Sunfish (& Other Stories on Green Lake) 2025 full drama thriller movie Maren Heary Jim Kaplan Karsen Liotta #Sunfish #GreenLake #AnthologyFilm #Drama #ComingOfAge #SliceOfLife #IndependentFilm #IndieDrama #2025Movie #InterwovenStories #EmotionalJourney #
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Short filmTranscript
00:00:00Hey, Hen.
00:00:26Huh, what?
00:00:27Go join them.
00:00:29No.
00:00:30Don't, you're going to get swimmer's edge.
00:00:31Are you okay?
00:00:34I admire that you've got a goal.
00:00:39No one out here has got any.
00:00:41It's depressing.
00:00:42What's your goal?
00:00:43I was supposed to go to college.
00:00:46This lake, it's like a black hole.
00:00:49That's your name.
00:00:50You can't ever get out of it.
00:00:53What's this?
00:00:54It's at the top of a lake?
00:00:55It's a music camp for gifted children.
00:00:58Promise me you'll practice.
00:01:00I always practice.
00:01:04Hey, yeah, you.
00:01:06Go play with us.
00:01:16The lake is yours, dear.
00:01:17What do we plan?
00:01:23Euchre.
00:01:24Euchre?
00:01:25What's Euchre?
00:01:26Just watch.
00:01:27You don't have to say what's going on inside.
00:01:38You have to obey what cannot be denied.
00:01:45Let the hunger have it take away with you.
00:01:54You're just doing what you've got to do.
00:01:58Isn't it everything?
00:02:00Isn't it everything?
00:02:01You're everything you'd see.
00:02:04Isn't it everything?
00:02:09You knew the need would be.
00:02:10Why?
00:02:11Why hide on the shelf?
00:02:20Cause you're afraid to fall.
00:02:25Try telling yourself.
00:02:30It doesn't hurt at all.
00:02:33Let the disbelievers stand aside.
00:02:42You can make the heavens open wide.
00:02:46Isn't it everything?
00:02:50You're everything you'd see.
00:02:53Isn't it everything?
00:02:57You knew the need would be.
00:02:58You know what?
00:02:59You know what?
00:03:03It doesn't hurt.
00:03:08He's a little bit.
00:03:12You're just a little bit.
00:03:17I don't know when somebody else does.
00:03:18It doesn't hurt.
00:03:21It doesn't hurt.
00:03:24It doesn't hurt.
00:03:25It doesn't hurt.
00:03:26It doesn't hurt.
00:03:27It doesn't hurt.
00:03:28Isn't it everything you're able to see?
00:03:35Isn't it everything you knew that it would be?
00:03:44You don't have to say what's going on inside.
00:03:53You have to obey.
00:04:00What can I read tonight?
00:04:06Let the hunger have it away with you.
00:04:12You're just doing what you've got to do.
00:04:16Isn't it everything you're able to see?
00:04:23Isn't it everything you knew that it would be?
00:04:43Oh, lots of notes.
00:04:46Does that mean you're going to write a big story about us?
00:04:49I don't know.
00:04:50I wonder if there was a pale blonde girl in the second row in pink.
00:04:56Karen Bradley.
00:04:58You have good taste.
00:04:59She's one of our best youngsters.
00:05:01What will happen to her?
00:05:02Dance is a demanding master.
00:05:05When the girls get to be 17 or 18, they may develop other interests.
00:05:10Too bad we can't neuter them.
00:05:17Would you like to talk to Karen?
00:05:20Uh, I was thinking of centering the story on her.
00:05:23I don't know the first thing about dance.
00:05:25But if I can focus on one person...
00:05:27I'll go and get her.
00:05:28And I'm kidding.
00:05:40Take care.
00:05:41Take care.
00:05:41Take care.
00:05:42Take care.
00:05:42Take care.
00:05:47Take care.
00:05:48What's the matter?
00:05:50What the hell do I know about ballet?
00:05:52Then why the papers sent you?
00:05:54Because the dance critic just had a baby.
00:05:56And my editor has a morbid sense of humor.
00:05:59What do you usually write about?
00:06:01Graft. Political corruption. Crime.
00:06:05Ever been arrested?
00:06:07Sorry.
00:06:11You don't live with your parents.
00:06:13I can't. It's too far from the conservatory.
00:06:16Dad works at the Ford plant in Wayne,
00:06:18so I moved to Detroit with Grandpa.
00:06:20Yeah, he's a minister, right?
00:06:21Mm-hmm.
00:06:26How old did you say you were?
00:06:2817. How old are you?
00:06:3027. I'll be 28 in three months.
00:06:35I'll be 18 in 10.
00:06:41Want another soda?
00:06:43The United Auto Workers have selected the Ford Motor Company
00:06:46as the first target in this year's negotiations
00:06:48with the big three automakers.
00:06:50Speaking for the UAW,
00:06:51Russell Nolan announced this morning
00:06:52that the Ford talks would begin next week.
00:06:56200 former employees of the J.L. Hudson Company
00:06:58will...
00:06:59Yeah?
00:07:00It's me.
00:07:01Me? Me who?
00:07:03Karen Bradley, the girl in the story.
00:07:05I know who Karen Bradley is for...
00:07:08Former employee...
00:07:09Crying out loud.
00:07:11It's here. I just got it.
00:07:13What can I say? What can I do?
00:07:24Hi.
00:07:27Uh, here.
00:07:28Oh, thank you.
00:07:30Uh, I made a reservation to Guido's.
00:07:32I hope you're Italian.
00:07:33You won't believe it.
00:07:34What?
00:07:35I just hung up this second.
00:07:37On what?
00:07:38I've got a job dancing in a recital
00:07:42for people because of you, Shakespeare.
00:07:47And you said you couldn't write a good story.
00:07:49You genius.
00:07:50It's okay.
00:07:51Grandpa won't be home till alone.
00:07:52It's got nothing to do with Grandpa.
00:07:53This is what I was afraid of.
00:07:54Why?
00:07:55Why?
00:07:56Because you're barely 17 years old.
00:07:58So you're only 10 years older than me.
00:07:59Karen.
00:08:00You know what you're acting like?
00:08:01A kid.
00:08:02Fine.
00:08:03I'm sorry.
00:08:04I'm sorry.
00:08:05I'm sorry.
00:08:06I'm sorry.
00:08:07I'm sorry.
00:08:08I'm sorry.
00:08:09I'm sorry.
00:08:10I'm sorry.
00:08:11I'm sorry.
00:08:12I'm sorry.
00:08:13I'm sorry.
00:08:14I'm sorry.
00:08:15I'm sorry.
00:08:16I'm sorry.
00:08:17I'm sorry.
00:08:18I'm sorry.
00:08:19Fine.
00:08:20One of us better start acting like a kid.
00:08:24Karen, listen to me.
00:08:27I don't want to be your first lover.
00:08:30Who said you would be?
00:08:41You don't want to make love to me.
00:08:43That is a world-class lie.
00:08:45Then?
00:08:47Is this your first time or isn't it?
00:08:50Tell me.
00:08:51Yes.
00:08:52But I've been thinking about it for months.
00:08:55Years.
00:08:56I hate to tell you this.
00:08:59That doesn't count.
00:09:08Karen.
00:09:09None of this is your fault.
00:09:10It's mine.
00:09:11You're just too old for me.
00:09:40No.
00:09:41No.
00:09:42No.
00:09:43No.
00:09:44No.
00:09:45No.
