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Short filmTranscript
00:00Congratulations to Dorothy for winning the best original screenplay at the Rising Star's Movie Awards.
00:17You did it.
00:19Three years ago, I was the most sought after screenwriter.
00:23Three years later, I fell in love with Drake, keeping my identity a secret for the sake of his pride.
00:32I thought we were happy until...
00:38Hi.
00:45Where the hell have you been?
00:47I told you that Stephanie was coming to help set up for my brother's birthday,
00:50and instead of helping us, he just disappeared.
00:53What, did you bail so you could go and laze around or something?
00:56You know, people say that the only reason you're allowed to stay by Drake's side
01:00is because you're nothing more than a free maid.
01:03Otherwise, why would someone like you be allowed to marry my brother?
01:07What?
01:08A maid?
01:09I just hid my identity for the sake of this marriage.
01:13Well, I think Drake's idea is great, and it could be really good for us.
01:17But the risk is way too high.
01:21Dad.
01:23Please.
01:25Okay.
01:27And I'm sure you don't want him to know the real reason why I'm investing.
01:35Think about it, Dorothy.
01:37So, if you got married, has he ever even touched you?
01:39How often does he actually come home?
01:41He doesn't even want to look at you.
01:44Let alone sleep with you.
01:45That's enough, Ellie.
01:47We're all here to celebrate Drake's birthday.
01:49I'm sure he wouldn't be happy to see us like this.
01:51Everybody knows that if it weren't for her, you would be married to Drake
01:55instead of being my late brother's widow.
01:57Ellie!
01:59Whatever happened between me and Drake is all in the past.
02:01Besides, I'm carrying Nick's baby.
02:04It's the perfect time.
02:05Oh, my God!
02:06Oh, my God!
02:07Oh, my God!
02:08Oh, my God!
02:09I just...
02:10So, Dorothy just put Stephanie into the pool!
02:11What?
02:12Oh, my God!
02:13Oh, my God!
02:14Oh, my God!
02:15Oh, my God!
02:16S-so, Dorothy just put Stephanie into the pool!
02:17What?
02:18Oh!
02:23Oh!
02:24Quick, save Stephanie!
02:25She's carrying Nick's baby!
02:26Oh!
02:27Quick, get in there!
02:29Quick, get in there!
02:44He chose Stephanie over me.
02:50My baby! My baby is gone! Why would you do this to me?
02:54How dare you! You pushed Stephanie into the pool to try and kill her and her unborn baby.
03:01Are you happy now that Stephanie's baby's gone?
03:03I didn't do it.
03:04I know you don't want me here. I told you whatever happened between me and Drake is in the past.
03:09You can hate me however you want to, but how could you be so cruel as to kill my unborn child?
03:14I didn't do it. You know me, I would never do that to Stephanie.
03:18Let's apologize to Stephanie.
03:20I'm not gonna apologize for something I didn't do.
03:23Apologize to Stephanie right now or I will divorce you.
03:33Divorce?
03:35If you apologize right now, then I'm willing to give you another chance.
03:39It's been three years, Drake. I gave up everything to be your wife.
03:49I've always kept to the shadows, Dorothy.
03:51I already have a life. And right now I just want to focus on being my marital Drake.
03:57I thought you would always be by my side, but I was wrong.
04:04The only reason you're allowed to stay by Drake's side is because you're nothing more than a free maid.
04:09Since you got married, has he ever even touched you?
04:11He doesn't even want to look at you.
04:16Fine. Let's get a divorce.
04:19There's nothing left in my heart. Drake's nothing without me.
04:34My ring!
04:36My ring is gone!
04:38Well, you must have taken it.
04:39Why would I take her ring?
04:41Well, look how quickly you packed your suitcase. You're probably seeing someone else.
04:45Dorothy.
04:46Yes.
04:48We were married for three years. Were you seeing someone else?
04:51Of course she was.
04:52Probably been cheating on you for a really long time.
04:55Couldn't wait for the divorce.
04:57So what if I was, huh?
04:59And what about you, still hung up on your so-called sister-in-law?
05:03What gives you the right to talk about me?
05:06I only look after Stephanie because she's my brother's widow.
05:10But you actually seeing someone else? Who is he?
05:12Big talk!
05:13Big talk!
05:15Don't bring me down to your level.
05:17I'm not like you.
05:19Since your sister-in-law lost her ring...
05:24Why don't you take...
05:31This one.
05:34You've been waiting for this for a long time, haven't you?
05:36And so I left.
05:51And so I left.
06:02This is ridiculous!
06:04We, the Bennett family, are one of the four major production companies in the world.
06:09I let him marry my daughter and even invest it in his business.
