- 4 months ago
THE MAKING OF "THE SHINING" (1980) - STANLEY KUBRICK
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Short filmTranscript
00:00Oh, look, Chuck. Hello. Yeah, Timmy, how are you? Very well, thank you. Good morning, Chuck. No, I'm being called out the door. What's up? Cook a little rice with it or something, will you? Something, you know, either rice or noodles.
00:25Okay, Timmy, I'll talk to you later. Bye.
00:30Why do you have to know about my rice and noodles? Huh? I didn't know what you were going to say.
00:36Rice and noodles. What if you'd walked in here and I was talking business?
00:42Some personal matters, Jack, possibly. You look cute today in your red shirt, huh?
00:51All right, now, what have I got to do? It's 8 o'clock. Why are we starting now? Is it crazy?
00:56They're trying to finish you, Jack, in the weeks.
00:58Well, let's get him finished. Let's get him out of here. Huh?
01:04Finished with the assignment. Beautiful. Excellent work.
01:11Great work.
01:14Have a look in your back.
01:15Yeah, you want to go in with me while I go?
01:17No.
01:18I do have to go. I do have to go. It's pretty neat, huh? See?
01:27See what, Tim?
01:29Well, toothbrush? I'll brush my teeth for you, Viv.
01:33Tell me why I'm.
01:33Okay.
01:34Okay.
01:34I always brush my teeth before I report back in for work.
01:40Why?
01:41Consideration for my co-workers.
01:45It's grueling enough without a face full of lamb cutlets.
01:51They'll be so grateful to me now.
01:59What?
02:00They'll be so grateful.
02:02They'll say, look at that, Jack.
02:04They're going to come down.
02:07Even though it's midnight.
02:11That's not true. It's 8 o'clock.
02:14And Lord knows what he's been doing.
02:23He's down here, and he has a fresh and sparkling breath.
02:32You see?
02:36Now, you'll have to excuse me now, because I'm going to take a piss.
02:47Dad, why don't you get some shots of me when I'm great looking and everything?
02:52You're looking fine.
02:53You better get the best cotton in this film, Jack.
02:56Let me ask you a question, Tara.
02:58We're indoors. I don't need the big coat, do I?
03:00Not some old.
03:01Good job.
03:04Good show.
03:06There's some lights out here.
03:08Oh, I can't.
03:09I'm trying to go over there.
03:23Every little of the leaves is sitting to your spank on the wheels.
03:27Come on to the wheels to give me a hug and a squeeze.
03:36I don't think you told me the truth. It's, uh, quite chilly here.
03:56Well, there's a lot of just plain sweater men in here, so we've got away.
04:01We're straight through the, uh, straight on through.
04:10This one, uh, that'll be a little lurkish.
04:13What? Lurkish is right.
04:16Thank you, sir.
04:18Thank you, sir.
04:19Thank you, sir.
04:20Thank you, sir.
04:22Thank you, sir.
04:26All the way from my toilet.
04:33What do you think of it?
04:36It's good, now.
04:37Beautiful.
04:38Let me explain this to you, sir.
04:40Okay.
04:41Well, come on, come on, come on!
04:56All right, are you ready?
04:57Alright!
04:58All right, tell me today!
04:59Damn it, son of a gun!
05:01Beat自己...
05:02Die!
05:03Sex-murder kill!
05:04Ha!
05:06All right, you just say turn over when you're ready, Sammy.
05:26Dave, I can't get out!
05:30Run!
05:32Run and hide!
05:34Run!
05:35Quick!
05:36Hey, little pigs, little pigs, let me come in.
05:48Not by the hair on your chinny-chin-chin.
05:53Then I'll huff, and I'll puff, and I'll blow your house in.
06:00No!
06:01No!
06:02No!
06:04No!
06:09No!
06:12Oh!
06:12Oh!
06:13Oh!
06:14Yes!
06:15Man!
06:15No!
06:20No!
06:20No!
06:21No!
06:22No!
06:22You're in the skin.
06:27All right, okay.