00:09:46No.
00:09:47Whatever.
00:09:48No.
00:09:49The perfect thing to do is to have the Queen's lead.
00:09:50No.
00:09:52No.
00:09:53No.
00:10:24Uh, if you wait much longer, I'll be 19.
00:10:41Oh, and I've taken care of that other matter.
00:10:44You can't be first anymore.
00:10:46You want to be third?
00:10:51This is black, ma'am.
00:10:54God is the supreme umpire.
00:11:10We may think we have fooled him,
00:11:13but he is keeping a scorecard on every one of us,
00:11:16marking down each error.
00:11:19Mr. Phillips.
00:11:21Yes, sir.
00:11:22If you were asked to name the world's greatest athlete in any sport,
00:11:26whose name would come to mind?
00:11:28Babe Ruth.
00:11:29That's a reasonable answer.
00:11:31But forget Babe Ruth, even Jack Dempsey.
00:11:36Stand up.
00:11:38Oh, I was just stretching you.
00:11:40Stand up.
00:11:41Feel that stomach.
00:11:46Pardon?
00:11:47Feel her stomach.
00:11:48Papa.
00:11:49It's quite all right, Mae.
00:11:50This is scientific research.
00:11:52Well, go on, young man.
00:11:53Reach across the table and poke her stomach.
00:11:57You call that a poke?
00:11:59Dig in, young man.
00:12:00Dig in.
00:12:01You can't hurt her.
00:12:02You can't hurt her.
00:12:14Karen?
00:12:19Karen.
00:12:20Karen, what?
00:12:22What is it?
00:12:24What's wrong?
00:12:25What do you want?
00:12:27Candy in my bag.
00:12:30Please.
00:12:30Please.
00:12:32It's not what you think.
00:12:59Oh?
00:12:59What is it?
00:13:00I have to take it.
00:13:03What?
00:13:05Insulin.
00:13:09Diabetes?
00:13:12You've been hiding it from me for a year and a half.
00:13:16People change when they know.
00:13:19They think I'm going to go blind or drop dead in front of them.
00:13:22I have to talk to them for a year.
00:13:29What if this happens on stage?
00:13:33Pockets.
00:13:34In my dance clothes.
00:13:37I sew them in so that I can sneak a bite of Candy if I feel something happening.
00:13:43Sneak?
00:13:44I can't stop the music and say, wait a minute.
00:13:52See, once you know about it, that's all we talk about.
00:13:55Where are you going?
00:13:56Home.
00:13:57Your grandfather is in Lansing.
00:13:59What if he calls and I'm not there?
00:14:03It's usually called in the middle of the night.
00:14:14Are you all right?
00:14:24Yeah.
00:14:26Are you?
00:14:58It's trouble!
00:15:00It's trouble!
00:15:06It's trouble!
00:15:08It's trouble!
00:15:11It's trouble!
00:15:42Hi. What is it?
00:15:45Nothing. Something. May I come in?
00:15:48Yeah, of course.
00:15:55You're working. I'm sorry.
00:15:57Oh, no. It's okay.
00:15:59Can I take your coat?
00:16:00I can't stay.
00:16:12I know how you feel.
00:16:14You lost your cheerleader.
00:16:16It's not that.
00:16:19I'm rich.
00:16:24Grandpa's will, he left me money for my career.
00:16:29No, please stay there.
00:16:30I've got $3,000, so...
00:16:37So?
00:16:40So I'm...
00:16:42I'm leaving for New York.
00:16:48When?
00:16:50Tomorrow morning.
00:16:54So it's okay?
00:16:56No.
00:16:57It's not okay.
00:17:01What did you expect me to say?
00:17:03Exactly what you're saying.
00:17:06But I came over here to tell you that I love you.
00:17:11And that I'm going to New York.
00:17:14To study.
00:17:15To dance.
00:17:17If I'm good enough.
00:17:19There are newspapers in New York.
00:17:21But you'd have to start all over again.
00:17:23If I'm willing.
00:17:24I'm not.
00:17:25You're practically famous here.
00:17:28You're not giving your career up for me.
00:17:31And you're not giving yours up for me.
00:17:34Chris.
00:17:38I've been waiting my whole life.
00:17:41Ever since I was six.
00:17:43I didn't really believe I'd ever have a chance like this.
00:17:48And now I do.
00:17:49I feel like I'm going to die without you.
00:18:09And...
00:18:10I may be back in a week.
00:18:13And you may not.
00:18:27And I may not.
00:18:28I may not.
00:18:43I may be back in a week.
00:18:46But I'm sorry.
00:18:48I may not.
00:20:52I wanted on the record that I had nothing to do with this interview.
00:20:57Want a song?
00:20:58Be an actor.
00:20:59Want to be a dancer?
00:21:00Dance.
00:21:01Dance.
00:21:02Come on.
00:21:03Come on.
00:21:04Come on.
00:21:05Come on.
00:21:06Come on.
00:21:07Come on.
00:21:08Come on.
00:21:09Come on.
00:21:10Come on.
00:21:11Come on.
00:21:12Come on.
00:21:13Come on.
00:21:14Come on.
00:21:15Come on.
00:21:16Come on.
00:21:17Come on.
00:21:18Come on.
00:21:19Come on.
00:21:20Come on.
00:21:21Come on.
00:21:22Come on.
00:21:23Come on.
00:21:24Come on.
00:21:25Come on.
00:21:26Come on.
00:21:27Come on.
00:21:28Come on.
00:21:29Come on.
00:21:30Come on.
00:21:31Come on.
00:21:32Come on.
00:21:33Come on.
00:21:34Come on.
00:21:35Come on.
00:21:36Come on.
00:21:37Come on.
00:21:38Come on.
00:21:39Come on.
00:22:39What's the matter?
00:22:49Face it, kid.
00:22:50You're not going anywhere until you explain the waterworks in class.
00:22:58What's that?
00:22:59The end of the road.
00:23:00I'm going back to Detroit tonight.
00:23:03What are you doing?
00:23:04There is an audition this afternoon, and I'm taking you with me.
00:23:07I've been to every ballet company in New York.
00:23:10This is Broadway, a new musical.
00:23:13I am not a gypsy.
00:23:15Carrie!
00:23:16No, not yet, you're not.
00:23:17Diane, the ticket.
00:23:19After the audition.
00:23:21Gypsies have to do everything.
00:23:23I can't sing, I can't act, and I've had three jazz classes in my whole life.
00:23:29Ready?
00:23:30Who what?
00:23:30The audition.
00:23:34I'm not going.
00:23:38Would somebody please tell me what's going on here today?
00:23:41My horoscope didn't say a word about all this stupidity.
00:23:45Don't argue about this right now.
00:23:47It would just be another humiliation like last time and the time before.
00:23:51Ow!
00:23:52Terry sometimes forgets that he is the greatest gypsy who ever lived.
00:24:09A gypsy's a Broadway dancer.
00:24:11So?
00:24:11I'm a ballet dancer.
00:24:13You're a dancer.
00:24:14This is Broadway.
00:24:15In two hours, you'll be a gypsy.
00:24:16Just watch Terry.
00:24:17Yeah, well, if I'm so great, will you please tell me why in 20 years I never got the gypsy robe?
00:24:23Politics.
00:24:25What's the gypsy robe?
00:24:28Fame, recognition, glory.
00:24:30Every opening night, it's passed on to the most deserving dancer in the new show.
00:24:33Which eliminates me.