06:13How dare that Drake do this to my daughter!
06:17Look, it's actually good from Dad.
06:21Now we know who he really is, and he has no idea who I am.
06:24Still, you're my daughter. I can't let him do this to you.
06:28If it weren't for you, I would not have considered investing in his company.
06:32We're going to pull our investment immediately.
06:34Yes, it's time to cut him off. He doesn't deserve you.
06:38I'm over Drake.
06:40If we withdraw the plans now, it's going to hurt the family business. He's not worth it.
06:47Honey.
06:48Why didn't you just take a vacation?
06:52Or just put all this aside and take some time out for yourself?
06:56Yeah.
06:59No.
07:00I've wasted too much time with Drake over the three years.
07:08You know, now I want to focus on something that actually matters.
07:12You know, Christopher has been saying that many people want to buy the movie rights to Liar's Game.
07:18Universal, Paramount, every major studio wants this.
07:22Liar's Game. Your story on the big screen. If you're in, I'd be happy to be the one headlining it.
07:31Oh. So that's why they're making it. Because of you.
07:34I'm sorry, Christopher Santoro.
07:37See? They're not funding the film.
07:40They're funding you.
07:41Wrong.
07:41They're funding the story. It's more than good. It's phenomenal.
07:48Christopher is right. I'm taking my life back.
07:56I'm going to adapt it myself.
07:59You are?
08:00Yes. I will.
08:03Good for you.
08:05I won't tell anyone I'm asking you.
08:07I won't tell anyone I'm asking you.
08:11Congratulations to Aria Wong for winning the best director.
08:25This is my close friend from college.
08:28Aria, I need your help.
08:30I want to adapt the Liar's Game myself.
08:32And I want you to direct it.
08:35Of course.
08:36Of course.
08:37There's just one thing.
08:39I want to keep my identity as the writer a secret.
08:44I don't want anyone to know, especially not the team.
08:48SQ.
08:49Are you sure? But why keep it a secret?
08:51I just want people to focus on the story itself.
08:55Got it. Your secret's safe with me.
08:57Hey.
08:58Hey.
08:59Oh my God.
09:03Dave.
09:05It's a bit weird.
09:06Ever since news got out about our movie, my phone has not stopped ringing.
09:11Really?
09:18It's Stephanie.
09:19Yeah, just take it.
09:28Hello?
09:29Hello, Miss Wong.
09:30I've heard Liar's Game is being made into a movie.
09:33I'm interested in playing the lead.
09:34Can we arrange an audition?
09:35I'll speak to the writer and I'll let you know.
09:42Thank you, Miss Wong.
09:45What do you think?
09:47Anyone can audition, right?
09:49As long as they're right for the role.
09:52What happened between me and Stephanie is not important here, so...
09:56Okay.
09:57I'll call her back and let her know.
10:00Mm-hmm.
10:10What about me?
10:13Can I be your hero?
10:19Oh, you mean, uh...
10:21A film, right?
10:23I've...
10:24I've never considered anyone else.
10:27I have to take this.
10:31Hi.
10:36You know, I'm not just talking about the film, Dorothy.
10:41It's okay.
10:43I can wait.
10:45I've waited this long.
10:51Well, well, well.
10:52Look who it is.
10:57Why are you here?
10:59Oh, I see.
11:01You're the production assistant.
11:03Well, do your job.
11:05Get me a water.
11:08Stephanie.
11:11Get your own water.
11:12I'm not your PA.
11:14Look.
11:15It's my first day on set
11:16and I want to buy coffee for the crew.
11:18Why don't you be a doll
11:20and mark down everyone's order?
11:22Are you deaf?
11:24I'm not a PA.
11:26Here's a tip.
11:28Go on.
11:30Show some respect, Stephanie.
11:32Do you know who she is?
11:33What are you doing?
11:37Oh, no.
11:38She can't know.
11:39I'm asking you.
11:43I want to keep my identity
11:45as the writer a secret.
11:46I don't want anyone to know,
11:48especially not the team.
11:53What do you mean?
11:54Who is she?
11:57No one but a lower PA, I'm sure.
12:00Isn't that right?
12:05Well, actually, she's...
12:09She's...
12:10Just a PA.
12:11You're right.
12:14So why don't you show me
12:15a lower PA, your acting skills?
12:18Maybe I'll be impressed
12:19even by who the coffee's myself.
12:22Watch this.
12:28I loved you once.
12:30Or so I thought.
12:33But now I see
12:34that it was all just a lie.
12:37A beautiful...
12:39Painful lie.
12:45You took everything from me!
12:48My dreams!
12:51My future.
12:52You see?