06:29Just turn on the video.
06:33Yes, Danny.
06:34Turn on video.
06:36Okay, okay.
06:37Don't listen to me, man.
06:39Yeah, okay.
06:40Danny, you've got to listen to Stanley.
06:42Look out.
06:43Stanley, get out of there.
06:45He's coming.
06:46Come on, scare him.
06:47Walk back again, Danny.
06:49Get out, Danny.
06:50Walk back, Danny.
06:51Walk back.
06:52Get out of there.
06:53Get out of there.
06:54Look back, Danny.
06:55Start to slow down.
06:56Start to slow down.
06:57See the door.
06:58See the door.
06:58We're going to cover it.
06:59Quickly.
07:00Get in the cover.
07:01Fast as you can.
07:11Good.
07:12I think the last three were going good.
07:13I think the last two were better.
07:15Previous two.
07:15Okay, let him go.
07:18Let's go back the last four takes.
07:20All right, Dan.
07:21All right, Dan, let's see him.
07:22Oh, God.
07:23Get out of the way.
07:24Get out of the way.
07:25All I thought about is what my mom and my dad were going to buy me.
07:41Buy you?
07:42For what?
07:43With all that money.
07:45With all that money.
07:50Uh-huh.
07:51And did you know how much you were going to be earning per week?
07:57No, really, I didn't know.
07:58Did they tell you?
07:58I didn't know really how much I was going to earn any money.
08:04No, I just thought I would just get two dollars to sell.
08:09A bit of pocket money.
08:11Yeah.
08:11Yeah, right.
08:12And so, now I know I probably have five or five or six hundred dollars.
08:22How did you find working with this little guy, Danny Boyden?
08:27Was it enjoyable?
08:28Was it?
08:29It was beautiful.
08:30Just like my son.
08:34Now, if you see tears, it will be tears of joy.
08:46Because I think the Lord I'll be there.
08:49Was able to work with such beautiful people.
08:55I'll never forget this.
08:59Is there something bad here?
09:04Well, you know, Doc, when something happens, it can leave a trace of itself behind.
09:20Say, like, if someone burns toast.
09:25Well, maybe things that happen leave other kind of traces behind.
09:31Not things that anyone can notice, but things that people who shine can see.
09:42Just like they can see things that haven't happened yet.
09:46Well, sometimes they can see things that happened a long time ago.
09:51I think a lot of things happened right here in this particular hotel over the years.
10:01And not all of them was good.
10:03This is the way that I saw Boris Karloff marks his lines.
10:09I've copied it ever since.
10:14Then, simply by picking them up and reading...
10:19That turns me into a freaking monster!
10:21Ugh!
10:21That's the interjection, right?
10:28Yep.
10:30I'm gonna go now.
10:33I'll be back by tomorrow morning at the latest.
10:36Wendy.
10:38Yes?
10:38You've got a surprise coming to you.
10:40You're not going anywhere.
10:42Try the snowcat and the radio and you'll see what I mean.
10:44Jack, I'm sorry.
10:50I had to do it.
10:51There's something wrong with you and I had to lock you in.
10:54Wendy, open the goddamn door.
10:57You open it.
10:57I'm sorry.
10:58I really had a bad time.
11:00Wendy.
11:03Listen to me.
11:05Let me out of here and I'll forget the whole damn thing.
11:10Wendy, listen to me.
11:11Let me out of here and I'll forget the whole damn thing.
11:14It might be better to just play it as a medium shot with the situation.
11:32Let's take that.
11:39Can't you do it with your head down.
11:41Yeah.
11:43Well, that's not bad.
11:44Let's do that.
11:49Try that, Jack.
11:51Wendy, listen to me.
11:54Let me out of here and I'll forget the whole damn thing.
11:58It'll be like it never happened.
12:01You couldn't find some way of sort of not looking at her and looking down as you say the line.
12:06Wendy, listen, let me out of here and I'll forget the whole goddamn thing.
12:16It'll be just like nothing ever happened.