00:24:36Look, Sonny picks kids.
00:24:38And God knows I am no kid.
00:24:41That hurt.
00:24:42That was the general idea.
00:24:44You'll dazzle me with your footwork.
00:24:45You'll never see my footwork.
00:24:46Sonny will line up to me.
00:24:47Stop the boys and tight me out in the first five minutes.
00:25:17Amen.
00:25:18сад PT
00:25:19Also you'll never see my footwork.
00:25:20the values and tight me out in the first five minutes.
00:25:21So think a bit.
00:25:21As you mentioned, I'm gonna shake God."
00:25:22Oh, God.
00:25:23Seven.
00:25:23Eight.
00:25:24Seven.
00:25:24Seven.
00:25:25Seven.
00:25:25Seven.
00:25:25Seven.
00:25:26Seven.
00:25:27Six.
00:25:27Eight.
00:25:28Seven.
00:25:29Seven.
00:25:30Seven.
00:25:30Nine.
00:25:31Six.
00:25:32Seven.
00:25:33Seven.
00:25:34Seven.
00:25:35Turn this.
00:25:36Seven.
00:25:37Seven.
00:25:37Seven.
00:25:38Seven.
00:25:39Four.
00:25:43Seven.
00:25:43Seven.
00:25:44Seven.
00:25:44Five.
00:25:45Seven.
00:26:46The Buns on 234.
00:26:48They have got to be in the show soon.
00:26:50Have you caught the boobs on 233?
00:26:52You cannot let a talent like that walk out of the theater.
00:26:55Okay, girls, relax, please.
00:26:58How about 231?
00:27:00On this personality?
00:27:02Oh, she's a little balletic for the choreography I'm planning, but dynamite technique?
00:27:08I don't know, Sonny. She's a little bit skinny.
00:27:11That's what interests me.
00:27:13She can double as the little boy in act two.
00:27:16That's right.
00:27:17There you are, gentlemen.
00:27:18The two center groups are your dancing chorus.
00:27:20The side groups are runner-ups.
00:27:22Is this your final decision?
00:27:25Now, let's not rush this.
00:27:26We're going to have to live with it for a long time.
00:27:28He means that literally.
00:27:29While he's an experienced producer, Sonny, he's thinking of the show.
00:27:34He's thinking of fun and games in Philadelphia.
00:27:37Sonny, I'd love to have you reconsider number 233.
00:27:41She really does dress up the line.
00:27:44No, no.
00:27:45Okay.
00:27:45Kevin, would you ask 233 to come back in, and 234, would you step out?
00:27:52Would you step out, please?
00:28:24233 is in.
00:28:26233 in.
00:28:27All right, yeah, yeah!
00:28:29Okay, everybody in the A groups, rehearsal in two weeks in this theater.
00:28:34The B groups will be our alternates in case of replacements.
00:28:36Thank you all very much.
00:28:47Incredibly, indisputably in.
00:28:51Okay, you can have it back now.
00:28:53Cash it in.
00:28:54It'll hold you till rehearsal.
00:28:56All right, kids.
00:28:58Pick up the schedule.
00:28:59Five weeks of rehearsal, then three weeks in Philly.
00:29:02You said you're not exactly nuts about the place you're living in, right?
00:29:06Right.
00:29:06And we have this extra room.
00:29:09So, Terry and I thought, what about three roommates?
00:29:14Maybe when the show opens in New York.
00:29:16But we've got a month before we go to Philly.
00:29:17What's wrong with now?
00:29:18Oh, look.
00:29:20If you're worried about Terry, it's just a matter of time till he's working again with his talent.
00:29:26And we haven't even shown you the number one advantage of the room.
00:29:30Ta-da-da-da-da-da-da-da!
00:29:33Ta-da-da-da!
00:29:33Unobstructed view of a giant TV screen, courtesy of Reggie.
00:29:38Reggie for class?
00:29:39Yeah.
00:29:40He bought the TV when he hit the lotto last summer.
00:29:43Now, if you want him to change channels, all you got to do is yell.
00:29:46He's into democracy.
00:29:46And bondage.
00:29:48It makes a refreshing change from all those I Love Lucy reruns.
00:29:53So, what do you say?
00:29:55The Three Mouseketeers?
00:29:56I don't want to take your word for them.
00:29:58What's the difference?
00:29:59Look, I'm not making it as a designer, either.
00:30:01It's not enough to be gay.
00:30:02You've got to have talent.
00:30:04So, looks like it's fine with everybody, right?
00:30:06Yeah.
00:30:07Okay.
00:30:08Nothing left but the roommate's oath.
00:30:09Do you solemnly swear that you will never check out, chat up, or mess around with your roommate's boyfriend,
00:30:15so help you, David Merrick?
00:30:15I do.
00:30:17I do.
00:30:18I do.
00:30:19Oh, yay!
00:30:23I bet your heart won't believe this place anyway.
00:30:25Come on.
00:30:26I'm trying to just have your tears.
00:30:28Taxi!
00:30:30Just get it.
00:30:31Get it.
00:30:32Yo.
00:30:33Just get it.
00:30:33Of course.
00:30:35And a perfect fit.
00:30:3853rd between 8th and 9th.
00:30:40Come on, come on.
00:30:40Here's funny.
00:30:42Come on again, Bernice.
00:30:43I don't want to get this to me by yourself.
00:30:45Right in my car.
00:30:46Let's go home.
00:30:47I don't believe it.
00:30:51No visit to the beautiful people would be complete.
00:30:53I haven't had anything made on me before.
00:30:55Well, I can't have my roommates looking like bag ladies on their opening night.
00:30:58Oh, boo, Reggie, Reggie.
00:31:02Yeah?
00:31:03This channel is the pits.
00:31:06Yell when you see what you want.
00:31:09Hold it.
00:31:11Ooh, ooh, ooh.
00:31:11We got some ballet here.
00:31:14That's gorgeous.
00:31:15That's how it started for me.
00:31:19All of a sudden, I saw my whole life there on the screen.
00:31:24Yeah?
00:31:25Me too.
00:31:25It was some Broadway dance number on the Ed Sullivan show.
00:31:29I don't even remember what it was, but Mom and Pop never knew what hit them.
00:31:32Two days later, I was taking tap, acrobatics, and ballet.
00:31:36I used to practice my tap in the bathroom for the echo.
00:31:38It sounded like old 36 Rockettes got locked in there.
00:31:41The neighbors threatened to sue.
00:31:43But I was happy.
00:31:44God, was I happy.
00:31:45And I still am.
00:31:49Who turned you on the first time?
00:31:51Actually, my first time goes back a little bit farther than Ed Sullivan.
00:31:56Fred Astaire and Ginger Rogers and flying down to Rio.
00:32:01A little bit farther?
00:32:03It was a revival at the Museum of Modern Art.
00:32:07Oh, I'm a revival!
00:32:09Ignore menopause.
00:32:11You couldn't pick a better model for yourself than Fred Astaire.
00:32:14He's talking about Ginger Rogers.
00:32:16At least she had style.
00:32:18You've never seen the film?
00:32:19No.
00:32:21There is this incredible number.
00:32:26Try to imagine dozens of chorus girls in little white shorts dancing on the wing of a plane.
00:32:37And they're singing my all-time number one absolute favorite song.
00:32:42Hit it!
00:32:44My Rio, Rio by the sea-o, flying down to Rio where there's rhythm and rhyme.