12:57There's no soul.
12:58That's not acting,
12:59it's just...
13:00reciting lines.
13:03Why don't you show her how it's done?
13:04What?
13:06Go on.
13:11Go on.
13:11I loved you once.
13:34So I thought.
13:37But now I can see
13:40it was all a lie.
13:43A beautiful,
13:45painful lie.
13:48You took
13:48everything
13:50from me.
13:51my heart.
13:54My dreams.
13:57My future.
14:00And for what?
14:02For your own personal gains.
14:05How is that possible?
14:17Dorothy,
14:18that was
14:19perfect.
14:21The role is yours
14:22if you want it.
14:23No!
14:25This role is mine!
14:27Hide the one with the investment.
14:29Without me,
14:30there's no funding
14:30for this movie.
14:31Your investment?
14:32Do you even know
14:33who she is?
14:35Who is she?
14:41Who is she?
14:43As you know,
14:44no one
14:44but a PA.
14:46Dorothy,
14:47this movie
14:48is important to Stephanie.
14:50I mean,
14:50why are you here?
14:50You're not a real actress.
14:52What are you doing?
14:52You're trying to ruin her career.
14:53You're trying to get back at me
14:54by ruining her career.
14:56I'm not ruining anything.
14:58If she can't handle the role,
15:00that's on her,
15:01not me.
15:01You can't blame this
15:03on anyone else.
15:03You embarrassed her
15:04in front of everyone.
15:06I know what you're doing.
15:07You're the one
15:08pulling all the strings here.
15:09You're trying to make her fail
15:10so you can take her place.
15:12She's used this whole thing
15:13to get to you, Drake.
15:14She's been jealous from the start,
15:16trying to ruin my chance
15:17just to get back to you.
15:18Okay, no.
15:19I don't want to fight anymore.
15:20Well, I'll just
15:20take a look at the script
15:22and maybe we can
15:22work something out.
15:25And you were just
15:26so damn selfish!
15:28You only care about yourself!
15:30Just give Stephanie
15:31her role back!
15:33You know what?
15:35I don't want to do this.
15:37But I will.
15:38I'll take the role.
15:40I'll play the lead.
15:45I'll play the lead.
15:46No way!
15:47You can't be serious!
15:48She's not even a real actress!
15:49Dorothy's performance
15:53was far stronger than yours.
15:55Everyone in the room
15:56can see it.
15:59I'm so glad
16:01you've agreed to do the role.
16:03Right, it's settled then.
16:05The lead roles go to
16:06Christopher and Dorothy.
16:09I will double my investment
16:11if you give Stephanie a role.
16:15You two are just such...
16:36Okay, look.
16:41If the money's on the table,
16:42there's no reason to turn it down.
16:44Let's just give her a part.
16:46We have nothing to lose.
16:48I guess that'll be fine.
16:51I'll talk to SQ.
16:57Your father's production company
16:59is already the biggest
16:59investor in your movie.
17:01So why take Drake's money?
17:02You don't still have
17:04feelings for Drake.
17:06No!
17:07He's an asshole!
17:10Come on.
17:11I've got an idea.
17:14Why don't we just give her
17:15a character
17:16that'll make her miserable?
17:20Wow, Mr. Santaro.
17:22I feel bad now.
17:28I only wish
17:29you didn't have
17:30feelings for Drake anymore.
17:32How did she land
17:35herself the role?
17:36She's practically a nobody.
17:37No fan base,
17:38no real experience.
17:40Just one good scene.
17:42Doesn't make sense.
17:45Find out everything
17:46you can about Dorothy.
17:48I want all the dirt.
17:57Director,
17:57there must be a mistake.
17:59I'm only a side character
18:00and not even
18:01in the main scene.
18:02You wanted a role,
18:04we gave you a role.
18:05I came in
18:06with an investment.
18:09You're more than welcome
18:10to take it back
18:11and leave the set.
18:14Even a small role
18:15in SQ's film
18:16is going to do
18:16great things for your career.
18:17Now is not the time
18:18for you to be messing around.
18:22Fine.
18:22two, take one.
18:30Action.
18:31Lily, you are my best friend.
18:33How could you do this to me?
18:34I'm sorry,
18:35but this is...
18:35What the hell are you doing?
18:40It's part of the scene!
18:41Okay, take it again
18:48from the slap.
18:49Action!
18:54Cut!
18:56Stephanie,
18:56why aren't you saying
18:57your lines?
18:58You have to keep going
18:59in the scene.
19:01I think you've had
19:02enough for today.
19:03We'll just try again tomorrow.
19:05Did you see her face?
19:15Absolute gold.