12:17Wendy, baby, I think you hurt my head real bad.
12:38I'm dizzy.
12:39I'm dizzy.
12:40I need a doctor.
12:44I need a doctor.
12:52Honey.
12:52Don't leave me.
12:54Don't leave me in here.
12:55Don't leave me in here.
12:57I'm gonna go now.
13:08I'm gonna try to get Sammy down to Sidewinder and the snowcat today.
13:19I'll bring back a doctor.
13:24Wendy?
13:26I'm gonna go now.
13:30Wendy?
13:32Yes?
13:33You've got a big surprise coming to you.
13:42You're not going anywhere.
13:49Go check out the snowcat and the radio and you'll see what I mean.
13:57Go check it out.
14:01Go check it out.
14:06Very good, Jack.
14:07Excellent.
14:08Right.
14:09Check the gate, Doug.
14:13Now, it's not the script.
14:14I've given it to Philip.
14:15He's going to mull over it, you see.
14:16And would you like to mull over it?
14:17I'd love to mull over it, Junior.
14:19Do you not even mull over it?
14:20No, no, no.
14:21I mean, I have some time this evening.
14:22I wasn't planning on doing anything between midnight and two.
14:26What I'm trying to say is that's not the real script.
14:27It's just an idea to get started on.
14:29Very good.
14:30Filmmaking.
14:31Very good.
14:32Filmmaking.
14:33Get these things.
14:34We make it up as we go along.
14:35Don't we then?
14:36I'm just going to mull over it, you see.
14:38I'm just going to mull over it, you see.
14:39And would you like to mull over it?
14:40I'd love to mull over it, Junior.
14:41Do you not even...
14:42No, no, no.
14:43I mean, I have some time this evening.
14:44No, no.
14:45The thing is this one...
14:46I wasn't planning on doing anything between midnight and two.
14:47No, what I'm trying to say is that's not the real script.
14:48It's just...
14:49It's just an idea of what you did.
14:50It's just an idea to get started on.
14:52Very good.
14:53Filmmaking.
14:54Get these things.
14:56We make it up as we go along.
14:59Don't we then?
15:01And why is the script in multicolored pages?
15:04Anything?
15:05Because each time you make a new version,
15:07at first you get very methodical.
15:09And each time you make a new version,
15:11you put in a different color.
15:12After a while, you're lucky if people get copies of the changes.
15:16It's so that you start with white,
15:18then you go to blue, then pink, then green, then yellow.
15:21What happens?
15:22It's so that when everybody's got their script out,
15:24you can look right over and know if they've got the latest version.
15:28But of course, you never have the latest version.
15:30Blue or yellow isn't significant.
15:32No.
15:33It's just colors.
15:34I quit using my script.
15:36I just take the ones they type up each day.
15:42Aren't you exaggerating a little bit?
15:44No.
15:45The average celebrity meets in one year
15:51ten times the amount of people
15:53that the average person meets in his entire life.
15:57And Mr. and Mrs. Pickett.
16:00Mr. Kubrick.
16:01And Mr. Willis.
16:03Hello!
16:04Mr. Kubrick.
16:06And that's Mr. Vowell.
16:07How do you do?
16:08Jack's such a big star, such a famous personality, that people do tend to
16:37be a bit sycopantic with them. But it wasn't everyone, but some people did. And it wasn't
16:47entirely ineffectual. I mean, I did get jealous sometimes, I must admit.
16:54Why was that?
16:56Well, it was mostly between takes, not during work. I mean, when we were actually working
17:01on a scene, that did not interfere at all. But on occasions, when we were just sitting
17:09around or about to come to work or standing by in our rooms, whatever, I mean, there were
17:20times where I felt a bit jealous, because he got very, very much attention. And I suppose
17:28I like attention.
17:30Peter, come to me.
17:32Oh, it's okay, wait.
17:33No, I don't want you on the car, Phil.
17:34Oh, no.
17:35It's okay.
17:36Put this car in the room and walk back, do you know?
17:39Oh.
17:40Oh, no.