00:32:55Say, fella, twirl that old propeller, got to get to Rio and we've got to make time of girls thinking.
00:33:05You'll love it, flying high above it, everything will be okay.
00:33:13We'll sing the wing of a way to you.
00:33:25Is somebody expecting company?
00:33:27Ah, I wish.
00:33:28Do you mind?
00:33:29No.
00:33:30Who are you?
00:33:31Isn't that a rather odd question considering it was you who rang my bell?
00:33:48Oh.
00:33:49Sorry.
00:33:50Obviously, I got the apartment number wrong.
00:33:53There's a girl named Karen Bradley who lives someplace in this building.
00:33:57Here.
00:33:58Pardon?
00:33:59Karen lives here.
00:34:00Come on in.
00:34:07Whom shall I say is calling?
00:34:09Chris Phillips.
00:34:10She'll recognize the name.
00:34:14Isn't that Karen's bathrobe?
00:34:16I'll tell her you're here.
00:34:18Chris!
00:34:22What's wrong?
00:34:23What's wrong?
00:34:24What's wrong?
00:34:25I come 700 miles to find some guy walking around in your bathrobe?
00:34:41We'll go for a walk.
00:34:42Two minutes.
00:34:43Terry and I are like sisters.
00:34:54Your sister's lucky.
00:34:55I almost punched him out.
00:34:56You've been flattered to death this first fight over a girl.
00:35:01I don't understand why you didn't tell me.
00:35:07I told you I was moving.
00:35:09You told me about Diane.
00:35:10Period.
00:35:13Please, Chris.
00:35:14Can't we just be happy?
00:35:17This is such a wonderful surprise.
00:35:20Obviously.
00:35:24Well, it could be wonderful.
00:35:43How long have we got?
00:35:47As long as we want.
00:35:50I quit my job.
00:35:52No.
00:35:54Apartment, car, job.
00:35:55It's all gone.
00:35:58So, you're stuck with me.
00:36:01As soon as I find a job, we can look for a place to live.
00:36:06What are you talking about?
00:36:07What are you talking about?
00:36:08We've got one.
00:36:09We've got one.
00:36:22Morning.
00:36:23Hey.
00:36:24Hi.
00:36:25Is Terry in here?
00:36:26Hey, Terry?
00:36:27Terry.
00:36:28Give me a minute.
00:36:30Hello.
00:36:32Hi.
00:36:36Is Terry in here?
00:36:43Hey.
00:36:44Terry.
00:36:46Terry.
00:36:47Good morning, you're next, for the sink?
00:36:51I don't know, forgot to take a number.
00:36:53Oh, this is Gus, everybody. Hi, Gus. Chris.
00:36:55Gus. Hi, Karen.
00:36:57Oh, Wallace. Hi, I didn't even see you there.
00:36:59Have you met Chris? Chris Wallace.
00:37:01Wallace? Chris.
00:37:03Wallace, Gus.
00:37:05Gus.
00:37:07Terry.
00:37:09Terrific!
00:37:11Terrific!
00:37:13Terrific!
00:37:15Oh, I don't know, I forgot to take a number.
00:37:17Oh, this is Gus, everybody. Hi, Gus.
00:37:19Chris. Hi, Karen.
00:37:21Oh, Wallace. Hi, I didn't even see you there.
00:37:23Have you met Chris? Chris Wallace.
00:37:25Wallace? Chris.
00:37:27Wallace. Gus.
00:37:29Wallace.
00:37:31Terrific!
00:37:33Take five.
00:37:51We're gonna have a wedding!
00:37:53Oh, well, Ernie got engaged last night!
00:37:57Okay, okay, hold it down.
00:38:01May I suggest you save a little energy for the show,
00:38:05if that isn't asking too much?
00:38:09Okay, we got some serious business to take care of.
00:38:11Now, Opal says she wants to get married before we leave town.
00:38:14When's the next day off?
00:38:15Saturday.
00:38:16Any conflicts?
00:38:18Good. Uh, we'll vote on the honeymoon. Let's see.
00:38:21We've only got one day, so Atlantic City's out.
00:38:24How many vote for Coney Island?
00:38:26Whoa, so what about Opal and Ernie?
00:38:28What about them?
00:38:29Shouldn't they decide where they want to go?
00:38:31It's only fair.
00:38:32Fair?
00:38:33We're taking a vote.
00:38:34What could be fairer than that?
00:38:35All right, everyone for Coney Island, raise your hand.
00:38:38All right, everybody.
00:38:40Come on, raise your hand.
00:38:41All right.
00:38:43Yeah.
00:39:03E.E. the bride's glass is empty.
00:39:22Harry, more champagne for the bride.
00:39:33Well, do we get to meet you, Trick?
00:39:55Rick?
00:39:56That's boyfriend.
00:39:58In what?
00:39:59New York.
00:40:01This is Chris Phillips.
00:40:03This is Gino Ray.
00:40:05Coming to Philly with us?
00:40:07Probably not.
00:40:08I just started a new job.
00:40:09Well, Saturdays and Sundays?
00:40:11It's a newspaper.
00:40:12We work weekends.
00:40:13Ah, which newspaper?
00:40:14I read the Times and the Post.
00:40:16You wouldn't know it.
00:40:17It's a neighborhood paper, East Sider.
00:40:18Oh, East Side News.
00:40:21Like local murders?
00:40:22No, no, no.
00:40:23That's our side of Manhattan.
00:40:24Dummy?
00:40:25They have jewel robberies on the East Side.
00:40:27Shouldn't you be back at your table trying to make out?
00:40:30Is that an offer?
00:40:31No, an order.
00:40:35Look, it was nice meeting you.
00:40:37You really ought to get to Philly.
00:40:39There's nothing like a musical out of town.
00:40:42Unforgettable.
00:40:46OK, time to feed the jukebox.
00:40:48Yeah.
00:40:49Party.
00:40:50Party.
00:40:51Party.
00:40:56Oh, there.
00:40:57Haven't you animals ever been to a wedding before?
00:41:00The primal couple dances first.
00:41:02Come on.
00:41:03I said stop.
00:41:04Oh, there.
00:41:05I said stop.
00:41:06This situation's far too hot.
00:41:09Hey, children.
00:41:11Thank you, children.
00:41:41Are you kidding me?
00:41:50What are you doing?
00:41:51This track, it looks like a spastic.
00:41:53You go ahead, go out there.
00:41:55Alone?
00:41:56Who would know?
00:41:58I would like to be sure that this is right.
00:42:06Get it, girl.
00:42:09Why do I feel insecure and focused on the show?
00:42:17I think I know why.
00:42:20Maybe it's because of my mind.
00:42:22I won't give it less than my all.
00:42:25I need a little time so that I'll be strong.
00:42:29You're over anxious.
00:42:31Look, I'm kind of taking time.
00:42:34You're over anxious.
00:42:36Oh, I know I'm not your mind.
00:42:38But I won't believe in any time.
00:42:41I'm in care of over anxious.
00:42:44Over you.
00:42:46Over you.
00:42:58Thank you, children.
00:43:00Woo-hoo!
00:43:04Maybe it's because of my fault.
00:43:07I wouldn't give it less than my all.
00:43:10I need a little time so that I'll be strong.
00:43:13Hey!
00:43:14You're over anxious.
00:43:16You're not the time to take your time.
00:43:19You're so over anxious.
00:43:21Oh, I know it's on your mind.
00:43:24You're so over anxious.