19:16I mean, she got
19:17what she wanted.
19:18She asked for a role
19:19and that's what we gave her,
19:20so...
19:21Seriously,
19:22her performance
19:23is all over the place.
19:25Maybe we should just
19:26cut down on her screen time.
19:28We all know the film's better
19:30without her slowing us down.
19:32You're right.
19:32I'm not going to let
19:35anyone ruin your story.
19:41So, if you can just
19:42give me something
19:43that's a bit more...
19:45Tell me about her job.
19:53What's going on
19:54with my scenes?
19:55Why have so many
19:55of them been cut?
19:56It's a collective decision.
20:00Fuck that!
20:01Let me talk to the writer.
20:02The writer is SQ
20:04and as you know,
20:05they never show their face
20:06so their decision is final.
20:10I'll see you on set in five.
20:12Now it all makes sense.
20:29Now it all makes sense.
20:33That's the head
20:35of the production company.
20:36No wonder she got the role.
20:39Let's see how John's wife
20:41feels about that.
20:51Everyone,
20:51I have an announcement to make.
20:53Today will be
20:54Stephanie's last day on set.
20:56You really think
21:02I don't see through
21:03your little gaze.
21:04Somebody will be
21:05walking out that door today
21:06but it won't be me.
21:09You really think
21:10you can get away with this?
21:12Sleeping your way up?
21:16John's wife is on her way.
21:18Let's see how you
21:18talk your way out of this one.
21:20Slut.
21:21That's enough!
21:30So were you the one
21:31who was stalking
21:32and secretly taking photos?
21:34What?
21:34Scared the truth
21:35is going to come out?
21:37Someone had to expose her
21:38for who she really is.
21:40So you admitted.
21:41You did it.
21:43Damn right I did.
21:44And I'd do it again
21:45if I had to.
21:45You don't know
21:48who you just cross.
21:50Oh I know.
21:51Just some rich old
21:52bastard throwing a tantrum.
21:54I sent those photos
21:55to your wife too
21:56and now your mistress
21:57is about to be exposed.
22:00Yeah.
22:01Security.
22:03Stephanie is banned
22:04from the studio.
22:05Make sure she never
22:06sets foot here again.
22:07You can't just do that.
22:09Oh this is insane.
22:10What are I of rights?
22:11I was only telling you
22:12the truth.
22:13She is a mistress.
22:14A loose woman.
22:15A lady of the night.
22:25Is it true
22:25that Dorothy is
22:26John's sugar baby?
22:27Otherwise
22:28why would he come
22:29onto the set
22:29and get me banned
22:30from the movie?
22:31That's unbelievable.
22:33And he humiliated me.
22:35He had me dragged
22:35off the set
22:36like a criminal.
22:36You should have seen it.
22:38I'm not going to let her
22:40just ruin her
22:41reputation like this.
22:42I mean this whole mess
22:43is making us
22:44look like fools.
22:45Dorothy's always been trouble.
22:49I mean first she goes off
22:50with a married man
22:50and now this.
22:53Don't know how you put up
22:54with her for three years.
22:56You should have got
22:56a divorce earlier.
22:59Stephanie, are you
23:00100% sure that Dorothy
23:02is John's sugar baby?
23:03It's the only explanation.
23:05She's clearly nothing
23:06but a slut.
23:07Drake, Stephanie
23:11is your sister-in-law.
23:14Now you need to take care
23:15of her and forget
23:16about Dorothy.
23:17Can't you see
23:18she's the one
23:18behind all of this?
23:20She was sleeping
23:21her way to the top
23:22killing Stephanie's
23:24unborn child
23:25and John dragging her
23:28off the set.
23:28You should be sticking
23:29up for Stephanie.
23:34I'm not going to let
23:35her do this to you.
23:35Do you think you can
23:51just walk away from
23:52what you did
23:52like nothing happened?
23:53I didn't walk away
23:54from anything.
23:55You did.
23:56You chose Stephanie
23:57over me.
23:58Remember this one?
23:59She's my sister-in-law.
24:00I'm so sick
24:01of hearing this.
24:03You have feelings
24:04for her
24:05and I'm just tired
24:06of it.
24:07You're out of your
24:07mind if you think
24:08I'm going to let you
24:08get away with this.
24:10You do what you
24:11want to do.
24:12For now,
24:13get out!
24:15Why?
24:21We were married
24:22for three years.
24:23We never...
24:24Oh, you're damn
24:24fucking like,
24:25let go of me!
24:30No wonder you
24:36want me to go.
24:38Just look at
24:39yourself.
24:41You're not half
24:42the man Christopher
24:43is.
24:44Get out
24:45or I won't
24:47call the cops.