17:41Boys, go.
17:42No, no, it's okay.
17:44All right, all these outwards.
17:46It just, it comes in grass and I've just been to it.
17:49Oh, dear.
17:50No, sir.
17:51Oh, dear.
17:51I just got some beer.
17:52Yes. Oh, God, thank God. That came out.
17:55Why didn't you shout or something?
17:57Oh, my God.
18:27I'm the first assistant being friendly.
18:29Is there any new dressing under what you said?
18:31Excuse me.
18:38From May until October, I was really in and out of ill health
18:43because the stress of the role was so great
18:48and the stress of being away from home just uprooted
18:52and moved somewhere else,
18:54and I had just gotten out of a relationship.
18:57And so for me, it was just tumultuous.
19:02Look at this.
19:04Pulled all my hair.
19:05I pulled hunks of hair out on the windowsill
19:08when the back got caught.
19:10These are trim, though.
19:11Hunks of hair.
19:12Oh, look.
19:13Okay.
19:13It just comes out.
19:14Okay, right now, fellas.
19:17No rush, John.
19:17There's more to come, Joe.
19:18Come on.
19:20Come on.
19:21I'm ready.
19:22I'm going to set up anyway now, boys.
19:23Joe, come on, Joe.
19:25Get the dummy.
19:26No, she doesn't carry him.
19:27That's right.
19:27Okay, let's go.
19:29No, no, no.
19:29Can I have a pint, please?
19:30The 18?
19:3118 and the tube's swinging all back in here.
19:34It's got to go outside.
19:35What else time?
19:36And it's just 25 to 1.
19:38Don't sympathize with Shelly.
19:40Don't sympathize with Shelly.
19:42Why not?
19:43It doesn't help you, wouldn't it?
19:45Yes, it does.
19:46It does.
19:46Yeah, it does.
19:47It's tough, but it's something sweet.
19:48It's only being a very special show.
19:50Yes, I know.
19:51Let's go.
19:51All right.
19:52Okay.
19:5218.
19:53Uh, boys, want the video?
19:56It's got to be around here.
19:57Get this all set up.
19:58Well, get us in there first, and then you lead.
20:01If that's true, Jack will come in from this end and stop over here.
20:04Yeah.
20:05That's the thing?
20:05Uh, okay.
20:06And, yeah, he'd run past in that direction.
20:09Lead us in first.
20:10Come in.
20:10You want Danny in first.
20:11Yeah, now, we take the 25 in your pocket or something, because I don't know what lines
20:15we're going to want.
20:16Is it?
20:17The 18 on the camera, the 25 in your pocket.
20:19We'll bring Jack straight in, Stanley.
20:21And the 14-5 in somebody else's pocket.
20:23Okay.
20:23All right.
20:26Stanley, what do you do?
20:27Bring Jack straight in?
20:29Les has to bring him in.
20:30We went when he was.
20:31I know.
20:32Yeah.
20:32We've got to do his hand and all that we've got to do, Stanley.
20:34Do it right and out.
20:35Come on.
20:36Get him in.
20:38Let anybody do it, Brian.
20:40Just get him in and let him realize we're out of time.
20:47Harry, can you check the smoke in the center, please?
20:52Are we going the right way, then?
20:53Yeah.
20:53Uh, yeah.
20:56We're coming around, sir.
20:58We're on our way in.
20:59We're on our way in.
21:00Don't let him run.
21:01He's level of running in there.
21:02Okay.
21:04Here we go.
21:05Roll video.
21:06Turn over, please.
21:08Roll video.
21:10Don't look at your hands, Danny.
21:15Don't look at your hands when you come around.
21:19Keep it low.
21:20Come on.
21:24Slowly, slowly, slowly.
21:26Keep coming.
21:29More scared, Danny.
21:30Now, go.
21:35Don't be a shovel.
21:36Run, now, run.
21:37Look back, Danny.
21:38Look back.
21:39Look back.
21:39All right.
22:03What?
22:04All right.
22:04Now, go.