00:43:26You're not the time to take your time.
00:43:29Oh, what happened?
00:43:30It's getting warm in there.
00:43:31I went to the bus.
00:43:32I picked the subway.
00:43:34Chris?
00:43:35Chris?
00:43:36What's wrong?
00:43:37Life is just a little crowded, that's all.
00:43:40Gino's just that way.
00:43:41Pushy with everybody.
00:43:42It's not Gino.
00:43:43It's all of them.
00:43:44It's all of them.
00:43:45When you're with them, they swallow you up.
00:43:47That's what I came here for.
00:43:48To be swallowed up?
00:43:49No, to be part of this!
00:43:52You couldn't please look around.
00:43:55Come out.
00:43:56You know.
00:43:58You don't have to.
00:43:59People.
00:44:00You're Valley Road for drive camping.
00:44:02It's a brat.
00:44:03They're flying in a tree.
00:44:04For the raised bike, Cecilia.
00:44:05Found on the Azificia road.
00:44:07Yes, of them.
00:44:08You had to listen to someone from one of his Satsasana.
00:44:11No, it was a part of a movie.
00:44:13I had to watch a movie called women.
00:44:15Hi.
00:44:16Hi.
00:44:17You could be, too.
00:44:18Except for one small problem.
00:44:20You don't want to be.
00:44:25I want to be with you.
00:44:27Just you.
00:44:30Now, that may be a revolutionary idea in some circles,
00:44:34but you're working now. I'm working.
00:44:36We ought to be able to afford a place where we know most of the people in the bathroom.
00:44:42I'm sure there's something in the Constitution that guarantees your right to be a gypsy in the class.
00:44:46And at the theater and in rehearsal.
00:44:48But when you come home...
00:44:50Okay.
00:44:52I mean, our home.
00:44:55One apartment. Two people.
00:44:59I understand. Honest.
00:45:02As soon as I come back from Philadelphia, we'll start looking.
00:45:08Every day.
00:45:14Did you check the answering machine when you came in?
00:45:16No.
00:45:17You should've.
00:45:18Guess what?
00:45:19What?
00:45:20Tell them.
00:45:21A job!
00:45:22In a job!
00:45:23Yes!
00:45:24Where else did you find the king of the gypsies?
00:45:28Do you realize what this means?
00:45:29We're never going to have to hear Terry's darling.
00:45:31I'm growing old garbage again.
00:45:35Hell.
00:45:36Do you know, I didn't feel this young when I was young.
00:45:39You forgot already.
00:45:40You are young, you idiot.
00:45:42That's right.
00:45:43I'm a young idiot.
00:45:45You are a young rich idiot.
00:45:48I'm a young rich idiot.
00:45:50Okay, friends.
00:45:51Think about this.
00:45:52With all four of us working, we can redo the bathroom.
00:45:56Four sinks in a row.
00:45:57Yes.
00:45:58No more standing in line, no more waiting.
00:46:00And the conversation.
00:46:01The laughs.
00:46:02Can you picture it?
00:46:15Can someone tell me why hotel phones are always so loud?
00:46:18Philadelphia lying in.
00:46:21What are you on?
00:46:23No, you don't have to talk to her sweetheart.
00:46:25As soon as she finishes unpacking, she is going to bed.
00:46:28Alone.
00:46:29If you don't count me.
00:46:32You just turned down an intimate little dinner with Guinness.
00:46:35Who?
00:46:36Gino.
00:46:37I thought his name was Ray.
00:46:38Guinness is his gypsy name.
00:46:40It used to be the Saucy Aussie.
00:46:43But the last show he was in, there were eight girls in the chorus.
00:46:46And he got it on with seven of them.
00:46:48So the kids sent it into the Guinness Book of World Records.
00:46:51Of course, they were too chicken to print it.
00:46:54What are you laughing at?
00:46:55You, believing that story.
00:46:58Gino Fry made it up.
00:47:00You're talking to number seven.
00:47:03It was out of town.
00:47:04A tryout.
00:47:05Like this.
00:47:09After a week or so, the rest of the world disappears.
00:47:12Nothing's real but the show and the people you're working with.
00:47:16Did you know about the other girls?
00:47:19The stagehand's new.
00:47:21Gino's not the kind to hide his light under a bushel.
00:47:24But why?
00:47:26Curiosity, maybe?
00:47:29After all, where there's all that smoke, there must be a hell of a fire.
00:47:34Is there?
00:47:36Curious?
00:47:38Let's see this cue without 55 through 60.
00:47:45Good.
00:47:46Cheryl, may we have the coat off?
00:47:47I'd like to see how the yellow looks under the lights.
00:47:48Thank you, dear.
00:47:49Karen Bradley?
00:47:50Sunny and Mr. Kagan want to see you in dressing room D right now.
00:47:51Where's Gino Ray?
00:47:52You, too.
00:47:53Put you 55 back in.
00:47:54Down a couple of points.
00:47:55Woof.
00:47:56Something has got to go.
00:48:09I am throwing out the whole second act opening and redoing it as a pas de deux.
00:48:15It'll be more balladic than anything else in the show.
00:48:20A lot of lifts.
00:48:22Meet me at 3 o'clock at Lulu Temple.
00:48:24We've got to get this number in the show by opening night.
00:48:27But that's tomorrow night.
00:48:29If I can create it, you can learn it.
00:48:32I can learn it.
00:48:33Sonny?
00:48:34Yeah?
00:48:35What about money?
00:48:36That's Phil's department.
00:48:46How much more are we getting?
00:48:52An extra 25.
00:48:55For eight performances a week?
00:48:56That's a lousy three bucks a performance.
00:48:58I never heard of a dancing school that taught business administration, but you seem to have
00:49:01found one.
00:49:02How much do you weigh?
00:49:04About a hundred.
00:49:05Sonny says there's going to be a lot of lifts.
00:49:08Say there's a dozen.
00:49:09How much is that?
00:49:10You're the one with the head for figures.
00:49:13Twelve hundred pounds.
00:49:15That's how much I've got a lift every time I drew that number.
00:49:18And on matinee days, it's 2,400 pounds.
00:49:21That's more than a ton.
00:49:22That's how you judge a work of art?
00:49:25By tonnage?
00:49:26Look.
00:49:27How long does a male dancer last?
00:49:30Ten years?
00:49:32Fifteen?
00:49:33And what goes first?
00:49:35The back.
00:49:36Thirty.
00:49:37What?
00:49:38Thirty a week over minimum.
00:49:39Don't bother to break down the five extra bucks.
00:49:40It comes to 62 and a half cents per performance or 5.3 cents per lift.
00:49:42Sign here.
00:49:43You and Gino?
00:49:44It's a pas de deux.
00:49:45We're still in the course.
00:49:46But when the second act starts, it's just us.
00:49:47Well, listen.
00:49:48I'm supposed to cover this dumb charity thing tomorrow night, but I'm sure I can get someone
00:49:51to cover for me.
00:49:52Are you talking about coming here?
00:49:53Of course.
00:49:54It'll be the most important night of your life.
00:49:55It'll be a miracle if I even remember the steps.
00:49:57Wait till the number's been in a few days.
00:49:58Then I want you to see me.
00:49:59You know how you are about your first drafts.
00:50:00Yeah.
00:50:01I gotta go to rehearsal.
00:50:22I gotta go to rehearsal.
00:50:26Wish me luck.