24:49Just go!
24:58Are you okay?
25:00Dorothy?
25:06Yeah?
25:07Remember,
25:07safety first.
25:09The lifeguard's
25:09right there
25:10if you need him.
25:11Okay.
25:14Anything you need,
25:15let the AD know.
25:16Okay.
25:17Got it.
25:17Got it.
25:18Yep.
25:26Here's a coffee
25:27for you.
25:28It's still early
25:29before the shoot.
25:29Take your time.
25:30I don't know.
26:00Something's wrong.
26:25That's not acting.
26:29She's in trouble.
26:30Where's the left guard?
26:42Where's the left guard?
26:43Where the fuck is the left guard?
27:05Come on, Dorothy.
27:15Why did you do that?
27:39I'll do anything for you, Dorothy.
27:46Christopher risked everything without hesitation.
27:50How could I have been so blind?
28:09I wasn't expecting that.
28:16Where were you?
28:25Dorothy could have drowned.
28:26I'm sorry.
28:27I had a stomachache.
28:28I had to go to the bar.
28:29Make sure it doesn't happen again.
28:30Do you think that I should call Dorothy just to make sure she's okay?
28:39Are you still hung up on her?
28:42No.
28:44It's not like that.
28:45I'm just trying to be helpful.
28:46Don't you remember, Drake?
28:48She's the one who had me kicked out of the movie.
28:52She's the one who killed my baby.
28:54Not just my baby, but Nick's baby.
28:57I know I'm just her sister-in-law.
28:59Whatever happened between us is in the past.
29:01But I have no one now.
29:04No husband.
29:05No baby.
29:08What I have left is you.
29:11Haven't you seen through Dorothy yet?
29:14She's nothing but a slut sleeping away to the top.
29:16You don't know that.
29:19You know I'm right.
29:21Why else would John come onto the set and stand up for her?
29:24Not just John, but Christopher too.
29:26She's sleeping around with anyone she can find.
29:28She's a whore.
29:28Shut up.
29:31You want war?
29:41I'll give you war.
29:46Do it.
29:48Make sure Dorothy feels every bit of it.
29:55Breaking news.
29:56Unknown actress seduces Hollywood heartthrob.
29:59Rising star or opportunist.
30:02Actress Dorothy's shocking affair with Christopher.
30:05Christopher's new flame or a heartless gold digger.
30:08Dorothy!
30:09Liar!
30:10Hey, bitch!
30:13This is getting out of hand.
30:15Maybe we should just reveal her real identity.
30:18Let everyone know she's not just some random actress.
30:21There is a no.
30:26Dorothy, once we tell them who you are, there's no reason for them to attack you.
30:30There's someone behind us.
30:32And whoever they are, I'll make them hang.
30:41Fuck off.
30:42This can't be right.
30:54I'd die in the second scene.
30:56This must be Dorothy and John forcing SQ to cut me out.
31:00They won't get away with this.
31:02Trey, can you believe this?
31:09They've completely written me out of the script.
31:12Do you remember when Nick was lying in that hospital bed?
31:15You promised him you'd look after me.
31:17I've already lost my husband and my baby.
31:20I can't lose my career too.
31:21Don't worry.
31:23I'll get you your character back.
31:24There's a tape of a documentary that apparently SQ has always wanted.
31:46So, we win this bid and we gift it to them.
31:49We should be able to get you your robot.
31:50Up next, a rare gem.
31:56The original film documentary chronicling the creative journey of none other than herself.
32:02Legendary screenwriter, Margaret Lane.
32:0550,000.
32:07What's she doing here?
32:10I don't know.
32:12I'm not going to let her win this.
32:1560,000.
32:1570,000.
32:23100,000.
32:27This is my grandmother's documentary.
32:29It's her legacy.
32:31She's the one who inspired me to become a screenwriter.
32:34I can't let it fall into the wrong hands.
32:38500,000.
32:39500,000.
32:39I'm trying to get you your role.
32:54Don't worry.
32:56I've got it covered.
32:57Ladies and gentlemen, we are down to the final bid.
33:01Standing at a whopping 500,000.
33:04500,000 going once.
33:08500,000 going twice.
33:11Sold.
33:12To the lady in the blue dress.
33:21I can't believe this.
33:23You have no right to take that film reel with you.
33:27You have no right to take that film reel with you.
33:36What's going on?
33:43Ladies and gentlemen, I've just been informed.
33:46Miss Dorothy is in fact not an invited guest.
33:50Therefore, as per our rules, this documentary reel will not be released to Miss Dorothy.
33:56This is ridiculous.
33:58I was invited.