22:05your mama said that when you're at home playing with your friends you like to play a movie making
22:19is that true right and also my friends like to play it but they don't really understand
22:26oh what do you understand about me well they say you think you're smart don't you you know
22:34well you know and i admit i admit that i do think i am well when i come up against a director who has
22:48a concept that i maybe i don't agree with it maybe i just hadn't thought of it or whatever i'd be more
22:55prone to go with them than my own because i want to be out of control as an actor i want them to have
23:01the control otherwise it's going to become predictably my work and that's not fun well
23:09many parts of that were good there were quite a few many possible very good let's look at it
23:16through here i couldn't i didn't think you got mean enough at the beginning when you said
23:24at the beginning at the transition the only thing come and look at it the only part clearly wrong
23:36was at the end when you said we've got to get him out of here as you got strong at the end and i think
23:41it has to be a last desperate begging you know and i still think you shouldn't jump on every single
23:52emphatic line it looks fake it really does it looks like you uh shelly i'm telling you it's too
23:59many times every time he speaks emphatically you're jumping it looks funny say he says i'll put on my
24:05suit and there's no i think that line is right right when he lays down no i think that line's in the
24:10right place okay okay so you say what's the matter with you first because what's the matter is i mean
24:15why are you so angry what is the matter with you what are you talking about well this is where he
24:19lays down though that's the only thing i was thinking of you know when he flops back on the bed
24:24since that is new i thought it fit you know what's the matter with you if you if you talk
24:29and then he blows up right i'd rather say it yeah okay all right i honestly don't think the lines are
24:36going to make an awful lot of difference if you get the right attitude i think you weren't about
24:42the wrong can we just have a quick uh chat about it we just want to show you there's someone else in
24:51the hotel with us there's a crazy woman in one of the rooms she tried to strangle danny
24:57which room was it
25:28yeah
25:37now this is a really a nicer sound for the sort of
25:49so
25:58so
26:02so
26:12I'm a good girl.
26:17I'm a good girl.
26:20I'm a good girl.
26:23I'm a good girl.
26:26I'm a good girl.
26:28I'm a good girl.
26:30Good morning, dear.
26:33You know what's that?
26:36Just get that where it's comfortable and then...
26:40Sorry to interrupt this.
26:42We have a man and a woman to go and sit in the back there by the dancers.
26:46Whichever two of you would like to go.
26:48Man and a woman back there.
26:50John.
26:52Could you just go to one of the empty tables up there on the top?
26:56John, please, up on the left.
27:00On the conversations, everybody, just mouth them.
27:04Don't speak.
27:06Joe, just get on, please.
27:08Don't nod your heads when you're talking.
27:10Just talk naturally to each other.
27:12Okay, right.
27:13Let's have a big clarity of the set then, please.
27:15Okay, number one.
27:16Only people who should be there.
27:18Good evening, Mr. Torrance.
27:30Good evening.
27:32Hi, Lloyd.
27:46Been away, but now I'm back.
27:50There's that pressure on almost every movie set, and it's here as well.
28:07It's just Stanley doesn't relate to it, because he is doing exactly what he thinks he should be doing at that moment about it.
28:16You know, sort of very single-mindedly.
28:19He's emotional on the set.
28:21You know.
28:34Tell him to reduce the snow.
28:36Reduce the snow a bit, Ellen!
28:38Ellen, stand over here!
28:40Ellen, stand over here!
28:42Reduce the snow a bit, Ellen!
28:44You can't even hear us.
28:46Reduce the snow.
28:47I can hear you, Stanley.
28:48I've just done that.
28:49What?
28:52Do I have that stuff in my hand?
28:53I've got it out.
28:54Okay, stand by.
28:57All right, stand by, boys.
28:58Okay, Malcolm?
28:59All right, roll video.
29:01Get out, Peter.
29:02Video speed.
29:03Video speed, Stanley.
29:04Turn over.
29:05All right, clear back, boys.
29:06Okay, turning, Doug?
29:07No, wait a minute.
29:08I got it.