00:50:27Right I'll call you tomorrow night after the show good
00:50:36Bye
00:50:57Oh
00:51:27Oh
00:51:57Let's go
00:52:06Let's go
00:52:06Chassis and a big lid
00:52:08Come on
00:52:25Come on
00:52:26Karen you okay she's all right
00:52:28She's all right she's all right
00:52:29Easy with the weight on
00:52:31What's wrong what's wrong
00:52:33Karen
00:52:33Uh temperament
00:52:36Temperament
00:52:37Are you all right
00:52:55Oh what is it your ankle
00:52:58No it's okay you caught me
00:53:00Oh somebody's waiting for us
00:53:04What
00:53:05It's over
00:53:09What are you talking about
00:53:12I can't that's all
00:53:14What are you crazy
00:53:16This is crazy you think we'll remember a step
00:53:19Oh listen when you hear the music
00:53:21I'll drop dead right in front of the audience
00:53:23Listen
00:53:27Andrew will be in the wings dancing every step
00:53:30And I mean if we get stuck we'll just improvise until we come to something we can remember
00:53:36I mean you're gonna go for a time now
00:53:38And you win without pouring out right
00:53:39Yeah
00:53:40Yeah
00:53:41Yeah
00:53:41Yeah
00:53:42Yeah
00:53:42Yeah
00:53:42Yeah
00:53:43Yeah
00:53:44Yeah
00:53:44Yeah
00:53:46Yeah
00:53:46Yeah
00:53:46Yeah
00:53:46Yeah
00:53:47Please
00:53:48Okay
00:53:48Yeah
00:53:49Yeah
00:53:49Yeah
00:53:50No
00:53:51Yeah
00:53:51What?
00:53:56Please.
00:54:00This will never happen again, never.
00:54:05You don't know.
00:54:08This is your first show.
00:54:11I've been waiting.
00:54:16It's not a question whether we can, but we've got to.
00:54:22Because now, I'll never...
00:54:29...day.
00:54:36It's okay.
00:54:39We'll do it.
00:54:41And if we're lousy, what can they do? Climb over the footlights and lynch us?
00:54:48Ascrow.
00:54:52Screw everybody but us.
00:54:56That's the Philadelphia spirit.
00:55:05How are we doing?
00:55:07We're gonna go again from the same place. Take it easy.
00:55:10Just mark it.
00:55:12Don't dance full out.
00:55:14Not full out.
00:55:19Five, six, seven, eight!
00:55:43Give me an opening.
00:55:44Oh, my God.
00:55:48I'm even inside.
00:55:50Stop playing for location.
00:55:54Make a new place...
00:55:56Well, look!
00:55:58And here's theоки gef ganzenă-
00:56:02Oh, dammit! I'll do it soon! I've got to be on somebody!
00:56:10Eight, please.
00:56:40Oh. Oh.
00:56:48Want crabs?
00:56:49Oh, nuts!
00:56:51Well, look, no matter how tired you are, I'll make sure you have a hot bath before going to bed.
00:56:55I can't. Diane's sleeping. God knows what time they finish rehearsal.
00:57:01Well, come up tomorrow. They won't keep me awake. We're both in the same boat.
00:57:09I said bold, not bad.
00:57:15Eight floor.
00:57:24Nine, please.
00:57:26Oh, that was the best bath I ever had.
00:57:41Now let's see what we can do about those knots. Well, I don't want to have to dance that number with Andrew. Why not? Why not?
00:57:48Why not? Why not?
00:57:50Why not?
00:57:54Why not?
00:57:55Oh, I don't want to estaba by.
00:57:56Why not?
00:57:57Why not?
00:57:58I don't want to have to be.
00:57:59I don't want to be here.
01:02:34Unbelievable.
01:02:35Fantastic.
01:02:36Until I forgot the steps.
01:02:37Ah.
01:02:38Three lousy seconds.
01:02:39Who noticed?
01:02:40Sonny.
01:02:41If he says one word to you, I'll break his legs.
01:02:48How's it doing?
01:02:49I think I wrecked it tonight.
01:02:50Oh.
01:02:51What's that?
01:03:02What's that?
01:03:03What's that?
01:03:04Zen.
01:03:05It'll cut the healing time in half.
01:03:08If it works?
01:03:09If it works, I'll have it tattooed.
01:03:15Hungry?
01:03:17Uh, no.
01:03:18Come on.
01:03:19It's opening night.
01:03:20We've got to do something for God's sake.
01:03:21A hamburger at least.
01:03:22A hamburger at least.
01:03:23Ready?
01:03:24Oh.
01:03:25Welcome to the Guinness Book of World Records.
01:03:30Leave you.
01:03:31Leave you.
01:03:32No.
01:03:33I can't do that.
01:03:34But I can love you if you'll let me.
01:03:35Well, I didn't expect to see you again tonight.
01:03:48Who?
01:03:50Anybody.
01:03:51May I come in?
01:03:52Um, I'm not dressed.
01:03:54I wouldn't recognize you if you were.
01:03:57Ah, well, it's different here.
01:04:00How?
01:04:01Um, not alone.
01:04:04I know.
01:04:06Karen's with you.
01:04:07Uh, no.
01:04:08Not tonight.
01:04:09I got lucky.
01:04:12One of the actors.
01:04:14He's, uh, well, I thought you were him.
01:04:17Then why did you say I didn't expect to see you tonight?
01:04:21Oh.
01:04:22Tony's moody.
01:04:23He's, uh, sort of a tomcat.
01:04:26Uh, never know where he's gonna wind up,
01:04:29but, uh, as far as I know, it's still on.
01:04:33So, uh, where's Karen?
01:04:38That's what I'm trying to tell you, Chris.
01:04:42She's, uh, staying with another girl tonight.
01:04:44As a favor.
01:04:45To me.
01:04:46Which girl?
01:04:47I don't know.
01:04:48Uh, the whole thing happened so fast.
01:04:50I just said I need some privacy tonight, and she said sure.
01:04:54You probably thought only guys helped each other out that way.
01:04:58Look, Chris.
01:05:00I don't wanna be rude, but if Eddie walks in and finds another guy here...
01:05:04Tony.
01:05:05What?
01:05:06The tomcat.
01:05:07His name was Tony a minute ago.
01:05:10But I see what you mean about the way girls stick together.
01:05:13It's impressive.
01:05:15May I use your phone?
01:05:17Honest to God, Chris, I don't know where she is.
01:05:20What's Gino's last name?
01:05:23Don't, Chris.
01:05:26All right, tell me his room number.
01:05:29You don't know what she's been through.
01:05:31You can't imagine the pressure, the tension.
01:05:33What the hell with the tension?
01:05:35What the hell with Philadelphia and this show and this magical gypsy world
01:05:39that ordinary people like me aren't qualified to understand?
01:05:44You know what you look like to me?
01:05:46A bunch of overage Peter Pans that think they can get away with anything
01:05:50so long as they refuse to grow up.
01:05:52What the hell do you think that is out there?
01:05:55Disneyland?
01:05:59Where are you going?
01:06:00New York.
01:06:02I'll be moved out by the time you get back.
01:06:05What'll I tell her?
01:06:07Tell her?
01:06:15Tell her I figured it would be all right if I came after the show
01:06:20when the pressure was off.
01:06:22And, uh, I hope everything went great tonight.
01:06:29I mean at the theater.
01:06:34Well, there it is, folks, the bad news.
01:06:36For the fourth day in a row, old man Winter is socking it to the Philadelphia area.