33:59Well, in that case, may I see your invitation?
34:08I did have it, I swear.
34:10I'm sorry, Miss Dorothy.
34:11If you do not have the invitation at hand, the documentary reel has to go to the second highest bidder.
34:16This is the protocol.
34:17Oh, you don't understand, do you?
34:18I'm sorry.
34:26I'm sorry, these are the rules.
34:40The documentary reel will go to the honourable couple.
34:50Stephanie, wait.
35:13Just sell it to me.
35:16Name your price.
35:17I'll pay you anything you want.
35:19It's really important to me, please.
35:21Why are you doing this?
35:23Are you just trying to get my attention by going after something that Stephanie wants?
35:27No, you don't understand.
35:29Just let me buy this.
35:32Whatever it takes.
35:34I'm sorry, Miss Dorothy.
35:35You think this is about money?
35:38Please.
35:38This isn't something you can just buy.
35:40Dorothy, what the hell are you doing?
35:44Why do you always have to go against her like that?
35:46This reel is important to Stephanie.
35:48She can use this to help her career.
35:50Her career?
35:52Is this about your role being cut from the head?
35:56Is that why you're doing this?
36:00I'm the writer.
36:01I've got to fix this.
36:03Then you write the story and bring your character back.
36:05Just let me have the reel, please.
36:08You're the writer.
36:11Are you telling me that you're SQ?
36:17You, the writer SQ.
36:19Can you give us a break?
36:21Look, this reel is important to Stephanie.
36:24End it.
36:25Don't make this harder than it has to be.
36:29You've been with Dorothy for so long, and you don't even know her.
36:31Oh, and you do.
36:33A hell of a lot more than you.
36:34Who the fuck do you think you are?
36:35Both of you, calm down.
36:36Scratched all over.
36:52It's ruined.
36:53Not even fit to be a gift anymore.
36:55I can fix this.
36:57Stephanie, I know someone who can restore it.
36:58Just sell it to me, please.
37:00Just name your price.
37:01Even if I had no use for it, I'd never give it to you.
37:20Missed.
37:21I want to be a writer like you, Grandma.
37:36I want to make movies like you do.
37:40This reel has more than pictures and sound on it.
37:45Really?
37:46An entire world I've captured.
37:48But it's just one way of seeing things.
37:52The magic is creating it yourself.
37:55Someday you will.
38:07Dorothy.
38:10I need you to go apologize to Stephanie and give her her role back.
38:14Apologize?
38:15To her?
38:17She destroyed the reel.
38:18And she wouldn't have done that if you hadn't pushed her.
38:24So go apologize or I'm pulling my funding.
38:28Look, Dorothy.
38:29Let's be real here.
38:32Without Stephanie, who's going to invest?
38:36Even the production company will pull out if they hear that she's not involved anymore.
38:39Her name carries weight.
38:41Let's not pretend that your reputation is exactly stellar right now.
38:43Christopher's fans hate you.
38:46Stephanie's fans hate you.
38:48Even if you actually make this film, no one's going to support you.
38:52You will be buried.
38:53If you apologize to Stephanie even now, I can help you.
39:01I can control the press.
39:03I can control the narrative.
39:04I can actually give you a chance.
39:08What's so funny?
39:12What's so funny?
39:14Pull your funding?
39:16Do it.
39:18You'll see it does nothing for the movie.
39:20Okay.
39:21So what if I tell the production head to pull his funding too?
39:23Didn't I tell you that I know Mr. Bennett?
39:27No.
39:28Go ahead.
39:29Quiet.
39:30You want me to call?
39:32Mm-hmm.
39:33Fine.
39:38Hi, Mr. Bennett.
39:39It's Drake.
39:40Drake Mossbacher.
39:42Yeah, I'm pulling my funding from Liar's Game and I suggest that you do the same thing.
39:45I've seen it and it's a sinking ship.
39:47Ha ha ha ha ha ha!
39:49You're pulling up?
39:50Great!
39:50I'll take full control of the investment.
39:53Not a problem.
39:59So you sat with him?
40:04That's why he's supporting you, isn't it?
40:09Is this how you see me?
40:10The type of woman who would use her body to get what she wants?
40:13What other explanation do you have?
40:16You know nothing about Dorothy.
40:20Apologize to Stephanie, cut ties with Mr. Bennett and end this.
40:24Dorothy, come back to me.
40:26Whatever he's offering you will match it.
40:27I'll double it.
40:29You must be out of your fucking mind.
40:31What makes you think I would ever go back to that living hell?
40:35Living hell?
40:36You heard me!
40:37Being married to you was a fucking nightmare.
40:40You made me believe you loved me.