29:09Hold it.
29:10Cut it.
29:11Keep it rolling.
29:12Keep the video rolling.
29:13All right.
29:14Keep video rolling.
29:15Reduce the smoke a little, Alan.
29:17Reduce the smoke a little bit, Alan.
29:23Okay, turn over.
29:24Okay, turn over.
29:25All right, roll video.
29:26And action, Shelley.
29:34Action, Shelley!
29:35Cut it.
29:40Cut it.
29:46Nobody even said roll video.
29:47Who has no desperation?
29:48Oh, come on.
29:49What do you mean roll video?
29:50Two seconds.
29:51We're killing ourselves out here,
29:52and you're going to be ready.
29:53I am, too.
29:54I'm standing right by the door.
29:55Should we play mood music?
29:56No, I can't hear it.
29:57Yeah, but when you came out like this,
29:58you said it was a little desperate.
29:59We're sitting there because they say,
30:00wait a minute, and then you say on the radio, go.
30:02But when you do it, you've got to look desperate, Shelley.
30:05I can't even get this door open.
30:07On the record, I got such a bollocking
30:09because they said turn over,
30:11and they said video rolling and all that,
30:14and I got all ready, and jumped up and down,
30:17and then they said, never mind.
30:19Cut it.
30:20And then I would take a bite of soup.
30:24Next thing I know, action, Shelley.
30:27So.
30:28If it hadn't been for that, you know, volley of ideas,
30:35and sometimes butting of heads together,
30:37it wouldn't have come out as good as it did.
30:40And it also helps get the emotion up and the concentration up
30:44because it builds up anger, actually,
30:48and you get more out of yourself.
30:53And he knew that.
30:54And he knew he was getting more out of me by doing that.
30:57So it was sort of like a game.
31:00Anything you do as many times as a successful actor,
31:03you can't have one set of theories.
31:05You know, you can go for years saying,
31:07I'm gonna get this thing real,
31:09because they really haven't seen it real.
31:11Do you know?
31:12They just keep seeing one fashion of unreal after the other
31:16that passes as real.
31:19And you, you know, you go mad with realism,
31:22and then you come up against someone like Stanley,
31:25who says, yeah, it's real, but it's not interesting.
31:28Has it ever occurred to you what would happen to my future
31:31if I were to fail to live up to my responsibilities?
31:34Has it ever occurred to you? Has it?
31:36Has it?
31:37Stay with me.
31:39Why?
31:40I just want to go back to my room.
31:43Why?
31:45Well, I'm very confused.
31:50I just made a chance to think things over.
31:55You've had your whole fucking life to think things over.
31:59What good's a few minutes more gonna do you now?
32:02Stay with me.
32:04Please.
32:06Don't hurt me.
32:08I'm not gonna hurt you.
32:10Stay away from me.
32:11Wendy.
32:12Stay away.
32:13Darling.
32:14Light of my life.
32:15I'm not gonna hurt you.
32:17You didn't let me finish my sentence.
32:19I said, I'm not gonna hurt you.
32:21I'm just gonna bash your brains.
32:23I'm not gonna hurt you.
32:24I'm just gonna bash your brains.
32:26You just, you appreciate all the pain.
32:29I mean, you always dislike whatever the cause is of pain.
32:36You always resent it.
32:39So I resented Stanley at times because he pushed me.
32:42And it hurt.
32:44And I resented him for it.
32:46I thought, why do you want to do this to me?
32:48How can you do this to me?
32:50You know, you agonize over it.
32:53And it's just a necessary turmoil to get out of it what you want out of it.
32:57I mean, we had the same end in mind.
33:00It was just that sometimes we differed in our means.
33:03And by the end, the means met.
33:08And I find I really respect him.
33:10And really like him.
33:12Both as a person and as a director.
33:14I mean, I'm amazed.
33:17He's taught me more than I've learned on all the other pictures I've done
33:21within one year's time on one picture.
33:33I love you.
33:49I'm amazed at this point.
33:52I love you.
33:58I love you.
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