01:06:40The thermometer may not break, uh, 20 degrees today,
01:06:43so if old Fido's out there in the garage,
01:06:45you might think of letting him come into the house, especially tonight,
01:06:48because it's going to get, you guessed it, colder down into the single digits.
01:06:53for this band of cold Canadian air that is plunged in...
01:07:06Hey.
01:07:07Don't bother.
01:07:08Bad news.
01:07:10Oh.
01:07:13But there's something about Gino and me.
01:07:17Yeah?
01:07:18What do you say?
01:07:24Hats off to choreographer Sonny Frye and the two lustrous young dancers he has thrown into the dance firmament.
01:07:29Miss Bradley alone is worth the price of admission.
01:07:34What?
01:07:38Even if the rest of the show isn't.
01:07:40Well, that's a death notice if I ever read one.
01:07:45What are you doing?
01:07:46Calling Chris.
01:07:47You want to know what happened?
01:07:48He, uh, sort of does.
01:07:56He was here last night.
01:07:58In Philadelphia?
01:08:00Yeah.
01:08:02But we decided he wouldn't come.
01:08:04No, you decided.
01:08:05He waited till the show was over so he wouldn't make you nervous.
01:08:10Where is he?
01:08:12In New York.
01:08:13Moving out.
01:08:15You told him where I was?
01:08:17I made up a whole story.
01:08:22He's a newspaper man.
01:08:23He's used to digging out facts.
01:08:48Here.
01:08:50Blow.
01:08:53Any improvements, Susie?
01:08:55Enough to get me through line A at the unemployment office.
01:08:58Yeah.
01:09:00The robe!
01:09:02The robe!
01:09:04The dress is the robe!
01:09:05The robe?
01:09:06The dress is the robe!
01:09:08The dress is the robe!
01:09:10Show me.
01:09:11What?
01:09:12I brought the robe.
01:09:13I brought the robe.
01:09:14But that's for opening night in New York.
01:09:16Yeah, but when we heard the show was never coming to New York, I was delegated to come to Philly to present the gypsy robe to... Diane Davis!
01:09:26Oh, God!
01:09:28Oh, God!
01:09:29Oh, God!
01:09:31Oh!
01:09:32Oh, God!
01:09:33Oh, God!
01:09:34Oh, God!
01:09:36Oh, God!
01:09:37Oh, God!
01:09:38Oh, this is history!
01:09:39Oh, God!
01:09:41Oh, God!
01:09:43Oh, big of an Oscar!
01:09:45Oh, bigger than the Tony!
01:09:46Oh, my God!
01:09:47A hundred years from now, they're going to know
01:09:50Diana Davis won the gypsy row.
01:09:53Oh, and guess who picks the winner in the next show?
01:09:55Me.
01:09:56Oh, God, so guess who gets the row next?
01:09:58The greatest gypsy of all time.
01:10:01Terry Dover.
01:10:04Oh, God, it's the beginning of a dynasty.
01:10:10Well, what's the matter?
01:10:12You don't know?
01:10:14What?
01:10:14Terry got fired the third day of rehearsal.
01:10:20Fifteen minutes, ladies and gentlemen.
01:10:21Fifteen minutes to magic time.
01:10:23Fifteen minutes.
01:10:29I've been calling since eight o'clock.
01:10:31Well, he's probably out.
01:10:32Celebrating?
01:10:33No, forgetting.
01:10:35He can't afford a beer.
01:10:37I know.
01:10:37No answer?
01:10:40I'm going to New York with Joanie.
01:10:42But we have a matinee tomorrow.
01:10:43Yeah, and we close tomorrow night.
01:10:44What are they going to do?
01:10:45Fire me?
01:10:46Well, maybe if we keep calling, we'll be able to get home.
01:10:47No, I know Terry.
01:10:48When he's upset, he won't answer the phone.
01:10:49He's probably sitting there right now eating himself up.
01:10:53Needs me.
01:10:54Okay.
01:10:55Okay.
01:10:57Karen.
01:10:57Uh, the guys want to go out and travel their sorrows.
01:11:05I'd take you, but they said no girls.
01:11:08I wouldn't go anyway.
01:11:10Look, I'll call you when I get back to the hotel.
01:11:13Okay?
01:11:13Yeah.
01:11:36Terry?
01:11:36Terry?
01:11:36I just want to know one thing.
01:11:53Were you here at 11 o'clock when the phone rang?
01:11:56I just want to know one thing.
01:12:05Reggie?
01:12:07Hi, honey.
01:12:08Have you seen Taryn?
01:12:09No.
01:12:10Aren't you supposed to be in Philadelphia?
01:12:17Ah!
01:12:18Ah!
01:12:18Ah!
01:12:18Ah!
01:12:18Ah!
01:12:19Ah!
01:12:19Ah!
01:12:20Ah!
01:12:20Ah!
01:12:21Ah!
01:12:21Ah!
01:12:22Ah!
01:12:22Ah!
01:12:23Ah!
01:12:23Ah!
01:12:24Ah!
01:12:25Ah!
01:12:25Ah!
01:12:26Ah!
01:12:27Ah!
01:12:28Ah!
01:12:28Ah!
01:12:29Ah!
01:12:29Ah!
01:12:30Ah!
01:12:30Ah!
01:12:31Ah!
01:12:31There has to be something.
01:12:34You know, um, some kind of s-service.
01:12:37We'll take care of it.
01:12:39Like always.
01:12:40What is he?
01:12:41What-what was he?
01:12:42A gypsy.
01:12:43I mean, his religion.
01:12:44So do I.
01:12:45Ah!
01:12:46Ah!
01:12:47Ah!
01:12:48Ah!
01:12:49Ah!
01:12:50Ah!
01:12:51Ah!
01:12:52Ah!
01:12:53Ah!
01:12:54Ah!
01:12:55Ah!
01:12:56Ah!
01:12:56Ah!
01:12:57Ah!
01:12:57When the police came, they assumed he was my husband so I said Yes.
01:13:02You know how some cops are about gays.
01:13:05Anyway, I did love him.
01:13:10Oh!
01:13:11Did I- Who did I ever love more?
01:13:14Did he leave a note?
01:13:15Ah!
01:13:17Who needs a note?
01:13:18He got fired.
01:13:21They said they came right out and told him he was too old.
01:13:2539 isn't that old.
01:13:28It is when you're 44.
01:13:3044?
01:13:33You want another shock?
01:13:35Diane Davis isn't 29.
01:13:37I don't care.
01:13:38Well, I do.
01:13:40Next month, I'll be...
01:13:51Hello?
01:14:10Gino?
01:14:12Hi.
01:14:14I just walked in a few minutes ago.
01:14:16I was gonna call you.
01:14:17May I come up?
01:14:18Hey, I admire your spirit, but we've got two shows tonight.
01:14:21I've got to come up, Gino, please.
01:14:23What's wrong?
01:14:25I'll tell you when I get there.
01:14:42There's gotta be someone in the company who's got a valley and we're all red.
01:14:45I mean, you're gonna freak out if you don't get something.
01:14:50Where are you going?
01:14:52To Kelly's room.
01:14:53He's a walking drugstore.
01:14:54So...
01:15:54The funeral director said this was a first-class cemetery.
01:16:00It's okay. You'll be facing the other way.
01:16:03The perpetual maintenance better be the real thing.
01:16:06I'm coming back to check.
01:16:10Lori's gonna freeze to death.