40:44And then you had me waiting in vain for three years, Drake.
40:48You said you'd always protect me, but then when I need you the most,
40:53you just turned your back on me.
40:55You chose your sister-in-law over your wife.
41:01We've had enough, Drake.
41:02You were my prison.
41:03So just go back to your precious Stephanie.
41:11Let's just go.
41:22Why are you hurt?
41:23Are you okay?
41:31What are you, Steph?
41:31What are you doing?
41:32Well, you want me, don't you?
41:34Just kiss me.
41:34I'm all yours.
41:35Steph!
41:36You're Nick's wife.
41:37I've always thought of you like a sister.
41:40Sister?
41:42Funny.
41:43Don't you remember when you came to me the night Nick and I got married?
41:46Don't you remember what you said?
41:49Remember this?
41:50Yeah.
41:50Why not marry Stephanie?
41:53God.
41:54You were practically begging me not to marry Nick.
41:56No, I shouldn't have said that.
41:57I shouldn't have said that.
41:57I don't want to see that.
42:01What's that?
42:02Oh, it's nothing.
42:03Yeah, what is that?
42:04No, Drake, no.
42:05Please.
42:08You lied about this.
42:13You lied about this.
42:17You said that Dorothy pushed you into the water, but this shows you shoving her in.
42:21It's a glitch.
42:23A glitch.
42:25Sorry, do you actually expect me to believe that?
42:28What's this?
42:30Find pills off the black market?
42:34Terminate your pregnancy.
42:36It's you.
42:37First time when you blamed Dorothy like some sort of scapegoat and she was innocent the whole time.
42:41Please, no, you have to believe me.
42:44I didn't...
42:44Do you know what?
42:44I've always thought of you like a sister.
42:47I've always taken care of you.
42:48I even thought that I loved you once, but that was before you were Nick's wife.
42:53You changed.
42:58You changed.
43:00You're not the person I thought you were.
43:02I only looked after you because I thought it was my duty, as Nick's brother, to look after his widow.
43:10I guess there's no need to look after you anymore, huh?
43:13What does that mean?
43:15You're just going to throw me away?
43:17I'm not going to throw you away.
43:19But this is my house.
43:23I'm going to back.
43:23I hope you'll be gone.
43:25You can't just walk away from me like that.
43:27I've said everything that I need to say.
43:29Now I'm going to go find the person that I actually care about.
43:32Dorothy, this is all your fault.
43:42Let's take this bitch down.
43:57Dorothy, please.
43:58I was wrong.
44:07I misunderstood everything about you and about us.
44:10Can you please just hear me out?
44:16You think you can just come here and apologise?
44:19After everything?
44:21I didn't mean to hurt you.
44:24Look, I understand what I did.
44:25It was just because it was Stephanie and anyone.
44:27Can you please just forgive me?
44:29I don't need your apology, Drake.
44:32You let me down.
44:34You abandoned me.
44:36And I needed you the most.
44:38You used me.
44:40You manipulated me.
44:42And now you beg for my forgiveness.
44:45Oh, God.
44:45Please, just don't show me out.
44:47I can fix this.
44:48I can fix that.
44:49I can do anything, Dorothy.
44:51Please, just...
44:52No.
44:52You were never the person I thought you were.
44:57And I'm not either.
44:59I've moved on.
45:02I don't need you.
45:07Not like I used to.
45:09Just stay back.
45:11After everything.
45:12Yeah, that's it.
45:13I just have a better than this.
45:26You did it.
45:53Before you all celebrate this movie,
45:55there's something you should know.
45:58Dorothy is nothing but a homewrecker.
46:01What's going on?
46:03A glorified mistress
46:04who's been playing the part of a wonderful actress
46:06when all she's really done is ruin lives.
46:11Is it true, Dorothy?
46:12You're involved with a married man?
46:14What's your response to Stephanie's claim?
46:19This is ridiculous.
46:21Let's talk about how she got here.
46:24Shall we?
46:24She didn't get here off her talent.
46:27Oh, no.
46:28She got here by clinging to powerful men.
46:32No real experience.
46:33No skill.
46:34Just a man's name and a man's money.
46:37Security!
46:38Get her out of here.
46:39Wait.
46:40If she has something to say,
46:42let's hear it.
46:43Dorothy, it's a trap.
46:45I'm not afraid of the truth.
46:47Let's see what she's got.
46:52What's going on?
46:54So tell us, Dorothy.
46:55How did you get here?
46:58Did you use your relationship with John Bennett
47:00to land the part?
47:01A homework, are you saying?
47:19Is there something wrong with me appearing with my own dad?
47:23You're the one who sent me this photo, right?
