,
00:47:17I might cheer him up a bit.
00:47:19Oh, I'm sorry.
00:47:20I was a...
00:47:21Well, you know.
00:47:23All right.
00:47:24Go ahead and good luck to you.
00:47:25That's the girl.
00:47:31Mr. Trelawne.
00:47:32Mr. Trelawne.
00:47:33You looking for me?
00:47:34Yes.
00:47:35Mr. Roberts.
00:47:36Can you come along to the office?
00:47:37Right away.
00:47:38Here we go.
00:47:39Good luck, Tom.
00:47:42Tom.
00:47:43Well?
00:47:45Nothing.
00:47:46Good luck.
00:47:47Good luck.
00:48:16There's someone at the door.
00:48:17Hello.
00:48:19Is Tom?
00:48:20No, we're not a Chief.
00:48:21Tom, I'm sorry.
00:48:22Thank you, you're sorry.
00:48:24It's Tom.
00:48:25I'm sorry.
00:48:26All right, Bob.
00:48:27All right.
00:48:28You were dead.
00:48:29Good luck.
00:48:30All right, Mary.
00:48:31Who's at that?
00:48:32You're dead.
00:48:33She's we were dead.
00:48:34She's dead.
00:48:35He's dead.
00:48:36All right, Sid.
00:48:37She's dead.
00:48:38Good luck.
00:48:39He's dead.
00:48:40Mm-hmm.
00:48:41You're dead.
00:48:42All right.
00:48:43All right.
00:48:44Hey, I'm sorry.
00:48:45Oh, with a stranger.
00:48:49I wonder where it can be.
00:48:52My name's Roberts. I'm manager of the track at Bledsoe.
00:48:56Where's Tom?
00:48:58I'm sorry, Mrs. Trelawne.
00:49:01Oh, there was nobody to blame.
00:49:04What's happened to my son?
00:49:06You see, he's had a bad accident.
00:49:08You see, he took a skit.
00:49:11Nobody quite knows what happened.
00:49:12What happened to him?
00:49:14It was a mass of flames.
00:49:17I saw him.
00:49:20He couldn't get away from the flames.
00:49:22Beryl.
00:49:25Beryl.
00:49:27You didn't see him.
00:49:29Like a flaming torch he was.
00:49:32He didn't stand a chance. Not a chance.
00:49:36They rushed at him, but it was too late.
00:49:39Too late.
00:49:42Oh, Tom.
00:49:45Tom.
00:49:51Mr. Trelawne.
00:49:56Yes, Mrs. Trelawne.
00:49:59We did our best.
00:50:01The company asked me to express their sympathy.
00:50:04They admit no responsibility, of course.
00:50:07I'd better go down there, my lord.
00:50:10Where's my coat?
00:50:12There is, of course, the prize money.
00:50:16Prize money, you say?
00:50:18Yes.
00:50:20Two hundred pounds.
00:50:25Two hundred pounds.
00:50:27The price of my son's life.
00:50:28I warn ye.
00:50:42I warn ye.
00:50:44It's Tafakia's curse.
00:50:46You get your own wish.
00:50:48A tragedy all that follows.
00:50:50A man can't interfere with his fate.
00:50:51I warn ye.
00:50:52Get out of my sight!
00:50:53Get out of my sight!
00:51:21I'm sorry, my lord.
00:51:22I'm sorry.
00:51:23I'm sorry.
00:51:24I'm sorry, sir.
00:51:26I'm sorry, sir.
00:51:28I'm sorry, sir.
00:51:29A man?
00:51:30A man.
00:51:31How about a cup of tea?
00:51:33How about a cup of tea?
00:51:34How about a cup of tea?
00:51:58It ought to be a medal for the chap that invented tea.
00:52:04Yes, Bob. I know what you mean.
00:52:30I always used to do that.
00:52:34Come back, Martha. It'll be cold.
00:52:46I'm thinking of my son.
00:52:58Every night for a week you've sat there thinking. There's nothing we can do about it.
00:53:12It was all our fault. We killed him. It was all our fault.
00:53:18The monkey's paw.
00:53:24Martha, forget about it. Please.
00:53:30Robert, the paw. What did you do with it?
00:53:37It's downstairs. What do you want to...
00:53:39Well, why didn't I think of it before?
00:53:41Think of what?
00:53:43The other two wishes. We've only had one.
00:53:46Oh, my God. Wasn't that enough?
00:53:48We can wish again.
00:53:50Go down and find it quickly.
00:53:52You gone mad?
00:53:54Go and find it. Now.
00:54:00Mother.
00:54:01We've got evil. It's brought to us already.
00:54:04Leave it alone.
00:54:06Robert. Do as I say.
00:54:08Find the paw for me.
00:54:10Find the paw. The monkey's paw.
00:54:12Martha, you go back to bed.
00:54:14Then I'll go and ring the doctor.
00:54:16My boy. It's my boy I want.
00:54:18Do as I say.
00:54:19Find the monkey's paw. Find it.
00:54:21Promise me, Robert.
00:54:22All right, Mother. All right.
00:54:24I'll go and find it.
00:54:26You've found it. All right.
00:54:28Come on.
00:54:54Come on.
00:54:56Mother, don't let's get deeper in this dreadful thing.
00:55:01Any wish must turn out bad.
00:55:04Just think where it's got us already.
00:55:06We still have two wishes left.
00:55:09We can wish our boy alive again.
00:55:12Do you hear me?
00:55:13Yes, Mother.
00:55:17You have the first wish. You must have the second. Go on, wish!
00:55:21I can't do it.
00:55:23It's been dead for days.
00:55:26Horribly burned.