01:16:24My Rio, Rio by the sea-o.
01:16:36Flying down to Rio where there's rhythm and rhyme.
01:16:47Hey, feller, twirl that old propeller.
01:16:59Got to get to Rio and we've got to make time.
01:17:07You'll love it.
01:17:17Soaring high above it.
01:17:21Everything will be okay.
01:17:28We're singing and winging our way to you.
01:17:36Hmm.
01:17:38Hi, this is Ozzy Moss.
01:18:07Ozzy, this is Karen.
01:18:08He's here to look at the extra room.
01:18:14Diane, could I talk to you like alone?
01:18:20Oh, sure.
01:18:22Uh, why don't you go take a look at it?
01:18:24It's down at the end of the hall.
01:18:27You never said a word.
01:18:30I just met him today in class.
01:18:32What was I supposed to do, send a telegram?
01:18:34You're gonna put him in Terry's room?
01:18:36You want him in yours?
01:18:38You know what I mean.
01:18:40No, I don't.
01:18:42It's like going out to get a new dog after the old one dies.
01:18:55Are you accusing me of forgetting Terry?
01:18:58Well, what is it?
01:18:59Do you know where I went today?
01:19:01I went back to the house of crepes.
01:19:03Well, congratulate me.
01:19:04I'm a waitress again.
01:19:05Diane.
01:19:06Don't apologize.
01:19:07I wasn't going to.
01:19:08Why not?
01:19:10It just hurts to think of somebody else in Terry's room so soon.
01:19:18Do you think it doesn't hurt me?
01:19:20But guess what?
01:19:21Diane Davis is going to survive.
01:19:23I was born to dance.
01:19:25I know.
01:19:26I know.
01:19:27No.
01:19:28Born to dance.
01:19:29Not dish up slop for crepes who just want to pinch my butt and stiffen me.
01:19:33The house of crepes is survival.
01:19:35Ozzie is survival.
01:19:37Nobody replaces Terry for one second.
01:19:40Ever.
01:19:41But Ozzie is one third of the rent, so I can hang in.
01:19:44And you can hang in where we belong here.
01:19:46Till it happens.
01:19:47And when it does, we'll be ready.
01:19:48Do you understand?
01:19:49Yeah.
01:19:54Forget Terry?
01:19:56I am going to beat the system that beat Terry.
01:19:59You call that forgetting?
01:20:16Chris.
01:20:18Can I come in?
01:20:19Of course.
01:20:24I'll get Karen.
01:20:48You come in.
01:21:09Is it out?
01:21:16I read about Terry in the paper.
01:21:20I'm sorry.
01:21:24I would've come to the funeral, but I didn't want to intrude.
01:21:29I know how you feel.
01:21:30No, you don't.
01:21:35I like Terry.
01:21:40Diane, too.
01:21:43I didn't understand.
01:21:47But I think I do now.
01:21:56Let me get my coat.
01:22:06I got a new job.
01:22:08And a real paper.
01:22:10Washington Post.
01:22:12Oh, Chris, that's wonderful.
01:22:14Yeah.
01:22:17Washington's a great city.
01:22:20I don't know if they have a ballet company there, but I'm sure there are plenty of classes.
01:22:23What are you saying?
01:22:27Come along.
01:22:28With you to live?
01:22:32We could get married.
01:22:36We should get married.
01:22:37Well, all I know is that I'm going tomorrow.
01:22:49No matter what.
01:22:51No more East Sider.
01:22:54No more Gypsy Camp for me.
01:22:55No more Gypsy Camp for me.
01:23:01It's a plane ticket to Washington.
01:23:07I'll be at the shuttle at LaGuardia at 2 o'clock.
01:23:09So much has happened.
01:23:19So much to sort out.
01:23:22The show.
01:23:24Terry.
01:23:26Gino.
01:23:28Gino.
01:23:30Us.
01:23:32I wish I could blame it all on Philadelphia.
01:23:37Why not?
01:23:38Everyone else does.
01:23:40We'll probably tell Philadelphia jokes in Poland.
01:23:43Please don't make me laugh.
01:23:49I love you.
01:23:51Please don't make me cry.
01:24:00I just know one thing.
01:24:03And that is that I don't want to hurt you anymore.
01:24:07Don't worry about it.
01:24:10Before you nothing hurt because nothing mattered.
01:24:13But now.
01:24:17A lot of things hurt.
01:24:19Because they matter.
01:24:24That's an important lesson for someone in my business.
01:24:27I learned it from you.
01:24:30But.
01:24:33I've always said you were too old for me.
01:24:37Maybe I'm catching up.
01:24:39I'll be at the shuttle at LaGuardia at 2 o'clock.
01:24:48I'll be at the shuttle.
01:24:49Until next day.
01:24:51I'll see you next time next time.
01:24:53Bye-bye.
01:24:55I'll see you next time.
01:24:58Bye-bye.
01:25:07Bye-bye.
01:25:09Bye-bye.
01:25:10Let's get started.
01:25:40Don't you hear the phone?
01:25:47No.
01:25:48It's for you.
01:26:01Diane!
01:26:02You won't believe who it was!
01:26:04The woman at Joffrey!
01:26:05There's an audition Saturday.
01:26:07I left my Philadelphia and I read it!
01:26:09What's the matter?
01:26:13I haven't had my pointe shoes out in three months.
01:26:16So?
01:26:17Take two classes a day.
01:26:18With what?
01:26:19There's an opening for a gifted waitress at the House of Crapes.
01:26:23Come on, shake it.
01:26:25You can make Madame Eugenia's one o'clock.
01:26:28You okay?
01:26:29I'm okay.
01:26:31Wait, what's this?
01:26:36My suitcase.
01:26:37I can see that.
01:26:38What's it doing here?
01:26:39What?
01:26:40What?
01:26:41What?
01:26:42What?
01:26:43What?
01:26:44What?
01:26:45What?
01:26:46What?
01:26:47Washington passenger is a good boat.
01:26:53Please contact the shuttle captain.
01:26:55If you're planning it, take a two-block shuttle.
01:26:56You're better bored.
01:26:57One minute.
01:26:58You don't have to say what's going on inside.
01:27:07Hurry!
01:27:08You have to obey what cannot be done.
01:27:14I'm sorry.
01:27:16You're living in your own house.
01:27:18Why?
01:27:19You're a good man.
01:27:20If you're like a female ride.
01:27:21I'm sorry.
01:27:22Maybe.
01:27:23You're gonna have to do your, you look at it.
01:27:25You're a good man.
01:27:26You're a good man.
01:27:27You're a good one.
01:27:28Bye.
01:27:29Bye.
01:27:30Bye.
01:27:31Bye.
01:27:32Bye.
01:27:33Bye.
01:27:34Bye.
01:27:35Bye.
01:27:36Bye.
01:27:37Bye.
01:27:39Bye.
01:27:40Bye.
01:27:41Bye.
01:27:42May I inquire what is so important of her?
01:27:51Nothing, Dan.
01:27:53You wish class was over, maybe?
01:27:56No, it's not.
01:27:57Develop me.
01:28:02Hurt?
01:28:04Yes, but down.
01:28:09He's supposed to hurt.
01:28:12He's supposed to hurt.
01:28:42Let the disbeliever stand aside.
01:28:48You can make the heavens open wide.
01:28:53Isn't it everything?
01:28:56Everything is good.
01:28:59Isn't it everything?
01:29:03You knew that it would be.
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