47:24How about you take another one?
47:27This time, of my lovely family of three.
47:30Dorothy, Dorothy, Dorothy.
47:31Are you really John Bennett's daughter?
47:33Yes.
47:34I bet you never ask for a last name.
47:36It's Bennett's, by the way.
47:39So, Dorothy is the producer's daughter.
47:43Dorothy, so did you use your father to get the part?
47:46Ah, so it's just nepotism, then.
47:54Even if she didn't fuck her way to the top,
47:56she still only got here through her connections.
47:58Whether you like it or not,
47:59my performance speaks for itself.
48:01And everyone here saw it.
48:03She was actually really good.
48:04Yeah, she handled the novels.
48:06Oh, are you saying that everyone here is wrong?
48:09You think you're so clever, don't you?
48:12Fine.
48:13You can act a little bit.
48:14But let's be real.
48:16You didn't land this role on your own.
48:18You just snapped your bony little fingers
48:19and let Daddy give you a role.
48:21How else would a nobody like you
48:23have landed yourself the lead otherwise?
48:26Dorothy isn't just a nobody.
48:30She wrote Liar's Game.
48:33She is SQ.
48:38Dorothy is SQ.
48:40How can that...
48:44It would be possible.
48:49Liar's Game is a masterpiece.
48:50There's no way you could have written it.
48:52You don't have to believe me.
48:54Just let the credit speak for itself.
48:59How can this be true?
49:04It's so dramatic.
49:07Dorothy Bennett,
49:07you're the daughter of the producer
49:08and the famous writer SQ.
49:10Why did you keep your identity a secret so long?
49:16Why did you keep your identity a secret so long?
49:18Stephanie Marsbecker,
49:19Linda Marsbecker and Ellie Marsbecker,
49:21I'm arresting you on suspicion of defamation.
49:23No, no, no, no.
49:24I didn't do anything wrong.
49:25This was all Stephanie's idea.
49:26I didn't do anything.
49:27I didn't do anything.
49:27This whole time,
49:36she was actually telling the truth.
49:38Dorothy's SQ.
49:40She's genius.
49:43That's why she always had a book in her hand.
49:47Always writing something on her laptop,
49:49always lost in her thoughts.
49:53I didn't even see her.
49:55I guess I was blind all along.
50:00I don't deserve that.
50:20I've missed this place.
50:23Don't you remember?
50:25Of course I do.
50:26We saw so many films here.
50:29We would just stay in our seats
50:31and talk about life and everything.
50:36But you just made me feel like I could face
50:38more about anything, really.
50:43God, I used to be so nervous back then
50:45about everything.
50:48About the future.
50:51But you just made me feel like I could face
50:52more about anything, really.
50:54No.
50:57Someone had to be there to make sure
50:59you didn't ever think everything.
51:01I remember you used to unpick every little detail
51:03like it was a life or death situation.
51:09You know, Dorothy,
51:11life's not been the same without you.
51:14Even when we parted ways, I...
51:20I always knew that we would find each other again.
51:26I don't care what we've been through.
51:29I don't care what's happened.
51:30All I know
51:31is that I need you now
51:34more than ever.
51:37And the award for best adapted screenplay
51:55goes to...
51:56Dorothy Bennett
51:57with Liar's Game!
51:58Wow.
52:03Best screenplay.
52:05What, shall I start calling you
52:06Your Majesty?
52:07I think that's a great idea.
52:10Why don't I start now?
52:12You deserve this.
52:14Your Majesty.
52:16Every bit of it.
52:18Oh.
52:18Since you won,
52:21I think this calls for a reward.
52:24Oh, yeah?
52:27And what would that be?
52:30Me.
52:31Me.
52:48Me.
52:49Me.
52:49Me.
52:49Me.
52:50Me.
52:50Me.
52:50Me.
52:50Me.
52:51Me.
52:51Me.
52:51Me.
52:51Me.
52:51Me.
52:51Me.
52:52Me.
52:52Me.
52:52Me.
52:52Me.
52:52Me.
52:53Me.
52:53Me.
52:53Me.
52:53Me.
52:53Me.
52:53Me.
52:54Me.
52:54Me.
52:54Me.
52:54Me.
52:54Me.
52:54Me.
52:54Me.
52:54Me.
52:54Me.
52:55Me.
52:55Me.
52:56Me.
52:57Me.
52:57Me.
52:57Me.
52:58Me.
52:59Me.
52:59Me.
53:01Me.
53:01Me.
53:02Me.
53:03Me.
53:05Me.
53:06Me.
53:07Me.
53:08Me.
53:09Me.
53:10Me.
53:11Me.
53:12Me.
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