00:55:28Don't you see?
00:55:30Do you think I fear the child I've nursed?
00:55:32Do you think I'm mine?
00:55:33Oh boy, alive again, alive!
00:55:36I can't want this dreadful thing.
00:55:40Wish.
00:55:44I...
00:55:48Wish.
00:55:49I wish us...
00:55:54alive...
00:55:55again.
00:56:19Don't...
00:56:20my boy.
00:56:22He's coming home.
00:56:24Oh no!
00:56:26Oh God's sake, no!
00:56:28I can't see him but he's coming!
00:56:29Oh!
00:56:30It's a long walk from the churchyard but he's gone.
00:56:31He's come back.
00:56:33My boy, he's coming home.
00:56:35Oh no!
00:56:36Oh God's sake, no!
00:56:37I can't see him but he's coming.
00:56:39Oh no!
00:56:40For God's sake no!
00:56:41I can't see him, but he's coming.
00:56:46It's a long walk from the churchyard, but he's coming.
00:56:49What are you going to do?
00:56:50It's Tom.
00:56:51It's my boy.
00:56:52What are you holding me for, Robert?
00:56:53Let me go.
00:56:54No, no.
00:56:55I just opened the door.
00:56:56For God's sake, you can't let him in.
00:56:58You're a bitter old son.
00:57:00Let me go.
00:57:01I'm coming, Tom, darling.
00:57:11Wait.
00:57:12Wait, my son.
00:57:13I'm coming.
00:57:16The boat.
00:57:17The boat.
00:57:18It's stuck.
00:57:21Robert.
00:57:23I can't get it off to her.
00:57:25Robert.
00:57:28Oh.
00:57:31I've got another wish.
00:57:34Robert, help me.
00:57:35The boat.
00:57:41Robert.
00:57:42Oh, let me find it.
00:57:43I can't get it off to her.
00:57:46For God's sake, let me find it in time.
00:57:48Robert.
00:57:49I can't get it off to her.
00:57:50Robert.
00:57:51Robert.
00:57:52Robert.
00:57:53Robert.
00:57:54Robert.
00:57:55Robert.
00:57:56Robert.
00:58:00Robert.
00:58:01Robert.
00:58:04I wish my son back in his grave.
00:58:06Robert.
00:58:07Robert.
00:58:09Robert.
00:58:10Robert.
00:58:24Thank God.
00:58:29Thank God.
00:58:40Walker.
00:58:45Thank God.
00:58:49Thank God.
00:58:51Very nice, too, happy friend.
00:58:53Matty, Mr.
00:58:56actor.
00:58:57Oh, dear.
00:58:58Rob.
00:58:59Robert.
00:59:00Robert.
00:59:01He wasn't there.
00:59:02He didn't come.
00:59:03Poor little dear, mother.
00:59:04I thought he's knocking .
00:59:05I heard him.
00:59:06There, there, mother.
00:59:07But the poor, the wishes.
00:59:10Why did the poor fail us?
00:59:13Fail us?
00:59:15We wished him alive again.
00:59:20Listen, Mother.
00:59:23What we wished didn't make any difference.
00:59:27You've got to believe that.
00:59:30No difference.
00:59:32Some would have had the accident anyway.
00:59:34As we didn't get the second wish, the first was just a...
00:59:40just a coincidence.
00:59:42Coincident?
00:59:45Then Tom's death wasn't our fault.
00:59:48No.
00:59:49No, no.
00:59:51Oh, thank God.
00:59:59Mother, let's go on just as we did before.
01:00:04Life hasn't been so bad for us.
01:00:08Although we haven't realized it.
01:00:12If only we could have the days and the hours back again.
01:00:17But we can't.
01:00:20Wishing won't do any good.
01:00:22That's right, Robert.
01:00:23That's right, Robert.
01:00:28It's almost morning.
01:00:31You go and lie down.
01:00:32Get a bit of rest.
01:00:34Yes, Robert.
01:00:35I left the door open.
01:00:38I'll see to that.
01:00:41At least she will have peace of mind.
01:00:44That's all that matters.
01:00:46And I'll never know.
01:00:48Never really know.
01:00:49Miss Killan.
01:00:50Mr. Killan.
01:00:51Mr. Killan.
01:00:52Mr. Killan.
01:00:54It's the paper star.
01:00:56Hello, Gary.
01:00:57Thank God for another morning.
01:00:59I need some time.
01:01:01I will never know.
01:01:03But I'll never know.
01:01:05And I'll never know.
01:01:07Never really know.
01:01:09Miss Killan.
01:01:10Mr. Killan.
01:01:11Thank God for another morning I overheat Mr. Ceylon.
01:01:27It's only as the sun comes up and the sun goes down, there's always hope in the world.
01:01:33So it's unlucky, is it?
01:01:35Well, I'm not surprised.
01:01:37Sure, it's not as I am.
01:01:38I'm a true saint teddy.
01:01:39Well, if you want it, there it is.
01:01:42But mind you, it's not for money I brought it.
01:01:50Take that and be off with you, you old rogue.
01:01:52Sure, and if it wasn't for me, how would most of us live in the evening?
01:02:01So, it's magic worked again.
01:02:05Or is it just belief in its powers that makes them think there's evil where there isn't?
01:02:12I wonder.
01:02:16Wonder.
01:02:17Wonder.
01:02:18You're good.
01:02:18Wonder.
01:02:18Wonder.
01:02:18Wonder.
01:02:24Wonder.
01:02:26What?
01:02:29Wonder.
01:02:29Wonder.
01:02:29Wonder.
01:02:29Wonder.
01:02:30THE END
01:03:00THE END
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